#there's hardly even a sort of re-introduction for long time viewers | Explore Tumblr posts and blogs

itsclydebitches · 5 years ago

Text

RWBY Recaps: “The Enemy of Trust”

Welcome to the finale, folks! A quick fun fact for you all. Total length of RWBY Recaps Volume 7 is:

68,611 words, or 115 pages single spaced. Yeesh. No wonder I never got anything else done on Saturdays.

Overall thoughts on the finale? There are pieces embedded in this episode that I really liked. Meaning, all these conflicts and reveals could be seen as truly wonderful bits of storytelling... provided you ignore the horrible, messy context it’s all situated in. For example, I greatly enjoyed that fight with Neo... provided I ignore the stupidity that was the group keeping the relic in the first place. I love the idea of Penny becoming the Winter Maiden... it’s just too bad there wasn’t any setup for that in the form of Penny’s emotional growth, either by re-bonding with Ruby or by something amounting from that frame job. I adore that Ozpin is finally back!! ...So I guess I just have to ignore how he pretty much only existed as thematic exposition and that his bad treatment by the writers hangs over his return. It’s all very “Could have been good if the rest hadn’t been so astoundingly bad.”

First though, before the plot, I wanted to dip by toe into some of the questions we went into this volume with and some of the primary ones that sprung up along the way. Simple answers are attached.

Will the group’s dangerous attitude be addressed along with the introduced hypocrisy in regards to secret keeping? Ha! Not at all. Everything was thoroughly reinforced and last we saw the group---besides generic airship shots---they were triumphantly defeating Ironwood’s evil Ace Ops. So that’s that on that.

Will Ozpin come back and will there be reconciliation with the group? Yes! But also no! Why have a volume tackling with the biggest personal conflict the group has ever faced when you could instead just have another “Ozpin speaks a handful of words during a life-and-death situation”? Yes, yes he gets that massive monologue. We’ll get to that, but suffice to say it doesn’t exactly accomplish anything. Just hammers home how desperate I am to have his character back that I’ll take anything they’re willing to give me.

How will the group handle the death of Adam---one of the most significant deaths to date next to Pyrrha’s---and how will the reveal of his brand impact Weiss and her time at home? It won’t. Blake and Yang vaguely reference him once and that’s it. Apparently killing your abuser in self-defense creates no lasting trauma we should deal with and major reveals from villains straight up don’t matter.

What will the story do with their new character Maria? Uh, nothing. She exists off screen for the entire volume, only popping up in the last second to (maybe?) help Pietro get the scrolls working again. Oh, and she’s stolen another airship.

How will Qrow’s alcoholism continue to impact the group and how will he learn to start managing his addiction? No idea because that happened off screen. And then was presumably erased when Clover died.

Will the group ever discuss the hopelessness attached to their mission and come to the realization that their fight is worthwhile even though they can’t kill Salem? Sort of...? Because yeah they come to that realization but, again, it happens off screen. More significantly, it happens so well, apparently, that the group is now willing to feed Ironwood’s own false hope (like the fandom claims Ozpin did to them) and will be able to stand in front of Salem herself and announce that she’s totally beatable. And we’re going to risk a whole Kingdom on that came-out-of-nowhere confidence.

What does the Staff of Creation do and how will our characters potentially use it in their plans against Salem? We learn that the staff keeps Atlas afloat and it’s definitely a part of Ironwood’s plans, so there’s that.

How will Ruby continue to train and improve her Silver Eye powers? In the messiest and most contradictory manner possible. We’re shown twice in the last three episodes that she can’t get them to work and then suddenly they’re working again when the plot wants Cinder to skedaddle because there’s five minutes of the episode left. Like Qrow’s semblance, Ruby’s eyes are based on a switch that the writers turn on or off depending on their whim.

What will this volume tell us about Nora given all the hype surrounding the importance of her character this season? Nothing, really. All Nora does is solidify her relationship with Ren in a non-consenting manner and yell at Ironwood about Mantle while helping to orchestrate the city’s lack of resources. Even ignoring the issues inherent in these scenes, what we “learned” about Nora this volume is that she loves Ren, is protective of those who come from a similar background as she does, and will run to hug Oscar when given the chance. So...nothing.

Now the reason I provided this long-ass introduction is so that a) we can remember what we actually hoped/expected the volume to accomplish now that we’ve reached the end (RWBY introduces so many things that viewers---myself included---outright forget that we were supposed to tackle certain plot points or character beats) and b) to demonstrate just some of the writing problems that are impacting this finale. This is what I mean when I say that this finale could have been really solid if not for... all of that. And “that” is just a small sampling of the issues we’ve built up over the last two years.

But on to the actual plot.

We open on Jaune yelling, “Give up!” at Neo, which isn’t a heavy-handed reflection of the entire RWBYJNR group or anything. As said though, I did really enjoy the choreography of this fight. Oscar gets that excellent moment where he catches the relic with his cane, as well as when he grabs hold of Neo’s legs to keep her from fleeing. Jaune manages to protect them with two different kinds of shields now embedded in his shield. It’s a shield-shield. And Neo herself is always a joy to watch, demonstrating so much personality as she teases her way through each attack. I was thinking throughout this scene that I’d love to see her and Tyrian fighting together. That would be an excellent blend of insane/arrogant enjoyment.

The problem is that Neo is just having such an easy time of it. Which, I should be clear, is what I wanted based on the logic of the situation. Neo should be able to kick their asses with relative ease. The only reason why this is an issue is because it severely complicates what we saw last episode. How was Oscar able to survive her attack for however long? How was he able to land such a solid punch when now Ren and Nora fly at her with the same kind of obviousness and Neo deflects them with ease? I’m thrilled that the finale gave us such a long moment with Oscar, but the series as a whole still has a problem with relegating most of his development off screen. Seeing the comparatively vulnerable farm boy face off against one of our strongest villains should have been a focus last episode, not something that happens in the ether of, “Well I guess all that worked out somehow despite Neo kicking their asses here.” It’s an issue of consistency and convenience primarily. The show seems to have the characters on a very malleable power scale nowadays. Oscar isn’t strong enough to help with the geist, but he’s strong enough to land the first solid hit on Neo. Team RWBY is strong enough to take out the most elite group of huntsmen in Atlas, but Team JNR isn’t strong enough to take out a single villain four to one. It makes it harder to invest in anyone or anything because we’re always on shaky ground. The viewers never know when the writing will obey the rules it has set up or chuck them away on a whim.

The fight is interrupted though when the guards spot them. Did Ruby mention that they were being arrested in her announcement? Did Ironwood announce that before or after Ruby called? I honestly can’t remember and right now I’m too lazy to check. I was just a little surprised that Jaune immediately knew to run from the guards, rather than going, “Hey, crazy woman attacking us please help.” But eh, I’m happy enough to chalk that up to either my own shaky memory or a small connection lost. RWBY has way bigger problems than details like, “How did so-and-so know about such-and-such?” Not unless that information holds way more weight.

So they flee and we actually get to see some reaction to fighting for once. Oscar in particular is clearly exhausted and his clothes are done-in from the battle. Later, while hiding in the training room, all four of them will be leaning against the wall, heaving after facing Neo. Again, this is good. This is how newly-minted huntsmen should be reacting to fighting people way beyond their skill level. It’s only a problem when we compare these details to what we got last week with Team RWBY. Showing JNOR’s exhaustion from a quick bout with Neo no way aligns with RWBY’s perky, totally fine, no auras broken and no tiredness characterization after facing off against four Ace Ops for a significantly longer period.

So there’s some serious plot armor at work there. It became even more clear this episode that Team RWBY won because Team RWBY always gets what they want, not because it makes any sense in-world. But we’ll have to deal with any other consequences of that next volume because they’re barely in the rest of this episode. Instead, we return to the Winter, Penny, and Cinder fight where Cinder casually tosses Penny aside with her grimm arm. She’s briefly held back by Winter’s summoned birds, but that’s hardly going to faze her in the grand scheme of things. In fact, Cinder still has enough energy and confidence to start some philosophizing while she fights. She tells Winter that she may think “hoarding power means you’ll keep it forever, but it just makes the rest of us hungrier.” Self-fulfilling words from the woman hell-bent on acquiring and hoarding all the Maiden powers? As absurd as Cinder’s beliefs are, that “And I refuse to starve” line was pretty badass. On the whole I think she’s a boring villain, but every once in a blue moon Cinder will have a cool moment before she becomes irrelevant again.

The fight continues as Penny returns to the fray and it sounded to me that she was making more noise during this fight than normal. Granted, we’ve rarely seen Penny engage in an all-out brawl that lasts for more than a few seconds, but the additions certainly help with where she’s heading this episode. Particularly moments such as when they’re outside and Cinder’s sword blows up in Penny’s face, causing her to outright scream. It’s a very human sound, setting up the reveal that yes, an android is human enough to take on the Maiden powers. And if you go by some fan theories, “woman enough” (for lack of a better term) given that her aura is a man’s, Pietro’s. Penny is a girl regardless of starting out with male aura, leading to some wonderful and interesting takes on her as a trans character. Now I’m not giving that praise to Rooster Teeth---this isn’t them giving us representation---rather, I’m praising the fandom’s ingenuity and ability to adopt characters into their own communities. You don’t need “evidence” to headcanon transness, but having a girl born of a man’s aura go on to acquire woman-only power can definitely help.

Granted, Penny’s vocalizing here is just a tiny detail that I’m choosing to apply positively to an outcome. I nevertheless stand by my early belief that Penny simply didn’t have the development needed to land her in the Maiden position. Having her grapple with her own death, Ruby her resurrection, and the loss of Mantle’s support would have achieved that. It’s clear now why Rooster Teeth brought her back, but that doesn’t mean they’ve treated her character well for the last twelve episodes. Instead, in true RWBY fashion, a lot was introduced with no followup.

As said though, they take things outside to give us a decently cool battle between three characters who can fly. While in the air though Winter’s aura is broken and she starts to plummet. Obviously Penny catches her, to which Winter replies, “What are you doing? My life doesn’t matter!”

Sometimes I wonder if Rooster Teeth bothers to think about the dialogue they put in characters’ mouths. I mean seriously? Winter is not stupid. Nor is she so hard that---as the episode hammers home---she wouldn’t experience fear. So:

Anyone is going to be happy about being caught from a 100% deadly fall. In a situation like this survival instinct trumps responsibility. Even if it didn’t “responsibility” doesn’t make any sense here because:

They’re not giving up on the Maiden. Penny isn’t making a decision here that requires forever and always choosing Winter over Fria. They’re gonna turn right around and continue the fight

Seriously, it takes a few seconds to catch her. This isn’t that big a deal

The fight thus far has clearly proven that they need all the help they can get. Penny can’t take Cinder on her own and indeed, even with her aura broken Winter manages to be incalculably helpful

Fria still has her powers, which she’s about to demonstrate. Does Winter really not realize that Fria is still pretty capable of defending herself?

In short, this line is stupid. More than just stupid it’s twisting a character to get them to fit with the volume’s badly imposed theme. Oh look Winter cares sooooo much about her orders that she would needlessly die for them. Penny must teach her the value of her own life and how “blindly” obeying Ironwood is a big, bad thing. Come on. Lines like these---Harriet claiming the Ace Ops aren’t friends even though they clearly are, Qrow blaming Ironwood for Clover’s death when he’s not even there, Yang sniping at Elm about how she can’t think for herself---only serve to say Protagonists Good; Ironwood Bad. Rooster Teeth really loves to introduce justified and sympathetic characters, only to have other characters go OOC to backtrack on that verbally. Ignore what you’ve seen and just believe the nonsense words that never would have come out of this character’s mouth otherwise. And yes, that includes Yang and her comment to Elm. She is by far the most loyal character, considering that she’s canonically done things she did not want (following Ozpin) purely because Ruby was doing it. If the story had any sense embedded in it Yang would be the one who understood where the Ace Ops were coming from in their devotion to Ironwood, or at the very least the narrative would call her out on her hypocricy. As it is, the story functions around the “fact” that following Ruby is just intrinsically good. No matter what Ruby herself might do and how it does or does not compare to others’ actions. She’s the hero, always. In the same way, having Winter spout such a nonsense line works only to say, “See? Following Ironwood destroys all your self-wroth. Following Ruby? Like Penny does? You learn the value of friendship!” Never-mind that the first thing Ironwood does this episode is congratulate and apologize to Winter when he thinks he’s coming down into the vault...

Enjoyable pieces aside, I’m obviously still salty, but we’ll get to Ironwood in a minute. For now, Oscar is seriously dragging behind JNR and manages to get separated. He’s hidden from the guards by “Nora” who is, obviously Neo. Within the span of a second she’s gotten the relic and will keep it until she hands it over to Cinder.

Congratulations, team! Not only did you allow Ironwood to harm Mantle for weeks on end when you knew his plan was doomed to fail, you’ve also lost the relic you came to secure in the first place, thoroughly betrayed the one powerful ally you had in this war (just like you did Ozpin), have destroyed any hope of escape as---surprise!---Salem actually showed up, and you took out the one elite team who might have helped you fight her. Oh, and Qrow, you got arrested in the end anyway so congrats on getting your friend killed along the way. Seriously, how does anyone---how does the narrative---insist that these people are heroes? At this point this is a story about fallen heroes, but rather than emphasizing precisely how badly the group has screwed up the last two volumes and taking them on a journey back from the brink, they’re still being painted in a perfect light.

So... yeah. Relic is gone. Which we all saw coming the second Ruby happily agreed to keep holding onto it, then got protective when Ironwood mentioned taking it back. Loyalty aside, you cannot possibly think the relic is safer on your or Oscar’s belt than it is in a freaking magical vault. The group should be denied the title of “heroes” for their stupidity and arrogance alone. Especially when they never bothered to tell Ironwood that there was still a question left. That might have changed his mind about letting them carry it around.

Thus, relic in hand, Neo makes easy work of the rest of the team. Most notably by keeping Nora’s face and giving Ren sad eyes when he tries to strike her. This is a really good moment of visual storytelling and more how RWBY should be using their fights to do double-duty and develop characterization. Neo’s trick not only demonstrates her cruel skills, but tells us precisely how deeply Ren cares for Nora. Even knowing that’s not her he hesitates. Then, obviously, we’ve got the tears as the team runs off. So obviously things are still eating at him and their relationship is a big part of that... which just makes me all the more frustrated that the story passed over his fears at the party. I really don’t care how eager everyone (myself included) was to finally get a renora kiss. We never should have seen Nora ignoring those problems and insisting on moving the relationship forward in a way he clearly wasn’t ready for yet. Ren’s words told us that, as does his grief now. Everyone was wondering if ignoring his anxiety would come to a head in the form of Ren siding with Ironwood, but we didn’t get the chance to find that out this volume. Which, I get it. RWBY doesn’t have a lot of time, but that’s precisely the problem. Tiny tid-bits are dropped and then ignored for weeks, if not years on end. That moment between Ren and Neo was excellently crafted and told us a lot about both, but ultimately it’s just another moment cast adrift from everything else. Who knows if this plot-line will actually continue in Volume 8’s premier, if at all.

So Neo wanders off in an Atlas disguise and hands the relic off to Cinder. What’s Cinder going to do with the relic precisely? Not sure. Gonna have to wait on that one. We do have some decent setup for Neo’s betrayal though. She not only looked pissed at Cinder just snatching the prize, but sad about it too. Neo has always been driven by her own, messed up love, notably for Roman. Now that he’s gone it seems like she was looking for someone else to latch onto. Now that Cinder has proven that Neo is only a tool to her, she’d better watch her back.

Returning to Fria. She, as said, still has a lot of kick in her and easily pushes Cinder back. “That’s the power of a fully realized Maiden,” Winter says as crazy power shoots into the sky. Again, good setup... if I believed RWBY was capable of following up on anything. Remember at the beginning of the volume when Harriet dropped setup on Ruby’s semblance? Yeah, nothing came of that either. And though it still might, again, when? I know I use this example a lot, but you can’t introduce Raven speaking with Tai, drop that for three years (or longer), and then pick it back up like that’s still a relevant thread to follow. By having Winter proclaim that this is a “fully realized” power we imply that others, such as Cinder, may be able to become more powerful as well, but there’s little faith on the viewer’s part that such a line will actually amount to anything. Or if it does, it will happen so far in the future that most viewers will have forgotten about it.

For now though Fria is super-duper powerful. Cinder and Winter can’t even get near her. So it’s up to Penny, the one person not made of flesh and blood, to get the job done. I like that. Great use of difference as a strength. So she dives in and gets Fria to calm down, reigning her power back in. They discuss transferring the power and when Penny tries to remind her of the consequences we get, “I’ll be gone. I know I have a hard time remembering, but I remember that.” Hey. Hey, hey. I want the entire fandom to pay attention to this line because a lot of you still have a tendency to erase agency so as to more easily pin the blame on characters you don’t like. Pyrrha didn’t choose to fight Cinder against Ozpin’s orders, Ozpin killed her! Qrow didn’t choose to fight Clover and team up with Tyrian, Ironwood killed Clover! The Ace Ops didn’t choose to be loyal and maintain the responsibility they swore as military huntsmen, Ironwood just brainwashed them into being obedient puppets! Here, we get another glorious reminder that yes, these characters can actually think and act for themselves. Even the characters with dementia. Asking someone to do the hard thing (Pyrrha) is not in any way comparable to making them. It’s crystal clear from Fria’s line here that Ironwood spoke to her about the situation. He, like Ozpin, was upfront about the consequences. She in turn decided to accept this duty. Yes, I know I’ll die. I’ve accepted that. I have a job to do and I intend to complete it.

So yeah, #stop-taking-away-one-character’s-agency-just-because-you-don’t-like-another-2020.

Penny is thus faced with a glaring responsibility of her own: will she take on the Maiden powers? Because Fria may remember her job, but not who else was supposed to complete the job with her. Was it you? Penny, meanwhile, is looking at all that ice and wondering if Winter can even get here in time. It may well only be her... unless they want it to be Cinder.

As she thinks through this decision we return to JNR. Ren has a brief freak-out about how “We weren’t ready to become huntsmen” but instead of a truthful statement about their maturity and skill levels, the story twists it into a false statement by having Ren start yelling at Nora and placing unnecessary blame. We’re not supposed to believe him here because he’s irrational and lashing out... even though I think “We weren’t ready to become huntsmen” is a 100% truthful statement. The last two volumes have proven to me, if no one else, that having a job with that much power and responsibility isn’t just about whether you can swing your scythe really well. It’s about having the emotional fortitude and, as said, majority to treat it as a job and put that responsibility ahead of your own desires. RWBYJNR has consistently demonstrated that they’re unwilling to do that. It’s their way or the highway, damn promises, responsibility, loyalty, or consequences.

Before things can really break in the group though more soldiers show up and as they’re hiding behind Jaune’s shield he realizes that Oscar is missing. Over the comms Oscar says that he has something he needs to do alone, heading for the vault. I really appreciate this moment because Oscar is the one person in this group who has actually extended some of the unity and sympathy that RWBYJNR keeps yelling that everyone needs to give to them first. He apologizes to Ironwood whereas Yang sticks her nose in the air and insists she did nothing wrong. He approaches Ironwood and asks to find a way forward together while Ruby yells that Harriet has to do what she wants or no, I won’t stop attacking you. We get that moment where Ironwood thinks it’s Winter descending and goes, “I know that must have been hard for you. I’m so sorry,” demonstrating his own care and compassion. We see Oscar embodying Ozpin in his folded hands, use of the cane, and harder eyes, despite the fact that it’s still him in control.

He has a piece of that maturity the rest of his team lacks. He’s open, Ironwood is open, they’re poised to do what the others around them can’t...

Too bad it all goes to total shit.

You know, I feel like I should be more mad about this but at this point I’m just kind of numb. Why in the world would I be surprised that Rooster Teeth would erase all the work above to turn Ironwood into a generic villain? They did it before, or did I suddenly forget the twenty-minutes that humanized Ozpin only to be followed with two volumes of bashing him non-stop? I knew Ironwood was going to get screwed, I just didn’t think they’d go so far as to do it like this. And shame on me because I should have.

There are times when things happen on screen... but by god it isn’t canon. Because it’s just too stupid to be canon. It’s so horrifically out of character that the only explanation is that this is an impersonator and the writers just forgot to tell us that along the way. Because James Ironwood would never kill a child. Or hell, maybe he would, but it would have to be under RADICALLY different circumstances from these. People realize right that this is so beyond out of character as to be laughable, right? We get:

A man who has devoted himself to fighting the biggest evil his world has ever seen

Learning the importance of care over brute strength, adopting Ozpin’s lessons by giving Mantle Penny

Has spent the last year trying desperately to keep all his people safe, making the hard calls in order to achieve that

Was beyond delighted when the group first appeared, kneeling down before Oscar and hugging Qrow

Has frequently asked after Ozpin throughout the volume, demonstrating a strong desire for him to return

Immediately forgave the group even after learning about Salem’s immortality, still pushing forward with them

Just sacrificed his arm in an effort to continue protecting those around him

Finally realized he didn’t have allies in this team and called only for their arrest, not any violence or mistreatment

Hired the Ace Ops, a group whose conflict was their need to perform that arrest pushing against their desire not to hurt anyone

Ironwood just began the scene by extending sympathy and apologies to another

And you’re going to tell me that this man, this man defined by his compassion and desperate need to protect others... is going to shoot the 14yo kid housing one of his oldest friends? Shoot to kill?

Because make no mistake, that was a killing shot. Ironwood knew Oscar was at the edge. Even if it hadn’t broken Oscar’s aura, that fall isn’t anything you can survive without Humanity 1.0 magic---magic Ironwood clearly wasn’t counting on to save him. They literally took this man and erased EVERYTHING that made him-him, deciding that randomly Ironwood kills kids now because he dislikes a conversation. Kills Ozpin too. It makes zero sense... but you know all precisely why they did it. Because Ironwood is the villain now. He dared disagree with Team RWBY and now that he’s an antagonist they had to make sure he did something he couldn’t come back from. You don’t try to kill the youngest of the group and then come back into the fold. Ironwood is finished. He’s either going to die next volume or the group is going to lock him behind bars as a “witty” parallel of him trying to arrest them, dropping a one-liner about how they’re sorry it came to this.

Which, obviously, I absolutely despise. The rest of the episode? Had a lot going for it. Cool and interesting developments that might have been great if not attached to the horror show of the last twenty-five episodes... but still cool and interesting nonetheless. This? This is the worst thing RWBY has done to date because they not only irrevocably messed up one of their best characters, but they did so in a way that highlights everything that has been wrong with the show the last two years. There was no buildup to this. None. Don’t @ me with “But Ironwood is unstable and the Tin Man has no heart.” No and also no. Rooster Teeth simply decided that they wanted him as a villain and made that happen in the span of a few seconds. It’s just as absurd and insulting as if, last volume while angry at Qrow, Ruby had picked up her scythe and cut through Weiss as a form of anger management. Ironwood aiming to kill the kid he’s been bonding with all volume and Ozpin to boot because they’re having a slightly heated conversation is insane.

Which isn’t to say that conversation itself helped matters. Because Ironwood remains right. Those are all pretty, philosophical questions, Oscar, but what are we going to do about our situation? Oscar might express more sympathy then Team RWBY, but he’s just as naive and dangerously stubborn. He doesn’t have a plan either, just a continuing insistence that they try. In fact, his arguments are really... nonsensical in places? He says that if Ironwood abandons Mantle they’ll lose hope of uniting the whole world, even though we’ve never established why that’s still a goal when a world-wide army can’t defeat Salem. He likewise makes the absurd claim that because Ironwood is thinking about the big picture “Then you’re as dangerous as she is, James.”

No??

If RWBY is going to incorporate philosophy and moral conundrums into their writing then they actually need to do the work to think them through. Because sorry but the man making a currently still necessary sacrifice in order to keep the world as a whole safe is not the same thing as the genocidal grimm queen hell-bent on destroying it. Again, do they think about the words they’re putting into the characters’ mouths? The worst is how many viewers just eat it up. Because Good Boy Oscar said something vaguely wise-sounding then it must be true...never-mind the absurdity of the statement itself. I love Oscar to bits, just not when the writing uses him as a prop to promote these absurd themes. Not to keep dragging Witcher into every possible part of my life, but it immediately reminded me of this quote from Geralt. “You wizards are all the same...

Just because Oscar says it with confidence doesn’t mean it makes any sense.

Which is where we end up. Oscar falling, Ozpin arriving, the two of them managing to survive the fall. I have to admit that at this point Ozpin’s return just felt damn underwhelming to me. Like yes, of course I’m thrilled he’s back, but watching them mangle James like that just kicked all the enjoyment out of the rest of the episode. That, combined with the fact that Ozpin’s return actually was pretty lackluster. I mean, I feel like a shit for complaining about the thing I’ve wanted since the beginning of Volume 6... but is that really all we get? Ozpin doesn’t save him, Oscar saves them both, because he apparently has complete access to the magic and memories now. What does Ozpin matter then? Ozpin doesn’t speak really, just says Oscar’s name and is then cut off because Oscar doesn’t want to hear anything he has to say unless it’s about saving Atlas. He does express something like gratitude though--- “You’re back, aren’t you? You saved me”---so that’s more than we’ve gotten from anyone else. And Ozpin does narrate... but who is that to? Obviously very reminiscent of our series’ premier, but is he speaking to Salem again? We’re not told---or shown---and as it is that monologue exists purely for the audience. It’s a speech we could have gotten from any character and just happened to get it from Ozpin. It’s not being spoken to Oscar and therefore not forwarding any of the relationships that still need to be mended. In fact, this could well be a speech Ozpin gave years ago, disconnected from who he is now. Perhaps the biggest issue is that the speech is all about fear, further hammering home the finale’s BS stance that Ironwood being afraid of actual, legitimate threats made him into an unhinged child-killer.

Because his “paranoia”? It’s about this. This is what Ironwood was afraid of.

And oh look it’s here.

So yeah... I just can’t fall in love with this moment as I feel I should. RWBY has burned me too many times lately---the last time seconds before this scene---and frankly now that Ozpin is back I don’t trust them to treat his character well. So his return is automatically laced with more worry than excitement to see what comes next. Because if they do this to Ironwood, somehow who has done nothing but try to help this whole volume, what the hell are they going to do to Ozpin, someone who actually lied to and kept secrets from the precious team? I want him back, but not while we’ve got these themes going. I’m legit worried about how the group will react to his return and what the narrative is going to make Ozpin do as penance for his supposed sins. I’m not really thrilled about the prospect of watching more assault that’s painted as heroic justice. Normally I’d be going, “Well you never know, RWBY could prove me wrong...” except that after Ironwood? I really don’t think it will. Because Ozpin may ask, “Will you forgive them? Will you understand why they felt the need to do the things they did?” but it’s “staring back at you is the very thing you should have feared from the start” is what we get when Ironwood is shown again when he’s told Winter doesn’t have the power, he can’t open the vault, and he has no way of escaping this army. Rather than painting this as a tragedy that’s on our “heroes,” Ironwood is just made to look deranged. The story doesn’t encourage us to forgive him, no matter Ozpin’s words.

The scne was pretty though! lol. Stunningly gorgeous, really. If I just turn my brain off and don’t think about everything surrounding Oscar falling while Ozpin re-joins him, it’s an absolutely fantastic scene...

Yeah, the rest of the episode is mostly things I’ve already covered. Maria picks everyone up in their “getaway ship” because her character apparently only exists now to provide comic relief in the form of illegal actions.

Penny takes on the Maiden powers while Winter holds Cinder off with no aura. That was badass as hell. Go Winter, you’re still one of my faves this volume.

Ruby conveniently uses her silver eyes even though they’ve failed twice in the last three to four episodes.

Qrow is arrested and holds onto Clover’s blood-stained badge.

Robyn is apparently just fine.

Watts is potentially getting freed by Tyrian, or else was just distracted by the arrival of Salem, I honestly wasn’t sure.

The only other thing of consequence is that Winter and Weiss acknowledge that they’re on different paths. They can’t support one another in who they’re loyal to, but Winter will still give her sister a head start.

Oh, that moment and this, of course.

I’ve already spoken about my very iffy feelings about introducing Salem as an actual enemy before the final volume and those feelings are compounded by this absurd denouncement of hard, practical choices. I mean... seriously. What is the group going to do at the start of next volume? “These readings can’t be right,” an Atlas soldier says, horrified at the number of grimm that are appearing around them from an ominous red cloud. That entire army we saw at the end of Volume 6. Plus a giant whale grimm that could easily swallow any of our heroes (Pinocchio reference, anyone?), plus the immortal sorceress who could do any number of things to obliterate you---and take all the time in the world to do it. Like... they’re screwed. They are dead and Ironwood was 100% right to try and take whoever he could to safety and regroup. Except that obviously the series doesn’t end in tragedy here so they’ll wiggle their way out of things somehow. It just won’t be satisfying. Because we absolutely have a hopeless situation here and the story hasn’t allowed the group to acknowledge and then try to circumvent that in any practical manner. Ruby’s silver eyes will inexplicably get crazy powerful. Or Salem will randomly decide to leave. Or they’ll discover some new and untapped skill through the power of friendship. Then, at the end of it all, we’ll be told to look back at Ironwood and call him crazy for trying to save lives with a realistic approach because see? We managed a miracle after all.

I can’t believe I’m going to watch that nonsense. But I will. Because RWBY was a show that I loved and some small part of me still hopes it’ll return to what it once was. At the very least I need to find out what happens to these characters---no matter how stupid and insulting---and this episode, despite all my expectations, did give me tiny glimmers into what RWBY used to be. Moments that were fun or badass or legitimately touching. I almost wish it wouldn’t, just so I could make a clean break with the show. Absolute trash is better than trash that demonstrates skill just enough to make you think there might be hope for a better written story the next time around. Ah well. At least writing the recaps is always fun!

So I’ll still be here, answering asks and chucking out nonsense. Feel free to come join me if you’re ever inclined.

Until next volume 💜

#rwby #rwby volume 7 #rwby volume 7 spoilers #mymetas #rwby recaps

161 notes · View notes

vmheadquarters · 4 years ago

Text

We’re still playing our game of written hot potato! Dozens of your favorite authors are taking turns to tell a Veronica Mars mystery story. Each writer crafts their chapter and then “tosses” the story to the next person to continue the tale. No one knows what will happen, so expect the unexpected!

Follow the “vmhq presents” and “murder we wrote” tags for all the installments, or read the story as it develops on AO3. --Chapter Twenty-Six of MURDER, WE WROTE is written by @jeanie205. And stayed tuned next week for Ch.27 from @nevertothethird - tag, you’re it!

_____________________________________________________________

CHAPTER TWENTY-SIX by @jeanie205

Business hadn’t exactly been booming at Mars Investigations lately, and even though she knew her dad was right, that the PI business, like almost everything else, was cyclical, Veronica still chafed under the inactivity.

She’d filled in her time the past few days with a flurry of office organization and some paperwork she’d been putting off for weeks, interspersed with a couple of bread-and-butter infidelity stakeouts. But either the unfaithful spouses had gotten stupider over the years, or Veronica had just gotten a lot better at sussing them out. Because while the pay had been good - great, in fact - it hadn’t taken her long to come up with the Money Shots.

So now she was at loose ends again. Even Mac had taken the day off after completing her update of the MI website, which she’d told Veronica was “a disaster.”

“They aren’t going to hire you if your site looks like it was designed in a high school IT class,” Mac had said, shaking her head.

For as much good as it’s done so far, Veronica thought, sitting alone in her office with nothing to do.

Her glance fell unconsciously to her bottom right-hand desk drawer. The deep one.

Well, maybe she didn't exactly have nothing to do.

There was a case of sorts, if she wanted to count guessing the ending of a whodunit written by the least likely mystery writer she could ever have imagined. An activity that Veronica had so far found not particularly entertaining. Mostly because the plot was already so convoluted that she doubted the eventual reveal could ever make much sense.

On the other hand, she’d become rather fond of Ruby Jetson, and knew they probably owed her for helping to exonerate Logan of murder. Besides which, she had promised.

With a guilty sigh, Veronica pulled open the drawer and hefted out a thick envelope.

Ruby had brought her the manuscript nearly a week earlier, eager to know if the story was good enough to “fool” the seasoned detective. Although she’d shown up without an appointment, Veronica had taken the time to read several chapters, Ruby smiling delightedly whenever she’d frowned in puzzlement.

“I knew it was a good mystery,” Ruby had boasted gleefully. “That even you wouldn’t be able to figure it out.”

By then, it had become apparent that Ruby expected her to read the whole damn book right then and there! Thank god Mac had soon caught on and poked her head in the office door, reminding Veronica about “her appointment.”

Ruby had looked disappointed when Veronica carefully re-stacked the loose manuscript pages and slipped them into the large envelope, stowing everything away in her bottom drawer.

“I’ll finish it soon,” she’d promised faithfully.

But she never had, although Ruby had called every day, looking for an update.

“Hurry up, Veronica,” she’d complained only the day before, the exasperation clear in her voice. “I need to send it to my publisher.”

Veronica had been surprised. Ruby already had a publisher?

As she slipped the manuscript out of the envelope, quickly flipping to the red post-it she’d left to hold her place, she fleetingly wondered who in hell might actually want to publish Ruby’s novel.

Picking up where she’d left off, Veronica noted the same peculiarity that had struck her the week before. Ruby’s chapters often varied so wildly in both style and format that it was almost like they’d been written by different people. She paused in her reading, considered for a moment if Ruby might have some kind of dual personality disorder. After all, the woman did have two names.

Or... maybe the answer was much simpler. Maybe Ruby had a collaborator, the same person, Veronica thought with growing certainty, who’d passed along all the personal information that Ruby could never have dug up, no matter how much “research” she’d done.

And that was another thing. Veronica’s annoyance rose as she came across yet another intimate-sounding encounter between book-Veronica and book-Logan. Ruby had promised her faithfully that the names in her roman a clef-slash-murder mystery would definitely be changed in the next draft. Veronica sure as hell hoped she followed through. Otherwise, the fledgling author was going to be bombarded with lawsuits. And Veronica Mars would be at the head of the line.

She sighed, turning back to the story just in time to find that... Ruby had killed herself off!

Or at least, she’d killed off Della Pugh.

Veronica’s eyes narrowed in surprise at this fictional turn of events. Was this some sort of symbolic “killing” of her original self so that her Ruby persona could thrive? She shook her head, finally deciding she was no better as a psychologist than she was a literary critic. She flipped quickly to the next chapter and soon wished she hadn’t. A delusional, Veronica-obsessed Duncan Kane was not exactly pleasant company.

Veronica was considering with wry amusement how the man himself might view his portrayal (should he ever see it) when she was startled by the ringing of a phone. Not the office land line but the cell phone that she had to dig out from the depths of her well-loved but totally inconvenient studded black leather bag.

She might not have even bothered had the sounds of the Perishers’ “Sway” not told her it was Logan calling. She’d assigned him that ringtone in a burst of nostalgia the same day she’d updated his photo from pukka beads to dress blues.

The fact that he was calling was in itself unnerving. If Logan wanted to communicate with her during the day, he almost always texted. So of course her mind went immediately to the worst-case scenario.

“Logan! Is everything okay? Is my dad...”

“Veronica!” Logan cut in on her abruptly. “Are you watching the news? Turn on the news!”

“Wh-what? You mean, like... CNN?”

“No. The local news. It’s a breaking story on a continuous loop.”

“Okay.” Mystified, she grabbed the remote from a drawer and powered up the wall TV that she hardly ever used.

And there was that creepy newscaster, the one who invariably reminded her of Vinnie Van Lowe.

“... a tragedy right here in Neptune last night when promising new writer Ruby Jetson was murdered in her own home.”

Veronica gasped. It couldn’t be!

“Veronica! You still there?”

“Yeah, Logan, I’m here. I can’t... I can’t believe it.”

“Believe it. And there’s more. Keep watching.”

Onscreen, the newscaster was just beginning the introduction of an “important witness” to the tragedy.

“We’re fortunate to have with us here in the studio the man who discovered the body of Ms. Jetson. Neptune’s very own school principal turned book publisher, Mr. Van Clemmons.”

Veronica nearly fell off her chair. Holy shit! Clemmons was Ruby’s publisher?

She quickly turned up the volume, desperate to hear every word.

“I understand you were about to publish Ms. Jetson’s first novel, Mr. Clemmons?” the Vinnie-clone asked in that fake tone of sympathetic interest that all newscasters somehow managed to perfect.

Clemmons nodded.

“That’s right. Of course, I’d known her as Della Pugh back when she was at Neptune High, but she’d made some changes in her life, and if she preferred to be Ruby Jetson, who was I to say she shouldn’t?”

Veronica rolled her eyes. Right, Van. You were always so forward-thinking.

“And the book?” the newscaster encouraged, refusing to be shifted off-topic by anything about the actual victim herself.

“Well, ah, Ruby came to me with the idea. Some kind of murder mystery. Very popular genre, of course. But the story was to be based on people she’d known in high school. I thought it sounded... promising. And she was just about to deliver the first draft. Said she’d finished it but was waiting for some feedback from a trusted friend.”

Veronica blinked. A trusted friend?

She wrenched her mind away from dwelling on the sheer... unexpectedness of Ruby regarding her as a friend, because Clemmons was still talking and she didn’t want to miss a word.

“Ruby kept delaying turning in the first draft, so I stopped by last night to see if I could... hurry her along.”

Clemmons paused briefly, and for the first time looked visibly shaken.

“And that’s when I... found her.”

The newscaster nodded slowly. “Not a pleasant experience.”

“No, indeed,” Clemmons agreed.

“And the book?” Vinnie’s doppelgänger was not to be thwarted.

Clemmons shook his head sadly. “I’m afraid that’s not going to happen after all. Only Ruby had copies of the manuscript, but there weren’t any in her apartment. And her laptop was missing, too.”

“The police...?”

“Didn’t find anything, either.”

“So the book won’t be published.”

Clemmons shrugged. “I can’t publish what I don’t have.”

The newscaster paused to make sure that viewers caught the significance of his next question.

“Do you think it’s possible that poor Ruby was killed because of something in that book?”

Clemmons hesitated. “I suppose it could be,” he said finally. “But I guess we’ll never know. If there ever was a manuscript, it’s gone forever.”

Veronica stared at the screen for long seconds before she muttered the words under her breath.

“No, Van. Not quite fucking gone.”

She switched off the television and picked up her phone. “You still there, Logan?”

“No, I’m here,” he said, appearing suddenly in the office doorway. “Thought maybe I should come by.”

She nodded, and as one their eyes fell on the loose pages still sitting in the middle of Veronica’s desk.

In seconds, she’d scooped them up and shoved them back into the envelope. But this time, the manuscript wasn’t crammed unceremoniously back into that deep bottom drawer. This time, Veronica opened their rarely-used safe and locked the thick envelope securely inside.

Veronica thought Logan must have sensed how shaken she suddenly felt because he was across the room like a shot, and in seconds she was wrapped in his arms.

“I’m sorry, Veronica,” Logan said softly, breathing the words into her hair.

“Yeah, me, too,” she murmured into his shoulder.

Then she took a deep breath and stepped back from Logan’s arms, determination stiffening her spine as she gazed up at him.

“Somebody killed Ruby over that damn book, Logan. And we’re gonna figure out who the hell did it.”

#veronica mars #veronica mars fanfic #vm fanfic #vmhq presents #murder we wrote #round robin

22 notes · View notes