#then that does not happen and so it sort of . ends

[tprings-hair]

I'm going to say something about the new unification short film that I haven't seen anyone here say yet.

I love the handholding scene. massively impactful. I love the echo of "this simple feeling" from the motion picture and the genesis reference and the idea that spock did not die alone or among strangers. it's just so satisfying after all this time to know that even shatner knew it was wrong and needed to be approached with more compassion for nimoy and the fans who loved these characters and knew they should be together at the end, whatever that looked like.

but you know what really got me?

this minute or so. kirk confronting his old selves. because that's obviously original series kirk right there in the gold uniform.

and the other? THAT'S HIM!!

(I'm linking it this way because you apparently can't add more than one video to a post and I need it here for demonstration.)

so we have present kirk walking down a dark hallway. at the end is spock, but at the end is also spock's death. how can he step forward and face that? what happened to the way he used to think about death?

yellow shirt is TOS kirk, who had always found a way around the problem and never (if the movies are to be believed) had to face death straight on. he's looking forward with confidence. there's no way spock is dying. there's a way out of this somehow, if only he can find it.

TOS kirk looks back the way he came, because he believes he can go back. he can always go back. the series always resets to the same characters who can be depended on to take similar actions, because that's what a serial is, and that's who he is. things have taken their toll on him, but he knows he can take the hit and keep moving.

but he stops when he's faces with WOK kirk. the one in the red dress uniform, who has lost spock and knows what it is to live without him. who has faced death in a way he had never had to before, because the constraints of the series never allowed it. he has been changed because of it.

TOS kirk sees that, and does that sort of posturing that he always does in front of someone who's threatening him. but WOK kirk isn't threatening him. he's just living through something TOS kirk hasn't had to face yet. it's him staring his past self in the face and telling him, kindly and firmly, you know nothing about how it will feel. you will never be the same without him.

and TOS kirk looks back again, and there's a present kirk, wearing his generations uniform. this is kirk having turned that grief to a desperate search for the most important person in his life, and emerged with spock by his side. he's not the same, but he's made it through. of course TOS kirk would look to that.

and as our kirk looks at these people he used to be, they vanish in front of him. he remembers the way he used to think about losing spock. the fear, the grief, the hope. there's no hope left. when he reaches the end, spock will be there, and it will be their last time together.

but he puts the pin back on, and reminds himself of his duty not just to a fellow officer, but to a friend, to the most important person in his life, and to himself. spock should not be alone, and he never got to say goodbye properly before. doing it now is the least he can do.

that's his ultimate responsibility in that moment: being there for spock. that's been his ultimate responsibility from the beginning. and this is shatner acknowledging that they deserved an ending that fit that truth.

[dissapointu]

hello! just read your sevika works and WOW, I love the way you write her so much!

whenever you have time could you dabble in some sort sevika? something like; having a bath together, or just bathing her, and she ends up crying because she's never felt anything like this before, ty!! ❤️❤️

OH. MY. GOD. FIRST OF ALL??? THANK YOU??? You have no idea how much that means to me 😭😭 Sevika stans are elite, I don’t make the rules. Second of all, yes, I will absolutely dabble in this for you because the image of Sevika just breaking down in a tub is so real that I had to write it out-

____________________________________________

Okay, so picture this:

Sevika’s never been one for softness, right? Like, she’s all sharp edges, clenched fists, and an unshakable poker face that screams, “Don’t even think about it.” But somewhere along the line, you weaseled your way into her heart (as one does), and now you’re in her life, showing her what it’s like to actually let someone take care of her.

So, you convince her to let you help her clean up after another long day of getting her hands dirty for Silco’s operations. She’s stiff at first, sitting in the tub with her back straight like she’s on a battlefield instead of in a warm bath. You gently pull her mechanical arm off (and she HATES letting people do that for her, but for you? She just grumbles and lets it happen).

You grab a sponge, lather it up with soap that smells way too nice for someone as rugged as her (but she secretly loves it), and start washing her back. You’re so careful around her scars, like you’re afraid of hurting her, and that’s when she starts to lose it. Her shoulders tense, and she tries to keep up the tough act, but then you start running your fingers through her hair to rinse out the grime, and—boom. Waterworks.

She doesn’t even know why she’s crying at first, but she just leans forward, her hands covering her face as her chest heaves with these messy, gut-wrenching sobs. And you’re just THERE, holding her head against your chest and murmuring things like, “You’re okay. You’re safe. I’ve got you.”

It hits her all at once: no one’s ever treated her like this before. Like she’s worth this kind of care, this kind of tenderness. She’s always been the one cleaning up other people’s messes—patching them up, fighting their battles. She’s never had anyone do it for her. And now she doesn’t know how to handle it.

When she finally calms down, her voice is so raspy and low when she mutters, “I don’t deserve this.” But you just shush her and kiss her temple, promising that she’s more than earned it, and she just… sits there in the bath, letting herself believe it for the first time in her life.

TL;DR: Sevika’s a big, tough baby who cries the second you show her the tiniest bit of unconditional love, and honestly, same. Thank you for coming to my TED Talk.

[eregyrn-falls]

^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[olderthannetfic]

Ok. Dumb question incoming, but I'd much have a 'conversation' than try to read fanlore or watch video essays or something because I want to hear individual people's contributions.

Why Star Trek?

Don't get me wrong - I like the franchise! I'm not super duper familiar with it, but I do enjoy the bits and pieces that I do know. But I am wondering why that in particular is hailed as the grandmother of all fandoms? Obviously people were fannish before Trek, but I don't think anyone can deny the impact that OG Trekkies had on fic, zines, and eventually on the internet.

I know that it's always been popular and well-liked, but it's not as if there was NO SUCH THING as popular culture/fan culture before that (I mean, come on, the term "parasocial" predates the first Star Trek episode by 10 years!) . Was it just a perfect mix of timing + popularity + etc? Is there something in particular about ST that "hit different" than other series at the time? Or is the fandom really really just that mighty and it's almost "luck" in a way? I guess I'm wondering what particular dominoes cascaded in a line in order for Star Trek to have the impact on fandom that it does today.

or am I wrong? were there just-as-big fandoms before and I simply overhype Trekkie power in my head / happen to see more talk of that than I do of other fandoms? It could definitely be a social circle bias thing.

Ugh. Asking OTNF why Star Trek is so important to fandom history feels very much like asking a Russian History major why War & Peace is so important to literature - hence why I warned you that it'd be a dumb question! But I am just so damn curious what sort of crack was in early ST fandom that made it SO widespread and SO strong.

Like, I guess the TLDR is: what was particularly 'different' about Star Trek, either as a fandom or as a franchise or both, that made it Theeeeee OG fandom, rather than something, like, i dunno, LOTR or the earliest versions of Marvel/DC comics or General Hospital or something else like that?

--

I await the hordes of angry Man from U.N.C.L.E. fans eager to prove that they were first.

And, no, it wasn't that popular. Hence the aggressive Save Our Show campaign and explosion of fan culture when it ended after three seasons.

Part of the answer to your question is that there were like three things on TV at the time. What big fandoms? 'Parasocial' was about non-subculture people feeling warmly towards news anchors or hosts of variety shows or something, wasn't it?

LOTR got rediscovered in the 60s or 70s from what I hear, but science fiction and fantasy books were for fringe weirdoes. SFF was not mainstream for the most part. There are a bunch of History of Book SF Fandom things on Youtube, and you should consult them on the complex role of LOTR in that space. LOTR wasn't a mainstream thing until there were live action movies a billion years later.

The key about Star Trek is that it was a hit with the pre-existing book SF crowd. They were an organized subculture. Some of their favorite writers wrote episodes. Other shit on TV was for people who did not form subcultures in that way. Other shit for SF fans had an audience 1/10,00th the size.

MFU was insanely popular. Illya Kuryakin was the heartthrob of a certain era of girl and inspired many a Russian major. (Seriously, there are soooo many Russia-boos of a certain age who probably still have a poster of him somewhere.) The actor set a record for fanmail. The show may have more influence on fandom history than we think now, but it also didn't rerun the way Trek did, at least in some eras, and it didn't have sequel series in a franchise. I'm always finding 2015 movie fans shocked that there's a still extant and semi-active fandom—or even shocked that the movie is based on something.

Starsky & Hutch was also hugely important and is the moment slash fandom and "Media Fandom" really split from book SF fandom. As Trek fans moved on to buddy cops, they were into a completely mainstream show but in a non-mainstream way. Trek was an awkward bedfellow at SF cons, but S&H just didn't fit at all.

Of course, while Trek is the grandma of AO3 type fandom, don't forget that a shitton of modern fans who are doing "research" just look at the same few sources. Enterprising Women is great and all, but even other fans of the same stuff are like "Oh, that was just X's friends. Where's [thing] and [thing] and [thing]?" Ditto Textual Poachers and the other scant early sources that people think have academic weight.

While Trek would still be central, the picture of what was going on in the late 60s-early 80s would look a bit different if you just found a bunch of 70-something nerds and asked them than if you regurgitate other people's research, you know?

If you want an idea of what else was going on in SF fandom back in the day, check out Galactic Journey, where they roleplay that it's 55 years ago and review SF things "as they come out".

If you want to understand MFU, here's a vid of Illya:

--

What say you, readers?

What have acafandom and fandom history and meta left out?

[blueberri-blu]

Learning You...

Donnie ♡

[Bayverse] Slowly getting to know Donnie ♡

Leo ♡⁠˖ Mikey ♡⁠˖ Raph ♡⁠˖

Getting to now the turtles! A little Mini-Series!

Meeting Him:

Honestly? You probably met him through April or his brothers...

April decided to bring you over to the lair, after months of her dodging you wanting to meet her friends

So, as you walk into the lair, you meet Mikey first, ever excited for new friends

Then Leo comes to greet you like a "proper guest" (as leo puts it)

And lastly Raph just seems to stare at you a bit and give a grunt

Later, 1 of 2 things happens

Either Leo or April's drags Donnie out to greet you

Or your curious ass goes to see what's going on in the strange lab room

Once you see him, he greets you quickly and goes back to what he was doing in his lab

You follow him and start to ask questions about his many inventions

This won his heart (whether he knew it or not)

Befriending Him:

At first, it's hesitant questions, long awkward silences, and clammy hands

But after awhile he gets used to your presence

Your questions often help him, letting him see a new perspective

He appreciates any of your input, but not without a little bit of sass

That little turn around he does (in the gif), you can't tell me he isn't sassy

You two will get into little sass battles, one comeback after another

This helps you two get closer

You mostly spend time in his lab, with the occasional accompanying him for new materials or things he needs

You bring him food and water, setting alarms for him to remember to eat and drink

Spinning in your office chair, you give him insane scenarios for him to entertain you with the logistics of it all

"Hey Donnie, what if I wanted a fire proof phone?"

"well you'd need to find a thin enough material that doesn't melt under high heats, a material such as steal, however you'd need to figure out how to combat the heaviness..."

And that's when he start getting comfortable ranting to you

He'll go on hour long rants about many things, allowing you to interrupt him to ask questions about what things mean and such

Donnie loves when you ask him these questions, he feels like, even though you don't understand him completely, you still try hard to take interest in him

First Date!

You probably have to ask him out,

You guys develop a situation ship sort of thing

And although he wants more, he doesn't want to ruin what you have

You end up asking Donnie "What are we"

And that's when poor Donnie's brain is racing a mile a minute

He starts stammering and doesn't know how to proceed, but eventually sighs and tells you how he feels

He's ecstatic when you tell him you feel the same!

Donnie stresses so much on dates ideas

Eventually, he decides he wants to take you out of the lair for once

You share your favorite foods with each other, both sickeningly sweet feeding eachother

He takes you for a ride in the shellraiser

You eventually get to a large field of pretty grass, noticing it's very far from the city

You give him a questioning look, but he just responds with "I wanted to make sure you knew this was special to me" while giving you a shy smile

You have a little picnic with Donnie, far from the city

He wanted you two to have a special moment without the bustling of the city or his brothers

Although you're both nervous, soon you start talking about anything that comes to mind

Soon Donnie starts to feed you, like the sickeningly sweet romantic he is

You're both giggling and talking in hushed voices

You end up cuddling and whispering sweet nothing's in each other's ears

Dating!

With Donnie you are never missing anything

He tries his best to make your life easier

You're clumsy and your phone keeps falling? He makes a practically indestructible phone case in your favorite color (he secretly hopes it's purple)

Your toast never comes out quite how you like it? He makes a toaster that makes your toast exactly how you like it (and maybe even a coffee maker that makes it ready to drink)

Donnie sometimes struggles with giving you the time outside the lab you (let's be honest, him too) need.

Sometimes you struggle to get him out of his lab, but with a little convincing (and kicked puppy eyes) he'll usually cave for awhile.

Usually taking you to go see museums at night "It's better without the crowd!"

And on your anniversaries, he takes you back to your first date

He can get a bit insecure about whether he's doing it right, all he has to base off of are movies and TV shows

It'll take a bit for him to touch you, but once you put his hand on your back/thigh/waist

He'll take it as a go ahead (always looks at you for approval tho)

Whenever he hugs or kisses you, you can feel just how much he loves you

He looks at you and slowly closes the distance

Donnie will sometimes ask you questions about your previous relationships, how they ended, and why

He just wants to prevent the same mistakes from happening, he really loves you, and wants you two to last for eternity <3

I was able to finish it @novaleedartis !! Hope you enjoy it ^^

Please let me know how I can improve or if I have any spelling errors please! (⁠人⁠ ⁠•͈⁠ᴗ⁠•͈⁠)

[bambi-kinos]

Why do people perceive John's love for Paul as unrequited? I confess that I fail to grasp this perspective. Paul is absolutely infatuated with John in every sense of the word. The difference between him and John, as Paul himself has stated, is that John voices his feelings out loud, while Paul excels at self-preservation; he knows how to navigate the rules of society while also enjoying the thrill of breaking them.

For the same reasons why Hanya Yanagihara wrote her eye wateringly boring novel "A Little Life." In "A Little Life" Yanagihara writes a Stephanie Meyer-esque novel about boys being turned gay via SA perpetuated by adult men and how they eventually grow up and become super rich and also they all have vague disabilities that cause a lot of pain but never get full definition because defining them would be inconvenient to the narrative. (Disabilities are debilitating and Yanagihara wanted to write about Sad Boys Who Were Turned Gay By Child Rape But Also They Are Rich And Go On Globe Trotting Vacations Everywhere All The Time While Being Depressed.) The point of "A Little Life" is not to tell a Sad Gay Man Story about the fallout from CSA, it is to depict a sexually exploitive miseryfest that uses disability as a way to pad the word count and add a layer of fancy fondant to the masturbatory and self indulgent text that makes it look more interesting than it is.

I bring this up because I think the phenomenon are related. There has never been a good justification for why Paul is magically indifferent or blind to John being a gay simp especially when you have so many examples of Paul being a gay simp for John in return. BUT it does make for an even sadder and more exploitive miseryfest where a Sad Gay Man died Forever Alone because he was so in love with a Happy Heterosexual Man who could never Return His Love and that is what a lot of people want. That's the only reason the narrative has any steam IMO.

It's just trying to make a sad story and make it even worse: more sad, more tragic, more gay, etc. If John and Paul were mutually attracted and in love with each other than that means they may have had stretches where they were happy together and that's unacceptable to a certain kind of mind. Because the point is the emotional and sexual gratification of seeing a Sad Gay Man Suffering, not to respect the Sad Gay Man and his story and the events and decisions that lead to his predicament. If Paul reciprocates John's love then the John and Paul love story turns into a mundane tale about a first marriage that started out happy but didn't work out because the two spouses grew apart over time. The point of "A Little Life" is the same, there's nothing genuine or cathartic about the Sad Gay Men or the Sad Painful Disabilities, they only exist so the author can circlejerk with her readers about how enlightened and noble they are. Needing the misery becomes all consuming to the point that entire rest of the story, the three dimensional nature of it, gets destroyed and swept under the rug. It's too real and some people just don't want to engage with that.

There's a mundanity to McLennon. Yes there was all sorts of stuff happening but at the end of the day they were just another couple trying to muddle through life together. The soulmate-ness of it all didn't save them when push came to shove. There wasn't a clear path forward for them to make up and get back together even as friends. This is much harder to bear for some people because it shows how the simple act of living your life can carry you away from the person who loves you most. John and Paul found each other but they still drifted apart eventually and stopped wanting to be together. The romance novel didn't end with "happily ever after." The fact that it was so relatable and downright boring is something a lot of people don't want to know or hear about. How can they jerk off to it? It's not miserable or indulgent enough.

Reducing their dynamic to Sad Gay Man Who Is Forever Alone and his Evil Oblivious Heterosexual Partner Who is Blind To His Yearning flattens it, makes it two dimensional, and thus makes it a lot easier to cope with and masturbate to, emotionally and sexually. And look there may be some people who genuinely believe this and don't type that narrative out with one hand, but they're outliers and outliers get discarded.

[livelaughghoul]

Omg girl with honorary daddy I just meant all the hot elderlies that aren’t on the current grid but should defo be included. But ok here are my recommendations:

The current grid

+ Danny Ric ,Kimi Raikkonen, Sebastian Vettel, Mick Schumacher, Jenson Button, Nico Rosberg

Toto Wolf,

Peter Bonnington,

Daddy Stroll,

Fred Vasseur,

Adrian Newey 😭,

Helmut Marko 💀,

Christian Horner

And I think thar should be enough. I included some personal icks as well this should be so much fun

Here is my smash or pass for the current grid and members below, and my reasoning behind the answer. I hope you all know this is a judgment free zone, please…

Charles Leclerc: smash, but only because I feel like there is some sort of obligation to find this man incredibly attractive. Don’t get me wrong, he’s attractive in a conventional way, but he doesn’t necessarily do it for me.

Carlos Sainz: pass, but if it were his dad? Absolutely would smash this man’s dad. Honestly he’s too pretty for me, like I would ruin him and I don’t want that guilt.

Oscar Piastri: pass, only because I feel like we’re both way too introverted and it would just be weird. Plus I think seeing my hidden tattoos and piercings (I have my nipples and multiple genital piercings btw lol) would potentially give him a heart attack and I don’t want that heat.

Lando Norris: pass, honestly he does nothing for me. I’ve watched a few of Max’s streams (I actually like Max!) and I think mom friend mode would be activated and I’d just lecture him about taking care of himself because what the fuck do you mean you have the money to buy a car but not groceries? Are you dumb?

Max Verstappen: smash, but only because I find his attitude and general demeanor attractive, not necessarily him.

Sergio Perez: SMASH, SMASH, SMASH. No explanation needed.

Nico Hulkenberg: pass, he’s too pretty and honestly I would bad getting between the haasbands, like they’re end game for me.

Kevin Magnussen: ignore my answer above, because I’m absolutely smashing certified track terror Kevin.

Pierre Gasly: give me a few shots of tequila and I’ll smash, but otherwise it’s a pass.

Esteban Ocon: smash, he’s got a really nice voice and I love his accent specifically so like, it makes sense.

Alex Albon: pass, but only because I want the chance to see the animals on his apparent farm. Also let me pet your cats please and thank you.

Franco Colapinto: pass, I’m not a mother so it wouldn’t happen anyways. Also I feel like I’d end up in a similar situation to Lando where mom friend mode gets activated and im taking this grown man grocery shopping because what do you mean your fridge is fucking empty?

Logan Sargeant (yes I’m including him, fight me): pass, only because this is my literal son and I love him and want to protect him. I would die for him.

George Russell: smash, I could break this man and I think it would be fun.

Lewis Hamilton: smash, I think he could break me and it would be fun.

Fernando Alonso: SMASH, SO MUCH SMASHING MY DUDES. LIKE SO MUCH.

Lance Stroll: pass, again, he doesn’t do it for me but his dad certainly does.

Yuki Tsunoda: pass, he’s too just a little guy for me.

Liam Lawson: pass, I don’t like his attitude and I feel like I’d want to discuss why he feels the need to be so performative with how he presents himself and it would just be a lot.

Zhou Guanyu: pass, but only because I want to hang out with his cat and not him.

Valtteri Bottas: smash, feels natural and like it would be an experience nothing would be able to replicate, ever.

Daniel Ricciardo: SMASH, no hesitation. I love a slutty thigh tattoo. I’m a sucker for this man.

Kimi Raikkonen: yall know I’m smashing, this is obvious. I’m in love with this man.

Sebastian Vettel: I’m smashing, but I’m not super into it. I’m more here to talk about sustainability and figure out what I can do to assist. It’s not a fulfilling smash.

Mick Schumacher: he’s literally so pretty, like so pretty. I’m afraid it’s a pass though guy, like I think I would almost feel guilty?? Like he’s so pretty and I’m just a feral little swamp goblin?? It’s not fair.

Jenson Button: smashing, 100%. I feel like this needs no explanation.

Nico Rosberg: pass, but it’s like a really difficult pass.

Toto Wolff: fucking smash my dudes, like I am actively ruining my marriage at the chance to smash (this is a joke I love my husband very much). I’m beginning to realize there is a bit of theme in my answers…

Peter Bonnington: have you seen the size of this dudes chest? The size of his arms? Smash, I’d be crazy not to.

Daddy stroll: smash, absolutely. Honestly? Frothing at the mouth for him.

Fred Vasseur: NO ONE JUDGE ME. Smash, and I’m not proud of it.

Adrian Newey:….smash….swear to god yall better not judge me. He’s just really smart and I find that attractive!!

Helmut Marko: pass, but only because I’m pretty sure if he saw my nipple or clit piercings he would die and I don’t need that additional trauma, ya know?

Christian Horner: pass, he looks too squirrelly to me.

[emloafs]

a binary boyfriends au where the house fight on December 19th never happened, demetri and eli never make up in high school, and the universe keeps pushing them back together (Boston college au)

aka I wanna gage if anyone would read this fic..... (it's already almost entirely written)

Demetri is having a shitty morning, so he can’t catch a break. 

Maybe he was moving too fast. Maybe he was in a rush to get back to his apartment and finally attempt the other nine pages of the ten-page essay he should’ve already finished. Maybe the whole thing could be blamed on his long limbs or his natural clumsiness, but Demetri is fully convinced that this guy ran into him. Not the other way around. 

And there goes his second coffee of the day–all over his sneakers, the cafe floor, and the guy who shoulder-checked him at full force. 

“Shit!”

“C’mon, man!” the guy barks at the same time. 

The guy has the hood of his green sweatshirt pulled up over his head, likely doing very little against the weather outside. He’s got wired earbuds in–like all pretentious douchebags do–and Demetri bitterly thinks he must have his music too loud to be aware of his surroundings, hence the collision. His worn utility jacket may have saved the hoodie from the spill but it looks completely ruined now.

Arguably, Demetri is much better off, notably not covered in hot coffee. But, this is his second spilled coffee in a single morning, and the universe is out to get him, so this guy isn't going to hear the end of it.

“You ran into me!” Demetri protests, fuming. 

The guy flicks both his arms a few times, trying to wring out any dripping coffee from his coat sleeves.

Demetri’s never been good at biting his tongue and right now he’s too pissed to hold back. “Maybe if you were actually paying attention to the world around you, and not just plowing in here without a care for other customers or your surroundings, you wouldn’t have ran me over! You know, that’s my second spilled coffee today. I have half a mind to demand you get me a new one-”

The guy finally looks up seemingly to find who is responsible for dumping a medium-sized hot latte all over him. His face is half covered by his hoodie and Demetri can only see an intense side-eye of annoyance as a response to his lecture on the important or personal space. Then, he straightens quickly and narrows his eyes, leaning slightly in to the limited space occupied by a puddle of cooling steamed milk and espresso between them.

“And truly it’s blatantly a matter of safety–”

They lock eye contact and the guy’s eyes widen comically and his eyebrows shoot up so high they disappear above the overhang of his hood.

His voice cracks a little as he interrupts Demetri’s rambling.

“Dem?”

Demetri’s words die halfway through his sentence. Does he know this guy?

The stranger shakes his head roughly and clears his throat. “Sorry, it's just- I…” He looks Demetri up and down and narrows his eyes again. “Is your name Demetri?”

And that's… odd. Demetri inspects the guy’s face as best he can under the sweatshirt hood. He seems sort of familiar, but Demetri can't place it. 

Demetri shifts from one foot to the other, suddenly unsure of how to hold his weight under this guy’s intense gaze. “Um. Yes?”

“Oh my- holy shit!” The guy lets out a laugh of disbelief and pulls out his earbuds, letting them hang out of the top of his hoodie. “This is crazy.” 

He roughly shoves his hood off of his head, and Demetri’s heart drops into the bottom of his stomach. 

He rakes his hand through a thick mop of shaggy light brown hair. Hiding under the hood was a pair of startling blue eyes that Demetri really should’ve recognized. As the not-so-stranger pats the hoodie down behind his neck, Demetri has a clear picture of his entire face. And just before Demetri can come up with a plausible theory on doplegängers, his eyes land on the faint scar rippling from the guy’s upper lip to his nose.

There's just no goddamn way.

So, since Demetri really can’t catch a break this morning, his childhood best friend, Eli Moskowitz, is standing in front of him, covered in his second latte of the morning. 

And Demetri wants to say fuck off or what are you doing here or get out of my city or honestly just walk away, but he’s rendered completely frozen. Demetri feels a little like a cartoon character when their jaw completely unhinges and hits the floor with a comical clang. He’s left buffering like a YouTube video being played with a shitty wifi connection.

He hasn’t seen Eli since high school. Hasn’t talked to him in even longer. It’s probably been four years since they last spoke. Not that Demetri is counting. What the hell is he doing in Boston? What the hell is he doing this close to MIT? Just… what the hell?

Eli’s excited expression falters when Demetri doesn’t respond. He scratches the back of his neck sheepishly. 

“It’s uh- It’s Eli. Moskowitz?”

Demetri notes first that he introduces himself as Eli, not that ridiculous nickname he coined in school.

He says it as if Demetri doesn’t know. He says it as if Demetri wouldn’t recognize him faster than the back of his own hand even all these years later. His hair is long, too long. It’s curling over his ears and nearly touching his shoulders, and Demetri is pissed because it still looks good. He looks older, he looks better, and all Demetri can see is the tiny Eli he met in first grade who was missing both his front teeth. 

Demetri doesn’t know what to make of any of it. This feels like some cosmic joke. 

“Uh, no, yeah. Yeah. What- What are you doing here?” Demetri finally manages. His voice sounds a little strangled, but the question comes out bluntly and a bit harsh. 

“Uh,” Eli starts, glancing around, and letting out a confused laugh. He raises an eyebrow and shoves his hands in his pockets, gesturing with his coat around the cafe. “Getting coffee? What are you doing here?” he teases.

Demetri really doesn’t have time for this. He rolls his eyes. “Not here. What are you doing in Boston?” he demands. 

Eli’s playful expression falls. He furrows his eyebrows. “I live here.”

And that’s- that can’t be right. Demetri lives here. Demetri just started his second semester of his junior year at MIT a month ago. He certainly would’ve noticed if Eli Moskowitz lived in Boston. Right?

“You live… in Boston?”

“Yeah,” Eli shrugs, looking much too nonchalant for Demetri’s liking. “I go to BU.” He cocks his head slightly to the side and earnestly says, “I thought you knew that.” 

Demetri did not know that. That’s the thing about no contact. Demetri’s had Eli blocked in all forms of communication since their junior of high school. It’s sort of hard to keep tabs on someone when they’re pretty strictly out-of-sight, out-of-mind. 

[burningcheese-merchant]

Xcuse me but I forgot very important questions about BS parenthood.

Does he teach the kids more things besides fighting? Is he a cool dad, stoic dad, protective dad or "over-the-moon" dad? Does he gives romantic advises to his son? Does he let his little beast princess play with boys her age? Does he dreads the day when she falls in love? (I have the headcannon over my own BurningCheese fankid that whatever girl/boyfriend she gets they need to AT LEAST be able to put up with him in battle)

Yay, more questions from my buddy Almellow 🗣️🔥🙌

Spice is 100% "over-the-moon dad" when they're babies. It's a pleasant surprise to many to see him so genuinely bubbly and smiley (not to Golden, though, she knows his soft side by now and is just happy to see him enjoying being a father). It's really cute. (I like the concept of hyper-masculine men being soft and loving towards their families ok)

As they grow up, he becomes a mix of all those dad modes, really. Mostly Cool Dad, because having your kids look at you like you're larger than life is just the best. (He's also not the best at disciplining them a lot of the time tbh. He wants to indulge their foolishness, it's more fun. He ends up acting like a child himself, wanting to have fun with his children. And then they all get chastised by Golden together after they break something lol)

He's less protective than you'd imagine him to be; not because he doesn't care, but because he really does have that much faith in their strength right from the get-go. It's actually Golden that's the overprotective one, at least when they're little; he had to coax her into letting them start their warrior training because she kept wanting to push it back and making excuses to do so. (She just can't bear the thought of her little ones getting hurt. She's lost so much already. If anything happened to her children, her little gems... Spice is the one to convince her to have faith in the kids and let them do things. Of course they'll get hurt, she and him get hurt all the time still and they're adults. But they'll be fine. They're tough. They have to nurture that toughness, not stifle it. They can't protect them forever... But they don't need to. The kids can stand on their own two feet. He's never doubted either of them for a second, for any reason. She shouldn't, either.) But make no mistake, Papa Bear is alive and well, just dormant. Only coming out when necessary. You want to see the old Burning Spice? You want to see the Beast of Destruction again? Hurt those kids. Harm a single hair on their heads. Make them cry, make them bleed. Knock on that devil's door enough and Burning Spice will answer it, and he will greet you with that axe of his and that fiery, seething hatred that once consumed his soul and helped burn away countless others'.

Burning Spice trying to talk to his son about love is a really amusing thought lol. I don't think he'd go out of his way to do it until he actually notices his son expressing some form of interest in someone, then it's honestly 50% Lighthearted Dad Mockery™️ and 50% Actually Trying to Teach My Son How to Be Smooth™️. Pepper Jack is having less than none of it, this is all embarrassing as hell, he doesn't want to hear a damn word from his father's mouth (he's a teenager by this point, what teen wants their dad to try to coach them on how to flirt lol). He tries to shut Spice down with sarcasm (Jack is the KING of backtalk and smartassery when he's a teenager, he's a damn menace) or just questioning his wisdom in general. He likes to bring up how annoying and gross Spice and Golden always are (unapologetic PDA constantly lol). He's already forced to witness what "love" and flirting look like, he doesn't need his father pouring salt in his wounds

(Jack once made the mistake of going "didn't you used to be weird and creepy towards Mother" once, as a sort of "gotcha". It made Spice genuinely upset and angry and he tore Jack a new one that lol. Jack felt bad (and kind of scared. Spice never really gets truly angry with the kids, but Jack has seen him get angry with others, and... Oh Lord) and apologized, promising he wouldn't say anything like that again. Things were cold and awkward between them for, like, a week. And then Spice got over it and went back to annoying his son like usual lol)

As for Matar Paneer... She's his princess. His little girl. His little flower. (He has nicknames for both of them lol. He really does love them very much.) She can play with who she wants, so long as she's happy and no harm comes to her (but again, he believes in her strength wholeheartedly and expects her to kick ass if trouble comes by). But... Oh. When she's old enough to date... Poor Spice, he's so miserable lol. He would unironically own and wear this shirt:

If Burning Spice is saying he'd gladly go back to prison for something, you best believe he's being sincere lol

It's Golden that has to step in here. Before, he was the one soothing her worries; now the roles are reversed. She needs Spice to understand that Paneer is a becoming a young woman and she has the right to pursue and be pursued if she wishes. It's ok to care and worry, but he has to let her live and grow. (She's her mother and has always been a girl's girl, she knows what's up and will always be 100% in Paneer's corner in this regard.) Spice once asked her to have more faith in them, now she's asking him to do the same. (And, of course, he can brutally murder whoever hurts Paneer, if that really does happen. But he'll have to wait his turn, because Golden already plans to do the same ☺️)

And yeah, of course Spice teaches them stuff besides fighting. He's happy to do so. He teaches them how to meditate (he gets back into that after he reforms. Jack picks it up a lot faster than Paneer does lol). He teaches them to make the traditional Wild Spice dishes he still remembers how to do himself (he lets the other spices teach them the rest). He... teaches them about history. About the Wild Spices' history, and about history in general. He sounds so... somber when he talks about things like that. It's strange to them. They're used to seeing him act lively and wear that sharp-toothed grin he's always got. But it must mean that what he's saying is really important, right? He wouldn't look and sound like that if he wasn't being serious, right?

[technovillain]

*Imagine there's an anon ask from roughly a year ago here asking me to share "what campers I thought become Psychonauts/what each of them end up getting up to when they're older" here. Imagine it cuz it got deleted randomly. T_T

BACK ON MY PSYCHONAUTS KICK THAT MEANS ITS TIME TO ANSWER YEARS OLD ANON ASKS LET'S GO!!! I have better story ideas for some more than others here...but if you're curious abt what I've written abt any of them, I encourage you to pry, that way I can think abt it harder and develop them further :]

Putting them under the cut, cuz breaking them down will be Long.

Let me preempt this section with this thought: every former camper of Whispering Rock ( save for maybe a few bad eggs ) is offered a job to work for the Psychonauts agency once they're of employment age. That's what you get for going to Secret Government Agency Summer Camp as a kid. You get weird letters in the mail for life. But hey, nice job, maybe?? In addition to this, particularly talented campers with high psychic aptitude and teamwork skills are offered a shot at the Intern Program at the Motherlobe.

Razputin becomes the superstar agent he always dreamed of becoming. He would pick it anyways, but at this point it's almost like he wouldn't have a say, with the way that the organization has sort of relied on him since he was 10 years old. I think he learns the hard way how much doing field work, like actual danger situations not just inside someone's mind, can take a toll on you quickly. Eventually he ends up taking a break, a "sort of running away from it all" type hiatus from agent work to go back and work with his family's circus again. No matter what happens, he always ends up going back and forth between these two things. Completed the intern program and specializes in Clairvoyance (much to his dismay) and favors Blastokinesis in the field.

Lili ends up in a situation similar to Raz, what with being very tied up with the organization from a really young age (even younger for her). But she gets the bonus points of stress of "being a Zanotto working for the Psychonauts means you'll probably end up in some big important role someday...doesn't it?" I'd argue that Lili would fall into the realm of trying to keep her image spotless and becoming a real precision agent, getting really good in high-stakes crisis situations. Was an intern for longer than anybody else, and specializes in both Herbaphony and Pyrokinesis.

Dogen is a training field agent for a while but has a bad accident and basically goes into hiding... He goes through a really similar thing to Compton, but he isolates himself so much that he really starts to scare other people. He starts to search for a way to make himself "un-psychic" and this gets him accidentally involved with some dangerous forces who are looking for an 'in' to mess with the Psychonauts. He struggled his way through the intern program as a teen and maybe sort of didn't really graduate it. Obviously Blastokinesis is his speciality, but in the field he did his best to repress that entirely and was a Mental Shield assisting agent.

Bobby goes through a whole arc of recovery and finding out his family lore. It's worth mentioning that I hc Loboto to be his father, and he lived with his grandparents growing up, and eventually got kicked out of that house. With nowhere to go, the Psychonauts as an organization pretty much ended up raising him. It takes a whole psychic village to raise a horrible little child. He still can be a jerk but he's a good guy now... Did the intern program, begrudgingly, because he "had nothing better to do". Specializes in Blastokinesis and Pyrokinesis.

Crystal gets her life turned around with the help of psychic outreach programs in her young teen years. She was taken on as an agent for a while, but finds her passions lie with helping others. She ends up working at Psychoisolation, helping active agents to recover from the things they've seen. Does most of her work inside the minds of other psychics. Specializes in Mental Connection.

Kitty becomes the big breakout "spotlight" agent that everyone has heard about, even being well known in nonpsychic circles. She has a full blown Hollywood celebrity vibe, despite the fact that none of her coworkers act that way and (most) at the agency don't view her that way. She's still a messy person. She's very hot and cold, wishy-washy, does whatever she wants. Has a complex relationship with Razputin, and consequently, Lili too. Maintains a mostly unrequited facade of an "Agent Rivalry" between her and Elka Doom. Completed the intern program with flying colors. Specializes in Hypnosis/Confusion and Electrokinesis.

Elka becomes an agent. She's always on the verge of about six different breakdowns. She keeps her image mostly clean and mysterious to the outside observer. Despite living her life waiting for impending disaster she still tries to stay on the side of good. She becomes an iconic "write about her in the comics" agent with a difficult relationship to her psychic powers... Completed the intern program at a young age. Specializes in Precognition.

Vernon works under Adam Joseph Gette as Psychic historians for the agency for a while as part of his internship. Eventually he decides to branch out, getting really into photography and field research. He becomes fascinated with the Rhombus of Ruin and its tales of disappearance and mystery. He gets approved for a reconnaissance mission there with Elton Fir (and Benny Fideleo too...kinda.) Completed the intern program. Isn’t a regular field agent but works at the Motherlobe. Specializes in Astral Projection.

Elton never lets go of his sailor aesthetic, but he kind of has no choice, because Hydrokinesis and Zoolingualism (namely with fish) are his specialty. He still harbors feelings for Milka, despite things becoming...really complicated. Recently he's been working with his buddy Vernon in the depths of the Rhombus of Ruin, trying to uncover the mystery of the Psilirium there. He was never in the intern program, he worked in a shipyard until being offered a job from the Psychonauts. Being their marine mission specialist has really boosted his confidence.

Benny really thought his job working for the Psychonauts would be cooler. But he isn’t allowed to work in the field because he can’t get over his *ahem* panic reactions to danger. He failed every test he was given. He’s just a chicken. So much to his dismay, he has to stay back at base. Behind a desk. Watching blips on a screen in the Nerve Center. Blahhh. There aren’t a lot of transmissions to come back from the dead radio zone of the Rhombus, but when they come through?? He’ll be ready. Flunked out of the intern program. Doesn’t get to use his psychic powers much, except using TK to mess with people when he’s bored.

Mikhail ditched Maloof. And he was probably the only one to ever do that and live to tell the tale. Went back home for a while, but came back and did the intern program when he was a little older. Specializes in Telekinesis but now has a special Zoolingualism tie to bears. He's a good guy agent, sure. But he absolutely will Sic The Bears On You.

Franke never grew out of her “yes-man” tendencies. In fact, it could be said that she leaned into them tenfold. She has taken it upon herself to work as an “assistant” to the superstar agents, doing physical, emotional, and my god janitorial duties for them. She focuses mainly on Kitty and Elka, but she’ll suck up to anyone. Lili wishes she would hit the bricks. Franke doesn’t use her powers often on account of having something Ford dubbed “psitanium sickness” flareups on the regular. Basically, her brain accumulates a lot of psitanium, but for whatever reason, she doesn’t have the firepower to dish it back out as psychic energy. So it builds up in her head. Gives her freaky purple eyes. So routinely, agents will go into her brain to farm psitanium. And she loves it.

Clem, after drifting apart from Crystal, kind of just fell to pieces. Home life was not good, so the job offer from the Psychonauts was refreshing. But what is Clem’s job exactly?? Does anybody know? Does moping ominously in the Quarry and making everyone really anxious count as a job? Does talking to a very very old woman in the Gulch about having an identity crisis count as a career? Who’s to say! “Specializes” in Mental Projection.

J.T. becomes the new groundskeeper at Whispering Rock. Never was in the intern program, was offered an office job. Worked it for all of 2 months before he felt crazy. You can’t put this cowboy indoors. He’s a much better groundskeeper than Ford was. He actually prioritizes keeping the kids safe, and they all love him. Hangs out with Mikhail every now and then when he comes to help tame psychic forest animals, and the two get very nostalgic about their summer camp days. Specializes in Levitation.

Maloof becomes a psychic crime boss. Obviously. His mother has a lot of sway over what he does. He has a serious man-child thing going on, so he doesn’t act a whole lot differently than he did as a little kid. Which only makes him more freaky. He holds a lot of grudges against the people who feared and doubted him as a child. Specializes in Mental Projection.

Milka’s bouts of invisibility got worse as her home life soured even more. As a teenager, she tried to join the intern program and better herself, but she developed a real problem with running away from things that were good for her. She dated Elton again as a teen, but ran away from him. She ran away from the Psychonauts as a whole. Simply disappearing into the wind, extremely hard to track. Everyone worries about her. Nobody knows exactly where she is. Some are convinced she actually disappeared somewhere and didn’t just go invisible, as nobody can even track her mental footprint anymore... Specializes in Invisibility.

Chloe is doing her own thing. There are a number of agents who were given the task of “keeping an eye on Chloe Barge” to make sure she doesn’t become some sort of large scale threat or something. But nobody ever really knows what she’s up to. It’s probably got something to do with aliens. And psychic activity. But what the heck is it?? Never joined the intern program, but visited the Motherlobe a couple of times as a teen to use the psychoisolation facilities. Specializes in Photokinesis.

Chops drifted away from the whole psychic scene and got into homeopathic medicine. Keeps his powers on the down-low, and uses them behind people’s backs. Maybe a little shady for blending his light psychic knowledge with plant knowledge and branding it as ‘medicine’, but he means well. There just isn’t a lot of interest in psychics from the Canadian government, so he’s leaving it alone for now.

Phoebe is still working on her music career, and has become a relatively successful indie rock star. Quentin never was taking it seriously enough for her, so they moved on. She was offered a lot of gigs from Morris, but is trying to make it “in the regular world” and declined most of them. She struggles to keep her Pyrokinesis in check still, and it heightens her anxiety on the road, only making it more likely for flareups to happen. Her band members know that she’s psychic, but she doesn’t want to tell anyone else. She calls Lili a lot and she helps Phoebe learn to control her Pyro.

Quentin is running a little farm in Green Needle Gulch. His produce and *ahem* herbs are loved by all sorts of Psychic clientele. He really isn’t interested in any of the agent stuff, or paperwork stuff, he’s just kinda...zooted, idk. Just chilling, and a lot of the more uptight government types in the organization cannot stand that he’s allowed to hang around the gulch.

Nils went to prison on multiple accounts of stalking. He’s still in there. I don’t think anyone misses him, but I’m sure there’s a few people who worry about him getting out. Sort of a looming “it’s only a matter of time before he breaks out and becomes a huge threat” villain. Specializes in Cryokinesis.

[professorjirt]

ok I’m gonna bitch a little bit but I’m not going to feel bad about it bc I believe being a lover and a hater in equal measure is the key to balance or whatever.

I saw this image on Pinterest and it was the final straw for me lol. I can’t STAND this kind of interpretation of The Hobbit or Bagginshield/Thilbo because it’s so blatantly untrue. Yes, Bilbo dealt with a LOT of sadness and loneliness. Yes, he was forever changed by his journey and didn’t have the proper ways to heal and cope. But Bilbo DID move onwards. Of course he remembered Thorin and was always sad about losing him and Kíli and Fíli, and of course he still dealt with the trauma from all of that, but he wasn’t dwelling on that loss every day after he got back home. He became a social outcast not because he was mourning but because he went on an adventure at all. He could have had the happiest and non-tragic adventure in Middle Earth and he still would have ended up as “cracked” Bilbo Baggins because of the way hobbit society views that sort of behavior. He was sad for a very long time after Thorin’s death, stated directly from the book, but the implication there is that Bilbo DID eventually begin to heal and move forward. He found happiness in things again, he wasn’t wailing every night for his lost love, he was doing exactly what Thorin’s last request was, that Bilbo live his life well. Bilbo wasn’t alone forever either— Frodo came into his life as a like-minded companion and Bilbo clearly enjoyed having him around (and it wasn’t because Frodo reminded him of Thorin. I don’t mind people saying that Frodo had similarities Bilbo noticed but putting that as the only connection and draw for Bilbo towards Frodo feels like such a disservice to the true depth of Bilbo and Frodo’s relationship). When the Ring began to affect him, he was able to let it go and left to see as much as he could of his old adventures (it IS sad that he couldn’t make it to the Lonely Mountain but that doesn’t cancel out what he WAS able to get to) and reunited with quite a few of his old dwarvish companions. He was sobered by the realization of the true nature of his magic ring and, after Frodo volunteers (and Bilbo is prevented from going bc he was going to try) he is saddened that someone so close to him must deal with the burden of something he felt he started, but he stayed in Rivendell safe and taken care of until Frodo returned, and was happy to reunite with him. Bilbo then spent a few years in his advanced age but well taken care of and honored, and then got to have one final adventure. His story isn’t miserable, and it does have an end, eventually, even despite his own fears that it wouldn’t. I love Bagginshield and I acknowledge the sadness and tragedy in Bilbo’s story, but acting like he had nothing good in his life and the adventure was the single worst thing to ever happen to him is such a gross misunderstanding of not only The Hobbit but Lord of the Rings that it makes me wonder if these people care about the actual characters and not just the ‘fandom’ characters and stories they have in their head. Yes it was a tragedy that Thorin and Bilbo were parted in such a way, but making his story freeze right there isn’t fair to either of them! It feels similar to that popular fandom ship thing where people begin to act like romantic and sexual love is the only relevant aspect of any characters relationships and interactions, and center every single thing around a ‘ship’ instead of engaging with the characters entire worlds and why their relationships are interesting beyond tropes and aus. Bilbo did get to live a good and simple life!! I like tragedy, I wouldn’t be a fan of two of the most miserable characters in Tolkien’s legendarium if I didn’t, but not everything has to be that way, and it flattens the effect of the story to reduce things to only sadness.

I’m not sure how to sign off on this one, but hopefully this doesn’t come across like I’m a party pooper who hates fandom. I really don’t, I greatly enjoy participating in fandom and I don’t mind some trope work or aus being built from the original story, but when people begin to willfully twist said original story in ways it wasn’t meant to be simply because they only really care about two characters in a ship instead of the greater narrative. It feels like it disrespects who these characters are on their own, like they’re lesser when they’re not paired up, if that makes sense. Anyway, I’ve seen the sentiment about Bilbo’s life being nothing but misery after his adventure quite a few times now and I wanted to say something, even if it’s just for me, although I’m curious if anyone has anything to add or a different perspective to bring.

TLDR: Bilbo was happy and lived a good life! Let him have that! He had friends and family around him that supported him and cared about him and he did have a conclusion to his story, however long it took. Losing Thorin doesn’t mean Bilbo has nothing else.

[umgeorge]

george russell is interviewed during the press conference on media day, las vegas - november 20, 2024 (transcript under the cut)

Interviewer: "George, let's come to you now. Brazil last time out seemed like a missed opportunity for you and Mercedes. What lessons were learned?" George: "Yeah, it definitely felt like a missed opportunity. I think, having reviewed the race, you recognize how quickly things can change, and we made the pit stop, which with the perfect benefit of hindsight, that was incorrect. But had that virtual safety car stayed for ten seconds longer or fifteen seconds longer it would have been absolutely the right thing to do. So it just shows how quickly an external decision can change your race and how you need to be very quick to adapt to that, and we kind of were a little bit too focused on that pit stop and not actually seeing that a car that was beached on the road was being pushed off and the VSC was ending." Interviewer: "And how much encouragement do you take from the pace of the car in Brazil; the front row start? I mean, you've had a stack of points finishes since the summer break, but how close are you to having a race winning car again? George: "I mean, Brazil was definitely a bit of a one-off, I think. When it rains, it presents opportunities, and for ourself it was an opportunity. For everyone at Alpine it was a huge opportunity, which they capitalized. And I think we need to look back to the sprint qualifying and the sprint race for a bit of a fairer picture of where we are, and that was behind the front four teams. Interviewer: "George, final one: When you look at this season as a whole, look at the races you've won, but look at also the frustrations as well, how will you review the season?" George: "I think now we've done almost a full season, we totally understand why the car is so up and down. It has just such a narrow window, and when we can set the car up in a way that we exploit that window, we have a race winning car. But when you go to different circuits and you have to change where you position the set-up, we totally fall outside of our working window. So it's obviously frustrating when you know the car has that potential, but I think for everyone you have these fluctuations in performance. We've done a good job to capitalise on races that we did, had the pole positions when the car was capable of pole positions, and ultimately we just need to make a more consistent car over the course of 24 races." Interviewer: "Alright. Thanks to all three of you. Let's now open this to the floor, to the broadcasters first. David."

Journalist: "David Croft, Sky Sports F1. George, to you and with your GPDA hat on, please. In between the last race and this, the FIA have dispensed with the services of Niels Wittich, the Race Director. Is this something that the GPDA were aware of before it happened? Are you concerned that there are three races to go and we now have a new Race Director, especially coming in to a street race like Las Vegas, which we saw last year can have a whole load of unforeseen problems?" George: "Yeah, we definitely weren't aware. It was a bit of a surprise, I think, for everybody, and it's a hell of a lot of pressure now onto the new Race Director; just three races left. So I think for us… Often, as drivers, we probably feel like we're the last to find out this sort of information, and when it involves us kind of directly it would be nice to sort of be kept in the loop and just have an understanding of what decisions are being made. So yeah, time will tell. I'm sure the new guy will handle the position just fine, but definitely not an easy race for a new race director." Interviewer: "Okay. Thanks George. Yep, next one." Journalist: "Nelson Valkenburg, Viaplay. Also for George, but I'd love for you both to chime in, as well. Last week, a pointed statement from the GPDA towards the FIA and especially towards the President. The tone seemed stronger than I expected. Does that reflect the mood in the field of drivers, as well?" George: "I mean, talking as a fellow driver, as opposed to sort of my role with the GPDA, I think everybody felt, with certain things that have happened over the course of this year, that we wanted to sort of stand united. At the end of the day, we just want to be transparent with the FIA and have this dialogue that is happening, and I think the departure of Niels is also a prime example of not being a part of these conversations.

And, ultimately, we want to work with the FIA to make the best for the sport that we all love, so I think it's kind of us now putting the pressure back on them to work with us and work with everyone, including F1 as well, just to maximize this opportunity which Formula 1 is in at the moment, which is an amazing time to be a part of." [time jump] Journalist: "Diego Mejia, Fox Sports. Question to George: I think that the GPDA created an Instagram account to publish this letter. Is there going to be a different way of… Was there a need to make things more public now from the GPDA side when creating this more public forum?" George: "Yeah, well I think times are changing and the fans are a huge part of this sport, and I think if we're talking about openness and transparency and including everybody in this for the greater good, then having it on a social media platform makes perfect sense." Interviewer: "David?" Journalist: "David Croft, Sky Sports. Sorry, George, GPDA public forum, this one. Did you and the GPDA think that the Race Director needed replacing?" George: "I mean, I can only talk on behalf of myself here, as opposed to any of the other drivers, but… Yeah, I think there's no secret that some were not happy with what was going on, in terms of the decisions that were being made. But, at the end of the day, I think if you worked together with us, that we could have helped improve the matter, and I think sometimes just hiring and firing is not the solution. You kind of need to work together to improve the problem. So let's see what this new sort of era is going to bring, but every time there is a change, you have to take one step back before you make the two steps forwards."

[letmerideitchris]

𐬺𝐕𝐢𝐝𝐞𝐨𝐠𝐫𝐚𝐩𝐡𝐞𝐫 𝐩𝐚𝐫𝐭 𝟐𐬺

summary: Chris matt and nick get a new videographer, she is funny, smart and pretty, basically everything Chris could ever want in a girl. Chris finds it impossible to not fall for her…

Warnings: angst, yelling, cursing, mentions of killing (in a joking way)

Wc: 1009

𝐩𝐚𝐫𝐭 𝟏

“Chris would you like to tell us what the fuck we just walked in on?” matt says sternly

Y/n had previously left the house out of embarrassment to what nick and matt had walked into.

“does anyone know where some bleach is? My eyes need some” nick says looking around

“guys you're being dramatic, I'm sorry i couldn’t resist, she’s everything i have ever wanted” chris says as he looks down at the floor

“that is the least of our problems right now, shes meant to be coming over tomorrow to film a vlog for us, that is going to be so awkward thanks to you dick face” nick says hitting chris’ shoulder

“yeah chris, you need to sort it out and apologize because you are runing it for us”

“but I'm not sorry and i am quite looking forward to seeing her tomorrow even though it will be awkward…” Chris says slightly smiling at the thought of her

“im not sure if shes looking forward to seeing you, she just ran away” matt says looking at the open front door y/n previously left through.

“chris you make me want to kill you, is it hard being this dumb?”

“guys can you show some sort of sympathy? Like imagine the girl of your dreams is actually interested in you and then your brothers walk in on you fucking and she runs out of embarrassment?” chris says

“No i actually cannot imagine that i am gay if you forgot dumb shit” nick says in a duh tone

“you guys are ridiculous” chris mumbles annoyed as he makes his way downstairs to his bedroom.

The next morning chris is laying in bed half asleep, wishing she was beside him. But hes quickly taken out of his trance when he hears the doorbell, the sound he was dreading yesterday but wishing upon now.

“i’ll get it!” matt yells from upstairs

But when he turns to the door chris is already unlocking it

Nick is sitting on the couch with an unamused face, when matt looks over at him “look at this desperate dickhead”

“hes never gonna learn, fuck sake” nick eyerolls

When chris opens the door, y/n is taken aback by his face. y/n looks down at the floor and says quietly “oh… hi chris”

chris’ smile quickly fades as he hears her tone and realizes his excitement isn't mutual.

“hi y/n, come upstairs, can I get you a water or?-”

“uh no i should be good..thanks..”

Chris takes a seat on the couch wondering why y/n is acting so weird towards him. What did he do wrong? Did he say something bad?

The boys all give y/n a hug greeting her, besides chris.

“matt would you mind getting me some water? I’m really thirsty?” y/n says looking at matt

Chris looks over at her with a confused look across his face

“yeah of course, nick can you come with me, i think these two need to talk it out..” matt lowers his tone at the end so only nick can hear his last comment

Chris and y/n are both sitting on opposite sides of the couch looking at each other waiting for one to speak up.

“y/n, whats wrong?” chris speaks up

“have a think chris, have a think.”

Chris is using all of his brain and is trying to peice together what could be wrong. And then something clicks in his mind and realizes what has happened. He looks up with a concerned look on his face

“is this about yesterday, y/n? If it is im really sor-”

y/n cuts him off “chris do you not realize what we did and how this will affect our relationship and my job”

Chris is shocked by what she said “wait so your saying you regret what we did? I-I really thought we had something, something that would last, something you would care about” he says as he raises his voice and stands up angrily from the couch.

“no i don't regret it, that's not what I'm saying. I just think we should've been more careful or waited a bit longer” y/n says avoiding eye contact

“so you do regret it huh?” he starts to walk off then she grabs him by the arm

“no, chris just calm down i am not done-”

“well i sure am, get out of my house please”

y/n opens her purse quxckly, chris is standing there waiting for something that could save this relationship but instead it is something that will change their lives forever.

y/n slides a positive pregnancy test along the coffee table.

“as i was saying, we should've been more careful, should've waited longer, not saying i regret it.” she says shaking with tears forming on her waterline

She closes her purse, gets up, looks into the kitchen to see matt and nick both staring in such a state of shock. Tears start rolling down her face as she looks back at chris’ guilty and worried face. She wipes her tears and continues to leave.

The door slams

“i could choke you to death right now chris, not much is stopping me” nick says furiously as he follows y/n out of the house

Chris is still standing there in disbelief staring at that positive test.

“chris, ill get you some water, all you can do right now is sit down and try and relax yourself. Don't text anyone and don't listen to what nick is saying even though he is right, i know you would be really stressed right now and nothing he has to say will help.” matt says patting chris on the back gently

chris sits down on the couch shaking with tears falling down his face onto his pants, he can't seem to look away from the test. Regret and guilt clouds his mind and all he is thinking about is y/n.

“m-matt” chris stutters, matt turns back around to face chris, you can tell even matt is stressed out

“i, i am going to be a d - dad”

𝐭𝐚𝐠𝐥𝐢𝐬𝐭: @riggysworld @chrissturnsss @sophand4n4

@chrispycremedonut

[aurorangen]

I've decided to end the backstory there! I mainly wanted to tell Vincent's child/teen years by highlighting the key events in a story. It's a happy, but heartbreaking ending that leaves you wondering all sorts. Thank you everyone who has followed along! I understand story and wordy stuff isn't for everyone and how people generally favour gameplay posts over lots of words/dialogue in a legacy. Vincent's backstory is something I've set my mind to completing and I'm proud of doing that. I have a newfound confidence in my storytelling and writing abilities and it's all thanks to you guys ❤️

Also how do you like my poem??? 🤭 I made the text underneath match the pictures but it can be read on its own. Honestly, I was writing this as I went and somehow it flows nicely 🤭 It's referring to Vincent's life with pain, coming, living with it, going away, etc

...

It was all a facade And I didn't know that We were just like any other family I remember it all so clearly Meeting new friends Making new memories But why does pain always come in the end?

I keep thinking back to those times When the good things come from the bad I saw all the signs When he was playing with our minds Staying strong was just so hard Even when the good people came For how long will I have to live with this pain?

There are some things we will remember For the rest of our lives Like my first love that September All its flashbacks start when I close my eyes No longer was I going to hide From all the events of those days Still, will this pain ever go away?

It was us against the world then Nothing was going to stop me Seeing my best friends again They say everything happens for a reason That I can take control of my decisions And make myself feel understood So is this pain finally gone for good?

And what if this pain comes back again?

...

[mage-ical-character-person]

So... it dawned on me (I was watching the What If episode) that SMG4 and Mario probably wouldn’t be friends if Four’s arrival hadn’t made Mario… Like That.

I mean, it made Mario almost just… a completely different person, so obviously things wouldn’t be quite the same and they probably wouldn’t get along as well were that not the case. But Four and Mario only really got to know each other because Mario was silly and funny and Four thought it would make good content and they found out they make a great team the rest is history.

None of that would have happened… if Mario was the same Mario he was before. Frankly… considering how Four’s existence affected the Mushroom Kingdom I think an unaltered Mario would’ve considered him a threat.

Not to mention, Mario is a big part of Four’s success. He wouldn’t be able to make the stuff he does without Mario, he met most of his friend group through Mario. Without Mario, he wouldn’t have as much success with his channel and he probably wouldn’t have many of his current friends.

Four met Mario as a different person than who he was before. When Mario goes back to how he was before SMG4 in the Lawsuit arc… Four’s response is to kidnap him and slap him a bunch. (everything else is Meggy’s idea.) He wants his friend Mario back, that’s understandable! Sweet, even. But… you know. When he initially warped Mario almost beyond recognition it was out of his control. And I know it’s a good thing to get the Mario we know and love back. But Four (and Meggy!) are turning Mario back without any input from Mario himself.

Mario’s happy to be back, of course! He’s happy to have Four and Meggy back and be friends with them again! But… I just… want to take a moment…

See, I’ve rambled before about how I view Puzzles as a sort of bad-ending SMG4. About how they share a lot of the same flaws, with Puzzles being much, much worse due to a lifelong lack of anything resembling a support system.

Four’s best friend, the one who brought his entire friend group together, the person he couldn’t have made it to this point without… is Mario. Mario, who has been thoroughly altered to become the Mario SMG4 is friends with.

It’s not something Mario gets a say in.

And I just think… it’s interesting…

Four was lucky to meet Mario so early. He’s lucky that Mario being like this is permanent.

Mario could’ve been to Four what Leggy is to Puzzles.

Puzzles was not responsible for Leggy being Leggy when he first met her, either. He found her like that. He only did it intentionally the second time. After loosing her. He wanted her back, and she didn’t get a say.

Now, I’m not trying to say Four is just as bad as Puzzles, here. I’m saying these two are products of circumstance, and Four COULD HAVE been like Puzzles.

I know Four isn’t doing any of this with malicious intent. He never knew a Mario that wasn’t his silly memes Mario, so to him, the Lawsuit arc is someone else turning Mario into something he’s not, and Four is freeing him. Puzzles knows Meggy does not want this and does what he does anyway. Four just kind of assumes Mario’s on board with everything.

it’s just something to think about. Puzzles’ thing is brainwashing people for his shows. Four kinda did the same thing, but completely unintentionally just by existing. That’s kind of hilarious.

reasons I need to know if Puzzles is aware of the meme guardian stuff or not. He’d love the dramatic irony before getting really mad about it.

[vladdyissues]

so i keep thinking about just how thoroughly knocking vlad up would fix a lot of his issues (or it does in the series as my ass would write it). i also keep thinking the timing is SO bad on giving him any in the canon

SO

TIME TRAVEL

-Danny (late teens) is given a chance to change the past

-he decides to go and antagonize Vlad a few years before canon to distract him from murder attempts on Jack. draw his wrath onto himself and displace his previous rage target. that's a nice safe range of time travel right? how badly could he possibly throw things off when he already exists and is most of the way to who he was when he was starting out?

-small side effect--he catches Vlad's full attention. he hadn't planned to go after Jack and Maddie for a few years yet, when everything was lined up, meaning Danny is the ONLY one he has eyes for right now. it's a level of intensity he was not ready for

-Vlad, meanwhile, is unprepared for how he feels to see another half-ghost. he had been ready to go those whole 20 years totally alone, preparing for that perfect moment of sweeping Maddie off her feet. now it's a little difficult to focus on the big picture. he needs to figure out EVERYTHING about this stranger

-over a course of about three months, shit gets romantic. and physical. not necessarily in that order

-Danny realizes he's THOROUGHLY fucked the timeline as WELL as his archnemesis, so actually tells Vlad the whole story--he can't stay in the past forever, but his memories of being here and doing this will sort of... snap into place when this timeline's danny reaches the right age. Here's events between then and now, here's things he would like to still happen, here's things he never wants to happen

-he does NOT expect Vlad to wait and they're still in that spicy in-between part of enemies-to-lovers so Vlad sure as fuck isn't promising that, but he's certain he isn't obsessing on taking Maddie from Jack anymore, so looks forward to the option of picking up where they left off

-(dick so good it can fix homicidal rage)

-Danny goes back to the new future at the end of those three months since much longer and he'd start forgetting relevant details in living a day to day life and ohhhhh fuck, fuck, FUCK WHAT DID HE DO

-meanwhile in the past Bitter Reunions happens and Vlad has no desire to do anything to Jack or Maddie besides introduce them to his adorable tiny four, soon to be five year old daughter Danielle, with whom he plans to move to Amity Park soon when she starts kindergarten. openly offers to train Danny with no strings attached, he's just invested in making sure he survives for at least a few more years

-(jailbait wait, but make it sci-fi)

-Vlad is much more chill about things with an attainable goal and a small child that needs him at his best

-he doesn't see his Danny in this newbie, but now he knows the future, knows that if he's just patient and helps Danny out now, HIS Danny will come back to him

-when the timelines eventually sync, THERE'S THAT FULL, INTENSE, ATTENTION AGAIN

-as well as several years of memories of becoming intensely attached to Dani and Vlad being an infuriating jackass without being an antagonizing one, keeping some of that hateful spice without actively committing crimes against everything Danny values. in fact, his help was still instrumental in pulling things off

-Vlad has been waiting for this Danny for some time now, full-on obsession building up steam, so if Danny wants it to not happen, he had better say something about it

-he does not. he kinda dreaded losing it on snapping forward, actually. and Vlad managed to thread the needle of training him and building a bond with Dani without totally shifting their relationship's tone

Time Travel makes me cry because my stupid ogre brain is not good at parsing temporal phenomena but the parts I understood were excellent and make perfect sense. And the thought of Jack and Maddie being surprised (and maybe relieved, because 20 years without a peep from Vlad and suddenly a party invite? Kinda unnerving. Is he still mad?) to find their old college friend is a happy single father to an adorable little girl who—wow, Jack, doesn't she look so much like Danny when he was that age?—is just 💯💯💯

And Vlad knowing that there's something wonderful (a relationship, family, love, connection and understanding like he's never felt before) waiting for him at the end of this journey if he can just be patient would, I think, do a lot to tone down his villainous proclivities.

Vlad's essential problem is that he's so desperately lonely and impatient that he can't see beyond his immediate need to satisfy himself. He can formulate elaborate plans, yes, but he doesn't really plan for the future beyond those plans. He's totally still living in the past (at least until this AU happens), metaphorically driving a car with the pedal to the metal but looking nowhere except the rear view mirror. And this AU totally breaks that and gets him looking ahead, invested in the present again. I love it.