#there's a surprising amount of smaller scenes that were omitted which would have changed the feeling of some scenes a lot

[vaxxman]

I've been reading the emesis blue screenplay whenever I have a bit of free time, and it's so interesting to see the small changes they've made to some scenes.

But also, the knowledge that Fritz was supposed to have visions of being mistreated in prison in that one scene when he has a panic attack at scout's house makes me go hhhhhh

[snkpolls]

SnK Episode 63 Poll (for Manga Readers)

The poll closed with 253 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

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RATE THE CHAPTER 244 Responses

In contrast to episode 62, this episode got a lot more of a positive response, with no one rating it a one, and well over ¾ rating it as a 4 or better. The anticipation for the upcoming events surely has a part to play in this!

I love it! Wholesome and thrilling all in one!

LET'S GOOOOOOOOOOOOOO

I think they did an amazing job. The animation was even better than before too.

Pacing was great! The best so far.

WHICH OF THE FOLLOWING MOMENTS WAS YOUR FAVORITE? 247 Responses

As expected of the fandom, Falco leading Reiner to the basement to meet Eren got the largest chunk of the pie as what was probably one of the most anticipated moments from the episode. In second was the daytime festival with Reiner spoiling the kids to some good food, with the third place going to Eren meeting his grandfather at the hospital. 

They animated Dr Jaeger’s breakdown incredibly well, I felt extra bad for the guy.

WOULD YOU SHAMELESSLY EXPLOIT REINER FINANCIALLY IF YOU HAD SUCH AN OPPORTUNITY? 242 Responses

The majority of respondents say they would definitely exploit Reiner financially, with 31% saying they would feel bad about it, and 26.4% truly being shameless about it. 17.8%, on the other hand, would never even entertain the thought.

WHICH FOOD WOULD YOU WANT REINER TO BUY YOU? 246 Responses

Naturally, pizza gets the majority with nearly 60% of the vote (c’mon, who doesn’t love a good pizza?). Behind that was dessert at 22.8%, followed by those who prefer a good sandwich at 17.1%. A couple of commenters were just plain thirsty for other characters. 

All of the above ;)

Ereh abs 

1 drink with 2 straws so we can share while romantically staring into each other's eyes

EVERYTHING

erwin's t*ts

All. We make reiner broke

WHICH KID HAD THE CUTEST “BEGGING” EXPRESSION? 244 Responses

Gabi says she’s cute, and the fandom agrees! With 67.2% of the vote, Gabi takes the number 1 spot as the most adorable beggar. This is followed up distantly by Falco, who took in 25.8% of the vote. Zofia and Udo got a small amount of love as well.

WHAT DO YOU THINK - DID MAPPA DO WILLY TYBUR JUSTICE? 245 Responses

Overall, respondents are very happy with MAPPA’s rendition of Willy Tybur, with nearly 50% simply appreciating his design and seiyuu, while 38.8% find him quite dashing. A small amount think MAPPA got his design down just right, but not so much of a hit with the seiyuu. 

As expected of MAPPA! That's exactly Willy!

His shoulders look so small its weird

They did a good job casting and drawing him but I don't personally think he's attractive at all

I couldn't take him seriously since his voice is the same as kakashi's

He is fine and MAPPA animated him well. I don't look at him from sexual way. 

They really nailed Willy and I appreciate his character way more than in the manga

MAPPA MANAGED TO FIT IN THE STAIRWELL SCENE WITH PORCO AND PIECK. WAS IT EVERYTHING YOU HOPED IT WOULD BE? 247 Responses

MAPPA gave some of us a good surprise by repurposing the stairwell scene with Porco and Pieck (and I think most of us agree they’d have been fools to omit it completely). 38.1% were very grateful for it’s inclusion. 37.2% think they executed it well and had a nice chuckle from it. 9.7% were disappointed in the adaptation of Pieck’s ass, and 10.9% actually didn’t care about this scene anyway. 

Everyone's making too much of a fuss over it. Nice scene though

I wish they had actually animated her scurrying around

My bisexual ass simps for Porco AND Pieck 

It was everything I hoped for and more. Thank you Mappa

I always knew MAPPA wouldn't dare cut the scene where Pieck scares the crap outta Porco 😂. Poor guy could have fallen down the stairs.

That was a cute and fun scene. Pieck is really sweet and Porco was more friendly and open hearted than his manga counterpart. I really loved it!

YES! YES! YES! YES! Y E S!

Pieck Ass

MAPPA INCLUDED AN ANIME-ONLY SCENE OF A DRUNK TOWNSMAN PRAISING ZOFIA (MISTAKING HER FOR GABI), WHICH INCLUDES SOME SYMBOLISM ABOUT BAD LUCK. WHAT DO YOU THINK OF THE ADDITION? 244 Responses

Anime-only scenes are always hit-or-miss with manga readers, and this one seems to have been no exception. Overall, 32% of respondents thought it added a nice layer to the life of Eldians on the mainland. 18.4% were appreciative of a little more Zofia content. 16.4% liked the scene well enough, but didn’t feel it was necessary. 12.7% feel that it will serve as more fodder for Gabi’s characterization. Smaller amounts either didn’t care about it, or felt that it was completely unneeded and pointless. 

I don't remember it not being part of manga, but this scene was good.

They skipped so many scenes from the manga and then add this... really not necessary

I've appreciated every little addition they've added so far, but I wish we could all quit associating black cats with bad luck. It's a major reason why they have a hard time getting adopted in real life. :(

Yet another bitter reminder of why I despise Gabi so much

OOF

I really liked the additions they made, they’re really making us like all these characters more and it’s going to hit even harder when things go down.

UDO’S SARCASM IN THE ANIME IS MUCH MORE PLAYFUL THAN HIS GLOOMY CYNICISM IN THE MANGA. DO YOU THINK THIS MAKES HIM MORE LIKEABLE? 243 Responses

Udo shows a lot of distaste for the way that Eldians are treated both in the manga and in the anime, although it seems to have gone a bit more overlooked when we initially met his character. The anime team upped the sarcasm in Udo’s fatalistic views and the fandom seems to be very receptive to it! 44.9% of respondents feel that it makes him stand out a lot more than it did in the manga, and 34.2% are simply enjoying this more lively rendition of his character. A handful of others prefer his demeanor better in the manga, while others really don’t care about Udo at all.

I adore him in the anime. It’s gonna hurt seeing him squashed.

The answer is: Yes! 

It hurts more 'cause he'll die

To me it kind of felt like anger disguised as playful sarcasm, which actually made it scarier to me because you never know when he's gonna snap like he did last time.

MAPPA OMITTED THE SCENE SHOWING ZEKE AND COLT PLAYING BASEBALL. AS MANGA READERS, THIS ONCE SPARKED A LOT OF DISCUSSION ABOUT WHETHER EREN AND ZEKE WERE WORKING TOGETHER. DO YOU THINK ITS REMOVAL WAS A GOOD MOVE? 243 Responses

Overall, there doesn’t seem to be much panic in the omission of Zeke and Colt playing baseball, although some write-in responses indicated that they were more saddened by the lack of development between Zeke and Colt, rather than the foreshadowing of the Yeager brothers working together. 39.5% feel that since we already know Zeke has an affinity for baseball, the foreshadowing works well enough without this extra scene. 28.8% feel that we should simply wait and see if MAPPA rearranged this like it has other scenes. 13.6% think that this will make things even more of a shock for anime-only viewers, while a smaller handful feel that it ruins all ability to even speculate about it.

It would be too obvious if it was in the same episode and I think Eren's scene is enough for people to make a conection between baseball and Zeke

I missed it because it fleshed out Zeke and Colt’s relationship. Specifically the thing Zeke says about being a big brother. 

I'm more sad because it was cute than for the potential foreshadowing. The foreshadowing is at least partly still there without it.

It's looking like a "show it later in a flaskback" angle.

It would probably be too obvious in an anime format

I'm more disappointed about the content of the conversation between Zeke and Colt

Since it was obvious last episode that the injured soldier was Eren, it’s good to actually hold another plot twist in the air that nobody will see coming as a replacement

WITH KIYOMI NOW INTRODUCED, HOW DO YOU THINK MIKASA WILL ACKNOWLEDGE THE AZUMABITO SYMBOL? 240 Responses

The symbol on Kiyomi’s kimono is the same one that is branded on Mikasa’s wrist in the manga. But the anime team retconned this detail and Mikasa’s mother showed her the symbol through embroidery instead. So it begs the question of how this will be acknowledged in the anime, given Mikasa doesn’t (knowingly) walk around with an embroidered Azumabito symbol on her clothing. 41.7% feel that she will verbally acknowledge the symbol as something her mother showed her when she was little. 25% are anticipating MAPPA retconning things back to having the symbol branded on Mikasa’s wrist again instead. 15.8% think she will have the symbol embroidered on a piece of clothing she is wearing, and others feel it will be acknowledged in a different way, or the scene will be omitted altogether.

Either canned entirely so they can focus more on adapting the more labor intensive parts or acknowledged in another way

Anyone who thinks they’ll retcon to a tattoo is super wrong. Japan has a huge taboo on tattoos because of the Yakuza (Japanese Mafia) so they’re 100% keeping with the embroidery 

I don’t even remember where Mikasa first saw the symbol…

I think it would be fine if they use the embroidery but they could just change where the tattoo is located

WHAT DID YOU THINK ABOUT THE INCLUSION OF PIECK AND PORCO DURING THE DAYTIME FESTIVAL? 245 Responses

With Pieck being a fan favorite and Porco lacking in as much screen time in comparison, we asked how you all felt about the inclusion of them in the short festival scene. Most responses were positive, with 38.8% getting a kick out of the implication that they, too, were mooching off of Reiner for free food, 35.1% just loving that they’re getting more screen time altogether, and 17.1% feeling that it was a huge improvement over Reiner being solo in the manga. A small chunk of respondents felt it was better the way it was depicted in the manga. 

Doesn't matter, Falco is really the only one who deserves to live

I preferred it in the manga when Reiner was alone with the kids, but it's a nice addition to give them more screentime. Especially to Porco

Their moments together show the close-hearted bonds they have.

HOW DO YOU THINK THE ADAPTATION OF CHAPTERS 99 AND 100 WILL GO? 100 IS ONE THE COMMUNITY’S ALL-TIME FAVORITE CHAPTERS. 244 Responses

The Declaration of War has been one of the most anticipated animated episodes since its chapter’s publication. With MAPPA at the helm, we asked how confident you guys were in how it will be adapted. Nearly 70% of respondents are wholly confident in MAPPA’s ability to pull this off, regardless of whether they’ll have to cut some lines or are able to keep everything in. 25% remain cautiously optimistic. 

I'm really scared, but hope that they can make it justice 

No idea how they adapt that much dialogue in one episode

I hope the declaration of war gets the best adaptation possible.

IN A RECENT INTERVIEW, WE GOT A GLIMPSE OF SOME NEW MUSIC THAT HASN’T YET BEEN IN THE ANIME. COMPOSER SAMUEL KIM MADE A WONDERFUL FAN COMPOSITION BASED OFF OF THE SNIPPET IN THE INTERVIEW.... DO YOU THINK THAT HIS MUSIC IS WHAT WILL BE PLAYED DURING THE BUILDUP TO THE DECLARATION OF WAR? 228 Responses

For those of us who are OST nerds, we wait in anticipation of which track will be used for the iconic Declaration of War scene and how it will impact the overall execution. 37.3% who listened to the fan composition of a new song feel that no other song would suit the scene and are hopeful this is, indeed, what will play. 22.4% are hanging on for YouSeeBigGirl/T:T (or at the very least a rendition of it) due to the significance it has between Eren and Reiner. 19.3% feel it will play during Willy’s play, but not the Big Moment itself, and 11.4% simply aren’t invested. Some write-ins indicated they don’t want to be spoiled on any of the new music until it’s paired with the appropriate scenes. 

I hope that it will be Vogel im Kafig but this track fits great too, and I think that this track is more likely to play during the buildup scene

Not gonna listen. If this is indeed the DoW music, I want to hear it first during the scene itself.

It'll be edited around for the play but the climax at the end could very well match the trailer they used it in for DoW

Whatever MAPPA decides to play, I'll be content with I'm sure. 

I prefer to wait and be suprised by the ost than listen to it before and it feeling like deja-vu

YouSeeBigGirl would be great for some nostalgia but this new soundtrack seems intriguing, maybe MAPPA has more surprises for us

Im thinking the ost might be completely different but i am open to it being played because it does sound nice

No ost spoilers for me

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO NEXT EPISODE? 243 Responses

The top three most anticipated clips from the preview include Eren starting to transform, Willy declaring war and Eren and Reiner’s conversation in the basement. Of course, these are all more or less interconnected, so the vast majority of respondents are looking forward to the buildup toward and the climax of the DoW (as expected). A small number are looking forward to smaller scenes such as Falco realizing he’s been used and Willy’s play in general. 

I'm hyped for the declaration play!

ADDITIONAL THOUGHTS ON THE EPISODE?

I LOVED IT MAPPA IS DOING A GOOD JOB!!!!

I loved the humanization of all the characters

The perfect calm before the storm. Everything from here on out will be an unstoppable train

I'm just so happy to see the story animated! 

It was a mandatory filler episode for the declaration of war, important stuff happening but pretty boring overall.

This episode seemed shorter and kinda empty, but considering what's coming, I totally forgive and understand it. 

Its just a really great episode The pacing was perfect I was actually more invested with Magath's and Willy's interaction in the anime rather than the manga The visuals for the scene when Eren and Dr. Jaeger were talking were beautiful Udo's character was fleshed out more I'm still waiting for Armin It just presented things differently from how i read into those scence, and i liked that. Overall just really exited for the next episode and for chapter 136 to come out

The ending got me so HYPED for the next episode!! It was really well done.

the eyeshots of Eren's grandpa were epic

The episode was trully wonderful and I enjoyed every part of it. MAPPA is doing great job and I get a feeling that with the new soundtrack the episodes feel more serious than the ones created by WiT. I love Pieck. I never understood what was so ""cute"" about her in the manga. I saw her only as intelligent, skilled, tough warrior woman. Now I finally see her cuteness. I love how sweet and calm she is. Pieck reminds me of Tsuyu from MHA. They share similar energy. I'm grateful to MAPPA for making the bonds between the warriors stronger. This way the anime onlines will feel more sympathy to them. Pieck and Porco won't be just cold warriors, but nice folks.

Watching Falco and Gabi together is so satisfying to watch after knowing he confesses his love before inheriting the jaw Titan oooof love them so much

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 232 Responses

Thank you again to everyone who participated! We’ll see you again next episode!

[hypeathon]

RWBY - Volume 6, Chapter 4 Production Analysis

Vol 6, Ch 1 Production Analysis

Vol 6, Ch 2 Production Analysis

Vol 6, Ch 3 Production Analysis

Last chapter dropped what is essentially the hydrogen bomb of backstory episodes with the overwhelming amount of blood, sweat and tears from every department in the CRWBY to back it up. Considering that it was only the third of this 14-episode volume, it should come as no surprise that the next episode to follow would be much smaller in scale in terms of production values.

That being said, some fans have still expressed some disappointment that chapter 4 would only be a mere 13-in-a-half minutes. Whether this is considered obvious or not, animation as a professional medium with multiple stages involves quite a bit of scheduling and management, especially for a serialized series. What I’m about to say had already been touched on in the last production analysis, but to reiterate, chapter 3 was one of the most difficult episodes to make thus far, through the script and every other department according to Miles Luna and Kerry Shawcross. It was the longest episode to date (excluding ending credits), meaning that there were likely more cuts in storyboards than the average one. Roughly 30 different character models were created which had to be rigged and animated, over a dozen environment models were built, all to present the passage of time for this one episode. This is not even counting the quantity of visual effects utilized, including 2-D effects from Myke Chapman which were new to RWBY.

Having one episode with that amount of time and skill poured in would naturally follow a more conservative episode in some regard. This can be seen all the time in anime TV series depending on their production scheduling. Bleach’s 166th episode was considered a spectacle in its animation through the destructive fight between the characters Ichigo and Grimmjow only for episode 167 to follow with a cool down. Any episode of Naruto, Naruto Shippuden and Boruto that featured extraordinary animation and storyboards throughout like are almost always going to have an episode following with a more standard, run-of-the-mill staff. Even My Hero Academia, despite having various memorably-presented moments such as episode 11 of season 3 will follow with whole episodes lacking in action before picking things back up at a much later one. While this practice may not necessarily be ideal to anime fans, this is how productions of long-running anime are usually kept from falling apart which is especially important in an industry where the amount of anime projects being green-lit increase each year.

Though unlike most anime that are bound to a weekly, 30-minute run-time, RWBY at Rooster Teeth Animation has a bit of a weird advantage as web series by sometimes (though not always) using minute-length to help manage how ambitious or conservative an episode can be. Though narrative beats always play a big factor, this chapter of volume 6 is a classic example of needing to take a breather though its length being roughly half of chapter 3. Pretty much everyone fans know take up screen time this episode, meaning there aren’t new models aside from probably Tyrian with a modified tail. In terms of set pieces, only two new environments were fully designed, one being the trail to Brunswick Farms while the other was the hanging bay outside of Salem’s palace.

One fascinating bit of observation was comparing certain footage this episode to the volume 6 trailer. With one clip so far having not been shown as of the time this analysis will first be posted, every other teaser footage had been in the episodes proper. However, the moments in chapter 4 are the most different. In the moment with Emerald and Tyrian, the setting itself and the lighting changed whereas in the snow trail scene, certain characters are not previously seen carrying their luggage in the trailer. And then there’s Salem delivering the same line with lip-syncing being precise but the camera shots are very different. It’s possible that by the time the trailer needed to be made to show to be publicly available on October 16th, they were not one-hundred percent done with the episode and needed to adjust things in post. which would make sense considering the overwhelming scale of chapter 3′s production. That or they were done and simply omitted moments such as the Grimm arms binding Hazel to avoid teasing too much. Either theory is likely honestly and the latter wouldn’t be the first time Rooster Teeth has done this with RWBY trailers if one were to think back to the second and third volumes. 

Moving on, let’s touch on a bit of something that admittedly has not been highlighted that much in the past couple of posts: the animation. When checking the ending credits, you won’t see the usual names that have been prominent up until now. Whether this is due to them working on later episodes or juggling between working on Gray Haddock’s mecha show, Gen:Lock at around the time this chapter was in production, animators like Asha Bishi, John Yang, Matt Drury or Will Sherburne are not credited here. This is not to raise a concern or to scare fans so much as it is to provide an opportunity for newer names that may not have had a chance to show a bit of what they can do. Luckily, Kaitlin Petras is one such name, who confirmed to have done animations for some of the antagonists, including Tyrian. Combined with animation director, Joel Mann returning to do motion capture for the lovable psychopath who had not done so since chapter 11 of volume 4, fans get to see some delightful character acting. If it hasn’t been clear in previous scenes that Tyrian is the kind of character that tries to earn brownie points from Salem at other’s expenses, his moments here should cement that. The way his eyes and mouth read that he hates to see his leader displeased but loves to watch others get in trouble just emphasizes his rather childish nature. It’s too soon to fully say which sequences in particular were done by Kaitlin, but considering every second of Tyrian was pleasing to watch, her name is worth bearing in mind.

That being said, other characters were given great character acting according how they also channeled fear. Emerald has been put in a difficult state without having Cinder immediately besides her, providing an opportunity for her to feel frightened through her body language and the way the pupils in her eyes shift. There’s even a shot where she feels submissive through the way she slouches but subtly clenches her fist after she and Salem briefly face each other. Hazel was also another character to display fear but channeled it through the need to be stoic, humble and even protective. Even when pinned down, his facial expressions suggest he’s reluctantly willing to accept being punished. And then there’s Salem herself who subdues her anger and channels it into discipline by the way her teeth stay clenched. Though more of a secondary highlight, the animation on the protagonists’ scenes were also done well with Qrow and Ozpin/Oscar in particular expressing vulnerability, bitter anger, shame and helplessness.

Moving on, the storyboards and camera layout were once again a good highlight in both the protagonist and antagonists’ scenes. Although there’s no confirmation and no clear way to tell who did what, the various choices of composition are still noteworthy. In scenes with the antagonists, there were some great establishing and wide angle shots to help fully present the spacial aspect of Salem’s palace and the area surrounding it. The scene also helped to highlight how much Salem’s authority and wrath puts everyone in an inferior and frightened position, despite her not even being on screen in certain shots. This includes Hazel, who is often framed as small in one shot or being towered by her in another. Staying on the subject of Salem’s palace for a second, it’s nice to see how despite being in the Maya and 3DS max animation softwares for a third volume now, it’s fascinating how the meeting room alone has gone through multiple tweaks through the lighting and compositing. Switching gears back to storyboards with the protagonists this time, shots of Ozpin and Oscar are the highlight, with the former being isolated and towered by those opposing him and the latter feeling isolated due to a responsibility placed on him without a choice. Ruby of course is the only one to attempt to comfort Oscar by walking past the one tree that figuratively separates them.

As much praise as there has been given, the last bit to talk about with this episode is unfortunately critical and relates to a debate that has stood out among fans since this episode first premiered. For the record, I’m not the kind of viewer whose ability to enjoy a story is determined by how likable or unlikable characters come off. Moments where characters are in an unusually negative state are welcoming in my eyes so as long as the narrative beats warrant it. Presentation can either add to making bitter sides between characters more understandable and sympathetic or it can hinder all of that. It all ultimately depends on execution. This brings me to the way the main cast responded to Ozpin in the beginning of the episode. When taking not just the events of chapters 1 & 2 of this volume into account, but also select episodes in volume 5, it’s not impossible to see the train of thought behind the collective cast. Everyone at varied points expressed doubt and frustration with Ozpin’s roundabout way of having others involved in his agenda. Yang getting annoyed over promises broken in front of her would naturally lash out the most, with Weiss sharing similar sentiments in a more subdued manner. Blake would be upset but also much more quiet. Ruby firmly asks about the task ahead as her way of keeping her chin up and Oscar is deeply anxious and depressed.

On some level, the reactions in this episode make sense. But the reactions seem to result exclusively in the period in the sentence last episode, being that Salem can’t be killed (or that Ozpin can’t be killed or whatever potential loophole there could be, but this is not the place to debate about that) and not how Ozpin was burdened with the task he was given. The responses could have benefited from being slightly more varied when taking that to account while still expressing anger and anxiety, depending on the character. Speaking of which, Qrow was probably the biggest issue with the execution of the reactions. Never-minding for a moment that a grown man punched a 14 year-old in a manner that kept reminding me of the way Junior got clocked in the Yellow trailer, the behavior itself felt too abrupt. Up until this point, the audience was mostly oblivious to how Qrow was taking all of this in. There was one brief moment where Qrow saw Ozma for the first time in the last chapter and Qrow shaking his head in disbelief in the chapter before that. But otherwise, his anger and resentment, while very sensible in regards to his overall character story as he expressed through dialogue, lacked the proper set-up and leans a bit too heavily as being shocking.

An extra bit of the scene indirectly presenting Qrow’s psyche before and maybe even after he punches Ozpin can go a long way. If say, as he walks towards Ozpin, cuts to still arts in the form of memories of Qrow and Ozpin’s interactions such as a small tease of how they met and what was the turning point that made Qrow be so dedicated can help better sell his anger. This is the kind of thing seen in anime adaptations of popular, long-running Shonen manga and as much as the idea of cutting to flashback clips are subject to ridicule and criticism, there is a valid rhyme and reason for why those techniques are applied in visual direction. It’s also important to time tension or a particular character being emotionally charged through some sort of build-up in a scene. An example that can help illustrate my point would be a scene in One Piece:

  What may seem like a straight-forward argument seen out-of-context is actually considered a fan-favorite moment in the One Piece anime. A big reason for this has to do with the contextual set-up between the straw hat captain, Luffy and injured marksman, Usopp. The latter fought tooth and nail to get the earned money stolen from him to fix the ship he and his crew ridden on until now, only to fail to do so, hence why he’s injured. Meanwhile, at a slightly earlier point, Luffy is told by the shipwrights he consulted with that their ship won’t last another voyage. Luffy initially refused to accept that, but then reluctantly comes to terms with the reality. However, Usopp doesn’t realize that Luffy reacted as strongly as he did and instead sees Luffy casually talking about getting new ships through a catalog and then acts sternly as a captain about getting a new ship. This only comes off as insensitive to Usopp after the trouble he went through to get the stolen money back. All of this results in the scene seen in the above video. And yet even with all of this set-up, the scene doesn’t start immediately with things getting physical. Usopp and Luffy’s argument escalates before it reaches that point and it’s made clear through the choice of music, lighting, and framing. While a one-sided punch is not exactly the same as an argument, the sense of anger built between Qrow and Usopp’s characters are similar enough to draw comparison to and it’s how both characters’ negative emotions are fueled and lashed out through execution. Whether or not this was something considered or doable during the production of this episode is unclear and honestly a whole other can of worms that can be speculated on at another time.

That marks the end of chapter 4′s production analysis which did admittedly bring things down somewhat with the bit of criticism at the end. But that shouldn’t take away from an otherwise well executed transitional episode. When looking at things that way, the events here did what they needed to do and the presentation and production mostly helped to present that to the best of their abilities. As for what is in store next episode, the relatively small credits among the animation team make hint at bigger things to come somewhere down the line. We’ll just have to wait and see.