#then multiple episodes of x-men '97
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Oh, all right, then! Mark Brooks just posted the entire series of Animated-Style Variants himself, that works too!
I want it. And I want it now.
#illyana rasputin#magik#magik solo#first wolverine and the x-men s2#then multiple episodes of x-men '97#now this#we will forever be teased a proper animated appearance of our girl
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The X-Men 97 finale was everything and more. The way that I screamed because I KNEW! We were gonna get the Death!Gambit Plotline so hopefully more Romy and hopefully it gets adapted well. I can not wait for the X-Men to get reunited.
But I really would love to know where the fuck Storm, Morph, and Wolverine are. Hopefully they are safe.
Now onto the episode. Good thing Bastion died because he doesn't deserve any kind of redemption. The X-Men are too good sometime (just my personal opinion) I am so happy Kurt didn't die cause the way that I genuinely was scared that he would get killed scared me.
Seeing Sinister grow old and bald made me fucking day. Cause I already knew Phoenix was coming and she ate down (per usual)
Also Rogue beating up Bastion was so damn satisfying especially since it was in the name of Remy. I am so happy the Jubilee and Roberto made up. I also thought that Magneto and Xavier were going to kiss like multiple times.
I love how Scott was telling Logan to heal it was perfect just like how I love how Morph was there for Wolverine. Like Morph is down bad for him and you can not convince me otherwise.
I also loved seeing that Magneto was thinking of Wanda, Pietro, and Polaris. We should really get to see them. And damn does Pietro look like his daddy.
The fight sequences where so gorgeous and the way the X-Men refused to abandon each other when stopping the asteroid was everything to me. They are family and it's time to show it. I loved when Roberto saved Jubilee and how Jubilee slayed by blasting Bastions face.
The talk between Nathan, Scott, and Jean made me emotional. I hope they get an opportunity to be with their son even just for a little bit. I also knew good and damn well that they were gonna run into apocalypse. I can not wait for the next season I genuinely super fucking excited.
Also we finally got Bishop back!!! Woo hoo!! And Forge and Bishop going on a mission to save the X-Men is gonna be worth seeing. Very curious about who they plan on bringing with them. Like obviously I believe they are gonna have Roberto and Jubilee but aside from that who else.
On another note I hope Jubs is okay because she lost her family right infront of her eyes.
Loved the episode so fucking much!
#remy lebeau#rogue#jean grey#magneto#anna marie lebeau#ororo munroe#scott summers#wolverine#erik lehnsherr#proffesor x#charles xavier#nathan summers#morph#logan howlett#beast#hank mccoy#storm#roberto da costa#sunspot#jubilation lee#jubilee#pietro maximoff#wanda maximoff#polaris#xmen 97#xmen#romy#en sabah nur#apocalypse#rant
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I didn't expect to come back to this blog, but after watching ep5, I really needed to get some thoughts out of my head.
So I haven't exactly recovered yet from having my still-beating heart ripped out of my chest, but the more I think about it, the more I'm calming down about what X-MEN '97 just did to Gambit.
Remy Lebeau is NOT going to his grave thinking that Rogue chose Magneto over him. That is not happening and Cable is going to be the key to undoing it.
Cable showing up right before the attack on Genosha means that time travel is going to be involved here, so the normal rules don't really apply. And his brief scene with Madelyne strongly hinted that he's already tried to stop the attack multiple times. This is what Cable's arc for the season is about.
This was all set up from ep1. Now we know that the weird ghost thing Maddie saw on the psychic plane was Cable trying to warn her (you can tell from the voice and the same musical queue in both scenes) amidst visions of her infant son and a giant graveyard.
And what happened just one episode later? Rogue delivered baby Cable. No way that's a coincidence; that connection is there for a reason. Cable owes Rogue one and you know what that means.
And frankly, the writers kind of overdid it in this episode because SO many characters died here, there's just no way this isn't going to be undone somehow; these are characters the writers are going to want to use in the future.
Are they going to kill a character whose storyline isn't even finished yet and then not bring them back? Are they going to keep Maddie dead and just abandon the psychic affair story without wrapping it up? Come on. There's no way we're not going to see her again and the same goes for the others.
I'm not saying Cable will prevent the attack entirely, but he's going to change things enough to make a difference. It's the whole reason he's here.
And how fitting would it be for Cable to save Gambit when it's Chris Potter voicing Cable now? Plus, Cable's introduction scene in X-MEN TAS was him meeting Gambit AND he has that connection with Rogue now too. It's perfect symmetry.
Beau DeMayo even said that Gambit dying thinking Rogue chose Magneto instead of him would be key; this is a story point. That is going to absolutely haunt Rogue and she's going to stop at nothing to set it right.
Cable's gonna fix this shit. Cable will save Gambit, probably with Rogue's help. I'm not ruling out Gambit becoming Death for a while along the way, but this story definitely ain't over.
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How did you get where you are now? Job wise I mean? Were you a college student before doing this or did you go looking for jobs in the art industry straight away?
Oh, well it's been quite a journey for me in terms of how I got to where I am right now but here's the full timeline (?):
August 1996 - BIRTH
April 2007 - I watch Brave Story at Tribeca Film Festival, life is changed and I decide to purse animation
June 2014 - Graduate high school and accepted into Montserrat College of Art for Animation & Interactive Media
Summer of 2016 - Studied abroad in Japan attending Niigata School of Art & Design
Summer of 2017 - First animation job as an animation intern for Sesame Street (yes that Sesame Street)
December 2017 - Graduated from college (yes I graduated early due to having college credits in high school), did not have a job lined up
2018 to 2019 - Living back in NY with my parents, working on indie animation productions, creating emotes and animated intros for content creators, applying and getting rejected from many job listings, received and fail multiple storyboard tests, developing my own projects and story ideas after years of not being able to for school work
July 2019 - Fly to California for the first time, made the decision to move in order to further pursue a career in animation, at this time the Nickelodeon Artist Program were accepting submissions so I busted out boards for a personal project in 3 days and submitted it (please do not be like me, take your time haha)
September 2019 - I receive a call from Nickelodeon and I go through a series of interviews for 2 months straight
Thanksgiving 2019 - I receive news I was selected as a trainee for the Nickelodeon Artist Program
January 2020 - Move to California and begin work as a trainee at Nickelodeon (specifically for Rugrats reboot)
March 2020 - The pandemic
July 2020 - I leave Nickelodeon and move onto Titmouse as a storyboard revisionist for Star Trek Lower Decks
November 2020 - My Supervising Director for Lower Decks recommends me to the first Critical Role show Legend of Vox Machina
December 2020 - I do freelance boards for Vox Machina and get hired as a full time revisionist for season 2
January 2021 - I receive a interview request for a job on WondLa at SkyDance due to one of the directors finding my work online, I heavily consider the job
May 2021 - My Adventures of Superman is announced, I draw a piece of fanart that goes viral
July 2021 - Vox Machina season 2 wraps, I receive an offer to return to Lower Decks season 3 as well to work on X-Men 97 (I said yes to Lower Decks)
August 2021 - Spiderman Freshmen Year (now known as Your Friendly Neighborhood Spiderman) asks if I be interested to do boards, I decline not knowing what it was for
September 2021 - Showrunner for Spiderman contacts me personally for interview, my Superman fanart from May 2021 finds it way in front of the eyes of one of the creators for MAWS, still currently doing revisions for Lower Decks S3
October 2021 - Accept job offer as board artist for Spiderman, freelancing on MAWS as a character designer (first time doing this job), turn down SkyDance job offer
December 2021 - Wrapped on Lower Decks S3
January 2022 - Launch as board artist for Spiderman at Marvel Studios, still been developing my own personal projects at this point
February 2022 - Studio Shaft offers layout and genga work for Madoka Magia Record after seeing animation work of my personal projects, I accept
April 2022 - My episode of Madoka Magia Record airs, Studio Pierrot sends offer for work on Boruto
May 2022 - After my first episode on Boruto I am offered to work on Bleach Thousand Year Blood War, I accept and continue to on Bleach as of this post (3 seasons in total), Studio Mir offers me animation work for XMen 97 (I accept but only work on the first episode)
Summer of 2022 - Working on Spiderman, animating on animes, I think at some point this is when I was offered to do animation work for Castlevania Nocturne
November 2022 - Complete season 1 of Spiderman, Marvel/Disney lays me off for *reasons*, I receive an email about potential work on an unannounced show at Nickelodeon, I'm unemployed at this point
January 2023 - Collecting unemployment, freelancing on animes, trying to survive in general, also approached by Colosso to create my own course
February 2023 - Land a short gig on Big City Greens movie over at Disney TVA, Studio Mir once again offer me work but this time for second animated Witcher film
March 2023 - Land an interview as a character designer for that unannounced Nick show, didn't get the job
May 2023 - Wrap up on Big City Greens and Witcher, fly to Japan to relax (I failed)
July 2023 - Land a layout artist position at A24 (no it's not for Hazbin Hotel), Studio Mappa offer me work on Jujutsu Kaisen Shibuya Arc
September 2023 - Land another interview with Nickelodeon (this time for storyboard artist), freelancing on layouts and animation for Castlevania Nocturne S2, A24 job is stressing me out way too much so I decide to leave, MAWS hits me up for retakes on season 2
October 2023 - Wrap up at A24, I land the board artist job at Nick, I am also drowning in Jujutsu Kaisen production meltdown, complete my online course for Colosso, wrap up on MAWS S2
November 2023 - I start at Nick as a board artist, Colosso course release, I am still dying by the hands of Studio Mappa
January 2024 till now - Still boarding over at Nick and still animating on animes (I am VERY selective now about it though after JJK), I am also in therapy now Yeah so that's like, a real rough timeline over everything from school till now (and even then I am missing a lot of work details like video games and development projects due to NDAs). But pretty much what carried me was putting myself and my art out there on social media along with building relationships with people in the studios (outside of just my production) and that's how I've been able to maintain a steady work flow even when I was unemployed. Also not being afraid to develop my own ideas and share them since most of the times that gives the leadership a pretty good idea what sensibilities I have (and they just happen to match). I hope that answered your question!
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X-Men ‘97 episode 1x3 thoughts! Just wanted to elaborate a bit on some of the stuff we saw in Madelyne’s hellscape, namely the nightmare visions for Gambit and Morph, since it feels like there’s some room to interpret with those two as compared to the other members that have had their inner conflicts explored a bit already or are pretty straightforward.
With Gambit, the vision of Rogue and Magneto does seem to go beyond ‘the woman I love is hooking up with another man’ and hits at some deeper insecurity about himself and his character. The vision of Rogue is calling him out as not a good person, not a worthy person, at least not compared to Magneto. It seems like deep down, Gambit does feel an admiration for Magneto despite their previous status as enemies; he’s convicted, he’s a leader, he’s a savior of mutants, and some part of Gambit ranks himself as lesser by comparison, just a ‘nasty, thieving critter’. Magneto is a hero, and by implication, Gambit is not. That’s kinda sad to think about, since Gambit has helped save the world multiple times at this point and has made plenty of selfless actions in the process, but he has always held himself at a bit of a remove from the team and the cause they’re fighting for. Maybe that’s finally starting to get to him, or maybe has always bugged him on some level but his difficulties with trust have never let him overcome that self-enforced distance. If this is laying the groundwork for some sort of character arc, one where Gambit does seek to become more of what he sees as a worthy man, more of a hero, and whether or not that takes a positive or negative trajectory for him, I’m super interested to see it.
As for Morph... Listen, I've been making Morph x Wolverine jokes just like everyone else, they've been Like That since the OG series, but at this point I'm genuinely and seriously sure that Morph is in love with Logan and that's the core of their nightmare vision. Sure, the obvious terror fuel is their Sinister-based trauma, but listen to what Sinister said to them and the context in which he said it: They just left a conversation where they, Logan, and Gambit were discussing relationship woes, and after Logan ditched them to go check on Jean, they looked bummed and said "and then there was Morph." Left alone. Then the visions start, and Morph gets a very naked Logan posing sexily in the shower. Sure they try to make a very "boys in the locker room" sort of joke out of it, but come on Morph, there is no heterosexual explanation (and I do not say that lightly) for going to bug your buddy in the shower by offering to help him with "hard to reach spaces." Then the Sinister quote: "Always with the jokes, eh, Morph? As if I don't know. As if we ALL don't know." I genuinely think Morph is mega gay for Wolverine and is trying to hide it from everyone badly. They may all be mutants, but it is still the 90s, and just because they all have being a mutant in common with each other doesn't mean they're all on the same page in terms of queerness. Again, if this is the case, it's sad to think about. At this point in the animated canon, Morph and Wolverine make FAR more sense as a pairing than Logan and Jean ever did. Logan never gave up on Morph after they were brainwashed in the OG series, went to the literal ends of the earth to bring them back home, so it's no wonder if Morph caught Big Feelings about it but is scared to actually be honest about them.
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Rogue v Cap: Outside vs Inside Power
Its rare for any incarnation of the X-Men to not have incredibly smart things to say about bigotry, authority, organizing, and power, but X-Men '97 is killing it.
However, I think people who are too quick to get behind Rogue or are offended on Captain America's behalf are missing out on just how sophisticated '97's understanding of power and authority is.
Lets get this out of the way: I take a "yes, and" stance on power and social organizing.
I think its incredibly difficult to holistically understand movements and declare this "helped" the cause and that "hurt" the cause. It all depends on how you calibrate your rubric for success and how you understand how influential a person, group, or action really was.
What I see in the X-Men in all incarnations are some of the most iconic and thorniest debates about inside or institutional power vs outside, autonomous organizing and power, about assimilation or separatism.
Reasonable people recognize these are highly contingent arguments without clear, unambiguous or ethically pure answers.
Which is a rich meal for an ethics nerd like myself and I am having the most amazing time watching and thinking about X-Men '97 and the issues it raises.
So lets get into this!
Spoilers for X-Men '97 episode 7 "Bright Eyes"
Rogue's encounter with Captain America on the hunt for Bolivar Trask, inventor of the Sentinels, is probably the most commented on and debated scene on my social media feeds (as of this writing.)
Those who take Rogue's side in the exchange of words and that epic Frisbee hurl make very familiar and painful arguments. The system Captain America represents and Captain America himself have consistently let mutants down. Where were the Avengers when Genosha burned?
Which is a damn good question considering there are multiple Avengers and Avengers adjacent characters who are confirmed as existing in Earth 92131 who could conceivably have been able to learn about the attack in near real time and react in real time. Thor is very likely to have been tipped off by the likes of Heimdal or other mystical means and can cross continental distances in moments. Doctor Strange likewise could portal over the moment he found out about it, along with anyone else he could rustle up.
SHIELD and essentially any other entity with orbital surveillance would likely have learned about the attack the moment their satellites overflew Genosha. Given the world's jitters over Genosha, I'm having a hard time believing Genosha wasn't being monitored around the clock. However, knowledge doesn't translate into the ability to respond faster than a Quinjet can reach the island.
Now there's an unsatisfying Watsonian explanation here in the form that this is a common trope: all of the world's heroes are somehow busy or ignorant when really big stuff is going down. The Doylist lens would remind us that this is endemic to superhero stories and kind of required for suspense, except when its time to do the big team up story.
So if we want to be generous to Earth's Mightiest Heroes, "they didn't know or were busy or couldn't reach Genosha in time" is an explanation we can fall back on. Thor and Doctor Strange do have to sleep sometime and its not as if they don't have other responsibilities that take them off world or off this plane of existence. Most of the other superheroes known to exist in Earth-92131 could have an out in that they may not have had the means to become aware of the attack in real time or the means to reach Genosha before it was already over.
However, that's awful nitpicky. Rogue can be being unfair about the lack of an immediate response to Genosha while still having a valid point to make on a broader scale. Homo Sapiens Sapiens civilization more broadly would almost certainly, from Rogue's point of view, been holding the idiot ball or maliciously ignorant to miss out on a new army of Sentinels under construction including a big freaking Sentinel kaiju.
Of course we'd later find out that some handwavey deus ex may have also ensured that the world's electronic eyes were shut without any elaborate conspiracy, but Rogue doesn't know this yet when she's unloading on Cap. For all she knows, this is yet another in a long list of times where the "good" Homo Sapiens Sapiens and their champions have been unwilling or conveniently unable to intervene in personal scale tragedies like lynchings by the Friends of Humanity or population scale atrocities like permitting Genosha's former regime to run forced labor camps.
Baked into the setting assumptions of X-Men is a significant amount of systemic abuse that gets overlooked by non-mutant superheroes or that said superheroes are not powerful enough or imaginative enough to dismantle. This ends up necessitating a never ending set of excuses for how Earth's Mightiest Heroes keep winding up on the wrong side of justice yet can still claim the mantle of hero.
I'm not going to repeat ad nauseam familiar arguments about the suspension of disbelief problems created by widespread anti-mutant bigotry being a part of the same setting as a vast roster of enhanced individuals and literal gods that the general public lionizes without much hesitation. The savvy reader already knows these forwards and backwards, so I'm only going to continue to address them to the extent they're relevant here and refrain from further meta-commentary about this aspect of X-Men '97's world building.
Now to be fair, Captain America actually does give us an answer of sorts as to at least what he's up to and why he's not more ambitious in his pursuit of justice. He does intend to act, but not, from his perspective, impulsively. Captain America needs to obtain clearance to act across international boundaries. Captain America is in many ways governed by a sclerotic and often unjust system.
But wait! Captain America is a supersoldier, you say. Who gets to tell him "No, you don't get to pursue justice according to your conscience?" Cap should just tell his handlers to get stuffed and go settle accounts.
Notice my repetition of Steve's nom de spandex? Captain America is not a friendly neighborhood star spangled vigilante. Its unclear exactly who he is working for in this universe, but its heavily implied to be if not the United States, then perhaps SHIELD, and either way there are geopolitical considerations to Captain America showing up without phoning ahead and asking nicely if he can wander around without a minder, punching and exploding people and things on his own discretion. A whole lot of countries are justifiably sensitive about this sort of thing.
The point is that Steve Rogers is accountable to some sort of regulatory authority that is clearly meant to ensure that Captain America's activities are understood clearly and that he doesn't meet with an unfriendly reception by governmental actors that Steve would rather not be shooting at him and that Steve would prefer not to have to punch his way through on his way to his mission.
This authority likely has an additional role of at least performing for the masses and other governments that Captain America is being held to strict rules of engagement and that the bad guys he is punching are definitely villains plotting acts of violence not ideological enemies of the status quo. Because again, wanton violence for motives that are not clearly explained or are suspected of being fraudulent is a touchy subject.
Now of course, Steve Rogers could always go off the reservation. Its happened plenty of times in other continuities/universes. After all, the US government can't repo the super soldier serum.
What they can take away though is a lot of what allows Steve to be more than just a really strong guy. You know who is also a really strong guy? Bruce Banner. Also Luke Cage.
What do Bruce and Luke not have when they aren't playing on a team with some sort of direct or indirect government approval?
Extensive intelligence networks to direct them to international problems that need punching.
Supersonic jets to get them to places where there are villains who need to get decked.
People with relevant authorities who can work the phones and obtain permissions for a superhuman to engage in activities that may require a large scale disaster response operation and sending out surveyors afterwards to redraw topographical maps.
Why obtain those permissions? Because nations have armies and sometimes their own superhero teams they will send out if they get wind of a rogue superhuman showing up and doing violence without phoning ahead and clarifying their motives.
Special forces and super teams are a real inconvenience when there's wrongs to be righted on the other side of them.
So that's the bargain.
As Captain America, Steve Rogers gets an invisible army of intelligence operatives, pilots, Quinjet mechanics, and diplomats that all work together to ensure that Steve can do the maximum good when his conscience and the interests of his benefactors are aligned.
When he goes off reservation, he's just a really strong guy. Like Bruce Banner or Luke Cage. Not just a really strong guy, but probably a person of interest because authorities tend not to like their monopoly on violence being undermined by tough guys who are only accountable to the vibes of their conscience but can wreck New York's skyline if they're having a particularly bad day.
Which brings us back to Rogue and the X-Men.
The X-Men represent outside power.
Its heavily implied through any number of dialogues between the X-Men and the US President and the UN, the X-Men have some sort of understanding with legal authorities. However, its also implied that while this understanding exists, its begrudging. The X-Men have a wider latitude to act autonomously than the Avengers because they're specialists at what they do: they're intimately acquainted with some of the most dangerous, "Omega" level mutants who can be surly and embittered towards Homo Sapiens Sapiens.
Yet that latitude is both a gift and a curse.
The gift is the X-Men are essentially free to follow their consciences. Because the legal authorities have given the X-Men nothing much more than a blind eye towards their activities, the only thing the authorities can take away from the X-Men is that blind eye. The X-Men are a largely self sufficient operation, so there's no obvious card to play that is analogous to revoking Steve Rogers' legal identity as Captain America. The X-Men supply their own Blackbirds, no matter how many of them they lose, and largely generate their own sources and intelligence.
The X-Men also own their own mistakes, which is a mixed blessing. When Rogue goes on a grief fueled rampage, she's not liable to start World War 3. While she's technically an American citizen, its understood that she acts as her own agent, with no direct connections to the US government that could be interpreted as Rogue acting out the will of the US government.
Rather than retaliate, any foreign governments alarmed by Rogue's behavior are not likely to blame the US directly and are likely to lodge a complaint through official channels in the hopes that the US government will coax the X-Men into doing something about her or that Uncle Sam will try to take matters into its own hands. In other words, its understood that Rogue is America's problem but not its fault, at least not intentionally. Which is good enough to keep nuclear missiles from waving at one another as they pass one another in Earth orbit.
And that's essentially the contours of what the X-Men's outside power looks like.
The X-Men have incredible resources at their disposal by virtue of Xavier's seed money, the genius of Hank McCoy and others, and the allies they've cultivated like the Shi'ar, but everything they've built up they've had to bootstrap. They're free to follow their consciences but they're also at risk of running off the cliff and getting disavowed if they chase their consciences too far, too fast, too hard for the liking of the world's nations.
The Avengers, especially Steve Rogers, subordinate their consciences to higher authorities to a greater degree, but the trade is that when they do act, they can act with the knowledge that they're not going to have to deal with blue on blue conflict from confused and scared locals and with largely infinite resources. There is almost assuredly a limited supply of Blackbirds. There is a limited supply of Blackbirds right? The number of Quinjets available to the Avengers is only limited by the budget afforded to them by SHIELD or Tony Stark.
Speaking of Tony Stark, depending on which universe and what time period we're talking about, he is not necessarily a backup plan for an Avengers team that finds its consciences misaligned with the interests of SHIELD. Not just because he might not feel like being their sugar daddy, but also because Tony Stark is ultimately a businessman. Ironman may be challenging for the world's authorities to reign in if he's in a bad mood, but Tony Stark has financial assets that can be frozen and capital assets that can be seized.
Let's not forget that when Steve Rogers decided he was done asking for permission to do what he felt was right in the MCU, he was only able to continue superheroing at the same level he had previously because a secretive nation with a friendly monarch was willing to provide him with a jet and supplies so long as they approved of his goals and methods.
Thus the X-Men enjoy greater freedom of conscience but its much more precarious than Captain America's compromised freedom.
This is not a value judgment, just an observation.
And if I made the case for Captain America playing by the rules a little too well, then its probably because Earth 92131 Steve Rogers doesn't seem to have been gaslit into being the hatchetman for corrupt ends.
Yet.
One could also imagine that SHIELD or USGOV have also failed to tip Cap off about mutant related this, that, or the other that Steve might have OPINIONS about and feel strongly that some Homo Sapiens Sapiens supremacists are need of punching in a time and place that is super inconvenient for the authorities.
Because sometimes injustice isn't about what authority does, its about what it doesn't do: malign neglect and so forth.
#x men 97#x men the animated series#rogue#captain america#steve rogers#the avengers#tony stark#iron man#SHIELD#X Men 97 spoilers#genosha#inside power#outside power#superhero ethics#political organizing
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For those of you not aware, X-Men 97 pulled an asshole move of completely excluding Lorna from what happened on Genosha.
This matters because in the comics, she worked with Magneto (before she knew he was her father) to build up Genosha and is one of the survivors of the genocide. Her story was one of failing to save everyone but having to relive the nightmare endlessly by replaying its final moments with her powers until the X-Men got her out of the ruins. Her history was also respected here in the Wolverine and the X-Men cartoon, which gave her great episodes and depictions - the only good ones she's had in cartoons to date.
There seems to be a common thread behind this genocide erasure in Lorna's history: nostalgia for Havolaris and how Lorna was treated in the 90s.
Jordan White was clearly trying to force each of these things while senior editor. At the same time, he had the X-Men books acting like Lorna had no connection at all to Genosha. This went so far that even an event where Kitty Pryde (Jordan White's favorite character, I've been told) did a big thing with Genosha had Lorna's appearance relegated purely to helping Kitty's plan and complaining about a lack of coffee. No acknowledgment she was a survivor of the genocide.
Then we have Beau DeMayo and X-Men 97. To date, the only references we've seen of Lorna were exclusively images of her with Havok and 90s X-Factor. One in opening credits, one in a photo in Forge's place. She's nowhere to be found whatsoever around Genosha in X-Men 97. The show even had X-Factor characters like Multiple Man show up to check things out, but no mention or presence at all for Lorna.
Here's where we stand right now. For a long ass time, I've said that I think there's a path to a relationship with Lorna and Havok eventually being a good thing. I've said it would take work and time where Lorna as her own character is restored and treated properly. I've never said getting the pair back together and it being a good thing was impossible.
This pattern of blatant, deliberate disrespect toward Polaris and her connection to Genosha is seriously making me reconsider that stance. If Lorna surviving a goddamn GENOCIDE can't be respected all because of some nostalgic assholishness, then how in the hell can Lorna make ANY progress or have ANYTHING good so long as the cause of this problem has any play around her? How can Lorna be treated as more than some stupid weakling supporting character girlfriend only there to kiss Havok's ass and jill off over his costume if something as essential as SURVIVING A GENOCIDE going to be ignored in service to sticking her in a toxic relationship with what is increasingly looking like a character that is just irredeemably toxic for Lorna to be around at all?
Up until today, I've said very up front that I seem a path of redemption for this pairing. X-Men 97 is changing my mind on that. I'm very seriously starting to think now that there is no redeeming this pairing and turning it into a good thing. Not when people like Beau DeMayo will erase a genocide from Polaris' character history for the sake of his personal fantasies.
I've said this elsewhere. But in closing, I'm going to be making a very deliberate effort to avoid everything having to do with Beau DeMayo because of his actions here. It's too late for me with the two Strange New Worlds episodes he did. But I already took Witcher and The Originals off my watchlists. And if he steps his toes into anything else I care about in the future, I'll be making it very clear why he shouldn't be involved in those things.
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Wow, that episode of "X Men 97" was great and so much happened!!! 😮 And we still have the finale next week. Is taking some turns I didn't expect but I do have a feeling what's coming for the finale. Going to talk more behind a cut for spoilers but it's focused more on Gambit and Rogue, and what I think is coming for season 2.
I'm still really enjoying the show overall even with what's happened to Gambit and Rogue. There's still other characters I love and the show really is one of the best Marvel has done. That being said I do get why the shippers are upset as this wasn't what we expected. However, I know Gambit is coming back some way, and likely it is as Death and Apocalypse being the main villain of s2. It does seem like Rouge saw Gambit too while she was in her coma, which also fits with some comic storylines and that they were able to see each other in astral planes and other dimensions. And now that she's working with Magneto something is going to have to happen to have her switch sides again. Plus, eventually she'll be needed to help Gambit come back to himself after being Death. So I think it's too early to call for a boycott of the show as we need to watch the finale first and then see what s2 is setting up before you decide. Plus, the wait for s2 might be even longer now that Marvel/Disney yesterday announced they're cutting back on the amount of shows/movies they'll be releasing now.
Also, we likely will have multiple versions of these characters in the live-action shows/movies very soon too as Channing Tatum is heavily rumored to be in "Deadpool & Wolverine" this summer. He was supposed to play him in a solo Gambit movie that got cancelled when Disney bought the X Men back. Then the MCU is going to cast both Gambit and Rogue very soon too, so we got more beyond this show coming soon as there's always the comics too.
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X-Men ‘97 Episode 4 thoughts:
SPOILERS
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- Actually a big fan of them pulling an Amphibia and having two ten-minute stories in one episode; it suits the show’s crazy pace well and lets them continue multiple storylines at once
- I know the whole Rogue/Gambit/Magneto thing is frustrating for a lot of people, but i adore mess so I’m having a great time
-I am choosing to believe the Magneto was wrong about Rogue’s coffee because that’s infinitely funnier
-Not really vibing with Roberto; his dynamic with Jubilee is fun tho and it’s cool to see her be the most experienced person in the room
- Mojo might be my favorite villain he’s so unserious
-The voice acting work is IMPRESSIVE because when you hear Jubilee’s original voice next to the new one I would totally believe it’s the same person
- Love everything about Storm’s story: Creepy owl, non-linear progress in getting her powers back, the scene of her riding and feeling the wind again??!
-Totally get the Forge hype, adding him to the list of characters I want to read
#x-men#xmen#rogue#marvel#gambit#marvel comics#remy lebeau#x men#anna marie#comics#x men animated series#storm#ororo munroe#jubilee#jubilation lee#roberto da costa#sunspot#mojo#forge
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Alright, now let's actually talk about X-Men 97 episode 9 *SPOILERS ALSO SOME RANTING INCOMING*
The results of Magneto's worldwide blackout
Uh, I think Magneto's omega level moment to stop the Prime Sentinels and the Spider-Man cameo got me distracted on what his EMP also did to the world, which is not good.
Yeah, so thousands have died because of this, mutants are being hunted down more than ever, and the world's gonna end in less than 12 hours. So....Magneto made things worse for everybody, mutants and humans.....god dammit.
So, because of this Magneto is also something to deal with as well as Bastion (even though this was all Bastion's fault and the mastermind behind everything, including the massacre, but okay 😒). This means he's back to being an enemy, which I don't like. He was doing good as a protagonist, and just for him to revert back to being an antagonist again?! I mean, I get why, I just don't like it. Even when, again, BASTION IS RIGHT THERE!!! *sigh* I guess with the time limit, they gotta deal with both of them and fix Earth.
Asteroid M again? Didn't Magneto try this before back in the previous show, and it backfired? In fact, he only recruited two others, which I'll get to later. Why isn't he saving more of his kind and bring them to Asteroid M? Maybe he just started and went to the X-Men first before going to find and rescue other mutants Yeah, as you can tell, I'm liking where this is going for Magneto.
Storm and Forge
THANK GOD SHE'S BACK! AND SHE'S BACK IN THE INTRO WITH HER BLACK OUTFIT TOO, I MISSED HER SO MUCH! 😭
Jubilee and Jean hugging her at different times was so nice. And, Beast and Forge greeting each other was nice too. Gotta cling to the good moments cause things get bad....REAL BAD.
More of Storm and Jean's sisterhood which was sweet. But, did they let her know about Nate being Cable and that it was Madelyn, a clone, that she interacted with during that timeskip before she left? Cause I feel like Storm needs to know about that.
As bummed out as I was that the two wouldn't confront either Sinister or Bastion, I do understand why. Storm's powers are great for taking out multiple targets, and we do need more moments with the two.
I don't believe their dead. It'll be total bullcrap for the two to reunite with the others as well as them caring for each other, just for them to die like that. So, yeah, they'll be fine.....they freaking better.
Still wish Forge contacted the rest of X-Factor to have a big team up and get some extra help.
More classic outfits
I do like some of them, like Storm's, Rogue's, Cyclop's (although, I'll miss seeing his hair), and Wolverine's brown and yellow.
However, I'm not a fan of Jean's Marvel Girl outfit. I like her 90s outfit that she had before better.
Also, Morph's outfit is just the yellow and blue but with big shoulder pads....why?
So, Roberto's a member of the X-Men now? So, he got an outfit too, but I wish we could've seen the buildup for him being a member. Last time I checked, he wasn't interested in being a member, but still hung out with Jubilee and became his boyfriend. The outfit's not bad, but it doesn't feel like it's been earned.
Xavier
*sigh* I'm probably the only one here that feels bad for the professor. But, I also feel like it could've been handled better. Have Xavier actually stay in contact with them while away. Have him still be recovering but still too sick to go back home. Hell, have him be in a coma! Many things in this show could've been done to give Xavier more of a reason why he wasn't there during that year time-skip instead of the black hole excuse.
Now, things are tense between him and Scott because he picked Magneto to lead the team. Okay, Magneto was doing fine, he was just more strict is all. Plus, I thought we were done with the distrust of Magneto after episode two.
Even Rogue is mad at him, which I get why. And, Magneto won't listen to him, which again, I also get why. I just where all this conflict is gonna lead to in the finale.
Rogue and Sunspot
So, those two chose Magneto, and not gonna lie, I got upset with that. When she was talking about leading the mutants at Genosha, I thought she rejected the offer back in episode 5, so I didn't understand what she meant by that. I get that she doesn't want to see more mutants die, but they're dying anyway and more are gonna die. I get that she's pissed at what happened, and she still has that anger and grief over what happened to Gambit, but when all this is done, where is she gonna go? Back to the X-Men? That is if there's still a team left.
Roberto.....okay, I get why he sided with Magneto, and I'm trying to like this version of Sunspot. But, I'm sorry, but I couldn't. Not after hurting Jubilee like that. Her being there for him wasn't enough after everything that happened wasn't enough. Plus, he has no idea what he's getting himself into. He's new to all this, he has no idea what Magneto has done or what he's capable of. So I was okay with Jubilee fighting back.
Rogue's choice made Nightcrawler sad....I hate seeing that precious blue elf devil man being sad. Thank god, we didn't have those two fight, otherwise, I'd be more upset. But, it was sad seeing her fight Wolverine cause the two are friends.
Also, she was wearing Gambit's coat....why does this show keep hurting so much?
Gold Team vs. Bastion and Sinister
So, Bastion really did love his mother. At least they kept that part of his backstory in this. I don't think she's dead, cause the Prime Sentinels should be alive, just not working. But, what happened to his father? Did his dad die? I've been noticing a lack of dads in the show aside from Scott.
Hulk cameo.
The fight scenes were really good. Especially Sinister vs. Jean. She was so bad@$$ in that fight. Although, I thought Morph was gonna confront Sinister too due to what he did to Morph. But, this is the Summers' family moment.
When did Sinister get control over Cable?! Well, apparently he did, and now he's forced to fight his kinda sorta other mom? At least we got to see his mutant power again.
Is Jean gonna die? Again? Cause, she and Scott are back in good terms in their relationship.
Well, the plan kinda backfired, but there's still a chance to turn it around in the finale.
Blue Team vs. Magneto
Okay, I know that Xavier tried to talk to him, but words ain't gonna reach Magneto anymore. Although, I did laugh when Magneto told him to shut up.
Cyclops disobeying Xavier's orders. Is that the first time that ever happened? Cause damn.
Not gonna lie, I thought Wolverine succeeded in killing Magneto. But, he probably should've kept stabbing and slashing or go for a more vital area. Maybe then Wolverine wouldn't have gotten....that at the end.
Yeah, the end....how freaking dare you do this to Logan! His adamantine ripped out of his body! He still has his skeleton, but to do that to him?! Just....WHY?!?!?!
I know this happened in Fatal Attractions in the comics, but it doesn't mean I wanted it to happen to him in the show! I feel so bad for Logan.
Also, WHY DID YOU BRING THE GUY WITH METAL IN HIS BODY TO FIGHT A GUY WHO CAN MANIPULATE METAL?!?!?! Did it ever come across their minds that this would've been a bad idea? I know that the writers want this comic moment to happen, but come on! Logan should've been with the gold team!
I think that's all I got at the moment. I made a post of potential outcomes for the finale from the comics at the result of what happened to Logan. And, I'm dreading what might come to fruition. As for the stuff with Bastion and Sinister, they gotta turn things around for that one. But, I'm worried that the finale will lead to a dark end instead of a hopeful one. The finale will have to make it or break it for me, cause I love X-Men and all this conflict and stuff is just hurting so much. I still like the show, and it's way WAY better than the What If series in the MCU. But, we'll have to see what happens next week.
#x men 97#xmen 97#x-men 97#x men 97 spoilers#xmen 97 spoilers#x-men 97 spoilers#marvel#so much hurt#so much emotional damage
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Intersectional Community Cooperation in X-Men 97
The discussion around X-Men 97 has died down and I've not really seen a lot of ongoing discussion about it, which is a true shame as it actually managed to update the queer community allegory for the franchise to the mainstream.
I say mainstream as, despite a recent return to status quo, X-Men comics have understood that the formula is essentially about managing intersectional in-fighting in marginalized communities for some time.
If you ever found yourself asking "Why does Krakoa have [insert villain here] at the table?" then it's important to understand that the allegories have by necessity updated to discuss the fact that there are multiple minorities who are all excluded, hated and resisted by the dominant culture under a single banner. The anti-mutant bigots of 616 view Jean Gray, Scott Summers and Charles Xavier as "dirty muties" as much as Erik Lehnsherr, Nathan Essex and En Sabah Nur.
All sects of the mutant community need to unite and fight for their rights under a single banner because Mutant prejudice is not over until The Morlocks can walk in the sun and for the most part. Though individual writers and a worrying number of fans do not understand this fact, it is still the core DNA of modern X-Men.
I think X-Men 97 did a good job bringing the mainstream friendly 90s Cartoon up to date with that in their own way and by adapting 90s storylines, too. I'm impressed.
Especially as I did not trust them to pull it off. In fact we very much were prepared for the typical fumbling of the ball that comes with Disney-Marvel stories on nuanced topics.
In way of demonstrating the lack of faith, after the first episode of the final 3-part arc I (for certain values of "I", these posts do not read like my prose) had written on a forum (edited for conciseness):
Thoughts on today's ep though: Whatcha expect? They have amazing villainous parallels to real world atrocities on oppressed minorities at a time where all the talk of using apathy and overloading empathy bandwidth hits too dang true-- then they cut to what amounts to "punch the bad guy real hard" after 8 episodes of getting the audience to understand bad guy and kinda root for him! Previous ep had Hank framed between fallen statues of Charles and Erik and after walking towards Charles he ends the scene walking to Erik due to his leftist bigot love interest's ignorance-- like they had the makings for emotional complexity that they brewed carefully over a season-- in my heart I knew it would end with "hit Magneto really hard" but like-- it didn't have to y'know?
Turns out, though, the ending was not hit Magneto really hard as we had feared.
It was deal with the internalized self-prejudice of Bastion. I read it as internalized homophobia, particularly as Bastion's journey is played to parallel Charles and Erik's but it's about internalized prejudice that was instilled into him by his bigot parents.
For all the show glossed over Bastion's origins, they did a good job sticking the landing with the allegory. After the genocide in Genosha they all but had Rogue say the pissed-off cockroach motherfuckers tweet at General Ross and we are shown the natural evolution of the cockroach queer, the curly moustache man himself, Mag-Fucking-Neto.
The final conflict between Charles and Erik relives the moment that the pair discovered the other was queer a mutant. The scene, in a bar, has Charles vaguely graze the topic and feel out for safety. Erik, accustomed to hatred, rebukes Charles and tells him that if he were gay a mutant then outing himself would lead to invite violence to be acted upon him. Erik knows the violence that man can and will enact upon marginalized communities.
Where I had worried the fight would amount to "punch Magneto really hard" for endangering the Earth it actually ended up with his ex-boyfriend accepting the sheer amount of pain that he felt and acknowledging that the agony the world had inflicted upon him was consuming him via a literal ocean of agony, the only ship above the tides of despair being his family. It wasn't even choosing love over hate, it was accepting community and the mere idea that life could be anything more than eternal torment and pain. Erik had been conditioned to ONLY expect heartbreak, rejection and prejudice and Genosha proved all his darkest fears true. Magneto was incapable of believing in a world outside of pain and Charles had to reach him and tell him there will always be those who will keep him afloat.
Meanwhile Bastion, with all his self-loathing, has decided to try and exterminate all mutants, a population he himself is a member of. He views himself as an abomination.
If Magneto hates the world that has hurt him so many times, Bastion hates himself for not being what the world considers normal. His hatred of mutants is so strong that it consumes him entirely.
He completely overpowers the X-Men, taking punishment from all the team at their peak of desperation and after his health bar depletes enough to activate a cutscene he mocks "You call yourself a team--- a family? But a family that can't save itself merely works together to die alone."
Hearing that is the turning point in which Cyclops orders the team to stop fighting and embrace him. They extend an olive branch, explaining the prejudice was learned from his mother and that he is still a welcome member of their community.
He resists and fights, unwilling to take them at their word. Insults them, mocks them for allowing him to massacre their people. He notes that humanity is going extinct, being "replaced" by the mutant population. Jean responds that more humans are being born every day and yes some will be queer mutants but that just means coexisting will become more necessary.
The hearty debate is ended when Bastion notices that the USA have launched nukes at the Meteor.
I know writers who use subtext and they're all cowards.
I also do like that President Kelly, Steve Rogers (who was shown refusing to "get involved" in mutant affairs earlier in the season) and Tony Stark are all shown in the war room nervously watching after having sent nukes to destroy Meteor M. Allies until the chips are down because they're not brave enough to stand for the marginalized themselves.
Given how ungenerous I had felt while watching the lead-up to this final episode, I really do think that the writers understood that infighting within vulnerable communities will always lead to circumstances where we cannot stand up to oppression.
And the massacre of Genosha was committed because they had established an inclusive community. One that included everyone. Their leadership round table had villains and heroes alike, Pryor, Frost, Shaw and Magneto sat alongside Worthington, and even (as far as we currently know in this canon) human Moira McTaggert. Mutants were learning to stand together and erase the self-inflicted barriers between mutant communities. The Morlocks were in Genosha. All were equal.
That was a threat. It needed to be destroyed.
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Anyway. I just wanted to praise X-Men 97 for the plea for all those living in a world that hates us to link hands and find love, family, growth and healing in one another and together. We do not have to be swallowed by our pain or try to limit ourselves to be accepted by a world indifferent to our attempts at assimilation.
I legitimately cannot wait for one of those lovely English major queers with free time and a platform to tackle this topic because my uneducated butt is just seeing outlines of a thesis.
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CM Fanfiction on AO3
I'm a bit of a stats nerd, and I've been wanting to put this together for ages. The following are some statistics regarding Criminal Minds fanfiction of AO3. Do with this what you will, but if ever someone tries to tell me this fandom isn't misogynistic -- I will just point to this post.
I spent an abhorrent amount of time putting this together, hope it's interesting to other people. Please don't send me hate mail for my opinions.
Base Statistics
Total Fics Tagged Criminal Minds: 34,561
These stats were compiled by me on 20/06/23 via AO3's filtering system.
Note: These were taken at face value, meaning these numbers may not be exact. In order to get exact statistics, I'd have to stringently filter out things like mislabelled fics, spam, fics with multiple categories (to find pure slash, femslash fics), etc.
Tumblr will destroy the resolution of the graphs, just click to see full res :)
Fanfic statistics gathered from AO3, episode totals gathered from IMDB.
CM Fanfiction by Category
Most Popular Category: F/M (26.2%)
Fics Counted in This Statistic: 34,561
These totals weren't all that surprising, in a fandom that is largely obsessed with two men and no one else, I sort of expected this.
The only reason F/M has the largest amount of fics (vs M/M) is because 37% of all F/M fics are "Spencer/Reader". (More about pairings below)
If 'x reader' fics were excluded from the data, then the distribution would skew to: 34% M/M vs 24% F/M
Sorry, I just saw the 'other' category is the same colour as F/M on the graph. Other accounts for 2.3% of all fic categories
CM Fanfiction by Rating
Most Popular Rating: Teen and Up (30.3%)
Fics Counted in This Statistic: 34,561
I think it's interesting that the most popular ratings are Teen and General -- even though a huge portion of readers only read Mature/Explicit. There are absolutely incredible works that are rated Teen and General, and it's just a shame people don't read them as much as smut. That's probably the same in most fandoms though.
Top Relationships for Each Rating: General Audience: Spencer/Reader Teen and Up: Morgan/Reid Mature: Hotch/Reid Explicit: Hotch/Reid Not Rated: Spencer/Reader
It's no secret that this fandom worships Hotch and Reid above all other characters, but I think there's something to be said that a M/M ship dominates the Mature and Explicit ratings. Slash fic (M/M) has always been more popular than femslash (F/F) in pretty much any fandom, and the history of fetishization of mlm relationships in fanfiction (the fetishisation usually being written by cishet women, not talking about queer people writing queer fic) is always worth discussing.
CM Fanfiction - Top 10 Characters
Most Popular Character: Spencer Reid (19.9%)
Fics Counted in This Statistic:*indeterminate due to crossover (multiple characters per each fic)
No surprises here with the top three being the men who make up some of the most popular ships.
Notice how Jack Hotchner, a CHILD who was in 22 eps out of 300+ -- is featured in MORE fics than main characters (who were in multiple season) like: Luke, Matt, Tara.
CM Fanfiction - Top 10 (BAU) Characters
Most Popular Character: Spencer Reid (20.5%)
Fics Counted in This Statistic: *indeterminate due to crossover (multiple characters per each fic)
This one is filtered by BAU members only. Sorry, 'reader', this is about main characters only.
Notice how Gideon (45 total episodes, 2015 fics) and Elle (27 total episodes, 1371 fics) made the top 10 list even though characters who were on the show for YEARS missed out.
Main Characters not in the Top 10: (* denotes section chiefs. Bold denotes characters who appeared in more episodes than Gideon) *Erin Strauss (24 total episodes, 1361 fics) Alex Blake (48 episodes, 1190 fics) Tara Lewis (97 episodes, 1108 fics) Matt Simmons (49 episodes, 642 fics) Ashley Seaver (13 episodes, 279 fics) Kate Callihan (23 episodes, 247 fics) Jordan Todd (8 episodes, 130 fics) *Mateo Cruz (6 epsiodes, 88 fics) Stephan Walker (15 episodes, 66 fics)
All three men who didn't make the Top 10 are men of colour. Which is worth pointing out because the main reason Derek and Luke both made Top 10 is because they are popularly shipped with Reid. Outside of Morgan/Reid and Reid/Alvez -- I doubt they would have been tagged as much as they are.
Also worth nothing that Tara Lewis who appeared in 97 episodes, which makes her the EIGHTH highest billed character (above Luke, Gideon and Elle) -- doesn't even make the Top 10 most written about characters. She also happens to be the ONLY Woman of Colour on this list. Coincidence? Doubtful. She's also the ONLY canonically QUEER character -- and yet....even in the F/F tag she doesn't make top 5 (more about ships below)
CM Fanfiction - Top 10 Relationships
Most Popular Pairing: Reid/Reader (24.5%)
Most Popular Character Ship: Hotch/Reid (18%)
Fics Counted in This Statistic: 20,873 out of 34,561 (*includes fics with multiple pairings tagged)
This was WILD to me. I knew that 'Spencer x Reader' fics (I grouped ones tagged 'reader' and ones tagged 'you' together for this graph) were popular but I wasn't prepared for how skewed this data was. I don't have much to say about it anything involving Reid tbrh
Only three out of ten top relationships DO NOT involve Spencer Reid.
For people who don't know: using a slash ( / ) to denote a pairing means the pairing is romantic, using the ampersand (&) to denote a pairing generally indicates a non-romantic relationship.
Notice the ONLY F/F pairing that made Top 10 was JJ/Emily (with only 10%)
CM Fanfiction - Top 5 M/F Relationships
Most Popular Relationship: Spencer/Reader (52%)
Fics Counted in This Statistic: 9741 (72% of the total F/M fics on AO3)
Look, I don't know what to say about this. It speaks for itself. This show had an incredible ensemble cast who were all integral to the show's success -- yet, the only character anyone cares about in the fandom is the generic white dudes. Misogyny at it's best.
CM Fanfiction - Top 5 M/M Relationships
Most Popular Relationship: Hotch/Reid (45%)
Fics Counted in This Statistic: 7870 (75% of the total M/M fics on AO3)
Again, no comment about the most popular ships
I was, however, surprised that Hotch/Rossi made Top 5
CM Fanfiction - Top 5 F/F Relationships
Most Popular Relationship: JJ/Emily (71%)
Fics Counted in This Statistic: 2927 (65% of the total F/F fics on AO3)
For people who don't know: using a slash ( / ) to denote a pairing means the pairing is romantic, using the ampersand (&) to denote a pairing generally indicates a non-romantic relationship.
It's not surprising that JJ/Emily dominate the femslash category. They have always been the main femslash pair in this fandom. However, they only make up 49% of all F/F pairings!
I was surprised to see that 'x reader' fics took 2 out of 5 slots on this one. And I was especially surprised that Emily/Penelope made top 5. (I mean it's only 148 fics, but there they are)
Again, note how Tara Lewis (a canonically sapphic character) isn't a part of ANY of the top 5 pairings, even though she was in 98 episodes. That's a travesty imo. Tara/Emily trails at about the 7th most popular F/F ship with a mere 115 fics
In Conclusion...
Most of this was to be expected. This fandom has always praised the male characters while pushing the women aside, so the amount of works focusing on Reid and Hotch wasn't that surprising.
I think it's interesting how people tend to throw Jemily shippers under the bus (broad statement made via my 18 years in this fandom), because Femslash is by far the smallest portion of the shippers in the entire fandom. People just hate women
Do with this information what you will. This was mostly compiled because I've always been curious, and also I think it serves as an important archival tool for the fandom.
Please don't send me hate mail for my opinions.
Word Count & Additional Tags Information Below Cut
CM Fanfiction by Word Count
About 52% of all CM fics (34,561) are under 5,000 words
This was a really fun one to do, and was mostly included because I was curious. I think it'd be worth getting even more specific by trying to work out the average word count for all fics under 5,000 words.
Hey, if you're a marathon author with long works -- look at YOU!! You're a very small percentage in this fandom, and as someone who prefers long-form fic -- I am personally thanking you for your dedication.
CM Fanfiction - Top 10 Addition Tags
Most Popular Tag: Fluff (21.7%)
Fics Counted in This Statistic: *indeterminate due to crossover (multiple tags per each fic)
I honestly expected angst/whump/hurt/comfort to be first on this. I guess if you add up all the variations of those type of fics, they'd be top tag.
Obviously this one isn't ever going to be perfect, because tons of people either don't tag their fics, or they don't use the prescribed tags above. Still, I thought this was worth adding to the post.
For more stats please see my, [Tara Lewis Fic Stats Post]
#criminal minds#spencer reid#aaron hotchner#derek morgan#emily prenitss#jennifer jareau#penelope garcia#luke alvez#tara lewis#criminal minds fandom#criminal minds fanfiction#cm fanfiction#cm reference#master post#ao3 stats#cm commentary#cm meta
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MONTHLY MEDIA: May 2024
Hey it's May! Big X-Men month over here but also lots of other great stuff. Here's how I spent the last 31 days!
……….FILM……….
Furiosa: A Mad Max Saga (2024) Impossible to live up to my expectations, given how much I love Mad Max: Fury Road. I liked the bits with new characters, I liked the bits that felt like Fury Road, and I surprisingly liked how it tied into the previous film during the credits. It's a different beast and given it succeeds as a prequel, I gotta respect it for what it is.
……….TELEVISION……….
Mr. & Mrs. Smith (Episode 1.01 to 1.06) Shockingly violent but it does a good job of setting the tone for the series in the first scenes. Love it when something fantastically (spy life) is used to highlight the mundane (stages of a romantic relationship). Big fan.
Delicious in Dungeon (Episode 1.18 to 1.22) Uuuuugh so close to the end of the season and I'm not looking forward to the wait between now and season 2.
X-Men '97 (Episode 1.08 to 1.10) Hey a really tight season of television! Maybe a little too tight at moments (strangely it feels like it could've benefited from 1 or 2 more eps in the middle there) but I really do prefer a fast pace over a slog. Now I'm gonna go read some X-Men comics.
Succession (Episode 4.03 to 4.10) Somehow avoided having the ending spoiled and it was a perfect culmination of great characters and writing. What I love about this series is how consistently it puts the core trio in the same room, and how the score is practically all just variations of the intro song. Loved it.
……….YOUTUBE……….
The Spectacular Failure of the Star Wars Hotel by Jenny Nicholson I've been watching Nicholson's videos for years and it's great to see this one break out of its core community for a few reasons: 1. it shows that thoughtful and thorough art can connect and has value and 2. towards the end it becomes a scathing indictment of cynical corporations. Much like blockbuster cinema slowly dying, it confirms that the general public can discern art from content and won't support the latter. The Star Wars Hotel was overpriced content and it failed. VIDEO
……….READING……….
The Farthest Shore by Ursula K. Le Guin (Compelte) I don't know what I was thinking when I read and disliked A Wizard of Earthsea. This and The Tombs of Atuan are so thoroughly fantastic that I feel the need to go back and reread the first book after I finish the series. Such economical and poetic storytelling.
Dirk Gently's Holistic Detective Agency by Douglas Adams (Complete) Big fan of the Hitchhiker's Trilogy but maybe that set the bar too high for this one. It never quite came together and if asked what the book was about, I'd have a hard time landing on something. Maybe that works for some folks and I'm in full support of the journey being the adventure, but it just wasn't for me.
House of X / Powers of X by Jonathan Hickman, Pepe Larraz, R.B. Silva, and Marte Gracia (Complete) Hey the new show has me in the mood to read some X-Men comics! I appreciated the series more on this reread but still find the pacing of the "reveal" to undersell the gravity of what it's suggesting. I'm keen to get into the rest of the series even though it's a convoluted jumble of multiple titles. Comics!
Dawn of X Volume 1 by Jonathan Hickman and a whole slew of talented folks (Complete) Reading single issues from different teams back-to-back really highlights individual strengths and weaknesses. I really dug some issues and was bored by others but I'm going to keep going with these collected volumes to see what sticks.
Delicious in Dungeon Vol 7 & 8 by Ryoko Kui (Complete) I really forgot most of these volumes. Izutsumi is such a good foil for the group (especially now that Marcille is barely resistant to eating monsters at this point) but I always have trouble with the moody loner types.
……….AUDIO……….
Hyperdrama by Justice (2024) You know I haven't listened to this since the start of the month. Some standout tracks but the album as a whole didn't leave me with much of an impression.
The Lonely Island and Seth Meyers Podcast (Podcast) The Lonely Island digital shorts were a foundational part of my youth and listening to how they were made, along with behind-the-scenes stuff with SNL, is a great listen.
……….GAMING……….
OZ: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Tuesday crew is beginning to see the aftermath of their political assassination (you can read all about it here!) and the Mof1 crew is actively sabotaging a memorial to the lives lost in a catastrophic explosion they caused.
And that's it. See you in June!
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characters getting pushed to the side once in a while is bound to happen with shows that focus on a season long plotline and not episode of the week stories. thats just how it goes. not everyone is going to be center stage all the time as any fellow comic reader will know. your favorite character or the one who is the main focus might even be cast aside for an issue or multiple issues.
storm being relagated to the bench basically for the end of this season is nothing. its not a bad thing and its great to have other characters rotate and get the spotlight.
two other comic series have done it well. avengers assemble and justice league unlimited. every character got their own arc and center stage.
also wish x men 97, avengers assemble and justice league ulimited got live adaptations or at least served as a blue print on how to adapt stories and give every character their moment.
#also lets be real from the OG series to the beginning of this one#storm carried the whole motherfucking team#not little moments but actually was the deciding factor and heavy hitter that helped them win#so look at it like her back getting a break#x men 97
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I’ll admit that there were multiple parts of the week’s episode of X-Men ’97 that I had to rewind to watch again. I couldn’t believe what I was watching in “Remember It”. This was an incredible episode of television.
I’m absolutely convinced that this was the best episode of Marvel animation that I’ve ever seen. It was absolutely tremendous and unexpected in so many ways. It was also, at least to me, incredibly violent for a Marvel cartoon?
There was so much going on in this episode. It was so dramatic. It was so chaotic. I loved it.
Cyclops/Scott and Jean are on shaky ground. It makes total sense that they would be, but Scott seemingly losing it in the interview with the reporter was wild. Then, Jean kissed Logan, and I about lost my mind. THEN, Jean caught Scott telepathically communicating with Madelyne Pryor.
Over on Genosha, they want Magneto to be their new ruler as they gear up to join the UN. And Rogue had to be his queen? But, what about Gambit and his feelings?
All of this set-up felt like the most dramatic soap opera ever. Cable shows up from the future and briefly speaks with Madelyne where she realizes that is Nathan, her and Scott’s son all grown up, and he disappears.
Then, the sky exploded.
The robot/Sentinel/Master Mold? mash-up always and starts slaughtering mutants. Magneto appears to perish protecting the Morlocks. Gambit finally sacrifices himself killing the Sentinel, dying in the process.
This episode was absolutely insane, and I don’t know how to react right now. So much craziness happened. This was great.
#tv#tv review#disney plus#marvel#mcu#animation#cable#Cyclops#jean grey#gambit#Magneto#rogue#wolverine#xmen 97#xmen#x men 97
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*NEW EPISODE*
Now more than ever, Ryan and Maddy are warning all of you about spoilers in this week's review of X-Men '97.
You really need to see "Remember It" for yourself in order to understand why, but be warned that it's an absolutely devastating watch, especially when it comes to the queer metaphor in the mutants' story. This is an episode about Genosha, and if you've read the comics, you have some idea of what the means, but the X-Men '97 rendition merges multiple comic book storylines into a heartbreaking masterpiece.
Now available on all podcast listening apps, Spotify & Amazon Music!
#x-men#x-men tas#x-men the animated series#x-men 97#gambit#remy lebeau#genosha#remember it#x-men podcast#the mutant ages#mutants#marvel#marvel comics#SoundCloud
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