#there is NO character descriptions in this

[euthymiya]

[ A LITTLE DEATH — FT. KINICH ]

synopsis: sometimes, he comes back to you with a beating heart. other times, his body is cold and limp until he reemerges from the flames. you never get used to kinich falling during the pilgrimage, but you’re certainly used to the feeling of his body

word count: 4.4k words of emotional porn. ty & goodnight

before you read: female reader ; major spoilers for natlan archon quest and kinich’s character story one ; kinich falls during the night warden war and resurrects so technical character death (but not for long) ; graphic descriptions of injuries and blood from war ; mentions of gambling, alcoholism and abuse (his father’s lore) ; slight exploration of mortality ; hand jobs ; orgasm delay (kinich to himself) ; cunnilingus ; fingering ; unprotected vaginal sex ; creampie ; not proof read because i wrote this all in tumblr drafts like the psycho i am

notes: this is an unhealthy progressing obsession. this boy is not good for my health unfortunately

“Will you stop crying?” He sighs softly, thumb tracing your cheek as it catches yet another rivulet of your sorrow.

You glare up at him, lips curled into a scowl as you sniffle and counter, “how about you stop dying?”

Kinich is no stranger to dying. He and death are good friends, in fact—he visits often, and in return, it houses him kindly for however short his visit may be.

He likes traversing the Night Kingdom, likes to speak to those who have borne his name before him. Dying isn’t so bad when you get a chance to see the things he does in the realm of the Wayob.

But you don’t like to see the aftermath. Blood. Bruises. Cuts. Gashes. Sometimes mangled limbs. Every time he falls in battle, the aftermath serves as a jarring reminder that revival is miracle you can’t take for granted.

Kinich doesn’t understand it, but he tries to. He holds you when he comes back, listening to you sniffle into his chest. He’s always silent as his hand rubs along your back, always unsure of what to say.

I lost you, you’ll always whisper first.

I was always going to come back, he’ll always respond.

The Pyro Archon, you think, loves fiercely enough to rival the God of Cryo herself. The Tsaritsa, God of Love, loves clearly. It’s delicate as it leaves chills, and yet, it is reserved, rare to find after she’s hardened herself. The God of War’s love takes form in the exact opposite. It’s blazing. Warm. Unrelenting. Irrevocably bright. It’s a flame that never dies out, that never needs a ceremony or ritual to keep burning like the contending fire.

She loves all of her children—you know that because you see it on her face, too.

The brief, fleeting flash of horror every time she sees a body. The bitter pride that comes with such a noble sacrifice. She loves her people, and that’s why, when your tears hit the ground as you cry for a fallen Kinich, she gives your hand a squeeze right before she brings enters the night kingdom to bring him back.

The people of Natlan are proud of their history. So much, that they find honor in dying for the cause.

You think you’re the only exception.

You and death are not good friends. You don’t like the way it mocks you with the limp hands of the boy you love and his beat-less heart. You don’t like the way it cozies up against him, dragging him away from you with its hand clasped firmly in his.

It never takes him away for too long before it gives him right back, but you don’t like sharing.

Not Kinich. Not with death.

Your broken out of your thoughts when his fingers gently press into your cheeks, squeezing them together as his hand tilts your head up from his chest to look into his eyes.

“I’m okay,” he insists bluntly, but never without that gentleness.

You’d laugh any other time. Always so straight to the point, you’d tease if it were some other day.

Instead, this time, you sniffle once more before you croak, “you don’t know what it’s like to witness.” Slowly, your hand creeps up his body, traveling over his abdomen before coming to a stop right over his heart. “This time…this time it was here.”

This pilgrimage, Kinich comes back to you with a stab through his heart. Other times, he’s returned pierced through his lungs from behind. Or perhaps with a bloodied head, split open by a blunt force.

It never gets easier. This time, however, you think it’s gotten even harder.

He’s quiet for a moment, like he’s contemplating what to say before he decides to toss the idea of words out entirely. Suddenly, his hands find your waist, flipping you to sit on his lower belly, legs straddling his hips.

Kinich isn’t always good with words. He can count on one hand the number of people he’s had in his life to love. His life has not been kind enough to him to allow keeping all fingers up at the same time.

One for his mother. Down.

One for his father. Down.

And one for you. Up.

He’s sure one day, he might be able to lift a finger for Mualani and Kachina, too. He cares a great deal about them, of course. But love is a difficult thing for him to grasp—perhaps because it’s always been something he never got in full.

Not until you.

More than most people, Kinich understands loss. You know that. He understands it too well, in fact. Sometimes, he wonders if he’d lost his father’s love long before the body was limp and lifeless to show for it. Sometimes, he wonders if his mother ever loved him enough to count as a loss at all. Maybe if she had, then she wouldn’t have walked away. Maybe she never loved him quite as much as she loved herself.

But you’re different for him. You love him more than you love anything else. More than yourself, too. He’s never been loved more than anything else. His father loved gambling, maybe even the burn of alcohol on his tongue, too. His mother loved freedom, and more than that, she loved the idea of living in the absence of fear. Neither loved him more than any of those things.

So, you’re different. You know that, too. You’re a loss he can’t comprehend. Not that he’s ever had to, of course, but his brain cannot handle the idea of being without you.

Maybe that’s why he doesn’t fully understand your pain. Maybe that’s why he wonders why knowing he’ll always come back from falling isn’t enough to soothe you.

He’s never loved someone who he knew would come back even in the face of death. It’s a luxury, he thinks sometimes—you get to love him with the luxury of a safety net. But you’re too precious to feel the weight of a real loss. He hopes he can shield you from it for as long as he can, one pilgrimage at a time.

His hands settle for your hips, squeezing once, twice, a third time before he sits up and pulls you closer, pressing a gentle kiss to your lips.

You kiss back easily. Drinking the breath straight from his mouth is best proof that he’s alive. You take it in greedily.

“I’m okay,” he repeats one more time. This time, it’s a much softer tone. Like a gentle reminder. Like a plead to understand.

His hand grabs yours, pressing it right over his heart so you can feel the erratic beating under your palm. Just from kissing you, it’s rapid enough that he almost feels he should be embarrassed. But you close your eyes and let out a shaky breath, making him watch you carefully as he takes in the relief in your face.

“You’re okay,” you nod slowly.

“I am,” he agrees.

You don’t know when it happens or who starts it first. One moment, your hand is traveling under his shirt to feel his bare skin, to have better contact with him so you can feel more proof he’s alive.

Warm skin. Flexing muscle. Damp sweat. When your hand finds his heart again, his hand cups the back of your head and pulls you into a heated kiss.

Clothes come off after that. It’s a blur. It’s not until you untie the bandana to uncover his forehead do you really take it all in.

Bare under you, Kinich is alive. The proof his body is breathing and pumping blood through his veins is right there before you—standing tall between his legs in the form of a flushed, red cock. Blood rushed there to prove his desire for you.

“Last time, it was here,” you whisper, thumb tracing a pale, faint scar over his ribcage, right where his lung is. “Did it hurt?”

“It did,” he nods, studying you as you don’t meet his eyes. “I don’t remember much of that, though.”

“Do you like it?” You whisper. “Is that why you do it?”

He’s silent. And then, quietly: “Sometimes.”

“Why?” You breathe, cupping his cheeks as you search his eyes for an answer.

Finally, in a rare moment, he chuckles. “Because it’s good to remember I’m alive,” he murmurs, “right before you die is when you realize you’re alive the most. Why you’re alive, too.”

“I don’t understand,” you furrow your brows in frustration. He smiles fondly, kissing your jaw as he lets out a low hum.

“I think of you,” he whispers, sucking sweetly into your skin, “and then I remember how you’re alive, too. Every time I die, you get to stay alive a little more.”

The abyss never goes away. Now, more than ever, he’s aware of that. It’s a war he has to see the winning side of, no matter the price.

There’s a loss this time that he’s unwilling to pay. Can’t bear to witness. Can’t allow to happen.

You decide you give up trying to understand—much like you do every year. Instead, you throw yourself into feeling him, pulling him into a heated, deeper kiss as your tongue glides against his. You give into the battle fast, letting him take the lead and taste you.

You’re not one for battles, not like Kinich is. You’d rather relish in peace than remember the cruelties of war.

“I love you,” you whisper against his lips. “I can’t lose you.”

“You’ve never lost me,” he argues.

“It doesn’t feel that way,” you admit quietly.

“Then let me show you I’ve always been right here.”

As if on cue, his cock twitches between your bodies, hot and throbbing as it presses against your lower belly. You reach between your bodies, wrapping around the thick girth before your thumb grazes the tip.

He shudders, stifling a groan as you slowly smear the dribbling pre cum along his length, taking gentle care to make sure you don’t hurt him.

You’ve seen Kinich hurt enough times.

“Does that feel good?” You grin slightly, watching his eyes flutter shut as you stroke him up and down, fisting around him in a tight squeeze.

“Feels great,” he breathes, “like I’m very alive.”

“Good,” you nod.

“Fuck,” he chokes when you squeeze around the tip, pace quickening as you glide your palm up and down along him faster.

Faster.

The faster he cums, the faster you’re proven he’s living once more.

But he stops you—right before he can spill into your hand, a shaky wrist comes to force yours to stop moving. You look at him questioningly, and he closes his eyes and takes labored breaths to calm himself from the slow, fading orgasm that would’ve shaken through his body.

“What are you—oh,” you gasp, when your body is flipped to lay on your back, Kinich hovering above you as he stares down at you.

You think love is the look in his eyes when he sees you like this, every time. That longing in his pupils, desperate and almost pained even though you’re right there.

Loving something is always a double edged sword. It hurts just as much as it heals—the scabs forming around your heart from his temporary departure is proof of that.

“I love you,” he whispers, kissing along your neck.

I love you isn’t something Kinich says often. You feel his love in other ways. The fresh fruit he brings you on his way back from a commission. The small kiss between your brows he always greets you with, and the delicate kiss to your mouth when he leaves. The hand on the small of your back as he guides you along places, never letting you feel his absence. The pillow he shares with you every night when you invade his space and take up his side of the bed.

You know he loves you. Being reminded is a good feeling, though. Your body shivers as you feel a familiar ache building up between your legs at his sudden confession.

“More than anything?” You ask.

“Yes,” he responds, amused.

“You better not be lying,” you warn playfully.

He chuckles—you’re slowly coming back to your usual self. Causal teasing and playful flirting. You’re all the things he’s not. Open. Vulnerable. So inexplicably bright. You smile and something in him heals. Something in him itches to do better—be better.

“When have I ever lied to you?” He challenges.

You pretend to think for a moment before caving and stretching your lips into a wide grin. The first real smile of the night. You pull him close, kissing him again. Just to kiss him. There’s no heat or desire this time around.

He kisses back sweetly. Just to kiss you.

“What did you see this time?” You whisper when you pull away. “In the Night Kingdom.”

“I don’t know,” he shrugs, tracing shapes into your hip with his thumb, “I think I was too busy thinking of you.”

Kinich is only flirty when he avoids something. He’s only ever indirect when he doesn’t want you to know something. It takes form in less honest, more playful banter that he learns from you.

You sigh, rolling your eyes half-heartedly as you whisper, “don’t lie to me.”

“I did think of you,” he insists. “It’s not a lie. I always think of you.”

He decided to prove it by dropping down to busy himself between your legs, gently spreading them enough to press his nose against your clit as he breathes you in.

Sweet. You’re always sweet. You taste and smell it. You drip of honeyed, saccharine desire. When his tongue presses between your folds, he thinks he’s dipping it in gold.

“K-kinich, wait—”

“You say that every time,” he raises a smug brow. His fingers press into you, spreading you open as he inspects your fluttering walls. “But you never mean it, do you?”

Filthy, you think. He’s got an air of pure obscenity to him that you’re sure comes only when he’s tired of feeling alone. When he needs to know you’re here for good and not just for the moment.

“You play dirty,” you scowl, twitching when his tongue swirls over your clit, the smooth rumble of his chuckle vibrating against the sensitive bud. His fingers curl into you, pressing against a very delicate, very responsive spot in the back of your walls.

“Is that so?” He drawls, “you don’t exactly seem to mind it,” he murmurs.

And then his lips wrap around your clit, sucking as his tongue rolls in circles against it as you writhe. You can feel the tips of his digits bully into that same spot over and over, making your back arch as you whine.

“Fuck,” you breathe, “baby, please.”

You don’t know what you’re pleading for. He’s giving you what you want exactly how you want it—maybe that’s why you always say it, though. So you can never stop having him. Asking and asking and hoping he’ll give you everything without pausing.

He does, too. Kinich never gives half of himself into anything. For the right price, you get all of him. You pay the price in gentle kisses along his cheek and soft fingertips in his hair. In a warm lap under his cheek when he’s tired and a soft voice to remind him he’s not alone. In a worried look every time he’s scuffed and a soft smile every time your eyes meet his.

You pay the price of your love, and he compensates you with the reward of his. It’s a fair trade.

The only difference is that unlike his other deals, Kinich would still pay his love to you even if you stopped paying yours. He couldn’t stop if he tried. It’s an exception he doesn’t exactly choose to make, but doesn’t necessarily want to change, either.

Lucky for him, you don’t show any signs of pulling away.

“You’re beautiful,” he says quietly, whispering the words into your cunt like he’s speaking directly to your desire, “and mine.”

“G-gods,” you moan, hand flying to grasp at his hair and tug as his fingers quicken their pace, fucking into your heat mercilessly as his tongue rolls over your clit.

It’s hot. It always is in the Pyro Nation. But hotter is the growing desire in the pit of your belly, and the heat between your legs that only one person can ignite. The flames lick at your sanity before something erupts in your system and all you feel is a gush of pure, white hot pleasure.

“That’s it,” he praises, working you through your orgasm as you let out a soft cry of his name.

Kinich is alive. You know that because only he could make you feel this way, and he is. He’s making you feel like there’s love between your legs as he coaxes the height of pleasure from you, buried into the apex of your thighs like it’s the only place he ever wants to be. You’re reminded that instead of blood dripping from his fingertips, it’s the essence of your arousal.

You’re reminded that when you need him, he’s never not there. Never leaving you behind from this world into another.

“I love you,” you blurt out in a post-orgasm haze.

He looks up at you with a toothy grin. It’s so rare to see him smile so freely. It’s like a child’s, sometimes. Something youthful and joyful and almost innocent enough that it makes your heart ache a little more than it does feel full.

Only a little, though.

“You say that a lot when I make you cum,” he laughs smoothly, a boyish and sweet little sound. You huff with a roll of your eyes.

“You do too,” you counter. “Maybe we only love each other when we feel good.”

“I always feel good with you,” he grins.

“I can make you feel a whole lot better,” you wink, wriggling your brows in a playful, tempting offer.

He takes it. With another soft laugh, he climbs up your body to hover his face over yours, admiring the sweat clinging to your forehead like it’s proof of his good work.

“Go on then,” he whispers. “Make me feel better. I just died today, you know.”

“I know,” you grumble only slightly, “I remember that very clearly. It was very rude of you.”

“My sincerest apologies,” he offers.

When Kinich was young, love was transactional. His father loved him with a box of sweets when a gamble of wages doubled. His mother was happy enough to afford him her gaze when there were flowers in the vase. He knew from early on not to expect any of it unless the proper price was offered.

And then he learned necessities were transactional, too. To exist is to pay a price. He watched as strangers took away his home, the remainder of his family’s belongings packed away as his mother wiped her tears. Food is not free when she is not there to tend to crops. Clothes don’t come easy when your father spends his days drinking away instead of working.

Without mora, you survive more than you live.

He hated it. Hated not having enough. Not being enough. He wasn’t enough to make his father want to be good and he wasn’t enough to make his mother want to stay. Didn’t have enough to offer for something as simple as unconditional love.

Love with you feels a lot different than what he’s grown up learning. You love him even when he’s closed off and a little cold. When his blunt words are a little too blunt and his words press hard into you with force. When he’s tired, and can’t offer you proper company, you love him, too. When he’s gone for days at a time for a commission further away, you still love him as you wait.

It’s always enough for you even when what he gives really isn’t enough at all.

He stopped trying to understand a long time ago. He’s still human—not everything can make sense with the logic of equal transaction. Sometimes, he just wants. Sometimes, he can’t give enough for what he wants. You always give it, though.

He’s stopped trying to make sense of it all for the sake of finally knowing joy. Peace. Possibly even comfort.

“Why do you love me?” He asks softly, rubbing the tip of his hard cock against your thigh. You rub along his bare back with a gentle hand, feeling the goosebumps raise along his skin under your palm.

“Because it’s easy to,” you answer.

“That’s it?”

“Isn’t life hard enough?” You shrug, “it’s nice having something simple. Loving you is easy, and that’s enough.”

“I don’t understand,” he mirrors your words from earlier. “But as long as you don’t stop, I think it’s okay.”

You want to tell him you’ll never stop loving. Every flame in Natlan will have to burn out before you stop loving Kinich. You’re confident that it’s impossible that will ever happen. But instead of words, you gently reach between your bodies to grab at his cock—it’s been hard and neglected for long enough that he lets out a soft, needy sound at the sudden touch.

You bring him to brush against your entrance, murmuring a soft, “I want you,” before he groans in response.

“Fuck,” he says shakily, “me too.”

And then, finally, he presses his tip into you, pushing past your folds and nudging into the deepest part of you.

He’s alive. You know that because you can feel him in the most rawest, purest way. Bare skin to skin. Warmth on warmth. Sweat against sweat. Body tangled into body. He’s alive and here and you can feel all of him at once.

He’s everywhere. He’s in your lungs as you kiss him and steal his breath. He’s in your heart as you feel it skip a beat for him. He’s in your soul as it burns at the very idea of him. And he’s in your cunt as he presses himself into you with a roll of his hips.

You love him when he’s alive.

You love him when he’s dead.

You love him when he’s resurrected.

You love him when he’s yours like this.

“Kinich,” you gasp, letting out a breathless moan as his tip slams into that spongy spot in your walls, “there—y-yes, like that.”

“I know,” he murmurs, grinning a little smugly enough that you feel embarrassed to already be this fallen apart. “I know exactly where.”

“Smooth talker for someone who ruined my whole day,” you huff.

“I told you I’m okay,” he grunts lowly. He kisses your throat, right over your pulse as he whispers, “I’m right here.” You whine as he rolls his hips particularly harshly to slam his cock into your most delicate spot.

“Knowing something is coming back doesn’t mean you like losing it,” you argue. “I don’t want you anywhere but here.” He gasps when your legs wrap around his waist and pull him closer as you squeeze tighter around him.

You hate seeing Kinich fall because you’re reminded it’ll happen one day for real. There’ll come a time where he won’t be resurrected. You don’t like being reminded of this simple truth.

He doesn’t understand it because he’s always too busy denying your fall. He’s too busy making sure he fights every battle to win this war so you can live beside him. So you don’t have to succumb to the cruel likes of the abyss.

Neither of you can seem to grasp the other’s mortality very well. So you try to forget in the feeling of being lost in each other’s bodies. Where proof of life blooms in every inch of skin. Every labored breath and drop of sweat, every flex of muscle and rapid thrum of a heart.

You’re alive, and so is Kinich.

He’s not alone, and neither are you.

No one has had to bear a loss, and that’s all that matters. For now, at least.

“You feel so good,” he says hoarsely, letting out a soft, low whine when your walls flutter around him at the praise. “C-can’t…can’t live without you.”

“Don’t say that,” you sob, reaching your limit, “enough talk about living. I’m tired of it.”

“Okay,” he breathes, “then just cum again for me. I want to feel you do it around me this time.”

Your second orgasm makes you forget Kinich is alive. You’re too busy feeling the rush of life yourself. Your body burns with pleasure through every nerve, the familiar snap of pressure between your legs that has your entire form spasming under Kinich.

“’M c-cumming,” you sob, wrapping your arms around his neck and pulling him in for a sloppy kiss, muffling your sounds into his mouth as he swallows them whole.

“For me,” he hums.

“F-for you. Always for you.”

And then he cums too. Hard. For the last time, you’re hit with the evidence that he’s here with you and not somewhere else. Somewhere unreachable. Somewhere in a world apart from you.

He’s spilling warm, sticky cum into your walls with shaky arms holding him up above you, desperate rolls of his hips as he lets out choked sounds.

Skin slaps against skin and a combination of your arousals leaves a mess smeared between your legs, spilling down your inner thighs.

“Fuck—ngh. I’m…I’m…” he trails off.

He’s never been good with words like you. So instead, he buries his head into your neck and presses his nose into your skin, letting you cradle the back to his head so he knows you’re there.

“I know,” you pant, letting him fuck himself into you and ride out the high of his orgasm.

I know you need me. I need you too.

When he slumps over your body, you can feel his heart beat against yours. Rapid. Erratic. Harsh. Pounding. All of it is proof you’re both painfully mortal as you are alive.

“I love you,” you both whisper at the same time, utterly spent.

“You’re alive,” you breathe out a sigh of relief as your eyes close tiredly.

He hums, lifting his head to press a soft peck to your lips before he slumps into your neck against. “And so are you,” he murmurs in exhaustion.

You both fall asleep together with another year behind you.

Writing an emotional Kinich is actually really hard I’m not sure I even got it right bc we haven’t seen nearly enough of him but 😭 I hope this was not ooc enough that it was slightly believable. IDK I had a hard time deciding how he’d be in an emotionally charged moment of intimacy

[mochroialainn]

𝐋𝐞𝐭'𝐬 𝐟𝐮𝐜𝐤 𝐮𝐩 𝐭𝐡𝐞 𝐟𝐫𝐢𝐞𝐧𝐝𝐬𝐡𝐢𝐩

description: you're tired or waiting on them making a move, so you send them a saucy picture characters: Satoru Gojo, Kento Nanami, Geto Suguru, Choso Kamo, Ino Takuma, Toji Fushiguro, Shiu Kong warnings NSFW, 18+, suggestive, flirty divider credit: @cafekitsune

𝘴𝘢𝘵𝘰𝘳𝘶 𝘨𝘰𝘫𝘰

𝙨𝙪𝙜𝙪𝙧𝙪 𝙜𝙚𝙩𝙤

𝙠𝙚𝙣𝙩𝙤 𝙣𝙖𝙣𝙖𝙢𝙞

𝙘𝙝𝙤𝙨𝙤 𝙠𝙖𝙢𝙤

𝙞𝙣𝙤 𝙩𝙖𝙠𝙪𝙢𝙖

𝙩𝙤𝙟𝙞 𝙛𝙪𝙨𝙝𝙞𝙜𝙪𝙧𝙤

𝙨𝙝𝙞𝙪 𝙠𝙤𝙣𝙜

[officiallylawless]

instead of updating my current fic i made this;

it’s short and at times nonsensical pls enjoy. or don’t but pls lmk if u don’t and why :3

[mirconreadzztuff22]

im back

i came on Tumblr from TikTok and found @kianamaiart's Lady DeVoid and I LOVE HER so I had to draw her

my personal thoughts:

I fucking LOVE Lady DeVoid even though there isn't much on her yet and here she is, already my wife 🤨

I can tell she's either going to be the most funniest woman ever or the most serious "go die" woman ever 😭

I read her little description in her bio of her sheet- I can SMELL the lines for her FJDKEL "...No way. THIS is the supposed 'upper being'? A snot-nose filled, oblivious, most certainly moronic TWERP? This has to be some sort of mistake!"

I need all of these characters to have at least ONE fourth wall break- PLEASE

honestly this woman looks like she has a collection- all to herself. Of what is up for debate, but she has it

(PLEASE KIANA PLEASE MAKE HER A GIRL KISSER PLEASE MAKE HER A WOMEN LOVER PLEASE ILL GIVE YOU MY SOUL)

But fr I love her and I need to see more of my wife 😞

[precious-little-scoundrel]

|| Radio ||

Requested plot points? ☑️

Circa: early February 1944

Immediate previous fic: Favorite Escape

Summary: when your hodge podge radio won’t work, who should ya call? Probably the flight engineer

Warnings: usual universe warnings apply, 18+ but nothing very alarming really happens in this one, references to others are made, some potential slut shaming in the beginning if ya squint? perhaps some queer baiting but it’s the Buckies rolling around on the flooor, they’re one massive queer bait lbr, it’s not me. Also. My shit Crystal Radio making descriptions- don’t come for me I haven’t made one and I spent five hours falling down a rabbit hole as to how the guys made them in the camps and at the end of the day I said: screw it! And went with one of the Brit’s scenarios 🍻

Edited only by my tired little eyes, full warning and have mercy 💋

Also, just a note I feel compelled to make- this fic centers around women in the army, in a war, which they’re spending under dire conditions in a POW camp. Yes there is love here, there is also hierarchy and discipline and the enforcement of that does not make one character or another necessarily callous or less loving. They are their ranks first and foremost as all signed up for.

“They’re forging papers, you know.” Maureen broached the topic to Egan one day, late February and when her cheeks were still bruised from Ida’s book.

Bucky paused his tracing of a map, sooty finger trailing along a river with the same incomprehensible name as its twin running parallel, he didn’t know anything about papers or anyone making them and she knew that. “Who?”

“Good ones. Identification, passports.” She enumerated.

“Who?”

“The Poles. The ones with the-“

“-the liquor.” he finished for her, remembrance and condemnation heavy in his wry tone. “The ones you stayed out all night with.”

“Stayed long enough for them to get drunk enough to show me.”she replied, without heat, which was surprising.

“Some grand plan of yours, huh?” He bit back a laugh, it was a fine way to cover her ass for being insubordinate. It was a way he’d likely try if he was in her place.

“No.” she swore instead. “Just luck, I happened to see them. They got careless. Maybe an answer to all Jack’s prayers.”

“Yeah. Anything to give that rosary a break.”

“Yeah.”

“You asked them?”

“What for?”

Bucky regarded her with thinning patience but something kept him from snapping, the feeling of a riddle still to be solved. “For some papers.” he clarified, measured and intent, she knew how much easier that would make their plans for Ida.

Maureen shook her head, glancing down at her twisting hands, “I didn’t want to-“ her mouth twisted too, “-I wanted to ask a superior first.”

Bucky considered that for a moment, slightly touched at her newfound wisdom, “Why not ask Buck?”

She shook her head again, auburn hair curling under her chin just so, even here in the stalag she had some traces of the old charm. “He’s got too much to worry about for me to be bringing in hypotheticals.” she was so upset by something she would not even meet John’s eye and he felt a slice of remorse for how he hadn’t even noticed the ground down change in her since she got here, his drinking buddy and the soft fleshed rival of merry old English days was a gruff and battered and sullen woman; being a red blooded American male, he regretted that dismal change. “And I'm worried about what to bargain with. What can I promise? We haven’t got much and I don’t have— there’s not much anyway, but what we’ve got I didn’t wanna promise. Not without-“ she still hadn’t met his eye, he tracked hers; a furious roving of pale blue back and forth across the floorboards and it made Bucky itch.

“Who signs these papers?” Bucky asked, thinking the logistics through, knowing she’d perk up if he brought them up.

“Haven’t a clue. Maybe they haven’t figured that part out yet. I don’t know. I just know they’ve got papers.”

“Good ones.”

“Yeah.”

“We haven’t got much.” he agreed, clicking his teeth in thought, “What’d you give them for the liquor?”

“They just invited me.”

“Didn’t have to lend a hand or nothin’?” he balked and Maureen threw him a glare that seemed more hurt than rage, and chastened by a voice inside that sounded much like his mama’s, he amended with sheepish humor, “Hell, feel like lending a hand myself these days, if it’d get me a whisky.”

Her gnarled fist curled white in her lap, she managed hoarsely, “They just wanted to talk about home. To someone who hadn’t heard about it a million times before.”

“They got cigarettes?” he asked.

“As most common payment for their booze -they’ve got enough to insulate their shack three deep.”

“Cigarettes won’t cut it then.”

“I’ve been thinking.”-

“Yeah?”

“The radio. I’m the only one who doesn’t think it’s worth the risk but, I know, it doesn’t matter, it’s happening. Gale’s going to keep trying. And if it works-“ she rubbed at her eyes, tired and unsure, “-that’s quite the bargaining chip.”

Bucky nodded slowly, eyes narrowing as his smile grew a touch broader, “News of the outside world.” he was half in agreement, “Buck asked for a week. Been four days.”

“He’s stumped.” Maureen retorted instantly. “And he’ll stay that way and he’ll go nuts and you’ll go die going over the fence and then he’ll have no reason left not to die too.”

Bucky whistled, low and chiding, “You’re full of rainbows today, Candy.”

“You know who he oughta ask.” she shook off the barb. “But he won’t. And I don’t want him risking it for this thing anymore than anyone else, but you all want it so bad, and they’ll shoot us for it if it works or not. I’m not asking her. But you would. Might as well get shot for it working, right? Isn't that what you said yesterday? You know who he should ask.”

Bucky’s keen eyes showed the moment it dawned on him, his eyebrows shot up and his mouth sagged and he ran a weathered hand over his face, “Awww shit, Candy.” came garbled behind his palm. “Ah shit.” he said again with conviction as he shoved the hand into his pocket, wretched acknowledgment of her point clear on his face.

“I didn’t want to suggest it, told Ida it’s a fucking dangerous thing and I’ll never forgive if— but you all—“

Bucky grounded aloud, “Nah, nah she’s -Lu would solve it.” he muttered, shushing her. “Demarco really pummeled you the other day, huh?” he added, and that got her to meet his eye, she looked spooked and a little incensed, “Saw him fuckin’ you up behind B compound but sheesh, s’like he hollowed you out worse than a jacolantern; yer shifty as hell.”

“He-“ Maureen still felt like blanching at the memory of Benny’s terribly correct opinions, his disappointed eyes and his fist full of her flight jacket asking her what in the living fuck was wrong with her besides a concussion, a sick childhood and an ever nauseating jealousy of Buck Cleven’s paternal time and effort, “-he had some admonitions. After…after the other night.”

Bucky hummed, shitty smirk taking up residence on his face, “How ‘bout that.”

“I’m gonna be better.” she muttered and Bucky felt for her, could almost taste the echo of his identical and hollow determination to climb the mountain of bad habits when weak from spuds and pneumonia. He told himself the same every morning and fell into bed condoning his failure every night, like a ritual.

“You’re gonna get us those papers.” he corrected, shoving off the wall to come near her, give her the full Major treatment and maybe a friendly hand, “And you can promise your drinkin’ buddies news from the radio.”

Maureen nodded in understanding, no joy or animation left in her green eyes. She used to enjoy a bit of subterfuge, now she only felt hollow misery at the thought that she'd dragged Lu into this, too. This risk she hated so much and yet no one cared. Lu would be glad to be dragged in, it’s true, she was itching at the chance to be useful and to make Gale proud, it’s how the girl was wired. It’s how most girls were wired, Maureen supposed, desperate to make Gale Cleven approve. Lu’s enthusiasm wouldn’t make the sight of her being made to kneel in the mud and have a bullet put in her head any easier, wouldn’t make Maureen feel any less responsible for it when her lifeless body thudded to the earth.

All that lovely goodness stamped out.

Over a radio.

Bucky’s hand felt too hard and too big on her shoulder. He had gone before the vision cleared, mud and wire and the freezing main square at Ravensbruck fading back to the musty bunk room. Maureen shook herself and stood up to make herself somehow appealing, reamniante some semblance of the cheerful rashness that had led her to the Polish combine in the first place: she found it hard to inspire. She’d like to count that a victory but she knew better, she wasn’t reformed she was just tired.

A washed face and a fake smile and the promise of news from outside would have to be enough to bank all their risks on, it would have to be.

“Crank,” she greeted the man in the hall, flashing him clean, water brushed teeth and her gentlest, freshly soot lined eyes, “I’ve been tasked by Major Egan with an errand, spare a minute to babysit me?”

__________________________________

Bucky finds Buck Cleven in his own bunkroom, Demarco outside on watch and that’s all Bucky needs to know to guess the radio is out and Buck’s working like a fiend yet again to make it work. Sure enough, he’s hunched over the table with it, mittened hands shaking from cold and exhaustion and a sheen of sweat on his forehead despite the paltry sweater he wears.

Bucky walks in and Gale gives him a soft, acknowledging glance before continuing to his work. Bucky takes up his usual place behind Buck’s left shoulder to watch and Buck, being used to it, goes on.

“My little Kriegie Marconi, huh?” Bucky allows the nagging impulse he has felt for weeks while standing in this position to finally exert itself, and his forefinger lifts and swirls in the curling gold strands of hair at the nape of Gale’s neck, his friend almost bolts away but then seems to choose a prey’s tactic and just stills, goes very still and Bucky scritches the scalp beneath his grab in assurance he don’t meant anything by it. He doesn’t think he does, at least.

Gale, wary and with a voice close to mechanized it’s so stilted, inquires with ever-present politeness, “You alright Bucky?”

It’s better than that whole ‘major’ business; getting called Major as if that meant shit anymore. “Yeah, ‘course I am.” Bucky rakes his fingers through the hairs there at the nape of that dainty neck, scritches the scalp with all four of his main ones, and uncovers a white long scar sliding round once he lifts the hairs there. “Why wouldn’t I be? Gonna be a father soon.”

Buck does jerk then, away from his touch and wheeling his chair around to glare at Bucky; it’s an impressively executed little pirouette and John misses the feel of his warm neck and oil soft hair. “Jesus John.” he reprimands.

“We’re gonna get outta here Buck.” John swears, he’s so sure of it because he cannot in all his thinking and predicting ever imagine a scenario where they don’t, and he chooses to think it’s not delusion but a good omen. “Ida’s gonna have that baby and when it’s safe we’ll all meet up.”

Gale is looking at him like he’s his own father again, Bucky knows that look, it always makes him equal parts ashamed and desperate, “Jus’ like that.” Gale mocks in a husky gust.

It’s devastating, and it’s intended to be, and Bucky could bear that with better humor if he could still touch Gale and his hair. “Just like that.”

Gale hums and it’s a mean sorta vocalization that makes Bucky’s heart thud and his skin prickle hot, it’s the kinda noise you kiss off a person, he thinks, but it’s Buck and so he doesn’t know what to do with it. “It’s gonna get you killed.” Buck is saying instead and Bucky lets him, “I know you all think she’s cracked up and maybe she has but it wouldn’t hurt to listen to Kendeigh sometimes when she’s tellin’ ya shit that a five year old could accurately guess, -goddamn it.”

His voice rose to a strong rage by the end and Bucky takes a chair opposite him, sick of standing there like a dumb dog waiting for his scolding to be over. “So what.” Bucky challenges him, “We just wait around and Brady pops out a child and the krauts let us keep it and it’s our new mascot and we all sing zippidy doo da, huh? Huh, Buck?”

Gale’s hands fell away from his face with a slam to the table, a shocking degree of anger showing for a split second and it gave Bucky an odd degree of gratification. “I jus’ want you to find a plan with better odds.”

Bucky sniffed and leaned forward, went in for the kill and Gale was looking at him like he expected it, like it was his turn to play daddy to everyone here and Gale for once was so beaten down he wouldn’t just allow the changing of the guard, he was close to angry at its lateness. It made Bucky’s heart thud.

“I’ve been listening to Kendeigh.” Bucky refuted briefly, “And we’ve got a plan.” Gale gave him a tired look of encouragement to go on, “How long’s it been since you slept? Huh, well, we got a plan. Practically perfect, or it will be, just need the radio.”

“Ain’t giving this away.” Gale said, “Not for anythin’, even useless.”

Bucky patted the table top in easy assurance, if he could have reached Buck’s thigh, he’d have patted that instead, “No, no, don’t need to give it away, just need it to work. So,” he softened his voice and his eyes tightened, “I’m callin’ Lu in.”

Oddly, Gale does not fight it. Not aloud, at least. There’s an anguished look of hate on his face and Bucky mirrors it. It’s for this place and the fucking awful choices they have to choose from every goddamn day.

“You run this by Ida?” is all he asks.

Bucky pops his flaking lips audibly, “What, need us both gangin’ up on you to agree? She’ll sign off. Smith’s an officer. Gotta remember that sometimes, Buck.”

The way his Buck swallows hard and dry contradicts his words, “I do remember that.”

“Really?” Bucky’s mouth gives a soft smile of doubtful incredulity and Gale’s mimics it, mournful but a smirk all the same, “Feel like she should answer to ‘Gale’s Baby’ these days. Lieutenant Smith who?”

Gale scoffs, “Careful now.”

“No really, she’s an officer and she wants to be treated like one. It’ll do her good to have work. Her kinda work.”

“Could get her killed.”

“Layin’ in her bunk could do that.”

Gale grunts, its sounds like an agreement.

“So I say Lieutenant Smith gets put on radio detail. Like her goddamn job description suggests. Huh, yeah?”

“Yeah.” Gale lets out a shaky agreement.

“Aaaaand,” Bucky draws it out as he rises again and saunters over to Buck who is ready for him and loose this time, “how bout I go back to bein’ the one you’re frettin’ ‘bout all the time. Got me almost jealous of the girl. How ‘bout I do. Huh?”

Gale’s scoff is fond as anything as he looks up at John with cheerful derision, “And you ‘bout to be a father? Make me an old man? Fuck no, ya looney.”

“Alright.” Bucky concedes with hands up in surrender before lurching forward and grasping Gale’s rickety chair back by its wobbly spokes and hefting it partially off the ground, beautiful and outraged prude of an occupant still seated in it, “Then I’ll play daddy and put you to bed, how ‘bout that.”

“John Egan for fucks sake-“ Gale’s fists pounded on the meat of his shoulders and his outraged protests wafted against Bucky’s neck and his jabbing knees collided with the meat of his thighs and Bucky hadn’t felt so close to him or so happy to be alive since England.

“Major sir, the hell is goin’ on?” Demarco’s tame inquiry from the safety of the doorway made them both lose their grapple and they collided together onto the floor, bunk bed barely missed by their heads and the hapless chair mixed up between their limbs.

Bucky grinned, hip sore from his fall and kidneys suffering from Buck’s trapped elbow there, “Puttin’ Goldilocks to bed.” he replied.

DeMarco processed that and the scene before him with grave sobriety before saluting lazily and turning to go, “Right on, sir.”

John did his best to rise up without further pinching Gale who was indeed trapped beside him and beneath him, chair legs wound between a lanky human leg in a puzzle that Bucky realized might take some caution to untangle without harm. Strangely, Buck wasn’t moving, he was just looking up at him like a cat would their clumsy master who has done somethin’ stupid which was a surprise to neither. It was so innocuous a look and so nostalgic, it winded Bucky with the realization he hadn’t seen it in ages, just as he hadn’t felt his boney ribs against his own and the feel of his elegant hands yanking him around in a fight. This miserable place really was stomping out the glow in the best people.

“Ya know Buck,” he ventured, clearing his throat for extra casualness, “I’ve missed you.” When Gale only kept looking up at him, perfect porcelain face with its unsettling scars and wary eyes without a lick of storm in them, John Egan grabbed his shovel and dug his own grave a little deeper, drug a finger down his cheek. “Missed all this.”

Bucky didn’t know what he meant by “this” but it felt safer and worse all at once, since he did miss Buck but he and Buck never used to hang out on floors with a chair as chaperone. Mercifully, Buck neither points that out nor moves away, acting very much like he needed to heaped on the floor with Bucky and a stray chair every bit as much as John did. Like it’s doing him good.

“And you couldn’t’ve jus’ said.” Gale murmurs with the softest eye roll of the century and Bucky feels like beaming and it must show in his face so strong and bright after a sunless winter that after a flash Gale’s cheeks flame from it and he averts his eyes.

“I dunno Buck, could I?” Egan asks one blushing cheek and Gale hasn’t got a good reply for that, so they just lay there on the floor.

“Go on now, get off me.” Gale doesn’t shove at him, he presses his hand to John’s forehead like he would a dog and John goes, obedient as one.

———————————————————————-

They found Lu with Murph and Benny and Brady, measuring out what seemed to be lot lines between Love Shack #9 and the next combine, boot scuffed perimeters already visible in the light snow and drawn in a decently tidy rectangle. There were guards loitering nearby, nosey as always with their cigarettes and their antsy dogs anytime someone did something out there besides piss or pace or stare at the fence.

“What’s all this?” Bucky inquired cheerfully, coming up to them with Gale, bundled and shivering behind him.

Benny looked up from tilling a furrow with his boot, right where Lu’s mittened finger pointed out. “It’s for the garden. S’posed to be spring before long.”

“A Chicago man oughta know better, Benny.” Egan snarked.

“Need us?”

Bucky sniffed, a casual set to his body that belied his quest, “Just the little one.”

Smith promptly looked startled, then eager. “All well Majors?”

“Need your advice on the color of my cufflinks with this suit.” Bucky extended his arm and beckoned her, “C’mon back in for a minute. One of you too, need a watch to go with the cufflinks.”

———————————————————————

With Benny on guard, Brady and Kendeigh having excavated the radio’s shell from the floorboard and table leg in which it resided, the Buckies stood over Smith’s small frame as she sat at the table and inspected the simplistic device with keen eyed appreciation for the construct.

“It’s really marvelous.” she assured Cleven, running her fingers over the carefully coiled wire and precarious pin.

Gale didn’t even crack a smile. “What’s wrong with it?” he asked instead.

She shook her head, a frown gathering. “Never made one-“ she cautioned.

“-but you get the idea.”

“Yes sir, I do.”

“So what’s wrong.”

Lu ran her fingers over the wire, again and again, the dusty metal not insulated, just bare copper, likely stripped from somewhere. It reminded her of early days as a cadet when they threw chicken wire mixed with hydraulic lines at herself and her fellow rookie engineers and told them to sort it, testing to see if they knew which was which. It had been so rudimentary she had wanted to laugh until she realized others were being flunked.

This was so basic she was stumped.

“Take your time, Lu.” Bucky spoke up after a burdened pause during which she could almost feel Major Cleven breathing down her neck.

“Candy, can I try with the headphone?” she asked at last, frustrated and out of her element, just a few months out of a plane and she had already lost her touch.

Maureen passed it over and Lu pressed it to her ear, not to discern what was quite obviously radio silence, but to imagine the whole process in reverse, track it down the cord all the way to the base, each possible breakdown of the conduction.

She fingered the ramshackle diode with burgeoning suspicion. “What’s your crystal?”

“That’s just…lead.” Cleven muttered.

“From?”

“Ground pencils.” Bucky supplied cheerfully.

Smith bit her lip, “We need sulfur added. Lead won’t conduct on its own.” She figured Cleven knew that, the grim and unmoving set of his mouth suggested so.

“Just- sulfur?” Maureen asked.

“If I had sulfur we could add it to the lead dust, ignite it and-“ Smith grinned at Kendeigh, knowing that she alone may have shared her enjoyment of a small conflagration from time to time, “burn it down and you’ve got something close enough to Galena. Just need a pinch of it should work.”

Bucky shoved his hands in his pockets and surveyed the mostly morose room. All except for the two girls grinning at each other over the hypothetical of a little chemistry experiment in a highly flammable wooden combine.

“We’ve got sandy soil.” Buck’s contemplative drawl spoke up, “Dunno if we could extract enough pure sulfur.”

Maureen stared back at Egan instead, “Other sectors have gotten portions of kits, chemistry kits, radio kits, they’ve been smuggled in with all sorts of stuff. Inside of a violin, oat bags. Nothing to fully build something. They might have sulfur. I could make inquiries and- well, Jack could pick it up next time the band goes over C compound to entertain the poor Aussie bastards.”

“How do you kno- nevermind, actually. Nevermind.” Bucky broke off, “Alright. Sure, why not. Ya sure that’s it?” he asked Lu once more.

She gave a helpless little shrug. “Gotta be. Or the wire’s dirty. Where’d it come from anyway?”

Gale gave Bucky a long suffering look as Bucky seemed to swell a couple inches and bounce back on his heels at the mention of his scrounging prowess. “The lamp.” he nodded above them all.

Jack Brady scoffed, short, clipped, betrayed, “That why it cuts out all the time? Strobed us so bad last night -thought the room was possessed.”

“Sacrifices Jack, sacrifices.”

———————————————————

Benny had hauled in enough water buckets to elicit some negative attention from the guards, and when the inspection came the inmates of the Love Shack insisted the drenched floors and table of the Majors’ barracks were due to sanitation post regurgitation. At night, with only one stolen torch light from Combine 15 to illuminate the endeavor, a basin of water beneath a smaller bowl in which lay their precious and recently procured ingredients, a science experiment began. The Majors and Ida gathered round, all looking as ghastly and spectral in the light of the flashlight as Brady’s fake ghost. It held the thrill of a bonfire night except for the stakes, which all in the room did their best not to dwell on.

“Zippo, Candy.” Lu gave the word and Maureen, with only the protection of Ida’s bent aviators to keep from a scorched cornea, flicked on her lighter and set the mixed powders ablaze.

It flamed up high and smelly, making Benny gag and mutter something about Meatball’s gas to a tittering Brady, and then died down to a yellow smoking ember.

“We should let it sit.” Lu surmised with a squeeze to Maureen’s only somewhat singed hand, her big dark eyes surveying the burnt bowl and their smoking experiment with glittery excitement at the possibility of success, “Let it cool, settle, maybe strain it. Can you get me a net? Oh Candy come now, get me a strainer?” she begged with a laugh as Maureen rolled her eyes at the idea of yet another trip to the Stalag Market for the most random items imaginable. If they hoped to not be suspicious, they’d need better lies or more money.

“How about cheesecloth?” Kendeigh tried not to grin indulgently- and failed- in the face of Lu and having recently been allowed to set something on fire

Lu kissed her cheek. “Cheesecloth would be perfect.”

In the end, cheesecloth did indeed prove perfect, and amongst the burnt dust of the combined minerals was a gritty little pinch full of the needed crystals. Or so Lu said, Gale agreed but the crease between his brows hadn’t lifted for two days; Bucky’s fingers had begun to twitch in antsy need to manually smooth them out. He imagined Maureen felt the same but she hadn’t said, uncharacteristically forbearant now she had some job to keep her sane. Even if it was playing fetch for Lu.

—————————————————————

“Well, this is it.” Gale muttered when the watch had been set once more, Murph and Hambone on the steps, Crank inside, Brady at the door, Benny at the window. Even Major Clark had joined them in the barracks for this final try and Lu’s cheeks were maroon from the attention even as her deft hands steadily pressed her concoction beneath its intended rod.

“Pass me the pliers, sir?” She asked and for a moment, the teacher became the apprentice and Gale fetched her the stalag forged tool, rudimentary like everything here yet the gripped and pulled and lifted same as the pliers back home. “You could check your look in this wire’s reflection.” She complimented Gale’s buffing of the copper wire.

He shrugged in turn. “Didn't wanna leave anythin’ to chance. That it?” he asked as her hands stalled and she surveyed her work.

Lu nodded solemnly. “Yes sir.”

Gale picked up the headphone from in front of him on the table like it was a gun he was about to bring to his head. “Here.” He extended it to her instead, “S’right, it was your job, you should be the first. Cmon.”

Despite her voiceless protest he pressed the headphones into her hands and Lu, never knowing how to disobey an officer, folded immediately.

For a good ten seconds everyone in the room held their breath as Smith pressed the headphone to her ear and gently wiggled the clothespin along the wire, searching and tuning, her face holding that old peaceful concentration they hadn’t seen since the last mission. She was at home with her mind tuned to another dimension. The pilots in the room knew that look, that was the look of someone at home with something that terrified them all the same, the gut swooping feeling of clearing the take off and sledding along the tops of the clouds. Wrong and strange and utterly incomparable to others, it was the closest to home one’s mind could be. Lu belonged somewhere on those electric currents and searching them out was like finding oneself again.

Then at last, Lu’s eyes sharpened out of their dreamy haze of concentration and she said, gentle as always, “It’s the BBC sir.”

💋 Hope you enjoyed! Feedback is a writer’s lifeblood, please feel free to scream in comments or the inbox, I love it and wanna hear it all. Trust me, nothing is “too dumb”. Your thoughts mean the world to me.

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[ice-creamforbreakfast]

Poppy - A Collab by Ice-CreamForBreakfast & Surely-Sims

::Download:: (Patreon - Free)

You know I never pass up a chance to delve into 60s mod fashion, so when the wonderful Surely-Sims asked me to collab on this set for her character Poppy, the answer was always going to be yes!

This collection of seriously sixties (and like one eighties dress but shhh) fashion is perfect for that dinner party, stakeout or just looking better than Beryl at the local potluck.

Item descriptions below:

Wolfsbane Dress - A suspiciously 80s, woven mini-dress with diamante detailing and contrasting colours. Did you time-travel to the future for couture? Naturally.

Daphne Set - A sweater and pants set, perfect for day to day comfort while still looking better than Doreen Parker who works the reception at the local doctor's practice.

Foxglove Dress - A sleeveless mini-dress with a pleated hem and bow detail on the neckline. Perfect for a summer garden party, but breathable enough for a casual heist.

Heliotrope Dress - Why bother keeping up with the Joneses when you can simply make Marjorie Jones jealous enough to curse the day you were born. This button-down, belted dress is simple, chic and classic.

Larkspur Dress - The Larkspur Dress shows just enough while leaving the rest to the imagination. Made with a fine, but surprisingly sturdy fabric, you can be sure that your secret weapons remain concealed.

Cardosanto Bikini - Looking for fun in the sun, with enough space to conceal your throwing stars? The Cardosanto bikini has you covered. The belt ring? Emergency parachute cord.

Daffodil Sunglasses - Why bother with rose tinted glasses when you can see the truth (and through walls) with these floral frames?

Hyacinth Hair - Cleaning up the scene of a crime, but want to look chic while doing it? Look no further than this flippy 'do with a rather fashionable bandana!

Triffid Sunglasses - These sunglasses look really cool. That's it! No secret powers....or are there?

Nightshade Gloves - Not only are these heart-cutout gloves incredibly stylish, they don't leave fingerprints anywhere! Jessamine Earrings - These fabulously mod earrings make a statement, but could also take someone out...so don't whip your head around too quickly.

Holly Earplugs - Block out his snoring while tuning into your favourite bugged phoneline to lul yourself to sleep with these very stylish earplugs.

Holly Earrings - Love your Holly Earplugs, but prefer to hear what's going on around you? These earrings are perfect for you. Sadly they can't pick up radio signals, but they can pierce skin!

Oleander Earrings - These earrings will set you squarely on the list of Oasis Springs' most stylish sims! If they don't, simply take them out and throw them at the journalist who dared to write the list.

 Looking for more? Grab Surely-Sims' part here! And check out the amazing Plott Legacy while you're at it

[bluebeads-art]

2024 September 23rd

Okay so. I kept seeing drawings of Siffrin in iconic Sonic the Hedgehog poses for some godforsaken reason? And like, I was a HUGE Sonic nerd as a teenager. Absolutely obsessed. You can't do this to me. As soon as I thought, "Isabeau would fit Knuckles' poses," and "Mirabelle can be Amy Rose!" it was all over. I had to join the funny art trend.

I'd already seen drawings of the really iconic Sonic Adventure poses, so I decided to go with Sonic Advance 3 poses instead. They might not be as recognizable, but as someone who loved SA3, they're iconic to me. And I'm the artist here, the only people who matter are me and my inner child LMAO.

Pose references and more rambling under the cut

^ Character select pixel art from Sonic Advance 3.

I wanted to just go with the flow for this drawing and not worry about style or anatomy as much. No thoughts, head empty, only vibes. It turned into a really fun abomination of my casual art style, ISaT style, and decade-old Sonic-drawing muscle memory. I miss Siffrin's cloak fuzzies though, but Sonic art styles are just so smooth and clean and I couldn't find a way to get them to mesh well.

Time taken was 20 hours and 10 minutes, because I don't know how doodling works.

Isabeau took a fraction of the time Siffrin and especially Mira did. Amy's pose is not meant for human arms. I left behind a graveyard of failed hand poses. Meanwhile Siffrin was rough because of their friggin cloak making the pose hard to read, but I figured it out!

I'm still new to writing screen reader alt text, and I have no idea if I'm going overboard or not, lol. 291-word description essay GO!

[razzafrazzle]

a bip and a mod podge...

[image description: a drawing of bipper from gravity falls in his reverend outfit next to mod podge, a version of mabel pines where she is possessed by an original character named hodge podge and is wearing a blue, white, yellow, and pink jester outfit with her hair braided. bipper is looking off, smiling in thought, and mod podge is singing happily. end id]

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[lady-phasma]

Sometimes having a couple Art History degrees is useful when watching a series or, at least, makes things more interesting. I've been thinking about potential series canon for future seasons and how perfectly Assad's casting and Armand's updated/modified history can still fit with Andrei in the books.

The name Arun that they chose for him is actually a Hindu name, but his timeline aligns with the beginnings of the Mughal Empire in 17th century India. So let's assume they keep the artist theme for Arun (pre-Amadeo) like it was in the books, how perfect would it be that he converted from Hinduism to Islam before he left India? I envision illuminated manuscripts of the Qur'an that he painted and tracked down over five centuries later. Like these pictured below from past Sotheby's auctions, they exemplify Anne's descriptions of the religious ikons "not painted by human hands" even if Islam is iconoclastic.

Source

Source

Full volumes under glass, framed single sheets from long-damaged copies, I can picture so many versions of these illuminations that he might recover and deem precious simply because they came from a time that appears (to him in hindsight) to have more freedom than anything he knew for centuries later.

This part is pure conjecture (and a bit of hope): if his parents were Hindu, maybe he converted to Islam on his own. I doubt it based on his age at the time he was sold (15 years old in the series). But I would love it for him if, after centuries of forced belief in a system based on a response to Catholicism, he was able to go back to a religion that provides him some comfort. Anne wrote Armand as one of the more religious of her characters and I trust these show runners implicitly - I believe they will exceed my expectations. I need Armand to have something that is his, truly and completely his.

[grandline-fics]

Hi Kerrie, thank you for your wonderful writings! I was wondering if we could we see the ‘waking up the morning after’ prompt with Shanks and/or zoro and sabo (if you enjoy writing for these characters). Thanks, I hope you’re having a great day! ✨

DESCRIPTION: Prompt: Waking up the morning after

WARNINGS: a little suggestive but nothing explicit? mostly fluff

CHARACTERS: Shanks, Zoro

WORDS: 1,889

A/N: Thank you for requesting this! I kept everything more on the fluffy and sweet side and only managed to think of something for Shanks and Zoro. I might do something with this for Sabo separately if I think of a scenario for him. Hope you like what I managed to come up for this one.

*REQUESTS ARE OPEN*

DIRECTORY | PROMPT LIST

———————

SHANKS

You’d always known what you were getting yourself in for when you joined the Red Hair Pirates. You knew the type of man Shanks was, his presence alone commanded everyone’s attention and that was before he’d even opened his mouth to begin the effortless charm that flowed from him. He was as charming as he was powerful and unapologetically flirty with everyone he came across. Even before he’d offered you a place on his crew your first interaction with him head been a flirtatious one. It had been so natural and easy, you’d never had an interaction like it. If it hadn’t been interrupted by the group of bandits attacking in the middle of your conversation you’d been sure that you would have gladly followed Shanks to where his bed had been for the night and never seen him again when you woke. However it was thanks to the bandits that Shanks had gotten to see just how formidable a fighter you were and insisted you be a part of his crew. 

Naturally you couldn’t say no to him with an offer like that but now that he was your Captain you’d made it a firm rule that nothing would happen physically between you both. It would just become messy if it was only a one time thing. It would muddy the waters between seeing him as a lover without lessening his authority as your leader. While you knew deep down that Shanks would never kick you off the crew you didn’t want to risk it. You’d kept firm in your dedication to just being his subordinate and resisted his charms when the crew partied. Yes you indulged in the playful banter but that’s as far as you allowed it to go. You just always felt so comfortable with him that the second his lips met yours the evening before during one of your late night talks that all sense went out the window and you gave in to temptation so easily.

That’s why you refused to open your eyes, because if you did that meant facing the fact you’d royally fucked up. Still denial was the more appealing option because the warmth of Shanks’ sleeping body against yours was just as enticing as he was when he was awake. No, you had to be strong. With a deep breath you forced your hand to rub your eyes and slowly opened them, internally cursing when you saw the sight of Shanks sleeping all too peacefully beside you. It really wasn’t fair how good he looked but you couldn’t get distracted. You needed to talk about what happened. Glancing down you looked at his arm across your body, fingers lightly curled against your hip. As if sensing what you were awake, Shanks’ peaceful expression shifted to one of groggy stirring. His fingers secured themselves against your side before his arm pulled you sharply to hold you by his chest. Your breath lodged in your chest when he let out a content sigh, nuzzling his face against your neck. “Mornin’ gorgeous…” Heavy with sleep, his voice was even deeper than normal. When you didn’t immediately answer, Shanks’ eyes finally opened, regarding you carefully. “What’s up?”

“You really have to ask?” You asked softly with a small laugh, turning you head to look at him. You never had an issue being open and honest with Shanks. Even now as you both lay naked and about to talk about what happened between you both you felt no hesitation or need to hold back. “Last night shouldn’t have happened, should it?”

“You asking me or telling me?” Shanks asked softly, fingers lightly moving to play with yours. “I don’t regret it.”

“This isn’t about regrets Shanks.” You sighed, settling your free hand over his to still the gentle but distracting motions. “This is about what happens next. This is about balance. What are the crew going to think?”

“I think the words ‘fucking finally’ and ‘Cap’n you lucky bastard’ will be the general consensus.” Shanks grinned at you, relieved to see you fight a smile and playfully roll your eyes at him. “I’m serious though. The only one overthinking this is you. The crew have been waiting on this for so long so nothing’s going to change with them. The only question is, did you want this to have been a one-time thing?”

“Shanks you don’t do relationships. Not in the time I’ve been on the crew.”

“Yeah because I only wanted to do a relationship with you.” Shanks explained, lacing his fingers between yours to lead your hand up to his lips and press the softest kiss against your knuckles. “So what do you think?”

“I think you’re a very dangerous man Red Hair…” you sighed, stunned at his confession but not rejecting it. His effortless charm and commanding warmth was dangerous. Even more so was how safe and happy he made you but you had no fears about this.

“You’re one to talk.” Shanks chuckled, lowering his hand to pull you closer. “You’ve had me under your spell since the first day we met and I’ll be damned if I let you go now.”  

ZORO

You and Zoro always had a strange sort of tension underlying in your friendship. On the surface you both were warm and comfortable in each other’s presences. Perfectly balancing the other and both having a strong understanding of the other without needing to communicate beyond brief words and the slightest shifts in stance. On the ship you two were considered the closest of friends. Underneath it all? You both held heavy attraction and intense want for each other but at the same time the restraint you both had to never step over that line and delve deeper into what you both desired was stronger. For now you were both set on getting stronger and enjoying your adventures together with the rest of the Strawhats. Deep down you both knew that the other wouldn’t reject any advances if they were made but still you both held back, believing there would be plenty of time for that. That you’d both know when the time was right. 

Then Sabaody turned the tide for you all. Under the assault of the Marines you were all defeat so easily and with terror in your eyes you realised you were all outmatched. Out of instinct you looked to Zoro and you could only watch helplessly and washed in cold dread as the swordsman disappeared in the blink of an eye. Then one by one the rest of you were dispatched by Kuma, struck out of sight and before you knew it you were on a completely different island. Alone and scared for the first time in a long while, missing and fearing for your crew. Just when you thought things couldn’t get worse you were faced with the news that your Captain had lost his brother. Thankfully you deciphered his coded message and resolved yourself to spend that time getting stronger. 

Through the two years away from your friends you always thought of them, hoping they were safe and training too although Zoro crept into your mind most of all. On your worst days, the image of him training on Sunny’s deck like he used to helped motivate you to push through your mental blocks and keep going. Finally the day came when you stepped foot on Sabaody again and a shudder ran through you at the memory of what had happened the last time came to your mind. You had faith in your crew that you’d all improved and it would never happen again but it was hard not to remember the fear of that day as if it was happening all over again. Setting off you made your way to the grove for the long awaited reunion. 

Night had begun to fall when you spotted the familiar sight of Sunny’s head and your steps quickened from your relaxed pace into a full run. Just as you climbed onto the deck you felt a presence rush towards you. Sharply you turned and lifted your weapon in time to block the blade being swung at you. Your eyes lit at the sight of Zoro, the relief that flooded you quickly gave way into all those old feelings hurtling back and your smile grew to see the recognition appear in Zoro’s expression. Then your smile fell slightly to see one of his eyes was scarred and shut. Without thinking you reached out and settled your hand on his cheek, your thumb gently touching his scar. The small action was all it took to bring those old feelings that had always danced dangerously close to the surface reappear stronger than even given the two years of separation. “Who else has arrived?”

“No one. It’s just us.” Zoro answered while capturing your hand that was still against his cheek. Without needing to say anymore you both closed the distance remaining between you both and your free hand fisted in the collar of his clothing and yanked him forward while his grabbed your waist. Neither of your wasted anymore time in finally coming together and kissing intensely, something both of you had spend the two years apart regretting hadn’t happened until now. Even then it wasn’t enough, you were both so desperate for each other, to make up for lost and wasted time holding back that you both fell headlong into your desires now; acting in perfect synchronisation and the almost wordless communication that was unique to the two of you.

Finally when morning came you woke feeling calmer and more at peace than you ever had before. Even with the weight of Zoro’s arms holding you tight and secured against his body you felt light and happy. More importantly you didn’t feel scared about the next part of your adventures with the crew. Your eyes opened to see Zoro was already awake and watching you carefully, seeming to be just as relaxed as you were. “Hope you’re not planning to greet everyone back like this.”

“As if.” Zoro rolled his good eye but the slow grin began to appear on his face as he took in your face in the morning light. The two years had changed you both, but not in the ways it mattered. You were still you and apart from his loyalty to Luffy, you were the only other person he worked hard to get stronger for and return to. At his response you grinned brightly and Zoro let his knuckles lightly stroke your face, he’d missed your smile. He’d missed you. Zoro leaned forward with the intention of pulling you into another kiss only to stop when a familiarly ‘super’ cheer broke through the calm morning air. 

“Looks like we won’t have the ship to ourselves anymore.” You grinned, leaning in to press a quick kiss against his lips as you prepared yourself to get up and change to greet Franky. It wouldn’t be long now before you were all finally reunited. You were stopped when Zoro sat up with you and pulled you back to hug you tight, his silent way of telling you he wasn’t going anywhere ever again, not without you. With a warm smile you squeezed his arm in a reassurance that you felt the same way.

——————————————-

TAG LIST (If I’ve missed anyone or if you want to be added just let me know) @3v37773, @tsaaps , @i-am-all-love-puns-and-lazy , @sanemisnonexistenteyebrow , @fiery-captain-spider-santa @kabloswrld , @atanukileaf , @ane5e , @stuckinthewrongworld , @deathsmajestysworld , @cloudysunset04 , @extremely-ashtridic , @decayingpizza , @liesatemyocean , @ace-for-ace , @nerium-lil , @destynelseclipsa

[bones4thecats]

Hello! I am 🫱🏻 anon! Could I request Malleus, Jamil, and Ace with a s/o who fears being separated from them?

➸ Separation Anxiety! S/O; Twisted Won.

Character: Malleus Draconia, Jamil Viper, and Ace Trappola A/N: These are short, yet sweet (I hope) Disclaimer(s): Not that descriptive panic attacks? Idk if that's a trigger warning though... meh, whatever you think it is

╔══════════════════════════════════════════╗

╚═════ Malleus Draconia ═════════════════════════╝

🐉 Malleus was clingy in his own ways. It came with being a Dragon-Fae, as they were known to cling onto the things they either found value in or something that they determined to be theirs

🐉 Because of that nature, he was almost always around you, and whenever you were away from him, he'd feel bad. Little did he know, you felt the exact same whenever he had to be away from you for too long

🐉 Your issues with separation was shown when you couldn't find him and hadn't seen him since that morning. You ended up curling inside of his room in a ball crying your heart out

🐉 Malleus appeared and after calming you down, asked Lilia what was up with you having issues with being apart from him. After being informed on your separation anxiety, Malleus began to keep you by him everywhere he went so you wouldn't get upset again

╔══════════════════════════════════════════╗

╚═════ Jamil Viper ════════════════════════════╝

🐍 Jamil isn't that clingy. He's used to not having many things to himself, after all, he does work for the person who considers himself to be his best friend

🐍 When you came into his life and actually got together with him, he became fairly clingy in a different way than what many would believe him to be. He would try to always keep tabs on you to make sure you were okay, he didn't want to come off as obsessed, but to others, he did

🐍 He found out about your separation anxiety when he had to go away to grab something from his home, leaving you with Kalim, who ended up speaking to another one of his siblings. You began to panic, and you ran to the nearest bathroom, curling onto the ground and crying

🐍 Jamil found you and ended up carrying you to his room to keep you calm and away from crying, hearing and seeing you crying just made his heart break. When you do calm down, he does research to keep you from breaking down again

╔══════════════════════════════════════════╗

╚═════ Ace Trappola ═══════════════════════════╝

🪅 Ace is unknowingly clingy himself. He always had an arm around your shoulders as he spoke to the others, and was almost always around you. From the start of the day till the very end

🪅 Because of this, he never had to notice your separation anxiety, as if never became a big problem. But when it did, let's just say he was far less than prepared

🪅 Unlike the others, Ace has no chill when you panic. So, he just kneels in front of you and nervously tries to joke around to get you to laugh off your fear, and when that doesn't work out, he ends up groaning and trying to hug you to calm you

🪅 It took a while, but when you did calm down. He joked about how much he deserved a reward for helping you out of such a sticky-situation. You know he doesn't mean to be mean, so you just chuckle and pat his head as you cuddle up to him

[mimble-sparklepudding]

Ship and OC Relationship Creative Process Ask List.

I am still pondering how best to approach some sort of "ship" for one of my OCs, but it's proving to be quite the challenge to wrap my head around. So what better way to learn more about how other people approach the topics of sex and relationships with their characters than to put together a little Ask List. Not just focussed on ships between OCs and canon characters, but also open to relationships between your OCs - or your OC and someone else's OC (or OCs, as we are all very polyamory inclusive around here).

Did you create your OC with a plan to ship them with a specific character or another OC? Or was their relationship something that evolved all by itself?

How important is your OCs relationship(s) to their story? Would it still make sense without it? Or is their connection to this other character integral to their development?

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

How graphic or explicit are your explorations of sexual interactions involving your OC? Do you happily name body parts and actions? Or do you prefer to leave the mechanical details to the imagination?

If your OC's relationship involves a gender or orientation different to your own then how confident did you feel about exploring or writing this? If your OC and the character(s) with whom they are in a relationship are the same as you in terms of gender/orientation then was this a conscious decision?

How easy do you find it to write (or otherwise portray) non-sexual affection between characters? This might include terms of endearment, "pet-names", descriptions of cuddling or stroking the other's head in their lap etc.

How important is other people's investment in (or enthusiasm for) your character's relationship? Was this a consideration when you were planning it? Have you ever changed a character's relationship(s) due to other people's response to it?

To what degree do you use your OC as a means to explore your own romantic proclivities (or shortcomings)? Is your OC a self-insert and the relationship a form of wish-fulfilment and/or an means to explore certain fantasies? Or do you enjoy exploring something completely different to your own experiences and preferences?

How confident are you in writing about or otherwise portraying kissing between characters? Did this take practice? How much detail is enough? How much is too much?

Is it important to include tension or outright areas of conflict in a relationship? If so then how do you explore these? Or does this not appeal to you?

Does it matter to you how many other people also ship their OC with a particular character? Would this make it more likely that you will compare your material to theirs? Or does this not enter into your thinking?

How much does your OC's background and origin affect their approach to relationships? Are there specific insecurities or preferences that lead on from their past?

How easy do you find it to write romantic (or sexual) dialogue for your OC? If they are in a relationship with a canon character then how difficult is it to keep these interactions faithful to their established character and communication style?

How do you feel about answering questions about your characters sexual/romantic activities or preferences in character?

Did you build up to your OC being in their relationship? Or did you put them into it quite quickly and then filled in the background in retrospect.

Is there a relationship between characters in another setting that particularly inspired you? What is it about this portrayal that you enjoy?

Does it matter whether other people consider your OC sexually attractive? Did this inform your thinking when you were creating them? Also was it important that you put them in a relationship with a character who is generally considered "attractive"?

Do you have specific music that makes you think about your OCs relationship?

Do you have a sense of how your OCs relationship will evolve in the future? Or is it quite a fixed in terms of dynamics and story?

Is it easy to write or otherwise portray other characters (or OCs) reactions to your OCs relationship? Are these interactions important to your characters story? For example, is the relationship one that can be publically acknowledged?

How important is it that your OCs relationship is "realistic" for the setting in terms of the characters values and attitudes? Or are you happy to explore psychological or sexual issues that might more reflect contemporary concerns?

Do you consider your OC to be sexually attractive? Or pretty/handsome? Would you still be able to write about their relationship if you didn't?

What is something you feel you have improved at in terms of portraying sexual or romantic relationships?

How do you feel about people producing fanart of your character's relationship or ship? If this were NSFW would you want to be asked first?

Other than your own characters' relationships, can you give an example of someone who is particularly good at writing or otherwise portraying romantic and/or sexual relationships? What is it about their work that really stands out for you?

Have you given much consideration to specific "kinks" or sexual likes and dislikes for your character? If so then is this something you feel comfortable talking about or describing?

Is there a particular "trope" for relationships that you especially enjoy - e.g. enemies to lovers etc - and is this something that you set out intending to explore?

Is there something you historically felt (or still feel) awkard about describing in terms of your character's relationships? Whether sexual acts, bodyparts, pillow talk, romantic declarations or using the "L word". How did you overcome this (if you ever have)?

What makes a scene or situation "romantic" in your opinion? Is this something you find easy to portray?

What advice do you have for someone considering creating a ship for their character? Or for someone unsure about writing relationships and/or sexual scenarios?

When portraying romantic or sexual scenarios involving your OC, do you aim to inspire a particular response in the reader or viewer? Whether a warm fuzzy feeling, or getting really quite turned on (or possibly both)?

If you ship your OC with a particular canon character, then what was it about that character that drew you to them? Is it that you have a certain "type" when it comes to shipping? Or did you surprise yourself with who you felt drawn towards? If your OC is in a relationship with another OC then did you change any aspects of either of their backstories or personalities to make this work?

To what degree is your OC a self-insert, particularly in terms of their relationship? Do you sometimes use your character's relationship to explore your own feelings about a canon character or another OC?

How confident are you in writing angst or portraying conflict or tension within a relationship? Or is this something you avoid? If so is this because it doesn't much interest you? Or because you're unsure how to approach it?

Is there a way in which your portrayal of your character's relationship subverts the reader or viewer's expectations? Was this deliberate?

How do you ensure that the dialogue (or other portrayal) of a canon character is true to their personality and (more importantly) way of speaking? Do you spend time studying their "official" dialogue in order to get it sounding authentic? Or did it just come naturally?

What is something you try to avoid - or think everyone should try to avoid - when portraying sex and/or relationships with their characters?

What is your favourite depiction of romance (or sex if you prefer) that you have produced? Or if you haven't produced one yet, then what is your favourite example from another creator?

What, if any, is your biggest source of fear or anxiety when it comes to writing or otherwise portraying romantic or sexual scenarios?

What is something that your friends or mutuals could do to support and encourage you when it comes to your creativity around your OCs relationship(s)?

[hoodieseasoned]

this took me almost 17 hours pls cheer for me--

gem and a foramare (from one of my fave childhood games; min hero: tower of sages),, i mean come on,, you can't tell me the creepy seahorse-monster doesn't fit her vibe !! it's perfect !!

here's an alt version w more lighting, I'm not too good at figuring out that stuff just yet but it's pretty cute i think !! also included some sketching i did of the first idea

here's a photo of the original foramare <3

i couldn't find any better pics of it online,, i highly recommend the game tho! there's some cool monster designs there (tho be warned, it is an older game so there's also some characters that have maybe not aged as well)

here's a little speedpaint too :)

image description below:

[1st ID: A digital painting of Geminitay riding on a Foramare. Gem's appearance is loosely based on her season 10 skin, she has on an off-white pirate shirt, dark pants and dark boots. Gem is holding up a sword towards the top right of the drawing, where light is shining down on her. The foramare is a teal-colored scaly horse, with dark green mane and tail. It's tail is long and lizard-like with spikes along the top, and the green hair part along the bottom. It has white eyes, a long horn on it's forehead and white tusks sticking out of it's mouth. It has on a golden bridle, and growing on it's body there are barnacles and an orange seastar. The background is a jungle, and the foramare is walking in a river. End of ID.]

[2nd ID: the same art but with more sunrays. End of ID.]

[3rd ID: A sketch done in blue pen of Gem and the foramare. End of ID.]

[4th ID: A very low-quality photo of the original Foramare from the game. It has no bridle or horn like in the drawing, and it has red eyes and it's ribs are visible through a hole in it's side. End of ID.]

[deer-head-xiris]

🥧😈TIEFLING DND ADOPTS😈🥧

Adopt Info:

-PAYPAL ONLY

- Claim an adopt by comment or over DM!

-ONE ADOPT PER PERSON for the first 24 hours. If you have bought an adopt and there are still more available after the first day, you are welcome to purchase more of them if you wish (This rule is in place to offer a fair chance where possible). I only hold adopts for repeat customers and friends who I know are good on their word!

-I will send you a paypal invoice for payment.  Please don’t pay until I approve. If payment isn’t sent within 24 hours, the adopt will be relisted

-Once you adopt a character, I'll send you the full-size unwatermarked transparent png, you may do with it as you please. However, if you wish to post it on your page or somewhere else, please put a link to my dA page or my other social media somewhere in the description so that people will know who made it!

-You may edit the character however you like

-NO REFUNDS, If you no longer wish to keep a character that you adopt from me, you can give it away, or resell it for the equal amount or less than what you paid for it!

1. Tiramisu ($120) claimed by claimed in advance by: JDT3 on Patreon!

2. Fruit Tart ($120) claimed by twitter user GepardoG

3. Dragon’s Beard ($120) claimed in advance by: NeonLich on Patreon!

4. Key Lime Pie ($120) claimed by twitter user Lady_Alcazar

5. Honeycomb ($120) claimed in advance by: Tris Tyranion on Patreon! 

6. Candy Apple ($120) claimed by dA user sundaesuspense

7. Unicorn Milkshake ($120) claimed in advance by: beeee on Patreon!

8. Cherry Cobbler ($120) claimed in advance by: Fireflux on Patreon!

9. Taro Milk Tea ($120) claimed in advance by: Sombraling on Patreon!

[smaller-comfort]

Clearly the Drazak equivalent to a bride throwing the bouquet is for the agender spouse to chuck a decapitated head across the banquet hall.

...in other news, chapter 2 is going great. Still not done. I no longer know where the chapter breaks actually belong, or how many chapters this is supposed to be. Maybe it's a one-shot. What is a word count. Why are all of my paragraphs suddenly so long. How many more times can I reread Twice-Dead King before I start memorizing it. (oh no)