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no-144444 · 4 months ago

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the break up of the century - (l.norris, no 4)

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pairing: lando norris (no.4) x fem! singer! reader

summary: you and lando break up on horrible terms, can a new album and a special performance bring you back together? is that even what you two want?

7.6k + words, brief fade-to-black smut, fluff, mainly angst :)

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You weren’t sure how it happened, one moment you were on stage, the next, you were crying in your dressing room, hating every single thing about your life. Funny how one moment leads into the next, right?

Y/n Y/l/n. Household name at the age of 19. Now, 23. Fans impatiently awaiting your next album, the album you hated, and now on a world tour that is sucking the life from your body.

Sounds like you have it all.

The money, the fame, the clothes, the boys, the voice. It’s all you’ve ever dreamed of. And now it means nothing, because you have it. And it’s nowhere near as good as you wanted it to be.

You’d always been told of the horror stories of fame taking more than it gave, and you always brushed it off with a smile and a ‘that’ll never happen to me’. Low and behold, you’ve had 4 stalkers in 2 years, 3 lawsuits against you from old record companies that dropped you, 2 grammys, and 1 ridiculously public break-up with he-who-shall-not-be-named.

Having it all really means having too much to think about, and too much to deal with. You would’ve preferred to just go to university like all your friends. Be young. Make mistakes. But those were luxuries you took for granted, and now you’re paying the price.

“Y/n?” Sasha, your manager called from outside. “We have the meet and greet.”

And then there was your fans. They were great, obviously, but they were also very hyper teenagers and young adults that paid a lot of money to see you, and it made you feel even worse about not being 100%. At least you’d cut ticket prices down by 50% in meetings, meaning they were much cheaper than any other artist at the moment. At least you could do that for your fans.

You nodded, sniffling as you wiped your eyes on the sleeve of your dress.

“Do you need your makeup touched up?”

“Yes,” you answered, voice hoarse. “How many more shows?”

“This was your 97th. You have 53 left.”

“Fuck!” You groaned. “Fuck this.”

“You have the British Gran Prix tomorrow, you have to make an appearance, alright? I’m sending Maria in to fix your makeup,” Sasha was trying to pity you, but she also had a job to do, which you understood.

“Thanks Sash,” you sighed as Maria came in.

“Hey babe,” she smiled softly, sympathy and pity shown in her eyes.

“Hi,” you sniffled, wiping your last tear away.

“Let’s get you fixed up, yeah?” She started unpacking her bag with all your makeup as you nodded, turning to face her. “You’re amazing. You were so pretty tonight.”

You somehow didn’t scoff in her face. “Thanks.”

“I know you don’t believe me,” she sighed. “I can’t even understand why. You’re the most beautiful girl in the world.”

You hiccupped, the tears threatening to pour again as you thought about him.

“You’re the most beautiful girl in the world.”

Stop thinking about him. You told yourself. He’s in the past.

But he wasn’t in the past, how could he be when he was always on your fucking feed with his new girlfriend. Allison and Lando, what a beautiful couple. More like a bunch of crap. They weren’t real, everyone knew it was just pr, especially considering that she was promoting her new racing movie. You had no idea why they even tried to keep up the charade. They didn’t even look good together.

Alas, they were together, and you weren’t anymore.

And you were going to be reminded of it every single second of the next day.

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You pressed your entry card to the barrier and walked through as cameras flashed and you smiled one of your best fake smiles.

“Y/n!” Oscar smiled, walking up and hugging you. You knew everyone, and you started to feel embarrassed about everything. This was his workplace, and you had to be here to do press and sing a song you didn’t want to sing.

Bullshit.

“Hey Osc,” you smiled, hugging him back.

“You look so wonderful today,” he smiled, taking your hand instead. He led you to the McLaren paddock as you two chatted about tour and races. You asked about Miami, and Oscar answered. “It was the best day of his life- his words!”

“Meeting you was the best day of my life. That’ll never change.”

Oh. I guess it changed.

“How's the tour? It looks amazing!” He cheered as you two entered the paddock. Mechanics and engineers greeting and hugging you as you went through and lied about how ‘amazing’ the tour is.

“Y/n!” Zak cheered. “My favourite girl!”

He pulled you into a bone-crushing hug, and you hugged back. It felt good to be back, and to still have so many people still like you. “Hi Zak.”

“I missed you so much! Please tell me that awful Allison girl is gone and you and Lan are back? She’s driving me crazy,” he scoffed.

“No, I’m just here to do some press with Ferrari,” you chuckled. “But I couldn’t pass up the opportunity to come see my favourite CEO.”

He sighed but nodded, knowing that Lando had the board cut you off the ��influencer list’ when you two broke up. “Well, once you know that you’re my favourite.”

“You’re my favourite too,” you smiled. “Don’t tell anyone.”

“Lips are sealed,” he smiled and moved on, going about his various duties. For a moment you looked around the paddock you had known so well and felt your heart ache a little. You loved Lando, you still loved Lando. You loved McLaren, and you loved the people here, yet you didn’t get to see them anymore because of the stupid fucking tour. This tour was ruining your life. You didn’t talk to family, or friends, you and Lando had broken up, you weren’t eating or sleeping, you always felt sick, you were rarely allowed to speak during the day so you could ‘conserve’ your voice for shows.

But the worst part was that nobody noticed.

“He's right y’know,” Oscar smiled. “We all miss you. Even Lando.”

“Lando is with Allison. He has no reason to miss me.”

Oscar raised an eyebrow. “All they do is fight.”

“So? That’s what Lando and I did for weeks.”

“But it was different. You two were in a bad situation, but you loved each other, so the fights meant something. Allison and Lan are just wrong for each other, they’re fighting to fight.”

You groaned, sitting on the bench and resting your head in your hands. “When did you become a philosopher?”

Oscar laughed, and placed a hand on your back. “I’ve always been this philosophical, you were just too busy to notice.”

“Shut up,” you chuckled, pushing him off.

“All I’m saying is that you should talk to him, that’s all,” he shrugged, walking away from you and further into the paddock.

“Y/n.”

Your head snapped up, so hard it hurt. There he was. Lando. For the first time in months. With Allison. And a dog.

Oh.

“Hi,” you smiled, standing up. It was a puppy, a jack-russell terrier, the kind you’d always wanted. The kind like your childhood dog. Great, now they stole your dog breed. “Nice to see you.”

“I didn’t know you would be here,” he said bluntly. “What are you doing here?”

“Press for Ferrari. Oscar just… brought me in to say hi to everyone. So, hi. And now I’ll take my leave,” you smiled, then started to try and walk off. But Allison clearly had other plans, since she stuck out her hand for a ‘handshake’ that conveniently stopped you from walking off.

“Allison,” she smirked. “And this is Mila.”

You stared blankly at Lando for a moment. Seriously? He’d taken the dog breed and what you’d agreed to be the name of your first child? Give me a break.

“Y/n,” you shook her hand. “And I have to go, bye and good luck today.”

Thank god Ferrari was on the other side of the fucking track.

“Y/n!” Charles cheered, hugging you close. You’d been getting closer with Charles since your split with Lando and his split with his ex had happened within a week of each other. “How are you?”

You took a deep breath. “I’m fine, tired.”

“I have been seeing the tour, it looks great!” he smiled, pulling back.

“Thanks Charles, it was amazing to see you, but I better go. I have to-”

“Sing the new song? Yes! I can't wait,” he cheered. You mustered up a small smile, and left him alone.

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Sasha came and found you in the bathroom an hour later. “Y/n?” She was frantic, and stressed, so you just decided to give up and show yourself.

“Yeah?”

“It’s time, come on,” she sighed. “I know this is hard-”

“How could you know it’s fucking hard? My entire life is in shambles and I’m supposed to be happy about it because I’m a ‘superstar’ what the fuck does that even mean? My boyfriend broke up with me because of this tour, and I thought I was going to marry him. Isn’t that insane? Isn’t that fucking crazy? And the worst part is, that I can’t even stop if I want to. I’m not allowed to stop. Sasha, how could you ever understand how hard this is for me? I’m 22. I should be in college, having fun. But instead I’m about to sing a song I don’t like or care about, in my ex-boyfriends workplace. Does that sound like fun to you, Sasha?”

Her face was blank, stoic, unmoving. “Let’s go, you have soundcheck.”

You just followed her. Sasha was good at that, good at making you feel small, making you feel like a nuisance. The stage was big, bigger than most of your stadiums, but you didn’t care. You just had to get through it.

“Have you eaten?”

“Feel sick,” you replied. “No thanks.”

Sasha sighed. “You’re going to faint one day.”

“Let’s hope I never wake up,” you replied dryly. Sasha scoffed and walked on, showing you the layout of the stage. You followed and asked questions, getting into ‘work mode’, and warming up your voice as you went along. A small crowd of the driver’s was gathering, even Lando was standing there, front row, just like he used to.

You wanted to punch him, in all honesty. How could someone do that? He had no fucking right to stand there and watch you sing. He should be with Allison.

“Start when you’re ready,” Sasha called and you nodded.

The music started, and you were off. When the music started, you became someone else. You were moving around, laughing with your band, smiling. It was nice. Even if you hated the tour, you felt free on stage. Even if the song was sad.

‘Champagne problems’, you’d written it right after your break up with Lando, it was new, and it had just been released. It had become the top of the charts in 15 countries. It would be on your next album,

‘What if it doesn’t get easier like everybody says?’, and it was your most raw album. It was clearly all about your break up with Lando, there was no denying that.

The song ended and the entire track clapped. You stopped moving when you spotted Lando’s parents, and you realised very quickly that you had to get out of there.

You ran to the Ferrari hospitality, did some promos for your next album with them, and suddenly it was time to sing for real. The stands were full, the microphone was on, and the spotlight was on you.

“Hi everyone,” you smiled, and the crowd erupted in cheering. “How are we feeling today?”

You had worn a short red dress, for Ferrari, and it was sparkling in the late afternoon sunshine. Everyone could see how beautiful you looked. Your hair perfectly styled, your makeup flawless, your beautiful face.

Lando was entranced.

You started singing and you sounded like an angel, truely. Lando had always thought you sounded otherworldly. He knew it was about him. He knew he’d fucked up. He knew he missed you. He knew it was too late, and that was the worst part.

“Thank you so much for coming out and listening to my dumb sad song,” you chuckled as the crowd cheered. “But I have something else for you,” you were cut off by excited fans. I have something just a little bit happier, it’s called ‘Lover’. Please enjoy!”

Lando watched you as you danced around the stage, and he felt something dark growing in his stomach. You weren’t talking about him. It was someone new. You were seeing someone new.

You couldn’t be seeing someone new, you’d been in a new city every few days. You couldn’t make it work with him, you were never on your phone, so it couldn’t be online. How did this happen?

You finished your song, and you left the stage. You fell into a chair and passed out. Maybe not eating was a bad idea? Probably.

“Y/n,” Sasha shook you awake. “Someone’s here to see you.”

“I feel like shit-”

“We all do. Let’s go.”

And you followed. Because you had to. What else were you supposed to do but follow? Was this your life now? Taking orders and following them.

“Now, you have to be nice to everyone, even Lando and Allison, alright?” she turned to you, stopping in front of the door.

“I really don’t feel well,” you tried to protest. “Can I grab something to eat first?”

She rolled her eyes. “It’ll be 15 minutes, you’ll survive,” she sighed, opened the door, and pushed you into the room.

The drivers and their partners all cheered, happy to see you back in the paddock.

“Y/n! I missed you so much!” Carmen immediately pulled you into a hug.

“I missed you too,” you smiled, even if it was forced. You needed to sit down, you needed a drink, and you needed to be alone.

“Some pretty amazing songs!” George cheered, patting you on the back.

“Thanks George,” you smiled. Soon you were all sitting on the various couches and chatting, even if you didn’t speak. Lando’s eyes were glued to his hands as Allison’s eyes were glued to you. She was practically sitting on him, on the verge of straddling him if you looked in their direction again. She didn’t know it, but you were looking at the door behind them, wondering when you’d be called. It had surpassed the 15 minute mark, and you felt yourself getting more and more faint as time went on.

“Y/n?” Allison cut across Daniel chatting to you about your latest show in Manchester, remembering a story of the two of you when you were there, and telling it to the group. “How’s the tour going?”

You cleared your throat. “Well, thanks,” you smiled shyly.

“So the rumours that you haven’t been performing to your full capabilities aren't true? Like I’ve heard you’ve been lip syncing,” she smirked as the rest of the drivers and wags just looked at her with disgust. Oscar rolled his eyes. He’d been sick of her for weeks, and he was usually quite good with people he didn’t like, but he hated her. So did Lily.

You gulped. “I don’t lip sync, but obviously 97 shows in 113 days is quite a lot for my voice, so I don’t always sing my super vocally- challenging songs every night or else I’d have to go on vocal rest all the time,” you explained, feeling the change in energy in the room.

“And that would just be horrible, right guys?” She turned to Lando with a smirk on her face, but he was just looking down, embarrassed by her. “I’m a huge fan of your music, how much of it is about Lando?-”

“What the fuck?” George stood up with Carmen by his side. “Allison, what is your problem with her?”

“It’s just a question!” Allison defended as Lando got up and left. She looked a lot less imposing with Lando gone. “He’s my boyfriend now!”

“Yeah, we wish he wasn’t,” Lewis said under his breath.

“Guys, it’s fine,” you just wanted to leave. “Some of my songs are, because I like to put my feelings into music, right? But not all of them, because my life doesn’t revolve around Lando, it never did. I am more than my relationships, and you’d do good to remember that for yourself. Don’t let love become who you are, it doesn’t end well.”

With that, you got up and left. You didn’t care anymore. You didn’t care if Sasha screamed at you, you didn’t care if they all came running after you.

It was done. You and Lando were over. Was it your choice? No. Was it a choice you had to deal with? Yes. His choice. Yet, everyone had looked to you for answers. ‘What happened?’ ‘Was it going downhill?’ or your personal favourite; ‘Did he get bored?’.

You didn’t know. All you knew was that one moment, you were with him, and the next you weren’t.

You ran to your dressing room and lay down, eating some random snacks you found. You felt better after eating, you felt-

Knock knock.

“Come in!” You called, not caring much about who it was.

“Hi,” Lando’s voice was small and quiet.

You sat up, staring at him.

“Beautiful songs,” he smiled softly. “Missed hearing you sing.”

You nodded. “Good luck today.”

“Thanks,” he sighed. “I'm sorry about Allison, she’s the fucking worst.”

You chuckled softly. “I’m sorry you’re dating her.”

He cracked a soft smile, then it fell. “Who’s the new lucky guy for you?” He watched as your face fell.

“No… no new guy, just an old one I wrote back at the start of… us…” you trailed off.

His heart was shattering, watching you be treated like this. Watching from afar as you lost your mind, lost your life, over a fucking tour. He saw the soulless look in your eyes, the dropped weight, the dampened smiles, all of it. He was shocked that other people couldn’t see it too. He’d regretted breaking up with you since the moment he did it. He was haunted by the way you begged him to stay, and he questioned how he’d ever said no to you. How was he so blind-sighted? How did he not see how much pressure you were under? How did he not see that he was what was keeping you above ground?

“Oh,” he breathed out.

You took a deep breath. “I’m releasing an album soon, and a lot of the songs are about our relationship,” you explained hesitantly. “I wanted to offer you a chance to listen to it before it goes out, just as a… heads-up? In case you’re worried about what’s on it.”

God, punching him square in the face would hurt less than watching you feel awkward around him. He cleared his throat. “Oh umm…yeah. I’d like that. Thank you.”

You nodded and got up, taking a cd out of your backpack. “Here you go. Sorry again, about… everything.”

“I’m sorry too,” he nodded. “So, are you leaving now or…?”

“No, I’m holding the chequered flag today, so I’ll be up at race control,” you explained, trying to look anywhere other than him. “And I’m handing off the 1st place trophy.”

“Maybe I’ll be first to see you,” he chuckled.

“Maybe,” you shrugged.

“The tour looks… awful. I’m sorry I didn’t believe you,” he spoke after a minute’s silence.

You just shrugged. “Not your fault,” you lied.

He knew this was when he was meant to leave, but he wasn’t sure when you two would be in the same room again. He didn’t know when he’d see you again, so he took a moment to fully take you in. “You were really incredible today. You sounded like an-”

“Angel? Thanks Lando, see you soon,” you nodded, finishing the compliment you always used to get from him. He nodded and left, realising he had no more time.

When the door closed you let out a breath you didn’t know you were holding. How could he do that? How could he stand there and be nice to you, after what he said that night? After what he fucking put you through?

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Weeks of complaining from him, blaming you for his performance in races, telling you that you needed to be there for him, not calling you back, not texting back, not listening when you told him about how awful everything was going.

“I’m sorry Lan, I know how hard this is. It’s hard for me too-”

“How the fuck can you say that? You’re the one who choose to do this, you fucking decided to tear us apart! This is all your fault, and you’re telling me it’s ‘hard’ for you. What is hard for you? Spending all your time with adoring fans? Being on stage and living your dreams? Being away from me?”

“Lan, you know better than anyone that I didn’t want this tour to happen,” you cried. Even then, even 48 shows in, you were being driven crazy. You were exhausted, you missed home, and you missed Lando. “I had no choice-”

“You had every fucking choice! And don’t give me that fucking bullshit about your label forcing you, we both know that’s a fucking lie!” he shouted. You hated it when he shouted, when anyone shouted. He had no fucking right to speak to you like that. You didn’t want this to happen, you had no say, you just had a contract and an incompetent lawyer to thank.

“I don’t know what you want me to say to that,” you shrugged, your voice breaking. “I love you, and I miss you. We can make this work Lan, I just need time to figure it out, alright? I just need time-”

“Yeah? Well I’ve given you all the time I have to give. We’re done, I bet I could find a million girls just like you, girls who would actually take my feelings into account before she made huge life decisions!” he scoffed.

“Lando, please don’t do this. I-I don’t know what- I- Lan please, I need you,” you pleaded. “I’m trying my best I swear-”

“Your best isn’t good enough.”

And he hung up.

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The fallout of your relationship didn’t exactly go great either. A day later your feed was flooded with pictures of Lando out with someone else. One day later.

What the fuck? Didn’t he care? Didn’t he love you?

Well, apparently not.

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Lando knew he wouldn’t see you again for months. This was his only fucking chance to speak to you, to see you, and instead, he stayed in his driver’s room listening to the heart-wrentching songs you’d written about him. God, if he thought ‘champagne problems’ was devastating, ‘cowboy like me’ was worse. It was a long album, almost 2 hours long. It spanned your entire relationship, starting out, your first date, your grammy win, his podiums, the hate you two got, the start of the fighting, the end of the relationship, and the after. It was awful reliving it from your perspective, especially since you had tried to tell him, and every time he’d pick a fight.

“Lando?” Oscar’s voice came from outside his door. “Allison’s looking for you.”

“Tell her to piss off!”

“You can do that, mate,” he scoffed and walked off, into his own driver’s room.

“Lan?” Her voice rang out, and he wanted to scream. He had put himself in this position, he knew it, but it was still difficult to fully self-actualise his own shortcomings.

“What?” he groaned, opening the door.

“The other girls are excluding me,” she pouted.

“I wonder why,” Lando rolled his eyes. “They love Y/n.”

Her face fell into a frown. “But you love me, so they should love me. They keep going off to find her and talk to her, and any time I try to tell them that I’m uncomfortable around her, they tell me not to come.”

“I don’t know what you want me to do,” he sighed.

“Talk to their boyfriends, ask them to include me!”

“Babe, I have a fucking race today, please leave me alone,” he sighed. He pushed past her to walk to the paddock, knowing he just had to keep his head down and race today, he just had to do the one thing he was good at.

“Well, what am I supposed to do for the rest of the day?”

“I don’t know,” he grunted, and moved on. The garage was somehow too loud yet not loud enough to drown out the negative thoughts in his head. Recent months had been difficult. Races were taking more and more out of him, he was lonely, and if he wasn’t training or racing, he was looking at old photos of you or watching the tour. He could see how you deflated as you left the stage, how upset you looked going on stage. It was all a terrible reminder of how selfish he’d been. How hadn’t he seen it? Why didn’t he listen?

He remembered telling Max what had happened. He’d gotten so angry, begging him to call you back and apologise. He’d been so blindsighted, he wouldn’t listen to Max. Why was Max always right?

“You good?” Oscar asked, a hand on his shoulder to drag him out of his thousand-yard stare.

Lando sighed. “Good,” he lied, and it wasn’t convincing. Everyone knew what you were to him. You grounded him, you knew him, every single part of him. You loved him. “You?”

“Good. Y/n’s set was great earlier,” he offered a small smile. “At least you have a good break-up album, right?”

Lando cracked a small smile. Oscar was good at that, making him laugh when he was down. “Yeah, it feels great when it’s about you.”

Oscar chuckled. “Story for the grandkids,” he shrugged. “Don’t sweat it.”

Lando nodded.

“Oh yeah,” Oscar added. “When you left, Allison asked Y/n what songs were about you, so just… expect that conversation with her, I guess? I’m not entirely sure what’ll happen-”

“What did Y/n say?”

Oscar swallowed. “Something like; ‘some of my songs are, ‘cause I like to put my emotions into music. But not all of them, because my life doesn’t revolve around Lando, it never did. I am more than my relationships, and you’d do good to remember that for yourself’.”

Lando nodded, and could tell by the look on Oscar’s face that he was holding something back. “That’s it?”

“‘Don’t let love become who you are, it doesn’t end well’,” Oscar finished. “Then she left.”

Lando nodded as the weight on his chest got heavier. “Thanks for letting me know.”

“Of course,” Oscar offered a pity-smile and walked off to his side of the garage.

Lando was always a person to be stuck inside his own head. He wasn’t good at expressing his feelings. He didn’t know how to talk about them. Yet, you always knew how to get him to talk. You always had the right solution, the right thing to say, the right face to make. He was in awe of you, so effortlessly perfect.

He remembered back to Greece, back in the off-season, before the tour, before the season started. Before he fucked everything up.

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You smiled as he pulled you closer. The air was anything but cold, and the water was still. There you two sat, sitting on the bow of the as the sun set. The clear water beneath the yacht you’d been on for the past few days was calm and steady, lulling you both into an unmistakable tiredness. Yte, Lando wanted to stay up, wanting to soak up as much time with you as he could. He was going to miss you so much this season. You hadn’t ever been to every race in a season, you were a busy person, he understood that. He was a busy person too. But you’d go to as many races as possible. Now, ‘as many races as possible’ means about 4. Stupid tour.

“What are you thinking about?” you asked, your eyes closed as you soaked in the moment. You leant against his chest as you lay in his arms, your favourite place to be.

“How much I’ll miss you this year,” he admitted. There was never any point in lying to you, you always knew.

You pressed a kiss to his arm. “I’ll miss you too.”

You were straight forward with things, he loved that. It was a bad situation. You were off to a tour you didn’t want to do, and he was off to another season.

“I love you,” he confessed. He said it a lot, but it always felt special. He made you feel special. You made him feel special.

“I love you,” you opened your eyes, a smile on your lips. You spoke again after a few moments of silence. “You’re going to win a race this season, I can tell.”

He chuckled. “Once I get back home to you, I don’t care if I win.”

You laughed. “Sure, we all believe you.”

He smiled. “You’re the best thing that’s ever happened to me.”

You looked at him for a moment, that perfect, soft smile on your face. “Ditto,” you laughed as he did too. Your laugh was melodic, his favourite sound.

“Who says ‘ditto’ to that?!” he laughed.

“I do,” you chuckled.

You two locked eyes for a moment, then he leant down and pressed his lips to yours, soft and sweet.

The perfect night.

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He caught a glance of your red dress walking into the garage.

“Y/n!” The engineers cheered. He heard your laughter.

The room was a collection of cheers and conversation, and he wanted more than anything to be able to walk over to you and hold you, and kiss you, and tell everyone to leave you alone because you were his girlfriend, not theirs.

You walked in with a smile on your face. That smile dropped in half a second. Everyone was talking, everyone was patting you on the back, everyone was looking at you. You caught a glance of Lando and immediately felt the pit in your stomach grow. Everyone knew everything, everyone looked at you. Everyone blamed you. Oscar wrapped his arm around you and walked you through the garage as he saw you getting overwhelmed. He’d learnt the signs from his little sisters. Blown out pupils, teary eyes, tight features, heavy breathing. Oscar had always been a great friend to you, he’d always cared for you. He brought you through, doing most of the talking if anyone stopped you two and let you in his driver’s room, promising to grab you when you could leave without being bombarded by crew, or the press.

Lando followed behind after a few minutes, then knocked on the door. He knew how to calm you down, he was probably the only person who did.

Oscar opened the door looking panicked. “She’s having a panic attack,” he whispered.

Lando nodded and walked in, taking your hand in his as you hid your face in your other hand. He knelt beside you on the floor as you sat on the bed. “It’s me baby, I’m right here. Come on, squeeze my hand,” he said, voice steady. You didn’t. “You need to start breathing properly, squeeze my hand like I’m squeezing yours,” He put some light pressure on your hand, which jump-started you into squeezing his hand as hard as you could. It wasn’t fair. This wasn’t fair. You hated how well he knew you. You wanted him to not know you, to not understand you and your body better than you did. “Just like that,” he cooed. He pressed your hand to his chest, where you could feel his steady and calm breathing, feel his regular heartbeat. It was in stark contrast to you. The thump of your own heartbeat in your ears, the quick breathing, the erratic heart. “Breathe with me. Please baby,” his voice was soft and comforting. You tried, gently slowing your breathing down to normal. The adrenaline was still rushing through your body as you calmed down. Oscar offered you a water bottle and you let go of Lando’s hand to take it.

“I shouldn’t have come here, I’m sorry,” you said, sounding smaller than ever. “Zak said he wanted to see me after my set. I should’ve just said no.”

“You’re always welcome here,” Oscar placed a hand on your shoulder. “Seriously.”

“We want you here,” Lando added. The air was sucked from the room. “I want you here.”

“You don’t,” you refuted. “I shouldn’t be here.”

Lando sighed. “Let me walk you back to Ferrari, please?”

You shook your head, finally looking up and making eye contact with him. “You and I both know how that’ll go.”

Lando nodded, his heart breaking for the thousandth time. It’s hard to find an end to something you never want to let go of. “Ok,” he whispered, his emotions getting the better of him.

“Goodbye Lando,” you sighed, then took Oscar’s arm and let him lead you back to Ferrari.

----------------

“I’m sorry about Lando,” Oscar sighed as you two walked up to the entrance to Ferrari. “About the break up, now, and basically everything in between. He’s been… difficult recently. He’s always been a ‘glass half empty’ kind of guy I guess… I just… you made him better, y’know?”

You chuckled sadly. “Thank you for apologising, but you don’t have to. Lando is an adult, so am I. Things just… end sometimes. Him and I just aren’t meant to be.”

Oscar cocked an eyebrow. “I think we both know that’s not true.”

You didn’t know how to respond. Oscar had never been this straightforward with you, and he sure as hell had never broached this topic before. You just nodded and took his hand. “Thanks for helping me.”

And then you walked back to Ferrari.

Oscar did get one thing right, Lando wasn’t done with you. Maybe it was seeing you again, maybe it was the album, maybe it was Allison, maybe it was all of it, he didn’t know. But what he did know was that he was still in love with you. He’d never stopped. How could he? He missed everything about you, your lips, your smile, your kindness, the way you’d make him laugh, the way you’d make him smile. Everything. He missed listening to you sing, seeing you on a stage that you wanted to be on. Seeing you get to be you.

----------------

The Silverstone after-party with Charles who dragged you along. You’d thought it would be a bad idea, but when you were already 8 shots deep, you didn’t really notice. Yuki had pulled you away to sing a karaoke duet with him as Pierre and Charles laughed at you both, and you somehow ended up outside on the balcony with Carlos, both of you laughing at something random.

“Y/n!” Lando cheered, clearly as drunk as you. A part of you had forgotten about everything before this moment, like you were seeing him for the first time. Perfect, with his curls, unbuttoned shirt, and damn pretty smile. “I didn’t know you were here!”

“Lan!” you cheered, pulling him in for a hug. Carlos gave you both a very confused look, but was called away by Charles for a game of beer pong. Surprisingly, these ‘fancy’ parties usually just turned into something out of a frat house in Florida. Maybe it was just Logan’s presence. “How are you?” You slurred.

“I feel great!” he shouted. “We should go for a walk!”

“Yes!” you agreed.

----------------

And that’s how you ended up back in his hotel room making out with him on his bed as he pulled your dress off. Funny how things can happen when you’re actually 18 shots deep, not 8. Oops?

“So pretty,” he murmured into your neck as he settled you on his lap. “So pretty for me.”

You laughed into his mouth, pulling back. “Lan, speed up.”

He smirked at you, his eyes heavy, then pressed his lips to yours again. He fully pulled your dress off of you as you started making quick work of his belt and trousers.

“Fuck me,” you whispered in his ear and he let out a low moan. “Please Lan.”

He didn’t waste time.

----------------

You woke up the next morning with a blinding headache, and a very naked Lando Norris beside you. You had to leave. You’d just fucked him, and he had a girlfriend. You were a homewrecker. You didn’t know if the sudden urge to vomit came up because of that, or the 18 shots of straight vodka you did the night before.

You quickly grabbed your clothes, shoes, one of his hoodies, and tried to salvage whatever dignity you had left, then made a swift exit. It was still dark out and you were just praying that you could get through the 2 blocks you had to walk to your hotel without running into someone, or running into cameras. You quickly dialled Sasha’s number and tried to stop yourself from crying. You just pray you two used protection, or fell asleep before doing anything real.

“Morning?” she answered groggily.

“Sasha I did something really fucking stupid,” you admitted, the tears welling up in your eyes as you walked into the lobby of your hotel. “And I don’t know what to do.”

“Come to my room, we’ll sort it out,” she sighed. “You’ll be ok kiddo, I promise.”

----------------

You knocked on her hotel room door, tears in your eyes.

“It’s 5 am,” she stated, opening the door.

You rushed in, bursting into tears. “I think I fucked Lando, I mean- I-I think we fucked, last night- we were so drunk a-and then I don’t re-remember,” you hiccuped. “I’m so fucking stupid!”

She put a hand on your shoulder, sighing. “That was a very stupid thing to do,” she nodded. “But it’s not the end of the world. Did you use protection?”

“I don’t know.”

“I’ll go get Plan B, you stay here. Get changed into some pyjamas. Get some water, relax. Just don’t leave the hotel, yeah?”

“Alright,” you agreed. She left for the door. “Sash?”

“Yeah?”

“Thank you,” you said in a small voice. She offered you a pitying smile, and went on her way.

----------------

Months passed and you both went on with your lives. He didn’t reach out, you didn’t either. Sadly, you were in fact a homewrecker. A week after ‘the incident’ Allison and Lando broke up. You truthfully felt so ashamed and awful for the girl. It wasn’t right what you two had done, and truly, you were insanely drunk. In no world would you fuck Lando Norris sober.

The tour had finally ended, and your world was no longer turned upside down. You were working on new music, healing your body after all the travel and abuse you put it through, and continuing to try and get over Lando.

It hurt like a bitch. He hurt like a bitch.

----------------

Lando two-wins. Contender in the Championship. Supposedly dating someone. Last Lap Lando.

Lonely Lando, more like. Max Fewtrell had decided to stage an intervention and join him for the rest of the races, worried about his mental state. Since seeing you again, he’d been… less than alright. He’d talk about you all the time, stalk your instagram (to the point that Max took his phone off of him in Greece), and generally just think about you a lot. It was coming up to the album drop, and you were having your launch party in Italy. The same weekend as the race. All because Charles wanted to come.

Shit was bound to go down, and no one was more excited than Hallie.

You were dressed to the nines, nervous and excited. You’d fired half of your team, you’d dropped your old label, and you’d become… happier? That couldn’t be right, not when you felt the oppressive weight of your own regret on your chest everyday. Not when you woke up reaching for Lando. Not when you watched every single race and couldn’t look away until he was safely across that damn finish line.

You were surviving. That’s the best you could do.

----------------

“You look beautiful,” Charles smiled as he walked into the party. The night had gone off without a hitch so far. A select group of fans, influencers, celebrities, and almost all the drivers were mingling with one another, and not one sighting of Lando Norris. Not that you didn’t miss his face, or him in general. You did. More than you’d ever thought possible to miss someone.

“Thanks Charles,” you smiled, pulling him into a hug. “You look great too.”

He smiled and beside him, Alexandria smiled at you, then pulled you into a hug. You continued the superficial chatting for a few moments, just hoping Charles wouldn’t ask the dreaded question.

He looked at you for a second too long, and you knew it was coming. “Are you alright?” God, why did he have to ask stupid fucking questions? Obviously you weren’t alright. Obviously, if you could, you would run away. Obviously, you were drowning.

Didn’t he see that? Didn’t anyone notice? Didn’t anyone care?

Apparently not.

You nodded, putting on your best fake smile. “Just nervous.”

He nodded. It was enough to fool him.

The night went on in a flurry of uncomfortable small talk, ridiculous requests from your most esteemed guests, and it was finally time to start listening to the album. You stood on stage, a nervous smile on your face as everyone looked at David, your producer, who was speaking in length about how proud of the record he was, and how proud he was of you. Everything was perfect. Everything was right in the world.

But, of course, because he had to always be the centre of your universe, Lando walked in.

And you were fucked. Every single breathing technique you’d learnt, every single pressure point tapping you’d done, it all left your head. Everything stopped. You stopped breathing. You stopped.

But it didn’t feel wrong. It didn’t feel bad to have him there. It felt awfully, and soul-crushingly, right. Lando was always meant to be there, a devastating realisation that you didn’t exactly want to make while on stage in front of 200 people.

“Any words, Y/n?” David asked, passing you the mic.

You looked at Lando and he smiled, waving at you. You smiled back.

“Please enjoy this album, it’s from a very important time of my life where I finally learnt what it meant to be in love, and be loved wholly in return. Obviously, it didn’t end very well, and that’s when I learnt what grieving someone was. I still have a lot of love for him, probably more than I should. But I have it. And I had nowhere to put it, so I put it to music, which is really the only thing I think I’ll ever truly understand. I hope you enjoy it, and I hope you understand it,” You explained to the crowd. You watched Lando the entire time, looking at how his eyes lit up when you talked about your relationship. Lando had always cared about you. He always would.

The opening cords of the first song started playing, and the attention was off of you. The crowd just closed their eyes and listened. You exited the stage and joined the crowd, desperately trying to get out of there. You stood on the balcony as the music blasted inside. People danced along, sang along as they started learning the words, and you stayed outside, tears falling.

“You’re beautiful,” Lando’s whisper made you jump. You turned to see him, standing there behind you. “The album’s beautiful.”

You scoffed. “The album’s an album. What was beautiful was us,” you sighed. “Thank you for coming.”

He nodded, leaning against the barrier beside you. “Do you even wish our lives weren’t as complicated as they are?”

You chuckled. “More than anything.”

“We were beautiful,” he shook his head, trying to remember why he ever ruined the best thing in his life. “If you ever find yourself wanting to love me again, just… call me?”

You nodded, looking at him. “I will.”

He nodded, putting his hand on your shoulder and letting it sit there for a split-second, just to remind him of what it was like to touch you. Just to remind himself that once, he didn’t have to wonder if you loved him, to remind him of the unwavering support you gave him, to remind him of how his whole world came crashing down when he made you leave it. “I love you,” he whispered before walking to the door.

His phone started ringing in his pocket as he got back inside. Unknown number. He answered it.

“I think I want to love you again,” he could hear your smile through the phone and he immediately whipped around, his smile growing as he got closer to you. When he stood in front of you again, you both took the phones down and smiled at each other.

Lando didn’t waste time. He closed the gap between you two in one simple stride, wrapped his arms around your waist and pressed his lips to yours. “I love you so much,” he pulled back. “I’m never letting you go again.”

----------------

landonorris

1,488,928 likes | liked by oscarpiastri, y/ny/l/n, and others

love of my life. @ y/ny/l/n

comments

user28: WHAT THE FUCK THEY BROKE UP MONTHS AGO THO????-> user92: they were seen kissing at her launch party

y/ny/l/n: who's that pretty girl? -> oscarpiastri: she's too good for him -> landonorris: >:( -> oscarpiastri: hurt her again and I push you off the track. ->carlossainz: I second this -> charleslecerc: I third this -> alexalbon: I fourth this -> georgerussell: I fifth this.

georgerussell: Trying to beat me with no shirt?

lewishamilton: Yay! (I begged her not to take you back you asshole). -> pierregasly: Yay! (I'm trying to be supportive of her).

lilymhe: fuck off. ->user83: LMAO -> user18: DAMN EVERYONE HATES HIM

danielriccardo: HAHAHAHAHAH (I'm crying.)

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navigation for my blog :) (masterlist)

#lando norris x you #lando norris x reader #lando norris #f1 x reader #formula one imagine #formula 1 x you #formula one x reader #formula one #f1 imagine #f1 fluff #formula 1 #mclaren #lando norris x reader angst #ln4 #lando x reader #f1 2024

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cripplecharacters · 8 months ago

Text

Does Your Scarred Character Have to Hate Themself?

[large text: Does Your Scarred Character Have to Hate Themself?]

(TLDR: No.)

A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?

*- rhetorical question. I promise I know the answer, but I'm not sure if writers do.

It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.

“But trauma!”

[large text: “But trauma!”]

Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences.

“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.

“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?

Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.

And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this. "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis and somehow no other symptoms", not all facial differences are "traumatic scar with somehow no nerve damage".

The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.

Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama. Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?

Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.

To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.

Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.

Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.

Reading comprehension quiz time: Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?

The Masterpiece

[large text: The Masterpiece]

From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.

“My Face is a Masterpiece”

Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing.

But why do I bring this up?

Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust.

Why can’t writers keep up? Why are you still stuck decades behind?

Is this the only reason I bring it up?

The Call to Celebration

[large text: The Call to Celebration]

FEI, the org behind organizing it, asks a very simple question (emphasis mine):

“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries. You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”

Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.

The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.

For once, celebrate us. Happy Face Equality Week!

mod Sasza

#mod sasza #face difference #ableism #disfiguremisia #face equality week #my face is a masterpiece #writing guide #writing help #writeblr #writing resources #writing advice #writing tips #writing characters #how to write #writing disabled characters #writing disability

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teapartyprincess4two · 10 months ago

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omg can you make a chris version to the talkative fic? my english isn’t very good i apology if this doesn’t make sense!

Talkative- C. Sturniolo

pairing: Yapper!reader x Boyfriend!Chris

classification: SFW & NSFW headcannons

inspiration: request^^

warnings: some 18+ content, use of y/n, established relationship

summary: head cannons of Chris with a talkative, yapper girlfriend!

Talkative- M. Sturniolo (Matt’s Version)

Talkative- N. Sturniolo (Nick’s Version)

—

☆ SFW

You love to talk and that’s something Chris has loved about you from the moment he met you. He, much like you, is extremely extroverted, but every girl he’s talked to in the past has always found him to be too much. You’re his perfect match and although he also likes to talk, he loves to listen too.

☆ Chris never gets tired of hearing you talk, “Babe tell me the story about the teddy bear again.”

☆ You retell stories in such a detailed way that he can’t help but burst into laughter even if he’s heard it before.

☆ When you talk about your friends, it’s like you’re explaining their lore in full detail each time.

☆ “No, babe, that was Savannah. I’m talking about Teala,” or “Dude, I’m telling you that’s why they fired that bitch.”

☆ He has all the characters memorized, even categorizing their lives into arcs, episodes, and seasons.

☆ “Wow Teala is in her villain arc,” and “On this weeks episode of, Who the Fuck is Getting Fired!”

☆ He loves asking you questions because you somehow know the answer to everything.

☆ You’ll be eating dinner and suddenly a random question will pop into his mind, “Y/n, what does litigate mean? I heard someone use it today, sounded fancy.”

☆ You look up at him mid bite, slightly confused but also intrigued at a new topic of conversation.

☆ “I think it has something to do with the law, I don’t know, babe. But one time I heard someone say that on one of those court shows…” you drone on for a while.

☆ Chris always Googles the answers afterwards, not because he doesn’t believe you, but because he truly thinks you’re the smartest person on this planet and you haven’t been wrong yet.

☆ You’re both equally insane, you’ll laugh like crazy people no matter where you are.

☆ You tell the best jokes too, your mind works so fast that you’re able to create comebacks and quick, witty remarks to everything he says.

☆ Sometimes you’ll join him and his brothers on grocery trips, and the both of you wander off just completely in your own world.

☆ You’re the only person who can catch Chris off guard.

☆ You’ll say something completely unexpected and outlandish, causing him to pause whatever he’s doing and stare at you in shock.

☆ “Babe! No way you just said that.”

☆ “I said it, and I’ll say it again.”

☆ When you’re with friends, you tend to talk over each other and your friends almost break their necks switching their attention between you and Chris.

☆ To other people it might seem like you’re fighting each other for the spotlight, but in reality you’re able to bounce off each other’s energy and add on to whatever the other says.

☆ He knows what it’s like to be called annoying, so if anyone ever makes you feel uncomfortable for being talkative he defends you without hesitation.

☆ “Watch your fucking mouth. Don’t say shit like that about her.”

☆ Every conversation you have is full of inside jokes that no one else can keep up with, and it’s literally something new every week.

☆ Although other people are confused by the jokes, you and Chris understand each other fully, almost like you speak your own made up language.

☆ You make each other laugh so hard that your cheeks and ribs will start hurting.

☆ “Chris stop! I’m gonna pee,” you wheeze, rolling over on your side as you try to catch your breath.

☆ He keeps going though, making you laugh harder by making silly faces and funny voices through his story.

☆ After long days of filming and being away from you, he’ll cuddle up next to you in bed and murmur through the drowsiness, “Talk to me baby.”

☆ You know he’s tired so you don’t talk his ear off at a high energy, you just retell your day and play with his hair, kissing his face between sentences.

☆ He loves the sound of your voice, each word as sweet as honey, instantly lulling him into a peaceful sleep.

☆ You’re very opinionated and sometimes you say something he disagrees with, instantly creating a debate between the two of you.

☆ The debates always start off innocent, just you two going back and forth with opinions and the occasional fact.

☆ It’s not until it gets personal that Chris gets upset, giving you the silent treatment until you’re begging for him to talk to you again.

☆ “Chris, I’m sorry! Just talk to me, I’m so bored without you!” He tries putting on a tough guy act, but it never lasts long so he’s forgiving you within seconds.

☆ When you’re around older people, they always comment on what a nice, kind couple you two are because you engage in conversation with everyone.

☆ “What a nice old lady,” Chris says, slinging an arm around you as you both walk away.

☆ “Such wisdom,” you chime in, both of you falling into a fit of laughter. You could never take anything serious.

☆ NSFW

☆ Chris knows not to look too into your conversations with other guys, but sometimes he can’t help but get jealous.

☆ He’ll lose you at a party and find you talking to a stranger, an excited aura surrounding you as you jump from topic to topic.

☆ When he sees the guy becoming too comfortable and touchy, he makes his way over to you and inserts himself in the conversation.

☆ Later, he’s fucking you to teach you a lesson and clamping a strong hand over your mouth to keep you quiet, “This dirty little mouth of yours got you in trouble, Princess.”

☆ Other times he just gets turned on by your voice.

☆ He wants you to talk him through the sex and guide him on what positions you want.

☆ “C’mon baby, tell me how bad you want it.”

☆ Despite you both being talkative, there’s times when you’re so fucked out you’re speechless.

☆ The only sound that fills the room is skin slapping and Chris’s animalistic grunts, followed by your whimpers and small squeaks.

☆ He relishes in it, “This dick has you speechless, huh?”

☆ All he gets in response is a whimper, as you claw at his back for support.

☆ Chris loves when you dirty talk him, using your words to say filthy things to him.

☆ It riles him up beyond belief, and if you keep it going he’s lasting at least 3 rounds.

☆ Afterwards, he loves cuddling or spooning, both of you talking for hours about your future together.

—

MASTERLIST

A/n:

Happy birthday to me! (It was yesterday at this point)

Thank you for this request and NEVER apologize for your English/ grammar. I’m a bilingual education major and I firmly believe you don’t need to apologize for that EVER. I luv u!

Also I’m bilingual (English & Spanish) If any of yall ever want to send in a request in Spanish, go ahead bbys! LOS AMO 💋💋💋

Lastly, I’ll admit that this was harder to write than Matt’s version idky

- L.A.M.B👼🏻💗

—

taglist: @nicksmainbitch @sturniololovers @mayhem-72 @worldlxvlys @gnxosblog @meg-sturniolo @creamoncreamoncream2 @mattnchrisworld @sanyi5 @lustfulslxt @whicked-hazlatwhore @tworosesblackthorn @mxqdii @fawned01 @junnniiieee07

note: if you want to be tagged in my fanfic related posts, you can access my TAGLIST and comment 💐

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vivelegalite · 7 months ago

Text

dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.

there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...

i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears

this list is by no means complete or comprehensive!

and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)

found heaven by conan gray

the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).

2. like real people do by hozier

"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?

3. flaws by bastille

not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.

4. a pearl by mitski

you know it's gonna get intense if there's a mitski song in the mix.

the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".

5. fair by the amazing devil

this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.

the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.

6. work song by hozier

if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:

when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her

HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?

verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.

in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.

7. orpheus by vincent lima

i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.

8. francesca by hozier

(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.

as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.

the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.

"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.

the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.

to wrap it all up:

jayden, what were you cooking in there? what do you know??

#please interact w me please please please i need dbd moots <3 #dbda #dead boy detectives #dead boy detective agency #paynland #payneland #painland #paineland #chedwin #charles rowland #edwin paine #edwin payne #dead boy detectives agency #dead boy detectives analysis #aough jayden your mind #my art #<- my umbrella trashcan tag

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jobean12-blog · 10 days ago

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Forever After All

Pairing: Javier Peña x female reader (fake dating/marriage)

Word Count: 3.2K

Summary: You and Javi have been working together for a few months and you can't deny that you like him...everything about him. And you know you're not imaginging the subtle flirting and lingering glances but when you have an assignment that puts you two closer than you've ever been before you find out what it all really means.

Author's Note: Pedro and his little Holiday getaway photos have been a gift and when I was talking to my lovely friend @lizette50 (thank you bunches for sharing your brain with me❤️🥰) she made an amazing note that he is giving Javi on vacation vibes. And while Javi isn't exactly on a vacation in this story...he's pretending to be- at least at first. Thank you all so much for reading! Much love always! ❤️❤️❤️Divider by the lovely @firefly-graphics Thank you Daisy! 🥰

PS I did leave the ending a bit open...maybe I'll do more. Maybe not lol Either way, fear not- you and Javi make out just fine (hehe get it)

Warnings: There's some tension and flirting and Steve is fun sidekick/meddler, feelings get involved, Javi can act a bit possessive and he's a great fucking kisser

Pedro Pascal Character Masterlist

“Why are you two looking at me like that?” Steve asks, his head on a swivel. “Do you not understand the assignment?”

His finger swings back and forth. “You two…just got married. Now you’re going on your honeymoon. Make it look believable, or we’re fucked.”

Javi swallows and the sound is audible in the silence that stretches between you. Finally, as you cross your arms over your chest and lift your chin, you say, “fine. I can manage that.”

Steve smiles and then shifts his eyes to Javi. “What about you? Because if you’re not up for it I sure as hell don’t mind switching places with you. You can do my job, and I’ll prance around the beach with this beauty.”

Steve throws you a wink and you smile sweetly but your stomach is in knots and you’re sweating under your shirt as you wait for Javi to say something.

“Nothing I can’t handle,” he says gruffly. “When do we leave.”

“Tonight,” Steve answers with a grin. “Packed and ready at 7pm.”

Javi nods and gives you one last glance, his eyes lingering just long enough to have your skin heat before he stalks off and shuts the door to his office.

You take a deep breath and square your shoulders.

“I’ll see you at the airport,” you tell Steve.

After the flight attendant checks the luggage above your head you settle into your seat, leaning closer to Steve since Javi has his legs spread like he’s the only person in the aisle.

“You could leave some room for the rest of us,” you grumble, letting your eyes run down Javi’s long legs.

He turns toward you, lifting a brow. “We should be all snuggled up anyway,” he smirks.

You roll your eyes and give Steve a pleading look.

“He’s right though,” Steve adds. “You two are going to have to look convincing if we’re going to pull this off. Might as well start getting cozy now.”

The flight isn’t too long but toward the last hour you start to feel your eyes droop and Javi’s warm body is so close. Before you realize what’s happening your head falls against his shoulder and your arm slips under his.

You feel him shift and maybe feel the slightest squeeze at your knee but you’re too sleepy to know if it’s real or a dream. He smells so good and feels even better and in minutes you’re fast asleep.

“Hey…pst. Come on angel, you gotta get up.”

You sit up with a start and rub at your eyes.

“Angel?” you ask. “Who’s that?”

Your eyes focus on Javi, and he smiles.

“That’s what I’m calling you. Get used to it.”

Your mouth opens to form an O shape.

“Let’s go. We just landed,” he says.

“How long was I out?”

Steve cuts in before Javi can answer.

“Long enough to fall asleep on your husband!” Steve says with vigor. “You two look cute.”

You push past Steve and miss the thumbs up he gives Javi, who ignores him completely.

The hotel is right on the beach, and you can smell the salty air before you even get to the double doors.

Once you’re checked in and settled in your room you’re ready to crash again. After a quick shower you wrap yourself up in the hotel bathrobe and crawl into bed, falling asleep to thoughts of Javi and how comfortable he was to sleep against.

Steve meets you at the outdoor bar on the beach the next day.

“How are my favorite liars doing?” he asks with a chuckle.

“I’m kinda nervous,” you whisper.

“You’re going to do great,” Steve assures you.

Javi remains characteristically quiet, his dark eyes assessing everything around him.

Steve hands Javi a drink. “She looks fucking gorgeous. You should really marry her.”

Javi’s eyes slide to you then down along your body slowly before stopping at your face.

He licks his lips and takes a long sip of his drink but doesn’t respond.

You spend some time at the bar, taking note of the surroundings and zeroing in on your target. Once the man in question notices you as the newcomers he saunters over with a saccharine smile.

You all know about Rafael Caro Quintero. He’s one of Galldaro’s best men but plays his role out in the public eye. He has a lot of money and flaunts it with his businesses and assets. You have intel that he’s going to pull off a big move this weekend and are using the honeymoon as a cover as to why you’re here in Mexico.

Javi’s arm circles around your waist and he pulls you against his side, tightening his grip when Rafael approaches and looks you over appreciatively.

“Well, well, well,” Rafael says smoothly. “What do we have here? I always make sure to say hi to any new faces that come to enjoy my…amenities. Especially one so stunning.”

“My wife,” Javi says, his voice too rough and you give him a light pinch. He looks down at you then let’s his shoulders relax.

“Ah, of course,” Rafael says. “And you’re the lucky bastard who married her.”

“Mexico is one of my favorite places to visit,” you interrupt as you hold out your hand to introduce yourself. “So, Javi and I decided it would be perfect for our honeymoon.”

Rafael’s face lights up and he throws up his hands, making a loud noise of celebration.

“Isn’t that just beautiful,” he says, his voice still booming. “Everyone! Join me in congratulating the lovely couple!”

He starts to clap and all the patrons in the bar area join in, hoisting their drinks and smiling.

Rafael reaches for a spoon from the bar and starts to tap the side of his glass. “Isn’t this what the American’s do for a kiss?”

Steve lifts his glass and turns to you and Javi. “It sure is!”

Javi looks down at you, and through a tight grin whispers, “I’m going to kiss you angel.”

He waits a beat, needing to see the consent in your eyes.

You nod ever so slightly and lean into him. A big hand comes up, cupping your jaw and his eyes drop to your mouth. The first contact is just a brush of his lips over yours, the briefest sweep.

You’re going to be devasted if that’s all you get, but then you hear the quietest moan escape his throat and he leans in again, pressing his soft, strong mouth to yours and taking your top lip between his, sucking gently before he turns his attention to your bottom one.

With a smile forming against the kiss, he tilts his head and takes you with a heat you couldn’t have predicted but makes you feel like you’re falling backward into the clouds.

Or maybe it’s the way he’s cupping the back of your head in one hand, holding you around the waist int other, and dipping you so low you’re nearly on the floor.

Everything is quiet before cheers erupt as Javi smoothly brings you back up in some sexy move you can’t even believe he pulled off.

“Javier Peña,” you whisper as you bury your face in his neck. “Are you trying to kill me?”

“Oh, we’re just getting started Mrs. Peña,” he answers back against your ear.

Rafael’s eyes are lit up with glee and he slaps Javi on the back.

“To the newlyweds!” he cheers.

After things settle back down and Rafael’s attention is elsewhere Steve gives both you and Javi a beaming smile. “Wow. For a minute there you even had me believing it,” he teases.

Javi meets your gaze, his eyes falling to your lips again, and he fights the urge to go back for more.

Blinking away, he focuses on your shoulder, and on the strap of your dress that has slipped an inch to the side. He reaches up, stroking the newly exposed skin with his thumb.

Your hand lifts to your lips, still tingling with the warmth of his kiss.

“You’re good at that,” you say quietly.

“At what?” he asks, clearly distracted by your mouth.

“Fake-kissing.”

He hums, his head spinning with the thought that nothing about that felt fake.

“I wonder how you kiss when it’s real,” you whisper, more to yourself than anyone else.

He’s about to drag you away from the crowd to show you when the bartender shows up with more drinks, on the house of course, to celebrate the newlyweds.

You spend some more time at the bar, talking and enjoying the view, always close to Javi, his hand on your lower back, your arm, or his thumb brushing across your cheek. It’s been so easy to fall into the role you almost forget you’re faking it.

Steve leaves the two of you alone, not wanting to hang around too much and seem suspicious.

You watch Javi as he stares out over the water and take a step closer, moving into his space, realizing the moment he registers that he’d been touching you…a soft sweep of his fingers along the curve of your waist.

His eyes go a little wide behind his sunglasses, and he gently moves his hand away.

“Are you nervous?” you ask him.

He shakes his head no. “Not for the reason I should be,” he says but doesn’t elaborate.

You’re about to ask him to explain but you spot Rafael across the bar, he’s talking quietly to someone you don’t recognize and his eyes keeping darting in your direction.

Without letting it show on your face that you’ve noticed him, you press yourself against Javi, your hand sliding up his chest to the open buttons of his shirt.

“Hi,” Javi murmurs.

“Don’t look, but Rafael is just across the bar. He’s sort of watching us.”

Javi drags his attention away from your hand to your face.

“Yeah?”

“Yeah. So don’t mind me. I’m just trying to look wifey and horny for you.”

“We could just go for a walk on the beach,” he says.

“We could, but…”

Your fingers dip into his shirt to feel his warm skin and you move lower, undoing one more of the buttons.

“Pretending you’re horny too might be better.”

He stares at you, unmoving.

“Or not,” you say, smiling but inside you’re dissolving, piece by piece, in mortification.

When you try to move away he grabs your waist. “Where are you going?”

“To live with my shame alone somewhere.”

Javi laughs, low and dangerous. “No. You misunderstand me angel. My only hesitation is…” and he leans in, running his thumb along your lower lip, “acting was never my strong suit.”

His mouth brushes over yours, giving you one of those feather-soft kisses again.

“That’s a start,” you say as you share a breath.

He kisses the corner of your mouth. “Anything that can make it more convincing?”

“Another. Maybe longer this time?”

He lifts both hands now, cupping your face and leaning in, pressing a soft kiss to your mouth before he parts his lips and gently nips at your bottom one.

“Longer, huh?”

Your hands slide around his neck, and you stretch for more, for longer and deeper, his surprised huffed breath coming out warm against your mouth as he lets you suck his beautiful lower lip, dragging your teeth along it in a way that makes him let go of a tight, helpless sound.

His mouth is unreal, commanding and firm, but with full, soft lips that beg to be bitten. And he likes it when you do it too, releasing rough, rumbling sounds to confirm it.

Your hands have a mind of their own, rising up and tangling in his hair as the kiss deepens and he sends one hand down your back to your ass, pulling you closer until you can feel the hard press of him against your stomach.

With a gasp of air, he rests his forehead to yours but keeps a tight hold on you.

“Are you sure you’re not good at this acting thing?” you ask with a teasing smile. “The erection is a great touch. Very convincing.”

His laugh turns into a groan when you suck on his neck, baring your teeth and pressing down.

“Fuck,” he moans.

Your nails scrape along his scalp and with his own grip on the back of your neck he pulls your head away, eyes wild, and comes for your mouth again, setting a languid pace, dragging his tongue over your lower lip with kisses that can only be described as claiming.

“Fuck angel, your mouth is amazing,” he says, sliding his lips along your jaw and down to your pulse point.

Despite the heat of the sun and the heat of him, you shiver in his arms, pressing yourself along every inch of him to keep yourself upright.

Your gaze flicks over his shoulder and you notice Rafael is gone.

“Our friend left,” you whisper, still clinging to him.

Javi exhales a shaky breath near your ear and rests his cheek to yours.

“Well…I guess we can stop then.”

“I guess we can,” you reply, leaning back and taking him in- mussed hair, swollen lips, a small budding bruise on his neck.

“Oops,” you giggle.

He frowns at you. “Did you leave a mark on me?”

“Mayyyybeee,” you sing.

You don’t miss the way his pupils dilate, inky black in the dark chocolate brown of his irises.

“Well, good news is now everyone will know for sure that you’re taken,” you say with a bright smile.

Your eyes drop down to his shorts, and you let out a little whimper at the sight of him hard and pressed against the tight fabric.

“I’m going to take a cold shower,” he says through gritted teeth. “I want you back in the hotel room where you’re safe.”

Your eyebrows meet your hairline. “Oh, so you’re that kind of husband?”

“Just protecting what’s mine,” he whispers as he presses his palm to your lower back and leads you away from the beach.

Javi secures you in your room before walking across the hallway to his. He’s sure to check for anyone who might see before disappearing behind the door.

You’ve agreed to meet for a romantic dinner on the beach at one of Rafael’s best restaurants, the very place you’re hoping to catch him in the act.

Javi knocks on your door right on time and you smooth your hands along your dress before opening it.

He steps back from the doorframe and stares. A shadow appears behind him, and he startles.

“Steve,” he says dryly, putting a hand on his shoulder and moving him away.

Javi gazes at you, and more gently, says, “hi angel.”

“Hi,” you breathe out.

“You look…” he just stares, letting his eyes rake over you. “Gorgeous.”

“That she does,” Steve chimes in from beside you again. “Now…off you go.”

Javi reaches for you, but you can’t stop yourself, pressing your hand to his stomach and wrapping your fist around the soft fabric of his shirt.

You briefly glance at Steve, a silent but friendly, “fuck off,” written all over your expression.

With a smirk, Steve wanders off, but Javi touches a finger to your chin, redirecting your attention to his face. And before you can say anything, he bends, setting his lip softly on yours.

One soft kiss, and then another. Your blood turns to molten heat, and you lean in, chasing his lips when he slowly straightens.

After you enjoy your dinner, the slow and soft tunes of music drift from the stage set up to the side and Javi holds out his hand.

“Would you dance with me?” he asks.

You take his hand and let him draw you out of your seat and lead you \ to the open expanse of sand. His big palm feels like fire on your lower back, and he tucks your hand against his chest, pressing his cheek to yours as he moves you around slowly.

After a few quiet moments you pulls back, looking at your mouth.

“My instinct is to kiss you now.”

“That’s certainly what a married couple would do,” you whisper.

He sends one hand along the curve of your spine, tracing every inch until it’s over your shoulder and higher, where he cups the side of your neck with his big, warm hand. His eyes fall closed, and he leans in, pressing his mouth to yours.

Slow, deliberate kisses, Chaste, because you’re out in the middle of the dance floor but still so intentional, so claiming, so thorough you feel the sweet exploration in your fingertips and spine, in your chest and your stomach and between your legs.

The song comes to an end, and he pulls away, searching your expression before softly taking your hand and leading you back to your table but instead walks past it toward the darkened water.

The moon reflects a million overlapping crescents across the rippling surface of the ocean and the sky is blanketed with stars. You stop, hand in hand, and take it all in.

“This place really is beautiful. It’s so easy to believe we’re just here to enjoy it all.”

He nods, his eyes trained on you instead of the scene in front of him. Wrapping his arms around our waist he pulls you close then slides one hand down your stomach, hooking a finger under the hem of your dress and coaxing it higher up your thighs.

He reaches your hip, his eyes still trained on you and his voice pained when he says, “you’re not wearing any underwear.”

“Everything showed. I hate lines and didn’t have a thong with me.”

“You drive me crazy,” he says, kissing along your shoulder. “I’m distracted and I shouldn’t be. This was all supposed to be a ruse, but I can’t pretend anymore.”

His fingers trail back up your spine, reaching the strap of your dress and drawing it off one shoulder, kissing the skin there.

“I was never pretending,” he murmurs.

“Javi.”

Your sharp inhale is swallowed by his kiss. It doesn’t last long enough, and he rests his forehead to yours, his lips teasing, his nose brushing yours.

“I can’t stop,” he groans. “I need to feel you.”

You chase his lips, and he kisses you again but pulls away.

“But we can’t. Not now angel.”

You nod but pull his mouth to yours again, kissing him hungrily, whispering the truth.

“I want you Javi.”

“You can have me angel,” he says. “I’m all yours. But we have a job to finish first. I can’t risk putting you in anymore danger.”

With a breathless “ok,” you tug free of his grasp and straighten your dress. As you start to head back toward the restaurant he grabs your hand and drags you into his chest.

“Promise me,” he says between kisses, “you’ll be safe…you’ll follow orders.”

“Orders?” you ask with a raised brow. “I probably shouldn’t like that you said that but fine. And what about you Javi? I need you to be careful too.”

“I promise,” he whispers. “I’m going to finish this so I can take you home and make you mine. The right way.”

#pedro pascal #pedro pascal narcos #pedro pascal characters #javier peña #javier pena x reader #javier pena fanfiction #javier peña x reader #javier peña fanfiction #javier pena x you #pedro pasca x reader #javier pena narcos #javier peña x you #fake dating #fake marriage #friends to lovers

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rye-bread-soda-iceberg · 1 month ago

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I saw some light discourse going around hsrtwt about Ratio being bad/good/morally ambiguous

I'm not gonna comment on that too much cause I wanna talk about smth else but clearly he's a good person, probably one of the nicest people we meet compared to the war criminals and murderers. his major crime is that he's blunt, mean and makes his students cry (which is something about him I don't particularly enjoy for personal reasons, but still)

what I like, something that i feel like people tend to forget, is that he's very openly kind and caring

of course there's the basic stuff, like the fact that he pours his whole heart into making the universe a better place, has eradicated a whole illness called 'the king of illnesses' (so, supposedly, very deadly) and the entire not getting into the genius society because he cares about humanity too much. but also, you know

first of all, he has canonically made various statues depicting himself making a heart with his hands while smiling warmly. I've always found it endearing how he mildly prides himself on 'keeping the world at bay' and just being generally mean while also doing this so casually. I mean, it's a clear message: 'I love you' that's what he's saying, and he's saying it in a silly way

something a bit more hidden is these quotes from hoyolab's post. we all know the 'ignorance is an ailment' quote is directly taken from his character stories, making it canon. that subsequently makes the other two just as canon. obviously it's an official post, but I sometimes see people doubting the validity of these silly little snippets into the hsr universe

I don't particularly know if he is saying those last two quotes in general or to someone/a group of people in particular, but it's like... one of the sweetest (and corniest) things ever, and it makes me giggle a little bit. it almost felt out of character to me the first time I've seen these, but if you think about it, it's always been there

this one is from the valentines day ""event"" on twitter from earlier this year. I like his reaction to the gift for he still has some of his usual, you know, 'I cannot bear to hear such foolish questions'. he's being nice in his own way here, his demeanor is just barely reserved but the sentiment behind his words remains a positive one

another quick thing, though I don't have more examples for this one. he's always going on about how you should always consider whether the question you're about to ask already has an answer (so encouraging you to think for yourself) but he's still Always offering to help. in this and, if I remember correctly, in the mail description you get when you used to receive him for free he's making it clear that he's willing to help you discuss things for you to understand them better and will answer any question as long as it's not a 'stupid' one. he is a teacher, after all. the biggest thing about him is that he wants people to do better. other than this, despite his slight reluctance to help others himself, he does say in his character trailer that sometimes a little encouragement is required

and he does encourage people openly when they do good! no 'I suppose this is acceptable' nor 'I guess you did good'. when someone or something impresses him, he genuinely expresses it. I like to point this out because I see so many people say he's self absorbed or puts himself above others, when that is simply not true. which, I mean, can also be seen in his small little interactions with Herta, Ruan Mei and Screwllum (he literally praises them)

then he also says this a couple times. I don't exactly know what he considers courtesy or discourtesy, but it's clear that at least not all his blunt or mean words are meant to offend. this is something I'd love to look further into, but for now simply want to put here with the rest cause it's an interesting thing about him. he is already described as elegant, which implies a certain level of basic courtesy and politeness when interacting with others, though this just slightly crashes with his 'rude' demeanor

supposedly, you could make the argument that while he canonically realizes how non-endearing he can be (knows his own shortcomings, one of the exact traits he praises) perhaps he actively struggles with coming off as nice. and seeing all I've pointed out so far, maybe all those instances of him being nice are how he'd prefer to come off as (some times). that is unless I missed some bits of canon dialogue where it's implied otherwise

this isn't that detailed or well made of a post, nor the first time someone has pointed out this stuff. in fact I reblogged an incredibly good, lengthy post some time ago that talks more in depth about how nice/kind of a person Veritas Ratio really is

I simply cannot stand when he is described as cold, uncaring, selfish, self-centered or someone incapable of being gentle and loving. and it's not nearly as subtle as people seem to think it is

#i just love him so much #and wanted to yap about him for a while #honkai star rail #hsr #star rail #hsr dr ratio #dr ratio #veritas ratio #can you tell I'm mentally ill?

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futuremrscameron · 3 months ago

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·:*¨༺ ♱✮♱༻¨*:·bestie!kook·:*¨༺ ♱✮♱༻¨*:·

content warnings: toxic codependency, mutual obsession, discussions of antiblackness in predominantly white spaces, mentions of drugs/drug abuse, symptoms of bpd, discussion of colorism, sexual tension, misogyny, blood, violence, implied underage drinking, maternal issues, fear of abandonment, parental issues, classism, hinted/implied sexual content

bestie!kook is not spoiled, not bitchy, but a secret third thing (knows what the fuck she wants and doesn’t let anyone call her bitchy greedy or selfish). she’s an only child, of course she turned out this way.

bestie!kook lives in a mansion-like beach house and met kelce at the house party her parents threw to get to know their neighbors (flex on them). she and kelce both had the same idea of hiding out on the roof. they watched the stars, talked about school starting soon, and the struggles of being black in figure eight.

she hates her parents for moving her here.

okay hate might be a strong word but she’s not thrilled. she adjusts her halter green short chiffon dress as she sits down on the roof. she may be mad at her parents but she would never hear the end of it if she flashed the party guests. she removes her sparkly green heels and looks up at the stars. she knows there’s no real answer in the stars but looking at them has always helped her. she closes her eyes, ready to wish upon a star when she hears him.

“you mind if i chill with you?”

a dark skinned black boy she saw earlier at the party. kelce. he’s wearing a rose gold three piece suit with brown shoes. great taste in fashion? his parents definitely made him wear it.

“did my parents send you?”

“no.”

“did your parents send you?”

“no.” he chuckles

“huh.” interesting. “fine.”

he looks amused. she hates him already. “don’t jump for joy too much, i don’t know how sturdy your roof is.”

he chuckles, “that’s dark.”

“maybe.” he takes off his blazer and carefully places it on the space next to her. he sits down, arms holding his knees, looking up at the stars.

she breaks the silence when it becomes unbearable. “why are you here?”

he glanced at her and shards before turning his attention back to the stars. “party’s lame, not really my scene.”

“what’s your scene?”

he smiles, “you’ll find out soon.”

“you’re just assuming we’ll roll with the same crowd?”

he scoffs as if telling her not to play dumb. “please.”

she nods, understanding what he’s hinting at. “that bleak huh?”

he shrugs, “i’m not gonna lie and tell you i was the only black kid in school but… it’s no new york.”

“so ten times worse.”

he chuckles dryly, “exactly. before i came up here i was called “surprisingly well spoken”.”

she’s not surprised but it’s not what she wants to hear . especially not after getting her life uprooted by her parents the summer before her thirteenth birthday and moved them to the middle of nowhere.

“can’t say i’m surprised. i mean, not even an hour into the party some lady tried to touch my hair and some boy said “my skin looked good in green” fucking bitch.”

“oh we’re trading horror stories? in third grade my math teacher kept getting me confused with the other black boy in class.”

“let me guess he was light skinned.”

“light skinned. light as the fucking sun.”

they both laugh, not at the situation itself but the predictable action. when the laughter dies down he clears his throat.

“you know i have these two friends i think you’d like them.”

“only two? shocker.”

he sighs, “you ever hear the phrase ‘you catch more flies with honey than vinegar.’?”

she raises an eyebrow, “is that what you tell yourself to get you through these parties? go along to get along?”

“basically.”

“there’s no way you actually believe that.”

“and what if i do? is that so awful?”

she looks at him, really looks at him for the first time that night. “i guess not.”

they sit in silence again.

“why?”

he looks at her. “why what?”

“why reach out to me? you could’ve just left me up here alone, let me be an outcast. why didn’t you?”

he stands up and picks up his blazer. he looks down at her and smiles. “i know you wanna look like this lone wolf cool girl but… i see you..”

his words send chills down her spine. she writes that off as the cool night air.

“fuck off.”

he chuckles. “see you monday.”

he later invited her to a party the saturday before school and the rest is history.

bestie!kook is kook princess before sarah. the most popular girl in school and in outer banks, an amazing feat for someone who wasn’t born and raised in obx. she was known for her jaw dropping beauty, affluent family, and strange friendship with the kook boys. rafe, kelce, topper, and her were very popular and not just cause they were the richest. the parties they threw are still talked about to this day

bestie!kook who everyone assumes is sweet because of her bright colored outfits when in actuality she’s blunt, cold, stand-off ish, and at times, a genuine menace. she once planted coke on a girl and got her expelled for distribution all cause she didn’t like the way she looked at rafe at a party

four years after moving to obx and she can’t imagine being anywhere else.

“i guess i’m just trying to understand why and how she could do something like this. she was top of the class!” tiffany pushes a honey blonde french curl braid off her shoulder and behind her back. she brushes down her uniform's skirt and fiddles with her loose tie.

tiffany was bestie!kook’s first black girl friend in outer banks. she moved there a year after her which tiffany thinks was fate. they met in pre-algebra, tiffany helped bestie!kook solve a problem that was kicking her ass. they got to talking and have been best friends ever since. she was genuinely kind and despite popular belief, really fucking smart. academically not socially.

“please, this is totally on brand for girls like her, they think they’re too smart to get caught. did you hear her talking about ‘academic immunity’ when they arrested her? that’s not a thing!”

gianna, was the only obx native in the trio. though she transferred from kildare county high school to kildare private academy in the middle of the semester last year. she was tiffany's complete opposite in every way, she wore the complete uniform with no alterations, was more of a loner than a social butterfly, and rocked bold makeup rather than tiffany's go-to subdued look.

she and bestie!kook got along immediately despite being so similar and horribly blunt. bestie!kook loved her no bullshit attitude and disregard for standard kook faux niceties. she also loved that they were close in skin tone. she adored tiffany but there were some things the light skinned girl just couldn’t understand.

bestie!kook stifles a laugh at her friend’s remark and thanks the heavens that her face is buried in the locker so they can’t see her grin. they’re talking about the scandalous affair that they witnessed less than an hour ago but she’s too hungover to care.

she opens her locker and lifts her sunglasses to cheek herself in her locker’s newly bedazzled mirror.

“but still, ashley? ashley who calls weed marijuana expelled for selling coke!? personal feelings aside you can’t tell me that’s not totally sketch.” tiffany’s cheeks are flushed from her raising her voice and screaming about her conspiracy theory. she fans her face, trying to calm herself down. her usual light skin has some more melanin to it after spending her summer outside tanning.

“yes i can. it’s not insane, she acted like she was better than everyone, people like that always have some shit to hide.” gianna frowns at tiffany’s sympathy for the girl.

“but she was always nice to me.” tiffany frowns at the newfound information.

“gee i wonder why.” the dark skinned girl unwraps a piece of bubblegum and pops it in her mouth. “that bitch had it coming. you remember when she wrote that “anonymous” column about how certain students need to ‘speak properly and appropriately at school’. should’ve beat her ass then, pick-me ass bitch.”

“we don’t know that that was her.”

“she’s already been through so much.”

“please did you see the way she looked at rafe? she totally wanted him.”

tiffany frowns, not at the slight directed at her but the new information. “really? i never noticed.”

bestie!kook loved her but she was never great at paying attention to details and believed people always honest about their intentions. she also had certain blind spots like anti-blackness that wasn’t blatantly obvious.

“of course you didn’t.”

“hey!” tiffany's face is red with anger and embarrassment.

bestie!kook slams her locker shut, drawing both girls attention to her. she sighs and punches the bridge of her nose. “it’s too early for this shit.”

the girls apologize at the same time. bestie!kook frowns, “i don’t want you girls fighting over someone so… insignificant.”

they both look like they want to argue their points to her further but are (thankfully) interrupted by none other than rafe cameron.

rafe throws his arm around bestie!kook reader and gives the other girls a semi-friendly smile. “hey ladies.”

“hey rafe!”

“cameron.”

bestie!kook pouts, “what, no greeting for me?”

rafe turns his attention to her. he still towers over her despite her heeled shoes.

he shrugs, “well you ditched me this morning and we saw each other in home room." his tone is nonchalant but she knows him, his real feelings always show in his eyes. his stare is cold, if looks could kill she'd burn under his gaze.

she scoffs, “okay 'ditched' is crazy, i drove myself to school one time and home room was hours ago i want a new greeting.”

“hmm.”

his cold response irks her. she glances at her girls and they get the message.

gianna clears her throat. “we should probably get going tiff.”

tiffany frowns, “what but this is our free period?”

“which is why we made plans remember?”

“we did?”

she grabs tiffany's hand and drags her away. “yes.”

“ooh can we go to chick-fil-a!?”

“sure babe.”

rafe turns his attention back to bestie!kook, "what were you guys talking about?"

she closes her locker and takes off her sunglasses. “nothing.”

he removes his arm from around her shoulder and blocks her view of the hallway. “it was ashley wasn't it.”

of course he knew. "if you knew why the fuck would you ask?"

"well fuck me for giving you the benefit of the doubt."

"benefit of the doubt for what!?"

"to tell me the truth!" they've gained the attention of some students and admin by now. she blushes and grabs his hand, "come on." she drags him away and doesn't stop til they reach the janitor's closet.

"i know this is about last night. you know you can tell me anything right?" his strikingly blue eyes shine with worry.

she nods. “okay.”

she tells him everything. that morning she threw on her sunglasses after donning her uniform with a plan in mind. she hadn’t even carpooled with rafe like they usually do just so she could get there early and set her plan in motion. she had ashley write her a fake doctor’s note for her sunglasses and hugged her to show her appreciation. the girl was caught off guard and that’s when she planted the coke on her.

rafe is stunned into silence. he looks down at her, “you did that for me?” his voice is uncharacteristically soft.

she looks up at him through her eyelashes. “i’d do anything for you.”

bestie!kook might be a nepo baby but she works for her money. she has her own business doing hair and opened up outer banks's first beauty supply store at 19. her grandma thought her when she was young cause she hated having to wait on her to book (mostly home) appointments, with her busy schedule.

bestie!kook and kelce are like siblings in the way they argue. a lot of the figure eight residents also think they’re related but that’s something else entirely. he was her first friend in obx after all and is one if the few black kids in figure eight.

bestie!kook cleans up her diy hair station in her living room as kelce follows her around.

“if you’re gonna be here you might as well help.” she shoves a large container of hair into his hands. he looks down at it and back up at her, she’s already moved onto another location.

he catches up to her easily. she curses his long legs internally. “what about the friend discount?”

“doesn’t apply to you after you broke my fucking vanity.”

he pouts. “how long are you gonna hold that against me?”

“forever. don’t ask me stupid questions.”

“okay if not for me then do it for my sister.”

“that’s not fair.”

“she really wants to look good for her eight grade formal and i know it’s last minute so i’ll pay extra.”

he gives her his best puppy dog eyes. she looks disgusted.

she rolls her eyes and sighs, “fine. but only ‘cause i love your sister.”

“yes!” he gives her his best boyish smiles, “and i know you love me too.”

“please. you’re lucky i don’t gut you with this comb.”

“jesus.”

bestie!kook who puts up a wall to stop people from getting too close because she believes when you let people in that’s when you get hurt. rafe changes that for her

bestie!kook and rafe being so close is a surprise to everyone in town until they get to know her. they’re the same but different. he trusts her more than anyone else, it’s why he tells her everything from his mom leaving when he was young to killing peterkins

bestie!kook whose fashion can be described in five words; bright colors and mini skirts

bestie!kook who is always the best dressed at midsummer and always goes with rafe

year 1

year 2

year 3

year 4

year 5

year 6

year 7

bestie!kook goes to the main land a lot cause the local shops just don’t have what she wants and brings rafe along nine times out of ten

rafe and bestie!kook planned their shopping day to the mainland weeks in advance. it was the perfect date. emphasis on 'was'. topper joined last minute because he was in a bad mood after sarah made him look stupid. again.

bestie!kook runs around the shop like a kid in a candy store picking up dresses, tops, shorts, and skirts and putting them in her cart.

"rafe!" she runs over to rafe and shows him her newest find. "isn't this the cutest?"

rafe smirks, "you gonna model it for me."

she bites her lower lip, "maybe if you’re good"

he chuckles as she skips away. he looks to his left and spots his friend frowning. "what?"

topper jumps slightly like a kid who's been caught taking extra halloween candy. "nothing."

his passivity has always irritated rafe, "just spit it out. i don't want you sulking for the rest of the day."

topper takes a deep breath, preparing himself to speak and for rafe's reaction. “i’m just saying man no disrespect to you or her but i wouldn’t let my girl leave the house wearing shit like that.”

“damn this is hard. listen to the man who got cheated on and punked in front of a crowd and called me crying about it and begging for my help at 3 a.m. or keep doing what i'm doing." rafe pretends to be deep in thought, tapping his chin and furrowing his brows. “i think i’m good.”

topper frowns, "you said you wouldn't bring that up again."

bestie!kook and rafe’s relationship is the topic of many discussions, people don’t know if they’re just friends, dating, or friends with benefits. the main questioners are the camerons and topper the topic usually comes up at breakfast which ward mandates a family event.

bestie!kook whose boyfriend best friend rafe has scary dog privileges. he’ll fight anyone, girls included he doesn’t give a fuck.

bestie!kook loves getting high with rafe cause they balance each other out. she gets all deep in thought and philosophical and he gets pathetic and horny.

bestie!kook, smoking leisurely: you know… while i was away, when i felt down… i would climb up to my roof and look to the stars. it was comforting knowing you were under the same stars. 400 miles away with the same constellations, isn't that crazy?

rafe, on his third line, pupils so dilated he looks like an excited kitten: can yuo put that out on me?

bestie!kook loves partying with rafe, whether it’s a party thrown by one of them, their friends, or a boneyard party they’re there one never far from the other

rafe doesn’t dance. it’s not that he can’t he’s just not into it. at parties he’s either selling, drinking, or doing coke. unless he’s with bestie!kook. she's sitting on his lap while he counts money. he's doing a line off her tits and he's placing an ecstasy pill on her tongue. she’s dragging him to the dance floor. slow dancing leads to grinding which leads to one of them dragging the other to a private area and coming back 30 minutes later with ruffled clothes and hair.

bestie!kook who uses rafe’s need for approval and complex maternal issues to combat being on the receiving end of his misogyny make sure she comes out unscathed compared to the other women in his life

rafe comes to her after melting the cross. it's almost midnight when she answers the aggressive knocking and sees a bloody rafe.

“oh my god.” he pushes past her into the house muttering something to himself. she closes the door and follows after him, “rafe.” he continues pacing and muttering like he doesn’t hear her. “rafe!”

“it’s all my fault. everyone’s gonna know. they’re gonna- just gotta- gotta fix it i can’t fix it.”

“rafe!” he snaps out of his daze and finally meets her eyes. there’s blood around his mouth and bruises on his hand.

“what happened?”

“um..” he sniffs and wipes at his nose. “i tried to fix it.” his voice cracks, barely hiding the sadness in his voice. “i tried i did but i- i just made it worse.”

she holds her arms out. he melts into her arms and shrinks himself down to fit in her hold. “i’m sorry.”

she caresses his head. “hey it’s okay. it’s okay.”

bestie!kook is 99% positive rafe does not like women. he’s definitely attracted to them but she doesn’t think he views them as people. over the years she’s noticed that rafe puts women into two categories; caretakers and objects of desire

bestie!kook doesn’t strictly fall into either category so it breaks his brain a little bit trying to figure out how he should treat her which leads to many of their fights

they're at a party a when he pulls her off the dance floor and away from her dancing partner and takes her to an empty room.

"what the fuck rafe!?" she screams as she watches his lock the door.

he stalks towards her, “so what you’re just throwing yourself at any guy who’s nice to you?”

“fuck you rafe! you’re just mad he had the guts to admit what you’ve been thinking all these years.”

he scoffs, “is that what you think? huh?” he chuckles and moves closer, every time he takes a step forward she takes a step back. “yeah i bet you’d like that wouldn’t you? you know i thought you were a nice girl but you’re just like every other slut in this party.”

“i’m not talking to you. not when you’re being like this.”

“like what?”

“an asshole! i don’t like talking to you when you’re being an asshole, rafe. okay?”

he chuckles coldly, “what you think you’re better than me?”

his movements are twitchy, scratching his ear one second and rubbing his head the next and his pupils are dilated.

she frowns, he's really high right now. "look i don't have time for this back and forth bullshit okay?"

he frowns, "it's not bullshit okay and and i just i don’t get you. you lose your shit when i talk to a girl but here you are doing worse. do you know how it makes me look? my best friend dry humping some guy on the dance floor?”

“of course it’s about you. it’s always back to being about you. you’re so fucking selfish!”

“hey!” he grabs her face, squeezes her cheeks with his hand. “you think you’re better than me is that it?”

she scratches at his hand and pushes at his chest but when he’s high he’s like a whole different being. “let go.”

“i’m just trying to figure out what your end goal is.”

“stop it rafe!” she pushes him away, tears in her eyes and fire the first time she looks genuinely afraid of him. that sobers him up real quick.

“i’m sorry.” he reaches out to her but she slaps his hand away.

“fuck you rafe.” she storms past him, leaving him stewing in self hatred and regret.

bestie!kook who lets him in when he apologizes the next day like clockwork saying the usual right things

“i’m sorry. i was high and-”

“you said some really hurtful things rafe.”

“i know.”

she can’t stay mad at him, not when he gets on his knees and begs for her forgiveness. begs her not to leave him.

bestie!kook who is an icon to many of obx’s young women. she doesn’t take shit from anyone. especially not men.

“hey jj, she said she doesn’t want the drink fuck off.”

“well if it isn’t the future mrs cameron. shouldn’t you be busy buying his coke or something?”

“so funny! hey stop me if you’ve heard this one, white trash pogue joins father in jail after forcing sketchy beverage on sarah cameron, daughter of prominent figure of the community?”

“fuck you.”

“byyeeee.” she smiles and wiggles her fingers while waving. she turns back to sarah, “sorry about that.”

sarah looks at her in awe, “thanks, sorry you had to do that.”

“please, we girls gotta look out for each other. plus you could put in a good word for me with your brother.”

“my god.”

bestie!kook whose relationship with the camerons is all over the place. rafe is her favorite but sarah is her biggest supporter (after rafe of course). she often lends an ear to her when she fights with rafe though she’s not the most helpful and her bias shows.

it’s 1 a.m. on a saturday when bestie!kook sees topper’s instagram story and spotted rafe in the background with his tongue down some girl’s throat. she sits on her bed crying while gianna and sarah comfort her.

“i told you he wasn’t shit.”

sarah nods, “gianna’s right, you deserve better”

gianna sobs harder, “why didn’t i call tiffany?”

“because you wanted the truth not to be coddled.”

bestie!kook continues crying as sarah rubs her shoulder.

“hey he’s a dick.”

“he’s your brother sarah.”

“which is why i know it better than anyone.”

bestie!kook who treats wheezie like the little sister she’s always wanted. rafe says she spoils her but she doesn’t care she finds the girl absolutely adorable.

she takes wheezie out for a girls day filled with ice cream, shopping, and fireworks watching. all good things can’t last long though which is why rafe calls her while she’s out with wheezie. she answers the phone cheerfully, “hi rafe.”

“i miss you.” she can almost hear his pout over the phone.

“i miss you too. but i promised wheezie i’d take her out for ice cream.”

“you spoil her. it’s why she acts like that..”

she rolls her eyes. “look i gotta go, my favorite cameron’s calling me.”

“haha. wait do you really mean that? hello!?”

“bye rafe.”

bestie!kook and ward’s relationship is a bit strained, he likes her but he worries about her impact on his son’s fragile state and her hold over him. he’s like a wise father figure with a sketchy past and present.

bestie!kook who is actually sweet to rafe. everyone notices the way she is seeing others vs the way she acts around him. goes from ambivalent god to schoolgirl in love

he comes to her often crying about ward’s mistreatment and distrust. when ward kicks him out he goes to her.

“you shouldn’t be just tell me to fuck off. i’m more trouble then it’s worth.”

she frowns, “don’t say that that’s not true.”

he sniffles and shakes his head. she doesn’t know how to help him, she hates seeing him in pain like this. she slowly and gently reaches out to him and grabs his hand. she feels him tense and gives his hand a soft squeeze,. “you’ll always have me. i’m on your side.”

that’s exactly what he needed to hear.

bestie!kook and rose don’t get along much. rose is very passive aggressive and bestie!kook is very blunt. unstoppable force immovable object.

bestie!kook notices rafe’s coke use is becoming more frequent ever since he came back from the bahamas. she wants to help rafe get better but there’s only so much she can do. people (ward and rose) often forget she’s just a kid, she loves rafe but love isn’t enough to save him.

“mrs. cameron-”

“please no need for formalities you’re practically family. call me rose.”

“okay rose. i’m not gonna beat around the bush cause i respect you. i think rafe should go to rehab.”

“what?”

“it’s on the mainland and i know it seems sudden and all but i’ve noticed him getting worse and i’m scared that- that if we don’t act now. before we know it- it’ll be too late and i- i don’t wanna lose him.”

her voice catches in her throat as she thinks of rafe’s declining mental state and growing drug use. rose hugs her and softly rubs her back.

“hey hey it’s okay it’s okay. you really love him.”

she sniffles and nods. rose nods, “then don’t mention this to him. forget about it.”

“excuse me?”

“he’s going through a lot right now.”

“yeah no shit that’s why he needs this.”

“why now? hm? why the sudden change in heart?” when she doesn’t get an answer she scoffs, “you spend all this time going to parties, coming here at good knows when high out of your minds and now you care? why? cause it’s affecting you now?”

“that’s not true. i care about him.”

“then don’t do this to him. not now not while he’s in such a fragile state.”

she scoffs, “please. like you care. we all know this isn’t him its about preserving great cameron name and its bullshit legacy.”

“keep your fucking voice down.” she glares at the girl. “you have some nerve coming to our house with this holier than thou bullshit. especially in our time of grief.”

she marches over to to the door and opens it, “i think it’s time for you to go.”

bestie!kook scoffs but walks to the door, not wanting to give the woman any more of her time. she glared at the woman, “if anything happens to him it’s on you.”

bestie!kook finds renfield’s dead body in the truck

she didn’t mean to truly. she was just worried about rafe and went looking for him in his own. he hadn’t been home for a while she wasn’t expecting him to be there, much less there with a dead body.

“it’s not what it looks like.”

she gasps, “rafe.”

“don’t scream.” breathing heavily, he looks at her lips then her eyes. “i didn’t kill him.”

she meets his eyes. “i believe you.”

his eyes widen in relief and shock. the upper corner of his mouth twitches up, the ghost of a smile. “i don’t why i ever doubted you.”

she looks back at the body and frowns. “what are we gonna do?”

“we?”

“if you think i’m gonna let you do this alone you really don’t know me.”

bestie!kook who is crushed when rafe leaves for guadeloupe. she stays in her room and cries believing that he’s gone for good. her friends and parents are worried at

bestie!kook who gets a knock on her door on her balcony window when she wakes up and runs to grab the gun she got after everything that went down with rafe and barry

she slowly approaches her window and opens her curtains with her gun drawn.

“hey.”

“rafe?” to say she’s shocked would be an understatement. “what the fuck are you doing here?” her tone hurts his chest but it doesn’t surprises him.

“i understand you’re mad.”

“understatement of the year.”

“but i can explain everything.”

“okay go.”

as far as explanations go. it’s not the worst excuse she’s ever heard. he pulls her into a tight hug. she could never stay mad at him for long.

“don’t ever leave me again.” it’s muffled into his chest.

“i won’t.”

————————————-———————————-

i really hope y’all liked this one it took me a minute. comment your thoughts, criticism is welcome as always but keep it classy. <3

#·:*¨༺ ♱✮♱༻¨*:·bestie!kook reader #rafe cameron x black oc #obx fic #bestie!kook #rafe cameron x black reader #rafe cameron x oc #obx moodboard #aesthetic moodboard #rafe cameron x black!reader #outer banks #bestie!kook reader #rafe cameron x reader #outer banks fic #rafe x oc

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mostlymihawk · 6 months ago

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Getting Sick!

Straw Hat Crew (+ Shanks + Mihawk) x GN reader

Prompt: How they react to you getting sick.

CW: Emetophobia (throwing up)

Luffy:

Completely useless.

The man's made of rubber, he doesn't have a clue what to do.

"Um...it's gonna be okay? It's gonna be okay, right?"

You have to ask him for everything.

Does carry you to bed when asked, and will happily snuggle you.

Then asks if you want something to eat.

Food is the solution, and refuses to understand that food can also be the problem.

Nami:

Holds your hair and runs her fingers through it at the same time.

Also dabbing your face and neck with a cold cloth.

Certified professional make-it-better-er.

She did a lot of throwing up when she was younger.

Childhood trauma combined with lying to your sister and working for your mother's murderer will do that.

Knows exactly what she would have wanted, and gives it all to you.

"It's gonna be okay. I've got you, sweetheart."

Keeps tabs on your temperature to make sure this isn't a symptom of something bigger.

Refuses to let you out of bed until you're 100% better.

Zoro:

Keeps his face carefully blank and gently rubs your back.

Looking away the whole time.

You know him well enough to know he does not want to be doing this.

Handles blood just fine but this is a whole other ballgame and he wants no part of it.

Happily helps you to bed after, because it means the gross part is over.

"Better out than in...I guess."

Then he remembers someone has to take care of the cleanup.

Tries to frame it as discipline training to make it better.

Usopp:

Useless, but tries his best.

"Do you need a cloth? Some water? I can get, uh...fresh pair of clothes?"

Standing outside the door, so you croak out what you need and he runs to get it for you.

Needs to be filling the silence.

If he's not asking you something and you're not answering he's talking about how this reminds him of that one time in the Forest of Doom...

Spends the whole night telling stories to help you get to sleep.

Gets a lot better when he realizes this isn't all that much different than barnacles and bird poop.

Unfortunately, the worst of it has already passed by then.

Confidently assures you he'll be ready for next time, though.

Sanji:

As a gentleman, it's his duty to take care of his significant other when they're sick.

He's damn good at it too.

That doesn't mean he has to like it.

His face is pinched as his thumb gently rubs your back, he dabs your face and neck, and offers you sips of water when you can manage it.

"You're alright, sweetheart. A little bit of my tender love and care and you'll be on your feet in no time."

And then he notices the colour, not unlike the blueberry reduction from the dessert you'd asked for after lunch.

Gently helps you to your room, and it's not until the next day that you notice anything is amiss.

In. con. solable.

No one has ever gotten sick from his food before. Ever.

Refuses to serve food.

The Straw Hats have to turn back to Baratie so Zeff can literally beat some sense into him.

Shanks:

Bonus!

This crew loves its alcohol way too much for Shanks to be even the slightest bit bothered by a little vomit.

Sits by your side, dabbing your face, rubbing your back, completely unfazed, cracking jokes the entire time.

"Snuck into the hold and had yourself a little party without me, did you?"

Knows exactly what to do to help you feel better.

Again, the crew loves alcohol too much for anything else to be true.

Cuddles. So many cuddles.

This crew is too experienced to let a sick crew member come back to work early, so despite the unserious approach you're on strict bedrest.

The whole crew makes fun of you...but only once you've recovered.

Mihawk:

This is not a man who routinely deals with people being sick.

Confused.

Why are you sick.

Who caused this.

Who does he need to kill.

(It's whoever cooked your dinner at that restaurant you went to last night, but you don't tell him that.)

Completely repulsed, does not let it show on his face while he tends to you.

Rubs your back very gently, and uses a cool cloth to wipe the sweat off your face.

Helps you to bed, sits up and lets you lean against his chest so you're upright, and encourages a few sips of water.

"Get some rest, my jewel."

The next day there's a doctor at your bedside.

You don't need a doctor, but the look on Mihawk's face says this is non-negotiable.

#mihawk x reader #sanji x reader #luffy x reader #nami x reader #usopp x reader #zoro x reader #shanks x reader #opla imagine

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taintedcigs · 1 year ago

Text

we’d still worship this love — e.m.

part two of even if it’s a false god.

pairing: modern!college!fboy eddie x fem!reader

warnings: smut!!!!!!, 18+, MINORS DNI. p in v, cr*ampie, unprotected s*x, angstangstangst, eddie regrets everything!!, jealous eddie, a bit of protective steve, drinking, swearing, praises, nicknames, fluff!!

summary: in which eddie regrets what he said to you. (wc:6.3k+)

a/n: literally the lyrics match up soooo well w the story imo im sorry for the last line ok i rlly tried to hold myself back not to directly write any lyrics lmao. this is CHEESY. i hate THE ENDING. as usual! but im so glad u guys liked pt. one and i didn't want to deprave any of u !!! i did not proof-read so pls ignore any mistakes!! hope u guys enjoy this lmk what u think mwah!!

Eddie sighed as he checked the kitchen, you were still nowhere to be found.

He had fucked up.

So badly.

He grabbed the half-empty red cup sitting on the kitchen stand. A whiff of alcohol hit his senses as soon as he tried to sniff it; it reeked, but Eddie didn’t care at this point, downing it like it was water.

He grabbed the pack of cigarettes sitting in his back pocket, walking miserably toward the backyard as he lit the cigarette sitting between his lips.

“Let’s get you to Steve’s, yeah?” The voice that passed by him was quick to grab his attention.

Robin.

“Robin?” He exclaimed excitedly, causing Robin to mouth “Don’t”.

He took a step to get closer to you but stopped quickly in his tracks; he had caused enough fucking damage.

He made his bed, and now he needed to lie in it.

He watched as you and Robin left, leaving him all alone.

2 HOURS LATER

DON’T ANSWER: im so fuckhjing sorry

DON’T ANSWER: i didnt fuckingmeanit lije that i swear

DON’T ANSWER: pls talk to me

DON’T ANSWER: r u at steve? i can come

DON’T ANSWER: pleaseeeeee we can’t leave things like this.

You heaved a sigh reading his texts, he was drunk again, and you weren’t going to entertain him.

You blocked this contact.

“He’s texting me.” You groaned, chucking your phone away as you plopped yourself onto Steve’s bed.

“What did he say?” Steve asked curiously.

“He wants to see me and talk, he’s drunk again.” You replied curtly, head still filled with the words he uttered to you.

“I just… I can’t believe he’d say that.” Robin chimed in, shaking her head.

“I could. He’s an asshole.” You rolled your eyes.

“Yeah… but I always thought he had a soft spot for you.” Robin muttered.

You chuckled dryly. “He has a soft spot for my body.” You crinkled with disgust.

Robin shook her head as she spoke. “No, I mean it, Y/N… I really don’t believe he meant it like—”

Steve was quick to interrupt. “Jesus, Robin, stop making excuses for him. I know he’s your friend and all, but he fucked up. And there’s nothing he can do now to ever take back the things he did to her!” He exclaimed, the two of them started bickering back and forth.

You wanted to sink into the bed; you so badly wanted to believe Robin, believe that Eddie’s words were all just a lie, just something he made up on the spot just because he was afraid.

But Steve was right—even if it was a lie, even if it was all a huge misunderstanding, nothing he could do would undo the amount of pain he caused you. The nights you spent sobbing—nothing could change that.

But a part of you also knew that, if Eddie ever caught you in a moment of weakness again, you’d do it all over again; you’d let him ruin you all over again, just to have him complete you for the mere seconds he made you feel loved.

The bickering and the storm in your mind stopped with a sudden knock on Steve’s door.

The three of you looked at each other in unison.

Shit.

Did that stupid bastard really have the audacity to come here?

You looked over at Steve with pity, about to open your mouth and beg, plead with him to do something, and he was quick to understand your train of thought. “I got this.” He muttered, hand squeezing your knee for comfort before he attended the door.

As soon as the door swung open, there he was, blood-shot eyes and messy hair framing his face. He was shitfaced and could barely stand against the door frame. “Munson.” Steve affirmed sternly.

“W—where is she?” Eddie slurred, barely even letting Steve speak.

“She’s not here.” Steve said without letting Eddie take a look.

“Look, man… I know she is, please—” He tried to push past him, but Steve stood his ground, blocking his way before his face turned cold.

“She doesn’t want to see you.” Steve almost hissed, the intensity of his gaze taking Eddie back.

“Don’t make this any harder and just leave, yeah?” Steve muttered, almost shutting the door before Eddie’s heavy boots interfered.

“Please.” Eddie pleaded, making Steve huff as he threw a quick glance your way, and you quickly shook your head, mouthing ‘no’s.

But that was it; Eddie barged in as he used Steve’s distraction to his advantage, you gasped when the door swung open, revealing Eddie.

He couldn't tear his eyes away from you, his gaze held guilt and relief. Guilty because of the fact that he uttered those words to you. But, relieved that he saw you, relieved that he could finally explain himself to you.

Yet you looked at him with such disgust that it ached his heart, putting on a heavy ache on his chest. Every breath he took now felt like a struggle.

“Don’t!” You seethed when he took a step toward you, Steve was quick to jump to your defence, but you waved him off.

“Leave.” You could feel your face grow hotter with rage each time you spoke, you didn’t want him here, you wanted him to disappear from the face of the earth.

“I’m so fucking sorry.” That was all that left his lips, his eyes were glinting with sadness, and his bottom lip trembled with guilt.

“You have the nerve… You have the fucking nerve.” You chuckled dryly, tongue rolling inside your cheek in anger.

“Please... Let me just explain,” He slurred.

His drunkenness made you more angry.

“I don’t want you to!” You hissed.

“I told you, I’m fucking done, Munson.” You spoke calmly, tears were threatening to spill, but you held your ground.

“One fucking minute, I swear—” You heaved a sigh, and another angry chuckle escaped from your throat as you looked at Steve, as if to tell him to kick him out, signaling for help.

“Alright,” Steve muttered. “She doesn’t wanna talk, Munson.” He spoke calmly as he held Eddie’s arm, trying to drag him out. Eddie’s protests fell deaf on your ear as you plopped yourself on the bed again, crying into Steve’s sheets as Robin played with your hair to reassure you.

1 MONTH LATER:

Thirty fucking days.

Eddie was going to lose his mind.

Blocked from everywhere, and you avoided him like the plague.

He knew he deserved to be shut out; he knew he didn’t deserve you. But even crumbs of information from you would have eased him.

Steve and Robin had been useless, except for today. Except for that cryptic message Robin sent him about you being at the party today. And he praised his lucky stars for that.

Until he made it to the party.

Until he finally saw you.

With Mr. Jock pinning you against the wall as you giggled at his unfunny jokes.

Jesus fucking Christ.

Don’t make a scene, Eddie. Don’t fucking make a scene—

His lips pressed together, jaw quick to clench as he couldn’t help the way he almost sprinted toward you. He didn’t know if it was out of pure jealousy, or the fact that he had missed you so goddamn much that he couldn’t stray away from you anymore.

“Hi, honey.” Eddie said sarcastically and chirpily, jealousy dripped from his tone, and he couldn’t help the intense gaze he had on the asshole.

You froze in your place as soon as you recognized the voice. What the fuck was he doing?

Standing between the two of you, “Who’s this?” Eddie spat, his hand aggressively pointing toward him.

You rolled your eyes before you turned to him. “Don’t,” You warned, your brows shooting up and a fiery flash apparent in your eyes.

“Who are you?” He narrowed his eyes at Eddie, and as if Eddie had been waiting for him to provoke him further, he gave a smug smirk. Body turning to face the asshole.

You panicked, and the ever-so apparent tension in the air grew thicker “No one.” You replied quickly, avoiding Eddie’s lingering gaze.

“Really? You’re gonna play that card, princess?” He gave you a dry chuckle, jealousy gnawed at his insides.

You squeezed your eyes shut to save yourself from embarrassment, but he wasn’t going to stop until this jerk wasn’t at your side.

“That’s not what you were saying the last time I saw you—” You were quick to cut him off with a warning gaze, your eyes widening.

“Eddie… This—this is Ethan.” You said through gritted teeth.

Eddie mocked a realization face, and you wanted to punch that smirk off of his stupid smug face. “Oh…” He laughed all-knowingly.

“That Ethan? The jock?” You narrowed your eyes, annoyance setting over your face, and you couldn’t handle the heat growing in your cheeks.

This asshole.

“I’m sorry, man.” He chuckled, giving Ethan a harsh slap on the shoulder, a slap that wasn’t friendly in the slightest bit—and you were sure now that the tension in the space the three of you shared could be cut through with a knife.

You cleared your throat to speak up, but Ethan did it before you. “What the fuck are you talkin’ about?”

This was the provocation Eddie needed, and you knew it; you saw that mischievous glint glimmer in his eyes. “Oh, just that she was telling me all about how fucking horrible you—”

You interrupted Eddie with a nervous giggle. “Sooo sorry! He’s just a bit drunk!” You gave Ethan a panicked smile.

“I’ll see you around!” You called out, walking off while dragging Eddie as far away from him as possible with a harsh grip on his arm.

You probably didn’t know what you were getting yourself into when you dragged him toward the closest empty room.

“What the fuck?!?” You yelled into his face.

He ignored your distress. “What are you doing with him?”

“None of your business.” You hissed.

“It is my business if you get with Mr Jock again.”

“I’m not getting with—” You lowered your voice mid-sentence, annoyance taking over.

“What part of ‘I don’t want to fucking see you ever again’ don’t you understand?” You let out through gritted teeth, your face heating from anger.

“Did you know…” He said, completely ignoring you, and you looked at him with the same angry expression, getting tired of his antics.

“When you get angry like that, a line crinkles on your forehead, and those sweet lips pout into a frown? You look so fuckin’ cute like that.” He murmured, leaning against the wall you trapped him into.

You let out an exasperated sigh, eyes rolling into the back of your head. “What the fuck is your problem?” You asked, brows furrowing.

“What the hell do you want from me?”

“You? I mean, eventually, I want to wake up with you every morning and fall asleep with you every night.” He smirked.

Fucking jerk.

You chuckled with an audible scoff. "Is this some kind of a joke?" You muttered under your breath, voice laced with irritation.

“You are so fucking irritating.” You spat, eyes narrowing.

“Just… just—Leave me alone.” Your voice lowered, your face was coming closer to his, and all Eddie could think about was how nice it was to have you this close to him again, to feel your warmth again.

You could see it, the emotions his gaze held, but you didn’t want to fall for his antics again, so you turned quickly to leave.

“Please.” His pleading and his hold on your arm were what made you stop in your tracks. The way his voice cracked, you could hear the desperation. If only you didn’t care about him this fucking much…

“Please—just, hear me out.” He was almost begging, and you knew you should be running, you knew you shouldn’t care, not even to spit the venom inside of you that had been building since that night.

But you can’t help it.

“Are you fucking kidding me?” You asked, words coming out in a sharp and biting tone as your anger escalated.

“After what you said to me...” You looked at him with a piercing stare, your eyes practically emitting flashes of irritation.

“Do you have any fucking idea how much I can’t even stomach being around you?” Your nostrils flared with every breath you took.

“In fact, I hate you.” You spat.

“You hate me?” He asked, inching closer toward you.

“Yes!” You snapped.

“Then show me.” He challenged.

“W—what?” You stuttered, your confidence dissipating in a second as the room felt so fucking small when he was standing this close to you.

Your guard was so thinly veiled that one fucking word from him was enough to shatter it.

And you knew, with one or two more pushes from him, you’d give in. You’d give in, regardless; you had missed him more than you would ever let him know.

And you shouldn’t. You fucking shouldn’t.

“Take it out on me.” He whispered, gaze intentionally fixated on your lips.

“You hate me, fine! One last time. Get me out of your system.” He’s so close to your face that when he leans in to whisper in your ear, you can feel his hot breath on your neck.

He’s intoxicating—his endearing words, the jealousy, and the possessiveness—and you shouldn’t fucking fall for it.

But it feels different this time; something is so fucking different about him that it’s throwing you off. The way his pretty lips frame the words is convincing.

Making you believe that this would be the last time, making you believe that you could come clean off him if you had him just one more fucking time.

You don’t say anything when you give in, your gaze lingering on his lips.

His eyes are quick to trace your face, admiring all of your features in awe, regret filling every vein in his body, knowing that this would be the last time.

“You’re fucking beautiful,” he says roughly. He doesn’t let you respond, lets the petty comments die down your throat when he kisses you.

Oh, Jesus, Fucking Christ.

Your heart was pounding against your ribcage. There was something so bittersweet about the way he kissed you, knowing it was going to be the last. He twirled his tongue with yours, so needy and so fucking promising.

Eddie knew you better than the back of his hand, so when you started whimpering against his lips, your knees giving out, he knew you didn’t want to waste any time.

He guided you toward the bed, gentle as he had never been before. The two of you were slow to undress each other, savoring every fucking moment.

He let you lead everything, going only at your pace and making sure everything was up to your desires, purely catering to you.

You could sense it, see the difference in how intimate this was, compared to others where it was just senselessly fucking, this was passionate, and it was killing the two of you.

Rather than just pushing into it, he kept his gaze on you, admiring the way your chest rose up and down as his calloused hands slid further down your body, nipples hardening when his hands stopped to ghost over your thighs.

His other hand rested on your breasts, and he didn’t hesitate to latch his tongue on it, sucking while his other fingers toyed with your entrance.

You mewled; you weren’t going to hold back. “Moremoremore.”

But he didn’t move an inch.

That greedy bastard.

“More,” You pleaded louder this time, growing impatient.

Eddie looked at you with such hunger in his eyes that it had your core throbbing. “I’m gonna give you every fucking thing you need, honey.” He promised.

“But I need… this. I need this memory of you engraved into my brain, forever.” He groaned, giving all of his attention to every part of your body.

You were quick to nod, quick to oblige him, especially when he made you feel this fucking good.

But you couldn’t help it, you needed him. Especially when he was everywhere, hands gliding all over your body, making you whimper with just his touch.

And the way you looked at him was so fucking tempting that he was almost going to explode, you were pleading with your gaze, telling him to take you… fully. To make you his, one last fucking time.

He could recognize the weight your gaze held, almost as if he understood your train of thought, he pressed his thumb further into your clit, circling around it as your core clenched on nothing.

“Please,” You begged.

“Such an impatient, baby,” He muttered into your skin, pushing past your folds as he earned a low groan from you.

“Missed those sweet noises,” He hummed, doing everything in his power to not pound into you right away, the way your cunt was gushing for him, the way you pleaded, Eddie was sure he’d burst if he had to wait more.

With a tender touch, he tucked your hair back. “You have no clue how fuckin’ insane you make me.” He pressed a sloppy kiss, his hands were still working their way through your folds.

“Each time I’m around you… it’s like I lose all my fuckin’ senses.” He slurred into your ear, his cock was straining his boxers, and you looked so fucking perfect beneath him, looking all fucked when he had barely touched.

But you ignored it. Ignored every one of his words, you didn’t need his sappy shit; you didn’t need another reason to stay.

You just needed to feel good.

“Please, fuck, baby, please,” You whimpered softly, your nails digging harshly into his back, making his cock twitch more and more.

Baby.

He doesn’t even remember the last time you called him that, and it shouldn’t bring a stupid, childish grin to his face, but it does.

He’s ready to put everything behind him, start over, and do whatever you say.

But he’s sure you will never let him.

“I need you, Eds.” You murmured, eyes gazing into his; a mixture of tenderness and longing overtaking your features, speaking to him without uttering a single word.

That was all it took for him to free his hard cock from his boxers, his pink-tip burning with desire as it faced you, beads of pre-cum dripping from it as you smeared it all over, giving it a few pumps before you placed it into your entrance.

The low groans that escaped Eddie’s lips were so fucking loud, filling the room, and you loved it. You loved the strained sounds he made with one touch from you.

He didn’t hesitate to push himself deep inside of you without a warning, the space now being filled with both of your contented groans.

“Holy fuck,” He breathed, head tilted back as he grinned at the sight in front of him.

You with your mouth hung open, murmuring his name as you took his cock like the good fucking girl that you were.

“Takin’ me so well, angel,” He praised, “Baby, so fuckin’ tight, mhmm.” He placed sloppy kisses between your jaw and the line of your neck, grunting as he pounded his cock in and out of you with a speed that had your eyes rolling to the back of your head.

You were lost in him now, lost in the pure passion and affection Eddie provided you. You never felt this fucking good; you never felt this fucking close to him, breathing heavily as you struggled to keep your eyes open.

Everything was so fucking intense that you could barely breathe.

“Look at how well your sweet cunt is takin’ me in.” Eddie moaned, watching the way his cock disappeared into you, nuzzling him with your warmth.

“Fuckfuckfuck. S’fuckin’ warm, honey.” He muttered the deeper he pushed into you, and your walls were quick to clench around his throbbing cock.

You arched your back into him as you rocked your hips toward him.

You wanted him deeper and deeper, faster and faster, his every moment was euphoric, and you needed him, more and more.

He was making you greedy.

God, you wanted to hate him so fucking bad.

He groaned at your impatience, relished in the way you grunted your hips more into his cock, he chuckled smugly. “Greedy baby,” He muttered.

You ignored his taunting while you begged for more.

“Shut up,” You murmured, teasing him back.

And it was a huge mistake.

He cursed as he pulled out of you, and you whined at the emptiness, “Shit, shit, ‘m sorry” You whispered, but he ignored you, continuing his teasing while all you could do was thrash beneath him.

“Pleasepleaseplease,” You begged, causing him to smirk down at you.

And even though your pleas were heavenly, Eddie was in no mood to stray away from you, he needed to be inside of you.

He needed to feel your walls hugging his cock, he needed to be as close to you as he possibly could.

“I would never say no to you, doll.” He mocked, rocking his hips into you with such force that the whimper that slipped past your lips was sinful.

“All fuckin’ mine, yea?” He whimpered needily, and you nodded without hesitation, even though you both knew that wasn’t true.

You shuddered underneath him; he was filling you to the brim, and you cherished every fucking second of it.

“Eddie…” You barely let out a breath; the pleasure and sensation of each of his movements overwhelmed you.

He cooed, “S’stuffed with my cock that you can barely speak, doll?” He asked mockingly.

You nodded without hesitation, eyes squeezed shut. “I—Fuck…” Your head was dizzy, incoherent babbles were the only thing that escaped your lips, and Eddie knew, he knew you were close by the way your legs trembled.

“Fuck… honey—I know.” He purred cockily, his hips pushing further into you with a glorious thrust. “I feel the same, baby.” He groaned when you clenched around him again.

“My perfect girl.” He muttered as he continued his pace, his cock rocking into you further and faster—as if it were possible—earning low pleads from you in return.

“I never—I never thought being with someone could ever feel this way,” He whispered into your ear.

Don’t let him get to you; don’t fucking let his words get to you.

But fuck—does everything with him feel so fucking good.

“But, shit, you’re so different…” He muttered, his pace continuing as he grunted between his sentences.

“You’re so fucking different.” You avoided his gaze, the emotion it held was too fucking much for you to handle.

You tried to ignore it, tried to ignore the way you felt the hot tears streaming down your cheeks. Your emotions were a mess.

It felt good, and he felt good; his words, his fucking cock inside of you, everything felt so fucking good. It was the temporary fix you needed.

“Don’t do this to me, Munson.” You barely let out, he could feel your thighs trembling.

“I…I never felt this way before… Jesus—Fuck.” The rocking motion of his hips became rougher each time he spoke; you were clenching around him, getting tighter and tighter, driving the both of you into insane heights of pleasure.

“I think I lo—” You snapped from your hazy state of pleasure; each of his words was like a stab at your fresh wound, the one he fucking created.

“Don’t,” You warned him sternly, interrupting before he could get another vowel out.

"Don’t fucking finish that sentence. Don’t do that with me.”

“I know you. It's not working on me." You whispered.

“But—” He pleaded, and you interrupted again.

“Don’t say things you don’t mean, don’t ruin this.” The words were harsh as they left your lips.

“Don’t say things to make me doubt this, to make it harder for me to leave.” There was such a vulnerability in your voice that he couldn't help but want to protest.

He wanted to tell you that it was all fucking true. That he was so fucking in love with you that he was sure he lost his mind.

Yet, you don’t let him speak, you don’t let his words fool you, not again.

You kiss him in a dizzyingly rough motion just to shut him up.

His skin slaps against yours, rough, as if he’s trying to take his frustrations out, and you let him, you let him pound into you senselessly. You let his cock drive into you further, not stopping until he’s sure he’s stuffed you to the brim.

“Eddie, fuck!” You mumble into his lips; your brows are drawn together, and he knows—he knows you are close.

“Are you gonna cum, baby?” He cooed, and you nodded quickly. “Cum for me, honey.” He encouraged, not stopping his pace as he roughly thrusted his cock inside of your throbbing cunt one last time.

A gush of wetness pulsed out of you when you released around him, the strength of your orgasm was enough to choke you out, and white-hot flashes blurred your vision as he watched you in awe.

He wasn’t far behind, as the strained moans that escaped your throat drove him closer to the edge.

“Shitshit—s’fuckin’ perfect.” He grunted. The way your cunt convulsed around him was too much for him to handle. He slammed inside of you one last time.

“Fuckfuckfuckfuck—” He growled against your hair as he came, his cock shrivelled inside your cunt, pulsing as he coated your walls with his warm cum, fucking his release inside of you.

The two of you stayed like that for a hot minute, bodies tangled to each other, both minds fuzzy as both of you tried to catch your breath.

You could feel tears brimming your eyes again when the realization hit you.

This was the last time.

And you needed to leave.

As soon as possible.

And that’s exactly what he’s afraid of, afraid of you leaving, forever.

You are quick to shake your thoughts off, quickly getting up to get dressed.

“Don’t,” He mutters, it’s barely audible.

You turn to him with a quizzed look. “Please… Just, please don’t leave.” He begs, it’s the last sight you expect, and the last thing you expect to hear.

And it should feel so fucking satisfying, to know he’s wrapped around your finger, to know he is practically pleading for you. But it doesn’t, it feels so fucking sentimental, and you hate it.

“You knew.” You muttered, putting on the clothes you so carelessly discarded.

“You wanted this to be the last time.” You whispered, not daring to look at him.

“I lied,” He was quick to reply.

“Eddie…” You heaved a sigh.

“Please, just fucking listen to me for once.” He breathed; you’re sure you’ve never heard him this determined.

“I’m a fucking idiot, and I’m the biggest coward in the whole fucking universe, okay?” You turn around to meet his gaze, it’s pitiful and heavy with guilt, and you wish you never cared about him.

You wish you could just throw your feelings away and leave him behind.

“I don’t deserve you!” He exclaimed, causing you to roll your eyes.

“Stop… just stop with the bullshit of making me pity you—” You replied angrily.

But he doesn’t let you finish.

“Look, Y/N. I want that with you, I want something real with you… Shit—more than anything.”

You chuckled, baffled. “Too fucking late for that.” You replied coldly.

“I—it doesn’t have to be!” He spoke, grasping at straws to get you to give him one more chance.

Just one more fucking chance.

“What good will it do?” You whispered.

“You know what I realized?” You asked, putting on your shirt as Eddie gazed at you with need.

“We’re both so beyond fucked up that...” You squeezed your eyes shut.

“Us—” You pointed toward the two of you. “We would never work!” You spat.

“I’m the last fucking girl for a relationship, and you’re the last fucking guy for a relationship.”

“That’s why it would be perfect!” He tried to reason, but you shook your head.

“No—no, it wouldn’t! We’d eat each other alive!” You exclaimed, but Eddie refused.

“So?” He shrugged.

“So? We’d just fight all the time! You really want a relationship that hard?”

“When did you become so fucking afraid to take a risk? A little challenge?” You narrowed your eyes.

He read you like a fucking book. You knew you weren’t afraid of a challenge.

You were afraid of getting hurt.

You were afraid of being more attached to him than you already were.

You were afraid of him running out once you decided to fully commit.

You knew it wasn’t all him; you were messed up in your own fucking way. Avoiding everything that felt too real was your specialty, because you’d rather be aching now than in the near future when he broke your heart again.

If you didn’t leave now, you never could.

“Goodbye, Eddie.” You muttered, shutting out whatever he was saying as you closed the door.

Eddie sat on the bed, alone with himself, and his mind that was spinning with thoughts and his own voice telling him that he fucked up.

He chucked his jacket to the ground as he rubbed his hands along his face in frustration.

He had truly done it this time, he had lost you.

Forever.

But did he have to?

Did he need to be a fucking coward again?

Why would he give up this fucking fast when he didn’t tell you how he even felt?

Eddie got up in a hurry, sprinting toward the party like a man possessed, spinning around each girl he saw in the hopes that it might be you.

“Have you seen, Y/N?” He asked, and the blonde girl pointed toward the porch.

He muttered a quick ‘Thanks’ as he slipped through the bodies in his way as fast as he could, making his way onto the porch with anticipation, eyes glistening the second he spotted you.

You were sat on the cold wooden floor with your face buried into your hands, quiet sniffling was all Eddie heard. And he felt it again—that familiar ache—the same ache he felt the past month, when he couldn’t see you, talk to you, or know how you were doing. It returned instantly when he heard your sobs.

“Hey… hey…” He murmured, causing you to jump as you turned to him with swollen eyes and your mascara was quick to run down your cheeks.

“You’re gonna get cold, honey. Let’s get you up, yea?” He had never been this fucking caring, nor did he ever pine after you this much; he always held back, no matter what storms brewed in his mind.

He extended his arm for you to take, but you glared at him coldly. “What are you doing here, Eddie?”

“I need to talk to you.” He said.

“Jesus fucking Christ.” You muttered, “How many times do I have to tell you that I don’t want to—” Your rant was interrupted by his pleas.

“Please—just don’t say anything and just listen, please.” You sighed.

“Please, Y/N.”

“Fine.” You crossed your arms against your chest, your eyes still glistening with tears.

He inched closer to you. “These thirty fucking days I’ve spent away from you… It’s been torture, Y/N.” He shook his head.

“You—you have no fucking idea the things I did... The things I’ve tried to forget about us... Forget you.” His voice almost cracked, distress overtaking his features. He was sincere, so fucking honest that it was starting to make you afraid.

You couldn’t decide if it was him or the chilly breeze that sent shivers down your spine. “And no matter what I did, I still found myself itching for you. A part of me that I couldn’t fucking kill craved for you… to see you, to call you.”

You’d never seen him like this before.

Eddie was always guarded, all fun and teasing. Always turning serious shit into jokes.

And this was real. The only thing you wanted from him, the only thing you begged that he made a mockery of. The hypocrisy was appalling to you.

You opened your mouth, your brows had already furrowed, and he could tell you were going to curse him out, so he didn’t let you.

“I know… I’m a fucking hypocrite, I get it.” He whispered, and your eyes almost widened.

How the fuck did he read you that easily?

“And I’m so fucking sorry for everything I said.” He ran his hands through his curls, almost tugging them out for being an idiot.

“I was afraid, okay?” He heaved a sigh, hand ruffling through his messy hair.

You didn’t want to ask him what he was afraid of because you knew—because you were afraid of the same thing.

Your lips trembled with need; no words dared to come out of them.

“I was so fucking scared because I did the first thing we promised not to do.” He squeezed his eyes shut. You knew how bad he was with his feelings; you couldn’t even believe that he had made it this far.

“I think—No, I know.” He shook his head.

“I really fell for you.” He was ripping open your chest now, holding your heart out. Telling you he felt the same. A gasping, quiet noise escaped your lips; this was all you wanted—needed.

You’ve been this close to Eddie countless times before; hell, he probably fucked you at a much closer distance countless times before, but this was intimate.

“And I realized... I could lose everything in this fucked up world.” He took a deep breath, his face so close to yours that you could sense it. Sense every emotion radiating from his body—the vulnerability, the pain.

Each beat of your heart was like a drumroll against your chest; everything you longed for was there, a breath away from you.

“But not you. Oh god, not you.” His brows knitted together in a painful expression, and his voice was barely audible as he looked at you with a gaze that held you as the center of his universe.

You wanted to kiss him; you wanted his soft lips to graze against yours; you wanted to sob into him, melt into him, and become complete with him.

“W—what are you saying?” You asked, and you knew the answer, but you needed that confirmation, you needed those three words to leave his lips.

“I love you.” He said without hesitation, and you couldn’t help the childish grin that formed on your face, mirroring Eddie’s.

“I—You do?” You stuttered.

“Yeah… I love you so fucking much that it’s embarrassing, really.” He chuckled, still not able to comprehend your expressions; you looked… frozen.

“You, uh, you don’t have to say it back.” He scratched the back of his neck awkwardly, all of this was so fucking new to him. What was he supposed to do now? Kiss you? No, no, no... He couldn’t do that because you didn’t say it back.

“I’m sorry, shit, uhm—I honestly have no fucking clue what I’m doing,” He stuttered.

You gave him a warm smile. “I’d say you are doing well,” You whispered, scrunching your nose.

“Yeah?” He returned the smile—that goddamn smile that brought out his dimples.

God, you wanted to kiss him.

“You’re making it so hard for me to leave.” You muttered, turning around to take a breath as you shook your head.

Eddie sighed, hands quick to find yours as he turned you to face him. “Then don’t leave. Stay.”

His past words didn’t matter, and how your relationship started didn’t matter. None of it mattered now because Eddie was ready, ready to give himself fully to you. And he looked at you like you were the only thing that mattered.

It was now or never. You heaved a sigh of breath as you looked into his eyes; you couldn’t help yourself. How could you not utter those words back to him?

“Jesus…When I told Robin that I was ready to fall in love again, I didn’t mean with you.”

You barely gave him any time to process your words as you smashed your lips with his.

It was as if passion was dripping from every move; it felt so fucking different to have this many emotions carrying your actions.

Before you could further it, taste him fully, Eddie pulled back slightly. You whined at the loss of contact. “Wait, wait, wait.” The words slipped past his lips quickly, eyes widening at your words.

“You—you? You are…?” He asked, baffled. He didn’t expect you to say it back.

He expected you to hate him forever. The thought of someone loving him was unfamiliar to him, especially to the extent that you did. Healing his fears without realizing it.

Your lips quirked into a smile. Why was he so idiotically cute?

You nodded, affirming him.

“Say it, please,” He pleaded, hands gentle as they cupped your cheeks. The look he gave you was mellow and your face tilted as you melted into his tender touch.

“I love you,” You muttered, eyes glinting with all the unspoken feelings you’ve been containing.

“Again.” A grin overtook his lips, and his widened eyes didn’t falter, shock and pure bliss apparent was written all over his face.

“Please,” He implored, brows softening each time you gave him that pretty smile.

“Soooo needy.” You narrowed your eyes jokingly.

“I love you,” You repeated, your gaze lingering on his honey-glazed eyes.

“Aren’t you a fucking dream?” You giggled, the dimples on his left cheek were pretty, he was so pretty.

“I love you more, honey.” He whispered, smashing his soft lips against yours.

And you invite him in to patch up the wounds he made, to give you the world, to love you fully; knowing that the blind faith transcended into something real, something worth worshiping.

#eddie munson x reader #eddie munson fanfic #eddie munson imagine #eddie munson smut #eddie munson angst #eddie munson fluff #eddie munson x y/n #eddie munson oneshot #eddie munson x you #fuckboy!eddie munson #fuckboy!eddie munson imagine #eddie munson #modern!eddie munson

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pickingupmymercedes · 7 months ago

Text

Lewis Masterlist

Series/Multichapters

Longer than I care to admit p.1 / p.2 / p.3

“I have loved you for longer than I care to admit. I have not stopped loving you, even when I said I didn’t. Even when hating you was all I wanted.”

It comes with the territory p.1 / p.2 / p.3

“This… this is the hardest thing I’ve ever done. But no love is worth losing my sanity over. Not even ours.”

An Invisible String Theory Story p.1 / p.2 / p.3

"I’ve always felt that string pulling me closer to something. But never, not even in my most beautiful dreams, had I imagined that it was to bind us together."

It was bound to come out p.1 / p.2

"Do I look like I'm joking? This is not a joke! My father has seen a video of us... the one video that couldn’t leave my phone!"

Not just a pretty face p.1 / p.2 / p.3 / bonus

"because even this… even this agonizing dance is better than not having you at all."

Maybe in another life - p.1 / p.2 / p.3

"A what-if that will forever linger in the quiet corners of my mind."

She’s here and she’s ours - p.1 / p.2 / p.3 / p.4 / p.5 / p.6 / p.7 / p.8

You couldn’t really tell if he was telling you or himself that. "How you feeling dad?" "Amazed, hopeful, scared... in love"

Get me out of here p.1 / p.2

“Why are you defending him?” “Because we need to think this through, babe. Toto’s not one of us anymore, you saw it.”

Your future was Ferrari - p.1 / p.2

Surely, it meant nothing for Lewis and you would probably never see him again. Your future was at Ferrari, somewhere he would never step foot in. Or would he?!

Specials (collection of drabbles)

Ways to say “I love you” p.1 / p.2 / p.3(NSFW)

All these little things p.1 / p.2

Small firsts p.1

Firsts - NSFW p.1 / p.2

Ways they show they love each other p.1 / p.2

One-Shots

Angst

It had to be enough - "I’m so fucking tired of fighting, of trying to prove that I still belong here." "I can’t keep watching you tear yourself apart like this. It’s killing me, Lewis."

Home is wherever you are - "You shouldn't have come" "Had to"

An impossible dream - "Don't you ever wonder what could have been?"

I didn't get scared. I'm always scared - “Do you even understand what it’s like for me? To love someone who lives every day like it might be their last?”

Not now, not ever - "You don't have to go through this alone, you know"

I'll come find you - “I’m scared… of how things have been, of how things are going to be.”

If these wings could fly - “I don’t think I’ve ever felt anything like Sunday. It’s been so long and everyone’s worked so hard for that”

And just like the sun, we will rise - “I can’t promise to have all the answers, but please let me in”

Fluffs

What it means - “Since I was five, since I first saw Ayrton race on TV. He was my absolute hero, and I didn’t know much about the world back then, didn’t know what I could be, but seeing him… it made me believe.

Lucky you're hot - The kind of kiss that would’ve been cute—if it weren’t for the fact that I was very much on camera, in a professional setting, with a dozen or so people watching.

A smile like that -"And he’s out there, posting photos like it’s some romantic movie."

A bit mushy - How Lewis and his wife do in a couple's Interview.

Happy you're home - "And trust me, he adores you. He just doesn't know how to express it."

Later it is - “But that safety pin right there is holding on for dear life.” “I only care about what you think.” “Flatterer.”

Of thorns and blooms - "It's meant to be worn by someone who sees the world differently, who tells stories with every thread"

He always rises - "Like I knew I'd given it my all, every lap, every strategy meeting. And finally, finally, it’s paying off. It feels… good. It feels so damn good."

R for Roscoe, C for Coco - "You went through all this trouble just for Father's Day with Roscoe?"

Boy from Stevenage - "you don't need to win over that entire room tonight. You just need to make that brave boy from Stevenage proud."

Whispered fairytale - "The point is in the surprise. The joy of meeting them, whoever they are, for the very first time."

A thousand times over - "Since I still don’t believe it’s true… would you marry me, again?"

It sounds silly - "I'm a grown woman who’s achieved success in life, yet… I find myself comparing to those other women."

NSFW (+18 only)

White Fireproof - “I’m only pointing out the obvious. The 2019 ones were iconic. These? Meh.” “I don’t remember much from that race. But those ten minutes? Burned into my memory forever.”

Can't check out -“Where’s the cutthroat guy who would have had me pinned to the wall by now?"

Utterly gone -“But for the record, I also owe you.”

Very First -“I want this. I want you. And I’m not saying that lightly.”

Salty -"Told you” she whispered, her thumb brushing against his bottom lip. "It’s salty."

Damn him -“I believe you’ve got two things that are mine” “My hair tie you took with you this morning. And you babe, you're mine.”

Give yourself some credit - “I’m gonna give you five minutes to mourn that shit qualy” “You think you can handle me, pretty girl?”

What those arms can do - "Let's focus on you for now, love. And what these arms can do to you."

Warm enough - "Did you know there were no doors in this place?" "I might have known. Thought it could be romantic"

It's not just a win - The 104 special - "I just...I needed this. I needed to win. To prove to myself that I still can."

Improvised Compensation - "My plans definitely involve you" he continued, "but they can be done anywhere"

As good as chocolate - "That's a new way to claim your share"

I'm yours, only yours - Vegas special - “You really thought she was any match for you?”

It always points South - “Your compass tattoo, huh?”

My Venus - MET special - "I can actually feel your eyes searing holes in my dress, Lewis."

I want South - "Hello, miss explorer”

You only need to ask - "Seems like someone's forgotten how we got here in the first place"

It's Mrs. Hamilton - “Mark me, show me who I belong to”

The things we do for fashion - "Like what you see?" "More than you'll ever know."

Show me you care - “I’m asking you to, show me how much you want this, because I know you do”

My mark - “I’m not one to leave things unfinished”

NSFW alphabet

Senna!Reader x Lewis Hamilton

Thank you for everything - "It doesn't matter how long it's been" "Grief doesn't have a deadline."

Under an Ipê tree - “He would’ve liked you I think… would’ve hated to race you, for sure."

Drabbles

Do not under any circumstance plagarize, edit, repurpose, or repost any of my original work. this includes all of my works.

#f1 imagine #f1 fanfic #f1 scenario #f1 x reader #lewis hamilton #lh #lh44 #lewis #lewis x reader #lewis imagine #lewis hamilton smut #lewis hamilton fanfic #lewis hamilton x reader #lewis hamilton one shot #lewis hamilton imagine #lh44 x reader #lh44 imagine #lewis hamilton x you

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thewadapan · 28 days ago

Text

So why did Transformers One bomb?

Look, I'm just going to say it right off the bat: no, Transformers One is not the best Transformers movie of all time. I am (gritting my teeth) very happy for every single Transformers fan except me, who all seem to have liked it, and most of whom seem to have loved it. I agree that, as a production, it meets some baseline level of technical competence. It's a perfectly fine movie.

It's also the worst-performing Transformers movie Paramount has ever made.

Hopefully, now that its theatrical run has unceremoniously ended, people aren't going to try to rip me to shreds for theoretically threatening this multi-million-dollar film's box office revenue some miniscule amount by sharing a few teensy weensy complaints with my fifty followers.

Because I do just have a few little nitpicks, which I've tried my best to communicate, over the next 17,000 words of this post.

If you're not a Transformers fan, sorry, this essay is mostly written with the assumption that you've seen Transformers One. However, it might still be of some interest as a window into the current state of the franchise. I've written a basic plot summary of the movie to bring you up to speed, in that case. Because Transformers One purports to be the perfect introduction to the story, no homework needed, I've also done you the courtesy of elucidating background context as needed—think of this less as a review, and more as a history lesson, or maybe a "lore explained" YouTube video. After all, that's pretty much all that Transformers One is.

(And if farcically long posts aren't really your thing, you might prefer to listen to the special episode of Our Worlds are in Danger where my pals and I chatted about the film. Many of the hottest takes and silliest bits in this essay are shamelessly stolen from Jo and Umar.)

We've been waiting for Transformers One for a very long time. It's the first animated Transformers film to get a theatrical release since The Transformers: The Movie came out in 1986. It first entered development around a decade ago. Many fandom members I know online got to see it as far back as June. Its US premiere was in September; those of us in the UK had to wait a full extra month before seeing it, for no clear reason. This is a film which purports to show, in broad strokes, for the first time on the big screen, the origin of the Transformers: where they come from, who they are, and why they're fighting.

By the end of its runtime, Transformers One does not actually answer these questions. Don't get me wrong, it takes great pains trying to answer a lot of different, related questions—just ones which nobody was really asking in the first place: What does the word "Autobots" mean, if not "automobile robots"? What does the word "Decepticons" mean, if they're not actually deceitful? Why is he called "Optimus Prime"? Why is he called "Megatron"? If they were friends, why did they fall out? Why does Starscream sound Like That? Where does Energon come from? If "Prime" is a title, what were the other Primes like? How do Transformers transform?

Writer Eric Pearson, coming onto the project as an outsider to Transformers, describes having to go to Hasbro to ask these kinds of questions:

they had a script that outlined the story that they wanted to tell. I knew Optimus Prime and Megatron and I knew Bumblebee as well, or B. I had to ask about some of the other deeper ones, the mythology, “what exactly is the Matrix of Leadership?” Stuff like that.

See, Hasbro does in fact have the answers written down somewhere. The story as I understand it goes something like this. During the wild west of the '80s and '90s, Transformers "canon" was largely a by-the-seat-of-your-pants consensus-based affair between the freelance writers and copywriters the toy company would bring on to advertise their toys. That changed around the turn of the millennium, when late later-CEO Brian Goldner saw how Hasbro's licensed IP lines (such as Star Wars) were more financially successful and realised they could make more money by aggressively promoting their own in-house IP, which they didn't have to pay licensing fees for. (For the curious, a similar thought process at rival toy company Lego was what led to their creation of BIONICLE.)

The guy basically singlehandedly managing the Transformers brand at the time, Aaron Archer, eventually set to reconciling all the self-contradictory lore surrounding Transformers, an endeavour which dovetailed into the creation of the HasLab internal think-tank (best known for Battleship, the 2012 store-brand Michael Bay knockoff which was a failure critically and commercially but not in my heart) and ultimately the creation of the so-called "Binder of Revelation", an internal story bible which cost over $250,000 to produce and has strongly influenced nigh on every piece of Transformers media released since, but which we hadn't actually seen until it got leaked a week ago. As it turns out, the document itself (compiled mostly by marketers and toy designers) is patently useless to any writer: it's a typo-ridden internally-inconsistent wishy-washy mess that mostly describes the characters in terms of a made-up form of Transformers astrology that has otherwise never seen the light of day.

So although the Binder is the baseline story bible for most modern Transformers media, its influence isn't direct per se; it's more accurate to describe it as being an elaborate game of telephone between high-profile cartoons, comics, and other internal documents, with the Binder itself apparently just sitting in a drawer somewhere at Hasbro; Eric Pearson says that he never received a "binder", with the "script" he mentions either being the earlier draft from Andrew Barrer and Gabriel Ferrari (the guys who originally pitched the story), or some other unseen internal document. Director Josh Cooley, however, definitely seems to have been physically handed the Binder or its mass-market adaptation:

I knew that there was a lot of origin to be told, and when I first started, [Hasbro] gave me the Transformers Bible. I could not believe how big it was. I was like, "This is way more than I ever anticipated."

When trailers first dropped for Transformers One, a lot of my friends who are savvy were immediately like: "Oh, this is a weirdly faithful adaptation of the Binder of Revelation, huh."

I. The One True Origin of the Transformers

Half of the people reading this are Transformers fans, and half of you literally could not give less of a shit about Transformers, so if you're in the 'former group (so to speak), you'll just have to bear with me while I bring the rest of us up to speed.

Before the Transformers' civil war begins, Cybertron is being oppressed by the Quintessons. The Quintessons are a race of five-faced aliens (as in, not Transformers), who execute everyone they come across, first introduced in The Transformers: The Movie, presiding over a kangaroo court on a castaway world. In the followup cartoon five-parter "Five Faces of Darkness", writer Flint Dille established that, gasp, they were actually the original creators of the Transformers! But basically nobody else at the time was particularly compelled by this idea, it seems, with most fans preferring the more mythological origin story conceived by Bri'ish writer Simon Furman for the Marvel comics. I think people kind of just didn't like to think of the Transformers as being robots—mass-produced, a fabrication, programmed—as opposed to an alien race of thinking, feeling beings like us. But because the cartoon was important to many kids, a lot of early-2000s media tried to reconcile the cartoon and comic origin stories by stating that the Quintessons didn't actually create the Transformers; rather, they simply colonised the planet early in its history and pretended to be the Transformers' creators, until the truth came out and they got kicked offworld. This is how the Binder of Revelation ultimately paid lip service to the Quintessons. In Transformers One, the Quintessons are just sort of here, they're these evil aliens secretly skimming Energon from its miners, they don't speak English (or whichever language the film was dubbed into in your market region), they're just these nasty societal parasites.

Energon is Transformers fuel. In the original cartoon, it was these glowing pink cubes the Decepticons were always trying to produce using harebrained Saturday-morning-cartoon energy-stealing devices. There was a Cold War going on, America had just been through an "energy crisis", maybe you're old enough to remember any of that. Transformers are these big, complicated machines, so I guess the idea is they need this hyper-compressed superfuel to run off, and their homeworld has run out. By the time of the Binder of Revelation, the concept had been telephoned to the point where Energon is like the lifeblood of Primus or some shit.

Primus is the Transformers God—but not the kind of God you have "faith" in, rather this actual guy whose existence is objectively known in various ways. He transforms into a planet, that's kind of cool, right? Where does Primus come from? Look, it doesn't matter, he's like, the God of Creation, he was there at the start of time. He created all of the Transformers. All the other species in the galaxy, though, they evolved naturally thanks to "science". Actually wait, didn't that Quintus Prime guy go around the universe seeding all the planets with different kinds of Cybertronian life? That's why they're called Quintessons. See, now you know. Who's Quintus Prime?

Okay, so the Thirteen Original Transformers, or the Primes, are the thirteen original Transformers created by Primus. Most of them correspond to different kinds of Transformer: Nexus Prime is the god of Transformers who can combine, Onyx Prime is the god of Transformers who turn into animals, Micronus Prime is the god of Transformers who are small, and Solus Prime is the god of Transformers who are women. You might remember the Primes from Revenge of the Fallen, although there were only seven of them there for whatever reason.

Honestly, The Fallen was the only one who mattered for a long time. The whole reason there's thirteen of them is because thirteen is kind of an unlucky number, right? Twelve would've been fine. But throw in a thirteenth guy, and he betrays everyone, he's this fucked up evil guy. In the Binder of Revelation, though, the Thirteenth Prime is his own special guy shrouded in mystery, because they kind of liked the idea that Optimus Prime would secretly turn out to have been the Thirteenth Prime all along, and he just forgot or something, because that means he has the divine right of Primes. In IDW's 2010s comic-book reboot, the Thirteenth Prime was called "The Arisen"—in reference to that one line in The Transformers: The Movie, "Arise, Rodimus Prime!" (this margin is too narrow to explain who Rodimus Prime is). Towards the end of his run, writer John Barber did some actually interesting stuff with the concept, playing with the ambiguity over whether-or-not Optimus Prime was actually the chosen one.

All of Optimus Prime's immediate predecessors as Autobot leaders, Sentinel Prime, Zeta Prime, the lineage seen in "Five Faces of Darkness"... they're all false Primes. They're Primes in name only. In fact, IDW had a whole procession of these cartoonishly evil dictators thanks to a few continuity errors leading to the addition of a couple of extra narratively-redundant fuckers. Transformers One tries to simplify it slightly by just saying that Zeta Prime was one of the Primes for real—occupying that thirteenth "free space"—and it was just Sentinel Prime who was only a normal Transformer pretending to be a Prime, then Optimus Prime who's a real boy.

But if he's not a Prime from the start, Optimus Prime needs another name in the meantime. In the '80s cartoon episode "War Dawn", before he was called Optimus Prime, he was called "Orion Pax". Have you noticed that Optimus Prime is kind of an odd-one-out amongst all the straightup-English-word names like "Bumblebee" and "Ratchet" and "Jazz"? That's because his name was one of a tiny handful from very early in the franchise's development, before writer Bob Budiansky came onboard and came up with identities for the vast majority of the toys. Practically everyone Bob Budiansky named is called like, "Bolts" or some shit, long before the characters even know of Earth, which has always just been a contrivance of the setting you're not supposed to think about.

Presumably to create a parallel with Orion Pax's transformation into Optimus Prime, someone at Hasbro in the 2010s came up with a new name for the bot who would become Megatron: "D-16". In real-world terms, this was nothing more than a dorky reference to the Megatron toy's original Japanese release being number 16 in the line ("D" stands for "Destron", which is what they call Decepticons in Japan). But in-universe, the name "D-16" was drawn from the sector of the mine where he worked. I don't get the impression it was originally intended to be part of a broader pattern.

Which is why I'm baffled as to what the hell the reasoning was behind Bumblebee's pre-Earth name, "B-127". There's this bizarre situation in the Bumblebee film, where the name "B-127" first cropped up, where literally every other bot gets a normal cool name with personality like "Cliffjumper" or "Dropkick" except for Bumblebee, who is stuck with this clunky sci-fi name until he makes friends with a human teenager on Earth and she gives him the name Bumblebee. I guess I don't find it confusing that the writers would (correctly) realise it's a bit weird for Bumblebee to be called Bumblebee on an alien planet where bumblebees don't exist. What I find confusing is that they didn't extend that logic to any other character.

So despite everything else in the franchise's direction pointing away from "robot" and towards "alien", Transformers One ends up with this ridiculous situation where two of the most important guys are, for practically the whole movie, simply referred to as "Dee" and "Bee", I guess because the writers correctly realised the numbers sound fucking stupid.

And if you squint, "Elita-1" sorta fits this naming scheme. But the great irony of it is that the very same cartoon episode which coined "Orion Pax" simultaneously established that Elita-1 also used to go by a different name: "Ariel"! Like the Little Mermaid. Y'know, because an "aerial" is a type of electrical component- oh, forget it.

By the time the script made it into Eric Pearson's hands, it's obvious that he simply was not thinking about it that deeply. He describes the genesis of a scene where Bumblebee introduces his imaginary friends, "A-atron, EP 5-0-8, and Steve." A-atron was impov'd by Keegan-Michael Key as a reference to one of his own skits on Key & Peele. Steve ("He's foreign.") was literally just because Pearson thought it would be funny. It's true that Steve is an inherently funny name, and I guess if you're struggling to come up with jokes of your own, it can be handy to fall back on something which is inherently funny.

And again, our silly answers to these silly questions beget yet more questions. If he started out as "D-16", then where did the name "Megatron" come from? And if all the Primes have epic made-up fantasy names, then surely that one guy can't just be called "The Fallen", right? That's not a name, that's an epithet. Unfortunately, someone at Hasbro had the bright idea to answer both these questions at once: The Fallen's real name was "Megatronus". Later, for consistency, they threw on the title, and we get "Megatronus Prime", which sounds like what a thirteen-year-old on deviantART in 2014 would call their Steven Universe fusion of Megatron and Optimus Prime. So you see, Megatron actually named himself after Megatronus Prime, famously the most evil of the Primes. In Transformers One, this is changed slightly so Megatronus is merely the strongest of the Primes, as part of its overall effort to make Megatron not look completely insane.

Which, it must be said, is a tall order. Better stories have tried and failed. Back in 2007, Scottish writer Eric Holmes came up with Megatron Origin, a perfectly-fine comic miniseries which drew heavily from the miners' strikes that took place in the UK from 1984-1985, coinciding with the inception of the Transformers franchise. In that comic, Megatron is a lowly miner who, through a series of chance events, winds up at the head of a dangerous political revolutionary movement.

For some reason—I guess because nobody had ever tried to make Megatron anything other than a bloodthirsty cackling madman before—this take on Megatron as a guy who rose up against a corrupt system became the defining interpretation of the character, copy/pasted pretty much wholesale into the Binder of Revelation. Orion Pax also opposes the system, and bonds with Megatron over it, but they disagree on how to fix it: Pax believes in peaceful reform, Megatron just loves to kill. In Transformers One, the problem everyone has with Megatron is basically "whoa, this guy's a little TOO angry!" and there's a point towards the end of the film where Megatron suddenly starts jonesing to kill literally anyone who stands in his way, because he's irrationally angry.

The core problem here—and it's kind of the Magneto problem, the Killmonger problem, whatever better-known example you care to insert here—is that these guys all fundamentally exist just to be a big villain who loves to kill people and who ultimately gets defeated, but the kids who grew up on this stuff in the '80s are now adults who are no longer satisfied with cardboard cutout villains. People like a complex villain, they like a villain who has a point. They like to root for both sides. And in fact, it's easier to sell more toys to people who are rooting for both sides, if your villain is just another kind of hero. But you don't really need to take the same effort with the good guys: they're good by design, righteous by nature. They don't need to stand for something, they just need to stand against the guy whose whole thing is that he loves to kill people.

But again, we're starting from a place where the evil faction—who half the planet will ultimately align themselves with—are literally called "Decepticons". It's a name you'd only ever call yourself ironically, maybe reclaiming it from your enemies. In this film, there's some tortured logic that implies they're called Decepticons because they were deceived by Sentinel Prime. Like if you met a gang of guys who call themselves "The Robbers", but it turns out to be because they got robbed one time, and they actually have zero intention of stealing from anyone.

The Autobots are easier, of course. "Auto" is a prefix that just means, like, the self, or whatever. And the most agreeably American ideal of all is selfishness the power of the individual, the freedom to seize one's own destiny. Prime's original '80s motto, "Freedom is the right of all sentient beings," is bastardised in Transformers One into the slightly less rolls-out-off-the-tongue "Freedom and autonomy are the rights of all sentient beings," because (I can only assume) they forgot to work the word "autonomy" earlier into the script. If they ever greenlit Transformers Three, I suppose the motto would have ended up as something like "Freedom, autonomy, ruthless efficiency, and an almost fanatical devotion to the Pope are the rights of all sentient beings." Even though bodily autonomy is one of the most salient motifs present in the film—all but referred to by name—I suppose the filmmakers were worried that you might think, when Prime says "freedom", that he actually means something completely different. So now you see! "Autobots" is actually the descriptive name of a political movement which believes in obviously good things. Like "Moms for Liberty".

Okay, so the cannier among you have probably spotted the mean rhetorical trick I'm pulling with this encyclopedia-entry-ass introduction. By sarcastically relitigating all the storytelling choices I dislike from the last 20 years of Transformers lore, I can build up a negative association with Transformers One without even reviewing the movie itself! On a subtextual level, I'm deliberately misattributing these bad ideas to the filmmakers, conveniently ignoring the mountains of evidence to suggest that they were just trying to make the best of whatever Hasbro handed them from on high. If anything—you might think—the filmmakers deserve even more credit, for spinning this shite into something even remotely good on the big screen.

Like, you'd be wrong, but I can see why you might think that.

II. The Spider-Verse of Transformers

Okay, I can see that I've spat in your soup. I'm sorry. There are lots of good bits in Transformers One. I can even think of one or two of them off the top of my head, without really racking my brains.

Maybe halfway through the film, there is one specific moment where the story suddenly promises to get good. You can pinpoint it down to the word, down to the frame even. Our heroes have just discovered that their planet's leader, Sentinel Prime, is a complete fraud who's been secretly exploiting them ever since they were born—and worse, castrated them by removing their transformation cogs. They are all very cross about this. Orion Pax expresses that he wants to come up with a plan to expose Sentinel Prime. Megatron is too angry to listen. Orion Pax asks, "Don't you want to stop him?" And Megatron replies, "No, I want to KILL him!" And there's like, a little tint of red creeping into the glow of his eyes.

Whoa. Chills. Up to this point in the film, Megatron has been kind of surly at times, but he's otherwise a generic kids' movie protagonist. He's often chipper. He makes quips. He has this banter with Orion Pax where he's always complaining. It's literally that one "Optimist Prime"/"Negatron" comic, committed to film. Like I'm not even being facetious, one of the film's few obligatory "emotional moments" has Elita-1 sit Orion Pax down and say, "You know what I love about you? You always see the bright side. Like you're some kind of OPTIMIST or something." And then later completely unrelatedly God gives him the mandate of heaven and says "ARISE, OPTIMUS PRIME!" Y'see, as originally conceived, "Optimus" is the word "Optimum" if it was a name, which is why people sometimes localise his name as "Best #1". But it's genuinely kind of cute to reverse-engineer the etymology as coming from "optimist", I guess. Like, it's stupid, but it's cute.

Argh, I got distracted with naming minutia again! Entirely my bad. That's the last time, I promise. Where was I? Right, we'd just found out that Megatron is kind of scary. Brian Tyree Henry's line delivery as he growls "KILL" is his crowning achievement in this film.

Where Optimus Prime's character arc in this movie sees him change from a funny, rebellious spirit to a complete personality vacuum, Megatron's character arc is kind of the opposite. When we're first introduced to him, it's weirdly hard to get a handle on who he is. He's a fanboy for Megatronus, the strongest and most morally-unremarkable of the Primes. He looks up to Sentinel Prime. He likes sports. He doesn't like breaking the rules. In fact, we get the sense that, were it not for his friendship with Orion Pax, he would be literally indistinguishable from the legion of silent crowd-filling background characters he works with. But the moment he starts to become Megatron, it's like everything starts to click. Gears catch, where once they ground and idled. There is something in this guy that was made to fight, made to kill, made to rule. It's sick.

And the underlying tension in his friendship with Optimus suddenly snaps into focus. Megatron is mad at Sentinel Prime, but Sentinel Prime isn't there, he's somewhere else, far below... and he can't help but turn that anger on the next closest thing to an authority figure he has in his life, which is his peer-pressuring bestie, Orion Pax. There is a part of Megatron that wishes he'd never learned the truth, and he blames Orion Pax for his cursed knowledge, for constantly leading them into predicaments on his stupid flights of fancy. Now that he knows, he can't go back to how he was. He can't stop thinking about it.

I'll be honest, it rules. Obviously it rules. It's complicated and toxic and darker than this movie was marketed to be. In interview, Josh Cooley describes the draft of the script he was presented with when he joined the project as having been far more jokey, light-hearted, glib—and it seems we can credit him for saying "Look, this ain't right, the minute the credits roll these guys are going to be at civil war for millions of years."

So, they started talking about it in — what did you say, 2015? I came on board in 2020, and when I came on board there was the first draft of the script. So I don't think they'd been working on it that entire time, but they'd been thinking about it, for sure. And the script that I read was a little more comical? But it was clear that that wasn't the right tone for this film specifically, because we know there's gonna be a war, civil war on Cybertron, you can't have everybody making jokes and then all of a sudden there's a war. So, um, the stakes were really important for this film. And because our characters at the beginning are a little naive, and just on the younger side, not as experienced, it allowed more freedom for them to be a little looser and have fun really getting to know these characters. But once they realize something's going on and things are getting real, it needs to get real.

Cooley also describes his "in" on the film as being the brotherly relationship between Optimus Prime and Megatron (they're not literally brothers in this film, though they have been in the past), which perhaps explains why Megatron and Optimus Prime get to be characters, instead of just like, guys who are there.

That was always the goal from the beginning and what got me on board. It was this relationship between these two characters that was very human and brotherly. I thought about my relationship with my brother and how I could bring that in. It’s not like we’re enemies, but we grew up together and then went down our different paths, but we’re still brotherly. I became a writer-director and live in a fantasy land, and he became a homicide detective who deals with reality, so we’re two very different mindsets. I have always been fascinated by the idea of two people who come from the same place but end up in different ones. From the very beginning, I was like, ‘That’s something I can relate to.’

Anyway, things I liked, what else. There's that joke at the very start, after the excruciating lore powerpoint, where Orion Pax does a fake-out like he's going to transform, the music briefly swells, and then it just cuts to him legging it down the corridor. In a similar vein, I liked the idea behind the Iacon 5000, where Orion Pax has them run in the race. I felt like the execution of the race left a bit to be desired—the only other participant who matters is Darkwing—but it's still honestly the best big action setpiece in the film. There's also that bit at the end where Megatron and Optimus Prime are both changing into their final forms simultaneously, and it's basically a Homestuck Flash (what would that be, "[S] OPTIMUS PRIME. ARISE."?), so obviously I liked that. Oh, and I really liked the environment design where the planet's landscape is constantly transforming, that's brand-new, someone had an Idea there, and it creates visual interest during the initial Energon-mining scene... even if I wished it had actually paid off in a more meaningful way than "the planet's crust opens as Prime falls to get the Matrix"—like, someone really should've gotten eaten by the planet, that's a cracking Disney death scene and they left it on the table! I also liked getting to see my blorbo, Vector Prime, on the big screen.

I think, as a Transformers fan who's had to sit through a lot of really quite sexist, racist, and plain bad films, you're well within your rights to come out of this one ready to give it a fucking Oscar. You should be ecstatic! It has none of those pesky humans clogging up the frame. It has plenty of robot action. It has jokes which- well I struggle to call many of them "funny", but they're at least trying to be funny in a different way to Michael Bay's films. The film is obviously a massive love letter to... honestly every part of Transformers except the live-action movies. It is an incredibly faithful and earnest adaptation of all the lore and iconography that has randomly accumulated the way it has over the last forty years of bullshit.

My main point of contention, then, is with the overriding sentiment I'm seeing from pretty much everyone else in the fandom: that this is not just the best Transformers movie, but that it's a great animated movie period, that it does for Transformers what Into the Spider-Verse did for Spider-Man, what The Last Wish did for Puss in Boots, and what Mutant Mayhem did for Teenage Mutant Ninja Turtles. That, in effect, this film will make you "get it". That it's better-looking, better-written, and more meaningful than a silly toy commercial has any right to be.

I think you can definitely see some loose influence from Spider-Verse in the overall look of the film—particularly in its color grading, and in the design of its main setting, the underground city of Iacon, where the upside-down skyscrapers hanging from the ceiling evoke the iconic "falling upwards" shot from Spider-Verse. Like The Last Wish, it's an animated franchise film that spent much longer than you'd think in development, only for the release of Into the Spider-Verse to have an immediate impact on its visual style... without actually affecting the basic story to the same extent. Both Transformers One and The Last Wish, in many ways, feel like stories concocted using an older formula; in particular, Transformers One bears startling similarities to a similar toy-franchise-prequel, BIONICLE 2: Legends of Metru Nui, which was released twenty years ago! By contrast, Mutant Mayhem—which had a much shorter development period—is a direct reaction to Spider-Verse in both aesthetic and narrative, and it has a much more distinctive creative direction as a result.

If you look at how all these titles have performed in cinemas, I think you can make a pretty strong case that audiences are perfectly willing to go out and see this kind of flick. A glance at Wikipedia tells me that Mutant Mayhem, The Bad Guys, and The Last Wish grossed double, triple, and quadruple their budgets respectively. In terms of the pre-existing cultural cachet they were banking on, we're talking about Teenage Mutant Ninja Turtles, a children's book series I'd never heard of, and fucking Puss in Boots. You cannot tell me that Transformers, as a brand, is on the same level as any of these properties. Meanwhile, Transformers One hardly broke even, while The Wild Robot—another DreamWorks film based on a children's book I've never heard of, which it ended up competing with in theatres—grosses three times its budget. My friends who've seen The Wild Robot say it made them cry.

Face it: Transformers One has not lit the world on fire. I've seen a lot of people cope with this by suggesting that it's to do with the film's staggered release, or even by claiming that the film's marketing was somehow misleading. I'll be honest, upon seeing it, it did not strike me as being at all dissimilar to the trailers. You can maybe say that the trailers undersold the depth of Orion Pax's and Megatron's relationship—which is its best aspect—but honestly, I think if they'd taken a lot of those scenes out of context and put them in early teasers, audiences would've laughed it out of theatres. Like, c'mon, it's toy robots, stop pretending it's Shakespeare. And otherwise, what you see is what you get; it's exactly what it says on the tin.

I wonder how many Transformers fans, on some level, have noticed that even when we're supposedly "eating good", and watching "peak cinema", our films just aren't as good as everyone else's. They're something you'll enjoy if you're already highly predisposed to enjoy them. But otherwise, they're not turning heads. They're not as funny, or as heartfelt, or as complex, or as exciting, or as charming, or as memorable, or as beautiful as these other films. Unlike with Spider-Verse, there's no word-of-mouth amongst normal people to say that this is a film worth seeing.

What I perceive in studios hoping to recreate the flash-in-the-pan success of Spider-Verse is a misunderstanding of what made people go crazy for that movie in the first place. Yes, it changed our conception of what an 3D-animated film could look like. Yes, the multiverse is very cool and all that. Yes, it had a huge IP attached to it. But on a more fundamental level, that movie has a fantastic story underpinning it. The script is razor-sharp. The story is beautifully complex. The vision of New York City it presents is a living, breathing place, populated by real people. It has the kind of craft to it that can only come from truly obsessive creators cultivating an absolutely miserable professional environment for a legion of passionate animators.

In interview, Transformers producer Lorenzo di Bonaventura actually spoke surprisingly candidly about his view on crunch:

I probably shouldn't answer this question, because I'm not exactly PC on my answer. I think the nature of filmmaking is, we're really lucky to work in a business that's about passion. Passion doesn't fit really well into a timeline, so inevitably you come to a crunch time. It's just true in the live action, it's true in every movie, and authors always tell me that about when they're writing their books — it's the same thing happens to them! There's something about the creative process that's not — it's unruly. So, I think if you're enjoying it, you need to recognize that. Like, you know, I don't wanna abuse anybody, and y'know — if you get into that period where people have to really work too hard, you gotta help them in that situation, then. 'Cause it's gonna come. It does on every movie. I've never seen it not come, no matter how well you plan, et cetera. 'Cause it's not a science what we're doing at all, and there's all these discoveries that happen near the end, which makes you go "oh, let's do some more, come on!". We discovered that on this movie, where we're calling ILM going "we've got a few ideas, you know, do you have enough man-hours?". [...] Like, you gotta be conscious of it — in live-action, for instance, there are some studios that are so cheap that when you're on — sort of medium location-distance and you're shooting 'til midnight, they don't pay for a hotel room. It's like, well, no-no-no, you pay for a hotel room. You protect the people.

According to everyone who worked on Transformers One, everyone who worked on Transformers One was very passionate about it. But there are parts of this film where I think you can say, pretty objectively, that it's falling short of its intended effect. So I guess maybe they weren't that passionate. I'm not saying that to be mean! It's just... isn't that better than the alternative—that this was the best they could do?

III. I did not care for The Godfather

At one point in the film, the gang's magic map leads them to a scary cave, which looks like this:

Bumblebee fills the dead air by saying, "A cave, with teeth. Nothing scary about that!" The joke here is that this is a cave that looks like a mouth. But as depicted, it's a cave that looks like a mouth that doesn't look like a cave! I get that this is an alien planet, but stalactites don't grow that way on Earth, so when you see the cave onscreen, your gut reaction isn't "oh my, what a frightening cave!". No, this is a cave that makes you say, "that's not a cave, that's some kind of alien monster".

(It's not like "cave turns out to be a monster" would in any way be a fresh twist. In BIONICLE 2: Legends of Metru Nui, there's a bit where a character swims into a scary cave, and it turns out to be the mouth of a massive sea serpent. In The Empire Strikes Back, the Millennium Falcon briefly hides in an asteroid tunnel which turns out to be a giant space worm. So I'm definitely not saying Transformers One would've been a better film if it had used this stock trope.)

Then once the heroes go inside, we're whisked off to an entirely different set of concept artwork, for this lush organic underground paradise. There's no danger there. The cave itself is reduced to a strange little footnote. Maybe it's only in the story because a concept artist drew it before they'd worked out the finer points of the narrative, and Keegan-Michael Key just ended up ad-libbing the "teeth!" line when he was told to vamp for a few seconds. Or maybe the teeth gag was fully written into the script from the start, and the environment artists just interpreted it way too literally.

Like, I'm sorry, I don't mean to start off on the wrong foot here by harping on about the cave thing—it's not a perfect example anyway—but to me it's a microcosm for my frustration towards what I perceive to be a lack of creative vision in this film. So much of the film feels like it's not there to be entertaining, or meaningful, or narratively load-bearing... it's just obligatory, something they threw in for the sake of having anything at all. It's colors and sounds. When you see the spiky shape onscreen, you think, "ooh, this film was pretty bouba earlier, but now it's more kiki!" They get the comedian to improvise a few one-liners while the characters walk from place to place. And it's like, yes, this is a film for children. Of course the heroes have an adventure map with a big red X on it. In many respects this is a glorified episode of Pocoyo, or the modern equivalent, which I guess is "Baby Shark | Animal Songs For Children".

Nowhere is this sense of "we are obliged to put this in the movie" felt more strongly than in its supporting cast. When you look closely, you notice that Bumblebee and Elita-1—placed prominently in the film's marketing and being technically present for much of its runtime—don't actually do anything of narrative significance. They don't make choices that impact the story; they're just there, and it would not take much rewriting to excise them entirely, so it's just Orion Pax and Megatron on their little adventure. In fact, I'll just come out and say it: I think Transformers One would have been a better movie if Bumblebee and Elita-1 were not in it.

It helps that, from a Doylist perspective, the motivations for their inclusion are perfectly transparent. Firstly, think of the merchandise! Secondly, in Bumblebee's case, it's fucking Bumblebee, he's the whole reason half the kids will be watching, you can't not have him in there. Whenever Bumblebee's not onscreen, all the other characters should be asking, "where's Bumblebee?" Also, I think the creative team felt that they could use Bumblebee tactically to balance some of the darkness in the story.

In the G1 cartoon, Bumblebee just has the default Autobot personality—good-natured, a little sarcastic—with the dial turned a little more towards friendliness. There's this iconic anecdote from the production that cartoon, where writer David Wise found himself in exactly the same situation Transformers writers are finding themselves in forty years later: he was told to write a story about something called "Vector Sigma", and he had no fucking clue what Vector Sigma was supposed to be. So he asked story editor Bryce Malek, who also had no fucking idea. Malek in turn asked Hasbro, and was told that Vector Sigma was "the computer that gave all the Transformers personalities". Upon hearing this, Malek said, "Well, it didn't do a very good job, did it!" Vector Sigma, in case you missed it, does actually appear in Transformers One, as the polygonal shape that transitions into the Matrix of Leadership in the opening powerpoint; I guess they're one and the same now. Some things never change: in Michael Bay's Transformers movies, there is again just a single default personality that every single Autobot shares, a braggadacious action-hero facade over genuine bloodthirst. Who can forget that iconic moment in Revenge of the Fallen where Bumblebee rips out Ravage's spine in grisly slow-mo?

Aside from the fact that he's small and yellow, Bumblebee in Transformers One bears very little resemblance to any incarnation of the character kids might be accustomed to. Instead, he occupies a stock comic-relief archetype, he's a zany guy who goes "Well, that just happened!" If anything, his one joke in the third act—wanton murder—reads like it could maybe be a reference to his many Mortal Kombat fatalities in Bay's films. Beginning in 2007's Transformers Animated, Bumblebee has sometimes possessed deployable "stingers" that flip out from his hands, as a fun action feature for toys. Clearly someone on Transformers One saw this and thought it was the funniest fucking thing that Bumblebee has "knife hands", because the character spends the third act of the movie just shouting "knife hands!" and cutting people in half like a medieval terror.

(In the UK, Bumblebee's lines were re-recorded at the last minute so he says "sword hands" instead. This is because in the UK, we generally aren't able to kill each other using guns, so it's knives that are the big armed-violence boogeyman. Everyone's always talking about how all the kids have knives. And look, I'm not someone to indulge in moral panic, but genuinely, when I look at Bumblebee chasing around people with knives, saying, "I'm gonna cut these guys, watch!", I'm like... what the fuck were they thinking when they wrote that?)

Frankly, whatever is going on with Bumblebee is just an entirely different movie to everything else that's happening. When Bee shanks his twelfth nameless lackey in a row, the movie's like, awww, you're sweet! But when Megatron tries to kill the one (1) evil dictator who's just fucking branded him, who's still lying to his face while his people continue to die to the guy's fuckin' honor guard, Optimus Prime is like, HELLO, HUMAN RESOURCES?

Bumblebee is solely here to be funny, but there's a point in the film where it needs to become a war story, and the best they can think to do with Bumblebee is to have him kill people but in like, a funny way.

As for Elita-1... look, to put it very bluntly, she is in this movie to be a woman. Transformers has had a long, long forty-year history of boys'-club exclusionism, if not outright misogyny, and each new series usually has a token female character, as a kind of fig-leaf for the fact that really, the only fucking thing Hasbro cares about is that the boys are buying the toys. Beginning in the 1986 movie, it was Arcee who got to be "the pink one" for many years of fiction—but not toys, y'see, when parents want to buy something for their beloved young lad, they don't buy "the pink one", no sir. In the 2010s, wow-cool-OC Windblade took over for a stint as leading lady, decked out in a commercially-non-threatening red color scheme. Recently, though, it's been Elita-1—Optimus Prime's girlfriend from the original '80s cartoon—who's been the go-to female character, and she's increasingly allowed to be pink.

There is a lot of love for these characters amongst creatives and fans alike, and especially in the last decade, female Transformers have been both more numerous and better-written than ever. Unfortunately Transformers One, which depicts Elita-1 as an arms-crossing career-obsessed buzzkill, whose arc sees her learn her place in deference to a less-competent man... well let's just say it struck me as a significant step back in this regard.

There's this great interview with Scarlett Johansson, voice of Elita-1, where she's trying to describe what makes her character interesting, and it's like she's drawing blood from a stone. She's like, "yeah, so Elita-1, I would say, she's on her own journey, because at the start of the film it's sort of like she's working at a big company, you know, and she wants to get a promotion, but then later on she learns that she can't, y'know, get a promotion". Look, it's not that Scarlett Johansson does a bad job—in fact, considering the material she's working with, she practically carries Elita-1 entirely on the back of her performance—it's just that I can't shake the impression that the filmmakers would rather pay Scarlett Johansson god knows how many thousands of dollars than try to think of a second actress that they know of.

As I've already complained, Transformers One has a pretty thin cast, but it effectively only has two other female characters who do anything. Airachnid is a secondary antagonist, Sentinel Prime's spymaster/enforcer, and it's clear that some concept artist really fucking popped off when designing her. She has eyes in the back of her head, and it's ten times creepier than that makes it sound. Her spiderlegs also create some visual interest during fight scenes. As a character, Airachnid has zero internality and is not interesting, but she is cool, so you'll get no complaints from me there.

The film's other other female character is Chromia, who wins the Iacon 5000 race at the last moment. She really comes out of nowhere to clinch it. It's funny, because the leaderboards show this one guy, Mirage, hovering near the top of the rankings for almost the whole sequence. And Chromia's character model really looks suspiciously like Mirage's. In fact, there's a different character who stands around in the background a couple of times who looks much more like Chromia. Funnily enough, that background character is even called Chromia in concept art! So if you connect the dots, it really seems that the "Chromia" who is the best racer on Cybertron was originally meant to be Mirage, a guy, until they switched the character's gender at the very last minute, and didn't bother changing the leaderboards to match.

There are two possible explanations for this. The first is that Mirage was the dark horse of Rise of the Beasts, and for some reason they felt like his depiction in Transformers One would've gotten in the way of their plans for the character somehow. It's plausible, I guess. The second, infinitely funnier option, is that at some point someone working on the movie realised that they only put two women in the film, scrambled to look through the feature to find a suitable character to gender-swap, only to discover to their horror that they'd forgotten to put in any characters whatsoever. Fuck it, the racer guy! He can be a girl. Diversity win, the fastest class traitor on Cybertron... is a woman!

In case you were wondering about the Transformers One toyline leaderboards, by my count, Orion Pax has ten new transforming toys currently announced or in stores, Bumblebee and Megatron have six each, Sentinel Prime has four, Alpha Trion has two, Elita-1 has two, Airachnid has one, Starscream has one, Wheeljack has one, and the Quintesson High Commander has one. In fact, one of Elita-1's toys—the collector-oriented high-quality Studio Series release—isn't scheduled for release until some undetermined point later next year, and she was entirely absent from leaked lists of upcoming releases, which to me smacks of "we realised last-minute that it would look really really bad if we didn't bother to release a good toy of the one woman in the film". Oh, and obviously, Chromia has no toys—but there is an "Iacon Race" three-pack consisting of Megatron, Orion Pax... and Mirage. Go figure.

The thing is, all of the stuff I'm grousing about here is pretty much standard fare for kids' films targeted more at boys. Hell, even The Lego Movie—which is basically the gold standard of toy commercials—gave supporting protagonist Wyldstyle a pretty similar arc to the one Elita-1 gets here, which was probably the weakest element of that film. Evidently conscious of this, Lord & Miller redeemed themselves by devoting the entirety of The Lego Movie 2: The Second Part to deconstructing common narratives surrounding gender roles. I guess I just wish the young girls who presumably comprise some portion of Transformers One theatergoers could actually get anything out of Elita-1 as a character. Ah, what do I know, maybe it's still considered countercultural simply to depict a woman punching people.

Still, to give credit where it's due: Transformers One doesn't remotely touch the gender-essentialism prevalent in the Binder of Revelation, treating female Transformers no differently to their male counterparts in lore terms. Solus Prime is, it seems, just a Prime who happened to be a woman, rather than the mythological Eve after whom all women are patterned. There's a scene where our heroes are gifted the Transformation Cogs of the fallen Primes, and the Primes named thankfully bear no particular relation to the characters; in other words, Elita-1 isn't given Solus Prime's cog. As Alpha Trion puts it: "What defines a Transformer is not the cog in his chest, but the spark that resides in their core." Dude really remembered nonbinary people exist halfway through that sentence huh.

(Actually, the bigger mistake would've been with Megatron: if he was given Megatronus Prime's cog from the start, then this would've created the unfortunate implication that his descent into evil was only the result of Megatronus Prime's fucked up and evil cog, rather than a choice Megatron made of his own free will. The film instead has it the other way around: Megatron's radicalisation into a "might makes right" philosophy is what causes him to covet Megatronus Prime's transformation cog, to steal that power from Sentinel Prime, who stole the cogs of both Megatronus and Megatron in the first place. That's cool! This does create a bit of unfortunate narrative dissonance with Alpha Trion's words, alas, as it does seem like Megatronus Prime's cog really is more powerful than the others, because it gives both Sentinel Prime and Megatron a powerup.)

There's just something that I find so dreadfully mercenary about this movie's cast—honestly, everyone except Orion Pax, Megatron, and maybe Sentinel Prime. Take Darkwing, for example. Bro was clearly designed from the ground up to fill this stock character role of "bully who pushes our guys around and later gets his comeuppance". For a more interesting take on that exact same archetype, look no further than Todd Sureblade from Nimona, a bigoted knight who gets a whole damn character arc in the background, which directly complements that film's main themes.

Again, I'm not playing some kind of guessing game here, the authorial evidence is right there: Darkwing didn't even have a name until Hasbro designer Mark Maher was shown a picture of the character and asked, "If this was a Decepticon flyer, who would it be?" This is actually par for the course with ILM; most of their concept art is labelled with very basic descriptions, with the exact trademarks being picked in conjunction with Hasbro at a later point. Darkwing just stands out in Transformers One because he's the only recurring speaking character who's an OC in all but name (unless you count Bumblebee), he's the one guy who's been invented from scratch with total creative freedom, and he's boring as sin. It's like the filmmakers just couldn't conceive of a children's movie without that stock character—and they clearly had no idea what to do with him once they'd invented him, because he disappears entirely from the film at the start of the third act, when Orion Pax throws him into an arcade cabinet, which they have in the mines on Cybertron for some reason.

In a film with as painfully few named speaking characters as Transformers One, there's really no excuse for having this kind of one-dimensionality in their portrayals. Genuinely, I ask—who are Orion Pax and Megatron fighting to liberate? Jazz, one of the biggest personalities from the original G1 cartoon, who gets all of two boilerplate lines here? Cooley seems to think so:

As you’re designing them the background characters are almost like Lego pieces where you put different heads on different bodies just to fill in a crowd. But some of them would be brought forward and be painted specific colors so that it represents a character that I didn’t know was such a big deal. But there was stuff—like Jazz, for example, has a pretty big role. It was important to have a relationship with a character that we know gets to be saved.

To me, the idea that casual cinemagoers would be invested in any of the Transformers as characters is laughable. Michael Bay's characters are famous for being hateful non-entities. In terms of the films, Jazz is best remembered for dying at the end of the first one, seventeen years ago; he looks completely different here. The one breakout character in recent years—Mirage, as played by Pete Davidson in Rise of the Beasts—was, as I've already mentioned, written out so that the movie could reach its girl quota... not that he would've had any lines anyway.

And I just don't buy the idea that the complete dearth of compelling characterisation in this film is just an unfortunate side-effect of its clipped one-hour-thirty runtime—that, given even half an hour longer, the film would suddenly be crowded with rich portrayals of all your Transformers faves. Bumblebee and Elita-1, ostensibly two of the most important characters in the film, are not in this movie because the movie is interested in telling their stories. They are in this movie for the sake of being in this movie. It insists upon itself.

IV. No politics means no politics

In fact, putting aside merchandising considerations, Elita-1 and Bumblebee serve one very specific purpose in narrative terms. The trait Optimus Prime and Megatron have always had in common is that they are both leaders—and what is a leader, without anyone to lead? Without Bumblebee and Elita-1, you'd have this farcical situation where the only person Optimus Prime ever gets to boss around is Megatron, until the very end of the movie when God makes him king of all Cybertron. The High Guard, Starscream's gang of exiles, serve a similar narrative purpose for Megatron; they're a ready-made army who've just been sitting around waiting for him to show up and take charge.

Towards the end, the movie does actually take care to show both Orion Pax and Megatron rallying groups of Cybertronians: in Pax's case, he reveals the truth to his legion of interchangable miner friends, while Megatron riles up the High Guard mob. Again, there's a bit of that narrative sleight-of-hand, a bit of a thematic cop-out, where the question of "how do Optimus Prime and Megatron come to be leaders of their factions?" is answered only in the most literal possible interpretation. Yes, we technically see the exact chain of events that lead to this point—but both characters are portrayed as born leaders. We don't see them grow into the role, except physically. The moment Megatron decides he wants to rule, he's able to take charge. Likewise, Optimus Prime just gets divinely appointed by God. At a key point, Megatron loudly declares "I will never trust a so-called leader ever again", and the movie plays a fucking scare chord like this is supposed to be ominous. Like, oh no! Optimus Prime is a leader! And they're friends! Whatever will Megatron do when he finds out his friend, Optimus Prime, is a leader?

I don't think the movie has given any real thought to what a leader actually is. It seems to take a stance that power cannot be taken, i.e. through violent action, as Sentinel Prime and Megatron do. That one scene with Elita-1 suggests the most important trait for a leader to have, above and beyond any particular competency, is simply hope and optimism. What I just can't wrap my head around is the fact that the counterpoint the movie presents to Megatron, in the form of Orion Pax becoming Optimus Prime, does not support a belief in collective action or basic democracy—rather, it's a boring sword-in-the-stone divine-right-of-kings fantasy.

Except I do have a theory for why the film is like this. Let's look again at that interview with Eric Pearson, who came onboard in the "late middle" of production:

One of the first things that I did was a big pass on Sentinel Prime. I just felt like he was too obviously telegraphing his wickedness in previous versions, and I felt like, “No, he’s a carnival barker.” He’s got to be a big salesman. He’s a bullshitter, honestly is what he is.

(Honestly, if this is Sentinel after a "big pass" to make his villainy more of a twist, I shudder to think what the earlier drafts were like.)

Now, let's see how WIRED introduces their interview with Josh Cooley, titled "Transformers One Isn't as Silly as It Looks":

He liked the script, which traces how Optimus Prime (Chris Hemsworth) and Megatron (Brian Tyree Henry) went from friends to enemies. But as the world went into lockdown as Covid-19 spread, Cooley found his story changing, if only slightly. Trump was still in office when Cooley started working on the film, and he was having meetings with the producers and they’d “start these meetings off on Zoom just going, like, ‘Holy crap what is going on in this world?’” he says. Ultimately, the infighting they were seeing between Democrats and Republicans in the same family became an undercurrent in the film’s friends-to-enemies storyline, “because that’s what Transformers is.”

So it's like, oh, this is a 2016 election thing. This is just that one election that broke everyone's brains. Of course this movie about a made-up political struggle on an alien planet being developed from 2015-2020 wouldn't be like, hey, you know what might fix our society's problems, is if we had an election. Of course the main villain is a "big salesman" "bullshitter" who says things like "The truth is what I make it!". Wow, guys, your film is so-o-o politically-conscious, and very pretty.

The fantasy is more or less that Donald Trump's army of reactionaries is marching on Washington to seize power through violent means, and on the way he drops Joe Biden into the Grand Canyon, but just before Joe hits the ground a giant fucking bald eagle swoops in to catch him and squawks, "God finds you worthy! Arise, President Biden!"

In our escapist little morality play, our best friend slash allegorical dad gets made king of the planet, and we all get jobs in the government. As in, one of the funniest lines in the movie is straightup Bumblebee exulting, "This is the greatest day of my life. I get to work for the government!" When Prime met Bumblebee—an hour ago—the dude was talking to imaginary friends, and honestly the only fucking skill he's demonstrated since then is cold-blooded murder. We have this dissonance in the storytelling, where it's mostly a story about four friends going on an adventure (are they even friends? Most of them hate each other!), but it's also a founding-fathers political origin story, which means there comes a point where our hero just suddenly starts bossing his friends around in a deep voice, and they're like, "Yes, sir!" It creates this unhinged situation where the "good" faction on Cybertron is ruled by the biblical chosen one and his nepotism buddies.

Per that quote from WIRED (or are they just putting words in Cooley's mouth? I can't help but notice they don't give an exact quote!), the film is ultimately sympathetic to the bad guys (the Republicans, I guess). It deliberately suggests that there is really nothing that should divide the Autobots and the Decepticons: their political goals, it claims, are identical, and they only disagree on the means by which to achieve them. The Decepticons, who are angry and hateful, have simply been misled by a power-hungry liar with charisma—first Sentinel, then Megatron—and so the tragedy is that they are artificially pushed into conflict with their fellow men, when really they should be uniting to stand against their common enemy, the foreigner illuminati trying to steal Cybertron's wealth.

Now, I know I've just handed you a get-out-of-jail-free card. My political allegory here is chock full of holes. What, are Sentinel Prime and Megatron both Donald Trump? Get a grip. Obviously any real-world commentary in Transformers One was only intended in the loosest sense imaginable: things like, "people should be free to change into whatever they want!" I'm being unfair, I'm reading too much into it, this is a cartoon movie for children, and if I want politics, I should start reading some fucking books. Also, come to mention it, my whole argument about that cave earlier really didn't hold water, and- I know, alright? I know.

V. Place / Place, Cybertron

I'm not mad at this toy commercial because its politics don't quite align with mine. I'm not mad at it for having a boring-ass supporting cast. I'm not mad at it for reheating a bunch of half-baked lore I didn't care for from the early 2010s. I've actually spent a lot of time mad about Transformers media that I've thought was bad. There's Transformers: Armada, where the English translators are fully asleep at the wheel and render even the most basic cartoon plots incomprehensible though constant mistranslations. There's Transformers: Micromasters, where two white guys wrote a downtrodden race of tiny Cybertronians who greet each other like "Wattup, my micro!". There's the recent series of Transformers: EarthSpark, where there's an episode that I can only describe as "the Wonka Experience but it's an episode of a children's cartoon", with a plotline that mostly revolves around our child heroes straightup robbing a Onceler-looking businessman of his most valuable possession. There's Transformers: Age of Extinction, with that one scene, and also the rest of that movie. In fact, I would go so far as to say that most Transformers fiction is some combination of bad, offensive, and offensively bad.

So even though I've just spent thousands of words whinging and moaning about how I didn't like Transformers One, the truth is that I had a perfectly nice time at the cinema. I got to go see it with five of my pals who love Transformers just as much as I do, and we had a blast. It is easily in the top 50% of all Transformers fiction.

Unfortunately, for whatever reason, I guess I've always given a lot of thought to what Transformers looks like from the outside. Maybe it's that I'm compelled to spend so much time and money on it, that it somehow compels me to vomit up these kinds of essays, and all I want is to be able to make it make sense to anyone in my life. It would be so, so nice if I could just sit down in the cinema with a friend or family member for a couple of hours, and at the end of it, they'd be able to walk out and say, "Okay, I guess I see what you get out of it." Rise of the Beasts was kind of that movie for me, but Rise of the Beasts is also the seventh instalment in a blockbuster franchise. It kind of takes for granted everything about Transformers.

It doesn't answer, "what the fuck is a Transformer anyway?"

For many years now, fans have noticed a marked aversion to using the word "transform" as a verb, or even as a noun. Optimus Prime no longer says, "Autobots, transform and roll out!", he just says, "Roll out!". Transformers no longer transform, they "convert". In fact, Transformers are no longer Transformers at all: they are "Transformers bots", the italics here serving to distinguish a registered trademark. This is because the worms in suits at Hasbro are worried that, if they continue to use the word "transform" by its dictionary definition—that is, to change—then rival toy companies will be able to make the case that anything that transforms can legally be described as a Transformer. It will become a generic trademark, like Velcro, or Band-Aid, or Dumpster.

Yet in Transformers One, "Transformers" is not just the noun by which the characters are referred to—rather, it's used in a descriptive sense to specifically mean "Cybertronians who can transform"! Characters are constantly talking about whether they can or can't transform. Prime gets to say his catchphrase in full. It's a miracle. Not only that, characters even get to say the word "kill" instead of "defeat" or "destroy".

Transformers One has a level of unrestricted creative freedom not seen since the 1986 animated film. This is a film unconstrained by location shooting, or licensing deals, or uncooperative actors; through the magic of CGI, for every single frame of its one-hour-thirty runtime, the filmmakers can put literally whatever they want on the screen. They were given the assignment, "Make an animated prequel set on Cybertron telling the origin story of Optimus Prime and Megatron", handed an estimated $147 million and a blank page, and told to go nuts. Like those born with transformation cogs, Transformers One had the power to become anything it wanted to be.

The 1986 animated film took that carte blanche to do whatever the fuck it wanted, and basically singlehandedly defined the direction of the franchise ever since. On a lore level, in terms of tone, I would say that Transformers owes practically everything to The Transformers: The Movie. Cartoons, comics, films, and video games have adapted every single one of its scenes countless times over. I'm not necessarily saying that it's a good film, or even that it's a particularly original film—much of it is ripped off from Star Wars—just that it took the franchise somewhere it hadn't gone before. It was looking to the future. As in, literally, it was set in 2005, at the time two decades into the future.

What gets me down about Transformers One is that—like most major franchise media released since The Force Awakens—all it can do is think about the past. Swathes of it are devoted to painstakingly recreating or setting up the various bits of iconography which have arbitrarily come to define the franchise. Even when it appears to be taking things in a new direction, it's not long before it course-corrects back into familiar territory: Steve Buscemi invents a surprisingly fresh take on Starscream's voice, and then Megatron half-strangles him to death, saddling him with a post-produced rasp to emulate Chris Latta's iconic performance from forty years ago.

The very title of the film, Transformers One, is an allusion to the line, "Till all are one," which originates in The Transformers: The Movie. In an early script for that '80s feature, it was actually "Till all life sparks are one", referring to a literal metaphysical process in that draft whereby one Transformer's life force could be passed on to another, presumably with the belief that they would all eventually be merged into a single afterlife. In the finalized story, it's just this kind of mystical phrase vaguely evoking concepts of togetherness and unity.

Transformers One brushes up against the phrase a couple of times. Alpha Trion almost says it at one point, when passing on his dead siblings' transformation cogs: "They were one. You are one. All are one!" Whatever that means. Later, Orion Pax starts a chant amongst the miners: "Together as one!" And finally, at the very end of the movie, during his obligatory film-ending monologue, Optimus Prime again goes: "And now, we stand here together... as one." (Half of Cybertron has just been banished to the surface forever.) "[...] Here, all are truly... Autobots." (Again, half of Cybertron- Optimus, what the fuck are you talking about?) Regardless, this is inexplicably the one instance where the movie doesn't twist itself up into knots trying to nail the exact phrasing.

Actually, there is one other sideways reference like this I can think of. Early in the film, Orion Pax is chatting up Elita, and he remarks, "Feel like I have enough power in my to drill down and touch Primus himself." To which Elita replies, "You don't have the touch or the power." This is kind of a nonsensical retort unless you know that in the 1986 movie, one of the most iconic songs on the soundtrack was "The Touch" by Stan Bush, which had the chorus line: "You got the touch! You got the power!" It's a banger. Anyway, remember when I said Darkwing gets chucked through an arcade cabinet? Well, here's Cooley revealing why that arcade cabinet is in the film:

I actually wrote [that exchange between Orion Pax and Elita] because I love that song. [...] And we had this one version where D-16 and Orion were playing a video game, like a stand-up old arcade game—it was inspired to look like that, but a Cybertonian version of that. They’re playing that together like friends and the song, like the 8-bit song that’s playing is ["The Touch"]. But that scene got nixed. And so I wanted to work it in there somewhere. And I just felt like a natural place for it. But that was one where I’m like, "I just love that song and those lyrics and that’s Transformers to me so I want to get that in there."

(I've had to amend that quote to fill in the blanks where the article has redacted "spoilers" for the movie. Spoiler culture is an absolute pox, I swear. Can't have the audiences knowing about one (1) mid joke in advance—the movie barely has enough jokes to fill a "Transformers One Funny Moments" compilation as it is!)

This actually isn't the first time Hasbro has "nixed" a reference to "The Touch" in major Transformers media. In the Transformers: Cyberverse episode "The Alliance", a character references "The Touch" right before a training montage which is clearly supposed to have the track playing, except instead it's been replaced by a generic rock instrumental, presumably because they couldn't afford the license. And in Daniel Warren Johnson's Eisner-award-winning bestselling comic run, there's one panel where he clearly wanted to include the song's lyrics as a sound effect, but wasn't allowed, so the final sound effect famously reads "YOU KNOW THE SONG". But that's a random episode of a bargain-bin cartoon, and an indie-darling comic series—not a $147 million blockbuster. You really have to wonder if it came down to money, or if it was something else. God knows Transformers One would not actually be improved for having a chiptune remix of "The Touch" in it, anyway.

The most egregious misplaced bit of fanwank in the film isn't even in dialogue. In the 1986 film, there's this one iconic moment when Optimus Prime arrives at the besieged Autobot City, drives through a crowd of Decepticons in truck mode, then fires some afterburners, launching his cab up into the air, where he transforms mid-leap, drawing his blaster to shoot a couple of Decepticons before hitting the ground. It's a fantastic bit of original animation. It's the Akira slide of Transformers. And, surprise surprise, it crops up in Transformers One. In the climactic final fight, Orion Pax shows up to save Megatron, and he does the thing.

But the problem is... he's not in truck mode! The film just cuts to him standing there in the middle of some anonymous mooks, then he does a standing jump into the air, the movie momentarily goes into extreme slow-mo like he's doing a fucking quick-time event, then he shoots a couple of guys and drops to the ground. There's no momentum. It exists purely to create that simulacrum, to take the single most iconic frame from that bit of 1986 animation, and stretch that one frame into infinity. The context is discarded, irrelevant. All that matters is that brief moment of recognition: "I know what that iiis!" God knows Transformers One has precious little in the way of impactful fight animation of its own; the choreography is stiff and uninspired, while the shots themselves are nauseatingly cluttered. Often, the best it can do is pilfer from older, better stories.

"Did you clap at any of the new moments and memorable characters?" "Were there any?"

Look, I get it. Transformers One is a prequel. By definition, it can't change the future. It has to play with the characters that are already in the toybox. But I do think it had this really special opportunity: to show theatregoers where the Transformers come from. To show us Cybertron not as a distant star or a barren scrapyard, but as a living, thriving alien world, unlike Earth, something special and worth protecting in its own right. Something new and memorable. In Rise of the Beasts—probably the best Transformers movie by default—when Optimus Prime is at his lowest, he wants nothing more to return home... but home is something we've only ever seen as a cold dystopia, ruled by Decepticons. The version of Transformers One I had hoped to see was one that would have imbued Optimus' homesickness with greater meaning. I wanted to feel his loss, and to hope that one day the war will end, and Cybertron can be restored.

I think Transformers One sincerely tries to achieve this effect. The concept artists have clearly put a great deal of time and thought into Cybertron as an environment. When the artbook comes out, I'm keen to see how much stuff didn't make it into the finished film. You have to assume most of it got cut, because there's next to nothing left!

At the end of the film, battle lines are drawn, the civil war is about to start... but strangely, the movie's setting does not convey the sense that anything beautiful is being lost. Nobody is unwillingly turned to violence, innocence-lost; they're all too eager to get to killing, friggin' Bumblebee is gleeful about it. There's no beautiful, iconic landmark, which gets tragically destroyed, like in some kind of Transformers 9/11—"What have we done! Where will this war take us!". There's no part of Cybertron's natural ecological environment to be ruined by the war, because the surface world is already turbofucked by the Quintessons to begin with. No, rather, we have the total opposite: Optimus Prime finding the Matrix (which was just, like, hanging out in the core of Cybertron or whatever) actually restores Energon to the planet, removing the unnatural scarcity which was the entire impetus behind the film's dystopia. He made Cybertron great again. So again, Transformers One fails to answer one of the most fundamental questions one might expect of a Transformers prequel: "When did things on Cybertron get so bad?" The movie ends with the planet in better shape to how it started!

The big original idea that Transformers One has is that Cybertron, the planet itself, should be in a constant state of transformation. I've already talked about the beautiful shapeshifting landscapes, but it's also the moving buildings, the complicated mechanisms, the roads and rails that magically lay themselves between the vehicles and their destinations. I've already mentioned how odd I find it that none of these environmental transformations have any significance to the story; the closest it comes to some sort of payoff is when Orion Pax falls into the hole that makes you king.

What I find most perplexing are the deer. When the gang makes it to the surface, the idea is to show the natural beauty of the surface, which the cogless have been denied their whole lives. The mountains glisten as they move. Nebulae glow in the night sky. The surface is blanketed in organic (?) plantlife, like a watering can forgotten in a garden. And, most strikingly, there are deer: mechanical animals, just like those found on Earth, being hunted for sport by the evil Quintessons. When the cruisers near, their glowing horns turn red with alarm, and they prance around in fear.

I'm reminded of a brief gag from the third season of Transformers: Cyberverse—one of very few shows to have devoted any serious effort to Cybertronian worldbuilding—in the episode "Thunderhowl". Bumblebee and Chromia stumble across a "singlehorn" (read: unicorn), and when it senses danger, it neighs, transforms into a rocket, and blasts out of frame. And apart from being really cute and funny, it's like, oh, of course that's what animals are like on Cybertron! Everything on this planet transforms. Why not the animals?

For whatever reason, the deer in Transformers One are like the one thing that don't transform. Why the hell not? If Cyberverse could find the budget for its split-second sight gag, surely this blockbuster could, I don't know, have them turn into dirt bikes with antler-handlebars. That would've been something, right? If not, then at least could we maybe see some other animals on Cybertron, to really get across that alien biodiversity? Of course not. See, the deer exist to communicate one very specific story beat: a single moment of trepidation, where the heroes know there's danger nearby, but they don't know what. And all you need for that is a single kind of prey animal, with some kind of warning light to let you know, hey, there's danger! Once this purpose is fulfilled, the deer have no further significance to the story.

We need only look to BIONICLE 2: Legends of Metru Nui to see this exact same beat play out with a modicum of competence and creative flair. Also in the second act—in fact, at practically the exact same timestamp—our heroes, the Toa, have a run-in with the bad guys, and they're nearly captured... but then there's this sudden rumble of danger approaching, we don't know what. It turns out to be a herd of giant Kikanalo! They send the bad guys packing, except they nearly trample our heroes too! But then, Toa Nokama's mask begins to glow, and she discovers that her mask grants her the ability to talk to animals. They learn some vital information from the Kikanalo, and are able to ride the creatures for the next stage of their adventure. Finally, when they can go no further, the Kikanalo cave in the passage behind the heroes to ensure they won't be pursued. Holy shit, that's like, five different story beats with just that one type of creature!

It's not just that Transformers One struggles with that kind of basic narrative flow, where a single element serves multiple purposes. It's that often, it wastes precious time creating redundant setups to achieve the same effect twice.

For example, Megatronus Prime's face happens to look exactly like (what we know will be) the Decepticon insignia. At the beginning of the movie, Orion Pax mollifies Megatron by giving him a rare decal of Megatronus Prime's face. Traditionally, Megatron wears his insignia in the middle of his chest—but in this film, nearly every character has a big hole in the middle of their chest, where their missing transformation cog should go. So Megatron sticks the decal on his shoulder instead.

Later, he gets a cog, and the hole in his chest is filled. When Sentinel Prime captures Megatron, he notices the Megatronus sticker, and rips it off. Then, he re-applies it on Megatron's chest—purely so it's in the "right" place for the iconography. And then, he uses his gun to crudely brand Megatron with a tracing of Megatronus' face, inadvertently creating the Decepticon symbol. Finally, in a post-credits scene, Megatron has fashioned a proper Decepticon brand with which to brand himself and his followers. So in effect, there are four separate moments where Megatron gets the symbol! Orion sticking it on his shoulder, Sentinel moving it to his chest, Sentinel mutilating him, and finally Megatron branding himself. You can make an argument that the symbol starts out meaning one thing, but ends up meaning another thing, which has a kind of tragic significance—but I think you would struggle to distinguish subtle shades of meaning from all four of these brandings. Considering the movie only has an hour and a half to work with, I find this lack of narrative economy to be honestly embarrassing.

(My friend Jo also points out what a misstep it is to just have Megatronus Prime's face perfectly resemble the Decepticon symbol from the start. Had it been a looser, more stylised—that is to say, original—design, the moment where Sentinel Prime roughly carves it into Megatron's chest could be a shocking reveal, as the basic outlines are abstracted and simplified. Gasp, that's the origin of the Decepticon symbol! Instead, from the very moment that sticker first shows up, it's like... oh, well, there it is I guess.)

In a similar vein, both Optimus Prime and Megatron undergo two different transformations at different points in the movie: first, when Alpha Trion gives them transformation cogs, and second, when respectively they obtain the Matrix of Leadership/Megatronus' cog. The gun that sprouts from Megatron's arm in his intermediary form bears a much closer to resemblance to his iconic "fusion cannon" than the triple-barrelled cannon he ends up with in his final form. Again, in such a short film, can we really say whatever subtlety this brings to Megatron's arc is worth all this fanfare? Now, Redditors ask: "What is the EXACT moment D-16 became Megatron?"

In fact, probably the only point of criticism I've seen levied at Transformer One from within the Transformers fandom at large is that Megatron's arc is maybe a little "rushed". He starts out being best bros forever with Orion Pax, and by the end of the film, he's ready to drop the guy into a bottomless pit. The film takes a lot of time to justify his anger at Sentinel Prime, but the deterioration of his friendship with Orion goes much more unspoken, and is framed more as a point of irrationality: psychologically, Megatron comes to conflate his bossy friend with his oppressive ruler. I liked this, personally. I liked that it's as if a switch gets flipped in Megatron's head. But you do just kind of have to buy into it. The film itself does not put in the work to really sell you on the friendship souring, because again, it's too busy fucking around with two (2) magical girl transformation sequences for each of them.

Everything in the film is like this. They go into the cave and meet Alpha Trion, then leave the cave so they can watch a FMV cutscene with Sentinel Prime and the Quintessons, who've coincidentally arrived at that exact moment, basically just to rehash what they've just been told... and then they go back into the cave so Alpha Trion can resume his infodump, and then they end up clashing with Sentinel Prime's forces once that's done. At the beginning of the movie, they're at the very bottom in the mines, then they get banished to an even lower level, then they banish themselves all the way up to the surface, then they return to Iacon, and then Megatron gets banished to the surface again so he can be mesmerized by the beauty of the world and/or get gunched by Quintessons depending on what the film wanted me to take away from this. Compare to Minecraft but I survive in PARKOUR CIVILIZATION [FULL MOVIE], where the theme of class struggle is pretty efficiently depicted in the vertically-stratified setting.

I just find it so wasteful. Outside of the one scene where they're introduced, the Quintessons—ostensibly the true architects of Cybertron's oppressive status quo—may as well not exist. If not for Orion Pax addressing his closing remarks to the Quintessons, almost as an afterthought, I'd assume the film wants us to forget about them entirely, as it knows full well that its paltry runtime does not give it time for a second action-climax against the aliens. Even as sequel bait, it feels halfhearted at best; Josh Cooley is clearly already bored of Transformers, and seems unlikely to come back for another round unless the money is really really good (which *glances at the box office* it's not). So what the fuck are the Quintessons here for? Was the idea that Sentinel might just have pulled off his coup singlehandedly really so hard to stomach? Could the conspiracy not have been simplified to just involve Sentinel and his Transformer cronies? Hang on, are all the Transformers seen at the start of the film in on it, or just some of them? How's it decided who keeps their cogs and who doesn't?

VI. Into nothing

Why does this movie, where the main selling point is ostensibly that we're getting to see Transformers civilization for the first time, mostly focus on all these guys who can't fucking transform? Surely the entire thing that makes the setting fun is the Zootopia angle of, look, they're all different animals! Or the Elemental angle of, look, they're all different elements! Or the Emoji Movie angle of, look, they're all different emoji! Or the Cars angle of, look, they're all different cars! This is a Transformers film which features several significant sequences involving these cool trains, and there is absolutely zero indication that these trains are themselves Transformers. This is a Transformers film which extensively focuses on miners, and none of them transform into mining vehicles; they're holding, friggin', space jackhammers. Even the premise of "isn't it sad that these ones can't transform" is kind of undercut by the fact that all the miners get to wear fucking jetpacks, which is a frankly much cooler and more effective method of locomotion than driving.

I'm just sick of Transformers stories having zero interest in the basic premise of Transformers, which is to say, they transform into something. I also think this is the biggest dissonance between casual audiences, who think "oh yeah, Optimus Prime, that guy who turns into a truck", and Transformers fans, who think, "oh yeah, Optimus Prime, the messiah or something". Normal people love to know what the Transformers turn into. They ask, "Wait, is there a Transformer that turns into [insert silly vehicle here]?" Of course people are interested in that angle! Vehicles are such a huge part of our daily lives—honestly, for those of us living in cities, more so than animals, the classical elements, or emoji—but the closest Transformers One comes to engaging with this lens is that aforementioned Iacon 5000 race sequence. By and large, it presents a world which is made for standing up and walking around. And personally I do think that's an insane approach to take?

Is the excuse that cars can't emote? Nonsense. If you've ever seen a traffic jam, you'll know that cars can sure as hell emote. Pixar, where Josh Cooley cut his teeth, famously spent a lot of time working out how to put a facial expression on a car. No, the problem dates back to the very start of the franchise.

In the 1980s, two main people were responsible for writing the comic stories: American writer Bob Budiansky, and British writer Simon Furman. Budiansky approached the premise of the franchise from an external, human perspective, writing about culture clash, and taking delight in the Transformers' mechanical alien nature as "robots in disguise". Meanwhile, Furman wrote the Transformers as giant people: he focused on their own internal conflicts and motivations, and the grand history of their war. Pretty much every Transformers story ever told can be boiled down to one of these schools of thought: Budianskyist, or Furmanist.

Budiansky quit the comic after fifty issues, allowing Furman to take the reigns as sole writer, and Furman basically got the final word on what the Transformers are. They did not evolve from naturally-occurring gears, levers and pulleys. They were not designed by a supercomputer, or built by an alien race. They are the chosen sons of God. The Thirteen are, of course, an invention of Furman's. And Transformers One is perhaps the most Furmanist story ever told. It's the culmination of years and years of lore building up, ossifying into something you can no longer describe as the history of a universe—no, this is a mythology. It's the most perfect form of brand alignment imaginable: this is not an origin story, this is the origin story. It's been the origin story for a better part of the decade—and now that everyone's seen it in theatres, it will be the origin story forever.

It's not just the fiction, either, by the way. These days, if you go into the store to buy a Transformers toy, chances are it'll turn into some misshapen made-up futuristic concept car with unpainted windows and wheels that don't even roll—and that's terrible.

There's truly a lot to hate about Michael Bay's Transformers films, but with each new entry that's released following his departure from the franchise, I feel like I only find myself appreciating them more. In the 2007 Transformers movie, we see the Transformers crash-landing on Earth in their "protoforms", and their movements are animated like they're shy, like they're naked until they scan an Earth vehicle and adopt a disguise. The visual impact of Megatron, meanwhile, is that he doesn't adopt a disguise in that movie: he's a horrible metal skeleton that turns into a jet made of knives. It's weird and alien and it rules.

In the 1980s Transformers cartoon, and in the last-minute Cybertron-set prologue added to Bumblebee, and now in Transformers One, the Transformers look basically the same on Cybertron as they eventually do upon their arrival to Earth. Optimus Prime turns, unmistakably, into a truck. He has windows on his chest, and smokestacks on his arms. He doesn't have these features because he disguises himself as an Earth truck. He has those details because that's just what Optimus Prime looks like. They're his "essential brand elements", or "trademark details", which "identify the must-have elements in character design to be carried across all creative expressions". Prime may take any form he wishes, so long as it looks exactly like himself. A mask of my own face—I'd wear that.

What I find fucked up about the reception towards Transformers One is that a lot of people seemed very invested in its success—and not its popular success, certainly not its artistic success, but rather its commercial success. They wanted this to be the first film to make one bumblebillion dollars. They wanted Hasbro to line its fucking pockets and make movies like this forever. So if you express any kind of negativity towards this film online, which might theoretically affect some other person's decision of whether or not to go and see it, which might theoretically affect the profit it makes at the cinema, which might theoretically affect the future of the franchise in some unknown way, then you're some sort of fandom traitor who oughta be executed.

If you're so worried about the future of the franchise, the fandom really isn't where you should be looking. Like, c'mon, the Transformers fandom has been good as gold, we buy so many toys. Meanwhile, Hasbro just got finished laying off around 100 employees with no warning to make their books look a bit better. Transformers designer John Warden—who'd worked at Hasbro for 25 years, is widely credited with inventing the modern paradigm of Transformers toylines, and ultimately became the creative director of both Transformers and G.I. Joe—was on assignment to a convention in the UK with the rest of the Transformers team when he heard the news. Suffice to say, he did not end up making a public appearance at the convention. With his work's health insurance snatched away without notice, he's had to resort to crowdfunding to pay his family's medical bills. As a well-known figure in the toy industry, he will presumably find a new job and land on his feet, but the same cannot be said for all 99 of the remaining employees we're told have been unceremoniously dumped.

The Binder of Revelation, which has been something of a holy grail of behind-the-scenes material for over a decade, has finally been leaked—presumably by one of these guys, presumably out of spite.

Now, I'm not going to pretend to have been paying particularly close attention to Hasbro's financials, but from where I'm sitting, it sure seems that ever since the sudden death of then-CEO Brian Goldner in 2021—credited for saving the company in 2000, and overseeing the explosive growth of its intellectual property ever since then—his replacement, Chris P. Cocks (or "Crispy Cocks", as we're all now calling him), has been dead set on gutting the company for all it's worth. The Power Rangers franchise, which the company acquired for $522 million in 2018, is dead in the water, with huge quantities of physical assets being flogged at auction for quick cash. In 2019, they acquired the entertainment company eOne for $4.0 billion, and now they're selling off the whole shebang (except the cash-printing Peppa Pig franchise) for just $500 million. I guess maybe they just fucked it big style?

Because now, Crispy Cocks has proudly announced that Hasbro is going to stop financing movies altogether.

I'm sure that in the wake of this announcement, many of those aforementioned fandom pundits will be drawing a correlation between this announcement, and the box-office figures for Transformers One, and the fact that you personally failed to convince your Mom to go see it with you or whatever. "Ah, you see! They didn't make enough of their money back, and now they're consolidating. Simple economic cause and effect. Market forces." And look, I'm not going to sit here and claim these things are wholly unrelated. Of course they're very related. But I am going to make the case that, in truth, nobody at Hasbro really cared how Transformers One did. Unless it turned out to be some pie-in-the-sky runaway hit, I don't think the future of the Transformers film franchise would've been particularly different if only the film had done better.

With Paramount, Hasbro has been making these movies and having them underperform ever since 2017's The Last Knight—which apparently lost Paramount $100 million—and that's because at the end of the day, what they're most interested in isn't making movies. It's making toy commercials. And on that level, the Transformers films have clearly been a success so far.

Now, Crispy Cocks' skinsuit fashions itself as a gamer, so he can personify Hasbro's hardcore pivot towards digital and tabletop gaming. While we await the release of the assuredly-dogshit, assuredly-hell-to-have-worked-on, assuredly-never-coming-out Transformers: Reactivate, the brand has been whored out to a procession of mobile games you've never heard of, glorified gambling machines designed to hack the monkey part of your brain with bright colors and Things You Recognize. The exact content of these games is irrelevant; all that matters is the announcement, on every single pop culture news outlet simultaneously (naturally—they're all owned by the same company, talk about Monopoly), of New Collaboration Between Transformers And Goon Warriors Free To Download Now. Your daily, weekly, bi-annual reminder to think about that thing you can buy.

That's all any of this stuff is.

All these words spilled about what a good movie Transformers One is, and how bad it is, and why the marketing failed it, and what the next one might be like, and- none of it mattered! It does not matter. From the beginning, this movie was always going to be too preoccupied with its own mercenary interests to be something anyone would ever be able to seriously talk about as a work of art, even corporate art. The actual content of the movie is irrelevant; I've spent very little of this review talking about it, because there's nothing there to talk about. It is the mere fact of the movie's existence that serves its purpose. Like the Optimus Prime Fortnite skin, it's enough for it to occupy our attention.

Maybe that's why they staggered the film's release date: because some marketing exec watched the rough cut and realised, if everyone saw it at once, we'd be done talking about it within a fortnight. And in ten years' time, after it has been paraded around whichever streaming services survive 'til then, and nearly every last cent of revenue has been squeezed out of it, the kids will be able to watch it on YouTube with ad breaks, and decide what they want for Christmas.

To the Transformers fans reading this, I am begging you, unless you happen to own shares in Hasbro for some fucking reason, to disabuse yourself of the feeling that you owe any kind of loyalty to a toy franchise. It shouldn't matter to you one jot how Transformers One did in theatres. The people who actually make the product you care about, the friendly faces paraded before you on livestreams and press tours, don't see this money anyway—they too are merely assets, who can be fired and replaced with cheaper, inferior equivalents.

I'm sure many of you will have, from the very start, seen this review for the foolish endeavour it is. I've wasted all this time criticising Transformers One for its lack of artistic vision, when the truth is, Transformers One is playing an entirely different game. Like the Disney Channel running "Fishy Facts!" segments to subliminally get kids interested in fish a full year and a half before the release of Finding Nemo, this is not a product—it's an ad for a product.

...

Okay I'll be honest, I don't entirely love where this review has ended up. It ends on kind of a "bummer note", I guess you could say. Flashing back to sections I. and II., I feel like things started out so fun. We had that whole bit at the start where I was telling you about the Transformers, remember that? We learned so much together. And there were even a few moments where I was able to express some kind of sincere joy and appreciation over this thing that I supposedly adore so much. Sure, I did a lot of complaining, but it was fun complaining, right? It had like, a sarcastic edge to it, sort of.

What happened? Why am I suddenly talking like I want to cut someone's head off? As I grow more bitter, I type this essay with increasing difficulty. The massive gun that's sprouted from my forearm keeps colliding with my monitor.

Hasbro descends from on high to reward @TFHypeGuy, a grown-ass adult who has spent untold unpaid hours fearlessly replying to every single viral tweet to tell people to go see the film, somehow netting himself 80,000 followers in the process, with a crate of toys, which was probably his end goal from the start. He and I duel. We trade blow after blow. Finally, he clobbers me with a Walmart-exclusive light-up Ultimate Energon Optimus Prime figure. "It didn't have to end this way," he says. Then he banishes me to the surface world to think on my sins.

VII. The Wrong Trousers 👖 | Train Chase Scene 🚂 | Wallace & Gromit

When Eric Pearson came onto the project,

It was late middle of the game. They had a script that had the outline of the story, which is still very much the structural bones of the story now. But what I found interesting about animation is there are certain things that were far along in the process. The train escape to the surface was very far along, so that was just kind of locked. Maybe you could change a line here or there. Meanwhile, the opening, the whole first 10 minutes, was all storyboards and sketches, which changed a bunch of times.

And I do think that's a really difficult position for a scriptwriter to be in. Sure, the parts of the screenplay I feel able to attribute to Pearson, I wasn't particularly impressed by. But I think this anecdote goes to show how unnatural the constraints can be on a story like this. When you think of like, a scene that's key to Transformers One, you're probably imagining something like the Megatron/Optimus fight, or the scene in the mine—not the train scene, which is basically a bit of arbitrary connective tissue bridging the two main locations in the film.

Josh Cooley, the film's director, the face of the film on the press circuit from a creative standpoint, came onboard after five years of previous development work was already done. Writers Andrew Barrer and Gabriel Ferrari, who originally pitched the film and presumably wrote the early drafts of the story, might have already left the project by that point. Aaron Archer and Rik Alvarez, the creative forces behind the Binder of Revelation, left Hasbro years before the film was even pitched. It's no wonder to me that the final result feels incoherent, disjointed, and oddly stilted. It's certainly no wonder that nobody at Hasbro today really seems to care about the film; it's not their baby. If any of the people credited with bringing the project to completion had been given full creative freedom to make whatever Transformers movie they wanted, it would've looked completely different.

Luckily, there are still plenty of areas of the franchise where creators have just been allowed to go ham. Over in Japan, TRIGGER has taken a modest budget for a music-video and produced one of the most visually-striking bits of animation in the franchise, a true love-letter to all the weird parts of its forty-year history. And in America, comic creator Daniel Warren Johnson is halfway through his Eisner-winning new run on the title, which is the kind of thing I would basically recommend to anyone without caveats as being a phenomenal story, period. If that comic can be said to be an advert for anything, it's for Skybound's other, nowhere-near-as-good comic series, or for the unofficial unlicensed copyright-infringing Magic Square Optimus Prime toy Daniel Warren Johnson apparently used as reference the whole time.

I dunno, maybe Hasbro stepping back from financing these films is a good thing, in the long run. Maybe we can do without Transformers movies for a while. And however many years down the line, maybe Paramount or some other studio will put together a new team of talent, and they'll get to do whatever it is they want. And maybe the movie they make will be the one that knocks everyone's socks off.

Truly, I don't know where the road leads from here. It hasn't been built yet. It could turn out to go anywhere.

If you made it this far, I hope some of what I've said has been entertaining or interesting. Thanks for reading!

Time to for me to come clean. There is one other reason why I've waited so long to release this review... and that's because I have a special announcement to make. Last month I set myself a little challenge: to write something that's at least as long as this review, but which isn't another negative-nancy tirade. It's a story.

The working title is "Ice Road Transformers". It's like an episode of that one reality TV show about Canadians driving trucks across frozen lakes—except the truck is Optimus Prime.

Early reviews say it's good! It'll be going through several rounds of revisions, to turn it into a well-oiled machine, hopefully in time for a seasonally-appropriate wide release in February. I'm very excited for you to be able to read it. You can follow me here or on Bluesky to be the first to find out when it's ready!

I'd like to thank my friends Jo and Umar for their work interviewing Cooley and di Bonaventura during the film's press circuit, along with Viv, Callum, and Omar for allowing me to enjoy this film much more than I otherwise might have. I wouldn't have been able to express many of my feelings about this movie nearly so cogently if not for the conversations I had with them. Additional thanks go to Chris McFeely, as his Transformers: The Basics videos (linked throughout this essay) refreshed my memory on a lot of the Aligned stuff, sparing me from having to read The Covenant of Primus again.

#transformers #transformers one #movie review #essay

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gguk-n · 4 months ago

Text

Max Unravelled

Unravelling Max's Mystery (Max Verstappen x Online Friend!Reader)

Series Masterlist

Summary- Max accidentally made an account on google plus in 2013. He came across a poetry page and enjoyed reading them. He ends up friends with the poet. He loved the normalcy she brought to his life. He didn't realise when the comfort he felt for her turned into love.

{Max's POV}

2013

I was searching for something on my gmail account when a pop up for google plus came through; without much thought I clicked on it. Some how, I'm yet to figure that out, I ended up with a google plus account. One of the few accounts I got recommended was a poetry and story account. They wrote very eloquently; I could feel the emotions in every word. I started reading all their posts in my spare time and even commenting on the ones I liked. I found my self constantly checking back to their page to see if they posted something. Their poetry was relatable and understandable. I hope they always have a good day since their words always pick me up when I'm down.

The poet I had been enjoying so much is a girl, and her name is Y/N. She's around my age; I guess that's why I related to her work so much. We spoke for the first time ever on her birthday. She made a post about it being her birthday so I wished her. She was sad about not being able to enjoy her birthday, I felt bad for her so we talked for a while until dad called me to practise. That was the start of our friendship. We ended up talking on google plus a lot. We shared the same sense of humour and best of all, she didn't know about racing. It was like a breath of fresh air to not talk about racing. She doesn't even seem interested in it; so I can live as Max for a while now.

My birthday was shit but talking to her made everything better. I can't believe I got excited about talking to someone and that someone made me feel good even on one of my shittiest days. She's one of the nicest people I've had the pleasure of talking to. I really do wanna talk to her on phone, typing everything I want to say out feels tedious.

2014

I've gotten busier since this year with Formula 3. We barely get to talk anymore. She did send me her number and we chat on Whatsapp whenever we can. But obviously it is not the same. I've suggested talking on call a few time and she finally agreed; I just need to find the perfect time to get away from everything to talk to her. I felt so nervous to talk to her for some reason, what if she thought I was weird and didn't enjoy talking to me? What if she heard me and decided I wasn't fun? What if we had nothing to talk about? I called her while sitting in my driver's room, she picked up quite quickly after 2 rings to be exact.

Max- Hi, Y/N! Y/N- Hey, Max!! How are you? Max- I'm good, what about you? Y/N- Yeah, I'm good too. haha!! This is so weird talking to you. Max- yeah, you sound pretty. Why would I say that? That sounds so fucking creepy, I face palmed myself so hard. Y/N- You sound nice too. I mean....you have a nice voice. Max- haha, thanks, this is the first time some one has said that. She thinks I have a nice voice, do I? Y/N- soooo, what have you been up too?? You've been so busy lately. I could hear people outside the driver's room. I quickly locked the door before answering her question. Max- yeah, I've been busy with stuff. I'll be done soon for a while now. Y/N- That's great I need my best friend back! Did she just call me her best friend? I've never had a best friend before.

We ended up talking on calls a lot more. I would have her contact ringer saved with a separate ringtone so that I would know to answer it. She usually called at reasonable times, where ever I travelled as if she knew my schedule.

2015

I got signed with RedBull Racing's junior team, making me the youngest driver. It was such a surreal feeling. But this also meant I couldn't talk to Y/N as much as I wished I could. Training and the races kept me very busy. But she was very understanding and would always welcome me back, no matter how long I was gone for.

2021

The first time I'm regretting not telling what I do to Y/N was today when I won my first World Championship. I was surrounded by my team, my girlfriend and my family as I got out of the car after I finished P1 at Abu Dhabi but it felt strange; like I was missing someone. I wish I could share this win, the biggest in my life yet, with the person who makes me feel so special yet so myself.

When I asked her about Formula One, she didn't know about, she didn't even know the prominent figures. So, I wasn't as worried about her finding out but I did worry now; since my win was controversial according to the media. However, she never asked. Was she really unaware or playing dumb? I wasn't sure if I should be grateful I get to be just Max or sad that I can't share a huge part of my life with my best friend.

2023

Y/N and I have been friends for the past 10 years. Time really flies. I've gotten a lot better at balancing my personal and work life. Y/N is my well kept secret; like I'm the only one who knows her. She moved out for college and we've only video called since. She is still funny and still writes. I think it's so cool of her to stay passionate about what she loves and keeping at it. She loves my cats more than I love them sometimes, she get's so excited when I send pictures of them. She says they cheer her up and that Jimmy and Sassy are her virtual pets. They loved her too honestly, they would always recognise when she was on call and jump into my lap or the phone to see or hear her. She still doesn't know what I did for a living; we've kept that a 'secret' you could say. But really I just didn't know how to tell her I was a Formula One driver and a 2 time World Champion.

Today was like any other day, I hadn't spoken to Y/N at all. Whenever I called her, I would usually close/lock the door depending on who was at home. My girlfriend didn't know about Y/N. I didn't even know how to bring it up, honestly. I sat down on my SimRacing chair after I switched the livestream off. Her phone rang for a few times and then stopped ringing but she didn't answer the call. I tried again thinking maybe she was busy or didn't hear it. I called a couple times before texting her; no reply. I was freaking out. This was the first time in 10 years that she hasn't answered my calls. She won't even reply to my messages. I found myself pacing around the house. The door to the room opened to my girlfriend's daughter standing in front of me, "Maxie, why are you walking in circles?" She asked after observing me for sometime. "It's nothing" I said, trying to calm myself down more than give a reply to her question. All these horrible thoughts swirled through my mind; what if she was in an accident and no one knows? What if she got robbed? What if she hurt herself and can't get help? What was I supposed to do? I didn't even know where she lived. I just couldn't think straight. My hair was a mess with how much I was running my fingers through it, a few stands coming along when I almost pulled them out of frustration.

After 7 hours, she replied to my text. I had almost given up hope, but she said that she was fine and that her phone was about to die. I felt relieved knowing that she was ok. But the text was so out of character for her. I texted her everyday after that in hope of talking to her. We always spoke everyday and it had been years since we didn't speak for so long. Almost every text was left on delivered. I had a race this weekend which I won and went out to celebrate with everyone because they wanted me to tag along. I didn't see the text Y/N sent me a while after the race since I was at the club. I only saw it when I got home. As soon as I saw it, I called her. She answered after a few rings.

Max- Schat, how have you been? Haven't heard a word from you in days. You could clearly hear the worry in my voice. Y/N- I've been busy, school year ending and stuff. Why didn't you sleep yet? Max- You know my sleep schedule is non existent. Y/N- Yeah, I guess I do. What did she mean by that? Her voice seemed hoarse, was she sick?Y/N- You know how I do freelance editing Max- You've told me about it Y/N- The latest author I'm working with is a sports author. I was hoping you could help me since you are a walking encycylopedia. Max- sure schat, but what's up with you? You know I'm always there for you Y/N- Yeah it nothing, just stressed. Max- Take off, you deserve it I wish she took care of herself instead of working so hard without breaks. Y/N- The summer break is here soon, I'll be fine. So about that author... Max-Yeah, what sport does she write for? Y/N- Formula One. I don't really like reading lengthy articles and I'm sure one article wouldn't do a sport any justice. I felt the ground slip from under my feet. My palms had gotten sweaty suddenly. Max- You did not go through google yet, right? (I stammered out) Y/N- Oh no, what do you take me for? I got excited to learn about something new. Do you know who the reigning champion is? I felt like I was about to lose everything. I didn't know what to say, my mouth was dry. No matter what I said, I don't think I could fix this situation. Y/N- Some dude named Max Verstappen. You guys share the same first name. He has 2 cats too; named Jimmy and Sassy, who look exactly like your bengals. I mean he even looks like you, with horrible sleep schedule just like you. He even sounds like you. There was horrible feeling in the pit of my stomach and my lungs felt like there was no air in them. Watching her tear up was the worst feeling.

Max- Schatje, I can explain. Y/N- You don't have to Max. I never asked you what you did. You don't have to explain anything. Max- I wanted to tell you, it just never came up in conversation. Y/N- I get it, it's difficult to tell your friend who has amounted to nothing that you are the World Driver's Champion, best of the best in Formula One. Max- Y/N, it's nothing like that. You're great, you're kind, you're funny. She laughed, but that stung my heart for the first time when her laugh was my favourite sound in the world. Y/N- Those are character traits I possess, they don't describe my career goals or achievements. I know I work 2 jobs to stay afloat while you make millions, I know I wish I was an author and not their editor, I know you probably thought I was too stupid to understand your rich and fancy world. Max- No, no, you're so talented. I've read your work and I'm sure the right publication will pick your work up. Y/N- I got rejected for the sixth time today. All of this is fine except that you lied to me about being single while having a girlfriend for years and having the happy family you dreamt off. You didn't have to introduce me to her; not like my boyfriends met you. But it would've been nice if I knew. Max- It just never came up. (I held my head in shame) Y/N- I...we joked about setting you up with someone all the time. Please don't. I get it, we didn't tell each other about work goals or what we did as a job but personal life; I literally told you about every guy I've ever been with. I felt bad telling you thinking you were single. I feel stupid right now. I wanted to reach out and wipe her tears but I couldn't. Max- I'm sorry,Y/N. I promise I won't hide anything anymore. Please, don't cry. Y/N- My name is Y/N Y/L/N. I majored in literature in Uni and now work as a primary school teacher and freelance editor. I'm trying to get my book published soon. I broke up with my boyfriend 2 months ago. This fucking hurt, everything she said and the way she said it. Max- Please don't do this. Y/N- I believe at least one of us should be honest. Max- Let me fix this. Y/N- Don't worry. There's nothing to fix. Max- Please don't say that. You mean a lot me. (I felt tears in my eyes.) Y/N- Me too. That's why, I need time. I'll talk to you when I'm ready. Max- Please, I can't lose you. I felt like my world was crashing. Y/N- You won't. I'll always be there for you. I just need time. Take care Max I was crying as she said it. Max- Bye, take care Y/N. I'll always be here. And the screen blacked out, I could see my reflection on the screen, tears streaming down my face.

After I was able to clear my head I texted her telling her that I would always be there for her and I would like to clear up the misunderstanding when she's ready. I spent the next few months thinking about her. It was starting to affect my relationship. I couldn't really give my girlfriend time when my mind was occupied with thoughts of Y/N. When my girlfriend brought it up how we were growing apart; I had a fight with her. I don't know what came over me, but not talking to Y/N or not knowing what was up with her was making it very difficult for me to focus on anything. The fighting became a constant after that. I didn't understand why she couldn't let me be. I missed my friend but she wouldn't get it.

I was SimRacing when Y/N's name popped up on my phone asking me to call her. I guess she was ready to talk it out. I really wished that this wasn't the end of our friendship. I really hoped that we could get over the misunderstanding and still be friends. I told the team I had some work and called her immediately. She answered like always; I waited for her to speak with baited breath. She started talking and we cleared everything up. I apologised for hiding the truth from her. I told her how much of a constant she was for me in my ever hectic life; how talking to her made everything better. She listened to me, I listened to her and then finally asked her to come to my home race. I wanted to meet her. I couldn't live knowing that I had the resources but didn't meet the one person that mattered to me the most. She was hesitant at first but I offered to get her the tickets and insisted on her joining me at the biggest race of the season for me and finally she agreed. I was over the moon. As soon as we ended the call, I sent her the tickets. I found myself counting down the days to the race for the first time.

I was waiting for her at the airport when she got here. My heart was beating very fast as I waited for her to come out. When I saw her; she was beautiful, shorter than I expected but she looked cute with her bag in one hand and a back pack on her shoulder, her hair in a low bun, a small smile graced her feature. I don't think I've noticed anyone with such detail ever before. Our conversation flowed easily. It didn't feel like it was the first time we were meeting. I dropped her at the hotel and went off to do media duty's at the paddock when I came back she was still asleep, traveling must've tired her out. She got dressed while I waited for her to get ready, even giving my 2 cents on what she should wear. She looked gorgeous, I couldn't help myself, staring at her. The black satin dress hugged her curves in all the right places. Her hair flowed down her back, the jewellery sparkling against her body. We went to have dinner at a fancy dutch restaurant. She loved the food especially the apple tart. The moan she let out as she devoured the dessert made blood rush downwards. I found my cheeks heating up, thankfully the whole place was dimly lit. We walked around for a while after the meal, she made fun of my name but I couldn't care less. I apologised and she accepted it and hugged me. Her arms were soft and the embrace warm. I found myself wrapping my arms around her, my face buried in her neck. I was scared I was gonna lose her, forever. I've never been scared to lose anything but a race until now and the thought of not having her in my life seemed scary. She consoled me and we headed back to the hotel.

The rest of the weekend was uneventful except for my girlfriend being pissed; she fought with about Y/N. I don't get what her problem is, she's just a friend I've known since forever. I'm just showing her around. I was giving interviews when I saw her talking to Lando, I saw them laughing along in the corner of my eye. It made me feel strange, there was this feeling in the pit of my stomach and I didn't like it. When I got back, Lando had left since it was his turn. She found Lando cute and it irked me, I was annoyed hearing her ask me to set her up with him. We got back to RedBull hospitality when my girlfriend asked me to talk to her, I left with her reluctantly leaving Y/N with Checo.

"Listen Max, I get it, she's your childhood friend and all, but it's so weird how she suddenly cropped up when I or for that matter any one knew nothing about her. People are saying stuff about us since she stepped on the paddock and the way you are dragging her along." my girlfriend spoke. "What are people saying? I will not stand any slander against her" I cut her off. She laughed dryly. "WOW, they are saying stuff about us, Max, us, that you are cheating on me with her. You've been so distant for months until a month ago, I didn't know what went wrong and you wouldn't talk either." she said running a hand through her hair. "It's nothing really. She just knows me as Max and not Max Verstappen and that's why I'm closer to her. Nothing more." I said. "It's pointless talking to you" she said turning around. "If we're done, I'm leaving, Y/N doesn't know anyone here except me." I said leaving for the door. She huffed before she followed me out. Y/N looked worried about what was going on between me and my girlfriend but I calmed her down and we spent the day together. She tagged along during quali too. I saw her praying before quali, it made my heart swell. I was starting pole and we spent the night watching a movie even though Y/N wanted me to rest before the race, I wanted to make the most of the little time we had.

Y/N hugged me before the race wishing me. I wanted to win so bad, I'd won here twice before but this was different. I wanted to win in front of her. I raced like a mad man and then I heard it. I crossed first and my happiness knew no bounds; knowing she was watching. I got out of the car and immediately ran to her; hugging her. It was cathartic. Y/N said my girlfriend looked annoyed, but I couldn't care less. I watched my girlfriend leave, annoyed. When I received the trophy at the top step of the podium knowing she was watching me from below made it so much more worth it. Y/N wanted to go out to celebrate my win and I wasn't one to say no. I went back to the hotel to get cleaned up and ready for the night.

I was greeted by my girlfriend in the room, it was dimly lit as she was sat at the corner of the bed with tears streaming down her face. "HOW COULD YOU DO THAT MAX?" she screamed at me. "Am I a fucking joke? I let it slide, you said you were friends but the first person you go to after winning your race was her, what do you think people were whispering when you did that?" she said in between sobs. I didn't get what she was saying. "Do you like her?" she asked. "What? We're friends" I stated. She shook her head, "No, Max, you aren't. The way she looks at you is how I look at you. The way you look at her" She cried, "You've never looked at me like that" she lamented. "It's nothing like that" I began. "You should've respected me at the very least and broken up with me if you liked someone else, I'm not gonna be some girl's place holder till you can have her." she cried out. "You're not a place holder for her" I said. "Feels exactly like that" she said wiping her tears. I felt nothing my 2 year long relationship might be ending and I didn't care. I didn't even try to correct her, did I really like her? Was Y/N really more important to me? "We're through Verstappen, if you can't even fight for us, I'm not about to fight for us" she sighed dejected. I walked towards the bathroom to wash up while she packed up to leave. When I got out she was gone. I went to pick Y/N up.

She kept asking me about my girlfriend but I never told her that we broke up. I didn't want her to feel responsible for my decision. At the club, she got close to everyone pretty quickly. She was unstoppable, downing one drink after another. I hadn't touched alcohol since I was driving. The others kept handing her drinks much to my dismay. She asked me to come dance with her but I had the others to look after too. She was busy dancing surrounded by too many guys, one of them going as far as to touch her and grind against her. All I saw was red, I bid the guys good bye and stormed the dance floor to drag a reluctant Y/N with me; I ended up carrying her out on my shoulder. She wasn't very happy, screaming and hitting me till I put her down. She puked as soon as I put her down and joked about missing my expensive car, I didn't really mind if she hadn't since she was more important than the car. I got her medicine and left them at her side after putting her to bed.

We spent the next few days after the race sight seeing. Y/N brought up my girlfriend a few time and I ended up avoiding her. When we were cuddling while watching Barbie I felt my heart beating out of my chest as she scooted closer to grab tissue. When her hand brushed against my skin, it burnt and a weird feeling erupted in my chest. She seemed completely unaware of how she was making me feel. We fell asleep on the couch that night.

I wasn't able to avoid the girlfriend question any longer and told her that we broke up without making any eye contact on the way to drop her to the airport. My eyes stung and there was a lump in my throat; I wasn't sure it was because of my girlfriend or Y/N. I bid her farewell, she would turn back towards me to wave after every few steps; my eyes were blurry after sometime trying to prevent the tears from falling. I ended up crying after she left.

All the races after, I ended up going shopping after or before every race to collect some trinkets or stuff that was special to that place and mailing it to her with small notes attached. She would graciously open them in front of me on video call; the smile she gave me the first time she received was unparalleled. It made my stomach turn over. I wanted to make her smile every chance I got. That's how I ended up sending her a package after every race from every country until I got reprimanded by her for the excessive amount of gifts. She asked me not to send one after every race and stick to one or two in total; I was forced to agree to that request.

We were planning on spending Christmas and New Year together; she wanted to leave after Christmas but I was able to convince her to stay until I had to leave for pre-season training. I couldn't wait for the season to end and to spend the year end with Y/N. We celebrated me winning the championship on video call; even though I had hoped she could be present in person but it wasn't possible with her schedule. This championship felt better than the last two since I was able to celebrate it with her. 2021 me wouldn't believe me right now.

Y/N flew in as soon as winter break started for her. I had cleaned up the house as much as possible. I had told my cats about Y/N visiting who seemed excited. I picked her up from the airport and when we got home the cats were very excited to meet her; a lot more receptive than the other guests I've had over. We spent the next few days going to places and the Monaco GP circuit. She cribbed about walking the entire time we walked the path. It made me laugh.

The night before Christmas we fell asleep on the couch cuddling; I hadn't slept this well in a very long time. When I woke up, Y/N was no where to be seen. I sat up waiting for her to return when she came back, she looked so cute in her jumper and shorts with her hair a mess. We opened up presents after some time. She had gotten me a Sid plushie, an ugly sweater and perfume. I got her a Formula One book with my face, a coffee mug and a pendant. I wanted to get her more stuff but I was sure she would make me return it if she saw every thing. I think the house would be over run with the amount of stuff I wanted to get her. Then she brought the matching sweater she got with me; I put it on immediately. I wanted to match with her all the time. We had a bit of back and forth on the dinner but agreed on Turkish kabab.

New Year came too quickly, which meant Y/N would be leaving soon. We went clubbing on New Year eve. She didn't drink like the last time we were at the club but made friends with some of the guys there. Having a social butterfly for a friend was a bad idea. We counted the time down to midnight as the clock struck 12 and I turned towards her to celebrate I saw she was kissing one of the guys she had befriended when we entered. If the club was quite you could hear my heart shatter. That's when I realised that all these weird feeling and all the times I couldn't stop thinking about her was because I liked her, no scratch that, I loved her. I felt my heart constrict when she turned towards me and hugged me later. I didn't want to talk about it, this would ruin our friendship.

All I could think about was how it felt to watch her kiss another man. I hated it, the worst feeling, worse than DNFing or not winning. I hated knowing another man could touch her and feel her. I wasn't even sure how to bring it up since what were we if not just friends. I put myself into training for the upcoming season but those feelings I felt when she kissed another man were still fresh in my head and I couldn't get rid of them even if I tried.

I was able to convince her to join me during her spring and summer break. We had fun, I loved having her waiting for me at the end of the race. I didn't really enjoy all the media questions that had cropped up about Y/N when she was seen with me, before or after the race. During my summer break, I spent it at her place. When I got there, it was a small apartment; but it had a homely feel. She would cook food for me and we would watch movies; I had a few commitments with the team and would leave for some time but then be back. It was so nice to have some one to come home to. When she was having her book launch, I went to meet her at her launch with a bouquet of flowers. "Congratulations" I said while handing her the flowers and giving her a hug. "Thank you" she replied, a smile playing on her lips. We had celebratory dinner after. Immediately after that, we were on the news. It read that I had a girlfriend, she kept apologising but it didn't matter. It made me a little warm, I'm not sure what emotions I felt hearing people speculate that she was my girlfriend.

I flew back to Netherland for the race early, she would only be joining me on the race day due to work. It dampened my mood but there wasn't much I could do about it. She flew in the morning of the race; it made my day watching her walk out of the airport. We talked all the way to the hotel where she got changed and we headed to the paddock. I had thought it through; after the qualifying, I had planned on telling her how I felt. I was gonna win this race and confess to her. Knowing that I can't hold her while someone else can was eating away at me and I wanted to take the chance before it slipped away from me.

I started the race P2 and finished it at P2. In the final laps, the only thoughts running through my head were, I really wanted to ask her out as a race winner, I can't do that now. She probably doesn't even like me like that, did I really want to ruin everything I had with her. I stumbled out of the car towards her, a big smile on her face. And suddenly I said it; "I wanted to ask you out as a race winner" emotions were running high. She insisted me to continue and when I did, she agreed to go out with me. I was over the moon, my head was reeling. This race ending was not what I hoped for but Y/N's answer was something I really was hoping for.

She waited for me in the driver's room. I couldn't help but not touch her. Her skin against mine send electric shocks through me, I couldn't help but smile at the feeling of her against me. I wanted to have this feeling for the rest of the life. I wanted to have her next to me; it took me a while to figure that out but now that I had, I didn't want to let go. I loved her and I wanted her.

We were both in the hotel room at the end of night in each other’s embrace, "Can't believe you're my boyfriend" she exclaimed. "Can't believe you're my girlfriend either." I exclaimed back. "I've liked you since I've known you" she mumbled. "What?" I asked shocked. "Yeah, I've always had a crush on you. Teenage me would lose it right now if she saw" she said. "I'm sorry it took me so long" I muttered pressing a kiss against her lips. "better late then never" she laughed wrapping her arms around my neck, flipping me to straddle my hips. She bent down to kiss me again.

I could spend the rest of my life like this, if it meant I could have her forever.

Hope you had fun. Thank you for enjoying the story!!

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