#there are paragraphs written

[cheeze4brainz]

this is the type of greed they talk about in the bible

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[housecow]

i have knee problems stemming from an injury when i was younger. if i step wrong and fall in a certain way, the pain is so bad i can’t walk. but sometimes i like to fantasize: what if something even worse happens and i can’t walk for weeks? what if i happen to be in regular close contact with my feeder?

it’d be hard being told i have rest and let myself heal. there are plans coming up that have to be cancelled, the few active hobbies i have left take a hit. but…it’s so easy to accept every snack brought to me. after all, i sought out a feeder—this lifestyle is the one i’ve eaten myself towards. and he knows i have an inclination towards eating too much. that first week goes easier than it should; weight starts to pile on. but i miss going out, even running errands sounds nice. in the few moments my hands are absent of food or a shake i am regularly in contact with my friends.

the next week i’m better but… i feel slow. my feeder has started to keep people away because i need to rest and he’s right, healing is taxing on the body. i start responding less to others, too. our funnel has gotten so much more use in the last few days. the sugar and constant snacks step up and i can tell there is an agenda behind it all but *god* it feels good to be doted on. he helps me through the necessary exercises but trips across the house are rare. i notice how difficult it is to lift myself up now—how sedentary have i been?

that question doesn’t cross my mind again, there are better things to focus on. my feeder knows how to use my adhd to his advantage—food, sex, TV, and games all provide the dopamine hit needed to keep me distracted. the 3rd week is similar enough to the 2nd: ritualistic feeding becomes the norm. we don’t need a valve to control the flow on the funnel anymore, he knows i can finish everything. my belly is swollen out into my lap all of the time now, if i hold my boobs aside i can see new stretch marks creeping across my expanding hips. i expect the snacks, “babe, can you grab me something from the fridge?” is a phrase heard several times in the day. and my feeder obliges.

the 4th week we have an appointment and im told i should walk and start being active again. the doctor looks nervous though and tells me i need to watch my weight, he says something like “its alarming how quickly this happened,” but i blocked it out because—i can’t even see how much i weigh? my belly blocks the view now. oh my god.

in the car afterwards my feeder expresses doubt at the situation: “you don’t look so steady on your feet, i think you should still take it easy.” his eyes meet mine and i don’t miss the brief glance away, desire obvious at the sight of my rounded figure that’s entirely his fault. i know what he wants and i can’t deny myself that want, either. and he knows better in these situations, i trust his judgement. maybe it is best to stay in. plans can be pushed further back… the walk back to the car was a little difficult, too.

the next weeks—or does it span months?—pass in a blur. staying in is all i want to do. although i’m supposedly healthy again, i rarely get up and walk around more than needed. “needed” means a slow, clumsy walk to the fridge and back to either the couch or the bed. when my feeder is not there to feed me himself he takes time to order food to the door. bending down to pick things up is a monumental effort for me—a heavy, wide belly pressing into my fattened thighs. my swollen tits obscure my vision but serve as an excellent table when i need.

my feeder comes home one day and im asleep, taking up more than my fair share of the couch. my breaths are not easy and its obvious how much i ate beforehand: mostly-empty 2 liters, takeout containers haphazardly stacked on top of one another as they were finished, countless snack packages balled up and stuck between the couch cushions because sometimes i like to squirrel stuff away. as if there was a chance of hiding these habits my feeder built.

but the best part of it all is the empty pitcher sat against the corner of the couch, because i couldn’t reach to the coffee table to properly set it down with so much fat making every movement difficult.

the remnants a weight gain shake. our usual ingredients of cake mix, melted ice cream, strawberries, chocolate syrup, nutella, crushed oreos. it was hastily made, however, and it’s obvious by the chocolatey powder on the sides of the container that it was about the calories this time, not the taste. he can see where some escaped the pitcher and poured down my overly plump, round face and past the lovingly cultivated double chin. it dripped onto my breasts, lovely puddles of calories he wish made it inside of me even if the sight is wonderful. after that thought, an idea comes up. how deep are the rolls he’s gifted me? a cow this size needs to be used.

[fifthnailinstevesbat]

after the events of season 4, steve just wanting SO BADLY to be friends with eddie. just LOVING the idea of them getting closer and having eddie as a friend because hell yeah! a close male friendship with someone that is actually my age, and who i don’t have a weird history with involving bruised eyes and love triangles? count me IN! and eddie is FUN, he is actually hilarious! the way they share the same glances of understanding when dustin is being an absolute shit head, rambling on and on about some obscure topic, expecting everyone to always be on the exact same page as him. of course. and, although steve suspects that eddie actually probably is keeping up with everything dustin says, much better than he ever could, he knows that above it all eddie can appreciate the antics for what they are, and roll his eyes with steve at dustin, i concur, you dustin henderson, are a total butthead.

steve just about junps RIGHT IN to being friends with eddie. hey man, what’cha up to tonight? wanna watch a movie? get drunk, smoke a bit? hey eddie, how have you been, man? he starts calling eddie up on the phone regularly just to check in, shoot the shit, he loves it! he loves having this new friendship with eddie munson and he loves how much the other boy has surprised him with how much he actually enjoys being around him. he’s not a freak, really, well ok maybe he is a little bit, but only in the best ways. he’s kind, thoughtful, and is always looking out for the people he cares about, which is something steve can really respect in a dude. but he’s also so funny? steve never could’ve anticipated just how much eddie has managed to make him genuinely LAUGH over their short amount of time spent together. and he’s really, out there? with the way he presents himself, the way he takes up space with these big THEATRICAL movements, leaving no room for regret or shame or god forbid embarrassment. steve isn’t even sure munson is capable of feeling it at all.

eddie munson is a good dude, and steve could use a bit more of that kind of person around him. he loves all of his friends, the weird little bonded family he’s found himself apart of, and they are all good people, but it never hurts to have afew more added in here and there. it never hurts to know there are more good people out there to find.

so steve is all over eddie, it seems.

at least, from where eddie is standing. nobody else seems as phased as eddie does at this sudden change in steve’s demeanour, in his interest in what eddie munson spends his time doing these days. it seems like, to everyone else, to steve, it’s just a natural progression in their relationship, after being sort of role model figures to the same group of kids, both being the two single dudes, who fought the same monsters together last spring, it seems nobody questions too much that they’d start casually hanging around eachother more. especially since eddie has found himself to fit into his own special spot as one of the group now after it all, after he unwillingly became tangled in this whole upsidedown-superpowers-supernatural-monsters and demons debacle, and tangled quite dramatically at that, the rest of the group that’s been with this since the beginning seemed to find no trouble in taking him in and seeing him as “one of them” now.

so, steve asking eddie to smoke, to watch movies, to go for a drive with no real end destination, it’s not really something that earns them too many double takes. dustin makes a comment or two in the beginning, because steve since when did you like hanging out with eddie? you guys are like so opposite, you don’t like any of the same stuff he does? and steve barely gives a shrug and a dismissive yeah yeah whatever man in response, with a signature eye roll, and dustin had said it seemingly also not too seriously, poking fun at steve wherever he can, not really meaning anything by it, as he fidgets around and rambles in the backseat of steve’s car, eddie riding up front. after that, though, he’s dropped it. it’s never brought up again. part of eddie thinks, too, that dustin would actually be enjoying that his two older friends are becoming friends themselves.

robin seems to be the only other person to look a bit harder at their situation, lingering stares at their interactions, all squinted eyes and eyebrows raised, though from her all this seems to be almost always and only ever directed at steve. eddie’s not sure what to make of that. isn’t he the weird one? i mean, he’s the one that stands out, right? he’s the odd denominator that makes their friendship strange. why would steve harrington want to hang out with Him? HIM? but robin doesn’t spend her time studying eddie to try and search for what about him could possibly have piqued the interest of cherished steven harrington, no, shes always looking at steve. like she’s seeing him differently, almost. eddie doesn’t even think that steve notices it, either, because he doesn’t seem to be questioning or doubting anything odd or strange or out of the ordinary with their newfound time spent together. and maybe, maybe robin is seeing him differently. eddie knows he definitely has been. seeing him more, intensely. deeply. human. seeing the person that steve is, as just steve, not this idealised version of a boy that eddies starting to question ever really even existed at all, or if everyone around him just needed to believe that he did, and who was steve if not happy to comply to the wants of the people around him for who he should be?

eddie likes having steve as his friend, too. don’t get it twisted. he loves how unexpectedly expressive steve is about everything, even really small things. steve LOVES to raise his voice, rest a hand on his popped hip, scolding the kids for something stupid with no real heat or malice behind it. and steve is, like, kinda bitchy too. eddie knew he had the capacity to be a real asshole when he wanted to be, that’s all he knew steve for back in the day, when he was back in high school, hanging around tommy h and the basketball boys, the jocks. eddie would spend his days hearing only whispers and gossip in the hallways of the parties at king steve’s house and the fights king steve had started and won on the court or out in the fields, only ever getting as close as a shove into a locker with the guy at the time, but eddie knew how it could go. he knew all about what steve had done to jonathan, what he’d said to him, the words he’d used. eddie knew it all. he’d seen enough, and been through enough himself, to know how these guys acted in response to guys like him, like jonathan, people who were lower on the social food chain. so, eddie knew about steve’s “mean streak”, if you will, but this kind of snarky bitchiness was something new to him. harrington was almost, sassy, when he wanted to be. it was less so cruel and more just, just sass. if he’s being completely honest it kind of blew eddie away, at first. he thought steve was one of those dull headed jocks who thought with their fists more than their actual brains, but that couldn’t have been farther from the truth. steve’s insults were well thought out, they were FUNNY, he was smart with his words. and silly. oh my god steve harrington could be so fucking silly, real honest to god goofball when the moment called for it, when he felt comfortable enough. eddie had caught on multiple occasions steve mimicking lightsabers to play fight with dustin, or the stupid fucking shit he would do or say just to make robin laugh, singing along to a song playing on the radio with a funny voice.

it was all a little, intoxicating, to watch. eddie didn’t know what gave him the right to be in on this now, to get to see this side of steve and better yet to be at the other end of some of his best qualities. it was fun, all the time they spent together, but there was always something else tugging inside eddie everytime they spent close time together, too. something, he knew steve wasn’t aware of. something he knew steve wasn’t equipped to deal with. something he knew, was him. was him, making things something more than they should be, because, nobody seemed to be questioning that they could become friends, so why ruin that? why disrupt it?

- robin and steve

“Steve.”

“-but then like, it wasn’t that I didn’t want to watch it I just thought, hey, y’know, let’s try something different for a change, but then he- oh my god he honest to god TACKLED ME Robin — I mean, it was so fucking funny and it happened so quick — and all over a fucking Tom Cruise movie-“

“STEVE.” Robin lightly slammed a hand onto the counter. She had been standing behind it for no short of 20 minutes, watching Steve as he paced around, supposed to be stacking tapes onto shelves, but ended up spending the whole time going on and on, and ON, about how movie night went with Eddie last night. She thought she was bad…

Steve jumped, almost running into a shelf and knocking down his hard work, and seemed to snap out of whatever trance he had found himself in after starting to tell Robin a story about something funny Eddie had done last night.

“Shit, sorry. Sorry, what were you saying? Were you- were you saying something?”

To this, Robin just rolls her eyes and let’s out a laugh, “You, sir, are goddamn hopeless.”

“Sorry. How long was I talking for?” Steve wandered his way over to lean his arms onto the counter from the opposite side.

“Oh, I dunno Steve, just about half an HOUR?”

“That is an over exaggeration Robin, it’s only been like-“

“Honestly, man, i’m concerned for you. You are like next level OBSESSED with Eddie. Eddie Munson. You do realise this right??? You are obsessed with him, Steve.”

To this Steve sputters, lazily waving his hands back and forth.

“No, Robin, what the hell are you talking about? I am not OBSESSED. No need to be jealous, alright, Stevie-Boy here can have more than one friend. Your spot in my heart isn’t any less special now that it’s beginning to be shared by another.” He bats his eyelashes up at her, holding both hands over his chest as if to cradle his heart.

“Oh my GOD! You even SOUND LIKE HIM!”, she playfully slaps his shoulder. “Steve. You are obsessed.”

“I am not obsessed! He’s just a really great guy, alright-“

“Blah blah, yep whatever you say, lover boy.” Robin quips, plopping down onto the chair chair infront of their staff computer, turning herself to face it.

“Wha- what? Lover boy? What the hell Robin, that is not- that doesn’t even make any sense!”

She is just smiling at him now, enjoying seeing him spiral like this. Steve let’s out a sigh as he puts his hands on his hips, and shakes his head, looking at her right back.

He opens and closes his mouth afew times, like he’s really thinking about what he wants to say next. Or like he has no idea what to say next, and his brain is not moving fast enough to formulate the next sentence his mouth knows he wants to say. He wasn’t obsessed. That’s not- that’s like- no. No he was not, Robin was just playing around with him, she knew how to get on his nerves. Get him all wound up over little things just to see him react like this.

After a minute or two, Robin realises Steve was not going to reply anytime soon, so she turns fully back toward him. Saving him from his spiral.

“So, what are you’re plans for tonight Steve-O?”

He lets out a chuckle and walks around the counter till he’s behind it with Robin, leaning his back against it so he can stand across from her and face her.

“Well, not really sure. Parents aren’t home, no early shift tomorrow, might drink afew beers, listen to some music, —“

“See what Eddie’s doin?” Robin finishes for him, quirking her eyebrows up and down as she does it.

“Oh shut up!” Steve just laughs and softly throws a tape from the counter at her chest. “As a matter of fact, yeah I will see what he’s up to. Because we are friends now, Robin. Is that a problem? Actually I was also gonna ask you what you were up to after work, too, but you know what after this I’m having second thoughts, I mean, the way you’ve been treating me lately-“

“Oh my god, you are the worst. Yes, I’m free, of course I’ll hang out with you dingus. You and your tweedle dee.”

Steve laughs at this, then tilts his head.

“Wait, does that make me dumb? Tweedle dumb?! That’s how you see me?”

“Yeah it is actually, got a problem?”

“Oh wow, she’s feisty today. Can’t believe you think I’m dumb, Rob’s. When you come knockin’ tonight, do not expect a warm greeting at my front door.”

“Yeah, yeah, I’ll take my chances.”

- later. steve’s house. to be continued?

[applestorms]

thinking about how near refers to light at the end of the series— not really as light yagami, not even really as kira, and not quite as L, but rather an amalgamation of titles: L-KIRA, a twisted mix of two personas, masks on top of masks. no longer a person but a series of letters, a filtered voice through a screen. a man who has built his entire life in the space between lies, who cannot let himself stop for a second without the weight of his own guilt, his sins, crushing him. regrets repressed because this is the only way it could ever be, it has to be worth it, it has to, it has to, because you can’t even bring yourself to consider what it all means otherwise.

i am a firm believer that light yagami, the son, the student, the average human person, dies at the same time that L does. at least at the beginning of the series he has some semblance of normalcy to hold himself to, the Serious Student persona that keeps him walking to and from school and talking to people and eating dinner with his family at home. how many times do we really see him going outside, post-L death? how often do we see him outside of some L-based police HQ, talking to people he isn’t trying to manipulate? really, it’s no wonder he falls so far, alienated as he is from the rest of humanity. when was the last time he breathed long enough to remember what the sky looks like? hugged his mom, laughed with his sister? did he ever visit his father’s grave? does he remember what the breeze smells like? was he ever really happy? did he deny himself his only chance?

at least in the case of L and near the isolation feels intentional, a preferable choice, carefully and logically considered for all the pros and cons. light never asked for the position he fell into, that fell upon him, that he created for himself. he denies the death note being a curse, but it’s not like he could ever admit it if it was.

light’s story arc in death note really feels like a tragedy to me, specifically in the sense that he never really gets the chance to change. on a plot level this is true, much of the second half of the story post-L death is light utilizing the exact same strategies as before (taking away his ownership of the DN to Strategize, romancing a woman he doesn’t care for to use her, fighting a snarky troll of a super genius hiding behind a letter whose real name & face he cannot find), but it’s true on an emotional level too. light never really gets to grow up, he never gets the chance to truly question his ideals or goals without the world he’s built by himself crashing down around him.

i keep thinking back to the significance of matsuda asking him about his dad, how he could drag him to his death for the sake of all of this. light’s response, so truthful in its desperation, really sums it all up: he died for a reason. KIRA has to win, or his dad died for nothing. he cannot face the idea that he caused his own father’s death, so KIRA must be justice. there is no other alternative. KIRA is god, or light yagami killed his own father for a fairytale.

really, it’s so fitting that his name uses the kanji for moon. moonlight— not originating from the moon itself but a reflection, of something brighter, greater, more powerful than he could ever be. light dies the same way as every other criminal he passed his judgement upon, on his knees and desperate, pathetic, begging for life even as he knows he is doomed to the same fate of nothingness that he granted to everybody else. godhood denied. he said it himself, that he could never be anything more than a human, but somewhere in the fog he lost track of the person he once was. and it’s near’s cruelest observation that stands out the most to me in that final scene— that he never really had to be this. he could’ve stopped at any point, felt his guilt, paid his regrets, and moved on with his humanity still intact. light has spent far too long repressing and denying to ever consider that an option anymore— but there was still room for sympathy for the 17 year old kid who killed without thinking, long before he built up such a dedicated palace of lies to justify his actions and hide away his guilt.

L-KIRA dies on the floor of a dirty, abandoned building, surrounded by the people he spent years manipulating and lying to and betraying. light yagami dies in a helicopter, locked and chained to his only closest equal, holding a notebook that he would use to sound the death knell of his own fate and wearing his father’s gifted watch.

[tfmerc]

"Atta girl..." – Sam Monroe

mindless smut below MDNI

“Sam— oh god.” Your pace quickens, humping down onto the boy’s throbbing length. Poor Sam had gone dumb, jaw slack as his hips twitched upward; desperately thrusting upward into your greedy hole.

His head lolled back on his pillow, pathetic whines bouncing off the walls as tears started to form in Sam's eyes. The raven was in pure bliss, unable to comprehend that you were letting him bury himself into your gummy walls.

The pair of you looked almost... pornographic. Sam picked his head up, hands reaching for your hips out of instinct. His lashes fluttered, staring up at your heavenly form before glancing down to where your bodies met; groaning at the sight.

A hot creamy ring had formed around the base of his cock, strings of his precum and your arousal mixing; smearing across his lower abdomen and inner thighs - your lower half doing nothing but reflecting his own, "Keep... keep going baby, 'm so close."

Your hands fell forward, nails pressing into the milky skin of his shoulder; leaving inflamed crescents in their wake. Whines grew louder, the image of your body and sweet little sounds engraved into his memory - stained to the back of his eyelids, cursed to see the sight of you whenever he closed his eyes.

But god, it was worth it. Listening to your pathetic mews as you begged for more, clawing at his chest as his hands declared war with your hips. He dug into the plush fat, chin tilting up as his back flexed, "C'mon sweetheart, please."

You both grew unfocused, rolling and thrusting like helpless virgins - your hand cupping against your lips, poorly concealing your pitchy moan as your silly walls spazed around Sam's twitching; his own high pulling gasping groans from his throat.

"Atta girl..." Sam's words fell breathless, heavy hands brushing the hair from your eyes as you collapsed against his chest; your thighs quivering and head heavy - pussy full.

[fluffypotatey]

after months of yearning to write antimachus, aka sharpwolf, i have begun!!!!

this is all i have tho:

Antinous, son of Eupeithes, self-proclaimed suitor of the Queen of Ithaca, ringleader of the other 107 suitors, and the first to die by Odysseus’s hand. The old king did not hesitate when he made his blow. The blood spurted and spattered on the dining hall floor. Telemachus should be happy that he is dead. He will be.  He is.

[cock-guillotine]

parachute infantry is a good book

[zevrra]

hii!! i hope your doing well, im not sure if your requests are open rn

but if they are open, can you please write for Gaara (naruto) x fem reader who’s love language is physical touch? (hand holding, hugs, etc)

🫶 thank you!!

A Shared Touch—

tags: anon request, 18+ characters, gaara x fem!reader, pure fluff, gaara’s love language is 100% physical touch, this is so sappy and lovey dovey jshshs

creator notes: thanks for requesting! hope this is what you had in mind (bc i had no idea what to do im so sorry i wrote this at 2 am kshssjh)!! but i also hope you are doing well and that you enjoy this! thanks again!! ❤️

Sunlight warms your face as you sit at a wooden table. You sit in silence with yourself. Accompanied only by the sound of a soft breeze and a few chirping birds. A range of flowers sits before you, ranging anything from chrysanthemum to peons. Besides the flowers sits a pair of scissors. Using them to cut stems off of a few flowers here and there as you put together a small bouquet.

“What are you doing?” A soft voice asks from inside the doorway to the greenhouse you sit inside of.

Turning to look at the source of the voice and you find your loving boyfriend. A smile as warm as the sun shines on his face and you can’t help but mimic it. “I couldn’t sleep. Came here to do some arranging.” You respond. Watching fondly as he makes his way to your side.

He still wears the clothes he had slept in. He must have just woken up and upon finding your side of the bed came straight out to look for you. The sleepy was still in his eyes even as they look upon you with love.

A chilly hand touches your shoulder, moving to soothe across your neck. His teal eyes glance at your project before looking back at you. “They look as beautiful as you do.” Gaara compliments you.

For the years you had been together it took him quite a while to willingly touch you. Skin on skin contact had been one of his biggest fears. For so long, anytime your hand would reach for his; you were met with a wall of sand. Any brush of skin would have him standing frozen in place. He had never done any of it on purpose though and you knew that. It was pure reflex for the deeply traumatized man. Now it almost felt like he never wanted to stop touching you. To never let you go so he would never have to fear being truly alone again.

You wave his compliment off with a smile. It was too early to be so sappy. You set down your scissors to fully turn and face Gaara. “What about you?” You ask curiously as you grab hold of his hand gently. “Off to some important kage meeting I assume?”

Gaara shakes his head, lifting your hand to his lips and placing a small kiss against your skin. “No, not yet anyway. Just missed you.” He admits with a shy look. Glancing from your pretty face to the flowers you had gotten up that morning to work on.

It was truly a miracle how far the two of you had come. Once, so long ago, he would never have reached for you first. Would have distanced himself as far as he could. But now he sought you out first. Missed you simply because you were not by his side the moment you both woke up. It made you feel wanted and loved. You could only hope he felt the same.

You stand with the help of your boyfriend. Leaning in to kiss him and he meets you halfway more than eagerly. After you two part, he guides you towards the door he had entered from as you two plan to return to your shared home.

“Let’s go make some breakfast.” You offer. Your fingers intertwine with his, giving his hand a tight squeeze. A reassuring gesture that you would never let him go either.

You’d have to return to your flowers later.

[cqsuanla]

say smth nice to me honey // i love you please i-

pairing: (dark?)nat/f!reader

“I’m sorry,” she whispers, and you blink your eyes open, staring down at her blearily. “I just want to hurt you so bad, baby.”

notes: legit don't remember writing this or if i posted this before. posting it the way i found it in my notes app (except added bullets for non-prose sections)

If you hadn’t already known Nat’s certifiably insane then her idea of what constitutes a reward would have done a good job of convincing you. It’s really quite twisted but everything is, with her. All you’d done was offer to make dinner—and a mediocre one at that—and she’d taken it to mean you were finally accepting your circumstance, so here you are: sweaty, panting, naked, of course. And denied. Four times denied. Some fucking reward.

Your nails dig into the back of her hand, fingers interlocked with hers. She doesn’t even wince. “Please,” you say sounding suitably wrecked. “Nat, please, please, please-”

She groans into your cunt, her breath hot and moist, and— gone because she pulls away just as you’re toeing the edge. Tears spring to your eyes. Maybe you scream; you’re not sure, awareness shot as it is.

“Why?” you ask, and you keep asking, crying, begging.

She shushes and coos at you, stroking your sweat-damp forehead. “It’ll feel good in the end,” she keeps telling you.

And you believe her. It’s always all right in the end; one way or another, Nat always makes you like it by the end, but before then, it feels so very-

“Bad. It feels bad,” you moan out.

You wish you could just shove her face back down but she’s got both your hands linked with her vice grip. You think she must have known you’d get frustrated enough to entertain taking charge, known that you might even have had the gall to try it if she didn’t have you restrained. When she’d demanded to hold your hands before she went down on you, you’d actually been quite endeared by her. Oh, how quickly that particular emotion fled from you.

“Last one, then. Just one. You’re such a good girl for me. My pretty baby.” Nat crawls up your body and cradles your head in her hands. Your shared body heat is nearly unbearable right now, but she makes it better. Always makes it better. She kisses you, pets you, and combs your hair. Lets you whimper into her shoulder, teeth scraping at her skin with every pant you huff out. “You can take one more, sweetheart. I know you can, obedient little thing. My good fucking girl,” she rasps into your neck.

Fuck if that doesn’t do it for you. Still: “I’m too sensitive.”

She traces a tear track with the back of her finger, licks up the streak on the other side of your face. So sadistic, your Nat. “I know.”

For the next few moments: silence aside from your persisting hiccups and her ragged breathing. Her excitement, her morbid fascination with the limits of your boundaries, is palpable. Infectious in a way. You do want to be good for her. For her. Your lover, keeper, owner, mommy.

She always takes care of you.

Slowly, you calm. Then, you grip the back of her shirt and, in a small voice: “Just one? Promise?”

She hums, hands reaching out once again to lace with yours. “Just one, sweet girl.”

You’re not sure if you trust her. Regardless, you have no real say in the matter.

“Okay.”

On her way down, she lays kisses down your chest, your navel, the height of your pubic bone. She tuts and you make a pathetic keening sound.

“Down, baby.”

You squeeze your eyes shut and, when her thumbs keep pushing insistently into the bones of your hips, you slump fully into the mattress with a soft groan. You receive punishment for that in the form of a nip to your inner thigh. Your skin, tender and bruised already from her previous attention, sinks under the points of her teeth and you yelp.

But then her mouth moves up and the slick heat of her mouth meets the one between your legs, forging a brain-melting fire in your center. You’re overstimulated to the point that you can’t tell if you’re really experiencing those aching, throbbing sensations or if it’s some sort of phantom feeling your overshot nerves are expecting. After all, Nat’s just ghosting her lips over your cunt, tip of her tongue teasing up the curve of your labia. Mewling in the way she likes, tensing and squirming your legs around her shoulders, does nothing to encourage her. She just keeps fucking with you, not enough literal fucking you.

You squeeze her hands until you can’t anymore. She makes a contemplative noise which sends a tiny shiver through you when you think you feel the sound vibrate near your clit. Then, she abruptly dives in, a guttural sound clawing out of her throat into your cunt. The flat of her tongue drags roughly from your leaking hole to your clit, and you can’t think anymore. She keeps groaning with your desperate begging, pleading, and it keeps going directly into your clit when her tongue passes over it.

The world—it’s just Nat. It’s just Nat and you, and the bits of sheets and mattress and corner of pillow that you’re lying on. The damp air where your bodies can’t meet and the sweaty, sticky skin from where you meet. She’s everything; the endless white of a foggy horizon. Something that can swallow you whole. Something you wish would swallow you whole-

“I’m sorry,” she whispers, and you blink your eyes open, staring down at her blearily. “I just want to hurt you so bad, baby.”

It takes you a moment to process that. To process that she is no longer sucking and licking at your cunt like her life depends on it.

Tears prick at your eyes again. Your lip wobbles.

She doesn’t even pretend to comfort you this time. “Oh, you’re pitiful.”

“You promised!” You try to twist away from her, furious and betrayed. Her hands clamp down, bruising. Your stubborn leg kicks at the bed. “Mommy, you promised me. You said-”

“I know what I said,” she cuts you off, an edge to her voice.

You go limp instinctively, yielding, even if you’re still in emotional turmoil. You always end up letting her do what she wants. Even so: “It’s unfair.”

“Nothing’s ever fair,” she mutters into the feverish skin of your thigh, nosing at a bruise she’d left in the beginning. “It’s fun if it isn’t fair. You’re so easy to look at like this, baby. So beautiful this way: used up and crying. Pathetic for me. Good for me.”

“Why?” You stare down at her through a film of tears. In that moment, she cranes her neck so she can rest her cheek on the top of your leg and her eyes catch the glint of the bathroom lights. “Why hurt me? Why me?”

“It feels good. You feel good.” The corner of her lips sharpen into a smile against your leg. “Don’t think too hard. I can make it hurt more.”

You shake your head. How can you even reply to that?

Her smile widens. “Say something nice to me, honey.”

This one is easy. “I love you,” you murmur. Defeat.

“Again,” she rasps, spurred into action again. To the victor goes the spoils. Her tongue covers your entrance, dips in briefly.

“I love you,” you choke out. It’s too much. You wish she’d get this over with. You wish she would keep you here forever.

Her lips wrap around your clit, tongue probing harshly at it, and her hands tug at yours.

You take the hint. “I love you.”

She laves at your clit again, your pained whimpers falling on deaf ears. A tug on your arms.

Again. Again and again and again until you can’t speak anymore. Something inside of you stiffens, then it’s splintering into pieces, and it hurts intensely but it’s nice to let it all go, but you’d never want to go through this again. When you come back to yourself, Nat’s still licking at you but this time, your sound of discontent prompts her to pull back.

“Worth it?” At your head shake, she snorts. “What do you say?”

You take a moment to make sure you’re capable of movement, inhaling sharply and watching the rise of your own chest. Then: “Thank you, mommy.”

“Any time, sweet baby.”

later run ur fingers over the indents in your thigh, mark of her bites

imagery of ambulance driving by outside w the sirens and the blue-red-blue-red of nats skin

it’s like letting the dog socialize with other dogs at the park. but i prefer to keep mine at my feet (kicks u over) …clearly

come along hound

“It’s been a week,” you say quietly, meekly. Your hand tenses on the door knob, searching for something sturdy to hold onto.

“It has,” Nat notes evenly.

She stares and moments pass, her blinking just slow enough to unsettle you.

You shift, mustering the courage to release the handle and shuffle forward a few steps. “Please? You said- it’s been a week. You said you’d take it off in one week.”

“Did I?” Nat raises an eyebrow. “I don’t recall.”

“Mistress, please. Please.”

All of a sudden, her expression sours. She stands. You shrink back, your heel hitting the door loudly and making your heart drop even more.

“Sorry,” you say in a rush.

Contrary to what you expect, she doesn’t round the desk to seize you. Instead, she leans on her desk and pins you with that searing scowl of hers. “Dumb slut. I’ll forgive you when you learn your goddamn lesson, mutt.”

You open your mouth to apologize again but she glares harder and you snap your jaw shut with an audible clack.

“Now get out.”

You do so with haste even if you ache to stay.

leave her alone for a bit obedient af she fucks ur cunt like it’s her job and gives u aftercare and ur like that’s good. duh—nat always knows, that’s why she makes the decisions, she’s in charge always

she shows u a big dildo and is like ur taking it dry and ur like ok and she thinks u finally learned the lesson and tells u to get on ur hands and knees

“Do you get it now?” Nat asks, voice rough, chest heaving. She drapes herself over your back, can’t get enough of you. Her hands roam over your body, grasping at flesh, leaving behind bruises. Runs so hot, you begin to feel sticky from perspiration, uncomfortable but in a kind of familiar way that you immediately embrace in an instinctive response. She’s all around you, cocooning you, possessing you. Squeezes tight. “Do you get it?”

“Yes,” you whisper.

“What do you get?”

Your arms shake from your combined weight. She bears down and smoothly maneuvers you onto your shoulders, arms bent up on the bed in surrender. Her hands tighten around your wrists, demanding your attention.

You soak in the feel of her on top of you. “You know best,” you answer into the duvet. A hand in your hair guides your head to the side. “I just listen.”

Nat hums. You think she sounds pleased. You hope she is. Anyway, by now your over sensitive cunt has produced enough slick around Nat’s cock for this to be somewhat enjoyable no matter how rough she plans to get. Its heavy presence inside you makes you want to squirm, delights you and scares you. You’ll take anything she gives. It’s what you’re for.

“I’m yours,” you say.

And she thrusts suddenly, humping her front into your ass so the head probes farther into your cunt.

You gasp and your fingers stretch out before clawing into the sheets. Yes, you’re wet enough. It hurts, the girth, the length, but you’ll bare it because it’s enough.

“Yes,” Nat hisses on the next thrust. “Your pleasure, pain, all mine.”

You nod, jaw fallen wide as you moan and mewl beneath her. As she forces her way in, stuffing you full, and tears her way out, leaving you empty. Not once does she let up off your back, and you love the feeling of your bodies sliding together, sticking against the friction of your movements.

“I fuck you when I feel like it, baby, in whatever way and for however long I want it. When I tell you to come, you do. When I tell you to sit pretty, you do. When I tell you to shut the fuck up,” she growls into your ear, the front of her body slapping particularly loudly and obscenely into yours on every syllable of those last four words.“You fucking do.”

“Yes.” Your voice sounds foreign, strangled. Your nods are frantic, runny nose rubbing against the sheets. “Yes, yes, yes.”

It’s meant as a response to her words and as encouragement for her to keep going, not that she has any intention to stop.

“Say something nice,” she pants into you. She sounds different too; demanding and harsh, of course, but there’s something desperate about it.

Not that you really register it anyway, since you’re shrieking, “I love you,” before you can even think about it. It’s not something you need to think about. Loving Nat is a fact of life, a part of life. As natural a thing as breathing. As being short of breath. Life is hard and easy, and loving her is the same. It’s being in sweltering heat and frigid cold. It’s too much, way too fucking much, and then, all at once, in the next moment, not enough.

Her teeth close around your shoulder, though not hard enough to break your skin. You’ll bruise, though. She bites deeper on every inward movement. Her mouth is wonderfully moist and warm on your skin.

God.

“I love you,” you cry out feverishly, “I love you, I love you, I love you!”

Indents of her canines remain in your sweat damp skin. Her breath is laboured, adjacent to pained, and it fans across one side of your face. Humid near your ear.

“I’m sorry. Thank you. I love you,” you babble. “I’m yours.”

“I love you,” she says back, over the wet sounds of your fucking. She’s relentless. “My girl. My baby. Come with me, okay? My good girl.”

It hurts. You’re numb. You’re burning up. She pants hotly into your ear, and you pant into your own spittle, face as leaky as your cunt.

Nat lurches in again, your bodies jolting forward, and you slam your eyes shut, seeing nothing but the dark and, briefly, a pang of colours from how hard you’re squeezing them shut. You cum, maybe. The sensation isn’t entirely new, painful and pleasurable at once. You’re pliant in her arms, twitching sometimes, not really feeling anything. And when you come back to life, she’s still going. The world is just this: the feel of her body on yours, the smell of arousal and sweat and spit, and her voice. A voice like tinnitus. A desperate, animalistic mine, mine, mine rings in your ears.

[airenyah]

Episode 6: FadelStyle vs. Beginnings and Endings

In the past one and a half-ish weeks we've discussed at length just how good the last scene at the diner is and how Style drawing tears on Fadel at the rock concert was foreshadowing to Fadel ending the episode crying real tears. What I haven't seen discussed yet, however, is how that ending scene is actually a counterpart to Fadel and Style's conversation after the rock concert. And I think that makes the scene in the diner even more poignant. And it also makes the scene at the rock pub even more painful as well. Because they are basically the same scenes, just flipped. And I desperately need to talk about it or else I'll explode.

Part 1: "Tonight I am very happy"

In this scene Style knows something that Fadel doesn't: This will most likely be their last chance to be happy together like this. Tomorrow Fadel will go on his mission where the police will be waiting and then Fadel will be taken away from him.

But Style already loves Fadel, he is already worried about him and he really does not want to lose him. So he keeps trying to subtly talk Fadel into staying home from the mission and spilling the beans about the mission so he can explicitly ask Fadel not to go. But Fadel keeps his mouth shut. And as happy as Style is together with Fadel this evening, he is also very upset. He doesn't want the night to end, but there's no way around it. For Style this is a goodbye.

And for Fadel? Fadel went from I'll tell her this will be your last job to Ruerat is the last jerk we have to kill. After that, we can live however we want. Even in this episode, right before he goes to the concert with Style, Fadel tells Bison "Once we’re done with Ruerat, I’ll talk to Mother again", when Bison says it's time for them to quit. Fadel is on the same page as Bison now. Ruerat is their last victim and after that Fadel wants out. For Fadel, this is the last night where he's still stuck in his hitman life, but once he is done with his mission the weight will be off his shoulders and he can finally truly be with Style. For Fadel this is the opposite of a goodbye.

In the words of my mother: For Style, when the night is over life will end. For Fadel, when the night is over life will begin. Style is ending something and Fadel wants to begin something.

And another thing my mom pointed out is how they're standing in front of a pink sky:

And at what time of the day is the sky pink? Either at dawn or at dusk. The beginning of the day or the end of the day. And for Fadel this scene is only the beginning of the day while for Style this scene is the end of the day.

Part 2: "I think I already love you"

In this scene Fadel knows something that Style doesn't: Style has played him, has made him lower his protective walls, has made him fall for him only to turn around and betray him.

Style told Fadel he hoped that Fadel wouldn't get any more scars and yet here Style is, stabbing Fadel right in the heart and jeopardizing his life. Here Style is, bursting Fadel's bubble that he's finally started daring to dream about, a dream of a future where he wasn't lonely, a future where he was happy and himself with someone, Style, by his side. Style is a danger to him. Style can't stay. As happy as Fadel has been together with Style, he needs to let go of him. For Fadel this is a goodbye.

And for Style? He has just spent a full week worrying sick about Fadel after his mission went wrong and went completely MIA. Style has likely (definitely) spent a week checking the restaurant every single day for any sign of Fadel's return, not giving up hope of seeing him again. And then Fadel is back. Style is overjoyed. The heavy metal concert wasn't their last day together, Fadel is pulling through on his promise to have many more nights like that with each other. The concert may have been the end of the day, but now against all odds a new day has come. For Style this is the opposite of a goodbye.

And so we're left with the exact opposite situation from what we had at the concert: Fadel is ending something and Style wants to begin something.

Conclusion

These two scenes go together, they're flipped parallels of each other.

At the concert Style is internally saying goodbye to Fadel because he thinks their relationship will be over when Fadel gets arrested at the mission and the police take him away. At the diner Fadel is internally saying goodbye to Style because he thinks their relationship is over now that he "knows" that none of it was real on Style's part since in reality he was working with said police.

At the concert Fadel is truly happy, because once his mission is over he'll talk to mother and when he's managed to convince her that him and Bison will be out, then Fadel can go and start a new life, a new future with Style. At the diner Style is overjoyed because he thought he was about to lose Fadel, but Fadel has come back and now Style gets a second chance at a future with Fadel.

At the concert, Fadel is happy and he can tell something is kinda off about Style ("What's wrong? You act like we’re not going to see each other again."), but he has absolutely no idea that Style is in the process of bidding him farewell. At the diner, Style is happy and he can tell something is kinda off about Fadel ("You were just calling me out for being affectionate. Now you wanna be romantic?"), but he has absolutely no idea that Fadel is in the process of bidding him farewell.

It's brilliant writing, really. And both scenes are flawlessly performed by both boys.

[ricky-mortis]

I recently read The Great Gatsby and so here are my designs for Gatsby (left) and Nick (right).

silly goofy under the cut

[cor-lapis]

I decided to have a go at doing my own redesigns because these three are my favourites and I love them very much. further notes + sources under the readmore (warning: lots of text). I did my best with the research, but if there's anything I overlooked, I'd really appreciate people letting me know :)

Tighnari:

My main source for Tighnari was this excellent thread, from which I looked up each item of clothing individually. Since djellabas tend to be quite long, and Tighnari needs mobility for forest ranger activities, I figured he would cut and re-hem the lower half. He also has a lot of clothing pieces that are traditionally multicoloured, but to keep his design cohesive I decided to use the same colours across different items, but using a larger palette of colours than I would usually. I like the bright colours on him a lot though!

There are also some minor details I just changed because I wanted to. The flower on his chest is now a nilotpala lotus, because I thought it was nice to include his acension material/the material he asks you to help gather. The dirt stains/scuff marks are because rainforests are muddy and I wanted the design to emphasise Tighnari being very practical and hands-on with his work (see also, the specimen belt).

Finally, I shrunk the magnifying glass on his back (because I'm pretty sure it's meant to be his first magnifying glass toy and that thing is very large for a child to handle) and gave him an undercut because it seemed right. Also, I merged his front and back trailing cloths into a scarf type of thing that he could wrap around his nose and mouth to prevent inhaling spores from mushrooms.

Collei:

COLLEI my beloved. I had a mild nightmare trying to figure out a specific source culture for her design, but nobody seemed to know specifics and her outfit wasn't matching with any traditional dress I looked up, so in the end decided to keep the overall look the same. Just in case I assigned her something else, but then it turned out I missed her actual inspiration.

Anyway, I made her shoes simpler (no fur, heels, and open toes in the rainforest seemed reasonable to me), and gave her shorts. I liked the green colour because it's pretty unique under a dark dress, and pairs nicely with Nahida's white dress + green undersides. Amber's tie stays, but I made most of her jewellery smaller since it felt a little clunky for a trainee ranger.

Her earring and necklace(?) are allusions to the Evil Eye and the Khmissa/Hamsa, both symbols of protection. Especially considering the fact they're meant to ward off evil, and very common across multiple MENA cultures, it seemed fitting for Collei to have them. Also, she has Eleazar scars, and I used the design for her stockings as inspiration for the combination knee braces (similar to those used for arthritis, since Eleazar also causes stiff limbs and I HC that people affected would probably still need some recovery support)/knee pads (in the case of a fall). I like the idea that Kaveh would have helped make them for her (tangent but the fic Here is the House explores similar ideas; it's really really good, I heavily recommend it). Finally, she has curly hair because I thought it would be cute.

Cyno:

Here's the thread I found for Cyno. The main critique was to do with the eras from which each aspect of his clothing drew inspiration, but I admittedly wouldn't be able to do much about this without a lot of research. One thing I did try and verify was the small strip of cloth on the left of his chest, and I found a few wall murals where the people seem to be wearing similar strips of cloth? (example here; rightmost figure) Therefore, I didn't remove it, but if someone wants to explain Ancient Egyptian clothing history to me I'd be really interested to hear it 6.6

I might iterate on the design in the future, but for now the changes are mostly HC territory. Cyno wearing his hair in locs (a protective hairstyle) makes sense for someone who does a lot of hiking after rogue scholars, and I also gave him quite old and faded top surgery scars because healthcare is canonically free in Sumeru (thanks for that information, al-Haitham)(though tbf Cyno makes bank anyway). I also adjusted the colours a bit, since Genshin tends to use desaturated shades for metallic elements.

I also considered giving Cyno more scars, but figured that it could indicate Hermanubis' presence that someone you'd expect to get injured a lot is relatively scar-free (i.e. some sort of godly healing factor/resistance to damage). However, we know next to nothing about Hermanubis, so Cyno having a lot of scars also makes sense. This paragraph is mostly just a cry for help cyno story quest 2 literally any more elaboration about the nature of Hermanubis' pact and the Temple of Silence.

Conclusion

I wasn't intending to write one when I started the explanations but this got REALLY long so if you made it this far, thank you so so much ToT please check out the links; the threads especially were a great resource, and I'm grateful that people take the time to make them <3 genshin's character design department are cowards but I'm glad I learned some new things through the redesign process

[gothhyrax]

its hard being a horror fan because some of y'alls takes are just braindead garbage

[stars-n-kites]

i just realized lup didn't know taako had forgotten her at first. it isn't really dwelled on in the flashback narration after she's freed, but she left before lucretia fed everything to the voidfish, so she wouldn't have known why when taako found her, he didn't recognize her at all. or why he didn't recognize her grand relic, didn't even seem to understand what it was or how dangerous it could be. didn't know magic half as well as he once had. didn't act like he knew magnus and merle and barry all that well. couldn't even understand when people spoke directly about the grand relics. imagine thinking you're the luckiest motherfucker ever, because you've been waiting to be found and the person who finds you is the person you love and trust most, he's clever and he'd do anything for you and surely he's going to figure this all out and free you, and then not only does he not recognize you, he can't.

[eye-of-yelough]

giggling, twirling my hair, kicking my feet, etc