#there are so many parallels between what they say and how it feels to be a lesbian and it made me emotional

[solidaritygaming-fanblog]

right. So I'm kinda insane and found another song to talk about in some life series / evo context: Copycat. (Song will be linked at the end of the post!)

So, many people headcanon Jimmy and Grian being brothers- and it makes a lot of sense. They're both dirty brown haired, have dark brown eyes, are British, bird coded, have warring personalities, and actually are associated both with yellow, and then one other primary color- Grian taking red, and Jimmy taking blue. Even their main colorations show a kind of "parallel difference" between them, with recently, Grian being associated with red and purple, and Jimmy with blue and yellow.

Now. Recently Jimmy did some lore of him praying to the Watchers. And back in Evo, Grian was taken into the Watchers ranks- so there is some repeated or rhyming elements in their arcs. However, I raise you this- Jimmy is Grian's "replacement", or basically, a backup for if he defects from the Watchers. That's why he has such a deference to them- its hard coded into him. That's why he's acknowledged them so much recently, because Grian's slowly leaving, and they're beginning to get Jimmy to replace him.

For a long time, those two have had a sibling dyanmic- Grian, the older, stronger, and smarter brother, and Jimmy, the younger, weaker, stupider sibling. Grian basically torments Jimmy for his own amusement, and the Watchers let it happen- if Grian ever defected, they could simply feed Jimmy praise -you're better than Grian ever could have been, hes weak and you're incredibly strong, of course we will listen to you- and he would instantly be completely loyal to them.

The song has a few choice lyrics I'd like to point out:

"We get along just fine!" "I say everything you like to hear..." "It's funny how much I feel like I'm looking in a mirror!"

Say "Hello! What's up with you?" "I'm starting to talk like you do..."

"We've grown apart this time, I can't figure out the reason why." "It's funny how much I'd kinda like to see you cry."

"I've become what you like! I am what you wanted, right? Sacrificed all that I know, I have taught myself to let go!"

In any case, the main motif of the song is losing your identity- and that's exactly what's happening to Jimmy, memories of servers being scrubbed as the Watchers prepare him to take over Grian's position. The whole chorus is Jimmy giving in to the Watchers, and thinking about Grian in anger- he pushed him too far, yes, of course- the perfect way to get back at him, to team up with the eldritch gods Grian hates. Grian said he should be stronger- well now look at him! He's one of the strongest beings alive! He is now what his brother wanted him to be, perfectly made in his image.

Oh, and in case you need further convincing, look at how Grian's wings are usually portrayed. Scarlet macaw- red, blue, and yellow. Now look at Jimmy's wings- nearly always yellow, but in Wild Life, he's become a parrot. His wings are blue and yellow now. I bet he sometimes sees little red feathers and rips them out, desperate to distance himself from Grian- unfortunately, his brother.

Meanwhile, Grian doesn't know what's up with his little brother, and is desperately trying to get him back, to prevent him from making the same bad decisions he did- maybe even losing some of his Watcher powers as Jimmy's power begins to eclipse his own.

Link+ a lil more below the cut. This post is too long already. Whoops

Okay I can perfectly see in the "Copy that copy cat!" bit in the chorus, different sprites show up with every beat. The first four are of Grian (followed by a short animation of him saying the line) hitting poses, with maybe each sprite having a little refrence to a different season or series they have been in together. And then it swaps to Jimmy, facing towards him, hitting the same poses, with matching refrences. However by the end of the song, Jimmy takes charge, doing the poses first and surrounded by eyes- and Grian, trying (and failing) to match the poses and control the eyes, confused why he's lost his power.

Give my boy Jimmy the power. Grian has tormented him far too long.

[loveandthings11]

Understanding in 1x02 vs 4x03:

*deep breath*

Early on, this is what Shiv sees:

This is what she doesn’t see:

Kendall is cornered into talking about the business. Wordlessly, gently threatened into it when he said he didn’t want to right now. Gerri and Karl aren't in mourning. They are doing their jobs, and they’re testing him to see if he can do his. If he said no and walked away, the company would be taken out of family control, Logan would be furious, and he'd lose out on his dream forever.

Shiv sees none of that happen, and Kendall doesn't even tell her about it- maybe because he thinks she wouldn't listen, maybe because she said she thinks he’s weak already, or maybe because he just almost never defends himself in general. But she can’t see his perspective without knowing what happened.

The lack of understanding between them results in this disaster:

She thinks he’s being cold by talking to the nominating committee, but we see how he really feels. He just always turns to reason and order in times of crisis and she doesn’t really know that.

He has not forgotten this conversation or Shiv’s perception of him here. He doesn’t want that:

Shiv’s been inside Waystar now. She knows now that talking business for a minute during a dark time doesn’t mean you don’t care. In fact, she did it while Kendall was confessing his worst moment, but it didn’t mean she loves him less. She knows him better now and has seen that he’s anything but emotionless. No one criticizes him for turning to reason and order this time. They ask for it.

No matter what happens, he won’t forget this nice conversation either. He won’t forget that his siblings finally see him the way he’s always hoped they would: as the big brother who can make hard decisions in seemingly impossible moments. He’s the one who can shepherd them through it. There’s trust there now and they finally know how it feels. The door will be open for togetherness now, even if it looks like it might close for a while. It’s not that they changed as people, it’s that they’ve learned how to read each other.

Not seeing each other’s perspectives led to having to be alone:

Now, it seems, even though they will struggle for a while, they have an understanding.

🤍

[taamlok]

who else up crying over dragon age rn

[benevolenterrancy]

hi! I recently came across your tgcf fics, and I wanted to say you’re a phenomenal creator. the recovery series fic and the gloves fic and just all of them. thank you for your content and great attention to detail.

do you have any thoughts/hcs on FXMQ and Xie Lian you’d be willing to share? within the original story or the universes of your fics!

Thank you so much, I'm glad you're enjoying them! (ﾉ*^▽^*)ﾉ.｡:*☆

hmm, random thoughts about the FXMQ... a silly headcanon: Feng Xin has very much been hoisted by his own petard by heckling Mu Qing! That is to say, he'll harass Mu Qing relentlessly about something stupid only to be confronted with a similar situation and realise that there's absolutely NO way he can act in anyway similar to Mu Qing or he'll never hear the end of it.

(For example, he has tolerated some truly atrocious divine statues in the past because he's heckled Mu Qing so much about how picky he is with his divine statues that there's no WAY he can say ANYTHING without seeing that smug bastard's face in his head so he just has to bite his tongue and tolerate some unspeakably ugly statues.)

Mu Qing doesn't generally suffer from similar overthinking (he'll just prepare to kick FX's ass if he dares to say anything about it) except for things more directly related to himself. I think he genuinely finds sewing/embroidery/etc rather relaxing work but he'd rather die than have anyone ever see him do it because he's made such a big deal about not doing that sort of "servant" work anymore.

(He actually really enjoyed stitching Ruoye back together because it gave him the perfect excuse -- he's returning a favour!! and Xie Lian is hopeless!! of course he had to!! -- and he secretly considered using white thread to embroider some invisible little designs just because he doesn't quite want to stop... only he knew he'd get caught if he messed with Xie Lian's spiritual device like that and gave up the idea)

[throne-of-crows]

What parallels between Will and Steve? Only things I can think of are in season 1 when Nancy is talking about Steve at the dinner table and then Mike talks about Will after she storms off (because at this point in the story she does care about Steve) and Mike says "I'm the only one that cares about Will". If we consider that a parallel then Mike's relationship with Will is being paralleled to Nancy and her current boyfriend. Doubt milkvans want to admit the implications of that being an intentional parallel as far back as season 1.

The only other scene I can think of is also in season one when Mike says he thought Nancy was acting weird because of Steve and Nancy says she thought he was acting weird because of Will. And while you could take that as a bad sign sign that Will is being paralleled to Steve here, it doesn't change the fact that Will is again fulfilling the same role for Mike that Steve is for Nancy (a boyfriend).

Either these parallels aren't intentional and Will isn't being paralleled to Steve or they have been suggesting Mike's relationship with Will is romantic in nature since season 1 which doesn't exactly fit with the milkvan belief that byler has no build up. Unless they mean to tell me that they think the show has been setting Will up in the role of Mike's love interest to show that he is actually the love interest Mike chooses someone else over (despite also saying Mike doesn't have feelings for Will and never has). Almost like that makes absolutely no sense.

You can't really compare Will to Steve because if byler isn't happening then Mike has never had feelings for Will so he wouldn't be picking El over Will because Will would never have been an option in the first place. Paralleling Steve and Will would only make sense in regards to both wanting someone who loves someone else, the parallels don't make sense in regards to being the original love interest that is disregarded in favour of someone else (which if you interpret these parallels as anti-byler then this is what they would be).

And if you admit that Will was Mike's original love interest then you admit byler is reciprocated in which case there is only one way it is going to end.

It makes me laugh the confidence of y’all that Byler will be endgame lmao

You’ve all read too much fanfiction

The canon and endgame couples will be MILEVEN jancy jopper lumax and duzie

Will has the parallels with Steve and then they both will die so the Wheeler siblings will finally be free from them

The ones who will stay single and alive are Erica and Murray

Y’all delulu as fuck, Mileven is the main couple

..See you in a year, then see who won!

You do realize the only reason you're in my blog being this annoying like a dog fart in your face when you're about to fall asleep is because you're extremely scared and insecure about the supposed "endgame" of your ship, right?

By sending this type of stuff to bylers you all look terrified by the possibility that it could happen, it's clear mileven has been written by someone keeping a pen with their asshole if it stays together at this point 🫶

Also if you really think Will is going to die you're just stupid, especially after both writers and actors have confirmed he's going to have the happy ending... like, truly, there's nothing I can do to help you if you're convinced of that

[kerorowhump]

"H-Hi... we're back home..."

"But... sergeant, what's going on? Do you feel sick?"

"Don't worry. How are the guests?"

"I will be eternally grateful to her... if Lady Natsumi is leading the team that's in the kitchen I'm certain that our guests will appreciate it a lot..."

[britneyshakespeare]

My darling dearest Diana ❤️💖♥️ since I know you read it I'm just leaving a message to say.... I deadass cannot believe Gilbert almost killed his future brother in law with a horse whip and was so blasé about it

Literally!!! It kinda bother me when people hold up Anne as the "unproblematic" Brontë sister (yuck) and talk about Tenant like it's above going there when if that happened in Jane Eyre or Wuthering Heights we'd all be like yeah that sounds like the book

[demi-god77]

BYLER GATES: A GUIDE

(Explaining all the different theories, for anyone who is also lost with how many there are)

THE BIG 4

Flickergate: This theory involves a lot of time shenanigans and is connected to the Will having powers in s5 one (possibly manipulation of time or electricity). Theory claims Will and Mike will kiss in the UD, specifically outside Mike's garage, paralleling 1x01. Will is going to tell the truth at the same time his s1 self is ("it was a seven"), causing the garage light to flicker on Nov. 6th 1983.

Birthdaygate: This theory suggests that the Duffers didn't actually forget Will's birthday is March 22nd (the day of the rink-o-mania incident). It claims that Vecna is actually manipulating the characters' memories (possibly even Will's), making them forget his birthday in the process, maybe in an attempt to make him feel excluded/lonely and making him vulnerable. (Similar to the beginning of Harry Potter and the chamber of secrets, which happened to be on the inspo board for S4)

But also the Creel murders themselves happened on March 22nd.

Churchgate: More UD kiss related theories! This one claims Will is going to get Vecna'd or possessed in the Upside Down church (and that he's going to hurt/choke Mike in the process). With a crazy amount of religious symbolism, Mike would be the one breaking him out of his trance, through a kiss or a confession.

(More thorough explanation here.)

Lettergate: This gate's truthers believe that Mike did actually write to Will in the time period between s3 and s4, but never sent the letters. Said letters (signed "Love, Mike") are going to make an appearance in s5, revealing his true feelings. (Great post that has to do with this gate here)

Also related to:

OTHER GATES

Pocketgate: Very connected to Lettergate™️, this theory has to do with Mike's infamous triangle shaped pocket in S4. It suggests that the letter signed Love, Mike is hidden in said pocket throughout s4, since it very closely resembles an envelope. Triangles have also been used in ST as a queer symbol (with Robin) and Mike's pocket consistently points to Will like an arrow.

Phonegate: Kinda similar to the previous two, this gate claims Mike did actually call the Byers in Lenora. For some reason, the calls didn't go through, either because of Joyce's telemarketer job OR because of Vecna manipulating things again (cough, birthdaygate, cough).

This is backed up by one of Dustin's lines, saying that the Byers' phone line is always busy and Mike won't stop complaining about it. We know he must have been calling WILL, since the whole reason he was communicating with El using letters is that they couldn't talk on the phone.

Loverslakegate: Related to Lovers' lake (obviously). The lake is shaped like a heart, tying into its name, but it was split in two after the gates opened, now resembling a broken one (and Mike is ofc referred to as "the heart" so it could be a reference to him).

According to this theory, Mike and Will are going to kiss/become lovers near said lake/Reefer Rick's house.

Heartgate: To put it simply: Heart reflections EVERYWHERE. This one is better explained through pictures:

Also: Different heartgate but really interesting

Colorgate: I don't think I have to explain this one tbh but anyway

Blue meets yellow in the west.

Mike and Will have been HEAVILY associated with blue and yellow respectively since the beginning of the show (even wearing eachother's colours in both of their arguments). There's an insane amount of evidence that backs this one up.

It's speculated that the Russian code in s3 was foreshadowing for s4 ("The silver cat feeds when Blue meets Yellow in the west") Silver cat: Vecna who started killing when Mike (Blue) met Will (Yellow) in the west (California, literally west of Indiana)

Curtaingate: "They don't spent their lives trying to get a look at what's behind the curtain [...] They like the curtain. It provides them comfort, stability, definition" -Murray 2x05

Mike and El are pretty consistently framed in front of CLOSED (and more often than not, yellow) curtains, or ones that have closed blinds. According to this theory, closed curtains represent not being honest with one's true feeling. So, the truth about Mike's feelings is beyond the curtain and in s5 he will open it (and come out)

Motelgate: This one has to do with the dreaded two day time skip at the end of S4. Theory claims the Cali crew stayed at a motel during that time skip and the scenes were cut for time, but we'll flash back to them in s5. It's based on a photo a production assistant posted from the New Mexico filming, as well as some bts pics of the Cali Crew playing board games in a motel.

Shoegate: In S4, we see a pair of Will's shoes in his bedroom. In s5, Mike seems to be wearing that exact pair. This, in addition to the fact that they wear the same shoe size (a 10 according to their rollerskates from 4x02), lead people to theorize they will share clothes/shoes in s5. More importantly though, this theory suggests Mike is figuratively being put into Will's shoes (maybe pining?). Also, both of them wear the same shoes they wore in s2. Interestingly enough though, even though the design is the same, the colors are reversed (so their roles will be reversed too).

Possessiongate: This one runs DEEP so I'm going to link a bunch of posts

To put it VERY simply: this theory claims Vecna somehow attached himself to Mike (maybe when the vine grabbed him by the leg in the S2 tunnels- right before he started acting weird in s3 and s4) and he has been influenced/possessed for some time now.

He's not the dungeon master anymore, he's not in control. Both in s3 and s4 someone ELSE is the DM when they play D&D (Will and Eddie respectively)

More here and here

Victimgate: Very closely related to the previous one, this one suggests that MIKE was originally supposed to be Vecna's 4th victim instead of Patrick. Since Max escaped the first time, SHE ended up being the last victim but the original plan was for it to be Patrick. However, Patrick's curse doesn't fit the theme of all of the previous ones. We only see one of his visions, he gets cursed for ONE DAY, as opposed to the other 3 that are cursed for almost a week and we also know very little about him, even though we gradually knew more about the previous victims. Chrissy (no relation to main characters) -> Fred (friends w/ Nancy) -> Max (main character who we've known since s2)

More thorough explanation here

Twelvegate: This one is not really Byler related but i wanted to include it anyway

Theory claims Will was one of the lab kids (specifically 012) and him and El are actual twins. There are mentions of Will and El looking similar since s1, and a lot of twin imagery.

This theory obviously ties in with the Will having powers one and some people believe he wasn't 012, but him and El have a deeper connection/may be actually related. It could theoretically explain Henry's connection to Will, as well as things like El seemingly recognizing him in s1.(Alternatively called rainbowshipgate, because of the rainbow ship drawing Joyce mentions in s2 and the rainbow room)

Eightfifteengate: Again, not explicitly Byler but it's quite crazy.

TL;DR: The time 8:15 seems to have great significance in the show and it's mentioned all the time, if not by the characters themselves, (Eg. "It's 8:15, you're late"- El s2) then by small details in the background. There's even a whole track named after it.

Will left the Wheelers' house at 8:15 and it's the EXACT timestamp of his disappearance in 1x01. It's also the time in which most of the UD related weirdness happens and so it's very likely the UD is stuck on 8:15. (Also you know, 15-8=7)

Radiationgate: Related to the previous one! Clocks in Chernobyl are stuck on 8:15 and Hiroshima has been described figuratively as being frozen in time. Henry has burns identical to Chernobyl victims and almost all of his + his victims' symptoms can be explained through radiation exposure. As this post explains, for radiation levels between 8.3-11 Gy (SI unit for absorbed radiation), symptoms start with headaches and disorientation, move on to unconsciousness and bleeding (the exact symptoms of his victims) and finally, death happens at around 7 days (which is about how long Vecna's curse lasts AND how long Will was in the UD for)

Whiterabbitgate: The song "White Rabbit" is the first song in the show and it plays when we first get a sense of El's powers. Theory suggests it will also be the last song in the show (coming full circle) with either Will using his powers, or Willel using their powers together.

In general though, ST has a lot of similarities/parallels to Alice in Wonderland. The white rabbit constantly being late (Mike is late to something at the start of every season), great significance to clocks/ticking/time, a lot of hallucinations/visions, the overall similarities between the Upside Down and Wonderland. Henry's sister was literally named Alice Creel and there is SO much rabbit imagery throughout the show. There are also direct references to AIW with set pieces and paintings.

Soundtrackgate: This one has to do with the Stranger Things OST and the overall insane musical symbolism throughout the show. A lot of different theories talk about the show's soundtrack, but this one talks about 3 tracks in particular: Being Different, The First Lie, The First I love You

To put it briefly: "The First I love You" plays in both Robin's coming out scene and El's kiss with Mike at the end of s3 (Already a weird parallel). The three tracks not only share the same melody, but they also sync up perfectly. "Being Different" (s4 van scene) and "The First Lie" (Nancy and Jonathan's kiss in s2) especially, match up together to create an entirely new track, completing eachother. The scenes featuring those three tracks also share very similar themes at their core. (This post goes into a lot of detail!)

Playlistgate: Character playlists! At a certain point, every character's official playlist on Spotify was deleted, except for three: Mike's, Will's and Billy's. Songs were seemingly being added/deleted for no reason to the Mike and Will ones and people were struggling to make sense of it all.

Also, Mike's character playlist in particular is VERY interesting (so many byler coded songs, as well as "Smalltown Boy" a gay anthem, about a young gay boy forced to leave his home town to escape from their disapproval and homophobia.) There are three playlists on Finn's spotify that are very incriminating. "Love songs" (That has "BOYS DON'T CRY" on it, a song that Will literally has a poster of in his room), "drive" and the most recent one "STurn". These playlists feature songs like "Let her go", "Angst in my pants", "Me and Michael", "Gay thoughts" just to name a few. Basically a lot of the songs on all four playlists seem very relevant to some complicated feelings about Mike's relationship with El/Will but also with himself and his sexuality.

Scriptgate: Oh boy. Here we go.

On August 5th 2022, the byler fandom got #bylerscript trending worldwide on Twitter while waiting for the 8flix account (run by Nick Runyeard) to release some supposed s4 scripts (that people PAID for, mind you). These scripts dropped on August 8th, featuring lines like: "I hate who I am" from Will in the van scene, "His mouth dry, like a California summer" from the bedroom apology scene and also, Will seemingly recognizing Brenner at NINA, despite never meeting him in canon.

These turned out to be fake and the community was in shambles. Nick started calling people psychos, the Stranger Writers tweeted that everyone got scammed, Nick privated his account and the authenticity of some released s2-s3 scripts was questioned. This post explains the entire situation in detail.

Breathgate: This one is also script related and specifically about a Mike/Max parallel.

In the official van scene script, when Mike sees Will's painting "his breath catches." Then, when Lucas asks Max to the Friday movie date, "(her) breath catches" as well. People caught on that parallel very fast and since the latter is obviously a romantic moment, it boosted their confidence for both Byler and Lumax endgame.

Piggybackgate: This one refers to two different situations/theories.

One, the seemingly deliberate framing of Mike and Will inside the little bubble in El's piggyback drawing (and it referening to Byler). The framing is especially suspicious, because the bubble drawing was drawn two separate times (it's different from one shot to the other). In the second shot, they're framed directly inside of it.

Two, Mike in his monologue essentially piggybacking off of Will's van confession. His monologue was going off of El's feelings, but since they weren't actually El's, the speech was based on Will's feelings. It also ties in with the parallel/foreshadowing between the monologue and Suzie's house, with Will being paralleled to the "director" kid, directing a "choking" Tabitha and their dad (more thorough explanation here).

THE SILLIES

(aka the joke-theories/memes)

Miniongate: Mike and Will are secretly minions. (Because you know, minions are primarily blue and yellow)

This information will be revealed to us in s5 and they will have a magical girl-esque transformation where we see their true minion form. (Original post here)

Localvillagegate: Related to the leaked Mike and El rooftop scene.

Basically, a mlvn used AI to lip read the scene and try to figure out what Mike is saying (and then posted the video on Twitter).

According to them, Mike was telling El they were going to leave the local village (AKA Hawkins) together and travel to a beautiful faraway land with "like, three waterfalls or something" (and also that she has to "improve her motivation", whatever that means).

People thought it was hilarious and started making a ton of memes based on it.

Parrotgate: This is directly connected to localvillagegate™️ and it was created by @cloudycleric in one of his streams.

Basically, the parrots are gay and represent Will and Mike, who in s5 will kiss under the three waterfalls depicted on the image.

Backgroundguygate: People making headcanons and creating backstories for random extras. The star of this gate is Barrett, an extra from the Lenora high school, who wears a barrette, bright red pants and a shirt that says "Hell".

According to this gate, he's actually gay and in love with Will. He has a goth best friend named Claire who is a lesbian and in love with El.

Chancegate: The theme of shipping Will with random extras continues on strong

Chance is one of Jason's friends and part of the basketball team. People thought he was attractive and somewhere along the line started making headcanons for him and shipping him with Will (Bychance). Basically, they're gonna date and Mike will be jealous.

Mikhailgate: More shipping Will with randoms! (I'm beginning to see a pattern here)

Originally created by @paladin-n-cleric

Enzo in S4 mentions his son, Mikhail Antonov. Mikhail is the Russian name for Micheal.

People started making jokes that Mikhail would arrive to Hawkins from Russia in s5 and shipped him with Will (Willhail), since he's like Mike but Russian and cooler. They made fanart, edits and posted pictures of Finn as Boris in "The Goldfinch" claiming it's Mikhail.

@will80sbyers then begun to ship Mikhail with El and thus the ship "Jail" was born.

Baldmikegate: Did you know Mike is actually bald and is bullied for it? Well, now you do.

In 2022, a cult was born and the byler tag was filled with edited pictures of Bald!Mike. Terrifying honestly.

Some people made posts about how the rest of the party feels about Mike's secret baldness and some even wrote FANFICS.

Gridgate/whiteboardgate/pixelgate: The Stranger Writers posted a picture of a pixelated/blurred whiteboard that had the entirety of s5 mapped out. People were desperately trying to decode it and figure out what was written on it.

On the space for episode 7, there was a "big black hole" that people went crazy trying to make sense of, only for it to be revealed as a pen holder.

Babygirlgate: The babygirlification of Mike Wheeler. That's it. That's the gate.

I think pretty much every line Will has ever said to Mike has been posted with the word "babygirl" replacing his name (it's hilarious and I love it)

Some examples here and here

Mattduffersbasementgate: Finn and Joe made up a third Duffer brother named Pete, who has no hair for some reason and is the actual writer of Stranger Things, while Matt and Ross are just the faces of it. Pete lives in a shed/Matt's basement and that's where he writes all of the scripts.

Finn and Noah are both also being held in Matt's basement however, and they're not allowed to leave so that they don't spoil byler endgame.

I definitely missed some gates, but omg this took SO LONG

(this post is for you @felix-fathoms @bibylers)

[reidrum]

two millimeters | s.r

a/n: this was literally born bc i saw reid lying on the couch in the jet at the end of demons and thought ‘i would literally sit against that wall to watch over him on the way back’ so i wrote it

summary: spencer gets hurt and you’re not leaving his side

cw: season 9 finale spoilers for angels & demons, cm violence, hurt/comfort, unestablished relationship

wc: 0.6k

___________________________________________

two millimeters to the right, and it would’ve hit his carotid.

the sentence replays in your head like a cursed mantra, rendering your other senses useless. you couldn’t hear the doctor say you could see him now, or feel penny tug your arm towards the room. and you certainly couldn’t believe your eyes when you saw spencer reid in a hospital bed, hooked up to machines and iv drips, with a big fucking gauze dressage on the side of his neck.

you knew your line of work was dangerous, being a federal agent who hunts down serial killers should be enough to prove that. but it never surprised you seeing the panic that overtook all of you when one of your own was hurt.

the pure terror you felt in this moment though, was something without parallel.

two millimeters. two millimeters. two millimeters.

you’re not even sure how it happened. they were on the way to tell the preacher he was innocent, and instead he opens fire on federal agents? it was a cruel twist of fate, spencer doing what he could to protect his people and pushing blake out of the way but getting hit himself. it wasn’t anyone’s fault either, the preacher had military grade machine guns, and spencer would have done what he did for anyone. you made sure to tell blake that.

but your spencer was hurt. and all you wanted to do was take away his pain somehow, and toss it in a river to never be seen again.

two millimeters. two millimeters. two millimeters.

“hey,” you hear a voice pull you out of your head. looking up you’re met with tired soft brown eyes lying down on the jet’s couch, “i’m okay, honey. please go sit on a chair.”

if spencer had all his strength he would lecture you on the dangers of not being properly restrained on an aircraft and the statistics of plane related injuries. but that was the problem, he didn’t have all his strength. and you were not going to let him out of your sight.

which is why you are sitting on the floor of the jet, perched in front of the couch where spencer laid, resting your head on the cushion his head was on, body leaning against couch’s frame. and you planned to stay right there until you landed back in quantico.

“looks like this flight is overbooked,” your section unit chief teased upon seeing you on the ground, “hopefully the brass sees our good work and gives us a bigger jet next year.”

morgan, hotch, even jj offered you their seats to at least get some rest, something you hadn’t had in days.

“i’m fine right here.” you spoke softly.

jj and penny looked at you in concern, but knew you wouldn’t be swayed to move anyway. your stubbornness always acted as a curse and a blessing.

spencer moved his hand to graze your cheek gently, “the doctors fixed me up really good, i promise i’m okay.”

you move your hand to rest on top of his, slowly rubbing your thumb into the curve of his palm, “and i promise i’m okay right here. i’m not moving.”

two millimeters. two millimeters. two millimeters.

two millimeters would haunt you for many years to come, but maybe right now you could use it to measure how much closer you can get to spencer till there’s only two millimeters between you.

spencer knew this was a war he was not winning, and let his hand intertwine with yours. if you weren’t so close to him you might’ve missed the faintest “thank you” escape from his lips. the jet takes off and the two of you are lulled to sleep almost immediately. the rest of the team unspokenly watched over you both, making sure you weren’t rattling around or spencer rolling around too much. and penny couldn’t help but take a few pics to show you later.

[inkskinned]

she's three years younger than i am, and i put on cascada as a throwback, cackling - before your time! i've been borrowing my brother's car, and it's older than dirt, so the trunk is like, maybe permanently locked. when the sun comes through the window to frame her cheekbones, i feel like i'm 16 again. i shake when i'm kissing her, worried i won't get it right.

in 2003, my state made gay marriage legal. where she grew up, it wasn't legal until 11 years later - 10 years ago. if legal protections for gay marriage were a person, that person would be entering 5th grade. online, a white gay man calls the fight for legal marriage boring, which isn't kind of him but it is a common enough opinion.

it has only been 9 years since gay marriage was nationally official. it is already boring to have gay people in your tv. it is already boring to mention being gay - "why make it your entire personality?" i know siblings that have a larger age gap than the amount of time it's been legally protected. i recently saw a grown man record himself crying about how evil gay people are. he was begging us, red in the face - just do better.

i am absolutely ruined any time my girlfriend talks about being 27 (i know!! a child!), but we actually attended undergrad at the same time since i had taken off time to work between high school and college. while walking through the city, we drop our hands, try not to look too often at each other. the other day i went to an open mic in a basement. the headlining comedian said being lesbian isn't interesting, but i am a lesbian, if you care. as a joke, she had any lesbian raise their hand if present. i raised mine, weirdly embarrassed at being the single hand in a sea of other faces. she had everyone give me a round of applause. i felt something between pride and also throwing up.

sometimes one thing is also another thing. i keep thinking about my uncle. he died in the hospital without his husband of 35 years - they were not legally wed, so his husband could not enter. this sounds like it should be from 1950. it happened in 2007. harassment and abuse and financial hardship still follow any person who is trying to get married while disabled. marriage equality isn't really equal yet.

and i don't know that i can ever put a name to what i'm experiencing. sometimes it just feels... so odd to watch the balance. people are fundamentally uninterested in your identity, but also - like, there's a whole fucking bastion of rabid men and women who want to kill you. your friends roll their eyes you're gay we get it and that is funny but like. when you asked your father do you still love me? he just said go to your room. you haven't told your grandmother. disney is on their 390th "first" gay representation, but also cancelled owl house and censored the fuck out of gravity falls. you actively got bullied for being gay, but your advisor told you to find a different gimmick for your college essay - everyone says they're gay these days.

once while you were having a hard day you cried about the fact that the reason our story is so fucking boring to so many people is that it is so similar. that it is rare for one of us to just, like, have a good experience across the board. that our stories often have very parallel bends - the dehumanization, the trauma, the trouble with trusting again. these become rote instead of disgusting. how bad could it be if it is happening to so many people?

i kiss my girlfriend when nobody is looking. i like her jawline and how her hands splay when she's making a joke. there is nothing new about this story, sappho. i love her like opening up the sun. like folding peace between the layers of my life, a buttercream of euphoria, freckles and laughter and wonder.

my dad knows about her. i've been out to him since i was 18 - roughly four years before the supreme court would protect us. the other day he flipped down the sun visor while driving me to the eye doctor. "you need to accept that your body was made for a husband. you want to be a mother because you were made for men, not women." he wants me to date my old high school boyfriend. i gagged about it, and he shook his head. he said - "don't be so dramatic. you can get used to anything."

the other day a straight friend of mine snorted down her nose about it, accidentally echoing him - she said there are bigger problems in this world than planning a wedding.

[ennn]

Things I Liked About the Agatha All Along Finale - Initial Thoughts

Wooooo boy. Hey look I'm a bleeding heart shipper but I'm old and have been in enough fandoms. Let's process shall we?

Alice! Alice echo-ing what so many fans are saying about her lost potential. Rio actually being kind in reminding Alice her death did have purpose. "You're a protection witch, you protected someone."

The development of Billy's extremely complicated relationship with Agatha. Kid's not loyal to Agatha, he's understanding her, or starting to at least. He sees her being a relationship with Death and he's curious about the story there. He cares enough to connect the dots and see Agatha as a full person. And we see that developed as the finale goes.

"That's it? That's all the time that I get?" The show reminds us that death sometimes just happens – "Sometimes boys die" – I wonder if one of these writers is a Sandman fan because I immediately clocked a parallel to Death of the Endless taking a baby's life in her first comic appearance.

Death of the Endless is of course much kinder than Rio is with her (iconic) reply to that eternal question. "You lived what anyone gets... A lifetime."

That whole convo we got in the preview clip. And then them just sitting down and talking more? Albeit with layers of manipulation but y'know that's them.

Agatha telling Rio that she'll hand over Billy if Rio leaves her alone: essentially making Rio once again choose between her duty and her feelings towards Agatha. The deepest cut Agatha could make – which we see echoed with "If you do this I'll hate you forever." They know each other and the best ways to hurt each other.

I laughed waaaay too much at Agatha ragging on Jen's last vegetable name.

Jen's unbinding ritual was powerful and a fantastic moment for the character. She recognised and embraced her power. Agatha's mask slipping a little at the end as well. Amazing. Sasheer killed it.

The whole scene with Agatha working with Billy to bring Tommy back was beautiful and emotional and well put together and showed the side to Agatha that cements her as a great mentor (when she's not being the biggest murderous asshole).

Agatha using what she learnt from her Alice and Jen – and what Lilia told her – to hold her ground with Rio... okay it lasted like 10 seconds but it was a nice callback! Agatha's such a shameless survivor.

Incredible kissing. We knew Hahn and Plaza would deliver and they did. When it comes to kissing women, these two absolutely go for it.

Rio looking absolutely gutted with having to take Nicky away. Plaza really delivered with Rio's pain in these eps. Agatha calling her "my love", cursing and then begging.

Rio being soft about Nicky despite her job. Nicky willingly going with her with no fear, no hesitation – suggesting that they did bond somehow? Nicky knew she was a friendly face and trusted her. It was really a good death, all things considered. He wasn't sick, he wasn't in pain, he wasn't scared he simply fell asleep and just went.

Rio reminding Nicky to kiss his mom goodbye. She cares so much, as much as a personification of death can. It's funny how some people thought Rio was going to be this manipulative big bad but no, Agatha's the more toxic one in this relationship.

Okay like imagine Agatha finally dying and just straight up BOOKING it before Rio pops up. Rio hates ghosts. The number of times Agatha deliberately pissed her off this finale was amazing.

"I'm sure he'll forgive you for... whatever you did." Aw Billy is a good kid. Just like Nicky was. Agatha needs that reminder, that anchor to not be the Worst.

Chemistry aside, Agatha and Billy being mentor-pupil makes a ton of sense because these Maximoffs do the most fucked up shit (unintentionally) with their magic and Agatha's got the knowledge, charisma, cynicism, and the morals of a spinning compass to support him.

Alright when are they announcing the sequel / spin-off? I know there's a rumour of it happening. Rio's got 2 abominations and one endlessly aggravating ghost of an ex to deal with now.

[vampkermits]

i know it’s already been said plenty, but it really is crazy to me how Nothing the wyrmway quest is for wyll when it’s the culmination of his quest line. like he barely has anything to say! and there’s so much there to explore—most obviously to me, the parallels between balduran and wyll. i mean, does wyll—guy who has built his identity around being a hero to the people, who throughout the game grapples with being rejected by the people whose opinions matter to him the most for choices he doesn’t and can’t regret, who is literally physically transformed (in many playthroughs) into a form he feels is monstrous and will make it impossible for him to ever be perceived as a hero again—really have that little to say about balduran’s whole deal? what does it mean to him that his hero became a monster, too? that he embraced it, and in doing so ended up killing the person who loved him most?

and that’s not even getting into how wyll’s feelings about balduran tie into his feelings about his father! i don’t remember the exact dialogue path, but early in the game (after waukeen’s rest), wyll tells you how his father taught him to live by the four pillars (courage insight strategy justice) that later appear in the wyrmway as balduran’s trials. he tells you that he argued with his father because he saw him as a hypocrite, teaching him those values while he himself dealt with corrupt politicians. what does it mean to find out balduran himself doesn’t live up to those values? what example is he meant to follow? is he, in the end, just another hypocrite like his father and the emperor, claiming to be a hero while dealing with devils?

idk i just think it would be interesting for wyll to actually get to grapple with what it means for him to be a hero! and i dont think thats incompatible with giving this bit of emperor backstory, it would just require the game to give a shit about wyll’s narrative conclusion

[creantzy]

Defying God - a parallel between Fyolai and Stavrovensky

The Demons brainrot is taking over, and you know what happens when I acquire a new interest: my brain WILL find a way to connect it to my other interests, whether I like it or not!! And this is essentially what it's about xD I've come here to present a parallel I found between Fyolai (Fyodor & Nikolai from BSD) and Stavrovensky (Verkhovensky & Stavrogin from "Demons" by Dostoevsky). Before I start I want to clarify a few things:

• I don't think these two pairings are similar, I just love picking up any crumbs of connections I can find between my interests, even if it'd count as reaching.

• This interpretation (in either character's case) is in no way "the only true way of looking at it". It's merely one interpretation out of many and I chose to focus on just a few aspects out of the many others there are to explore in these complex characters. 

• Feel free to add onto or disagree with anything I say! I'm interested in your thoughts :D

WARNING: There will be spoilers for Bungou Stray Dogs and Demons.

The reason Nikolai wants to kill Fyodor is because he feels affection for him. Emotions are a prison to him, and he basically seeks the opposite of what his emotions make him want to do. Thus, in the face of affection, which makes you want to be closer and wish the best for your friend, he does the opposite and decides to kill said friend, going directly against his feelings in an attempt to prove free will. But here I want to focus more on the "You want to defy God in order to lose sight of yourself" part, specifically the bit about God.

One part of my interpretation is that Nikolai associates God with control. If there is a God who controls all, how can there be a free will? He wants to go against Him and His creations (the human mind, morality, etc.) to prove that it's possible. But God is very abstract - the idea of God is influential but varies depending on cultures, etc. For this point, I'll use the example of the biblical God, or, more specifically, some attributes commonly assigned to the idea of God:

• omnipotence (all-powerful)

• omnipresence (all-present)

• omniscience (all-knowing)

What I am leading up to is the fact that these traits can, in one way or another, be applied to Fyodor. Fyodor's character represents everything Nikolai wants to defy. Nikolai hates control; he wants to fight the idea of God and prove the possibility of complete independence. Fyodor (though not in a "direct" way) could be seen as a symbol for God. He knows everything, he is always present (metaphorically and sometimes literally, the way he spawns sometimes I swear-), and he seems to control everything. Only few people actually see him, but he pulls the strings behind the scenes, and his power is felt everywhere. For Nikolai, to kill Fyodor is not just a protest against his feelings of affection, but can also be a symbolic act of defying "God", of killing "God", by killing Fyodor.

This is supposed to be very symbolic and not taken literally. I feel the need to repeat this because I personally dislike the notion of Fyodor as a literal God (and disagree with the idea of him having a God-complex), so this is merely about the God-like traits he possesses, like a "substitute" for the idea of God, and how it interacts with Nikolai's philosophy. (I've also exaggerated some points for the sake of simplification - for example, I don't actually believe Fyodor is in control of absolutely everything, etc.)

Moving onto Demons:

Pyotr Verkhovensky grew up religious and (assuming based on Stepan's description) with a fear of God.

Now he's an atheist and very anti-religious. He plans to overthrow society, and destroying religion + everything it preaches is part of that plan. But interestingly enough, he picks not himself as the official future "ruler", but someone else: Nikolai Stavrogin. He chooses Stavrogin to be the role of the leader in Verkhovensky's ideal society. But not exactly the "leader" in the traditional sense, because he wouldn't necessarily give Stavrogin all the power. He would simply use him as a "pawn" (for lack of a better word) while himself pulling the strings behind said society. With that, Verkhovensky puts someone else above himself, in a God-like position, but he wants to do it while still keeping full control over Stavrogin. By doing so, he would overcome his childhood fear of God because instead of being controlled by God, *he* will control God.

(Same case here, not the literal God, but the character who he assigns God-like traits to.)

I am undecided (with both Nikolai's and Verkhovensky's character) whether this could be read as a solely subconscious intention or if it would make sense as a conscious one as well. Given that both have a different "main" goal (Nikolai focuses on emotions and Verkhovensky on the revolution) I lean more towards thinking it's subconscious (if present at all - like I said, just interpretations!)

It doesn't help that Verkhovensky describes his vision of Stavrogin's leadership as "hidden": Everyone believes in him and his power, but only very few people are said to actually have laid their eyes upon him. When I first read this part, I was honestly reminded of Big Brother from Orwell's 1984, but eventually realised that similar things can be said about God as well.

While these are parallels, they don't come without differences. Nikolai needs Fyodor dead, Verkhovensky needs Stavrogin alive. Nikolai wants to kill Fyodor for a sense of freedom, Verkhovensky wants to keep Stavrogin for a sense of control. Yet both symbolic goals are bound to fail:

Fyodor turns out to be unkillable, and Stavrogin ends up dead.

At the end, "God" stays untouchable.

[pandelacreme]

lots of speculation over how round 7 between luka and till will turn out! and its had me thinking about the presence of recurring motifs and how the main ensemble are foils of each other.

i know that many people like to joke about how sua and ivan are genderbends of each other/basically siblings... but in my honest opinion, i think the parallels between the two (similar hair styles and having the more subdued personality of the pairing) are to throw us off about what we know about hyuna and luka lol.

sua and ivan's similarities are to emphasize their situational differences, highlighted by the comic where ivan expressed envy over sua not being in an unrequited love situation (yeah i know that's literally what the definition of a literary foil is, but hear me out LOL). so in that sense i feel that they're not really as similar as it seems?

i personally think that sua has more similarities to luka than she is with ivan, excluding her relationship with mizi. both in terms of their upbringing as being treated like dolls and how their resting face is kind of empty when they're not with mizi/hyuna respectively lol. plus their listless acceptance of the lethal circumstances they exist in

tbh even the childhood dynamic between mizisua and hyuluka (before the hyunwoo thing...of course...) is pretty similar, with mizi/hyuna dragging sua/luka around

i think by emphasizing the similarity between luka and sua, it reframes the events that happened in round 5. while luka probably was purposefully exploiting mizi's grief, it does come to question how much of the cutting shots between the two was mizi seeing sua in luka.

so how does this relate to round 7 between till and luka? there's a lot of speculation that luka will demolish till by pulling the same schtick he did with mizi -- and conversely there's a lot of speculation that vivinos and qmeng will subvert expectations by having till somehow overcome his depression by becoming numb to luka's tricks.

here's a third idea i haven't seen being brought up: luka seeing hyuna in till. i propose this idea because i think we can make some comparisons between till and hyuna. both of them are the most rebellious of the ensemble, both had a tendency to roughhouse as children, and both's choice of music genre is very high-powered with a heavy emphasis on the guitar (i want to say they both have that rock and roll vibe but unfortunately music isn't my forte and i don't want the genreheads to get on my ass LOL).

and now suddenly it feels like the random tidbits we get about luka's interactions with till feels like they're hinting towards something:

[heritageposts]

[...] More specifically, the cycle of violence in The Last of Us Part II appears to be largely modeled after the Israeli-Palestinian conflict. I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo. The game's co-director and co-writer Neil Druckmann, an Israeli who was born and raised in the [occupied] West Bank before his family moved to the U.S., told the Washington Post that the game's themes of revenge can be traced back to the 2000 killing of two Israeli soldiers by a mob in Ramallah. Some of the gruesome details of the incident were captured on video, which Druckmann viewed. In his interview, he recounted the anger and desire for vengeance he felt when he saw the video—and how he later reconsidered and regretted those impulses, saying they made him feel “gross and guilty.” But it gave him the kernel of a story. “I landed on this emotional idea of, can we, over the course of the game, make you feel this intense hate that is universal in the same way that unconditional love is universal?” Druckmann told the Post. “This hate that people feel has the same kind of universality. You hate someone so much that you want them to suffer in the way they’ve made someone you love suffer.” Druckmann drew parallels between The Last of Us and the Israeli-Palestinian conflict again on the official The Last of Us podcast. When discussing the first time Joel kills another man to protect his daughter and the extraordinary measures people will take to protect the ones they love, Druckmann said he follows "a lot of Israeli politics," and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011. He said that his father thought that the exchange was overall bad for Israel, but that his father would release every prisoner in every prison to free his own son. "That's what this story is about, do the ends justify the means, and it's so much about perspective. If it was to save a strange kid maybe Joel would have made a very different decision, but when it was his tribe, his daughter, there was no question about what he was going to do," Druckmann said.

And continuing, on the security structures featured in the The Last of Us Part II:

Besides the familiar zombie fiction aesthetics of an overgrown and decomposing metropolis, The Last of Us Part II's main setting of Seattle is visually and functionally defined by a series of checkpoints, security walls, and barriers. There are many ways to build and depict structures that separate and keep people out. Just Google "U.S.-Mexico border wall" to see the variety of structures on the southern border of the United States alone. The Last of Us Part II's Seattle doesn't look like any of these. Instead, it looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000.

Illustrations, from the article:

The first barrier Ellie and Dina encounter when arriving in Seattle / West Bank barrier.

. . . article continues on Vice (July 15 2020)

Backup -> archive.today link /archive.org link

[wondeurwall]

AUTHOR'S NOTE. based on the poll: nsfw that won by a landslide, as expected AKSNDJSKb!!! i'll post the sfw soon. i'm currently sitting on 9k with this fic & i don't think i'm close to being done yet omg 😵‍💫 not sure how many more previews i'll post of it – i'll play by ear. or, if it's something y'all still would like, then i'll be more than happy to do it, but i think they'll be much shorter going forward!! 💕💕

AND good luck to anyone pulling for zayne's banner & for anyone trying the new oracle of stars event... i want to try pulling for rafayel's, at the very least, since they all look related to the myths 😭 for the lore, I'LL BE BROKE!!!

TAGS/WARNINGS: 🔞 mdni, fem!reader, porn with plot because i said so, cunnilingus

He drops to his knees, keeps his arms slung over your legs, trapping you at the edge of the bed. His face is in front of your pussy, the heat of his breath makes you quiver.

“Eyes on me, pretty girl,” he says.

And, you do exactly that. Rafayel’s gaze has the full moon in there, the light unblinking and brilliant, like a parallel of the sun during the day. It dares you to flinch the longer you look. But, you keep staring, find that it doesn’t hurt and, instead, the light feels familiar. 

You hear the waves, tides along the shore and grains of sand being pulled into the water. It happens briefly. Holding your breath, the salt of the sea comes to you like it does in your dreams, a little more vivid each time you fall asleep. 

The same images of him fill your vision. Why?

You release the breath, then blink, feeling the heaviness in your chest and the lump in your throat again. It’s a back-and-forth reel of him and Rafayel, different realities converging to a single point in time – and, your lips are trembling. With the heat of Rafayel’s body seeping into you and the recollection of the sea, the moment tastes and sounds like a memory.

No. It’s more than that. 

You look at Rafayel, and everything feels less like a dream and more like a memory.

You’re about to call his name, but it’s quickly ripped out of your lips in an airy moan. The flat of his tongue glides up your slit once. Then, he’s doing it again, dipping the tip into your hole and curling between your folds as he moves up to gather your cum. Taking as much as he can, he swallows the taste of you, eyes fluttering closed as he savors it. 

It’s the way he does that – makes you believe this isn’t the first time, like he isn’t a stranger to this side of you. So, you’re drifting back into your head (only barely now, because the pleasure is intense, hot and needy) and it’s as if pieces of a puzzle come together in the span of a millisecond and you’re lucid enough to arrive to what seems like an impossible reason: it’s not the first. 

You can’t shake off this feeling. 

Your pupils dilate, oxygen completely dried from your lungs when you see the pleasure on his face. To you, Rafayel is reliving something he’s missed. Something that’s been denied from him for so, so long and he’s finally grasped onto it, and he looks like he’s found the secret to walking on air. 

The ache in your chest is overwhelmed by the ache in your pussy. You whine, the glow in his eyes too dizzying. It does nothing more than guide you closer to hysteria. Your hips jerk forward, begging.  

Blood rushes through his cock, straining beneath his pants as a deep rumble comes from within his chest. He’s diving back into your cunt for more before you can catch your breath. 

You lie there, unable to close your legs. His arms keep them bent and tucked securely between his biceps and forearms, the strength of him nothing you can even attempt to win against. It comes to you as no surprise – he’s not human after all. Your mouth parts, a light sheen of saliva over your lips. Shallow, quick breaths keep you grounded as you watch through glassy eyes how Rafayel devours your pussy like a starved man. 

He pulls back slightly, staring – he hones in on your little bud. You hold your breath when he presses a kiss to your clit, slow and gentle, before he traps it between his lips and sucks, humming as he does.

“Raf – Rafayel,” you gasp, the vibrations coupled with his sucking makes your thighs vibrate, has you seeing tiny white stars. He sucks your clit harder, and your voice gets caught at the edge of your throat. 

There’s a pause before you’re moaning like a broken record.

You force your hands to mask your face, rallying enough strength to quiet down because you’re falling, losing yourself so fast, and you have no idea how to wrap your head around the pleasure that’s already building back up.

There’s a disapproving click from the man between your legs.

“Stop,” he says, voice deepening to a near growl. It surprises you – this tone, along with that look in his eyes, half-lidded, clouded with desire, like a predator ready to pounce at its prey – and you feel a greater level of ecstasy being injected into you and it knocks against the sensitive, heavy knot in your stomach.

His demand is never quite like this. It feels… good. 

Rafayel loosens the hold on one of your legs to snatch your hands away from your face, “I need to hear you, baby, or I’ll stop.”

Breath bated, you can’t help but stare at him, utterly dazed by the moonlight that hangs over his head just like it does in his eyes. 

Lovestruck. Only a second passes before you realize how far you’ve fallen, how desperate you are to see more of this version because there’s no use in denying that you’re among the reasons – if not the reason – he’ll take charge. It’s a stark contrast to the light-hearted and comical side he usually shows. There’s a certain attractiveness to it, the willingness inside of him to take care of you with this authority. 

He asks, “Won’t you be a good girl and listen to me?”

God, you’re so wet right now.

You forget how to breathe, feeling like you’ve evolved in a bottomless nothing. His grip on your hands is firm, yet not so much that it shackles you. He’s still gentle. Nodding your head is all you can manage. He finds it cute. Rafayel brushes his mouth over your palm and around your hand to the first knuckle. He smiles. 

And, you melt. Of course, you do. Craving to be good for him, to be the good girl like he says you can be – that you are – you clutch onto the bed sheets instead, let your mouth babble this time.

When he’s sure you won’t do it again, he goes back to your clit, giving the attention it deserves as he keeps his eyes on you. He plants a kiss to your throbbing bud again. And again. And then again. It gets stickier there, messy with your cum and arousal and his saliva; stretchy, gooey strings that reconnect his lips to your pussy.

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