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flower-zombie-rob · 3 years ago

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A lengthy critisism of in space with markiplier

Well i got through all the endings... all glorious three of them.

And i just... look i know so much work has gone into this and the production is increadible. The characters are fantastically designed the actings great the sets are phenominal but if im honest with you i just dont like it.

Im going to go through my few issues with it in this post so spoilers ahead!!!

I want to preface this review by saying that if you loved in space with markiplier and could watch it forever, all power to you!!! I am so happy you could find an enjoyment in this and I will talk about things that were very good. The production was so high and the acting directing costume and in general design was incredible from all parties including Mr. Youtuber himself. The sets were very good and the effects just keep getting better and better with each project more releases. It was a bold new take and it was interesting and fun to see market experiment with space related themes.

Now. Time to be the film critic that i am:

Ego Lore

So, going into this I was expecting some hardcore ego related lore. I mean who wasn't? It was a massive project that would have more fun adventures with plenty of different endings where we always expect lore. There is always lore. We were wrong to think that, to be honest. If there is any in there it's very hidden and none of it is very obvious at all which can be great for easter egg hunters and matpats of the audience, but for the general/casual viewers and fans of mark's ego verse, it was just sad and disappointing to know that we wouldn't get to see and appearance of dark or wilford or celine and damien or even Yancy. We had a small reference to Illinois, but it had nothing to do with anything but a throwaway gag in a strange one of the few endings. There wasnt even an unus annus referance! I know everyone was excited to see a new part of the deep story being extended, but I just don't think there was much of it there for the people who were excited and ready to see it. I honestly do think it suffered from the issue of being based mostly on the ship when others of his "choose your own story" style videos have had varying other locations from islands to prisons to cinemas to parks. They dont start there, but they go there unexpectedly and that drives the plot forward. As great as the ship is, it really doesn't give way to any kind of creative or ego-related visuals other than the blues and reds and long winding grey corridors of generic scifi. And just means that furthermore, there's even less references to egos.

Characters we got

The character lineup was brilliant, if only I could remember any of them. The problem was the mixed, crazy and all over the place narrative leading to an inability to properly understand or even really get know the characters the way that we have in the past. We got to know Yancy and had long action scenes with Illinois as well as big scary moments with darkiplier because the narrative was linear and we could understand their backstories and their in-general appearances were fun, but made sense and were easy to follow. In space with markiplier, however, has a twisting, turning, spiralling and looping narrative that no one can really navigate and/or figure out, which really distracts you from understanding, relating to and just simply enjoying these wacky characters. I just finnished less than an hour ago and i dont remember any names of these characters other than like wug, was it? They barely get any time to be the on-screen focus and don't get a lot of good moments in between the crazy plot. The characters, because of this, came off as unintentionally unmemorable and uninteresting especially when compared to characters we've met in the past, which really sucks because these actors worked so hard to come across strongly with their characterisation and the costume design was great for each of them, but alas nothing could save them from their forgetability.

Missing characters

Okay so here is where we talk about the bit that isnt specifically marks responsibility. He shouldn't have to cater to his fan base every single time he makes a passionate project and it is in no way his responsibility to fix things if we are disappointed with who did and didnt show up in his series. However!!! It was very disappointing for me personally. Basically all of the fun and plot driving characters that we have seen consistently show up in his previous works are gone from this one. There was no big iconic darkiplier monologue. There was no fun and goofy moment where we were blast into Wilford's world of madness. There was no visitation to the prison for yancy. The scene with actor mark felt cheap and underachieved. The scene with illinois felt short and solumn with lost potential. I think there was only one 100%, legitimate appearance of a single character that we have met before in this entire special. These characters grasped the hearts of the previous series fans and grew far beyond just their individual clips and endings, yet here they are nowhere to be seen. I just have a problem with that since it seems almost as if the writers are unaware of the key aspects of marks previous works that made (and still make) them so loved... and that hurts. As someone who is going into filmmaking in the future though specialised filmaking education, I've been told constantly how important it is that you understand what makes something successful and what makes characters so interesting and connectable with the audience. And especially what makes it continue past its release date. It sadly seems like "in space with markiplier" just abandons so many of the important things that really made the previous "choose your own adventure" experiences so great.

Plot

This is the main complaint I have entire thing. What was the plot? What was the story? Why are these things happening that aren't so much funny-random as previous works have been, but are more just plot contrived inconvenient-random? Everything that happens on the ship is agonisingly annoying and confusing. Pathways lead to the exact same ending but with different names and intricate interwoven choices make it 100 times harder to simply sift though endings and choices one by one. Furthermore, it feels like my choices barely matter because there's not much I can do that doesn't lead me down a path I've already been down. Whats different about this clip? Do i need to watch it again or have i already seen it? Did something slightly change and i didnt notice? Where was i? Which "wake the crew" did i just do? The fourth? The fifth? Whats the difference? Which version of the timeline am i on and how do i get back? Did i reach an ending yet? Whats the light, a reset button? Should i just give up? It is an impossibly infuriating way to do a narrative story and it makes it incredibly difficult just to do the physical mapping-out of endings. I straight up debated giving up on even getting one ending after doing the same thing 5 times in row to figure out whether there was a difference in what choice I made. In none of his other works did I find it this frustrating and unmanageable to simply find one ending or even determine what an ending counted as in this version of events. It made me unmotivated to even bother finding out what the ending was and that's a very bad sign as I usually really enjoy getting every single variable. Instead, I was simply bored and frustrated and just wanted to get to the whole thing over with. I would have loved to have a narrative where I even knew what was going on half the time.

Endings

In the whole "game" (if you will) there was 3 endings. Last time there was around 31. That is so anti climactic and need i even say more on why it is such a disappointment to just keep sifting back to the same 3 endings. It became boring and tiresome very quickly and I now just end up wondering after every run: was that it? All that work for that again? What was even the point?? I know that was the whole effect being created and that the loose plot demanded us to be stuck in an endless loop, but I mean come on. This production was massive and all we got out of it was the same two boring endings that left me just as confused and unsatisfied as when I started, and one singular throwaway ending that you have to do a very specific run to get and is the only ego appearance in the entire thing. This is the bit that I just unforgivably dislike about this project. 3 endings for this amount of effort is laughable and, in my opinion, just lazy writing. You had an incredibly compelling universe and story to tell, yet you only settled with 3.

Expectations vs reality

I think it was unrealistic of me to have the expectations that I had of this. But even so, the amount of people who were excited to get some backstory on Celine and maybe even some fem Darkiplier were rampant. Bingo cards were filled with us visiting Yancy on parole and mark coming out with a new alter ego character or a plethera of other previous tropes that made us love these things. I expected lots of locations with the kind of budget that was shown for this project. Alongside that, I expected compelling characters and interesting new situations that differed from anything we expected. Alas, we stayed on the ship and in space and in these repetitive situations and visually similar locations for hours on end, just sifting through a million repeat scenarios in hope that there's more than 2 generic endings and an Illinois reference. It just wasn't worth it in my opinion and I can't see myself watching it again, which is sad because I could watch a heist with markiplier on and on with friends and even go back and watch a date with markiplier repetitively, enjoying it every time. But this edition just left a sour taste in my mouth I was unsatisfied with the product I waited so long for and i just feel sad about it. I sort of felt that none of it lived up to what the trailer indicated or what the hype gave away. I just hope i don't find these issues in the next one because I really really do hope I enjoy it.

I am honest-to-god such a big fan of mark and his creative content. His filmmaking is impeccable, and thats comming from someone with a passion for the craft who studies it, and his story writing skills are hilarious and fantastic at a consistent rate so far. But in a disappointing turn of events, I just can't bring myself to enjoy in space with markiplier. At least not in the way I've endlessly sound contentment in his previous work. It's just let me down.

#iswm spoilers #iswm #markiplier #long post #in space with markiplier #heist 2 #a heist with markiplier 2 #ahwm2 #review #ahwm2 spoilers #in space with markiplier spoilers #longpost

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bananaofswifts · 4 years ago

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Taylor Swift Turns on a Facsimile Machine for the Ingenious Recreations of ‘Fearless (Taylor’s Version)’: Album Review

Swift recreates her entire 2008 album literally down to the last note, then gives herself room for stylistic latitude on six never-before-recorded "vault" tracks.

By Chris Willman

Swift recreates her entire 2008 album literally down to the last note, then gives herself room for stylistic latitude on six never-before-recorded "vault" tracks.

There is no “best actress” award at the Grammys, perhaps for obvious reasons, but maybe there should be this coming year. And the Grammy would go to… Taylor Swift, for so persuasively playing her 18-year-old self in “Fearless (Taylor’s Version),” her beyond-meticulous recreation of the 2008 recording that did win her her first album of the year trophy back in the day. It’s impossible to overstate just how thoroughly the new version is intended as an exact replica of the old — all the way down to her startling ability to recapture an untrained teen singing voice she’s long matured and moved on from. It’s a stunt, to be sure, but a stunt for the ages — mastering the guile it takes to go back to sounding this guileless.

There are two different, very solid reasons to pick up or stream “Taylor’s Version,” regardless of whether you share her ire for the Big Machine label, whose loose ways with her nine-figure catalog precipitated this, the first in a six-album series of remakes where she’ll be turning on the facsimile machine. One is to marvel at her gift for self-mimicry on the album’s original tracks, where she sounds as possessed by her younger self as Regan ever was by Pazuzu. The other reason is, of course, to check out the six “vault” numbers that Swift wrote during that time frame but has never released before in any form, which dispenses with stylistic fealty to the late 2000s and frames her “Fearless”-era discards in production and arrangements closer to “Folklore.” Those half-dozen (kind of) new tracks really do sound like modern Taylor Swift covering her old stuff.

But those original lucky 13? It’s the same damn record… which is kind of hilarious and marvelous and the kind of meta-ness that will inspire a thousand more think-pieces than it already has, along with possibly efforts at forensic analysis to figure out how she did it.

It would not be surprising if, as we speak, Big Machine was putting a combined team of scientists and lawyers on the case of the new album’s waveform readouts, to make sure it’s not just the original album, remixed. Honestly, it’s that close. The timings of the songs are all within a few seconds of the original tracks, if not coming in at exactly the same length. The duplication effort doesn’t allow any detours. If “Forever and Always” had a cold open then, it’s going to have a cold open now. If the 2008 “That’s the Way I Love You” had slamming rock guitars with an almost subliminal banjo being plucked beneath the racket, so will the 2021 “That’s the Way I Loved You.” A drum roll to end the old “Change”? A drum roll to end its body-snatcher doppelganger. And if she chuckled before the final chorus of “Hey Stephen” 13 years ago, so will that moment be cause for a delighted giggle now.

Of course, much analysis will be put into whether the new laugh is a more knowing-sounding laugh. And that will be part of the fun for a certain segment of audiophile Swifties who will go looking for the slightest change as evidence of something meaningful. When “Love Story (Taylor’s Version)” first came out weeks back to preview the album, there were reviews written that swore she’d subtly changed up her phrasing to put a contemporary spin on the song. And maybe they were right, but, having done a fair amount of A/B testing of the two versions of the album, I found myself feeling like I do when vinyl buffs insist there are significant sonic differences between the first stamper version of an LP and one that was pressed a year later. If you can spot those very, very, very modest tweaks, go for it.

But my suspicion is that if Swift has decided to turn a phrase a little differently here or there on this album, or done anything too differently aside from brighten the sound, she’s doing it more as an Easter egg, for the people who are on that kind of hunt, than anything really designed as reinterpretation. Because the last thing Swift wants most of her fans doing is A/B-ing the two versions, the way I did. The whole point is to have folks retire the OG “Fearless” from their Spotify playlists, right? The Swift faithful were already threatening to rain down damnation on anyone caught sneaking an audio peek at the old version after midnight. What she intended was to come up with a rendering so faithful that you would never have a need to spin the vintage album again. In that, she has succeeded beyond what could have been imagined even in the dreams of the few self-forgers who’ve tried this before, like a Jeff Lynne.

Is there any reason to find value in the new versions if you couldn’t care less about the issues of masters and contracts and respect in business deals that made all this strangely possible? Yes, with the first one being that the new album just sounds like a terrific remastering of the old — the same notes, and you’d swear the same performances, but sounding brighter and punchier just on a surface level. But on a more philosophical one, it’s not just a case of Swift playing with her back catalog like Andy Warhol played with his soup can. It’s really a triumph of self-knowledge and self-awareness, in the way that Swift is so hyper-conscious of the ways she’s matured that she has the ability to un-mature before our very ears. With her vocals, it’s virtuosic, in a way, how she’s made herself return to her unvirtuosic upstart self.

On Swift’s earliest albums and in those seminal live shows — at the time when she was famously being told she “can’t sing,” to quote a song from the follow-up album — there was a slight shrillness around the edges of her voice that, if you lacked faith, you might’ve imaged would be there forever. It wasn’t. That was partly youth, and partly just the sheer earnestness with which she wanted to convey the honesty of the songs. She’s advanced so much since then — into one of pop’s most gifted modern singers, really — that the woman of “Folklore” and “Evermore” seems like a completely different human being than the one who made the self-titled debut and “Fearless,” never mind just a woman versus girl. It wouldn’t have seemed possible that she could go back to her old way of singing at the accomplished age of 31, but she found and recreated that nervous, sincere, pleading voice of yesteryear. And maybe it was just a technical feat, of temporarily unlearning what she’s learned since then, but you can sense that maybe she had to go there internally, too, to the place where she was counseling other girls to guard their sexual virtue in “Fifteen,” or wondering whether to believe the fairy tale of “Love Story” or the wakeup call of “White Horse,” or proving with “Forever & Always” that writing a song telling off Joe Jonas for his 27-second breakup call was better than revenge.

If at first you’re not inclined to notice that Swift has re-adopted a completely different singing voice for the “Fearless” remakes, the realization may kick in when those “vault” tracks start appearing in the later stretch of this hour-and-50-minute album. The writing on the six songs that have been pulled up from the 2008 cutting room floor seems primitive, even a little bit by the standards of the “Fearless” album; there are great lines and couplets throughout the rescued tracks, but you can see why she left them as works-in-progress. But she doesn’t use her youthful voice on these resurrections, nor does she employ the actual style of “Fearless” very strictly. Of course, she feels more freedom on these, because there are no predecessors in the Big Machine catalog she’s asking you to leave behind. Her current collaborators of choice, Jack Antonoff and Aaron Dessner, divided the co-producing work on these fresher songs, as they did for the two all-new albums she released in the last year. (The “Fearless” recreations are co-produced by Swift with Christopher Rowe, someone who worked on remixes for Swift back in that era.) They co-produce the vault songs in a style that sounds somewhere between “Fearless” and Folklore”… a more spectral brand of country-pop, with flutes and synths and ringing 12-string guitars and a modicum of drum programming replacing some (but not all) of the acoustic stringed instruments you’d expect to be carried over from “Fearless” proper.

Of the previously unheard tracks, Swift was right — she’s always been her own best self-editor — in putting out “You All Over Me” first, in advance of the album. With its imagery of half-muddy stones being upturned on the road, this song has advanced lyrical conceits more of a piece with the level of writing she’s doing now than some of the slightly less precocious songs that follow. Still, there’s something to be said for the sheer zippiness with which Swift conveys teen heartbreak in “Mr. Perfectly Fine,” which has a lyric that shows Swift had long since absorbed the lessons Nashville had to offer about how to come up with a high-concept song — the concept, in this case, being just to stick the word “mister” in front of a lot of phrases relating to her shallow ex, as if they were honorary titles to be conferred for being a shit, while she employs the “miss” for herself more sparingly.

Some of the remaining outtake songs go back more toward the sedate side of “Fearless”-style material; she didn’t leave any real bangers in the can. “We Were Happy,” the first of two successive tracks to bring in Keith Urban (but only for backgrounds on this one), employs fake strings and real cello as Swift waxes nostalgic for a time when “you threw your arms around my neck, back when I deserved it.” It’s funny, in a good way, to hear Swift at 31 recreating a song she wrote at 17 or 18 that pined for long-past better times. The next song, “That’s When,” brings Urban in for a proper duet where he gets a whole second verse and featured status on half a chorus, and it’s lovely to hear them together. But, as a make-up song, it doesn’t feel as real or lived-in as the more personal things she was writing at the time — and the fact that its chords are pretty close to a slightly more balladic version of the superior “You Belong With Me” was probably a pretty good reason for dropping it at the time.

the 18-year-old Taylor Swift is a great place to visit, but “Folklore” and “Evermore” are the place you’ll want to return to and live, unless you have an especially strong sentimental attachment to “Fearless”… which, sure, half of young America does. It’s not irreconcilable to say that the two albums she issued in the last year represent a daring pinnacle of her career, but that “Fearless” deserved to win album of the year in 2008. Has there been a greater pop single in the 20th century than “You Belong With Me”? Probably not. Did the album also have lesser moments you probably haven’t thought about in a while, like the just-okay “Breathe”? Yes. (I looked up to see whether Swift had ever played that little remarked upon number in concert, and according to setlists.fm, she did, exactly once… in 2018. Because she’s Taylor Swift, and of course she did.) It’s not certain that her duet with Colbie Caillat really needed to be resurrected, except it’s fun, because hey, she even roped former duet partners back into her time warp. But there are so many number that have stood the test of time, like “The Way I Love You,” an early song that really got at the complicated feelings about passion and fidelity that she would come to explore more as she grew into her 20s… and just kind of a headbanger, too, on an album that does love its fiddles and mandolins.

It doesn’t take much to wonder why Swift put up “Fearless” first in this six-album exercise; it’s one of her two biggest albums, along with “1989,” and it’s 13 years old, which does mean something superstitious in the Taylor-verse. In a way, it’ll be more interesting to see what happens when she gets to more complicated productions, like “1989” or “Reputation.” But maybe “Fearless” did present the opportunity for the grandest experiment out of the gate: to recreate something that pure and heartfelt, with all the meticulousness a studio master like Swift can put to that process now, without having it seem like she’s faking sincerity. Let the think-pieces proceed — because this is about six hundred different shades of meta. But, all craftiness and calculation aside, there’s a sweetness to the regression that’s not inconsequential. It harks back to a time when she only wondered if she could be fearless, before she learned it the harder way for sure. What they say about actors “disappearing into the role”? That really applies to Taylor Swift, playing herself.

#taylor swift #fearless #review

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xmyshya · 4 years ago

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Bumpy road

summary: What if two of your favourite boys were pining after you? genre: angst, fluff, crack warnings: stupidity special thanks: the whole HQ Headquarters DS, for giving me ideas, for hyping up, for everything, I love you all. a/n: Colour coded! Red for Kuroo, Yellow for Atsumu, black for neutral/both! There's an Easter Egg! wc: 3.9k words

[April]

“Please take a seat in the last row”, your eyes followed an extended arm of your new homeroom teacher until they landed on a boy with the messiest bedhead you’d ever seen. He didn’t seem to pay much attention to you though, instead resting his eyes on a faraway point on the other side of the window. Until he heard the noise you made while shuffling your chair, that is. “Hiiiiii, I’m L/N Y/N, nice to meet you neighbour!”, a wide smile formed on your face. “Kuroo Tetsurou, nice to meet you too”.

One week later, you were standing on the gym's threshold, filling your lungs with a deep breath before taking the first step in as a new manager. Volleyball had never been a sport close to your heart, but you had had some experience with it, as well as basic knowledge, so you were up for a challenge. All the more reason to after being asked by an unexpectedly fun friend. And being able to spend more time with said friend. But more time spent on talking came with another consequence. You started hearing rumours and whispers. Things like wow, she’s really talking to him or oh, another victim to his charm reached your ears from everywhere. “Kuroo, am I not supposed to talk to you or something?”, slipped your lips one day. You might as well continue, since he already heard you and was now looking at you with a confusion clear in his eyes. “I just heard people being… surprised about this”. “Oh, apparently I’m either intimidating or hot enough to be a fuckboy”, you choked on your own saliva. “You’re what?” “Intimidating or hot, or both”, did he really say that with a straight face, not once but twice? You just burst out laughing, eyeing him up and down. “Sorry, where?”, laughter bending your body in half, you bumped your head against the desk. “Ouch”

[July]

School premises were swarmed with sweaty boys. Some of them were familiar, like Bokuto or Akaashi, who had been friends with Kuroo for quite a long time. You recognised Karasuno, also known as Country Bumpkins, due to a practice match 2 months prior. The rest? Well, you only knew they were parts of the Fukurodani group. There was a mock game going on, and you, being a diligent manager, observed every move of your teammates to give them performance feedback. Further into the game though, your eyes shifted more and more onto your best friend’s lifting shirt, every time he went for a block. Or spiked. Or served. And wow, his thigh muscles were really… “Okay people, time for a break!”, a shout somewhere near you brought you back to reality. You stood up and made your way to the door, to catch some fresh air, while you bumped into quite a firm body. Looking up revealed it was Kuroo. His smirk made you wonder if he noticed your stares. His wink convinced you he, in fact, did. “Y/N, your name should be Neon, cause daaaaaamn you’re a perfect 10” “So you must be Helium, cause I sure as hell want you on top of me on a table”, few people whistled. Oh shit. His reaction gave you an extra boost of confidence, because now it was painfully obvious that all the rumours about the man in front of you were pretty much it, rumours, since his ears could as well be beacons. You winked at him on your way back to the door, and he still stood there dumbfounded when you looked back after reaching it.

[October]

Something had changed. You couldn’t quite put a finger on what exactly, but it was different. Like a tiny heat wave whenever your hands brushed, and they brushed more often. Like an extra beat of your heart whenever you felt his touch on the small of your back. Like your eyes lingering on for a second longer, before dropping to each other’s lips. Like a blush tinting his ears when you smile at him. Or like the way his heart clenched, when your thick tears threatened to burn their way through his chest, because the world had been unfair to you once too many, while the only thing he could do was to hold you so tight and kiss the top of your head so gently.

[November]

Having to stay late at school really was a blessing, when it was just the two of you in an empty train compartment on your way home. Otherwise, you surely would be scolded or at least stared at, because the decibels of your laughters while fooling around were beyond socially acceptable limits. He was now chasing you, fingers threatening to tickle you once you’re caught… You started to turn just in time for your back to hit the wall, and you definitely didn’t expect him to be so close, with the way he hovered over you and his hand making a loud thud. Or maybe it was your heart. “Oh sorry, the train bumped”, there was something in his eyes that compelled you to look into them, even when he leaned on his forearm above your head. He was so close, you could almost feel his breath on your skin. “Are you sure it’s not you falling for me?”, a chuckle in your throat died instantly as you saw his eyes open wide in fear for a fraction of a second, before his usual cocky smirk curled his lips again. He booped your nose before leaning against the wall next to you. The rest of the way home was silent.

[January]

It was time for you to run to your own team’s match. There was no way to miss a game for a manager, even if it was just your presence serving as a support on court. Your eyes slipped down to your watch only for a moment, but it was enough for a disaster to occur. You felt your body clash with another. “I’m so-” “Watch where yer running, ya fucking idiot”, you really wanted to apologise, you really did. But obviously not anymore, not when the other person was shouting at you like that. “Excuse me?! And where the fuck did your eyes go, huh? And don’t you dare speak to me like that”, your finger digging relentlessly into this stranger’s chest, despite his posture being so much bigger than yours, rage boiling in your veins blocking successfully any feeling of intimidation. “Do ya have any idea who ya talkin’ to? Miya Atsumu of Inarizaki, ya pig”, he straightened up and lifted his chin, looking down at you with a half smirk. You, however, only raised a brow. “Ooohhhhh…”, you squint your eyes for a moment, tapping a finger on your slightly pouty lips. “Never heard of ya”, you gave him a wide smile as you continued your rushed steps towards another gym. “W-wait a sec!”, shit, you really didn’t have time for this, “I uhh, sorry? I thought ya were one of dem stalking fangals and uhh...”, it was clear he wasn’t used to apologising. “The way ya talked back at me was so freaking cool! Can I have yer number?” You were shocked that he dared asking you that after the insults he spouted. Even more so, when you found yourself tapping your digits into his phone.

Nekoma won the match. Not that it was surprising, you always believed in the boys, and you had believed in their plan. But now that the game was over, you were heading to have a sneak peek at your Crow friends. You didn’t expect the situation to be so dire. From the scoreboard, your eyes moved to their opponents and… oh shit. Preparing to serve was HIM, none other than self-proclaimed “THE” Miya Atsumu. He noticed you too, surely, because he was grinning your way and oh my god was it a wink? Because it definitely looked like a wink. The whole match was a pain to watch. It had you hyped, it had you devastated, it had you crying and laughing uncontrollably. But when Oranges finally won, indescribable joy overwhelmed you, while you screamed and jumped around. Sudden hand on the small of your back startled you, emotion quickly replaced with surprise and confusion when you saw Kuroo attached to it. He hadn’t touched you in 2 months. “C’mon, time for us to go”, he pushed you gently towards the door while staring down the blonde setter behind your back. His gaze said he was taking up the challenge.

In the evening, the whole team was gathered in front of the tv to watch repetitions, over and over again, and figure out a strategy. Honestly your focus only could last that long, mind already looking for distractions, when you heard a ding from your phone. [unknown]: Ya know, could’ve been less happy about our loss. ‘M heartbroken now. [Y/N]: That’s what you get for playing against my friends ;) who’s this, btw? [Miya]: Whaddya mean ‘who’?! It’s Miya Atsumu here! [Y/N]: Aaahhhhh… Never heard of him :D [Miya]: We gotta change it then “Maaaaan, I wish we could play against Miyas”, Yamamoto’s voice dragged you back into the room. “Yeah, me too”, Kuroo hissed through clenched teeth.

[February]

Recent weeks were crazy. Preparation for college entrance exams was consuming most of your time, along with your sanity. If only Kuroo was with you, he would surely tell you to take a short break, instead, your mind was spiraling into educational anxiety. Am I doing enough? What if I fail? What if I forget something? What if… the soft sound of a notification brought you down to Earth. Miya Atsumu sent you a friend request. Ah, right. You were overworking yourself so much lately, that you almost stopped replying to his texts, still you were sure to receive at least one every 2-3 days. Request accepted. Just when you were about to re-focus on the textbook in front of you, another notification came. Miya Atsumu liked your photo. Amused, you click on it only to discover the picture was from… 4 years ago. Reaction disappeared, however, almost as quickly as it appeared. On the other side of the line Atsumu’s hands were shaking and sweating, his face red, as his brain was sent into an overdrive. Oh no, oh no, ohnonono, what have I done, has she noticed, do I look desperate, what do I do now, whatdoIdo. But you never said anything about it.

[Miya]: Ya need ta relax once in a while, ya know? [Miya]: Stress ain’t bringing in results [Y/N]: Wow, so you can say something wise :0 [Miya]: HA. HA. HA. [Miya]: Now please wouldya get me? I dunno Tokyo too much. 10 minutes later you were scanning the crowd on the train station in search of a familiar blonde. It wasn’t too hard to find him, but unexpectedly… he had company. Of 2 other guys, including one looking exactly like him, except for a different hair colour. They were introduced to you as ‘Samu (apparently Atsumu was too nervous to go alone) and Suna (he would never miss a spectacle like this). “So where do you need to get to?”, Suna looked at his friend with amusement, and you could swear you heard his twin whisper “she doesn’t know?”. Suddenly you had a phone screen right in front of your eyes, pictures of your favourite cafe on display. How did he.... “I wanna take a certain gal here”, Atsumu tapped on the screen, his eyes focused intensely on yours. As soon as you shifted your gaze from his mobile to his face though, he looked away. “Let’s go then, I guess”

Having your favourite hot chocolate in your hands would have been relaxing, if not for the deafening silence and weird smirks between two extras. “Soooooo, care to explain what you’re doing here?” “Sightseeing?”, blonde sitting opposite of you looks quite adorable with the pink tint, hand on the nape of his neck. Wait, adorable? “Yeah, y/n here being the sight, OUCH”, Suna jumped in his seat, definitely kicked by Atsumu. Maybe he was right, maybe it wouldn’t hurt to have a breather from books and notes. On the other side of the window, Kuroo was clenching his fists, as he watched you laugh, not really sure of the reason behind his anger.

[April]

Being late on the very first day is a bad omen, you cursed as you ran through the campus. It was NOT your fault that it was so needlessly big. It also wasn’t your fault that you spent way too much time searching for motivation to attend this class, which was clearly added to the program to harass students. It was bound to be the most boring subject, you just felt it in your bones. You opened the door to the lecture hall as quietly as you could, and then tiptoed to the nearest free seat, eyes trained on the lecturer (you thanked gods she was turned back to the room). Luck was on your side, she hasn’t noticed. “Whatcha doin’ here, babe?”, a sudden whisper and lips barely brushing your ears made you jump in your chair. You almost screamed, but the man’s reflexes were almost inhuman, as he covered your mouth with his hand. Truthfully speaking, it might have been better to prevent your knee from bumping against the desk, because now you had all the unwanted attention. And a hurting knee. “K-Kuroo?!”, you whisper-shout back at him. “I knew we enrolled in the same university, but same class?” “I think this might be the only one, since it’s mandatory for everyone” You thought this course might actually be your favourite.

Obviously he noticed it. It was impossible not to, since the pisshead was a new follower on almost ALL of your social media. Not just a follower, no. He was commenting on nearly each photo, and reacting to every. Single. One. At first Kuroo was just mildly annoyed. Then angry. And then he could feel his blood boil whenever he saw his name under your post. He wasn’t going to tell you though how he checked every hour or so if you had replied. That day, when you both sat in your room, working on some early assignment (two heads are better than one), your phone was blowing up. Tetsurou knew who it was, he saw the bubbles popping up on your screen. You didn’t pay attention to them, much to his relief. On the other hand, Atsumu was going crazy. “Samuuuuuu, she ain’t replying!” “Samuuuuuu, ya think she’s on a date?” “Samuuuuuu, did I annoy her too much?” “Samuuuu….” “Shut up, Tsumu” “Y/N? Smile for the photo”, he laughed when your head snapped towards his raised hand, and your eyes opened wide. Kuroo pushed the shutter button exactly when you smacked his arm. “What the hell’s wrong with you?!”, notes and the search engine slowly reclaimed your main focus, partly because you wanted to hide a blush blooming on your cheeks. “Just wanted to commemorate our first study session in our university life!”, he mused as he entered First assignment with the best girl <3 - @y/n in caption and pressed <upload>. Let’s see if you react to this one, asshole. He didn’t.

[May]

[Y/N]: Are you okay? You’ve been awfully silent lately. [Miya]: ‘M ok! Didn’t want to bother ya. [Y/N]: Huh? [Y/N]: Why the sudden change? [Miya]: Idk, maybe I shouldn’t text “best girl <3” [Y/N]: Atsumu… You’re an idiot [Miya]: Am not! He was. He realised this few days later, right before hopping on a train to Tokyo. Or rather… his brother made him realise this. “Huuuuuuuh?! Whaddya mean I like her?! I mean, I do, she’s cool, but whaaaat?!” “Tsumu… Yer about’a get on a train ta see her!” “So?” “Yer an idiot” “Hey! That’s what she said too!” Looking back at it, that might have been true. Maybe. After all, he was on his way to a city 500 km away, just to see… a friend. Would he do that for just a friend?

He found you outside, and he swore it was the prettiest scene he had ever seen. Gentle breeze blew your hair, as you basked in the sunshine. With your floral dress you reminded him of a flower praising the sun. In that very moment he regretted he hadn’t bought you anything, not even some flowers. Not that they would compare to you. He watched you turn to him in slow motion, as if he was in a movie, and you were about to jump into his arms. You just smiled instead, but its brightness could rival the orb up in the sky. At that moment, he knew he was gone.

“So ya say… there’s anime about volleyball?” “Yes! And it’s so good! Seems pretty accurate too!” “Ya hafta show me! That’s so cool!”, he reminded you of a kid, with his eyes shining like glitter, and a smile covering at least half of his face.

He had exactly the same expression, when he suddenly stopped walking and you bumped into him, ice cream spreading nicely on your nose as he was taking a selfie of both of you. And then again at the train station, when he was worried his arms might have lingered a tad too long around your waist, but you didn’t pull back. Later, a screech could be heard in your room as that photo appeared on your timeline. With your name attached to it. In yer face, rooster bastard, Atsumu thought as he had clicked the <upload> button. Kuroo only scoffed, original much. But if that’s how he wants to play…

[July]

Lunch break was your favourite part of the day not just because it was, well, a break, and not only because of lunch. It was the time spent on talking, goofing around and stealing each other’s food, together with Tetsurou. That day, however, exhaustion took over and you couldn’t do much more than just lay your head on the cantine table, your hair a messy veil. “I can’t wait for summer break to come, I want it to come already! My brain is so tired” “Hang in there! It’s just 2 weeks of exams, and then we’re free!” “Why are you doing this to me, Kuroooooo” “I’ve always been a nice person” His hand was soft as he gently uncovered your face, strand by strand. “Wanna go somewhere and relax a little before all hell breaks loose?” Soft hum was the only thing leaving your lips as you melted into his touch.

The sun was merciless, as if its sole purpose was to burn the Earth to ashes. The fact that you were ankles deep in a stream and shielded by dense leaves didn’t help at all. Undeniably though it was soothing for the soul. “Okay, let’s move on”, Kuroo said, despite wanting to watch you forever. There was something about this relaxed expression that strung the cords of his heart. Yes, you looked happy. It took you too short a while to have shoes on and be ready to walk again. Summer breeze felt wonderful as you climbed up a rocky hill, scorching heat finally letting up a little. Temptation to just stand there with eyes closed and arms open wide almost too strong. Still, you let yourself submerge in it enough, not to notice a slippery boulder. You were preparing yourself for the impact, but instead, you felt a pull on your wrist and then a firm chest in front and a strong arm around your waist. “Please be more careful”, a whisper rather felt than heard, barely louder than a breath. This and his scent intoxicated you. “Let’s go?”

The view was magnificent. Just behind the hill, there was a lake, as clear as glass. Its naturally azure colour was tinted with golden afternoon light and rosy flowers covering the trees growing around the coastline. Some of the petals were floating on the surface, between the sun kissed shimmers. It was truly breathtaking, both of you wished you could stay in that moment. Neither of you noticed, none of you had let go of each other’s hand.

[Y/N]: Random thought. [Y/N]: What if I were a werewolf? [Miya]: … [Miya]: Are ya? oO [Y/N]: Hmm? Would it be a problem if I was? [Miya]: I… ‘m allergic to dogs… :( [Miya]: I swear I’ll get meds! [Y/N]: Wow, such a sacrifice! You would do that for me? [Miya]: I would even hunt squirrels for ya! [Y/N]: Squirrels? [Miya]: Or whatever werewolves eat [Y/N]: Wow, I’m speechless “Samuuuuuuuuu, she sent me a heart! A HEART!”, the fluttering in his chest was almost unbearable. “Shut yet mouth, ya simp! It’s 1 am!” He wasn’t a simp, of course not. Sure, he did watch whatever you recommended to him, and listened to whatever song you said you loved. He did research on things you had said were interesting, and rushed to his phone whenever it announced a new message. But being a simp? Him? Never.

[August]

If this wasn’t heaven, you didn’t know what would be. Warm sand under your back, cool water coming in waves to wash the heat off of your skin, and the sun watching you from the clearest sky. You heard a click somewhere behind your head, and opened your eyes to see your relative, showing proudly their creation. “You just looked so blissful, Y/N. Couldn’t help it”. You couldn’t blame them. You didn’t remember feeling this much at peace either. “Send it to me, please!”

Tucked gently in your covers, you were swiping through your gallery, admiring the pictures you and your relative had taken. After another round you finally decided which ones you wanted to share with the world, a mixture of landscapes, sunsets and portraits. As soon as you were informed about the post being up, you silenced your phone and closed your eyes ready to sleep… This might have been one of the best decisions you had made recently. You had never seen that many alerts on any of your content. Majority of these were from Atsumu, who obviously made sure none of your uploadings went unnoticed, which spread a warmth in your chest. What really caught your attention though, was how many times one particular picture was mentioned. Yes, the one on the beach. It was almost scary. {Kuroo}: Babe, you shouldn’t expose yourself like that, there are thirsty bois around. {Atsumu}: Who tf are ya callin’ thirsty?! {Kuroo}: Never said I was talking about you, but I guess I found one {Atsumu}: Listen here ya smug ass’ole, ya think yer funny? Suna only sent a gif of popcorn eating {Osamu}: Okay Y/N, as much as I find this exhilarating…just choose already, spare those two poor souls! Suna sent another gif, this time a very disappointed one.

Choose? Wtf does that mean? And then it hit you. Kuroo suddenly getting touchy again after distancing himself from you. His sudden clinginess whenever Atsumu interacted, phone in plain sight. Miya’s constant attention. His willingness to travel and never asking for anything in return. His eagerness to learn about anything you liked. Had you really been so oblivious for this whole time? Well, it could wait until you were back home.

Memories flooded your mind as you were typing the message, your heartbeat rate over the roof, your hands shaky, but you knew you needed to do this. For your sake. For his sake. One last glance over the text “I think it’s time for us to talk…” before you press <send>

Epilogue 1 - Kuroo Epilogue 2 - Tsumu Epilogue 3 - both

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yandere-society · 5 years ago

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Ih-pif-uh-nee

Synopsis: After successfully finding matches for humans for a millennia, Cupid grows irritated when he repeatedly fails to find YN’s soulmate. He decides to go undercover and disguise himself as a normal human to attempt to get closer to her, only to become convinced that HE is the mate he’s been searching for all along.

Pairing: Jimin x Reader

Word Count: 2k

Admin: @chimchimsauce

Valentine’s Day Event Masterlist

Trigger warnings: yandere-themes, stallking

Cupid is on cloud nine, staring up into the painted sky, the soft coldness of a cloud caressing his large, folded wings. As the sun slowly begins to sink, the god of love rolls onto his stomach, dragging his finger through a passing cloud.

Another day, another match made in heaven. Satisfaction warms Cupid’s heart as he thinks of the young couple he recently paired up - a rich girl from a very influential family and a poor young man struggling to put himself through college. Pairings like that have always been Cupid’s favorite. Unlikely love always blooms faster, roots deeper into the lives of those he strikes with his arrows.

As the sun falls completely beneath the Earth and the moon rises to shine, Cupid sits up, reaching into the sky to pluck a falling star from above. The star shines brightly in his cupped hands, glowing before Cupid cracks it open like an Easter egg to reveal his latest assignment.

While the god is ultimately in control of his matches, every so often, Aphrodite will send tell him of someone special, someone who will require a bit more than a few well-timed coincidental meetings and an arrow to the chest. His mother’s always been a bit of a know it all and a meddler, so it’s not terribly unusual for her to push her own agenda through her son.

Cupid sighs. It’s nearing Valentine’s Day, so hopefully, he’ll have a bit more luck with this assignment than he did with the last one. Last time it took Cupid a fortnight to get the seed of love planted deep enough between a cynical old man and the lady he’d worked with for over two decades. But still, Cupid’s never been unable to make a spark between two people, not even when he was younger and would shoot arrows at random people just for fun.

Of course, he’s matured significantly since then. He doesn’t play such games anymore.

Reading the note he pulls from the star, Cupid reads the name.

YN LN

There’s nothing particularly remarkable about the name. He’s heard it before, used by other people throughout the years. The photograph he’s been given also does not stir anything in him. He wonders briefly what his mother is planning, sending him this assignment without any context. Usually, she’ll at least send some background information on the person and who she wants them to end up with, but there’s nothing else in the star but her name and photo.

Cupid seals the star back, tossing it as far into the sky as he can, letting it return to orbit. He places the photograph into the folds of his angelic garment, standing up and stepping off of the cloud, plummeting towards the Earth’s surface.

He might as well get started now.

Cupid lands gently on a large hill overlooking a sleepy college town, bare feet touching the soft grass. He disappears into the night as he descends upon the town, slipping between dimensions as only gods can do.

It practically takes him no time at all to locate her, YN studying diligently at a library that looks as old as Cupid himself is. Quietly, he lets his presence rest beside her, eyes going over her form, trying to figure out what’s so special about her that she caught his mother’s attention. She’s pretty enough for a human but her face isn’t anything you’d double take on. She almost seems . . . plain.

Cupid can’t help but be a little disappointed. He’d hoped this assignment would be interesting, but it seems like it’ll end up being a bore after all. He’s half tempted to just shoot her and be done with it, but he has a feeling his mother won’t be pleased with him if he does that.

Deciding to give this assignment his all (if for no other reason than not having to put up with one of his mom’s hissy fits) Cupid spends the next few days trailing YN, figuring out her habits, likes, and dislikes. He even sets up a few matches - the guy in her class, one of her pretty friends, a worker in the local grocery store - but to no avail.

Despite shooting the girl with three arrows, not even a lick of love sparks within her. YN just continues her monotonous life, boring the hell out of Cupid.

After an entire week of this, Cupid grows impatient and decides to handle this matter even more personally.

Transforming into human form, Cupid feels the elements against his skin for the first time since . . . he shakes that thought out of his head. A little bit of persuasion is all it takes to get him a new identity and set up at a small bed and breakfast just a few minutes’ walk from YN’s dorm.

He has it all planned perfectly. He’ll run into her at the coffee shop she works part-time at and befriend her, using their time together to find her perfect match. He’s never had to put in this much effort before.

But as soon as Cupid walks into the coffee shop, the little bell over the door rings and the two of them lock eyes, the god’s breath catching in his throat. She smiles at him, the very first time she’s smiled since he’s been trailing her.

Something pulls at his subconscious, just out of reach. Whatever it is is familiar, comforting to him. He doesn’t realize that he’s staring until she clears her throat uncomfortably.

“How may I help you?” she asks.

“I . . . just a coffee, please. Black,” he says once he’s regained a bit of his sense.

“Sure thing. What name would you like me to put it under?” YN asks, already beginning to create the drink.

“Jimin,” he says before he can stop himself, his true name tumbling out between his lips.

Because she’s faced away from him, YN doesn’t notice the shocked look on Jimin’s face. His hand covering his mouth. He can’t believe he said that!

The name ‘Jimin’ was given to him over a thousand years ago, by someone he can’t remember. His mother forbade him from using it and he’s gone by Cupid ever since. So why . . .

“Your total is $3.50. Will that be all for you today?”

“Yes,” Jimin says, rummaging through his pockets to pull out some money he’d manifested earlier that day.

The coffee shop is empty besides the two of them, Jimin choosing to sit by the glass storefront while YN hums quietly to herself, wiping down the counters and tidying up. Soon though, it becomes apparent through his side-eyed watch that she’s out of things to do, just sort of idling around. It’s only then that he god of love remembers that he’s on a mission.

“So uh,” he speaks up, the coffee cup warming his hands, “I’m new in town and I was wondering if you knew of what all there is to do?”

Jimin hates how unconfident he sounds. It’s so unlike him.

“Well,” she begins, grateful for a distraction, “There isn’t all that much to do. It is a rather small town after all.”

“Surely there must be something,” Jimin pushes, really eager to speak with her.

“Hm,” she begins, “There’s actually this very pretty underground lake. You can only see it once every couple of weeks because the cave it’s in is usually flooded - it rains here a lot by the way - but it’s absolutely gorgeous,”

“I’ll have to go sometime,”

Over the course of that singular trip to the coffee shop, Cupid completely forgets that YN is supposed to be an assignment. He becomes completely and utterly enthralled with her and her boring little life. The gods always have something going on, some drama or scandal or fight. It’s so nice just to be able to relax with someone - to actually become close to someone. Jimin sees YN every day. First, he just stops by to get a morning coffee, but soon enough he ends up walking her home after her shift ends and helping her study at the library.

Every expression of hers he has memorized. He lies awake at night and thinks about her, anxious to spend time with her again. It consumes his entire being, is his motivation for his every decision.

Until . . .

Until two months later, when the most gorgeous woman alive is at his doorstep. His mother catches the attention of everyone who walks by, sending one gentleman a flirtatious wink and causing him to walk into a pole.

“What are you doing here, Mother?” Jimin asks sharply, less than thrilled to see her.

“Checking on you,” she says, eyeing him up and down with a hand on her curved hip, “It seems you’ve gotten rather . . . distracted.”

Jimin bristles, growing visibly upset.

“I assigned you to find this girl a mate, not to fall for her,” Aphrodite says, her tone leaving no room for debate.

“I’m not falling for her,” Jimin hisses through his teeth, the lie obvious even to himself.

“You have one more week,” she threatens, “Or else.”

She doesn’t need to elaborate. Jimin knows his mother well enough to know whatever she has planned is awful.

As soon as she leaves, the god has an anger fit, trashing the small rented room he moved into just three weeks ago. He has to see her - he has to go be with YN. She’s the only thing that can calm him down enough for him to make a gameplan.

But as Jimin hurriedly makes his way to her house, he stops when he sees someone - an unfamiliar man - sitting on one of the dorm porch swings and chatting with her. The stranger looks up briefly, catching eyes with Jimin.

“Apollo,” Jimin curses, vision turning red from how pissed off he is.

Before YN can even blink, Jimin has Apollo by the throat, ignoring YN’s panicked cries.

“Stay away from her,” Jimin warms, nails digging into the other god’s skin, “You run and tell my mother to keep her nose out of my business. I’m done doing her dirty work for her.”

He tosses Apollo to the ground, unaware that he’s partially revealed his true form to the terrified young woman behind him. Apollo flashes away, clutching his own throat, fear in his eyes.

When Jimin finally turns towards YN, she’s petrified, a scream caught in her throat.

What’s going on? What had just happened?

“Oh, baby, no, don’t be worried,” Jimin coos, taking YN into his arms.

He doesn’t care that she’s as stiff as a board, immobilized by fear.

“The bad people are gone now. It’s just us, okay. You don’t have to be worried.”

His overly calm tone causes YN to snap out of her reverie, trying to pull away from the man she thought was a friend - the man she thought was human.

“I’m in love with you, YN,” he says, ignoring her attempts to flee and crushing her to his chest like a small child, “I didn’t think I could fall in love, but here I am. I think about you every waking moment, desperate to be around you, desperate to touch you. You feel it too, don’t you, YN?” Jimin says, a crazed look glossing his eyes.

Tears well up in YN’s eyes as she looks at him and realizes what danger she’s in.

“I know you do,” Jimin says, falsely taking her silence for agreement, “Kiss me.”

It’s a command, one she’s much too afraid to ignore. Trembling, Yn shakily presses her lips to his, unaware of the visions she’s just spawned in his head.

All at once, his memories come back to him, hitting the god-like a pile of bricks. He pulls back from her only briefly to wipe her tears away before recapturing her lips in a deeper kiss, never wanting to be parted from her again.

Psyche. His Psyche. The one he’d fallen in love with all those millennia ago, only to be ripped apart when his own mother killed her and their unborn child. No wonder she felt so familiar, so comforting. YN is his soulmate, no one else’s.

He wipes away every one of her continuously falling tears, moving to kiss her forehead.

“Don’t worry, darling. We’re going to be together for the rest of eternity . . . right after I kill my mother.”

#yandere #yandere bts #yandere x reader #yandere jimin #jimin x reader #bts angst #soft yandere

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aromantic-misguide-to-romance · 4 years ago

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Egg Hunt Nightmare - short review

Devilgrams: Easter Egg Panic! (Diavolo), Race for the Golden Egg! (Mammon), Let's Decorate Eggs! (Beelzebub)

Easter Egg Panic!

The premise is ridiculous. Diavolo caused very stupid trouble again, mostly, and MC runs around with him, trying to help him fix it. Standard, just dumber than usual. The ending excuses it all though and I understand that sacrifices must have been made.

Most of the Devilgram is, as expected from the Nightmare, egg hunt and running after magical eggs. Since the title isn't as obvious as with other Devilgrams, I won't say much about plot.

First 3 episodes are generally not very memorable, but despite the generic topic of egg hunt, the plot is well executed. The scenes surprisingly vary a lot - some faster paced, some calmer, some sweeter, some more comedic, so you don't get bored with one motif stretched for too long. It's a decent mix of comedic action, a sweet word here and there, casually hinting the bond between Diavolo and MC.

That underlying bond naturally opens the door for more romantic exchanges and scenes and gives a reason for this ridiculous premise.

Part 4 is much longer and much more rewarding, so it makes up for the slightly bland previous parts, it's mostly both heartwarming and funny. It also offers a kiss option. Also in that cute sweet adorable situation, if you don't go for the kiss, the alternative suddenly kicks you in the gut with a completely casually dropped angst bomb, so enjoy your screamcat.jpg moments.

Choices: quite okay, nothing rude, nothing stupid, they're incorporated into the story in a believable way. But they're mostly just choice + reaction and most of them don't change anything. One chain of choices however is relevant, as a whole unlocks quite a long and meaningful scene. You have to get them all right to get to the end of it and to the kiss choice.

Music: with the variety of moods that the Devilgram covers, every one of them has a fitting piece playing. Well-chosen.

Very fun Devilgram, worth a try for the comedic moments - spiced up with usual Diavolo angst. It's not groundbreaking though - a decent story rather than a masterpiece.

Race for the Golden Egg!

The Devilgram has plenty of action plot as the title suggests so Mammon and MC are constantly running around but that's pretty much it. It is... not very interesting, and doesn't bring interesting interactions between characters either. It's focused entirely on Mammon's hunt for the golden egg, so it's exactly what it says on the tin. Nothing less, nothing more.

There are two romantic moments, but the first romantic option is disconnected and wasn't properly incorporated into the scene - it's sweet but the transition between it and the plot is very unnatural and throws off.

Of course, it's not one of those Devilgrams with lots of romantic potential, it's rather intended as one of those comedic ones... but it could have more bond between MC and Mammon and most of Mammon's hunt is rather bland than funny anyway. It's too focused on the hunt that it completely doesn't have ideas for. It tries to move the action around but it doesn't bring much variety into the adventure.

Choices: the main problem. You generally can choose between cheering Mammon on to amplify his recklessness or being a jerk, even in romantic scenes. Considering that people probably read Devilgrams to spend time with characters they actually like, I don't think the Devilgram gives any sensible options to react. There are various Devilgrams that make the turn down options actually fun, hilarious and friendly and this… definitely isn't one of them. Good choices aren't fun either since they might come off as making fun of Mammon rather than genuinely helping him - he does mess up specifically because MC was rushing him to dive into action but when MC doesn't rush him - he figures out right away how to get it done. So if you don't feel either like being a jerk or amplifying Mammon's tendencies for laughs but let's say would like to raise the number of braincells from zero to one… no choices for you.

Music: doesn't disturb, it's well-chosen and plays multiple pieces typical to funny moments and shenanigans.

I'd say that this Devilgram is very mediocre - nothing new or interesting about Mammon there, few heartwarming moments, annoying choices, the humour isn't outstanding either.

Let's Decorate Eggs!

The Devilgram is about cooking and decorating eggs, so exactly what it says on the tin, nothing more, nothing less. As such, it doesn't have any plot aside from cooking the eggs and decorating them, obviously, and is much calmer and slow paced than the other two. We don't really see any new unexpected sides of Beel and generally it doesn't offer much plot-wise, but it's a pleasant read.

It shows Beel trying out a new hobby and MC is accompanying him on various tasks related to it - so fortunately it has some variety and not just one scene stretched for 4 episodes.

The story itself is quite fluffy but not overly sweet as it's not focused on romance but spending time together, doing something fun. It has one (1) comedic moment - it's funny but it won't make you wheeze.

As a story with such a limited premise it's definitely well-done. It could be more balanced if it had more romantic moments, so if you look for romance and kisses all over the place, it's not this Devilgram.

Choices: some are boring - MC can either be enthusiastic or meh (bordering on rude, I'd even say) about Beel's ideas, most give just a reaction. There are choices that unlock more romantic scenes and further choices - it's quite easy to guess which choice does that.

Music: well-chosen, it's mostly just music typical for just calm everyday stuff going on, so exactly the right pieces for the story.

In general, the Devilgram doesn't offer anything particularly interesting, but it might be a nice addition to your Devilgram collection if you're interested in spending some time with Beel on a new hobby.

In conclusion, Diavolo's SSR is a fun, good read, Beel UR is just nice, Mammon's UR is skippable… maybe that's good, considering the trouble getting the card...

#devilgram reviews #obey me diavolo #obey me mammon #obey me beelzebub

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hobbylogics · 3 years ago

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“A Moment” 2nd CV Postscript

youtube

Please enjoy responsibly.

Download: https://drive.google.com/file/d/1ofTz_xYsJwMfTE5jrTdTW8dBDfjst1Cd/view?usp=sharing

Music: Second Wind Artist: L'indécis

This CV had a few ups and downs when I made it, but ultimately I’m pretty happy with the outcome. I think the first “A Moment” CV will always have it’s charm, but I hope you guys enjoyed the sequel as well!

Concept

I wanted to keep this relaxing atmosphere of the previous CV, so I thought I’d pour a beer as the intro. I chose music that had a similar relaxing feeling, but wanted it to feel a little less melancholy compared to the first CV.

Also, if you’ve ever talked or seen me talk in passing casually, I’ve probably mentioned that I really enjoy trying out different craft beers!

Although, I couldn’t help myself even after I said I would make this CV seem less cryptic. I added a small Easter egg in the edit, as well as the subtle sound-based ending.

It can be interpreted as the fact that pen spinning is addicting, or a way for some of us to relax. It’s up to interpretation!

Editing

youtube

Original song I planned on editing with.

I had to change songs because I didn’t have the clips I felt like I needed to fill out the song duration, so I settled for backup song I had saved. The song “Second Wind” had a less obvious fun and upbeat feeling than “Bopatron”, but definitely more relaxing and in tune with the “A Moment” series.

I also edited the intro and outro before the CV submissions arrived, which was new for me. I ended up having to change the credits quite a bit, but the intro stayed the same for the most part. The footage of the beer being poured into the glass was filmed a few months before the announcement of the CV sign-ups as well, so I definitely did a lot of extra prep work for this one.

A Few Editing Lessons to Learn From:

Had a bit of a scare when I released the CV too, Timeless pointed out that m1ch1 and Altttt’s submissions were stretched so I rushed to render and repost it. It turns out to be the pixel aspect ratio of the submissions that were different than my project file settings. I’m guessing it’s a thing that’s specific to certain cameras.

Another issue came up when I realized that freely capitalizing the spinner names for my editing purposes could become an issue, after seeing m1ch1′s tweet. Just something to keep in mind to avoid problems in the future.

There’s nothing too too special about the editing in this CV, it’s meant to be simple editing, but I got to experiment with colour correcting the submissions more. Hopefully they were some subtle changes that helped support the atmosphere of the CV.

I really enjoy editing simple CVs like this. It’s not too technical, but since they’re simple, each of the edits have to be deliberate. So, it’s a nice feeling to sit down and really dial in a specific transition or camera motion of a CV submission.

Organizing

I was also given a critique about the way I organized this CV. I meant to make a personal CV that was fun for me and also had a fun atmosphere, but it could easily be interpreted as a CV where you submit casual clips. Next time, I could be more explicit with my intentions there.

I’m very glad to see new pen spinners try to submit, so I apologize for the heavy filtering. Because of the invites and some of the other submissions, it caused a bit of skill gap which was difficult to deal with.

Spinners

We revisit our old invites: Akai and Nare, but also Tigres this time. I pretty much always end up inviting people I know, just seems more comfortable for me that way.

Nare was actually nice enough to try to talk a bit about what kind of combo I was looking for from an invite. I thought it was a neat way to communicate better on what to expect, not too sure if it’s that common in CV organizing though. Nare is just fun to talk to in general so he makes it easy.

Here are some of my honest thoughts of your combos:

mei

Surprised at how refined your spinning is. Pretty consistent speed, which also makes it very fitting for the first spinner of the CV before the music progresses further.

Tigres

Cool to see a DC combo from you. The light on your setup is a bit bright, and you slowed down quite a bit before the finisher, but the combo flows nicely.

coffeelucky

I’m a fan of this type of combo you film because your execution is much cleaner. Your finisher could be a bit tidier though, maybe just some finger positioning adjustment for the catch that could help give it better impact.

Mango

Good flow to this combo, some cool direction changes in there. Your setup could be better though, there’s slight offcam moments. Lighting needs work as well, but I’m sure you’re aware because I’ve seen you talk about your setup on Twitter.

Akai

Great stuff as always, clean presentation and nice spinning. Only complaint is the catch of your finisher trick.

Joi

I’m happy to include a new spinner in one of my CVs, pretty nice stability, could use a bit of polish, but the spinning speed makes it pretty fitting for this CV!

Noishi

Nice all around, the sonics helps a lot to add a little extra something to your spinning. Like in the previous CV, a perfect combo for the quiet moment of the song.

Whitetiger

Glad to include another new pen spinner into the CV. I liked how you planned your combo with the direction changes being a big highlight. Presentation could be a touch better, there’s a monitor off-screen that spilled blue light on the desk and your hand. Keep working on your execution and presentation!

m1ch1

Nice use of arm movement, been enjoying your spinning with DCs lately. Camera might be just a touch too close, small part of your spinning was off-camera towards the finisher.

Sweg

Bit of a strange combo starter, very confident towards the finisher though. Definitely a slower speed than I’m used to seeing from your spinning, but not bad overall.

Nare

I liked the way you use your arm movement to emphasize certain tricks, while changing your spinning speed for the pacing. Perfect video to use for the “coda” or “solo” section of the song.

Altttt

Very well-structured and overall well-executed combo. There’s some small execution issues with the finisher sequence, but the speed and structure of the combo makes for a good finale to the CV.

Extras

The video in the intro of the CV was filmed in July with a janky-ass setup. I used a gooseneck phone holder to film it. Used a iPhone 8 plus this time to film it though, a bit of an upgrade from my old 6S.

Next time though, I should really remember to disable the auto white balance cause it really messed with my ability to colour correct it. I guess I could have keyframed it but it would have made life easier.

youtube

“Second Wind” by L’indécis, the music of “A Moment” 2nd CV. Real nice chill vibes with this artist’s hip hop instrumentals.

#pen spinning #collaboration video

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thecandywrites · 4 years ago

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Blood For Gold Part 7

So, I’m still in pain, yes that nerve is still pinched in my back which means my right hip is still numb/in A LOT of pain. But inspiration doesn’t care if the rest of my life is dumpster fire.

That’s my inspiration telling me all kinds of stuff while I was waiting for my chiropractors this week, thank god for google docs so I can write down stuff while I get tens treatments. Also, after doing some research into British currency, a crown is less than a pound, I thought it was more. so from here on out, Audra’s dowry is fifty thousand pounds, also we’re going to still be at the ball because there are some developments in the plot and some easter eggs to bury. Have fun hunting. Also all the thanks to @kriskukko for letting me run with this, it’s so fun. And thank you @punkhorse96 for your amazing feedback. It’s my life blood. Enjoy.

Blood For Gold

Part 7

At dinner you found yourself sitting next to the Dauphin Ramsey while Demsey sat across from you, Callellea on one side of him and Benyana on the other side of him with his brothers on the other sides of them as his brothers Sierge and Tzane being immediately absolutely smitten, having practically fallen for the jewel orcs already and knew that while both had been sent for their brother, that meant that they had, at least in theory, a chance with the other. But both didn’t want to admit that their preferred girl would be for Demsey, if they could get their preferred girl to go for them, the faster the better. They were falling helplessly and hopelessly for them and even as you sat across from them, you could see this.

But you could also see how Demsey, while polite and friendly, was rather unaffected by them and dare you hope? Uninterested? Surely if Demsey, by all accounts would want an orc for a wife, no finer prospects could be found in the world and they were presently on either side of him. But he was acting like they were barely aquaintances that he had no interest in getting to know better, it gave your heart a small, glimmering speck of hope that maybe, just maybe, you had a chance. His declaration that he wanted to get to know you better had given your heart to soar like an eagle, you knew there was now an obstacle in your path. The Dauphin, Ramsey. However you did get to meet Lady Whitesale and she was...a piece of work. You could tell she was used to being one of the prettiest women wherever she was, but upon meeting Calla and Bennie and having their beauty eclipse hers and once she learned that they had been invited there by the royal family and to see them both talk at length with Demsey and his brothers, much less the rest of his family, had her glowering from across the room as she soon gathered the other orc ladies within the court to “talk” and you couldn’t help but overhear them as you passed them, they were trying to find dirt on the new comers and bring up every hurtful rumor and slanderous slur about mouras out of pure jealousy and spite and now knowing the truth that Demsey didn’t like her had you feeling relieved that he didn’t because she was just...awful. But that had not stopped her from trying her luck with Calla’s and Bennie’s brothers, if only to try to pump them for information.

By dinner though, what really got your interest, was the way Calla and Bennie were treating Tzane and Sierge respectively. You knew Calla well enough that she was genuinely taken with Tzane and they were acting like long lost best friends getting reacquainted, eagerly chatting and gesturing while they tried to eat.

Bennie though, she was working Sierge practically up to a foaming froth and she was taking delight in the fact that Sierge was practically drooling over her while eating out of her hand metaphorically speaking. Bennie had a way of behaving and emoting in such a way that you would never know what she was really playing at, much less really thinking or feeling until after she played her hand, no matter the situation, a skill you had lost over the last few years but one you knew you would have to rebuild and sharpen anew if you were going to compete for Demsey’s attentions while dodging Ramsey’s.

Because, while mouras could charm crowds of thousands, if not tens or even hundreds of thousands, mouras were never more devastatingly charming and alluring than one on one. You remembered when you turned on the charm for Edward when he was the best option available to you, Edward didn’t stand a chance then, and now you could see that Sierge wouldn’t either against Bennie, she could practically get him to propose if she went at it much harder tonight. She was practically bewitching him, the same way you had bewitched Edward a lifetime ago. But such knowledge left you feeling ashamed for a behavior that had been taught to you in youth by your superiors. You had always just thought it was the moura bride way, an art form. Now it just felt as it was- dishonest.

But Calla though, she wasn’t being charming just for the sake of being charming, she was being genuine and it was like comparing bright sunshine to the light of a candle to you as you realized, no wonder the rest of the Morrigan family could barely stand you, they could tell you were disingenuous and in this moment, you couldn’t blame them for that impression. You could still blame them for the extreme actions they took after though.

“Is what you wish to retrieve from your house your moura contract my dear Audra?” Ramsey asked in marinai from a murmur into your ear as you instinctively bristled at his closeness, at feeling his hot breath on your skin almost made your skin crawl while his sister Charlotte sat on the other side of you, she was lovely, but you could tell her parents kept her purposefully naïve as most English women were at their age, but that was simply the difference in culture you supposed.

You agreed to be Ramsey’s friend, however it was almost painfully obvious that he was wanting more than friendship from you but right now, you were not inclined to give him what he wanted. But you were curious to see what he was willing to give for it. Morbidly so.

“It is, since Calla and Bennie are my friends, I wish for them to read it. I want them going into a future they might enjoy here with their eyes wide open, and not be blindsided as I was, but since I have signed the contract I can not speak of it, but nowhere is it written that I can not have other people read it.” You answered.

“There is no need. I have a copy of it at my own residence at Windsor and if you truly wish for them to read it, I can provide it for them without you having to expose your own hiding place for it, I have been going over it in detail for the last week since your coming out into society was brought to my attention, if you’ll forgive me, I only wished to do my research and upon reading it, it intrigued me, just like you do. However I have had the best moura lawyers go over it and there are so many troubling details and inconsistencies in it, that make no sense and now that I have your permission to investigate the matter further, I will do so with expedition. The Morrigans have done you wrong and while the current situation saw you some justice, more is owed to you, and if you will simply hold off in showing your friends the contract because I do not want them to get the impression that what you experienced is the norm because it absolutely isn’t, in particular the one that Richard and yourself signed, I will do everything in my power to open up every prospect for you that I can, including returning to the stables, if you so choose to return to them, but not as a bride, but as a dowager.” Ramsey offered and you softly gasped as your jaw dropped and you lost your grip on your fork and knife as they clattered on the plate which seemed to garner everyone’s attention from around you, Demsey especially seemed to pause and stare, silently asking with a look to see if you were alright while the marinai word for dowager- halmana seemed to instantly engrave itself into his mind while Bennie seemed pleased as she gave the Dauphin a giddy and excited smile of approval while Calla too seemed excited since they had been lowkey overhearing your conversation while they carried out their own.

“Dowager? How could you possibly elevate my status to that of a dowager?” You questioned as you picked up your wine glass and held the cold crystal to your burning cheeks as you could feel everyone’s gaze weigh heavily on you before you drank what remained in your glass and got it refilled.

“Oh ever so easily, because as a dowager, your own possibilities to who you can remarry would be limitless, whereas now, you may only remarry who you wish within the nobility in England, which is not necessarily that promising, otherwise you may lose what little bit of security you currently enjoy. But as a dowager, that security may be paid out to you whether you chose to get remarried or not, whether you have a hundred children by a hundred different men or not and I want to make sure that when and if you ever do decide to have children, in or even out of wedlock, that they will also be provided for. Would this please you?” Ramsey inquired, mentally dangling every carrot he could think of because while he could see Calla and Bennie work their charms on Demsey’s brothers, he knew that at any moment, they were going to turn to Demsey and Demsey, besides being spoiled for choice, will be hopeless to resist them, they were simply gaining speed and a foothold with his brothers before they went in for the kill.

But for now- Ramsey reasoned that he must tempt you into not doing anything that would ruin that before he could fully dazzle you himself. He needed to get you into a spectator state of mind, instead of a contender, that Calla and Bennie clearly were. Because once you chose him, your own dazzling charm aimed at him after you’ve taken in all of his greatest sides, then it will be seen as you trying to court him, and your choosing him since that is the only way the contract would be satisfied, it was your choice, but he had to make himself the best choice, much like Edward had done for himself.

“It would.” You tentatively answered, trying and failing to not sound weary of him.

“However I fear that if you have the power to lift me up so high, then that means you have the power to tear me down so low, lower than I am now. And I would be better off without your interference to begin with then. If anything, especially your mood or whim were to decide one way or the other. We are friends are we not? How can I give my friends, ones that I have only known for a night so much power over myself and my situation? Since you have read my contract you know that I have suffered from a power imbalance before. And this time around, I refuse to give such power to anyone, even to a friend.” You began as Bennie’s jaw dropped in almost horror at your words while Calla seemed to weigh that over as well as Demsey noticed their reactions to your words and never before had he needed to know what in the world was being said.

“Oh no, you misunderstand me completely my dear Audra, I would never dream of tearing down something I helped build up, especially you, no I would never dream of meaning you any harm, no I want to protect you from all harm, from all others and even if you chose to have nothing to do with me, I would still choose to intervene to try to get you justice, you are moura as I am moura, and there must be more protections in place for all mouras. How could I in good conscience have not just yourself but three mouras here and not have safety nets in place for all of them?” Ramsey quickly reassured you as Demsey frowned, something about what he said, you clearly took offense to. He just needed to figure out what that word meant and why you’d have a bad reaction to it.

“Then I will hold you to your word and I will wait and see how you follow through and deliver then if you can truly make myself, Calla and Bennie all dowagers, and none of us owe you anything in return and once it would or could be done, it would never be reversed for any reason, so that it would be written in stone as it were, or I will have to retract my permission.” You firmly insisted.

“Oh absolutely, I would expect nothing less.” Ramsey assured you as that seemed to satisfy you as Calla and Bennie seemed pleased with that as well.

“So how long would you prefer I wait for my friends to read my contract?” You asked.

“At least a week, but no more than a month, tops.” Ramsey suggested, figuring that was more than enough time to court you so well, you would feel inclined to return the favor of him doing all this by marrying him and your yearly thirty thousand pounds a year will go straight to his pocket along with whatever stocks and shares in the Morrigan companies will also pay out too.

“While I do trust you Ramsey, I have also learned to get everything down in writing.” You suggested.

“Of course, I shall have something for you by the end of the day tomorrow.” He readily agreed.

“So what do you want in return for such endeavors?” You asked him.

“Only that I at least have a viable spot in your heart to be able to court you properly.” Ramsey answered.

“Does or rather- would any of it hinge on me accepting your offers of courtship?” You asked.

“No, whether you chose me or not, you are royal moura, such efforts are owed whether I stand to gain anything or not.” Ramsey lied rather convincingly but you could see his falseness in his eyes.

“Then I want that also in writing and signed by the highest judges and courts in the land who can hold you accountable for it.” You proposed.

“Oh of course.” Ramsey agreed, because he doubted he would really have to follow through, you were going to be his by the end of the week, he was sure of it.

“So, since you’ve looked into my contract, have you seen the evidence of why I was deemed unfit to return to the stables?” You asked him.

“I did not need to, I read the report myself.” Ramsey reassured you.

“Then you should know that I will never again tolerate that kind of treatment. If anyone dares to mistreat me again, I will have no qualms or hesitation to fight back using whatever means necessary, laws of decorum or decency be damned.” You leveled as Demsey did his best to keep composed but he knew a threatening tone when he heard it and to hear you threaten the Dauphin was thrilling and exciting. He didn’t know what the Dauphin did to offend you but he was incredibly proud of you for returning it to the Dauphin’s face, he had to fight not to agree with whatever you were saying in marinai because he had no idea what you were saying but he was willing to bet that whatever it was, you were right about it.

“Oh of course, anyone who dares mistreat you is to court death.” Ramsey readily agreed and the victorious grin you gave him was particularly beautiful.

“Then we have an understanding, so if you will give me a piece of paper, I will write down what can be brought from my home and taken to the Windsor Palace so that I don’t have to miss any of this ball after all.” You suggested before he readily hand you his little notebook from his breast pocket and opened up to clean pages as you used the pencil from your dance card to fill out what you wanted from home.

“By the way, did you like your dress?” Ramsey asked in English as he watched you write things down, noting your gorgeous handwriting.

“I did, it had more moura touches than I was expecting.” You answered back in English as you wrote down what you wanted from home.

“Oh good, when I saw you dining with the Morrigans at the Savoy from my private box a couple of weeks ago, which is what initially piqued my curiosity and intrigued me, seeing you look like a sparkling jewel among the dreary cobble of the occupants, I inquired where you had gone that day and to find out which dressmaker you used, I couldn’t help but make sure she added more moura details, in particular more Kilani and Kalinish touches, so that you didn’t feel so divorced from your homeland. I understand that the Morrigans have done all they can in that endeavor.” Ramsey offered as Demsey nearly choked on his food as he realized that’s how Ramsey knew of his partiality to you, he saw it for himself, while also kicking himself that he didn’t think to do such a thing, he was too busy paying for his sister’s new dresses, while he also knew that such a move would probably be inappropriate, for a gentleman such as himself to do such a intimate gesture for a woman he wasn’t married to, let alone a lady in society that he was not married to, his sister Kiera would have thrown a proper fit. Demsey was only partially listening to the conversations the Czarina and the Princess were having with his brothers as he watched your own interaction with Ramsey closely, he didn’t know what you were talking about but he knew the tones of a negotiation when he heard them, but he also wondered what you were negotiating. You didn’t have any ties, at least in business to the Dauphin but his gut was screaming at him that something big just went down right in front of him and he was keen to discover what it was.

But a thought did occur to Demsey. The Dauphin knew no bounds, if he was allowed more power in the House of Lords, he would be an unstoppable political force, and the only ones to keep him in check was the royal family itself. The Dauphin was always happy to curry favor of everyone around him and was a natural political figure and even though he was connected to the royal family, he was also heavily tied with the common man and was seen as a down to earth, working man’s man even though he was born a blue blood himself. The Dauphin practically fed on popular opinion and loved to bask in the public’s adoration. But also had the ear of practically everyone in any position of authority. Including the judges and the courts. If what the Czarina had said was true, he could and most likely be talking to you about your own contract with the stables and with the Morrigans.

Demsey had actually looked into it himself, but because he didn’t have that many friends in law only because his soap business didn’t need that much involvement in it and he had little nerve for the arguing of court in the house of lords only because he was a new lord and therefore didn’t have that much sway or power other than his one little vote and would rather just stay in his office all day and do something productive. But when he tried to look into you from that aspect, he had been firmly dismissed from even looking into it and was reminded that his own hold onto his own nobility was always a delicate hold, and that to question the dealings between a moura and her stables, was too dangerous a game, even for kings.

“Are you alright Duke Demsey?” You asked him when he started coughing and sputtering while Calla and Bennie both turned and started patting his back.

“Yes, the partridge is so delicious, I tried to inhale it instead of eat it.” He answered as he beat his chest with his fist to get a normal breathing rhythm going again before taking several long pulls of wine from his glass before it was readily refilled as you also realized that your own behavior towards Demsey was also clearly observed, by the Dauphin and who knows who else and it was that- that was the reason Calla and Bennie were here. Because of you. You would have to be more careful from now on, especially at Windsor, when every servant could be Ramsey’s eyes and ears. But if the Dauphin delivered, then at least Calla could be with Tzane if she genuinely liked him as well as you could discern she did, and for that you would put up with this. But having Demsey so close for however long, would give you a chance to get to know him better too and if you could at least show him that you were interested in him, but you would have to be discrete about it, but maybe you had a chance.

After the ball, on the way to the Windsor palace Demsey sat with his brothers as they both eagerly looked out the windows of the carriage as Tzane and Sierge were bragging about their jewel orc companions and what they were eagerly looking forward to seeing of them at Windsor because their companions had talked about all the things they had wanted to do while they were there, like griffin riding and a moura’s version of sword fencing.

“Did either of you find out what halmana means?” Dempsey asked them after both of them seemed to take a breath.

“I do! It means dowager in marinai, it’s a classification for moura women. Very few moura women have that classification because it means that they can do whatever they want and marry whoever they want without anyone’s input or approval, even the stables have no authority over a dowager, in fact it’s the stables that have to listen and obey dowager moura women.” Tzane readily offered as Demsey’s eyebrows rose in surprise. Demsey was expecting it to mean something along the lines of a ‘whore’ or ‘bitch’ or something offensive like that. Not...dowager as in queen dowager, dowager empress, kind of thing.

“That doesn’t make any sense, why would Audra act like that was an insult? When the Dauphin said that to her, she...” Demsey thought aloud as he frowned and shook his head no.

“I asked Calla that and she told me that the conversation was actually about Audra’s contract with the stables and the Dauphin was telling her that he was looking into it and was going to be trying to get her that status because she is currently has the status of shakan, which means lowly outsider- one not welcome back because you have little to no value as a bride, that you’re ruined beyond repair and is the lowliest of moura’s classifications. Calla said that there was almost a revolt in Kilan, which is the prefecture, or state, county kind of thing- her family rules in Dorierra when she was branded as a shakan because she left as a nescia, which basically means princess because she has more royalty in her pedigree than our own royal family from dynasties all over the world but mainly in the middle east, her family line was one of the first original moura lines in the stables when the stables were developed. She’s as original of a moura as mouras can get and had she not married Edward, she should have married an emperor or something like that. Calla said that it would be like a prince being stripped of his nobility and royalty and branded a commoner of a foreign country, a great humiliation, since then, no other moura bride ever set foot on English soil for fear of their own standing would suffer. Calla said that the royal family had to put up an enormous sum just to get them here and make all kinds of promises that their own status would only increase if they came. Because since Audra’s demotion, the price for a moura bride to come to here has been sky high, way too high for anyone but royalty to pay, the royal family had to pay Calla and Bennie seventy five thousand pounds each, just to come here for six weeks.” Tzane explained as Demsey could only cough as if he got sucker punched in the gut as Sierge whistled lowly.

“But that doesn’t explain why Audra would be weary of such a thing being offered to her.” Demsey frowned.

“That’s because Audra pointed out to the Dauphin that if he had the power to lift her up so high, he would also have the power to bring her back down on his whim and that she would be better off having him not interfere at all much less have nothing to do with him.” Tzane revealed.

“Oh! That makes sense, that makes so much more sense now.” Demsey nodded in understanding.

“Well you got to applaud her for realizing that, most women would be so distracted by the prospect of becoming a dowager, she wouldn’t think that what could be given could be taken away just as easily, which knowing the Dauphin, is sadly a possibility. She’s smart, I’ll give her that.” Demsey nodded.

“Yeah but if she’s a lowly shakan, that doesn’t explain the Dauphin’s interest, he would think her beneath him.” Sierge argued.

“Except, Audra told me that Edward provided a living for her after his death, it must be of some great worth and her dowry of fifty thousand pounds, if he succeeded in elevating her to a dowager, not only would she be a lady of great wealth, but also that of high class. She would be, relatively speaking, perfect for him. And with his ties to the courts and to the royal family, he could push for the Morrigans to pay out her yearly allowance for the rest of her life, even when she was remarried, and if he succeeded, she would be the most eligible bachelorette in all of Europa, and the stables would even bid for her to return. It’s a gamble that’s worth the risk for the Dapuhin. Just her dowry alone could set him straight from all of his gambling debts. But the real question is, is the gamble worth it for her?” Demsey realized.

“It will be, Bennie told me that Audra negotiated for Bennie and Calla to be dowagers as well and that Audra demanded that the offer be in writing signed off by the highest judges and courts in the land, ones that would hold the Dauphin to his word and to the letter of the contract and that she didn’t owe him anything in return for his interference and that once it’s done, it can never be undone, even though the Dauphin only asked for a chance to court her in return, not that she’d say yes or accept the advances. Which for her, shows incredible insight and forethought, almost as if someone has warned of his character.” Sierge noted with an amused grin.

“You two do realize, that there’s no way this family could ever afford a moura, much less a jewel orc moura from the stables, if their fee for six weeks of their time was seventy five thousand pounds, which is three times as much as our family makes in a year, we can’t afford them.” Demsey pointed out.

“But if they become dowagers, they could, in theory, waive their fee if they really, genuinely liked us and wanted to stay with us, Calla said so herself.” Tzane pointed out as Sierge seemed pleased to hear that too.

“Why do I get the feeling that we’re in water over our heads?” Demsey asked his brothers.

“Because we probably are.” Tzane shrugged.

“Yeah, that’s why it’s a really good thing all of us can swim.” Sierge grinned triumphantly just as they were pulling up to the palace of Windsor, their family’s other carriage that had their sisters and parents ahead of them.

“True.” Demsey murmured to himself.

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game-boy-pocket · 4 years ago

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I just finished Banjo Kazooie: Jiggies of Time - a full length mod by Mark Kurko

I don’t normally do reviews because I find it hard to be objective... and this will be no different, so just think of this as me gushing. I’ll go ahead and put the long winded bit under a read more. But the short version is, fans of Banjo Kazooie and Ocarina of Time should play this FOR SURE. Banjo Kazooie fans may actually still love this if they’re not fans of Zelda ( but Zelda knowledge helps sometimes ). Zelda fans may not fare so well if they don’t love the Banjo Kazooie gameplay ( perhaps they should try the first game as a test if they haven’t played it? *nudge nudge* )

I’ve been aware of this project for some time but didn’t really know too much about it. There were a lot of Banjo Kazooie hacks that were just smaller projects that take less than an hour to finish. I was suprised to learn just a few days ago that this project was completed, and was a full length game with the same number of worlds and collectibles as the original Banjo Kazooie. Even better, it ran on a real Nintendo 64! I played mine on the real deal and it ran near perfectly ( there were minor frame dips and a few graphical bugs but nothing too distracting or too frequent )

I’m assuming you already know how Banjo Kazooie plays if you’re reading this, but just in case, Banjo plays a lot like Mario. You run around in little sandbox areas collecting things, the main collectible being golden jigsaw puzzle pieces called Jiggies, you find these out in the open, by solving puzzles, or by helping NPCs, the secondary collectible being golden music notes, both are needed to progress. Each level also has five different colored critters called Jinjos that award you with a Jiggy when you find them. Each level has two empty honey comb pieces, collecting six adds another unit of health to your life meter. There are also silver skull shaped tokens used to transform your character into another form in certain levels, and finally, other miscellaneous collectibles to restore health, abilies, and lives. Pretty basic stuff, you should be familiar if you’ve played any of the Sandbox Mario games, though in Banjo, you unlock your abilities as you progress.

As I said before the game has 10 worlds. You start in Kokiri forest just like Ocarina of Time. You learn your basic moves in the Lost Woods, though I question the practicality of that, I actually did a full two worlds without my three basic attacks. I got... lost... I just assumed I was going to learn the attacks elsewhere. Kokiri forest is actually the first world, with Lost Woods serving as a sort of “Spiral Mountain” area. Brentilda makes a return here offering three tips about the game each time you encounter her, as well as refilling your health. She appears in every world. Once you get some notes, you can leave to Hyrule Field.

Hyrule Field is the “Gruntilda’s Lair” ( Your Hub world for the uninitiated ) portion of the game, Everything is where you expect it to be, but it’s all sealed off. Instead you need to look for new areas containing jigsaw puzzles to open the locked areas. You will eventually learn a trick to simulate the Sun song as well, but it can only be done here. There’s 10 Jiggies to collect in Hyrule, 7 of which are contained within Lon Lon Ranch, I won’t spoil anything but Lon Lon Ranch has changed pretty drastically. The remaining 3 Jiggies are a bit more elaborately hidden. I’ll get back to those. When you’re here, Gruntilda will banter with you, just like the original Banjo Kazooie, but sometimes, other characters will talk instead, and there is some genuinely hilarious exchanges between characters here.

Castle Town is the second world, and this is where you get the idea that “oh this isn’t just Banjo in Ocarina of time” because you start to uncover a lot of areas that were not in the original game. It only makes sense that a character with completely different skills can reach places Link never could. Mumbo Jumbo returns in this world, all of his transformations are the same as the original game, but they’ve been reskinned to fit a Zelda theme... well... mostly.

Once you wrap up in there, you head to Kakariko village, the third world. And it’s pretty standard. You actually learn the final move in this world. This game utilizes all of the original game’s moves except for the wading boots... they were kind of lame anyway I suppose. This is also where you start to notice that this game is absolutely loaded to the gills with easter eggs. game cases and consoles are littered everywhere, Nintendo characters playing games are hidden away ( except for one ), and you may also notice some Golden eye characters spying on you ( they actually creep me out when I first catch a glimpse of them. They look ghoulish to me... )

Explore Kakariko enough and you should find the way to open Death Mountain, which is the fourth world. Now this part of the game drove me slightly crazy. Death mountain has lava. Lava is an instant death for Banjo. When you die, you lose all of the notes you collected, and all of your Jinjos too if you haven’t got them all yet. Here’s the thing, it’s another world where you have to turn into a small creature to get some of the notes, but before you do, you have to open the path for the creature as Banjo. And you have a LOT of ground to cover ( it includes Dodongo’s Cavern, the mountain trail, Goron City, and a few extra areas not in Ocarina of Time ), so it’s almost like you have to do everything in this level twice... I died several times, at one point all I needed was five more notes, I was about to blow a gasket. After you finish up there, it’s time to head to Zora’s Domain. The world actually starts at Zora’s River, I enjoyed the world a lot but it was also pretty taxing. It demands a LOT of resources I had previously been taking for granted. Namely the eggs you shoot. I was expecting Jabu Jabu to be replaced with Clanker the whale from the original Banjo Kazooie, but no, it’s just Jabu Jabu.. which is probably fine, this is Hyrule after all. Jabu Jabu is not actually a dungeon though, which is a little disappointing, but there is some very interesting stuff in there... and this is where I start having a little bit of an issue with the easter eggs, subtlty goes out the window here and we actually start leaving the Zelda theme behind for two pretty big areas in this world. It doesn’t bother me too much but I really wish this sort of thing was kept for secret levels instead of the main game... there’s a lot of tough platforming around Jabu Jabu’s area.

By now you should have stumbled across the means of opening the way to the Forest Temple. And this is one of the coolest parts of the game but also one of the most long winded and complicated parts. The game expects you to go back to the old days of taking notes on paper. You explore the temple looking for letters of the Hylian Alphabet and their English equivalent, you’re expected to to write these down as a chart and then use them to decipher some messages written in Hylian Text through out the temple... the thing is, a lot of the things the text asked me to do, I figured out on my own. There are also paintings on the wall meant to give clues, but I got mixed messages from one of these paintings that was meant to be used in tandem with the hylian writing. So I was trying the wrong thing over and over... But I will say this level is truly the most jam packed with Zelda easter eggs and It’s hard not to spoil any of it, because I lost my mind at some of it...

At this point I should throw in that this game doesn’t have any new enemies or bosses. Most of the enemies are reskinned to be Zelda themed. It’s pretty effective in selling the illusion... except in the case where it’s not.

Next destination is Lake Hylia. I’ve got to stop to talk about the music real quick because Lake Hylia has my favorite track in the game. This game has an amazing soundtrack. It’s mostly Zelda songs remixed in a way that makes it sound like a song you would expect to hear in Banjo Kazooie ( and some hints of Banjo Kazooie/Tooie tunes get mixed in as a medley as well ), very bouncy and fun. Not all of it is Ocarina of Time music. Lake Hylia actually uses an upbeat version of the Twilight Princess lake hylia theme. In any case, this level sees you explore the lake, the fishing hole, the water temple, and a new series of floating islands above the lake. As far as the Water Temple goes, it’s not too bad.

Next is the Gerudo Valley area, which includes the valley, the gerudo fortress, and the desert temple. Disappointingly, you cannot explore the insides of the gerudo fortress. You can enter them, but you just exit out a different door in the fortress, like some kind of warp maze. This area was also a real drain on my gold feather and blue egg resources, I almost had to leave to stock up on gold feathers, but I was sly and found a work around my problem and was able to progress. It was probably the least impressive area in the game if I’m being honest... also, Brentilda says that the hylian letters I wrote down were going to be useful here, but I couldn’t find anywhere in the dungeon that had Hylian letters... hmm.

With this, you head to the final world. The means which you use to enter this world are very cool. I won’t spoil it but it should be obvious to anyone who’s played already, assuming they haven’t completely forgotten one of the most important locations in the original Ocarina of Time... Now, the world itself? It’s cool thematically, but the usage of another small creature transformation really drags the world down. Not to mention another easter egg really kills the mood of this final world, but it’s easily forgiven.

The final world is also what houses the entrance to the final battle. But this game actually requires you to get ALL the Jiggies save for three in order to enter the final battle, so if you missed any jiggies at all during the normal levels, time to turn back and get them... unless you’re only short three, and wouldn’t you know it, there are three “secret levels” in this game with extra hidden Jiggies.

So, you would have no doubt seen this by now if you were playing the game but in Castle Town, there’s a museum you can reach by transforming into a small creature and crawling through the keyhole, and this museum houses clues to the location of these secret levels, as well as the secret jiggies within those levels. They’re pretty well hidden. The clues get revealed more and more as you collect notes. First, just a general description of the area, then a more exact description of the area, but written in hylian, then a photograph of the area you need to inspect to find the entrance, and lastly, a picture of the hidden jiggy in the secret level ( though if you wait this long, the nature of the secret level will be spoiled, and these levels are BIG easter eggs. ), so maybe don’t wait too long to find them.

The final Battle with Gruntilda is the same as it was in the original Banjo Kazooie, but the arena is just slightly altered to make it a little more difficult, but not unfairly so. Not much more to say beyond that. The game has a pretty cool credits sequence and ending that Zelda fans are sure to appreciate.

I do kind of wish there was a Quiz show like the original Banjo Kazooie, I was expecting to get my Zelda knowledge tested, but no such luck.

Playing this game was such a blast and it made me feel like I was experiencing Banjo Kazooie and Ocarina of Time for the first time again at the same time, which is a very strange but welcome feeling. I never would have expected these two games fused into one to work so well, but it really is remarkable how well it works, and it tickles my nerd fanboy bone for Zelda in many ways, as well as Banjo, Rareware and Nintendo in general too. I can’t recommend it enough for fans of both games... I can only recommend this to non Banjo Zelda fans if they’re willing to play the original Banjo first to see if they like it. But non Zelda fans of Banjo, I think you’ll just enjoy having a new Banjo Kazooie Adventure to tackle, though the lack of Zelda knowledge might make the road a little bumpy in a few areas.

I love these games to death but i’ve replayed them so much that they don’t entertain as much as they used to. This was a great way to freshen up the experience for both. I’m dying to play more like this. There’s a very interesting “Link in Mario 64″ mod i’m keeping my eye on. But that may take a lot of time, as it’s only released the first demo... for now... I actually kinda want to replay the original BK and OOT agian. Heh.

#banjo kazooie #nintendo #the legend of zelda #ocarina of time #Banjo Kazooie the Jiggies of Time #N64 #review

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encyclopika · 4 years ago

Note

18 & 20 For the ask game!!!!!!!!

THANK YOU SO MUCH KAT!!! <3 God this is long.

From this writer’s ask game...feel free to send me some asks!!! :D

Gonna link the stories here for reference and for anyone interested in reading!

The Missing Series // Fire and Brimstone

18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

Yes, ma’am! First I’m going to say that most do not, but the Missing series, particularly all that concerning Asuka and Ai, does in a big way...particularly the completely altered timeline that follows them if she doesn’t go away. You’ve seen the comic, where Ai doesn’t lose her nerve that snowy day and makes it obvious to him she also has stock in a deeper relationship. Yeah, that one. I’m currently working on more short comics from that timeline. Not necessarily a whole story, but snippets from that fluffier timeline. But that also means a few things happen differently - for one, Krow doesn’t join the Ryukyu offices, mostly because, in that timeline, he’s allowed to fulfill his own heroic story faster than he can in Missing. He’s not actually a rescue hero, but he doesn’t have Ai around in the main series to come into that as quickly.

I also almost went harder on Ochako’s duality in Missing, almost making Uravity a separate entity that was starting to hate Ochako’s bullshit. I honestly hated that and clearly didn’t do that. Instead, the duality is more “in her head” than anything. This idea kinda comes out in Krow and Asuka instead.

Additionally, there was, once upon a time, an alternative “Missing”, in which Deku chooses not to return to Tokyo for the Pyromancer case, and Ochako faces him alone. It gets obnoxiously dark and gritty, to the point where I’ve taken that OnO fuel and split it between Escape Artists and my little-known horror project Downpour I’ve been working on in not-secret. But, yeah, that’s definitely an abandoned plotline...*shudders*.

There are small details here and there that I changed in both Missing and Missing Out that created alts, mostly concerning Deku and how he fights baddies/figures things out, name changes for OCs, The Ring’s and Pyromancer’s whole identities changed, and Irina’s characterization has really gone through the ringer (from being another lovable asshole bird like Krow that simply gets on his nerves, to being a dangerous, but important antagonist). I also had Deku introduce the idea that people’s quirks can kill them in Missing because I intended to explore it more, and I’m not sure if that’s totally abandoned...

Thanks for asking this one. <3

20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)

Yes.

All of that. I don’t wanna toot my own horn, but I live for hidden messages, references, callbacks, foreshadowing and symbolism. The Missing series (and to a lesser extent, Fire and Brimstone) is simply overflowing with these things...there’s so much that even with all of the people who have read it, there are still gems and Easter Eggs left to be discovered. And, before I get into it and make this post obscenely long, my reasoning for doing this is simple - I want you to read my fics again...I want to have reread value.

I’m going to put it under a cut in case anyone wants to discover them for themselves and also general spoils. Here are the ones I’m MOST proud of or that make me laugh or, dare I say it, make me feel smart. This is not an exhaustive list, and of course, I’m not pointing out any future Missing series meta for sake of spoilers.

Titling

Titles, titles, titles, girl you know I love titles. I’m a title SNOB. And I do A LOT of fun things with titles, such as:

1. Using the title of the fic as a buzz word and callback to the theme.

I get real obnoxious with this in the Missing series. The overarching theme of Missing is, well, missing people, particularly in the vain of heartache, loss, and longing. And I put it everywhere:

From Missed Chance:

Despite keeping steadfast to her goals and to her future, she knew that for a long time, she'd be missing him.

From Missing:

Today, there would be an update. As much as she wished it weren't so, the only time she saw Deku was when it had to do with Pyromancer or for a brief moment before leaving the police station in the mornings. Any other time, she was missing him.

“I miss you.”

...

“I'm always missing you.”

That's probably how he wanted it - being Asuka, the one still missing Ai, was too painful.

It couldn't ever be the same again, and Ochako was happy for it, feeling like her life was now so full.

And not a thing was missing.

From Missing Out:

“Miss me?”

“Only a little.”

But even when she was being annoying as hell, I craved her, like I knew I'd miss her.

Still, after all that time in the cold, her lips seemed like a warm reprieve...if I could have ever gotten there...

I miss her.

I'm always missing her.

^This one’s a double whammy, for obvious reasons.

2. Using chapter titles to run with a theme, too.

This only happens in Missing and Missing Out, but, look:

Chapter titles for Missing are the life of a fire and also follow the level of stress in the fic, as well as Ochako’s feelings: Hot Coals, Rekindling, Reignited, On Fire, Blazing, Inferno, Burn Out, Backdraft

Those words are used in their respective chapters too AND we run through them when Ochako is considering confessing or not in the last chapter.

I pull the same kind of crap in Missing Out, except all the chapter titles are things Ai gave to Asuka. If it’s an object, the object is in the chapter, otherwise, it’s stated in the chapter, too.: A Desperate Lie, Lunch, Skills, Home, No Conditions, Second Chances, Worry, Agony. It’s also in reference to this, because kill me, I guess.

Bonus: Since the story is told from within the theatre of Asuka’s memories, the titles for chapters 7 and 8, “Worry” and “Agony”, are spoiled in Chapter 6 here:

I didn't know I'd missed my last shot at telling her...I didn't know that I really would be missing out on a life with her.

Because everything after this is worry and agony.

BONUS BONUS - THE TITLE OF THE FIC APPEARS HERE TOO BECAUSE I’M OBNOXIOUS.

3. Title allusions and character.

Particularly for “Fire and Brimstone”, the title sounds like it’s just about the main boys, Katsuki = Fire, and Kirishima = Brimstone. BUT BUT BUT it’s also referencing biblical shit, which is appropriate, given it’s an Angel/Demon AU. It refers to God’s wrath when people use it loosely, but it is also the torment in hell for the deadly sin lust. *hint hint nudge nudge*

Okay that’s enough about titles. How about the fact that

Krow is a Crow

So many little crow quirks, lore, and bullshit is put into this character, like wow.

1. The entire concept of his quirk is all about crow lore, in that they are often connected with death in a number of cultures. This is why, although he doesn’t like to explain it, his quirk isn’t literally a sense of smell, but a little more mystical than that. It’s a sense. His quirk also references the Carrion Crow, Corvus corone, for which he’s based, which is a scavenger and is heavily associated with carrion and is native to Japan.

2. The green and purple iridescence of his wings are also referred from the Carrion Crow in particular.

3. What’s not overly obvious is that crows and ravens have positive lore too - in a number of cultures they are guides and messengers, sometimes to people, sometimes to Gods, which Krow fulfills to both Ochako and Ai (with Ai’s quirk, she could be compared to a goddess, for which he acts as the messenger - this was how she figured their partnership would work). Krow kind of puts this and the negative lore together when he explains his quirk for real in Missing Out:

As a teenager, I ignored them. Death is everywhere and it usually isn't important. Whatever messages they need sending, I'm not the crow they're looking for.

He also actually has a messenger bag in Missing Out.

4. It’s referenced in Missing and outright admitted in Missing Out that he’s inexplicably attracted to shiny things, which is more or less also crow lore, rather than fact, but still.

5. Krow’s name “Asuka” is a unisex name that refers to scents, but also birds and flight. There are a bunch of different refs that say differently, but I’m sticking with that. “Dakuro” is Engrish for “Dark”, which, if you really wanna meta, is actually his last name, considering his father is British. “Dakuro” is just how the Japanese people around him pronounce it. XD

6. He admits to collecting random shit he finds aesthetic, in reference to hoarding and collecting as crows do.

7. Asuka and Ai’s “lunch for quirk fodder” exchange, as well as his giving her the necklace and the box of quirk fodder, is in direct reference to this adorable true story.

8. Asuka speaks more than one language and is capable of mimicry during his “feral response” while fighting the Bear Trap Villain. This is in reference to the fact that crows and ravens are capable of mimicking human speech like parrots.

9. Asuka likes to sit in high places and watch people, and squats in tree for the majority of Missing Out and often bitches about walking anywhere, unless it’s to protect Ai. He has the mentality of a bird. He’s also built like a bird, with hollow bones and air sacs to assist his properly sized wings during flight.

10. He’s actually incredibly intelligent, and uses it to finagle out of tough situations and generally be a trickster, as is crow/raven lore, but crows/ravens are considered the smartest group of birds besides parrots. Unfortunately, this gets balanced out by the fact he’s a teenage human boy, which makes him lazy and capable of dumbass moments.

11. The murder investigations - there’s a number of instances where Krow can’t help but be drawn to death from his death sense in both Missing and Missing Out. He can’t stop himself from investigating the building Pyro is hiding in, the murder warehouse, and when Ai dies. Crows and ravens will gather around fallen comrades in a mix of mourning and also in an effort to try and figure out what happened and if that threat still pertains to them.

:3 Birb <3

Secret Messages and Tells and Foreshadowing and Symbolism

-In Missed Chance, the duality split of Ochako and Uravity is referenced as happening at a particular moment. Throughout Missing, Uravity is treated as apart from Ochako until the end of Missing where they “agree” on letting Deku help. It’s a duality of self representation.

-At the end of Missing, I’m hoping its clear everyone but Iida was in on leaving the two of them alone. Aoyama initiates it by leaving first.

-There are at least two instances where there’s heavy foreshadowing of the end of chapter 7, once with Aoyama:

“Then where in this overcrowded city?”

“I see. Among the clouds, then.*”

And again with Deku:

“That's a relief. Now, I just need to make sure I don't float myself into the stratosphere and you'll be right!”

-There is SO MUCH symbolism related to flying and birds, I can’t really put it all here, but it’s there. Also so much symbolism to fire in Missing, not only with Pyro’s quirk, but Ochako’s feelings..

-Krow reacts to a memory of Ai before we know she exists (since he’s hiding it) while they are interrogating Necromancer: “That’s not bringing them back. That’s nothing like bringing them back.” He also lets it slip a bit that he’d speaking from experience when ragging on Ochako about Deku. Deku also introduces the idea that people’s quirks can kill them in the same chapter, which is in reference to Ai, but also what ends up happening to Ochako, more or less.

-If you replace Ai’s name with the literal meaning of her name in some sentences of Missing and Missing Out, the UwU angst goes up to an 11. Here’s the one that’s particularly the gut punch:

Ai saved me in every way someone could be saved.

[Love] saved me in every way someone could be saved.

-End of chapter 5 of Missing Out, No Conditions, it should be obvious as hell that if Ai wasn’t in love with Asuka before, she certainly is now. Particularly in the gift box scene, he gives her...butterflies...right?

-Ai is compared to the winter throughout Missing Out. This is more in reference to what she means to Asuka than anything else. Winter, as a season, is the great equalizer and although things die in the winter, it is also necessary to the bloom in spring. This refers to the shift in Asuka’s life because of her - his villain life ends and his hero life begins.

-In fact, that whole scene in the snow is based off this gif, particularly the alt comic. It’s of two crows sitting in the snow kissing UwU.

-In both Fire and Brimstone and Missing Out, it should be getting pretty obvious I like to have my winged beasties flutter their wings when they’re in love.

Referencing Literature & Real Life & Pop Culture/Memes

-Pyromancer’s first crime in Alaska is based off the McCarthy, Alaska massacre where a lone gunman gunned down 6 of the 22 residents and injured more. Guy almost killed the entire town. Pyromancer actually did.

-I’ve referred to “The Raven” by Edgar Allen Poe a number of times, particularly in Krow’s famous line

“Nevermore, bitch!”

But I also referenced the Telltale Heart, The Cask of Amontillado, Frankenstein, The Wizard of Oz, and fanfiction in general.

-There’s a pop culture reference in Fire and Brimstone from Bioshock where Shinso says:

“Would you kindly go repent at the alter? Ashido is waiting.”

And I love it a lot, because in Bioshock SPOILERS, “would you kindly” is the trigger phrase that’s supposedly controlling the player, Jack, to do things for Atlas and in canon, Shinso’s quirk is brainwashing. Mineta upon hearing it just goes “okay” and promptly does what Shinso tells him. Shinso’s brainwashing is also referred to by Mineta just before that:

“Or get brainwashed into believing fairy tales,” Mineta said flatly from beside the Angel.

-There is indeed a motherfucking JoJo’s reference in Missing. And there’s more memes where that came from.

-Krow’s use of “my guy”, “lit” etc etc. is self explanatory. He is a whole ass meme chicken.

-In fact, I call Krow and the other birds of the Missing series “chickens” because of the meme of the girl pointing to a bunch of geese saying “look at all these chickens!” In fact, Irina calls and will call Krow a “cock” in Missing Out and Escape Artists, and it’s kind of a more sinister play on this. Transplant and Keeper, during their convo in Missing Out refer to the women captive under Keeper part of her “henhouse” and that she’d need a “rooster” to go through with her plans. Krow also refers to his fight with Irina as a “cockfight”.

-I’m not religious, but the lore is fun to allude to. The religious references should be clear in Fire & Brimstone, and a lot of the words I use relate to the topic, even casually in the narration, but also when the characters say “like hell!” Also in F&B, the real Angelic hierarchy shapes much of the worldbuilding, as do the references to real life racism, police brutality, and other shit like that.

In Missed Chance, the sun coming through the window puts a “halo” around Deku.

In Missing Out, Krow refers to demons on a number of occasions, sometimes towards himself, his family (which in comes the irony, since they look like Angels), but towards the end, it’s used to explain Ai’s mental illness. There are also these choice lines that entertain the notion of heaven and hell:

Below us was hell – mothers with agendas, school, dipshits, murderous villains, oh my! But up there? It was just us...

I was under no illusions about a heaven...hell certainly exists back down on the ground but I've been high enough now to rule the other place out. Unless this cold, quiet nothingness is supposed to be the intuitive opposite to the chaotic, unfair bullshit below.

-There’s a lot of references and characters with mental illnesses - psychosis, sociopathy, anxiety, depression and PTSD are all explored. In fact, Krow’s tendency to laugh at everything and get triggered by certain events (all of Missing Out is the result of him triggering himself in order to make Ochako realize her mistake) is a tell-tale sign he suffers greatly from PTSD, and Ai’s mental breakdowns are indicative of the anxiety I myself suffer from. Honestly, I just wanted some fics that look into it.

-In the same strain, all of the characters in Missing present different coping mechanisms towards what first-responders actively go through irl. Much of that was taken from my own life as someone with police in the family and being married to a firefighter/EMT.

Okay, that’s enough. Hope you enjoyed...I certainly had fun outlining all of it XD

#izuocha #my hero academia #uraraka ochako #my hero fanfiction #Missing Out #Fire and Brimstone #Missing #kiribaku #oc: Krow #writers ask games #encyclopika talk #THANK YOUUUUU

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aion-rsa · 4 years ago

Text

Marvel’s WandaVision Episode 3: MCU Easter Eggs and Reference Guide

https://ift.tt/eA8V8J

This article contains WANDAVISION Episode 3 spoilers, and potential spoilers for future episodes, the wider MCU, and Marvel Comics. We have a spoiler free review here.

WandaVision episode 3 is the first full color episode of the series, and moves the setting from the black-and-white 1960s of the previous episodes to a vibrant Brady Bunch-esque Technicolor of the early 1970s. There’s lots of fun weirdness to find between the lines, both from a Marvel and MCU Easter eggs standpoint and callouts to classic sitcoms of its era.

Let’s get to work…

SITCOM INSPIRATION

Let’s start with the big one…

The Brady Bunch

This episode borrows almost the entirety of its aesthetic from all-time classic sitcom The Brady Bunch. Wanda and Vis’s house strongly resembles Mike and Carol Brady’s humble ranch home inside and out. The gorgeous wide wooden staircase in particular is a real tell – as is Wanda’s bold ‘70s attire that seems to be right out of Marcia Brady’s closet in later seasons.

The opening credits title card even adopts the 3×3 grid format as seen on The Brady Bunch. Of course, the Wanda and Vision household isn’t as jam-packed as the Brady’s but there is an undeniable underlying theme of family throughout this installment.

Mork and Mindy

Mork and Mindy was a 70s-into-early-80s show with a weird sci-fi couple, in the sense that the husband is an alien. In the final season, there’s a one-and-done pregnancy storyline episode called “Three the Hard Way.” In it, Mork is the one with child. Due to his alien biology, an egg comes out of his navel and out of it hatches an elderly man, as their people age backwards.

Other Sitcom Stuff…

When Wanda tries to hide her pregnancy from Geraldine, she holds a small basket of fruit in front of her large stomach. This is likely a playful homage to all of the not-so-creative ways that sitcoms have tried to hide actress’s pregnancies over the years. And funny enough, it seems like the fruit Wanda is eating at various points in the episode corresponds to the fetus size as outlined by their doctor.

The doctor’s name is “Dr. Stan Nielsen.” As in the Nielsen Ratings. And maybe Stan as in, you know, Stan Lee…

And now for the Marvel and MCU stuff!

Scarlet Witch

In the opening credits when Wanda is reading a magazine on the couch and using her powers to vacuum, she’s reading another issue of Glamorous (which we saw in episode one). This magazine features a woman in a red bathing suit, kind of like some of the skimpier Scarlet Witch costumes Wanda has worn through the years in the comics.

Vision

Similarly, the scene of Vision barbecuing on the patio shows him wearing an era-appropriate shirt in his comics colors of green and yellow. The swingset he’s struggling to put together is also in his colors.

Wanda’s Pregnancy and the Twins

When Wanda gave birth to her kids in the comics, something similar to what we saw here happened: nobody, not even the doctors, were aware that Wanda was carrying twins, so the arrival of the second child was a surprise to everyone.

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The way Wanda’s pregnancy rapidly progresses through the episode feels like a reference to Avengers #200, one of the most hated issues of any Marvel comic. In the comic, Carol Danvers is discovered to be suddenly pregnant and goes through the entire process over the course of a day or so. Nobody really bats an eye at this and all the creepy, questionable parts are handwaved as a good thing.

When Wanda’s pregnancy starts causing chaos, she and Vision strike a pose based on The Vision and the Scarlet Witch #1.

Not particularly relevant right now, but in the comics, none other than Doctor Strange delivered Wanda’s twins. Given all the ways that this show is supposed to tie into Doctor Strange in the Multiverse of Madness (some of which we think we’ve already spotted), this is just worth a mention.

Billy and Tommy

The twins are named “Billy and Tommy” just as they are in the comics. They were later reincarnated as Billy Kaplan and Tommy Shepherd. You likely remember them as Wiccan, the First Gentleman of the Kree-Skrull Alliance, and Speed…uh…his best man?

Very briefly, because a full discussion of this would take a while: Billy and Tommy were born to Wanda and Vizh in 1985’s Vision and Scarlet Witch. They were unmade when it was revealed they were figments of Wanda’s powers and imagination, imbued with shards of Mephisto’s soul and reabsorbed into Master Pandemonium’s arms in West Coast Avengers. They reappeared as heroes in the first Young Avengers series, and reunited with their mother in Avengers: Children’s Crusade. That is an extremely quick summary of what might be the most Gordian continuity knot in the entire Marvel Universe.

Geraldine

Teyonah Parris returns as “Geraldine” for this episode, but this time it’s even clearer that there’s more to her than meets the eye. As we’ve pointed out before, “Geraldine” is a cover for Monica Rambeau, the daughter of Carol Danvers’ best pal Maria Rambeau, and someone who will play a significant role in Captain Marvel 2.

“Geraldine” tells a rambling story about her boss, “Mr. Haddix.” There’s no obvious immediate Marvel connection with the name. However, it might just be part of the motif – the stork tries to eat the fish on Geraldine’s pants, maybe it’s actually “Mr. Haddocks”? We’re still not finding any Marvel connections with this one, though.

It’s also probably not an accident that Geraldine’s cover story involves her working for an ad agency. The commercials are one part of the show where reality peeks through vividly. Ad agencies are, in a sense, manipulating reality for consumers to make them want a product more, and there’s no shortage of reality manipulation going on here.

Geraldine is rocking a striking blue and white outfit, with starburst type designs on them that could either recall the log she wore as Captain Marvel, Pulsar, and her other superheroic identities…or possibly dimensional portals.

SWORD

Geraldine is wearing a SWORD pendant, so it’s pretty clear who she’s working for. Those pesky SWORD agents seem to be everywhere, from our pal The Beekeeper to the folks monitoring Wanda in that command center to…well, who else in Westview is working for SWORD?

While we’re talking about Mr. Haddocks and Geraldine’s job, the cereal in Geraldine’s work story – Gravity O’s, with the marshmallow moon men – is likely a nod to SWORD’s mission in the comics, when they used to watch space rather than “sentient weapons.”

We wrote more about SWORD here.

AGNES

Agnes’ brooch looks like it has three witches, one holding a scythe. There are a few options for what this might be referencing:

The obvious one is the three witches from Macbeth who use prophecy to steer the main character to his doom.

Less obvious and much more unlikely is the Weird Sisters, Quasar villains (!) working for Maelstrom, an Inhuman/Deviant hybrid who has had several run-ins with the Avengers

And the least likely: Jennifer Kale (from Man-Thing), Satana (sister to Damian Hellstrom and the Daughter of Satan), and Topaz (of Werewolf by Night…fame?), three Marvel witches who starred together in a four-issue Jemas era series in 2004. It’s definitely not this one.

Pietro and Age of Ultron

Geraldine mentions to Wanda that Pietro was “killed by Ultron,” referencing the events of Avengers: Age of Ultron. This is clearly one of the memories Wanda is trying to suppress with her sitcom antics, and it doesn’t go well for Geraldine/Monica…who finds herself “banished” back to the real world of the MCU.

We wrote more about what the Pietro connection could mean here.

Westview

We actually just wrote in detail about the significance of Westview (which is kind of a real place, too), but here we see the town’s slogan: “Home, it’s where you make it.”

Wanda is indeed “making” her home in whatever image she feels most comfortable with at the moment, so this is a further clue to the House of M-esque shenanigans that seem to be going on with her.

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Other Marvel Stuff

Not strictly a Marvel thing, but the opening credits feature a lot of hexagons, the same kinds of shapes you see in beehives, which brings our creepy beekeeper friend from episode 2 to mind.

The paint cans in the nursery are from a fictional brand known as “Simser” which promises “a universe of color.” Jeremy Simser who works as a storyboard artist on WandaVision, and who is also doing work on Doctor Strange in the Multiverse of Madness. So…perhaps “a multiverse of color” might have been more appropriate?

Dottie’s husband fill is reading a newspaper with a headline that says “TWO FIRE HYDRANTS ADDED ON MAIN STREET” but the paper is folded so it says “TWO FIRE HYDRA” at one point. Also…twins. Note the “twin motif” on Phil and Dottie’s lamp, too.

Wanda sings a Sokovian lullaby to the twins.

The episode goes from fullscreen to a more MCU-appropriate and cinematic widescreen when it cuts to Geraldine/Monica back in what appears to be the real world. Not that there was any doubt, but whatever is happening in “sitcom land” is definitely not reality, and time travel has nothing to do with whatever’s going on here.

The final song is The Monkees’ “Daydream Believer” which was also used in trailers. The title is pretty on-the-nose if you consider the dominant House of M-esque theory about what’s actually happening on this show, and that Wanda is using her powers to manipulate reality.

THE COMMERCIAL

Hydra Soak implores its consumers to “Find the Goddess Within.” We don’t have to tell you what HYDRA is, but what about this “find the goddess within” stuff?

Well, we can kind of speculate that this is a reference to the upcoming Thor: Love and Thunder, in which Natalie Portman’s Jane Foster will end up becoming the new god/goddess of thunder, just as she did in the comics.

Spot anything we missed? Let us know in the comments!

The post Marvel’s WandaVision Episode 3: MCU Easter Eggs and Reference Guide appeared first on Den of Geek.

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razberryyum · 5 years ago

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The Untamed/陈情令 Rewatch, Episode 14, Part 2 of 2

(spoilers for everything MDZS/Untamed)

[covers MDZS chapters 55 and 56]

WangXian meter: 🐰🐰🐰🐰🐰+🐰🐰🐰🐰🐰+🐰🐰🐰🐰🐰+🐰🐰🐰🐰🐰+🐰🐰🐰🐰🐰+🐰🐰🐰🐰🐰🐰🐰🐰🐰🐰+🐰🐰+🐰🐰+🐰🐰

Every glimpse we’re provided of the Jiang family life is really equal parts discomfort and electricity because of Madame Yu. Even though each scene usually involves both familial and marital strife, which is usually very uncomfortable for me to watch, I find myself completely incapable of turning away because of her, even as I’m wincing for Jiang Cheng and Wei Wuxian’s sake. Madame Yu is just so AWESOME. The way she sweeps into every scene she’s in, eyes flashing, taking charge and commanding the room is really breathtaking. As I’ve mentioned before, while I would never want her to be my mother nor do I support her method of mothering, I still completely respect and love her. Every line of dialogue from her is spoken with such conviction and impact and ferocity that I can’t help but grinning in admiration, even when her words are meant to hurt and belittle the boys I love.

I mean, that alone is pretty brutal to say in front of her son and ward. While I’m sure Jiang Cheng and Wei Ying spent most of their lives hearing divisive statements like that from her, it’s really a testament to their basic good natures that they still ended up being so close. I’m sure Jiang Fengmian being present to counter his wife’s harshness helped a lot, but if JC or Shijie were even the least bit petty, arrogant or unkind, they could’ve been easily swayed by Madame Yu’s influence and held her words against Wei Ying. The fact that they didn’t at all and still loved this orphaned boy like their own flesh and blood brother really makes me love the siblings that much more. I’ve always thought it’s quite sad that Madame Yu couldn’t find it in her heart to love Wei Ying as well, especially since he really is so lovable and adorable, but jealousy is an ugly and powerful monster that is hard to defeat, so it’s really a shame that she let it overcome her to the point that even her relationship with her husband and children was negatively affected. Not to mention, I can only imagine how unhappy Madame Yu herself felt, believing as she did that she will always be inferior to the memory of a woman who has already passed and also questioning her husband’s fidelity and loyalty even so many years later. It’s obvious that her quick temper and biting words are the manifestations of her unhappiness. For such a capable and strong woman who could have easily been a sect leader in her own right, I really wish she could have been had a more joyful life.

It should be noted that for her all her magnetic screen presence and impressive performance, actress Zhang Jing Tong, who portrays Madame Yu, is only 30 years old with just a few credits to her name. It’s amazing when I think about the fact that even though she’s only two years older than Xiao Zhan and Xuan Lu and seven years Wang Zhuo Cheng’s senior, she pulled off the Jiang matriarch role with total aplomb. Watching her I never for one second doubted she was their mother, head of the Yunmeng Jiang sect and household because of the authoritative air she possesses. Prior to looking up her professional history, I actually thought she was an industry veteran and I somehow just never saw any of her shows even though I’ve watched my fair share of Chinese dramas. The fact that she hasn’t been in that many shows just makes me appreciate her work in CQL even more. The degree of success in which she's brought Madame Yu to life is truly amazing: it’s as if the character literally just walked off of the pages of the book. I hope she gets a lot more high profile professional opportunities from now on as a result of her wonderful performance in The Untamed.

Yunmeng Bros Love

It’s so difficult not to cry or at least get teary-eyed watching this scene now; I sure as heck couldn’t get through it without a few tears this time. The love these brothers have for each other, what they sacrificed for each other, just makes my heart hurt so much. What’s most heart-aching is that this really is the last time they can still laugh and embrace like this without any reservations, without any sadness or true regrets, because their family, despite its imperfections, is still whole. So this moment, this promise, in addition to serving as a testament to their bond, also feels like a marker of the end of their childhood and their innocence since soon after this is when all their dark days start arriving.

Clive Barker Would be Proud

Going back to the Xuanwu of Slaughter’s cave, even though I still don’t understand enough about the anatomy of the creature to be able to figure out how it can have so much room in its own shell to allow for storage space since the last I checked, that’s not how a tortoise’ body fits inside their shell, and if it’s actually a snake then why couldn’t I just come out of its shell to go after the boys earlier, I still appreciated the set design within its disgusting abode. Team CQL really did execute the gore and squelch elements quite well. That interior was pretty effectively creepy and gross.

Prelude to the Yiling Patriarch

Not gonna lie, that smirk does funny things to my tummy. It’s so deliciously sexy and evil. Makes me wish they had gone full darkside with Wei Ying when he became the Yiling Patriarch, or at least retained most of the moral ambiguity he had in the novel. We get his Yiling Patriarch smile a few more times after this, thank goodness, but since this is the first glimpse we get of it, I will always have a soft spot for this moment.

I would love to see Xiao Zhan take on a truly villainous role one of these days since I think he would really excel at it and can totally succeed at making the audience both love, hate and fear him in such a role, but considering his elevation to leading man status now, I doubt that will ever happen anymore. Such a shame. He would’ve been scarily effective and alluring.

Jin Zixuan Appreciation Time

I’m going to take a moment here to show some appreciate to our dear bro-in-law. At the outset, I had thought he was a dick unworthy of our dear Shiji because of the way he treated her in the beginning and his rudeness towards Wei Ying. I have since warmed up to him considerably, and now I think some words of praise is due. For being the son of a perverted piece of shit and growing in the lap of luxury, Jin Zixuan honestly turned out to be much better than his genetics and upbringing should have produced. Actually, I should give Madame Jin some credit, since she seemed to have a somewhat good head on her shoulders considering her favoring of Shijie. Most likely the reason why JZX turned out to be a decent enough man was because his mom did most of the parenting work. Despite his initial treatment of Shijie, I was impressed by how protective he was towards Mian Mian when she was being targeted by Wen Chao. Being a product of a total lecher of a father, it’s actually amazing that he never predatorized Mian Mian himself. Hell, I wouldn’t even be surprised if he had to protect her from his own father (yeah I really don’t think highly of Jin Guangshan at all). But no, he’s absolutely upstanding and I did also appreciate the fact that he went back with Jiang Cheng to rescue Wei Ying and Lan Zhan when he could have easily just not do so having already escaped. He was risking the Wen’s wrath in doing that so I know it did take guts and a strong sense of chivalry. I guess that’s why Shijie fell in love with him early on: she obviously saw something in him right from the start that took me this long to see.

Other Odds and Ends

I remember being flabbergasted when I first saw this image on Wei Ying’s headboard because I simply could not believe what my eyes were seeing. Naturally I wanted to know everything about that illustration: did Wei Ying draw it himself? Who was he thinking of when he drew it? I know it can’t be Lan Zhan since the drawing obviously predates their relationship, so who could it be? Jiang Cheng? That thought actually did cross my mind very briefly way back but since I prefer their brotherhood above any shipping possibilities, I dismissed that thought almost as soon as it arose. I know now that drawing is probably nothing more than an Easter Egg by Team CQL, but I still appreciated it since I thought this was even more blatant than the gay porn they snuck in back at Cloud Recesses’ library pavilion scene. That drawing wasn’t as clearly shown as this one and seemed more ambiguous. Really, bravo to their boldness, and bless the censors for overlooking this little bit of fun as well.

This poor kid. I should’ve known his life would soon come to a premature end as soon as they focused on him and gave him a sweet learning moment.

Just FYI for anyone who cares: looks like this while thinking of Lan Zhan is the reason this scene gets two 🐰.

Questions I Still Have

- Why did Lan Zhan let Wei Ying keep that disgusting, bloody sword even though he had to have clearly seen the demonic black smoke coming from it and surrounding Wei Ying while they were fighting the Xuanwu of Slaughter. Even if Lan Zhan missed the smoke, why wouldn’t he have at least sensed the all the evil and resenting energy emanating from the sword? Considering its origins, you’d think its ominous aura would be so overwhelming that even someone with a low level of cultivation would sense it, much less someone as cultivated as Lan Zhan. Not to mention, just in terms of sanitary issues, why would someone like him, who prefers cleanliness and has some knowledge of infection prevention, even let Wei Ying continue to hold on to that filthy thing anyway? I know story-wise, the sword is important and needed for later on, but I’d honestly rather they kept with the novel in this instance and had it just fall back to the bottom of the water in the cave. It could still magically reappear at the Burial Mounds later on because it already recognized Wei Wuxian as its owner or something like that.

- Actually, what I also don’t understand is why Wen Ruohan never sensed this most powerful piece of the yin metal when it was so close to his stomping grounds? Why did that the first piece of metal he obtained call out to the pieces that were farther away instead of this one which was much closer? Unless, the reason is because the yin metal sword was activated because the other pieces finally reunited?

Huh.

I actually never considered that possibility until now, but if that’s the explanation, I can accept it. I guess this question might have been answered.

Overall Episode Rating: 9 Lil Apples out of 10

Disclaimer: The Untamed would not be possible without Mo Dao Zu Shi and Mo Xiang Tong Xiu-laoshi. I mean no disrespect whatsover when at times I may favor the shwo over the MDZS bible that is the novel. All hail MDZS and MXTX-laoshi, always and forever!

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out-of-this-dimension · 5 years ago

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Future Star Fox Game Predictions

I could probably write an essay about what I’d like to see in a SF game but I ain’t got time for that, so here’s some predictions for what we might see because I like predictions/speculation. A lot of this is built off of what we’ve already gotten and what feels like the natural progression from where we are at. All of this is, of course, assuming Star Fox Grand Prix isn’t happening (I’m... very torn on how I feel about everything to do with that but that’s for another day):

I’m going to start this off with what feels semi obvious: Star Fox 2 will have its influence in this game. I definitely do not think it’s coincidence that they happened to release Star Fox 2 when they did. Having recently replayed every route of the original Star Fox for the SNES, it’s become pretty obvious that while a lot of the game was a homage to Star Fox 64, arguably more of it was a homage to the original Star Fox. I actually think that the reason Star Fox 2 came out is because they plan on making a game that would similarly follow Star Fox Zero in a way that Star Fox 2 was to follow the original Star Fox. The only other reason I could see them releasing SF2 was to be like “Oh hey, this is where the Walker is from!” but... it feels a bit redundant because Zero had already been out for awhile.

The game will have Miyu and Fay. They’re fan favorites and with Star Fox 2 being formally released, I think this is just about as good of a time as any to reintroduce them to the modern games.

The Walker will stay in the game. It would be kind of weird if it didn’t, tbh, as the function is built into the Arwings.

There will be different types of Arwings a la Command/Star Fox 2 style. This seems to be the direction a lot of the older developers wanted to take with the series and I think it’s something that will come back because the concept is pretty neat and it adds gameplay diversity. I don’t think these styles of Arwing will necessarily be tied to an individual character but you will have character stats and vehicle stats that interact together to make a variety of gameplay styles that can appeal to a broad spectrum of people.

Dash Bowman and/or Andross will be the main villain. Many people will be annoyed but it’ll happen but will feature a different enough gameplay so there will be less complaining than when Zero got announced. The primary scenario will be Venom vs Corneria. Dash Bowman appeared in SSBU as a spirit that could be collected in World of Light-- which was very, very odd given that even Bill and Katt were not spirits and they’re much more well-known. I think it was a subtle hint that they planned on using that character in the future. Granted, in Star Fox Zero, you face off against a mechanized version of Andross and although the final chase in the tunnel afterwards is very similar to Star Fox 64′s final dash through the tunnel, I kind of question if Andross really died because it... didn’t really seem like it was actually Andross (my opinion, of course, I could be mistaken) that was chasing him so much as just a robot. I think it’s possible we’ll see Andross again in this installation or possibly a vengeful Dash Bowman, since it feels somewhat likely that Nintendo was going to use him as a way to put the 64 timeline back on the course that they wanted, with Corneria fighting Venom.

Katt and Bill will be present. They will function similar to how they did before but will be unlockable pilots in multiplayer.

Multiplayer will be a thing. It will be similar to Assault’s with online functionality. It will be fairly well-liked by fans but probably won’t have many resources built into it. (I’m not saying I want this, this is my predictions, remember.)

There will be a mix of corridor levels and all-ranged mode levels, mixed in with some vehicle hopping. You will be able to choose various vehicles to fly on missions. Sometimes you will have to progress through the main campaign and then go back after unlocking new vehicles. Playing in different vehicles will award different types of medals and getting all the medals will unlock cosmetic stuff like sunglasses for Fox. People will compare the game to a blend of Assault and SF64.

Alternative to the one above: The gameplay will function very similarly to Star Fox 2. The only reason I’m thinking it might not is because of Starlink being so similar to that. I think Nintendo would take one look at that and decide against it to avoid feeling repetitive.

There will be different characters to play as. Another feature coming in from Star Fox 2 and Command. You will have a select group of characters to pick from, with certain ones being available for certain missions (Fox will be playable at all times because he’s main character). Choosing whatever character will give you dialogue alterations and different banter.

The game will feature the actual destruction of Andross and his Empire as well as Andrew and Pigma being booted from the Star Wolf team. People really love to hate these two (for some reason, I don’t get it) and Nintendo is notorious for doing obvious bad things to their “obviously bad guy characters” so I see that happening probably at the end as some comic relief. I actually think that they’ll bring Panther back at some point, but not in this game. This will set up for a similar scenario as Assault where Wolf and Leon are the only two remaining original members. Panther will be brought back later on. Andrew will probably be reduced back to meme status and made into a secondary villain, similar to Pigma. I will be sad at the wasted character potential but will be happy because at least we got a new Star Fox game. And I will probably make posts about it.

The game will have throwbacks galore, which will annoy some people and make others happy. Said throwbacks will be mostly returning enemies. I feel like Goras has a pretty high chance of coming back-- just a gut feeling. I was pretty surprised when it didn’t make it into Zero and we got the Dune reference instead.

Krystal... will at least be referenced, if not make a minor appearance. I’m actually kind of iffy on this and could see it going either way. I could see her showing up as an easter egg or even as a side character for a level, just to get fans hyped because it’s pretty obvious she’s well known and well loved (even though she has all those haters, she has oodles and oodles of fans too). I could also see them waiting to reintroduce her until later but I kind of question that at this point since it’s been ages since she’s been in an actual game (and she’s popular) and they don’t seem like they’re in a rush to make SF games.

The game will take place fairly immediately after Star Fox Zero, with a gap to fill in where Starlink could’ve possibly happened. I’m really torn if Nintendo will acknowledge Starlink as canon or not. I’m leaning towards the idea that they will just “no comment” when asked about it and just wave it off as “if you want it to be, sure”. There will then be another war about what even is canon anymore. Nintendo will shrug and take our money because we’ll all buy the new SF game anyways.

We will see the standard planets along with some “new” planets. I definitely see Corneria, Venom, Fichinia, Titania, and Fortuna making a return but I could also see them adding back in some SF64 planets like Aquas and Katina. I wouldn’t be surprised if they threw in Eladard or even Papetoon, too, just to add a new location. Sector X, Y, or Z also mysteriously comes back and we never talk about the random nebulae from Zero again and people get confused but it’s okay because what even is consistency lmao

Someone will inevitably change eye color again and my money is on Wolf.

That’s about all I have for predictions. I got inspired to do this after listening to a few Youtubers try to predict Nintendo’s 2020 announcements. I thought maybe a SF prediction list would be kind of fun? If you have any predictions/theories, don’t hesitate to share! I love hearing stuff like this.

#star fox #starfox #predictions #theorizing #speculation #long post

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owenepierce · 5 years ago

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Easter Event || Para

Who: Owen Pierce & Adam Sylvester

When: April 18th, 2020

Where: Practice Room in the Dominant dorm building.

Notes: Utilizes three eggs: cage, rope and a crop.

Owen

Dressed in a pair of blue jeans and a light pink hoodie, Owen stepped through the threshold of the Dominant Dormitory, the wind from outside tousling his blonde hair before the doors closed behind him. The submissive approached the front desk and asked for directions to the practice room where he was set to meet Adam Sylvester for his scene. After receiving instructions, he went on his way - doing all he could to subdue the little bubble of nerves that he had grown rather accustomed to since he had begun scening with people. Owen tried to remind himself that he had absolutely nothing to be nervous about; Adam was an experienced Dominant - he was related to the Headmistress, after all. If there was anyone at the institute that Owen could trust whole-heartedly to scene with, it'd be him. Owen arrived at the entrance of the practice room a few minutes early and dropped to his knees. He had learned that this was a customary first pose to initiate a scene, and he hoped to impress Adam and get their scene started on a good note by doing so.

Adam

Adam made a habit of arriving early to scenes, so that he could set up things as he wanted them, and yet, Owen beat him. He supposed he wasn't surprised, since the new submissive certainly had seemed eager to impress. Adam regarded him with a slight smile as he walked into the practice room. "You look like you're looking forward to this," he commented, a distinct pleased note in his voice. He walked past Owen to one of the shelves to pick out the toys that were required for the scene. A crop, a cage, and rope, simple and versatile, easy enough to work into a scene. "I've got a good idea of what we're going to do, but before we start, remind me again of your safeword and any limits. Not just hard limits, I want you to tell me anything you don't want to do right now, not just things you'd never try."

Owen

"I certainly am, sir." Owen responded cheerfully when Adam entered the room. He lifted his gaze but remained on his knees. "My safeword is 'snap' and as for limits, I know I don't want anything to do with things that would permanently alter my face or body...um, not cut or blood or bodily fluids other than semen and saliva. I'm sorry if that's not a big enough list, but it's honestly all I know." Owen smiled gently and shrugged. He had only done two scenes before this and two weeks of school was hardly enough to inform him about everything he might not like, but he hoped what he knew would be enough.(edited)April 18, 2020

Adam

"No, that's perfect," Adam said as he set his supplies on a table and walked over to where Owen was kneeling. He ruffled the boy's perfectly styled hair and smiled down at him. "Good boy. We won't be doing anything intense, but if you feel uncomfortable for even a moment, say something. The safeword is important, but for this scene, even just 'wait' or 'stop' or 'hold on' will do just fine." He smiled at him again and then picked up the cock cage from the table. "I believe this was one of the items in your eggs. Go ahead and strip for me."

Owen

The blonde beamed at Adam as he was praised. Even for the slightest thing being referred to as a 'good boy' never seemed to lose its punch. Every time the boy heard it, he felt a fluster of butterflies erupt in his gut. It was becoming clearer by the day that Owen had been marked appropriately and that knowledge only made him excited to learn more and continue to please. Owen watched Adam pick up a device from the table and quirked his brow inquisitively before letting out a little giggle. "Wow, I feel so silly. I was imagining like...a full-size human cage. That looks much less scary." Owen breathed a sigh of relief and nodded. "Of course, sir." With that he stood and pulled off his hoodie, revealing his impressive physique. Next came his shorts and underwear. After discarding his garments he returned to his knees, and looked on at Adam in anticipation for what was to come.

Adam

Adam chuckled and shook his head. "I mean... did it just say 'cage?' Because then I guess it was open to interpretation, and we could have used any kind of cage we wanted. I assumed it meant a cock cage." He gestured with the contraption as he watched Owen strip. He was definitely attractive, that was for sure. Not that Adam hadn't noticed that already, but with his clothes off, it was obvious that Owen worked out and was proud of his body. "You look fun," he said more quietly as he moved towards Owen. He trailed his fingers up Owen's abs, then tweaked one of his nipples to see if he reacted. "Lean back against the table for me so I can put this on you. It may be slightly uncomfortable, but it shouldn't be painful. If it pinches or squeezes, say something right away." It looked big enough, but of course you didn't want a cock cage to be too big, either, and move around. If this one wasn't right, though, there were other sizes in the cabinet, he'd just go get a different one. That was the perk of doing this in the practice rooms. All the equipment they could want.

Owen

Smirking slightly at Adam's comment, a slight blush flooded Owen's cheeks. "Mmm, so do you, sir..." Owen bit his lip and allowed himself to take Adam in visually the way he was taking the blonde in. He was the pure definition of tall, dark and handsome - it was actually quite unfair. "...but I suppose now's not the appropriate time to get all flirty, huh? I'll save that for later." The submissive blew out a shaky breath at the feeling of Adam's finger's trailing against his skin, letting out a sharper gasp as the boy tweaked his nipple - his cock jerked reactively as well. At Adam's request, Owen leaned back and propped his hips out, putting his semi-hard member out for Adam to fasten the cage to it. Owen kept his eyes on Adam's as he explained what to do in the event of any overarching discomfort. "Yes, sir." the boy replied sweetly, with an equally sweet smile to match.(edited)

Adam

"Oh, you can get flirty whenever you want, pretty boy," Adam said with a laugh. The reaction to Adam's touch to his nipple made the Dom grin broadly. "Oh, yes, I was right. Fun. We're going to have to try sensory play with you at some point, if you react like this. Tie you to a bed and just... touch you." He punctuated the end of the phrase by leaning into Owen's space and running his hand down to Owen's cock, but not quite touching it. He knew he needed to tone it down, though, because it wouldn't do to get Owen hard and not be able to put the cage on. Adam crouched and very gently and deftly slid the metal ring over his cock and slipped his balls through it, then slid the cage attachment around his cock. "How does that feel?" he asked, looking up at Owen as he held the contraption in place, before actually securing the pieces together with the little padlock that came with it.

Owen

"I'll definitely remember that you said that, sir - your ego's about to go threw the roof with me around." Owen flirted with a wink before his voice broke out in a desperately shaky groan as Adam explained how he would play with him coupled with the feather-light touch to his cock. "Mmf... Sir." Owen panted out. "That thing's not gonna fit if you keep talking to me like that..." Clenching his jaw, Owen managed with great effort to suppress all the dirty little thoughts that Adam was putting into his head and kept his erection down enough to the cage to fit perfectly, but uncomfortably over his cock. "Oof..." Owen winced slightly at the tight fit, the chill from the metal sending an odd sensation to the sensitive skin on his genitals. "It feels....cozy, sir."

Adam

Adam laughed again and shook his head. He definitely liked Owen. He was a sweet boy, and eager to please, and didn't take things too seriously. He patted Owen's hip in a soothing gesture as he looked up at the sub. "Too snug? We can try a different one if you thing it'll be uncomfortable to wear for any length of time."

Owen

Owen looked down at his newly-caged cock and noted that there was a little room between the head of his cock and the end of the cage. "Well, I suppose that depends on the purpose of something like this, sir." The blonde looked back up at Adam inquisitively. "If I get hard it's absolutely going to be super uncomfortable, but I've never done anything like this before. Is that what's supposed to happen?"

Adam

Adam smiled softly and nodded. It sounded like it was okay, so he fitted the padlock into the slot as he answered. "It is, yeah. It's meant to prevent you from getting fully hard, and if your cock starts to try to harden, then yes, it'll definitely be uncomfortable." He pocketed the little key and stood to look Owen in the eyes. "That said, if it's too much, tell me immediately. You're not obligated to enjoy the cage. Some subs don't like chastity at all. And some-" He slid a hand over Owen's waist and down to his caged cock, very lightly tapping it. "-like the feeling of humiliation, of having their cock locked up, useless, unable to even orgasm, making them focus on their Dominant's pleasure instead."

Owen

Owen nodded in a show of his general understanding and gave Adam another bright smile. "Well, in that case - I'd definitely like to try and see it through. Focusing on your pleasure sounds like all kinds of fun, so if this is one way I can do that, I'm all for it, sir." The blonde arched into Adam's grasp and braced himself on the Dominant's arm, bringing his face in closer. "That said...how can I please you, sir?"

Adam

Adam smiled at the sub's clear display of desire. "Aren't you eager.?" He stepped back. "On your knees for me again." Adam sat on a nearby chair and beckoned Owen over to him. "Crawl over here like a good boy, and show me just how much you want to worship my cock."

Owen

Owen flushed once more at Adam's observation of his own eagerness. The blonde had a reputation back home and probably at the institute already for being a bit boy-crazy. He was a flirt at heart and had a terrible time controlling himself around boys he was attracted to. Adam naturally fit the bill for someone he'd be more than boy-crazy over, nevertheless...it was still a bit embarrassing to the blonde hearing recognition of it - especially when it was said with such, devastatingly sexy confidence and coolness. Before he completely melted into a puddle, Owen dropped to his knees obediently and smiled sheepishly as he crawled to Adam. Once at the dominant's feet, the blonde's turned his gaze to the bulge in Adam's pants and wet hit lips. "Oh, sir... I want you so badly, you have no idea." Leaning forward, he grazed his nose teasingly against the dominant's crotch. "Mmf... Please, sir. May I please worship your cock? I promise to look extra pretty for you while I do."

Adam

Oh, that lovely flush on his skin, speaking of arousal and embarrassment, that was delicious. Owen was adorable and sexy at the same time. Not everyone could pull that off, but he did it with flying colors. And his begging was spot on. For someone who apparently didn't have a lot of experience, he was acing this. Begging was a huge turn on for Adam, and it was obvious from the way the bulge at his crotch grew visibly larger. "Such a polite boy. Go ahead and take my cock out, pretty boy. You can kiss it, and touch it, but you can't have it in your mouth yet."

Owen

From his place on his knees, Owen noticed Adam responding to his begging with a lot more than his words. He had to practically suppress a squeal of delight when he noticed Adam's cock throbbed under the fabric of the man's pants. Owen beamed innocently up at the other as he gave the submissive permission to do exactly what he was positively dying to do. "Thank you very much, sir." Owen quirked his brow playfully at Adam as he reached for the zipper on his pants. Leaning his face in so that his breath continued to provide sensation for Adam against his groin as Owen worked to unzip and unbutton his pants. Pulling the waistband of Adam's underwear down and under his balls, Owen's bright blue eyes widened with excitement at the sight of the other's hardening cock in front of him. Holding it in his hand, Owen leaned in and kissed the tip lightly before trailing more kisses down and back up the shaft. "Your cock is so beautiful, sir." Owen sighed out. "Please, please may I suck you?" He gave the man his best doe-eyes and made sure to hold Adam's cock right up against his face so he that he got the arousing visual of Owen's pleading, faux-innocence, hoping it would seal the deal and earn him what he so desperately craved.

Adam

Adam put a hand on Owen's head, threading his fingers through his hair, not controlling his movements at all, just because he wanted to touch the boy. Owen's excitement was infectious, and he felt his cock twitch when the sub finally freed it. The light touches of his lips felt like being teased, in the best way. "Such a good boy," he murmured. "I like hearing you beg for the chance to please me. Go ahead, show me how good you can be. You can suck me."

Owen

When Adam's fingers ran through his hair, Owen couldn't help but groan - it was one of his weaknesses. It was so comforting and intimate and at the same time, it made him feel especially submissive. At least, that's what he knew the feeling to be now, after a few weeks of studying. Before the institute, he just knew he enjoyed being roughed around in bed, but now that enjoyment had a name, and he was doing all he could to experience it over and over again. With that enjoyment, though - came arousal - which was precarious in his current state. As Adam's fingers ran through his blonde strands, Owen's cock gave a start against it's metal confines. The blonde winced at the unexpected sensation but did his best to allow the discomfort to work itself out. "Thank you, sir." Owen rasped out and eagerly took the head of Adam's cock between his lips. Expertly, Owen coated Adam's cock with saliva, gave it a few pumps and brought it back out of his mouth with a 'pop' a trail of precum connected Adam's cock to Owen's wet lips. "You taste so, so good, sir. Fuck." Owen wasn't one for obscenities, but this circumstance deemed them more than necessary. Owen went back to Adam's cock now that it was properly lubricated with precum and Owen's saliva and began to suck at a much more eager pace. All pretense of teasing had been dropped.

karen04/18/2020

Despite Owen's assertion that he was new to this, he was very obviously not new to the concept of a blow job. He knew exactly what he was doing with that gorgeous mouth of his. Adam groaned softly as Owen's tongue slid over a particularly sensitive spot. "Your mouth should be illegal," he breathed. His fingers tightened in Owen's hair and he tugged a bit, not enough to move him at all, just to make him feel it for a second before Adam loosened his grip again.

Owen

Owen had Adam's cock in his hand and was playfully slapping it against his tongue when the Dominant made the comment about his talented mouth. Smirking, Owen chuckled under his breath and took Adam back into his mouth. This time - as a way to further assert Adam's point - taking his entire length down his throat without so much as a slight gag. Owen was well aware of his faults and he was even more crisply aware of his capabilities. His talent for making a man absolutely lose himself sexually was one that the blonde treasured above most of his other skills. Letting out a desperate little whine against Adam's cock when the other gave his hair a good tug, Owen popped his cock out of his mouth again and panted out for air. "Sir... I want to worship the rest of you..." He pouted up at Adam innocently. "You have too many clothes on."

Adam

Adam groaned low in his throat when Owen swallowed him down entirely. "Fuck, boy..." He was very good at that, clearly practiced, and clearly well aware of just how good he was. Adam could see the confidence in his eyes, the playful way he pleasured Adam. In another scene, Adam might have made the sub beg more for him to take off his clothes, but he was impressed with Owen, and right now, he just wanted to give the boy what he wanted. "Then take them off for me," he said with a teasing smile.

Owen

Owen's face lit up when received permission to remove Adam's clothes. A brief concern about how his caged-cock would fare when he took of an insanely hot guy's clothes did cross his mind, but his desire trumped his logic and he sat up to begin unbuttoning Adam's shirt. Wetting his lips as each patch of skin was revealing Owen's disrobing became a bit more frantic. Finally, Adam's shirt was unbuttoned entirely, exposing a stunning expanse of musculature and anatomical perfection. Sighing out dreamily, Owen leaned in and lick a strip from the very base of Adam's cock, up his chiseled abdomen, to his chest and finally to his neck. Taking in the scent of a cologne he might've been wearing Owen sighed once more. "You're absolutely gorgeous, sir. I feel so lucky to be your good boy right now."April 19, 2020

Adam

Adam didn't often indulge in this kind of Dominance, where he did very little and the submissive did all the work, but it was fun for a change of pace. He sat there smirking, watching Owen slowly unbutton his shirt, and moved cooperatively when Owen pulled it off of him. God, this boy had really found that corner between adorable and sexy and built his whole home there. "You are lucky," Adam said, teasing. "And you are a good boy. A very good boy." He tugged on Owen's hair again, pulling him back a bit so Adam could look him up and down. "How's that cock of yours doing? Is it sad about being locked up and useless?"

Owen

"Uhhnf." Owen groaned out as Adam tugged on his hair once more, sending an immediate jolt of arousal to his cock, forcing it to harden painfully against the cage it was confined to. "V-Very sad, sir." Owen whimpered out. Pouting out his bottom lip in a crude display of faux-innocence, Owen raked his hands back down Adam's body and started to use both of them to jack the Dominant's cock over his face which, positioned just below Adam's arousal was the picture of submissive desperation.

Adam

Adam grinned when Owen agreed with him in that precious whimper. Whining and whimpering were right up there with begging to him. "Your poor little cock, all locked away where you can't have any fun." He hummed softly, enjoying the way Owen kept his attention on Adam's body and cock. He was a really good boy. "I'll make you a deal, pretty boy. I'll let your cock out to play, but you see, a good sub like you isn't allowed to play with his own dick. I decide if it gets played with or not. So if I let your sad, lonely cock out to play, then I'm going to tie your hands behind your back to make sure you behave. What do you think? Do you want the deal?"

Owen

The blonde listened to Adam's explanation quietly, occasionally pressing his lips against the other's cock as he did so. Owen perked up when the final deal was offered and smiled warmly up at Adam. "Oh, yes sir. That sounds like a good deal to me. Besides..." Owen lapped playfully at Adam's cock, slapping it against his tongue. "...tying up my hands certainly won't keep me from giving /you/ pleasure, sir - which is my main concern, of course." Owen's blue eyes honed in on the head of Adam's cock as he spoke. "I bet I could get you to cum with just my mouth, sir - no hands needed. So, yeah - please tie me up and let me suck your beautiful cock some more..." Wetting his mouth once more, Owen took Adam's member down his throat once more, relishing in the crude, slurping noises he made as his own saliva mixed erotically with the precum that dripped from and coated the rest of Adam's cock in the process. Popping off once more, Owen giggled and slapped it against his cheek, leaving a smear of arousal on his porcelain cheek. "You're making such a mess, sir..." Owen said with a playful wink.(edited)

Adam

"That's right, that's a good boy. My cock is more important than yours, and you're lucky I'm letting yours out at all." He grinned at the boy, enjoying the way he seemed to be reacting positively to the mild verbal humiliation Adam was introducing him to. He seemed delighted, and the humiliating talk seemed to only make him more submissive and eager, if such a thing was even possible. Adam sighed in pleasure as Owen started to suck his cock again, but when the boy pulled off, Adam lightly shoved his head away, a playful gesture. "Go get me that rope from the table, boy. And then come and turn around so I can tie your hands behind your back."

Owen

"You got it, sir." Owen stated cutely and rose to his feet a little clumsily. He turned around and walked as swiftly as he could to the table at the opposite end of the practice room. Once there he took a brief moment to scan over all the instruments that were there; dildo's, cuffs, whips, chains - the whole nine yards. He ran his hands over the cool metal of the wrist-cuffs and sighed. It was still insane to him that he was actually here, learning how to be submissive. Without hesitating any further he reached for the rope and pivoted back towards Adam, who sat there looking as devastatingly handsome as ever. Smiling softly at the Dominant, Owen placed the bundled rope on his lap, turned around and put his hands obediently behind his back as he waited for Adam to bind his wrists.(edited)

Adam

Adam watched Owen, noting with interest the way he looked over the rest of the toys on display. The boy looked not just curious, but wistful. Adam would have to get him back down here and try some more of those items on him. When Owen returned, Adam sent him a smile and took the rope from him. "Good boy. So very obedient." He took the opportunity to pat and squeeze Owen's ass before he started to unravel the bundle of rope. He wasn't planning anything fancy, so it was quick work to tie Owen's wrists together at the small of his back. He turned the boy around with a hand on his hip, the other hand fishing the little key out of his pocket. "Here you go," he said as he unlocked the cage and slipped it off. "Your poor cock can come out to play." He stroked it once, then played with the head for a moment. "But you don't get to cum until you've served your purpose. What are you here for, pretty boy?"

Owen

Beaming at the praise Adam showered him with, the blonde bit his lip slightly, arching his back as the Dominant took the opportunity to squeeze his ass. He considered whining and begging to be touched down there more but he thought better of it and decided that Adam's pleasure was paramount in this moment - if he was good, his own relief would come soon enough. Sighing with relief when Adam unlcoked the cage, the blonde cock immediately stood at attention while the other man toyed with it, making Owen squirm desperately on his knees. "Thank you, sir. It feel so much better." He gasped out gratefully, his lips parting slightly. "Mmf, I'm here to serve you, sir. You're my purpose. Your pleasure is my purpose. I'm here to worship you and your cock like the good, pretty boy I am." He answered readily and leaned forward, bringing his lips just centimeter's from the flushed head of Adam's cock. Looking up at Adam, he quirked a playful smile. "Do I look pretty down here with your cock over my face, sir?"

Adam

"That's right, good boy," Adam praised, very pleased with Owen's answer. "You're here to serve my pleasure and worship my cock. Not for your pleasure or your orgasm, if I decide to give you one." He ran his fingers through Owen's hair again as the boy knelt in front of him, the picture of obedience. "You look pretty wherever you are," he answered with a chuckle. "But with my cock next to your lips, you just look like you haven't quite gotten your lips where they belong."

Owen

"Right, sir." Owen responded obediently. The blonde flushed a bright shade of pink when Adam noted that he looked pretty regardless of the setting. His bashfulness faded quickly, though - as he was reminded of his purpose for the moment. Nodding dutifully, Owen forwent all teasing and took Adam's cock back into his mouth. He was clumsier now without his hands to stabilize himself - but after a moment of sloppy attempts, making an even worse mess around his slightly swollen lips, he found a rhythm and began to suck at Adam's cock with a renewed fervor, all the while keeping his eyes innocently locked with the other man's.

HEADCANNON FOR THE REST:

After orally servicing Adam some more, the scene moved to involve some light impact play with a crop until the dominant was pleased. Shortly after, the scene ended and Owen was administered proper aftercare.

@dominantsylvester

#para #para: adam sylvester #adam sylvester #easter event #gleedsmeaster20

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vincent-marie · 5 years ago

Text

The Oft Overlooked A BUG’S LIFE

A BUG’S LIFE…

What can I really say about this movie that other animation fans on the internet haven’t already? It was critically dubbed Pixar’s most mediocre film before the horror that is the CARS franchise.

I was about nine years old when this film came out, and I really liked it then. Honestly, I still kind of do, but admittedly some of it is nostalgia on my part and I’m well aware that it could have been better.

Like I said, this film has been talked about by other online critics about how it is okay, at best. That it was just the Pixar placeholder in between the first two TOY STORY movies. However for the purposes of this article I would actually like to highlight some of the good things about this movie, or at least my reasoning for why I still have a fondness for it.

Now before I continue I do feel like I should address two big elephants in the room: Namely, John Lasseter and Kevin Spacey. Knowing what we know now about them, if you can’t watch this movie without feeling uncomfortable, I totally understand. I’ll admit it makes me a wee bit uncomfortable to watch the film now, and more so the behind-the-scenes featurette on the DVD. (Wish I could blur their ugly faces when they’re being interviewed…)

However my opinions of this film on its own have nothing to do with them or whatever they contributed to the film, so they are irrelevant to what I have to say here. As far as I’m concerned if they hadn’t been involved in the film someone else would have taken their place, and those other people would have done just as good a job, if not better. Not to mention they would have been able to do it without being complete and utter creeps. To conclude, Lasseter can go suck a jellyfish and I hope Spacey rots in hell.

I’m going to primarily talk about the things I like about this movie, both then and now. But before I get to that I’m going to talk about why I agree with most critics who consider this one of Pixar’s lesser films.

A big problem with the movie is primarily the story and characters being a bit weak.

Part of that problem is the story’s initial structure. It’s clearly a retelling of Akira Kurosawa’s SEVEN SAMURAI; village is being attacked by thugs, one villager leaves to get help in the form of warriors, villager brings back help, and they successfully fight off the invaders.

Probably the biggest difference in story is SAMURAI ended on a bittersweet note due to casualties among the samurai themselves, whereas BUG’S LIFE didn’t have any real casualties on the heroes’ side. That said, though, it’s funny that the ants seemed so damn certain there would be.

Initially modeling an original story off of a classic isn’t a bad thing in of itself. Back when I was in college it was something a lot of my writing and animation professors encouraged: learn from the classics. Not just film, but also literature and mythology.

The thing is SEVEN SAMURAI as a film was three to four hours long. It had time to accommodate for its fairly large cast, while still keeping its focus on a select few.

BUG’S LIFE, however, was only maybe an hour and fifteen minutes long. The writers probably could have stood to trim down some of the Bug Circus and take time to polish the story rather than try to give EVERYBODY an opportunity to have a funny line.

Having a couple ensembles in place isn’t a bad thing. They had that in TOY STORY with Andy’s toys, the Little Green Men in the claw machine, and the mutant toys. The groups, however, were smaller in that movie, and in the case of the Mutant Toys they had no speaking lines and had to convey everything with silent acting.

However something that’s been pointed out is that with Pixar films there was always a real progression in technical quality. That with each movie they got better and better with the tool of their trade that was CG animation.

Let’s look back at TOY STORY. The reason they made the characters plastic toys was because that’s just what their character models at the time always looked like. It would be a long way before they could even consider rendering complex fur textures for MONSTERS INC., and more complex still Merida’s tangled head of hair in BRAVE. It’s why the human characters in TOY STORY also look a bit weird and plasticky by today’s standards.

With TOY STORY they accomplished lively character animation in 3D. With TOY STORY 2 they managed to make better looking, less stiff human models like Al of Al’s Toy Barn, and slightly nicer fur textures on Buster the dog. MONSTERS, INC. had the aforementioned complex fur textures for Sully and some pretty decent early snow effects.

So what did BUG’S LIFE accomplish on a technical level?

Two words: textures, and lighting.

The last time I watched BUG’S LIFE I was absolutely FLOORED by how beautiful the set pieces were.

Take this scene of Flik giving Dot a pep-talk.

All that detailing in the blades of grass in the background, the pebbles on the ground, the textures on the pebbles, the textures on Flik’s contraption, and even the textures on the characters. It blows my mind trying to imagine how long it took to create those models, differentiate between the more see-through nature of the grass blades and the opacity of everything else, and arrange them in a way that makes for a convincing bug’s eye view of a patch of grass.

Then there’s the scene of the grasshoppers breaking into the anthill.

TOY STORY had some decent lighting that helped establish the needed atmosphere, but I don’t recall it being nearly this crisp.

Once again, there’s the textures on the objects and characters. As a kid, while I was aware the film was CG animated, I found myself speculating if the grasshoppers’ muzzles were made of foam rubber.

These were all things I took for granted as a kid, because I did not yet have the experience to know just how much work and skill it takes to make 3D animation.

This is a still from a minute-long film I made in a 3D computer animation class. I was given maybe only a couple months to make it. That included having to navigate my way through these complex computer programs I was completely unfamiliar with, and technical difficulties like the textures not grafting onto the models right. Let me tell you, it was a pain in the ass.

I look at the backdrops for BUG’S LIFE and I’m left to ask: “How many computers CRASHED trying to render all that?” Because, believe me, that happens. A lot.

Also, here’s the thing. When technical elements of a film are done well, such as lighting or camera focus, the audience LITERALLY doesn’t notice it. They’re too swept up in the story because the visual storytelling keeps up the illusion for them. The audience only notices important technical details like this when they’re done BADLY, hence a lot of people outside the film industry really take for granted just how much work and skill is taken into making a film that looks good.

(It’s why I think everyone should watch FOOD FIGHT at least once in their lives, especially animation fans.)

Okay, while it is inevitable that I would bring up Dreamworks’ ANTZ, I’m not going to talk too much about it. (It’s like the Cola Wars; everyone inevitably picks a side.) All I’ll say for now is I’ve always preferred BUG’S LIFE because it’s nicer-looking design-wise and its content and execution is more family-appropriate. (Also, in 1998 we didn’t know at the time Kevin Spacey was a creep, but everyone and their DOG knew Woody Allen was. Nice job, Dreamworks!)

It’s been pointed out that there’s a distinct casting difference between ANTZ and BUG’S LIFE. ANTZ had a cast of recognizable movie actors, while BUG’S LIFE had a cast of recognizable television actors.

For BUG’S LIFE that’s not necessarily a bad thing. One of the things that bothers me about celeb casting in animated movies is that oftentimes it feels like a flimsy attempt at star-power when said stars don’t have the power to elevate the characters. Actors who might be good front of a camera but bring nothing to a recording booth.

However for the most part Pixar has been really good at casting well-known actors who actually fit their characters and add some personality to them. BUG’S LIFE was no exception.

In fact, quite a few of them had loaned their voices to animation before this film, and some damn good performances too.

And I can name at least one BUG’S LIFE alum who graduated from funny performance to heartfelt performance with Pixar…

(… I’m not crying! YOU’RE crying!)

But I digress. I consider the casting for this movie pretty solid. (With the obvious exception of Kevin Spacey.)

What’s more, growing up I remember a lot of the TV spots for Pixar films usually down-played the celeb cast and let the product speak for itself. The celeb casting was less of a selling point for the films and more like a fun little Easter egg for the parents who had to take their kids to the theater.

Earlier I stated that the story and characters in BUG’S LIFE are a bit weak, and I stand by that. However there are a couple characters I’d like to highlight here as I’ve always found them interesting and memorable in their own ways.

First, let me talk about Hopper for a minute.

(I’ve already stated that Kevin Spacey can rot in hell, so there will be no more of that.)

I’ve heard criticism about Hopper as a character that he was a very bland, one-dimensional villain. To be fair, they’re not wrong.

But the thing I always liked about Hopper is that his one and only goal is to hold dominion over the ant colony. To keep them under his foot, both literally and figuratively, and he wasn’t afraid to use deadly force to do that. He was willing to kill a few of his own goons just to illustrate a point. That’s how threatening he was.

In a lot of children’s media I had seen up to that point, there were several bully characters that were often portrayed as the bigger kids who would demand your lunch money. They were usually ineffectual doofuses like Bulk and Skull from POWER RANGERS, or kids with serious insecurities like Binky Barnes from ARTHUR. While not the first of his kind, Hopper was one of the first characters I had ever encountered as being a prime illustration of not just a bully, but one who had the makings of a dictator.

With his rather one-note motivation, I can see why audiences found him bland, but given his violent means of staying in power, I’m glad they didn’t try to make him “complex” or give him any sympathetic character traits.

Frankly, we live in an age where horrible people are romanticized in the media as being “misunderstood”. I feel like, unlike those media outlets or the upcoming JOKER movie, BUG’S LIFE gets it. They don’t deserve to be portrayed with humanity. These people are monsters. Nothing more.

Maybe if Pixar hadn’t felt the need to rush the production maybe Hopper is one of many characters that could have been polished up a bit in the writing process. Give him some more distinct, memorable traits as a character. Maybe hints at a backstory of Hopper having a long-standing history of using and abusing others, and always getting away with it.

(When I put it that way, we can just say Hopper is the John Lasseter Story. Just draw a pair of glasses and a tacky shirt on the guy and it’s a spitting image.)

The other thing I’ve always liked about this movie was the portrayal of Princess Atta.

Besides being the first Pixar Princess, I always liked how, unlike the Disney Princess pantheon up to date in the late 90s, Atta actually had a bit of a character arc related to the fact that… well, she’s royalty! She’s going to have to take over the colony eventually as queen.

We see this from the beginning as she’s overseeing the harvest and going into a panic when things go even slightly wrong. Also, I find it interesting that it’s a guy that screws everything up when Flik accidentally destroys the food offering, yet she’s the one who gets blamed for it. (Ironic commentary coming from the studio led by an egotistic creep who wouldn’t let women in on meetings.)

But what I loved about her as a kid was that her personality and approach to things was a lot more real and down-to-earth than your average glamorous Disney Princess. She felt less like fairy tale royalty and more like a woman up for promotion at a big company. From a pragmatic standpoint that can be just as scary, stressful and daunting.

(It also feels appropriate in hindsight considering her voice actress Julia Louis-Dreyfus would later star on VEEP…)

My friend @baxterfilms and I have had a lot of discussions about this movie, and we agreed that Atta should have been the protagonist. She actually has a character arc of her own of being unsure of herself at the start of the film, taking charge in the second act, and eventually standing up to Hopper in the third.

Remove Flik entirely, and have her go on a journey to find reinforcements against the grasshoppers. Have her realize that Hopper’s demands are impossible, she’s sick of having to adhere to him, and have her sneak out to get help. When she finds out she literally brought home a bunch of clowns, she understandably freaks out. She has to figure out a resolution because there is a lot of pressure on her to make things right and free the colony from bondage.

Strangely enough, with that version of the story you could still probably have all the indulgent fun of the celebrity cast. It’s just the very core of the film’s story needed some serious tightening up, and maybe Dave Foley as Flik would have fared better as a comic relief sidekick.

With all that said, I thank you for taking the time to read this. I really do think that this film is highly under-appreciated in the animation community. There might have been trouble in the writing room, but the technical achievements in this film were still there and helped Pixar hone their craft into making their animated features as stunning as they are heartwarming.

I have to say, though, I find it funny that there’s almost a pattern to these insect-driven animated movies. Going all the way back to MR. BUG GOES TO TOWN, they usually have rather weak leading characters, and the supporting cast winds up leaving more of an impression.

Weird, huh?

#a bug's life #pixar #animation #review

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