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clairedaring · 2 months ago

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Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.

note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes

TOR THANAPOB

Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)

Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before. I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...

Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)

Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.

NONKUL CHANON

Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021

Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.

Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)

Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.

Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.

JJ KRISSANAPOOM aka JAYLERR

JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)

JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.

One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"

This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.

So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.

It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D

BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)

Bright at Mono29 Lineup event

Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.

Bright's Interview with LIPS Magazine

Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.

Bright's Interview with Praew Magazine

Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.

Bright’s Interview with NineEntertain

Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.

Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.

I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."

#nonkul chanon #jj krissanapoom #tor thanapob #bright rapheephong #spare me your mercy #jaylerr #i feel you linger in the air #forfive #userspring #userrain #usertoptaps #great men academy #midnight museum #bl actors #bl series #thaimedia #boyslovesource #my writings #less writing more like me archiving interview quotes i love #i wanna add up poompat and poom phuripan in this as well but mayhaps another day another post #i said i would add jamfilm stuff too if i had time but i never got around to digging their stuff #im sure film thanapat has had a lot of questions abt deciding to act in a bl series #similar to the way jes was asked that question recently since he was announced to be part of 4 minutes cast #film. nonkul. jes. tor “acclaimed lakorn actor -> high quality full fledge bl productions” pipeline is so real #SON YUKE NEXT!

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fakescenariosbeforesleepblog · 4 months ago

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By fire and heart

Pt. 6

Daemma Targaryen. Second daughter of King Viserys and queen Aemma, you're the living portrait of your mother with the character of a true dragon, as a second daughter you don't have right to the throne but certainly, you will protect your sister's succession by heart. (You are one year younger than Rhaenyra.)

Warning: Credits of this images goes to whoever they belong to, I think it's to CCARMYY TikTok user! Grammatical and spelling errors, I used an online valyrian translator so if there're some errors I apologize and if you know about a good one please let me know, maybe this won't be good enough but In my head the story was a good one.

Disclaimer: I do not own any of the characters nor do I claim to own them. I do not own any of the images used nor do I claim to own them.

Pt. 7 here

A funeral always brings bitter and uncomfortable moments and awake old memories, but is also a reunion where you can find friends, enemies, families and allies all mixed together, you can't expect everything to go well.

The uncomfortable moments start when Vaemond Velaryon gives a speech and sarcastically mentions our blood and how this one shouldn't be diluted, causing Daemon to laugh, everybody observed him but apparently not many could understand what Vaemond was trying to say, he was doing a reference about Rhaenyra's sons, or at least that's what you think he was talking about.

You warned your sister to be careful and keep her distance from your uncle, not because you want to keep them away from each other, it's because your enemies are observing all of you, expecting the next move.

You were walking around when you heard Aegon and Aemond's conversation.

- We don't have nothing in common.

- She's our sister.

- Then you marry her, Daemma is also our sister.

- I would do it if it was my duty. But it is you who will get married, not me.

- She's an idiot, Daemma was a better match for me.

- She is your future queen, forget about Daemma.

You casually passed in front of the young boys, Aegon couldn't ignore you, he walked right behind you, following you around.

- Ao sagon tolī hāeda naejot mōzugon bona olvie, lēkia. (You're too young to drink that much, brother.)

You say to Aegon while you observed happily to Rhaenyra's sons talking with Daemons daughters and with their grandparents, it's a good sign, even in dark moments you know you can count with all of them.

- I drink the exact amount, funerals are sad and a good wine is always good to help us to survive.

- I thought you were drinking with the excuse of your marriage. Congratulations by the way, I hope you and Helaena can be happy.

- Don't come up with those words, it feels like poison in my system.

- I'm not trying to make you feel in that way my boy, I'm merely accepting our destiny is not together my dear brother but you're still welcome to visit my chambers when you feel overwhelmed or alone. After all, we're friends, no?

He looks at you, you're smiling at him and the way you look at him just shows how much you adore him. You're such a liar. He doesn't say more but simply nods. You continued walking leaving him alone.

You can see your father finally talking to your uncle, you've been avoiding him since the incident with Rhaenyra. Considering the circumstances perhaps it is time to make peace with him but just when you're walking to them Daemon leaves your father's side and you catch your sister, she looks at your uncle in the same way she did a long time ago, now is not only a probable option, it's definitely, you have to make peace with him for the good of realm, for the good of your sister.

You saw Otto Hightower walking to your uncle, you walked fast to arrive before him.

- Uncle, I'm Sorry for your loss.

He observes you from head to toe and then looks at some other place.

- Daemma, Ziry emagon issare nykeā bōsa jēda (it has been a long time). Ao sagon nykeā ābra sir, ao jurnegon gevie (You're a woman now, you look beautiful).

- Perhaps I look like a woman but there's a lot of things I still have to learn about it. I owe you an apology.

- Don't. Ao istan nykeā riñnykeā, ao gōntan daor shifang. (You were a child, you didn't understand)

- Now I'm not a child and i think as an adult it is necessary to make peace with the past, after all, you were like a father to me and I've been missing you.

You looked at him with some tears in your eyes, you can't deny it, you missed him. While he gave you a little smile and nodded, accepting your apology.

-Moreover, issa mandia se nyke jāhor jorrāelagon... someone... kostōba rȳ īlva paktot. (my sister and I will need... someone... strong at our side).

In a flash of an eye, you were hugging him, you missed him, a lot, the man who raised you. He returned the hug quickly and whispered in your ear.

- Ao kostagon ūñagon va issa. (You can count on me)

Both agreed in silence and he walked away. You were observing him when your sister's voice made you gasp.

- Send the kids to bed, please Sister.

You jumped when you heard your siste, she walked on the way to the beach where you saw your Uncle going too, you got angry for a moment, why does she never listen? You're sure someone already saw where she was going you already can hear the whispers full of rumors, you did as she asked you to do.

You were looking for Rhaenyra but instead of her, you found Aegon, he was sitting at the stairs, clearly drunk.

- Aegon, stand up.

- I saw you, why do you look for him...

He murmured. You sighed, you had a lot for one day to now handle a drunk teenager, luckily, Otto Hightower appeared at your back, you heard his steps and simply observed him, he neglected with his head, he's as pissed as you.

You were leaving when you felt Aegon pulling up the skirt of your dress murmuring to not leave him, you decide to continue walking, leaving him with his grandfather. Suddenly Aemond's face appears in front of you, he's looking for Aegon.

- Brother.

He says while he looks at the two men behind you.

- Let's go Aemond, Aegon does not feel well.

You walked with him while the sad roaring of Vhagar echoes around the land, the big shape hidden in the clouds makes the day look even more dark and Aemond leaves your side to observe the dragon's shadow. You heard Otto yelling at Aegon.

- Get up and go to sleep!.

Moments later Laenor appears also a little drunk and sobbing, it's understandable from him but still it is not the proper thing to do.

For you that was enough, you needed to rest, you decided to go to your chambers and sleep. You were writing some letters to send to the north when you saw a giant dragon passing by, flying in front of your window, the wind made your candles turn off.

«I need lights please, Guida!» you asked one of your maidens, you weren't thinking about why or who could be flying on a dragon at these hours, you weren't prepared for another issue to end the day.

A quick knock on your door and your guard appearing without waiting for your response.

- My princess, something happened between your nephews and one of the queen's sons. Your presence is requested since we can't find your sister.

You didn't waste time and leave your bedroom. When you arrived the king and his wife were there, the children and some guards, everyone except for your sister, her husband and your uncle.

You quickly approached to Aemond but Alicent stopped you, silently pushing you away. So you went to your nephews and your uncle's daughters, checking if they were as hurt as Aemond while the King was demanding for answers.

- The prince was attacked by his own cousins.

- You swore to protect me and my family!

- I'm sorry, your grace but we never defeated a prince from another.

The news of Aemond's lost eye was echoing in the room when Alicent smacked Aegon's face. He quickly observes around looking for you, you've seen that face before, those sad eyes that beg for some help.

Corlys and Rhaenys arrived and Rhaenys went directly to the girls, right behind them was your sister who ran to the boys.

The scandal starts when all the children want to say their own version about what happened.

You only could hear Jace saying «He called us bastards».

The king demanded Aemond to say the truth while Alicent accused Lucerys of trying to kill her son, you started to feel fire going up to your head while Rhaenyra confessed the boys were called bastards and they were merely defending themselves.

Alicent's attitude makes your blood boil more every time she intervenes, you don't know how long you will control yourself. Your father simply wants the boys to apologize between them, but Alicent is not pleased.

- That is not enough, aemond has lost an eye (...)

- I can't return his eye (...) what do you want me to do?

- There's a debt that must be paid. I want an eye from her son.

You quickly placed yourself in front of Lucerys while Rhaenyra hugged him an Jacaerys.

Everybody exchanged concerned looks while the King was trying to calm his wife.

- If the king doesn't want to make Justice, the queen will. Ser Criston, bring me the eye of Lucerys Velaryon.

Ser Criston doubts for a second but you know the man would do it happily, you already have your own dagger in your belt. You will not let that man get close to the boy.

- Don't you dare Sir. Criston, or you will not live to see another day.

You simply say and the man looks again at the queen and king.

- I'll let him choose which one, a privilege my son didn't have.

Lucerys was afraid and Rhaenyra was telling him no one would do such a thing when you talked again.

- I'll give the eye the queen demands, I'll sacrifice myself, but she will have to come and take it by herself.

You look at Alicent, defiant, you show and offer her your dagger she observes you confused and angry, you know she will lose her patience soon and that appearance she shows to everyone about being devoted to her duty and always doing the right thing will fall at any second it is just necessary to push her a little bit more.

- Enough!

Your father demands and you stop, stepping back.

There are some exchanging words, between Alicent, Ser Criston and your father. Your father was declaring and warning no one was allowed to talk or doubt about the legitimacy of Rhaenyra's children, when Alicent took your father's dagger and ran to Rhaenyra who was already walking to leave the room.

You heard your father calling her and quickly put the boys behind you while Rhaenyra walked to Alicent. Her rage makes her hard to handle but your sister tries her best, Lucerys yells terrified and you hug him.

You saw Criston walking to the two women and before he could, your uncle appeared just in time to stop him.

Suddenly, your sister falls against Corlys, your father's dagger is on the floor while Alicent looks in horror at your sister's forearm.

Silence, just some baby steps can be heard in the room, Aemond walks in front of both women, looking at his mother.

- Don't feel sorry for me, it's a fair exchange, I've lost an eye but I've won a dragon.

Those words, mature enough for a child were the end of that bitter night, the claim of Vhagar was the drop that spilled the glass, that was the moment when silently everyone confirmed who they would support, Green or black.

For the greens it was a victory, Aemond brought the biggest dragon to their side, but the blacks haven't moved their piece yet.

The night vanished, and the sunlight was filling every room, you were at your sister's chamber helping her with the boys while her forearm wound was being cleaned. Laenor appeared, he clearly didn't have a clue about the night y'all had. Your sister asks all of you to leave the room and everyone disappears as fast as possible.

During the afternoon, your sister asked you to go with her and Daemon, she was going to propose something important.

«I can't confront the greens by myself» (...) «We're fire»

The next thing you knew, it was your uncle and your sister would get married, Laenor would fake his own death, a quick one with a few people, all that to escape and live the life he really wanted. Of course the entire kingdom would murmur and blame Rhaenyra for Laenor's death, but only some of you will know the truth, not the enemy, they will believe whatever they want and at the end they will just fear.

A not so secret wedding was celebrated, and the news of the warrior princess flying to the north gave something to talk about, something to worry about.

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irohsteaa · 3 days ago

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is it me or I think there is some misogyny within the monster fandom..i mean people treat Eva and Vera as the worst people in the wolrd when I can think of much worser characters,and they boil down Nina to "a nice girl" and ignore all her complexities,symbolism and narrative importance and say "she isnt that well developed and not important to plot"

Misogyny certainly plays a role here, it's esp. evident with how the fandom treats Eva (esp. before she grew as a character; and even after she grows, it's mostly about "she stopped harassing Tenma" and her relationship with Martin, while the more important thing here (imo)—how she started to take care of herself and stopped defining herself through the men in her life—is underdiscussed).

But I think it'd be reductive to say that the way the audience sees the women in Monster is only a result of misogyny; I think a crucial aspect here is the way the female characters are written and how they're treated by the male cast.

I think it's one of the many traps laid by Urasawa, traps that are very easy to fall into (which is perfectly understandable with a complex work filled with so many characters). I also fell into them: my first reaction to Eva was "oh, here we go again, female characters written by dudes" (yeah, Monster taught me to stop yapping about shit without 1) finishing it 2) looking at it carefully, because the devil is the details).

So what exactly are the traps built of?

Cliches

Subtle characterization and/or an apparent lack of information that shows in, for example, the namelessness or very little time on screen.

The fact that a large part of the story is the lack of a story.

Ad 1. I think a big part of Monster is the way it plays with cliches (and it does so boldly; it isn't afraid to introduce us to the most overused cliches and turn them into little storytelling gems), so of course there're also many female character cliches: the love interests, the damsels in distress, the naive & clueless woman, etc.

And when you don't pay attention, it's easy to think that these cliches are everything that can be told about these characters. When we stop here, we miss so many details that reveal the more complex character behind these cliches.

Ad 2. I think Nina is a perfect example of how the subtle characterization can leave many people thinking that she's underdeveloped, irrelevant to the plot, and just an addition to Tenma and Johan.

We also don't have access to her direct point of view, but I don't think it's necessary here and I think we don't have access to it for a very good reason; women are still seen mainly as caregivers, as people who serve others, and are socialized to be nice from a very young age. This can lead to ignoring one's own needs and, in consequence, losing yourself.

And Nina is a character who fits into this role perfectly; she's often shown serving others, bringing kindness where it's needed, being a beam of hope, etc. She's also very often overshadowed by her brother; she's referred to by other characters as "Johan's sister", as if this was the most important information about her.

Heck, Johan even takes away from her the monster title; the reasons behind it are, of course, ambiguous, but it doesn't change the fact that it was her who was kidnapped to the Red Rose Mansion and it was her whose memories were taken away.

And she's clearly upset when Johan tells her that it is his story to tell.

One of my favorite examples of her subtle characterization is the fact that in the beginning of the story, she wants to be a public prosecutor, and by the end, she wants to be a lawyer. It seems like a small change, but it tells a lot about how much her worldview changed.

When it comes to the namelessness and the little time on screen, a good example of it would be Věra. Please keep in mind that we only learn about her possible name in Another Monster; why do I say it's only possible? Because the only source of this name is one person interviewed by Weber, and the person identified Věra via a sketch. I wouldn't call this the most reliable source.

But let's get back to the main topic; what's the reason behind both the lack of a name and the little time on screen? It's Bonaparta.

Bonaparta doesn't let us see much of her, he doesn't let us learn her real name. But even when we see so little of her, we can still see someone compelling and complex, we see a wide range of emotions, we see her determination, we see who she could be if it wasn't for her circumstances, we see her deep guilt and fragility by the end of the story, we see someone who Bonaparta initially dismissed ("you are a funny woman" etc.) only to end up obsessed with her.

But since it's only a matter of a few panels and she's mainly discussed by other characters as the mother of the twins, it's easy for the audience to a) see her as a bad mother, b) think she's unfairly treated by the manga.

I don't think she's treated unfairly by the manga, I think she's one of the most important characters in Monster and it isn't merely because she's the mother of the twins, it's because we can see so much of her in other Monster characters: in the nameless, the dismissed, the robbed of a better future, the reduced to a certain role, all the characters we simply do not know a thing about their minds and that quite possibly, behind the awful clichés, there were in them gardens and twilights, and palace gates.

(I tried to stop myself from babbling about Lolita, but it's not my fault the quote fits so well here.)

Ad 3. I mentioned the lack of the story partially in Ad 2., but there are so many other examples: the little girl who lives with Hugo Bernhardt, Richard Braun's daughter and wife, Lunge's daughter and wife (the difference between how Richard sees his family vs. how Lunge sees his family is shown in the narration as well), Martin's mother and girlfriend etc.

Thanks for the ask! ‎(^人^)

#naoki urasawa's monster #monster manga #nina fortner #vera cerna #eva heinemann

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tatasoom · 10 months ago

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"I'm still turning the pages"

Promised proper analysis of what happened in ep 12 and what creators wanted to tell us. Many quotes and pics and very real stories included. Enjoy!

The more I was thinking about the ending and how much disappointment and even hatred it brought, the more I was doubting the decision to make this analysis. However I believe there're people who open enough to look deeper, so you may like what the writers gave us.

It's three years after breaking up. Mhok and Day are hard-working people (as they used to be actually). Mhok is exploring his potential in cooking. Day is diving into his obsession with books.

There's a little hint for understanding how little these years mean for the brightest picture you'll never forget. It's Aon asking Day about writing his own book:

Should we get someone back here to assist you write?

Day's face has changed signaling that feelings are still there. Even after three years.

And then the meeting. And feelings from the perspective of Mhok.

And when it's almost the saddest scene in the whole world we're back to romantic comedy with P'Aof's one second cameo and pranks from Mhok. It feels like Mhok is silent in this scene only to laugh at Day, but it's a scene where Day is given a moment to think about his own feelings. And to get a little verbal slap at the end.

Then Mhok has a meeting with Phojai and Night. And if you look at their faces, you'll notice that nobody believes MhokDay story has ended. Some viewers have a question for Mhok acting like there hasn't been three years without the love of his life... Don't you think that all three years he has being told about Day by Phojai? I'm sure she did her best to be in contact!

And for Day blocking Mhok's number I have a personal experience reference. I unblocked my ex only when I was sure I feel nothing for him. I needed to be sure that whatever we'll say to each other my heart wouldn't feel the same way as when we were dating. It took around two or three years to learn this. Now do you understand Day better? After three years Mhok's number is still blocked.

So Mhok came to the Day's bookshop. They're playing this game second time. First it was Mhok's voice, and now it's Mhok's scent.

Day almost did it. He almost saved his face neutral. The book he chose as an editor betrayed him.

"Many books encourage us to put the past behind us and move forward. But this book raises the question: if the past was so beautiful, can we simply hold onto that beauty?"

Was their story beautiful enough to begin again with the same person?

Then they're again in the house they used to spent so much time together. And if it seems like Mhok again acts like caretaker, he's not. He is a guest now, he can make jokes, he can freely sit with others and he doesn't say another sorry to Mrs. Mhon. He's enjoying cooking for friends and teasing Day.

Later in another scene (that for sure is a homage to their fitting room scene from the third episode) Mhok said:

You don't have to put up such high walls with me. You know how happy I am when I get to take care of you.

For Day these words raise a question: what taking care of Day means for Mhok now?

And what we need to mention is Day's response to all this flirting:

You're going back in a few days.

That's also a question. For himself. For Mhok. What if going back won't happen? What then?

They continued this walk down memory line with another dining scene. When cake is served Day says something worth quotation.

"Everybody is created for development"

That's when Mhok is saying thank you for breaking up with him. And says something that truly correlates with them having adult's conversation:

I thought you couldn't live without me.

THIS is what tells us that Mhok has grown up due to their separation. When you're young you think that love is about someone you can't live without, but the truth is you can. You have yourself no matter what. And the mature love is about choosing to live this life with someone you can live without, but just don't want to. "Pity" is just a word, but Mhok is apologizing for more complicated thing, for treating Day as someone who can't understand mature things.

Btw, do you have any ideas about this close up of glass? For me it's the representation of something cold starting to warm up. Day?..

Then the wedding is happening and that's where I started crying for this big family becoming happy again. I think this whole ceremony deserves an award for melting hearts. The way Mrs.Mhon welcomed Phojai. The way Night gave a chance to speak up to his father. The way Day assured Night once again that the accident and the blindness have no effect on a strong bonding between them.

"... everyone should get a second chance. Especially a second chance to make themselves happy"

And then they're dancing. Even without flashbacks we can remember that day when they were dancing for the first time.

You were tense. Your palms were all sweaty.

And another try from Mhok:

If you could see, you would know that from then to now, my feelings for you remain.

And another question-not-question from Day:

... no matter what, you will need to fly back to work anyway.

I didn't see anyone mention this, but for me Day's repeating answers almost scream "tell me you have no reason to go back". Day is trying his best to be mature and he doesn't feel he has any rights to tell Mhok to stay. But he wants it, he wants it so damn much and he's afraid of it.

What you felt then should just stay in that moment.

Are these words for Mhok or Day is actually talking to himself?..

It's not like I wasn't happy with him. But how do I know if I give him a second chance, he won't repeat what he did? I can't live with this feeling for the rest of my life.

Some of you may say: "Won't repeat what? Won't go to Hawaii because of you?". Well, three years later things are different. Back then Mhok wanted to take that chance to start a career, we saw his face when rejecting an offer. Now he's experienced enough to find job anywhere. What Mhok shouldn't repeat is to stay just because he's afraid to leave Day alone. And all that words about repeating Day is also addressing to himself: is he now independent and confident enough to be with Mhok without feeling guilty?

This is love that normal people have. We don't know if it's head or tale but we choose to take a risk in order to step forward.

Some of us find love from the first try. Some of us have to try many times. For some of us it's always different people and sometimes it's the same person. As you growing older you realize that your heart is bigger than you could ever imagine and stronger than you could ever feel.

All of this leads to the one of the most hilarious scene in BL history. That whole airport scene also deserves an award for bringing back that 2000s romantic comedy vibes! Pure art, bravo!

Even though this airport scene didn't result in finding Mhok, they meet each other anyway. And dance. And Day says words that must tell us that he wants to see this world again! And he ask Mhok to be his boyfriend again. Not Mhok is apologizing and pleading as some viewers keep mentioning, but Day is asking for a second chance.

Then we have a glance at Day three years later. He can see again and he's helping a person who can't see.

At first I didn't get what the writers want to tell us with such a short scene. But later I remembered my cousin's story and now everything makes sense.

A couple years ago my cousin was diagnosed with a cancer. She was living in a small town where there's no doctor even to take all needed tests. She moved to the capital city, she found a doctor. Her family helped with money, and I know that the price for that medical treatment was extremely high for them. She had a surgery... at it didn't work. A cancer was still there, after months of suffering, after all money spent.

She didn't give up. She tried another treatment. She made a doctor to do more check ups. Finally she had another surgery. And it worked. Months later she's in remission, she's clear. She's struggling with having to take pills for the rest of her life. She also gained 20 kg and also started dieting and lost most of that weight.

My uncle, her father, told me all of this and mentioned the most impressive detail. Now she keeps in touch with different people who have cancer via chats to provide psychological support and to give practical recommendations. This story wasn't written by some novelist and wasn't directed by anybody, but could you believe it if I didn't tell you it's about my cousin?

"I have read Last Twilight countless times. I always wondered how Me would live if she had a normal life. I couldn't think of the answer then. Life amidst the dilemma caused me to forget what it was like to live a normal life or how happy I could be. When I finished Last Twilight for the first time, it was like my heart was shattered to pieces. I had always imagined myself as Me. If she disappeared, I must also disappear. But eventually, I realized that everyone had their unique tale to tell. We were made to discover our own preferred version of the novel's final. I consider myself lucky to have gone past the worst page in my novel. But I don't believe that this is the end. I'm still turning the pages"

As you could realize through these quotations, the story of Last Twilight is mostly about Day. And at the same time it belongs to every person around him, like in his favorite The little prince there're many characters that surround the main one.

In the end we see Mhok visiting his parents and Rung with Day. We see close up of Rung's car and there's no band aid on it, but the little scar is still there. What does it mean? I think it means that Mhok also is not covering his scars anymore. Somewhere behind the story we were shown he can finally talk about everything.

- You completely changed my life,Day.

- You completely changed my life too.

- I love you, Day.

- I love you, Phi Mhok.

As for the main question for the last episode, the mood of it... P'Aof and the writers wanted to show what the storm feels like. If you experienced the hardest part of your life and managed to survive the thought of losing any hope, you will not be the same. You will be funny, you will be ridiculous, you will be spontaneous, you will live your life like it's a damn hard to believe movie.

Btw, we were told a story of a boy who likes sunflowers - the flowers that refuse to stay in the dark🌻

And that's it. That's all, dear readers. If you're here, you should know that it means a lot to me. As much as Mhok and Day I guess. As much as Last Twilight. The story of hope. While writing this analysis I had to omit some details, so I think I will make small posts with different favorite moments. It was a nice journey and I already miss all metas and gifs and memes about Last Twilight every Friday and not only Friday. Let's stay here for other beautiful stories and of course for new stories from Jimmy and Sea and P'Aof!

#last twilight the series #last twilight #jimmy jitaraphol #sea tawinan #jimmysea #mhokday #morkday #aof noppharnach #gmmtv #p'aof #gmmtv series

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smugpugchimera · 5 months ago

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God damn I just woke up from dreaming about a non existant piece of media that I wish was real.

I even tried to look it up In My Dream cause it was bonkers, but alas, it's but a figment of my mind

I dreamed of watching a small portion of it, so I don't know (or understand?) the plot necessary, but it's style and surrealism blew me the fuck away. We follow some kind of girl-entety protagonist, and the entire environment is an abstract mesh of 80s-style abstract geometric surrealism, old math book covers, and encyclopedia illustrations. The places are disjointed in space and get simplified in a single void of color when far away. Everything has a vibe of living on a microscopic level. While at it, there're were also kinda, gruesome scenes with other characters that don't quite make sense but left a very visceral impression, the way gore felt in that environment (and how weird and nonsensical it was) is very striking. For a bit, we follow a sentient cat-like entity that has some trouble delivering its kitts. They meet with the protag and hide together from some sort of a giant fish predator. I won't describe any of the strange gore things cause I honestly don't know what that was, necessary, but the situation ends in the protagonist having to take care if the kitts of the cat-adjacent being. prologue is spent in a kind of a primordial space that also distinctively feels like the periphery of the local society. I think I'd also draw a similar vibe comparison to Samurai Jack environments. Though, again, more abstract, but also more well-rendered? It's as if it's an older film that uses mixed media animation, paintsprayed backgrounds, and early 3D to achieve this very particular type of uncanny. Later in the plot, our protag has to move into a different place, that is like, an industrial core of the area. Even compared to the previous location It's a blight of abstract geometry. It has this unnatural, AI generated polish and artifacting. Things are less cluttered, more spread out, and have a strange regularity. There're products and brand names all around, all scrambled to the point of being unrecoverable. And the empty spaces, softly lit, as if, non tangible voids of color that surround everything. It's mostly bright, synthetic green. The skybox but a gradient of a few colors, no clouds or celestial objects to be seen. The plot didn't progress much further than that, but despite the very strange cover, the core of it felt like a Don Bluth film in a sense, specifically "All the dogs go to heaven", kinda? Again, just a vibe.

I tried to search for some visual aid and surreal 2000s encyclopedia art I'm referring to is Impossible to find, but I tried to find some other things in the similar vein. First area was very organic on a macro scale, but did manifest strange regularities too.

All "land"scapes featured both ringgit geometry and lava lamp like formations

The spacing of things in the second location reminds me also of this old puzzele game "Balance", tho that has to do with the feeling of the gameplay too :0

I'd say the disjointed-ness and unrecognizability of the familiar also gives me the work of Ivan Seal

Idk I'm just saving this for later inspiration, I lament many imaginary media my brain comes up with aren't real :(

#longpost #maaan

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xinfinityl0ve17 · 1 month ago

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-As usual when i interview MALICE MIZER my mind starts to dry up a bit (laughs).

Gackt: If you don’t get caught up in rigid notions or long held beliefs i think a lot can be understood. People attach years to the concept of time for clarity but that’s just a human made record for our convenience, not a true representation of time itself.

- Is it that before crossing or not crossing the sky, it was never something that was defined in the first place?

Gackt: I wonder? Also, within this album, various characters and shapes come to light but i believe it’s important to note that everything is linked in some form.

-However, this album really delves deeply into everything from the concepts to the sounds.

Gackt: The sound is so rich that we didn’t have enough channels. Even in parts of the songs we didn’t touch on in this interview there're various mechanisms woven into the fabric.

Gackt: Rather than mechanisms everything is inevitably included.

-It’s quite a niche no, a freaky endeavor, isn’t it?

Kozi: That’s MALICE MIZER’s characteristic after all.

Gackt: It can’t be helped. The people creating this are all quite freaky. After working on this album i realized something: discussions about MALICE MIZER often tend to concentrate on visual performances.

Mana: That might be true. But it’s more than that. It’s not limited to visual aspects; we aim to enhance our world in every way possible through all the elements we can use to create. This album made that very clear.

Gackt: Absolutely. Well, since our appearance is what it is i can understand why people would focus on visuals whether they say it’s impressive or over the top. However for MALICE MIZER we want to express our thoughts through sound and stage in all aspects, so if they can understand that it’s great. Of course i believe that in this album the individual growth and evolution as a collective are clearly represented. Given that it’s natural for the quality to rise.

-By the way, will there be any continued performances of "Bois de merveilles" in the future?

Mana: Who knows? (laughs)

Kozi: It’s too precious to just give away (laughs). I think there might be a performance around the next show though.

Gackt: I can’t say anything just yet.

Kozi: Plus performing the songs from this album live requires extensive preparation. They’re so intricate!

Gackt: Regardless MALICE MIZER inherently has the characteristic of deliberately taking a perplexing path.

- I think this has been discussed many times before but can you share your thoughts heading toward the final performance?

Gackt: Just remember that beginnings and endings are always back to back.

Mana: That’s right, everyone, please give it your all and feel it.

Yu~ki: Look forward to it.

Kozi: Absolutely!

Mana: What’s that in reference to?

Kozi: Well...

Gackt: What should I do? If it’s to myself (laughs).

#malice mizer #mana sama #kami malice mizer #malice mizer közi #magazine #malice mizer mana #yu~ki malice mizer #celebrity interviews #malice mizer gackt #malicemizerinterview

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thechangeling4 · 1 month ago

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Fanfiction recommendation:

I just need to gush about a fic for a moment. I don't have a profile(yet) so I can't comment on it on ao3, but I've read this fic 8 times now since i found it in late august, and while it's far from unusual for me to read a fic more than once in the same month, 4 times in 1 month doesn't happen often. It's The Risk in the Kiss by NotEvenCloseToStraight, 50+k, harringrove, a/b/o, E-rated, but unless you hate one of these it should be considered a must-read

There're many good things about this fic

• main thing that made it stand out to me is the descriptivness and missing unnecessary filler words. i'm pretty sure it's not grammaticaly correct but i'm also pretty sure that sensory and emotional impressions don't use the same grammer as spoken/written language, which is why it's so damn hard to express them right that way. now, i've never had problems putting myself in a character's pov, but this fic made it easy;

"....Steve’s voice dropped a register commanding...."

"It was nice to feel red tinted angry for a change, instead of always blue shaded lonely miserable sick...."

"....could only take being pushed away, rejected, dismissed, unwanted for so long...."

"The Alpha’s scent crackled thrilled, cherry bright and bittersweet chocolate pleased...."

"....protectively comforting in a way that tinted his rose scent purple...."

"....Steve wrinkled his nose when the Alpha’s scent plummeted sympathetic...."

"....Billy cursed cursed cursed his way through the front door of the school...."

"....leaning in anxious and looming over protective and staring at him worried...."

• one of the advantege of tropes like a/b/o is that you don't just relay words and body language, you can also use smell ect. to communicate, but this fic doesn't just use it form smut, no no. people growl, show teeth, click and trill, they basicly behave like cats, and it's for everyday non-sexual interaction.

• animaniacs reference, in the 80's

• fangs

• everybody's bullshit being pointed and often called out.

• fluff. there's SO MUCH fluff and softness and cuddles in this fic and it is wonderful

• max and billy being siblings

• pining. SO MUCH PINING

• billy starting a foodfight because he can't deal with how much he's pining and that's after they get together

• steve threatning neil with the bat

• alphas having stretch marks from getting muscle fast

• semi grafic reference to omegas maiming alphas who enter their heat space uninvited or don't act corretly and isn't that just a refreshing take!

it's stated that billy's car, in the 80's, needs to be turned on in order for the windows to be rolled down and it's during a fairly serious scene but, apologies NotEvenCloseToStraight, but that always makes me laugh.

could have called nancy out harder, but i'm a die hard nancy critic, and the gorgeous happy ending skips right over s3 so there's a sad sad sad lack of robin, but those ARE my only critisisms of this fic.

@not-close-to-straight

#stranger things #harringrove #fanfiction #not-close-to-straight

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malaierba · 5 months ago

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well since i know that osomatsu-san sold underwear and sex toys as merch i am curious wtf is it even about because all i see are those kinda silly guys. like huh

Oh Osomatsu-san IS silly! It's the modern take on a manga that originally ran in the 60s, Osomatsu-kun. It follows the story of the Matsuno Sextuplets + other inhabitants of a place named Akatsuka (mainly two guys named Chibita and Iyami, who were the real stars in most adaptations except the most recent one)

There's been three anime adaptations of Osomatsu, two of Osomatsu-kun (focusing on the sextuplets as children) and one of Osomatsu-san (focusing on the Sextuplets as 20-something NEETs who are freeloading off their parents lol)

If I had to pitch Osomatsu-san... Imagine the annoying kids at school that were little terrors and everyone was sure they'd end up washed up adults because they were just that rowdy? Fast forward in the future: congratulations you were right 👍

The anime was first released to commemorate the death of Fujio Akatsuka. Many of Fujio's works permeated the pop culture imaginary of Japan, it'd take sooo long to go over his legacy but he's a swell guy who is remembered because several of his character's -isms were references often by real life celebrities, who also had an iconic if slightly off-putting sense of humour (went from silly to silly with dark undertones quickly. After all, with Akatsuka-sensei the protagonists were Chibita (orphan, homeless) and Iyami (conman, often homeless))

Ososan as a modern homage has a lot of range: There's stupid meta humour where it's almost like the sextuplets are aware that their cartoons, then there's stupid in-universe skits that are usually very funny, then there're a few skits that are a bit dark/vulnerable and are often very heartfelt.

So yeah! Parody series, but the characters are modernised and became so memorable that it was an honest to god cultural phenomenon in 2016-2018. Osomatsu-san was EVERYWHERE, there were three mobile games, a PS Vita one and merch was being pumped out at such an absurd speed that we ended up with the things that were being given a pass. There's also a printed manga, a couple of light novels, several live action and several drama CDs.

The fans were such a force to be reckoned with that even the anime pocked fun at them in S2 (the skit was mostly ribbing fangirls which went down poorly since they were the ones that made it a phenomenon in the first place? But I digress)

(not me in the bottom left corner. look away)

If you can, watch this compilation as a little taste test.

The series can be about as serious as you want it to be. A lot of things are done simply because they're funny, but when you look at the way the sextuplets change from season to season, from episode to episode, you can see overall cohesive development in all of them.

There's also just the fact that they were finally given distinctive personalities, and that fact is played to get people looking at them very attentively, trying to find all the instances where they're all the same, only some of them the same, when they each subvert the expectations of their given character archetype, etc.

Like, a big meta-theme is that the sextuplets grew up only knowing how to be one part of a whole made of six pieces, so used to being both treated as unique AND singled out over being sextuplets that they only really knew how to socialise with each other within the group mentality of their little gang. Then at one point they noticed they were socially stunted, so they tried to pull away and become individuals.

And it's that dynamic that's at the core of everything in Osomatsu-san: we are brothers, we are all part of a whole and our own separate individuals, as dissimilar as we (try to) look we're essentially the same in many basic aspects of our core personalities, etc. Sometimes they clash because they're SO similar, sometimes they do because they're SO different. They're the siblings of all time really.

#I'm part of the problem is stupid humour to me but then I start looking at the scenes closely and the meta gets my ass man #anyway Osomatsu-san is something that you either find very stupid or SO stupid you can't possibly look away #sibling dynamics of all the regardless. they're all each others ride or die and also ready to sell each other to the devil for a corn chip #“you're my sibling so know your place but also if someone comes after you I'll kill them unless i think you deserve it”#rambles #ask #it's so hard to talk about Ososan without the thing growing legs #like..... there's just SO MUCH OF IT and everything happens so quickly in short periods of time #then the series will go on hiatus for at least two or three years before giving signs of life again #dunmesh rambles

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reversemoon255 · 1 day ago

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RX-78-2 Gundam (Revival Ver.)

Oh my goodness, this was a treat! It's a very simple kit, but there're just so many tiny things that made it fun. It was an enjoyable couple of hours of work.

The Good: While this looks like the very first Gunpla, it is a completely new mold. It uses a ton of recent build ideas, like a seamless helmet and shoulders, great parts layering, etc. There are also a lot of tidbits in the instructions, like how the original had seams visible on the front of all the limbs, and how they specifically did things to reduce their impact. But it also does some fun callbacks, like the backpack assembly, and the weapons all being single pieces. It also comes with a bonus Beam Saber handle if you have spare blades.

The Bad: Posability. It has a little bit; decent arms, neck swivel, and a bit in the legs, but you're not going to be reproducing any anime scenes with this guy.

The Details: Apart from panel lining, I did add a tiny bit of paint; mostly for the accessories. On the RX proper, I used red for the rear peripheral camera, and I painted the visible joints silver in reference to my first RX. For the accessories, I painted the Beam Saber blade red, the Beam Rifle's scope yellow and barrel tip black, and black in the holes in the shield.

Overall, I highly recommend this kit. Cheap, fun, funny, doesn't need paint but looks good with it. A great, short experience.

#Gundam #Gunpla #Mobile Suit Gundam #RX-78-2 #RX-78-2 Gundam #Revival Version #Revival #Revival Ver.#Model Kit #Review

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somebebop · 8 months ago

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This song is one of my favourites by Tori Amos. It's about being parted from someone you love. Just what a heartbroken Good Omens fan needs, right?

By the way, do you know that Tori Amos and Neil Gaiman are old friends? I had no idea until recently, and it turns out there're numerous cross-references in Neil's books and Tori's lyrics. It's so fascinating for me because I've been loving her music for many years.

Music: 1000 Oceans by Tori Amos

#good omens #aziraphale #good omens 2 #crowley #ineffable divorce #good omens edit #tori amos

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leafstranger · 5 months ago

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Er. Well. Here're my pets:

Sully (d.2023.02): The original gremlin-child, a cavalier x rescue who came back with me from South Korea and appreciated the company of cats far more than she did other dogs. She had the worst health, as is kind of expected from king charles cavalier spaniels. Sully loved Alisaie-cat, and it was mutual.

Alisaie (3-y.o. Ragdoll; Seal Lynx Bicolour): Alisaie, or Nyalisaie, is from LaCatDolls Ragdolls in Kingston, ON. She was initially offered to me as a cat who could be happy as a solo kitten: she's very independent, opinionated, but sometimes lacks a bit of confidence in dealing with her brothers' idiocy. She also Will Not Smack A Baby, which caused Pipin to think he can get away with anything. This seems to be a thing in her maternal line - her mother preferred to stay with her litters far past the usual time, and so does her full sister who's still with LaCatDolls, though she just had her final litter last year.

Alphinaud (d.July 2023): Alphinyan was Nyalisaie's half-brother. He was a cream bicolour ragdoll, which means he was Very Orange and rarely had possession of the braincell, but he was the sweetest boy. He passed of heart failure last July; his breeder and I did all our due diligence with genetic testing and everything, but there're only (last I checked) four genes on two sites that are identified and testable, and both his parents were double-negative as carriers, tested multiple times, and none of the others have shown signs of it. For reference, there are hundreds of identified genes on many sites in humans that have been ID'd.

Anyway, Alphinyan was outgoing, happy, and utterly gorgeous. I miss him a lot.

Leo (3-y.o. Ragdoll, Blue bicolour): Leo is Alphinyan's littermate who stayed at the cattery as a potential sire and eventual show cat. When Alphinyan passed and I was ready for a cat, the breeder offered me Leo, because he's EXTREMELY similar to his brother: sweet, gorgeous, and kind of an idiot. He's a classic Ragdoll: he loves everyone and was VERY DETERMINED to aggressively groom my face within two hours of arriving at my house. He is, however, kind of immature and a bit of a brat sometimes, and Nyalisaie has only just recently started to smack him when he's annoying her. He and Pip are Best Buddies.

There is not a braincell in that head, just love and floof:

Pipin Tarupin (1-y.o. Papillon, tricolour): Pip is a pretty typical Papillon boy: full of sass, too big for his britches, and extremely determined to be within 6' of me at all times. He is, however, incredibly good: he comes to the office with me and behaves himself very well, and is very good at seeking out people who're having a bad day and clowning around to make their day better, or just hopping into a lap and cuddling. He adores Leo and desperately wants to play with Nyalisaie ALL THE TIME.

Someday, I want a Maine Coon, but alas, it hasn't worked out yet.

#my pets #sully the dog #nyalisaie #pipin the papillon #Alphinyan the Ragdoll #Leo the Ragdoll

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bodrewritten · 10 months ago

Text

THIS is an @atbussysparks side blog. I will be attempting to re-write bride of discord (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)⁠✧⁠*⁠。

Rights to the original property belongs to DisneyFanatic2364, the author of bride of discord, daughter of discord, and any other spin-off. This blog was not made to try and one-up the original, but to show love and appreciation for the original fanfiction that touched the hearts of people around the world. (⁠*⁠˘⁠︶⁠˘⁠*⁠)⁠.⁠｡⁠*🩷

The original blog @brideofdiscord-rewritten an entirely separate acc bc I didn't know how to make a side blog back then 😅 but that's also me!!! I can't log into that acc now

Let's lay down some ground rules!

꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡❤️🧡💛💚🩵💙💜🤎🖤🩶🤍🩷

If you're a younger child (younger than 14) please blacklist the announcement/update tags! I use foul language, and though you might use it yourself or hear it every day, I ain't tryin to get sued

The story itself is SFW and will not contain any more than subtle pg-13 jokes and light drinking (imo daiquiris don't count lol)

All celebrities, movies, songs, books, and other real life media names will be changed into bad horse puns.

I will omit some ridiculous examples of discord being emotionally or mentally abusive past the point in which he has fully developed as a good character. Instead he will face consequences.

Some characters will be queer or LGBTQ+ but no references will be made to their sexuality. Only romance.

The last bullet point goes for the straight relationships as well!!

I have a playlist for the story on Spotify named "Bride of Discord rewritten (fluttercord)

Voodoo and hoodoo will be shown in a respectful and realistic manner, and I will attempt to show Zecora in a non-stereotypical manner.

Spike will still have a crush on rarity, but spike being a romantic interest for adult ponies, or having his feelings reciprocated in any way will be removed from the story.

I will attempt to keep an early 2010s feel and humor, but there're also so many american exclusive jokes and media references from past that time to make

If this were turned into an audio drama (nudge nudge wink wink) I would love to voice characters or draw for the video

Topics such as death should be handled with care and emotions. It is okay to say stuff related to dying.

Only mild cursing is allowed (darn, dang, shoot, heck, hell, butt, ass, ((but only thrice,)) etc.)

Obviously this isn't being policed but

DNI ಠಿ⁠_⁠ಠಿ ಠ⁠,⁠_⁠｣⁠ಠ

"Proshippers" (degenerates who get off to illegal and morally corrupt relationships)/zoophiles/bigots of any sort (homophobic, transphobic, xenophobic, racist, ableist, ect.)/ Radfems/anti-punks/people who don't like hopecore (I'm not joking)

Ask me questions! (⁠◕⁠ᴗ⁠◕⁠✿⁠)(⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧

I will happily answer almost any questions, and I love getting them! To keep anonymity I won't answer personal questions but I'll answer anything (⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)

Masterlist

Bride Of Discord Chapters 1-19

Daughter of discord chapters 1-22

Spotify Playlist

#mlp fim #fluttercord #bride of discord #bride of discord rewritten #discord #my little pony #friendship is magic #pinned post #applejack #rainbow dash #rarity #twilight sparkle #pinkie pie #fluttershy #fanfiction #romance

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suchine-toki · 5 months ago

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hello! I read your Tae meta from last year and just wanted to say it was great and really gets to the bottom of the problems with how Sorachi handled Otae. My (unasked for ;)) two cents is that I think he was going for GinTae endgame but then changed his mind somewhere before Lesson 238 which I read as his way of giving a 'this is how it would happen but I'm not going to do it' resolution for GinTae. And it's fine to drop the romance but knowing he's not going to make any couples endgame and 1/2

Hi! First of all, thanks for reading and taking your time to send this to me, I really like hearing other people's thoughts! I hope you don't mind that I combined both asks, given that they've points in common and I already had a draft of the one I received a while ago 🙈 This made me realize that I hadn't thought about it too much before… Even if I've talked about this topic with other people before, usually, the conversation ends with us agreeing and moving on to other topics lol so I think this is the first time I'm analyzing it. I'll try to do it from both the characters' perspective and Sorachi's intentions as the story's author. Before continuing, I want to clarify that my intention isn't to convince anyone to stop liking it, I just wanted to explore this topic and wow, did I explore it, because it ended up being much longer than expected 😂

That said, I think one of the biggest reasons why many of us thought Tae was going to be Gintoki's main love interest is because of the setup. Tae is the first woman from the main cast to appear in the series, and her dilemma kickstarts the story and allows for the formation of the Yorozuya as we know it. Moreover, she's Shinpachi's older sister and also develops a strong bond with Kagura, so it was expected that she would also develop a strong romantic bond with Gintoki, connecting her to the main trio of Gintama.

However, as I mentioned in the previous post, things started to change with the introduction of Kyuubei, which solidified the Kondo-Tae-Kyuubei love triangle, and then with the introduction of Tsukuyo. I watched a video by Abbie Emmons titled "7 Deadly Romance MISTAKES Writers Make ❌ avoid these chemistry killers!" to help identify some points in the relationship between Gintoki and Tae, although I must mention that I don't think these were mistakes on Sorachi's part, quite the opposite, they were very conscious decisions. I won't go point by point; instead, I'll summarize the intent of the message.

Half of the video is about the development of intimacy between two characters. I think most of us can appreciate that at least until the Benizakura arc, it was clear that Sorachi still had in mind to develop the relationship between Gintoki and Tae romantically because they'd a scene where they were alone, had time to talk, and showed that they cared a lot for each other. However, as the series progresses, we stop seeing these kinds of scenes between them, as well as scenes where they're seen thinking about each other or having physical contact.

And although at the beginning of the series Tae participated more actively in the Yorozuya dynamics, after the introduction of Kyuubei, they're seen spending most of their time together, even when they're with the others. Tae remains an honorary member of the Yorozuya until the end, but it's clear that Sorachi wanted her to represent stability, emotional support, the place they can return to that will welcome them with a smile. So, even though Gintoki and Tae still care a lot for each other, their interactions will continue to be framed within the context of the Yorozuya for the rest of the series.

That said, I couldn't say exactly when Sorachi stopped considering a romantic relationship between them. I'd to look up chapter 238 because I didn't remember what it was about lol (for reference, it's the one where they're at a stall and there're only speech bubbles, in which other characters who look like Gintoki and Tae confess they're in love), and I think your interpretation is certainly interesting. The placement also makes sense, which is shortly after the arc introducing Tsukuyo, and it also follows the trend of other characters being the ones who tease them, and not themselves.

The other half of the video is about how the characters' relationships with the rest of the cast are shown. It's highlighted that there needs to be an emotional reaction from a character to the idea of the other being interested in someone else, something Sorachi showed in many different ways but not with Gintoki and Tae. In her case, at most, she was shown getting annoyed at Sacchan, but only when she was provoked first. When it came to Tsukuyo, there was no reaction. Similarly, Gintoki has no reaction when Kyuubei or Kondo demonstrate their love interest.

The last point of the video, but not less important, is when characters have more romantic chemistry with other characters. In Tsukuyo's case, I think Sorachi was already a more experienced writer who knew his characters better and knew what his story needed. In particular, I think he wanted Gintoki to have someone close with whom he could relate but who wasn't directly connected to his past, among other things. And as I mentioned before, most of Tae's emotional energy in the series is with Kyuubei, followed by Kondo.

But why Sorachi didn't continue developing Gintoki and Tae's relationship romantically? The most obvious reason is simply because he didn't want to lol, but the explanation behind this, I think, is due to two main reasons. The first is that he wanted to keep the relationships within the Yorozuya platonic, and since Tae is an honorary member of the Yorozuya, it felt wrong to establish that there were romantic feelings involved. By comparison, it would be like confirming a relationship between Kagura and Shinpachi. And yes, Sorachi did some ship-teasing more than once between them too, but at the end of the day, he chose not to pursue it, and I think maintaining the familiarity is a cause.

The other reason is that as he wrote the story, he realized that Gintoki and Tae didn't fit well together. Tae can give Gintoki a sense of stability, but what can he offer her? Tae clearly values stability as well, hard work, having money. But Gintoki, due to his circumstances, doesn't meet those standards. If you think about it, the only two occasions when Tae unequivocally showed interest in Gintoki were when he lost his memory (Memory Loss arc) and when Hijikata was in his body (Soul Switch arc). Two occasions where Gintoki wasn't himself. But she liked that he seemed more serious and diligent, which implies that Tae's type is different.

It's also worth mentioning that Gintoki isn't shown making the same gestures towards Tae that Kondo or Kyuubei, the other two characters who are canonically in love with her (which is why I think they're a good benchmark) do. For example, while Sorachi chooses to show Gintoki teasing Tae about her breast size, in contrast, he shows Kondo buying her a kimono that will look good on her regardless, you know, like a supportive partner would. Even with all this, I understand that het shippers might've felt uncomfortable with the idea of pairing Tae with Kondo, and the other viable option was Gintoki. I think Sorachi was also aware of this, which is why he decided to develop Kondo and Tae's relationship in the final arcs.

While we're at it, I prefer kyuutae by faaar. As I've also expressed before, although I think Kondo is a great character, his persistence doesn't sit well with me. But whether it was due to heteronormativity or because Sorachi identified with him as a fellow gorilla, it's clear to me that he decided to emphasize Kondo and Tae's relationship much more. Even when gintsu and kyuutae were stagnating, he continued developing kontae as much as he could (probably because he'd already done the heavy lifting with the other two ships, tbf).

Sorachi didn't plan many things in his story, which I think is both a strength and a weakness. One of the things that reflect this is, for example, that Hasegawa was originally going to be part of the Yorozuya, an idea he later abandoned, but the remnant of Hasegawa's presence in the series remained. In the same way, I think his initial idea was to pair Gintoki with Tae, but eventually, he didn't. It seems that he also had the idea at the beginning to end the series with certain couples, but later decided to leave an open ending in that sense, although some of his inclinations were clearer than others.

I've seen people say there're subtle hints throughout Gintama that they fell in love, and while I don't want to say those interpretations are wrong, I think Sorachi is quite straightforward when it comes to these kinds of things. Even with unrequited loves, like in the case of Katsura and Ikumatsu, he showed that there was love. However, in the case of Gintoki and Tae, during the 15 years he wrote the manga, he didn't, probably because he felt it no longer fit the story after a certain point. That said, I think their relationship works just fine without the need for any labels.

Thank you again for stopping by, if you've another point that you would like to discuss feel free to message me or send another ask 🤗

#Gintama #Sakata Gintoki #Shimura Tae #I think the reason FS feels worse to me than BS is bc it felt like Tae’s last chance to shine and Sorachi completely missed it #To be fair not all of kontae’s development happened near the end since there was a good bit in the cockroach mask ep and a bit in LP #I think I could’ve structured this better bc it feels like I just rambled 🙈#Again it’s fine if you like gintae I also have ships that I like for the subtext I see #Ask #Analysis #I can write #my post

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