#there is so much more bullshit happening now and before

[ktlurksforsomereason]

A few new thoughts + theories about obxanon and Rudy's departure

I keep seeing the same angry, recycled theories on obxtwitter without a lot of critical thought, which like fine, people are mad, I get it. But I've been really trying to take my emotions out of the situation and just consider how this could realistically have happened, and I have a few theories that I want to put out there.

I think #obxanon is Lilah Pate, OR someone very very close to Lilah or the Pates. Why do I think this? For one, #obxanon mentions Lilah far too much. Like I'm sorry, she's just not that important lol. She's a nepotism baby riding on daddy's coattails, and she was not a major player in any of the bts drama until #obxanon mentioned her specifically in their first (now deleted) post. #Obxanon also seems to know a lot about the personal relationships between cast members, far more than a crew member or a producer might know (specifically in the way they describe Rudy and Madison's history/feelings towards each other). This tells me #obxanon is someone who personally spent time with the cast, especially in the s1 era. Finally, in a previous post, I've talked about how #obxanon is very bias against Rudy and for the Pates. I believe SOME of the facts they present (a lot of it is bullshit and opinions), but I think whoever is behind that account has personal anger towards Rudy and Elaine, especially Elaine. #Obxanon mentioned personal conflict between Elaine, the Pates, and LILAH. Why is that even important? Because Lilah thinks she's important, and Lilah is #obxanon.

2. In saying this, I think #obxanon's first post in August leaking JJ's death was an intentional move by the Pates (and maybe Netflix) to sus out how audiences would feel about JJ dying. I just can't believe that Netflix/HR wouldn't be cracking down on every single person who could know this information if they weren't already allowing it to be leaked. Like the first post? Huge leak of insider info. But ok, JJ death theory was gently leaked during Morocco filming so maybe not a drastic break of HR policy. But the second post after s4 part 2 dropped? And continuing to post answers to fan questions up until very recently? There's just no way. Someone would be getting sued. A crew member would be out of the job. The Pates would be putting a stop to it. Unless it was intentional. Unless it was Lilah. Who wanted to

a. gently prepare audiences for JJ's death,

b. get a feel for how angry people would be, so they could edit/prepare to launch their bullshit PR "he was always gonna die" statement,

c. know whether they should renew the show for 1 or 2 more seasons, depending on how much viewership would be lost,

d. maybe even try to convince/guilt-trip Rudy into changing his mind based off of fan response? And if that last ditch effort didn't work,

e. proactively shift the blame onto Rudy to redirect fan outrage, meaning the writers/showrunners could take slightly less heat.

The show getting renewed for a 5th and final season BEFORE part 2 dropped and all hell broke loose? This tells me that they had a solid idea of how bad it might be and opted out of the original 6 season plan. They probably didn't know it would be THIS bad lol, but clearly the writers have their heads up their own asses and don't know how shit they actually are, so they underestimated big time.

And before people start saying this is a conspiracy and couldn't be PR, I really wouldn't underestimate how involved marketing teams can be, especially for a high budget #1 show on Netflix. The Pates mention all the time how they read and monitor fan feedback. Like, if the obx twitter account can interact with fans the way they do? They can definitely be sneaky about leaking info on tumblr through an anonymous yet extremely, SUSPICIOUSLY informed source.

And finally,

3. I think the reasons for Rudy leaving (and I absolutely believe that he left) are far more complicated than simply "Elaine was jealous." I think the way he handled it was messy and shitty and immature, but I've tried to theorize WHY and I've come up with a few intersecting reasons. I want to preface this with I DON'T ACTUALLY KNOW. But I like trying to understand people's decisions, it makes them more human to me and allows me to move forward with empathy rather than anger. So here's what I think:

a. He and Madison were previously FWB. I can't pretend to know the timeline or why it ended. But it happened sometime in 2019/2020 and Elaine was unaware of this (or at least how strong the feelings involved were) until later on in her and Rudy's relationship. Elaine not knowing about their fwb arrangement is alluded to in multiple Deuxmoi blinds over the years. Just feels too consistent to not have some truth to it. I can see how finding this out could blindside Elaine, make Rudy feel ashamed and uncomfortable, and contribute to growing jealousy and tension throughout years that finally hit a breaking point. I'm not saying jealousy is acceptable, especially because portraying a believable Jiara romance was Rudy and Madison's JOB. Obviously the healthiest decision is either break up or make peace with it. But I think this could at least explain why Jiara upset Elaine so much. She felt lied to. Also if Rudy actually cheated on Teo, that would increase Elaine's insecurity even more (once a cheater always a cheater). AND put pressure on Rudy to prove that he won't cheat on Elaine, making him all compliant and weird n shit towards Madison. The whole thing is just messy.

b. Rudy did not want to do Jiara in the first place. He didn't even sign up for it when he joined the show. Their "chemistry" in s1 was a literal representation of Rudy and Madison's chemistry in real life, likely due to their fwb arrangement. It wasn't JJ and Kiara liking each other. It wasn't planned. (I hate how Kiara asking John B "Did you tell JJ" is literally always used as proof against this, but I always saw that as Kiara not wanting to admit she actually did like John B and wanted to keep shit on the down low until they figured it out. That's totally how it's written. But the obx writers suck and don't elaborate on that ever again, so it gets misinterpreted). Regardless, fans saw their obvious chemistry and SCREAMED for JJ and Kiara to get together. They also screamed for Rudy and Madison to get together, which was probably fun until it was awkward. But Rudy literally NEVER actually liked it as a plotline. In interviews for S1 and S2, he talks about how JJ is not ready for a relationship, maaaaybe endgame could be them hinting at getting together but he just didn't think it made sense with the storyline. And Cleo was getting written in as JJ's actual love interest. And Kiara had already kissed John B AND Pope. It was not the writer's original plan, and Rudy has said that he thinks the show should not be swayed by fan desires. Except the writers are spineless and lack creativity, so instead they chose to listen to the fans and pivot their entire storyline to make Jiara happen. Which Rudy was contractually obligated to then do. Unwillingly. For 4 seasons.

c. Outside of Jiara, Rudy hated the writing on obx. And who can blame him? Everyone hated the writing on obx. The plotline has been getting more and more unrealistic and ridiculous since S1. If there was no bts drama and JJ lived and the show was renewed for 3 more seasons, season 4 would STILL be hot smelly garbage. Rudy has been getting increasingly more and more vocal in interviews about how he hates bad writing, he respects good writing, he wants to participate in art that moves people, means something, makes a difference. He basically calls out the obx writers in that Larry Moss interview for being trash. It is absolutely implied. The fan service of Jiara and the deterioration of the plot and the absolute destruction of his character JJ who he loved dearly and put so much effort into? God, that would piss me off too. Total opposition to his values. We all heard Rudy talk about JJ's storyline in S1 interviews as a nod to trauma survivors and how respectfully he tried to portray that. Only to have the writers not give 2 shits about any of that. I can totally see why he stopped giving a shit too. By s3 interviews, he literally repeats "my job is to do what the writers tell me" over and over. Dude was done long before asking to leave s4.

4. The final tipping point? The hate that Elaine gets. I'm not defending the girl. I think the whole conflict/tension/jealousy thing is wild. Hard to know what's actually true, but I think it's fair to say she doesn't make the healthiest choices (her launching her bikini line while Rudy is getting dragged by the media and fans?....wow.) However, the absolute visceral HATE Elaine has been getting for literal years, unwavering, unfiltered, unending? No one deserves that. Especially not for the petty shit she supposedly did (the girl posted some ignorant shit as a 17 year old on facebook in 2013. Like come on, she's not Kelly Osbourne saying Latinos only clean toilets on literal live TV). You can't make me believe that hate like that for 4 years straight on every possible social media platform wouldn't impact your mental health. You can't tell me it wouldn't make Rudy hate the fans, and hate the show, and hate social media. He would feel guilty, like it was his fault. He would want to protect her. They would both be so powerless to stop it from happening. Like, it literally killed her photography career before it could begin because her social media platforms were just bombarded with hate. And not just hate, but embarrassing, cancel culture accusations. If that was my partner getting treated like that because of my job? I think I'd leave too.

All of this combined = creates a total shitshow that Rudy probably couldn't wait to get away from. He's talented. He's passionate about acting. He likely wants to do other projects while he's still young and fit and eager. OBX contracts stopped the actors from doing any other work that conflicted with obx scheduling (filming and press). That reeeeally limits their other opportunities.

So I really can't blame the guy for leaving. I just think the way he did it was shitty. If he had just told them he wanted to leave before S4 was written and already filming, I think things could have been a lot more amicable. But I guess money complicates everything. Dude probably made a good mil a year with obx, that's hard to leave.

Soooo yea. Just my theories and thoughts. I could be totally off, a lot of it is hypothetical. But I haven't seen a lot of these theories fleshed out as people talk about everything, so thought I would add my 2 cents.

[alittlesongbirdchirps]

MY WORLD AU

Bruce Wayne isn't human he never was.

His body was a false form created to do his task, his mission, to gather information on Earth.

And that information would help his kind decide whether or not to destroy the entire planet and everything on it.

And his kind one of them could do it with a mere hand completely crush it in their grasp.

But no they won't judge based on an outside point of view.

So that's why Bruce is sent there, given a human form, he's not allowed to do anything unless it is human-like not even allowed to use his powers, not allowed to kill any humans.

Because It will muddy the water, and mess up the result.

Only after he's done observing, gathering all the data possible for judgment may he return to his true form.

His body's parents, no the character he plays to observe, Bruce Wayne's parents are murdered.

He uses all the information he gathered so far in his short time on earth from the television show he witnessed and vows vengeance on all criminals.

He begins to think maybe that's not a normal human reaction, that's until he takes in Dick.

Not out of care but out of the fact, that this is an actual human that also witnessed his parents die, so it's more out of the purpose he wants to see if he performed his so-called grief correctly, and humanely.

And apparently, he did since Dick acted similar to how he did all those years ago.

But when Jason came into his life it was the same at that start only taking him in to gather more information in particular he wanted to see if he could change human behavior if he took him in.

So he gave him more attention than he ever did Dick but at some point with Jason, or maybe it was even with Dick but he began to care though he wouldn't admit it not until Jason died.

Rage, an emotion he never felt before, and true grief, he was gonna kill the Joker fuck this stupid study.

And he will do it while in this human form, so it's slow and painful but Superman stops him, Bruce nearly swings at him but manages to stop himself managing to get his bearing back and now it was solely about this mission again.

No longer holding back against criminals anymore, he won't kill them but if they died from the injuries it wasn't his fault it was theirs.

Eventually, Tim Drake comes into his life almost like a whirlwind, demanding to be robin he refuses mainly because he doesn't need any more data on human younglings, but Tim threatens to compromise his mission as Batman, he doesn't know what Bruce truly is not yet.

Tim figures something out at some point, that Bruce isn't human it wasn't like Bruce was trying to hide it anymore.

Tim begins to ask him many questions with the underlying unspoken words, I know you're not human but I won't bring it up.

Oddly Bruce finds himself intrigued by this human this youngling is smart, especially by human standards, and he begins to study him he's different than the others, smarter, similar to the whole Bruce character He temporarily is until he finishes his mission.

Much later on;

When Bruce is 'killed.' by Darkside, he's simply beamed back to relay his data, and he lies he knows what his kind will do, destroy his earth, it is his earth, destroy his family that he built.

His kind doesn't lie, it's beneath them, so they believe him, for now, he makes a few requests for extra measures, like getting the earth to be put in his true name before returning.

Of course, Tim believed he was alive he was the only one who truly knew Bruce wasn't human but he didn't know what.

But something happens whether the Joker again or an invasion because his kind realizes his bitch ass lied.

So he protects them, he protects his earth, his true form his true size briefly leaking out, and he easily defeats them.

The league of course asks him what happened and what was that, and he simply lies that he was briefly possessed by some cosmic entity. Obviously, the bats call bullshit but don't call him out until they return to the cave demanding answers. LOL

(Little drabble idea.)

NOT EDITED LATE NIGHT, CONSIDERED THIS TIRED BULLSHIT SCRIBBLES OF WRITING.

[carmyberzattosjournal]

S2 Entry 2: Soothe the Goosebumps

Image credit: @neverscreens

Summary: Carmy’s girlfriend (who he calls Darling) soothes him down from an impending panic attack with apple cubes. (1346 Words) FLUFF.

Warnings: Swearing, hurt, comfort, fem reader/lass who is a trauma surgeon, she/her pronouns, finger sucking (light), impending panic attack (panic attack doesn’t happen), praise kink, feeding kink?, subby!Carmy. Mentions of Donna Berzatto.

Notes: Thank you for reading and sharing! This is a work in CB Journals Season 2 and will be tagged with #cb journals s2.

Sideblog for commentary and social stuff: @m-z-shoroi

Prompt: String Lights

“Do you not decorate for Christmas?” she asked. “Not even string lights or a mini tree?”

No. Fuck Christmas.

The silence, and the subsequent recoil evident on her face when I looked up from the apple I was dicing, is what told me I’d said that aloud. My stomach flipped. Hands abruptly turned cold for some reason. Heat flooded into my face.

I can’t even begin to explain to you the biblical level of shit I was in that week. That whole month, honestly. The review didn’t go well—we weren’t given our star, which meant that not only did all my bullshit that I pulled in the restaurant after having that mental fucking breakdown after the walk-in incident severely strain all my interpersonal relationships, it also did fuck all to give us any sort of results. If we’d gotten the star, then maybe, maybe, it would’ve stung just a little less. The wounds haven’t gone away—the repeated flare-ups of fighting between Sugar, Richie, Syd, and me are evidence of that—but the star would’ve been salve on the cuts. Maybe taken away some of the burn. No, it just redoubled everyone’s rage at me (including my own. I was getting dangerously close to hating myself more than I hate the fucking Devil at this point). So, the burst of fighting at the top of November turned into all-out war for the rest of the month. We’d found something of a balance before—minus the flare-ups—where I’d do a new menu every month using seasonal ingredients. I’d be mindful of what the kitchen staff could do, Syd and I would actually properly collaborate on them, so she didn’t feel voiceless (even if working with another person drove me fucking insane sometimes), and Richie and I would, generally, as much as we both could corral our familial trauma, try to stay out of each other’s way. Sometimes even get along a bit.

“Carmy?”

Now? Now I lost all fucking control of my restaurant. Syd and I were battling over the menu because even when accounting for her notes, she wanted to scrap whatever I did. Richie was so far out of my grasp that Sugar maintained a demilitarized zone between us, acting as the Secretary of State—or I don’t know, a fucking messenger pigeon—bringing things back and forth, all while trying not to (and failing on multiple occasions) explode at either of us for our bullshit. And it was bullshit. We’re fucking adults, I keep trying to act like a fucking adult and get a handle on myself so this doesn’t fucking happen again—I’m in therapy, for fuck’s sake!—and yet Richie and Syd insist on being fucking children about it.

In retrospect, I don’t blame Syd. If your coworker spiraled off the fucking deep end, and all you got out of that was the trauma of surviving that spiral, would you even want to fucking look at them again? She worked her ass off to make The Bear what it is, she put stock in her own identity as a chef, and wants, more than anything, to be able to take pride in her work.

I said I wouldn’t stand by and let her do to herself what I did to me, right?

Am I not her Devil?

So here we are, December three days away, still without a fucking menu.

“Baby? Sweetheart? Hey.”

Shit. Shit. Fuck. I dropped the knife onto the cutting board. “S-sorry. Sorry, I-I should explain—”

“I just wasn’t expecting such a strong reaction.” She held her hands up, palms out towards me. “It’s okay. It just caught me by surprise is all.”

“Christmas-Christmas is fucking traumatizing.” Why did it come out like a question? It’s a fact. It was fucking traumatizing. I closed my eyes, trying to retreat to the quiet dark, where it’s stable, where it’s safe. “My-my mom, she would, uh, she would do this-this big feast. Seven Fishes... And it was-it was always such a fucking disaster. And-and she would always explode at the tiniest thing. I-I hate fucking Christmas and New Years a-a-and-and fucking birthdays. Fuck birthdays.”

Something burned in my chest. A deep sort of fiery sting that took me two heartbeats to recognize as stomach acid bubbling into my esophagus. I grasped at the pain as if I could somehow get ahold of it and remove it from me, could toss it away like a wet paper towel, but all I found was the front of my apron.

“Hey, hey, you’re okay.” Oh no, Darling sounded worried. I fucking hate when I worry her. I pried my eyes open and found her expression contorted in concern, eyebrows scrunched together, corners of her mouth turned down. “What’s wrong? Pain? Nausea?”

I tried talking, but I couldn’t produce sound past the hot iron burning my insides. Blindly reached for the quart of water and chugged a few sips down. It provided some relief initially, but the flames came right back.

“Hold on.” She rifled around the cabinet above my head and pried off the lid of the baking soda container. Put two pinches in the quart. Swirled it. “It’ll taste weird, but it should help.”

Metallic. Metallic, bitter, kind of salty? Like I licked a dirty penny or something. Weird doesn’t sum it up, it’s fucking disgusting. She rubbed up and down my sternum as I gulped this vile concoction down.

“It’s a base, it’ll help neutralize the acid,” she explained. “Just take little sips until the burning stops.” I’m sure she knew I understood the logic, but I appreciated her talking to me anyway. It was comforting. Something to focus on. Something to drown out the memories of ma’s yelling bubbling away in the back of my head.

Goosebumps exploded on my arms when I took another gulp of the baking soda water. It just kept getting worse. Now the weird taste was lingering on my tongue well after the water was gone, but my chest still burned like a brand was on it. Darling rubbed her hands up and down my forearm, trying to soothe the goosebumps away.

“I’m-I’m sorry,” she mumbled.

I responded too slowly. “You didn’t do anything wrong.” Not even giving me this horrible shit; it was helping the heartburn.

“No, about the whole…” she gestured in a wide circle. Ah. About Christmas and shit. Got it. “It’s gotta be tough. With. How much those things are engrained in society and all.”

I shrugged a shoulder. Grimaced and got another wave of chills on the next sip of baking soda water. She picked up an apple cube and pressed it to my lips. It wasn’t meant to be an intimate gesture—I’m getting better at reading her face and knowing what the intention behind anything she does is—but something deep in my core tightened and warmed when she fed me the morsel of apple, when the tip of her finger rested just a second too long on my lips. I must’ve had a certain look on my face because she made the cute little cooing sound that meant she figured something out. Cupped my face with her other hand. Stroked my cheek.

“That better, pretty boy?”

She brought another apple cube to my lips, kept her eyes locked on mine—this piercing gaze halfway between interrogative and fascinated, like she was a cat observing a new toy, trying to figure out how to pounce on it. My navel flooded with heat, dick twitched in my sweats. Half of me wanted to shrink in place, become tiny and insignificant, small enough to fit in her pocket like a pathetic but endearing pet. The other half of me got lost in her eyes, in those shimmering river stones, in the perfect architecture of her eyelashes, as if admiring a fine work in some pretentious fucking museum somewhere. She let me suck the tip of her thumb clean. Dragged it slowly over my tongue.

I nodded. Yes. Yes, it’s better.

The fuck was I even stressing about before?

Tags: @carmenberzattosgf @jess248 @catharticconsolation @persymons @morgthemagpie @glitch0o0 @nox-is-thename @forgechildofheph @leminjelly @fridavacado @lumoslemon @cyarskj1899

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[dazzle02]

Ya know, I'd be genuinely interested in what the reaction would've been if Buck had got with another male character on the show other than Eddie. Like, one that the fans already loved. Someone like Ravi or Albert. A character who people already love and were wanting more of, but ISN'T Eddie. And like, have pretty much the same exact story of Buck not really understanding why he wants this persons attention, maiming Eddie and all that. All the "controversial" moments still happen. But here, Buck is the older one. In fact, with Albert they've got about the same age gap as Buck and Tommy, only Buck is the older one. Albert was 20 when he first appeared in the show in S3 and Buck would've been 28/29ish. So it would've been a similar age difference. But we would never have them calling Buck a predator or anything. Because they're very aware that they're all adults. But it does make me wonder what the reaction would've been.

Having Buck realise he's bisexual and start dating a guy, and it's not Eddie, but it IS a character they claim to love. And there's no sign of it not lasting. No actual sign of Bvdd!e happening. All signs point towards this relationship lasting a while.

Would they start hating on this character they've always loved beforehand? Because we all know that the main reason so many of them hate Tommy is because they see him as a threat to their ship.

But like, imagine Buck and Albert for some reason started dating (which I could never actually see but I do know some people have shipped this...) and BUCK said the things that made people decide they wanted Tommy to be killed. They'd have a completely different reaction.

This is just something I was thinking about last night while I was trying to go to sleep... 🤣

[butnotbubblegum]

using the tags to vent my current emotional state into the void bc ig story feels like a bad plan for this, read at your own risk.

[strawbrains]

I'm exhausted from opening my huge can of worms regarding my life and traumas in my first appointment with my new therapist today, but I think it went well and she seems really nice and understanding I hope things continue to go well!

[motherforthefamicom]

trying to find some oldass drawings of one of my first sonas i havent been able to find em yet but instead ive just been unearthing all these old notes an ex friend and i would pass to each other back in middle school

[imwritesometimes]

the "I already bought tickets to go see Indy again next week" moodboard

[reachexceedinggrasp]

It is really weird, as you say, that these sorts of characters (Beasts, grotesques, Byronic heroes, etc.) are so emotionally, aesthetically, narratively potent and draw on a rich literary history, yet they're such a contentious archetype, rarely done well now. I personally ascribe that to an obvious modern shift in the direction of storytelling cynicism (and I think you elsewhere have too, so don't mind me repeating your points back at you), but do you see a way out of it?

It's obviously an issue which goes beyond them (I mean even the central idea of redemption, or a complicated soul, is contentious), and so I imagine that the way out is effectively only possible if there are much more broader shifts in discourse. I think it's probably true that we might've peaked with cynicism now (absurdism seems to be more an idea that's being embraced - much as I don't like that, either, it's a gestural attempt at least).

But to circle back away from that, it's so funny how... if you're sincere and if you care and if you're trying hard, you can trip and fall into a complicated, Beastly character. And then they get mad about it.

Off anon because I figured I may as well hee hee.

It's definitely a weird moment in mass pop culture, because cynicism is so ingrained as the default that there's sometimes a lack of self-awareness about it from the writers who are responsible for the most mercilessly cynical takes. Of course, writing extruded movie product by marketing committee, as a lot of them are, is unlikely to produce different results, but I believe some of these people genuinely aren't cognizant of the worldviews they're putting across in these stories.

Romanticism has been deeply out of fashion for a long time and idealism is never in fashion, so it's not like cynicism itself is new as the dominant attitude, but it seems like that cynicism has become ever more juvenile and shallow. People steeped in it try to write optimism to play to the crowd (because generally people want a happy ending) and it comes off as the bleakest, most hopeless nihilism.

I think real idealism is challenging and the more complex the story becomes, the more challenging it is, so that you encounter more resistance writing idealistic narratives for adults, because it's so demanding when we see what it really looks like. It stops being crowd pleasing when uncompromising principles come up against the audience's desire for revenge, spectacle, machismo, etc. And because compassion and forgiveness have been relegated to media for children, people are wont to dismiss them as childish. Cynicism is still seen as cool and grown up and 'just being realistic' and fosters a vast wasteland of boring, lazy stories with characters you don't care about.

It is funny how people trip into Sad Murder Boys/Beasts/grotesques, but I think it sort of makes sense for the same reason they're such a rare character type despite being intensely impactful every time they happen, the same reason they're contentious: these are inherently romantic archetypes. So if you're trying to write passionately about this dark figure and you want him to be a complex character, so you give him pathos, and you want him to be powerful or intimidating because you're using him as a threat but still have big flaws so he can be defeated by the hero, and you want him to be charismatic to show why people would trust or follow him, and you want him to be attractive so you can have your incel message about male allure being dangerous... oops, you've accidentally created a romantic figure.

People accidentally writing tragic heroes when trying to write villains have already made something way more compelling than what they imagined, but then when they play up the pathos in attempt to emphasise free choice and create a tension where the audience sees a desire for healing from the character, a potential for change, they have inserted the most dynamic drama known to man. The hope this represents is so potent that it's going to alter the entire landscape of the narrative whether you want it to or not.

The possibility of redemption is a fundamentally idealistic concept and once we have our rogue romantic character breaking through stolid predictable archetypes and rigid storytelling, there's equal parts terror and intrigue on the part of the audience that they might be challenged with it. Redemption equals death is so popular because it defangs the challenge, it strips it of cost and consequence, allowing a veneer of optimism and admirable morality without needing to deal with what makes being ethical hard.

I think what we need more than anything else is more deliberate writing. People who actually want to tell a story and have something they want to say. No one is going to write anything legitimately challenging when they've been commissioned to make Captain Bland 11 and the story barely matters to anyone involved in production. It's uncool to care and there's a lack of respect for the audience, so the most you get is more 3edgy4me death and cynicism because these manchildren are convinced that's somehow still subversive despite paragon heroes who always say the day having been extinct for about fifty years.

You won't get brave choices out of the mainstream until someone with huge money decides they want to make them, because the entertainment industry has consolidated into the most risk-averse and cynical possible version of itself. Either something escapes containment and shows how profitable actually following through on romanticism can still be (you'd think this would have happened by now given how many chances have come up), or the current hierarchy crashes and burns and the field opens up to variety again.

[mishtershpock]

.

[opens-up-4-nobody]

...

[steviescrystals]

i’m fr gonna lose my mind :)

[tohokuu]

my girl advice is so nicki minaj coded and these bitches don’t like it 😒

BASICALLY- i said this

tw : suicide mention

AND THEY GOT MAD

“money isn’t everything” yes it is 😟 i know that bc look at the way i run to these gojo/toji sugar daddy fics 💀💀💀

idc if he’s toxic as fuck as long as i get the key to the benz and a birkin. why? bc i’m toxic too 💀

“baby i’ll kill myself if you leave.” “okay then do it” WHAT ARE YOU GONNA DO NOW ???

boohoo, baby. gimme the keys.

and the whole argument about “if he has a good character and no money, i’d stay with him rather than a rich asshole.” i want the rich asshole. how the fuck are you gonna survive ????

“i don’t need expensive trips and expensive restaurants.” huh- well i do 🤣

OH AND- if he’s giving you that BLUE BOX THAT SAY TIFFANY but he’s toxic as fuck, i know id be running back 😭😭 i am willing to get stuck in that cycle of this shitty man who spoils me so good. like yeah baby, i’ll leave unless you buy me that purse.

i’ve had my experience with a broke nice guy and lemme tell you- it’s NOT it. i tried to go for personality and kept telling myself that him being broke wasn’t that bad BUT IT IS 😃 i wasted 5 months of my life like that.

smd if you disagree bro 😭 mmm i’m probably much less compassionate but i know i don’t deserve any less 😹 and if you come in my inbox abt this suck my fat brown balls bitch

[toytulini]

god that "morning people are an oppressive class" post annoys me in some way i cant. quite. ugh

[prettyboysmlm]

god i fucking hate my job