#theme: the comics did a much better job than the og series; he just should have been confirmed gay

[augment-techs]

[justalitlecreacher]

Anakin Skywalker Deserved Better

Ive made this post before but it was really rough and i meant to edit it later and its later now but its been so long that i don’t feel like finding the og post so here we are. If it’s not obvious i care more than a normal amount about Anakin Skywalker.

Tl;Dr: I firmly believe that there are so many points in the prequel series, the clone wars, and even the comics that some level of intervention could have steered Anakin away from falling in Revenge of the Sith.

The Phantom Menace 

This is our first encounter with Anakin, and it does a decent job at introducing us to him. This movie sets up his tragic backstory™️ and gives us a good look at his personality; Anakin appears selfless and eager to help complete strangers in return for nothin when he first brings Qui-Gon and crew to his home to give them shelter, and then risks his life in the podrace to help them afford the part they need to fix their ship. Aside from introducing and developing Anakin not much else happens until Qui-Gon brings Anakin before the Jedi Council where they decide he is too old and there is already too much anger in him to be trained as a Jedi. Qui-Gon disagress, but we move on to Naboo where 9-year old Anakin blows up a very large ship all; by himslef w/ autopilot ( they grow up so fast), Qui-Gon dies, and we get our first look at Palpatine being creepy in hindsight, “And you, young Skywalker, we will watch your career with great interest.” not all that weird out of context but uncomfy when you remember who Palpatine is.

Before we move on i actually want to flashback to Anakin’s first encounter with the Jedi Council. For a group of people who constantly take in and raise children, the Jedi seem to do a poor job interacting with them. A kind of infuriating thing about this scene is that the Jedi seem to shame Anakin for being afraid (no matter how much Anakin himself denies that fear). This scene does a really good job at setting up how the Jedi consistently fail to take into account that Anakin is fundamentally incapable of being a “normal” Jedi. Anakin has had a fundamentally different childhood than any other Jedi and absolutely needed more help and support than the average Padawan from the very beginning. Granted it is possible that the Jedi tried to get him the help and support he needed, but if they did we can infer they failed from Dooku’s line in Revenge of the Sith, “I sense great fear in you, Skywalker. You have hate, you have anger, but you don’t use them.”

Obi-Wan And Anakin Comic

The Obi-Wan and Anakin comics take place sometime between The Phantom Menace and Attack of the Clones. The story focuses on Anakin and Obi-Wan investigating a distress signal on a planet that has been destroyed by war. The comic also flashes back to reveal that Anakin is thinking of leaving the Jedi Order after Palpatine shows him the dark side of Coruscant, and tells him that neither the Jedi nor the Senate will be able to do anything about it. We get more creepy (not just in hindsight this time) moments out of Palpatine here. The first one is when he uses his position as Chancellor to gain access to Anakin under the guise of “helping” him.  “Why young Skywalker is a Jedi, is he not? The Jedi are under the Senate’s jurisdiction. And as I am the Chancellor of the Senate...”. Palpatine proceeds to take Anakin to a club of some kind where they see a corrupt senator gambling; Palpatine also mentions how “Lives are bought and sold here everyday” he then makes a show of apologizing for bringing it up considering Anakin’s past.Without context this would seem harmless enough, but with the context of Palpatine’s true identity it is more likely a ploy to subelty remind Anakin of how the Jedi and Senate are unable or unwilling to intervene on Tatooine or the rest of the Outer Rim. Palpatine reminding Anakin of the Senate and Jedi’s inability to help everyone seems to be a running theme in their meeting as the series continues. 

Aside from Palpatine being a creep; we see that Anakin is still just as willing and eager to help as he was in The Phantom Menace. His skills in mechanics result in him being briefly kidnapped so that he can fix weapons that will help one side to win the war that has destroyed the planet. Seriously Anakin is just so ernest in these comics that i shed tears because i know how his story ends. 

One character that Obi-Wan and Anakin team up with to reach the distress signal first mistakes Anakin for Obi-Wan’s son, and then tells Obi-Wan, “He [Anakin] doesn’t think so. Kid idolizes you. You can see it” when Obi-Wan admits that he’s not sure he is the best suited to teach Anakin, and fears he has failed him in some way. As the story progresses, it is revealed in a flashback that after Anakin told Obi-Wan he wanted to leave the Order, Yoda sent the two of them on the mission they are currently on to give Anakin a chance to reconsider his decision, and Obi-Wan tells Yoda that if Anakin returned from the mission still wanting to leave the Order, Obi-Wan would leave with him to continue his training and keep his promise to Qui-Gon. 

Attack of the Clones

Back to the movies. Attack of the Clones reunites Obi-Wan and Anakin with Padmé Amidala when they are assigned to protect her from an assassin. One of ( if not the) most important elements to this movie are Anakin’s dreams/visions of his mother. Towards the beginning of the movie Anakin doesn’t explicitly say what the dreams are about, but it can be assumed that the dreams are unpleasant as he says, “I don't sleep well anymore.” in response to Obi-Wan commenting on him looking tired; going on to claim that he cannot sleep because of his dreams. Anakin later admits to Padmé that he worries about his mother. This is one of the key moments in Anakin’s life that set him up to fall in Revenge of the Sith. There is no reason i can think of that Anakin should not have been allowed to check on his mother if he was having dreams about her that prevented him from sleeping properly and made him worry for her safety. As Anakin says, “Compassion, which I would define as unconditional love, is central to a Jedi's life, so you might say we're encouraged to love.”. If compassion truly is central to a Jedi’s life, then surely they could at the very least send one of their 10,000 Jedi to check on Anakin’s mother if he could not? Is it compassion to deny someone the help they need? I find it hard to believe that Anakin would not have told Obi-Wan that he was worried about his mother going off of how close they appear to be in the previous comic. Especially after Anakin responds to Obi-Wan joking about Anakin being the death of him one day with, “Don't say that Master... You're the closest thing I have to a father... I love you. I don't want to cause you pain.” 

Anakin and Padmé arrive too late to save Shmi, and she dies in Anakin’s arms. This is a crucial moment leading up to Anakin’s fall as it shows Anakin that his dreams have a very real potential of coming true and likely results in him blaming himself at least partially for not insisting on checking on his mother or getting there sooner or doing anything different that may have allowed her to survive; it’s also the first time we see Anakin really lose control. There have been instances of him lashing out in anger before (turning a pair of padawans’ lightsabers against them when he hears them making fun of him behind his back), but nothing like what happens in the wake of Shmi’s death. Anakin wipes out the entire village of Tusken Raiders; children included. And while Anakin does express genuine remorse for his actions, he never faces consequences for them. It’s not even clear if anyone but Padmé ever finds out; Yoda claims to feel Anakin’s pain in the wake of his mother’s death, but does not appear to see Anakin’s actions, and is not shown to discuss what happened on Tatooine with Anakin at all.

Some light googling on my part revealed that in the novelization of Attack of the Clone, while Anakin did tell Obi-Wan about his mother’s death it was Padmé who told Obi-Wan how she had died, but Obi-Wan is unaware of what happened afterwards. “Anakin had told him of Shmi’s death; that was why he and Padmé had gone to Tatooine, he said. Obi-Wan had talked to Padmé later, and she had explained that Shmi had been kidnapped and killed by Tusken Raiders. Neither of them had been willing to go into much detail, and from what Obi-Wan knew of the Tusken Raiders, he didn’t blame them. It was no wonder Anakin seemed shaken, if his mother had been tortured and killed. One day, perhaps, Anakin would be willing to tell him the whole story.” Obi-Wan appears to know that there is more to the story than he has been told, but it content to wait until Anakin is ready to talk about it. I wonder if they ever had that conversation.

Anakin’s inability to save his mother even after the warnings he receives in his dreams likely leads to his desperation to save Padmé form the danger he believes her to be in later in Revenge of the Sith. He has been shown once before that his dreams can easily come true, and he is desperate to prevent this dream from coming true no matter what the cost may be. 

The Clone Wars

This is gonna be a long one; it’s gonna have to cover the most relevant episodes of The Clone Wars and oh boy that’s not a small amount. Im gonna try to go chronologically but bear with me (if you actually read this far you know what you got yourself into)

Assassin s3ep7

In this episode Ahsoka begins having visions of Padmé being assassinated similarly to how Anakin dreamed of his mother’s and later Padmé’s deaths. The difference with Ahsoka is that she is able to prevent the visions from becoming reality.  What i want to focus on in this episode is the reaction Ahsoka gets when she tells Yoda about her dreams. Yoda explains to her that her dream may be telling her something and provides her with the means to act on her visions to prevent them from becoming true.

When Anakin approaches Yoda about his dreams in Revenge of the Sith, Yoda simply tells him that death is natural and he must train himself to let go of everything he fears to lose. We could chalk this up to just a writing inconsistency, but i dont think i will. I would instead like to wonder why Yoda treats Ahsoka’s visions like they are something that can be changed but then treats Anakin’s like they are set in stone. Anakin has already proven himself capable of having true visions, and is more force sensitive than any other living Jedi. It makes no sense to dismiss Anakin’s feelings like this. All this to say looking into and helping Anakin to examine his dreams instead of telling him to let go when he has proven over and over to be incapable of doing so would likely have been significantly more helpful in the long run.

The Mortis Arc S3 Ep15-17

Honestly i dont have a lot to say on this arc aside how much psychic damage it dealt to see Anakin briefly turn to the dark side because he was so desperate o avoid the future The Son had shown him ( really hope everyone had the common sense not to bring that up to Anakin after the fact though).

 The Deception Arc S4 Ep15+18

In this arc Obi-Wan fakes his death in order to go undercover as the bounty hunter Rako Hardeen and uncover a plot to kidnap the Chancellor. This wouldn’t be a problem if they had brought Anakin in on the plan; instead they use Anakin’s reaction to Obi-Wan’s “death” to better sell the illusion. Obi-Wan even says, “Keeping Anakin on the outside was critical. Everyone knows how close we are. It was his reaction that sold the sniper. I'm sure of it.” Obi-Wan and the Council are fully aware of how much Obi-Wan means to Anakin, yet they all decide to use those feelings to their own advantage with little regard for the consequences.

On top of betraying Anakin’s trust; this move leads Anakin to doubt the Jedi Council and wonder what else they may be keeping from him if they  were willing to let him believe that Obi-Wan was dead as long as it suited their interests. “How many other lies have I been told by the Council? And how do you know that you even have the whole truth?”. 

I just cannot imagine why they thought they even had to use Obi-Wan for this plan. In the Obi-Wan and Anakin comic, Obi-Wan claims that there are 10,000 Jedi; surely there is someone less connected or with less attention on them who would be more suited to go undercover without the element of faking their death. Or if faking their death was necessary, surely they could have picked a Jedi who was not closely attached to arguably the most emotionally unstable Jedi in the Order. Anyone else would have been better. I don’t doubt that Anakin was telling the truth when he said, “If it was up to me I would kill you right here! But lucky for you, the man you murdered would rather see you rot in jail.”.

The Deception Arc just really grinds my gears because it really is almost like the Council wants Anakin to fall. There really is no excuse for how they use his bond with Obi-Wan against him for their own gain. The Council and Obi-Wan know full well how much Anakin loves Obi-Wan (see Anakin referring to Obi-Wan as the closest thing he has to a father in Attack of the Clones), and chose to use this vulnerability against Anakin in the worst way possible. 

This arc really sets Anakin to later doubt Obi-Wan and the Council in Revenge of the Sith, and make it easier for Palpatine to convince Anakin that no Jedi would understand him and that they would likely kick him out of the order and not help him. ( heck he even has a recent memory of the Jedi expelling a 14 year old from the Order for the sake of not looking bad in the eyes of the Senate. “I understand your sentiment, Obi-Wan, but if the Council does as you suggest, it could be seen as an act of opposition to the Senate. I'm afraid we have little choice.” i might go more in depth on this one later but this doesn’t feel like the right place as this is a post about Anakin and i don’t want to make and Ahsoka centric arc all about him).  

That wraps up the Clone Wars! Finally!

Revenge of the Sith

Ok big finale. Revenge of the Sith; so close to being my favorite Star Wars movie, but it almost made me cry in the library so its my second favorite (Attack of the Clones is my favorite). 

I’ve already touched on the dreams Anakin has of Padmé’s death in the Clone Wars segment, but it bears repeating and i have more to touch on. Im not 100% if im misremembering or not but i cannot recall Anakin ever explicitly telling Palpatine about his dreams, but Palpatine knows that Anakin fears for Padmé’s life anyway. It’s possible that Anakin just told him off screen but a fic i read recently ( It’s called give me one more night by Spongyllama on AO3 and it is so worth the read) introduced me to the theory that it had been Palpatine sending Anakin the dreams to begin with.

This theory has a good amount of legs to stand on honestly. As mentioned previously, Anakin never tells Palpatine about his dreams, but Palpatine still knows exactly what to tell Anakin to best manipulate him. Furthermore; Anakin’s dreams very likely would never have come true if Anakin hadn’t fallen; Padmé reportedly dies of heartbreak, something that could not have happened had Anakin not fallen. All signs point to Palpatine being behind the dreams (and we know that Anakin and Palpatine are close by the time Attack of the Clones occurs so it’s not out of question that Anakin may have told Palpatine about the dreams about his mother, giving Palpatine the idea to use those dreams against him later)

Conclusion

Honestly the biggest thing i think the Jedi could have improved on was just trying to understand Anakin better. The average age for entering the order is 2 to 3 compared to Anakin’s 9. Anakin entered the order years after any other Jedi, and because of that was able to remember his mother and had formed attachments (or attachment but i digress) before he had even reached the order. It should have been obvious from the start that if Anakin were to ever become a successful Jedi he would need significantly more help than the usual padawan.

We frequently see Anakin scolded for forming attachments or being too emotional (see Clone Wars s1e6-7 where R2-D2 goes missing and Anakin suggests taking a squad out to look for him “Anakin, it's only a droid. You know attachment is not acceptable for a Jedi.”(Obi-Wan) “Train yourself to let go of everything you fear to lose.”(Yoda). etc etc)  But, to the best of my knowledge, we never really see anyone showing Anakin how to let go. Anakin lacks the tools he needs to properly deal with his emotions, so the best he can do is shove them down and pretend they don’t exist because to him that’s what a proper Jedi does. No one has ever told him otherwise. The explosion was inevitable.

Anakin Skywalker was a traumatized child who was most likely never taken to therapy or told how to deal with/ healthily show his emotions in any way other than to ignore them or push them aside on top of being manipulated by Sith Lord from a young age. With all these factors is it really a surprise that Palpatine was able to turn him?

ok im done; see yall next time ig

[stina-is-a-punk-rocker]

‘always and forever, lara jean’: a bungled mess of my thoughts while watching the movie

Alright, cards on the table: I never finished reading the book. I got bored a couple of pages in, so I just read up the summary on Wikipedia and called it a day.

Not gonna lie, I expected better from the movies. I loved the first movie; it was cute, it was fun, it hit all the right places. The second movie was… eh. Jordan Fisher is cute, so that’s a plus.

And then we got the third movie; the final in the To All the Boys I’ve Loved Before trilogy.

And it was somehow even worse.

Maybe I’m exaggerating. Despite its shortcomings in the plot and character development-related departments (the fact that Lara Jean wrote addresses for letters she never meant to send is something that will bother me on my deathbed), the movies have their merits. They’re cutesy and charming and enjoyable, overall; movie-LJ is sweet and unashamedly a girly-girl, which is a refreshing change from the #NotLikeOtherGirls, pick-me girls and bruh girls we had in loads of other YA movies growing up. Peter’s pretty cute, too; he’s not a possessive freak like so many other love interests (The Kissing Booth, After, Anna and the French Kiss), and his and Lara Jean’s dynamic is cute, too. Not to mention- we finally have an Asian lead whose Asian-ness isn’t the whole focus of the story!

Again, maybe I’m being extra with all this. The series is, at its core, solely for entertainment purposes. Not every piece of media has to have an underlying message and you shouldn’t need to read between every goddamn line to find something worthy of enjoying. They’re certainly helpful for whiling away a couple of hours; perfect for bingeing with a pint of ice cream in hand, and all of this is in good fun.

Also, it goes without saying, but: spoilers ahead.

The film beings with Lara Jean scribbling a postcard to Peter while she’s in Korea with her family. The inclusion of that little snapshot of Asian culture made me so happy- seriously, fuck everyone who says diversity in media doesn’t matter. I’m not even Korean, and I was overjoyed at seeing a couple of scenes just from the same continent I’m on. The K-pop music in the background was a fun touch, too (although all Korean music isn’t K-pop, but that’s a rant for another day).

(Also: Blackpink has so many more suitable songs than Pretty Savage that go with the theme of the movies. Kill This Love in the second movie while Lara Jean is getting ready to go to her boyfriend’s match is bad enough- they’re supposed to be in love in that scene, goddammit.)

One thing that bothered me throughout the movies is how obviously non-Korean Lara Jean and Margot look. It’s like whoever chose the cast went for any random Asian- Lana’s Vietnamese and Janel Parrish is half-Chinese, and it’s so obvious. You seriously couldn’t find two Korean-Americans who even vaguely resembled each other so they could pass for sisters? The actresses do a stunning job and I don’t want to shit on them, but I just wish they didn’t go with the ‘all Asians look the same, what’s the difference?’ mindset.

Also, a nitpicky thing I’ve noticed in movies with characters who read a lot: no one holds their books up while they’re reading. Your arms start to cramp, which is why you keep your book in your lap while you’re reading, or you rest on your belly and hold the book in front of you. My spine and shoulders didn’t suffer years of torture as a chronic reader for you to include characters who hold their books up while reading.

A major gripe I have with Always and Forever, Lara Jean is how the characters are almost jarringly out of character- not from the books, but from the two previous movies, too. Lara Jean didn’t have much of a character to begin with, so I can’t say much about her (she dissed Oasis at one point; it’s okay for me to be mean to her), but the rest of them are either caricatures of themselves or just totally different people.

Movie Peter >>> Book Peter. He’s almost too perfect (except for the fact that he unironically loves The Fast and the Furious, which… ew), almost too much of the ideal boyfriend. Not that my perpetually single arse would know. How do boyfriends even work? I wouldn’t know the first thing to do with one; how often should you feed it? Do you need to take it on walks?

(In the notes I’ve written towards the end of the film, I’ve complained about Peter being immature and making Lara Jean feel bad about following her dream to go to NYU. He confuses me.)

Not to mention how distractingly adorable Noah Centineo is from some angles and under certain lighting conditions (other times, he reminds me of the human version of Shrek and that bothered me). King of weird Tweets and Instagram captions though he may be, he’s got a really nice smile, and his gravelly voice is both parts sexy and disturbing.

But I digress.

I’ll never forgive the directors for what they did to Kitty and Chris- two of my favorite characters, from both the books and the movies. Kitty’s annoying to the point of being borderline unlikeable- gone is the occasionally snarky comic relief we all came to love; in her place is an annoying brat whose every line comes out forced. Also, making soap is fun; fuck you, Kitty.

Chris is essentially Dixie D’Amelio’s character from that TikToker Grey’s Anatomy ripoff; the main character in One Direction fanfiction from 2012 who doesn’t want to go to the concert but her best friend gets a ticket for her so she can’t bail but Harry Styles sees her in the crowd and falls in love at first sight and 50k of mutual pining and misunderstandings late, they get together. She’s cynical and snarky and hates capitalism and consumerism and prom (because of course she does), but secretly, she’s into it (because of course she is). My guess is that she’s there to appease all the arseholes (including myself) who accused the characters of being too one-dimensional, but it seems too out of place in a movie that doesn’t have much plot to begin with.

I really, really hate how Lucas was done dirty- throughout every single movie. Of course, it’s Lara Jean’s story so not every side character has to be fully fleshed out- but you’d think three. entire. movies. would be enough to give Lucas a bigger role than the GBF and the token black guy for the diversity brownie points. Every single time Lucas shows up, it’s to push Lara Jean and Peter’s story forward. I would’ve liked to see a romance for him pushed forward instead one for Chris- especially because he says, at one point in a previous movie, that it’s hard to find other gay boys, so it would’ve been sweet to see him find love- and Chris’s character arc could’ve been focused on reconciling with Genevieve. Instead, we see the OG Reggie from Riverdale be the one to show Chris the bright side of monogamy, and Lucas gets a date to prom as an afterthought (another darkskin black dude, so no one thinks the film is racist).

Genevieve’s character in this movie gives me whiplash. Look, I’m all for girls supporting girls- healthy female relationships are something way too many YA movies lack- but she goes from bitch queen extraordinaire to friendly the moment the next scene calls for it. Her character isn’t consistent. A redemption arc should be executed cleanly and believably; you can’t have a character be a total prick one moment and then suddenly be, “Hey, if you get into NYU, let me know,” the next.

And Genevieve’s still an arsehole to Chris; at one point, in NYC, while they’re at the NYU campus grounds (I knew that Lara Jean was going to go to NYU the moment she saw all the banners; I fucking called it), Genevieve tells Chris, “University is for people who actually have a future,” and I recoiled. I’m not the nicest of people and yet that was going too far. Chris doesn’t hesitate to shoot back a, “You peaked in high school,”, but still. Y i k e s. You can’t convince me someone’s turned over a new leaf when they say something like that.

Lara Jean’s dad (forgot his name; gonna call him Dr. Covey) is as unremarkable as ever, and his new wife (forgot her name, too… Trisha? Trina? Eh, something like that) is… unsettling. I mean, I get that they’re all loved up and twitterpatted, but there’s something about all the smiling they’ve got going on that chills me to the bone.

Also, Trisha/Trina kinda looks like TikTok’s ThatVeganTeacher and it bothers me.

Another huge problem with this movie even being made is that the series never had enough plot to continue onto a trilogy. Lara Jean’s letters are what the plots of the first and second movies revolve around; the third only mentions them in passing. The final love letter from Peter was a cute callback, but there’s a massive continuity issue with the first two movies and this last one- both character and plot-wise.

Maybe I’m not articulating this clearly enough, so I’ll use an example: take Harry Potter, for example. Harry’s main goal throughout the series is defeating Voldemort. And it takes all seven books for him to get there, to finally achieve this.

Lara Jean’s goal in the first movie changes midway; from keeping up the façade with Peter so she can avoid the crap with the rest of the letters getting out, to making her fake relationship real. It forms a bridge with the second movie; the letter that went out to John Ambrose, and her dithering between Peter and perfection (I’m not sorry). But what does the third movie have to do with any of this?

There were way too many music montages. You couldn’t go five minutes without a random pop song playing in the background, and it was annoying as hell. Don’t Look Back in Anger was w a s t e d on this stupid film. The artsy scenery shots were even worse- no, I don’t give a fuck about the New York skyline or a bird’s eye view of whatever vehicle Lara Jean is in. A few shots of Seoul would’ve sufficed; the rest was overkill. This movie is way too damn long already (almost 2 entire hours!!!); cut out a couple of those. No one cares.

I thought they’d pull the whole Aladdin trope with character-A-keeps-trying-to-tell-character-B-the-truth-about-a-lie-B-believes-in-about-A-but-B-keeps-interrupting, but Lara Jean (typing her name out is annoying, why couldn’t she have a single name, like both of her sisters?) comes clean earlier than I expected. Peter’s reaction about LJ not getting into Stanford is… uncharacteristically mature? No “Why did you lie to me?”, no accusations, not an ounce of betrayal. Which I did not expect from a guy who’s a little bitch for the greater part of book one (I really don’t like Book Peter, in case you couldn’t tell). I know fuck-all about book three’s Peter, so I can’t tell if he really did adopt this mature, well-adjusted persona, or the movie did it to make Peter seem like less of a dick (like they did it with the sextape-that-wasn’t-a-sextape in the first installment).

On a sidenote, how do these main characters in YA books get into really good colleges with zero to no visible effort? These arseholes fuck around for the entirety of the story and have way too much going on to actually do schoolwork, but they waltz into Ivy Leagues at the end. And apparently, I’m not the only one bothered by this.

There’s something to be said about how the movies don’t really sexualize minors (characters who are minors, to be fair. None of the MCs look anything like teenagers), though. It’s almost weird to see them not getting drunk and partying and having sex all the time. Maybe that’s why Lara Jean trying to get her hand on Peter’s dick felt so stilted and awkward (I cringed so hard when she kept trying to touch him and he kept pushing her hand away, holy shit).

And the kissing. It’s to be expected from a romance film, but there was so. Much. Kissing.

The amount of product placements (… actually, I could count only two: Apple and a pair of Beats headphones Lara Jean puts on at one point, but the movie shoved so many iPhones in my face that I’m obligated to exaggerate) would’ve made anti-capitalist Chris mad.

I’m guessing this all takes place in a parallel universe, sans the coronavirus. Still, being in quarantine this past year and being socially awkward for every other one, it was agonizing seeing everyone so close together in NYC. When Peter kissed the ball (lol) (I have the sense of humor of a straight boy in middle school, don’t judge me) when him and Lara Jean go bowling, I had a visceral reaction. And what are the odds of Peter meeting his estranged dad at the very same bowling alley?

Speaking of Peter’s daddy issues (I’ve written “Hardin but diluted” in my notes; I watched this movie at, like, 1 AM; I’m not entirely sure what was going through my head at that point)- I hated how they guilt-tripped Peter into giving his father another chance. In the wise words of Hannah Montana, everybody makes mistakes- but leaving your wife and two kids for another woman is pretty far from a little oopsie on Mr. Kavinsky’s part. I don’t blame Peter for hating him, and I’m not in a place to judge whether Mr. Kavinsky (does he get a first name?) should be forgiven or not, but I feel like they let him off too easy and made Peter seem like a misunderstood teenager with anger issues for not accepting Mr. Kavinsky’s (crappy) apology at once.

And it adds nothing to the story at all; Mr. Kavinsky peaces out after having one (01) coffee with his firstborn, and he’s never seen again. If you’re going to introduce a subplot, make it tie into the main storyline- the very least you could do is make it an important enough part of the story to have more than 10 minutes of the run time. It makes no sense as to why they’d bring up Peter’s dad in this last film, when he’s already gone through two perfectly fine. I guess it was a ‘tying everything up’ part… even though no one cared.

Lara Jean’s handwriting is surprisingly ugly for someone who’s written that many love letters. And her styling took a definite nosedive; her outfits in the first movie were so effing cute, but now they’re just… meh.

There are so many conversations and lines that the writers must’ve thought sounded good enough for someone to type out the quote in curly font and slap it on a screenshot from the movie to post on Instagram, but when it comes to the actual delivery, they just sounded… weird.

Peter says one time near the beginning of the film, “You know what I’m looking forward to the most in college? Never having to say goodnight,” because he expects him and Lara Jean to get into the same college.

But I guess the word they should’ve used was ‘good-bye’, because this just makes him sound stupid.

At one point, Lara Jean asks Kitty how much Kitty’s gonna miss her when she goes off to college, and Kitty says, “A four.” Later on, she confesses, “I’m gonna miss you a twelve, Lara Jean,” and all I could think was, “But we’re endgame, Archie!”

(In hindsight, I probably shouldn’t let people know I’ve watched Riverdale; it lessons my credibility.)

Still, there remains some good to be found: all the baked goods looked very delicious and made me crave chocolate chip cookies. Peter wearing the socks Lara Jean gifted him at the beginning of the movie was a cute gesture, and Lara Jean giving Peter her teal hatbox? The one she kept her love letters in? Was so? Cute? Help?

And hey, it’s a cliché that’s been done to death, but I’m always a sucker for that part in movies where the girl walks down the stairs in a pretty dress with her hand on the banister and the boy turns around and his mouth falls open and all he can say is, “Wow,”- and this film did not disappoint! Not to mention how cute both Lara Jean’s and Chris’s prom dresses were.

Dr. Covey and Trisha/Trina’s wedding was cute, too- I struggled to decide whether Kitty wearing a necklace that says ‘feminist’ and a tux is a bit too on-the-nose, but I’ve decided that it’s nothing to get my knickers all in a twist about (for clarification: it’s not the necklace or the crossdressing that made me debate this; I just wish they didn’t make a big deal out of it- I wish they didn’t have Kitty and Lara Jean get into an argument about her not wearing a dress, if that makes sense?).

And the final letter- the one from Peter to Lara Jean- I ate that shit up; it was so, so, so cute.

In conclusion (why is it so easy for me to crank out 3k about my thoughts on a Netflix movie and yet when it comes to English Lit. at school, I’d stare at a blank sheet of foolscap for ages?), did I enjoy the movie? Not really. There were parts of it that I liked, but it was overall too boring and I kept wishing I’d watched the new SKZ Code episode instead every few minutes.

But that doesn’t mean that it was bad. I kinda feel a little sad, actually, now that Lara Jean and Peter’s story has come to a close; To All the Boys I’ve Loved Before, the first movie, is one of my favorites, and bitch though I might about them, the kinda grew on me… like an innocent plant, at first, but then like a fungus. Not a parasitic fungus, just not mutualistic, either… kind of like a commensal.

Maybe I should stop with the biology similes.

[sillyfudgemonkeys]

How I think P3D should go down pt 1.

Persona 3 Dark Hour Dance will probably be the name.

Ok so I finished the PQ2 thing, onto the next “How I think this should happen,” unlike the PQ2 thing where my main focus was on B-plots than the main plot (I was waiting for P5 to be released so I could get a better idea, so at that point the main plot was just going to be similar to PQ), P3D however is kind of my baby as I’ve been kicking around ideas since P4D’s announcement. And while some minor things have changed over the past two years the main plot is still the same and so are the themes (I actually debated writing it as a fanfic that’s how much I had planned out, but sadly I don’t have the time so get ready for a very long summary/jist of it instead split up into multiple parts :’D)! Only spoilers here will be of Persona 3 and P4D (with maybe some of the P3/4 spinoff games referenced too) but no P5 spoilers as they aren’t going to be present here so don’t worry. With that here we go:

Quick note: I’ll be referring to the male MC as Minato, I don’t think we ever got actual confirmation that Makoto Yuki is his canon name, but nonetheless this post is part of a series and I do bring up P5 characters in those posts, and to avoid confusion with them (aka P5!Makoto and P5!Yuki) and so I don’t have to put P3!/P5! In front of their names, I’m just calling him Minato.  Another note is that I won’t be referring to the city this takes place in by name but I will try to give hints to where they probably are, see if you can figure it out! 8U

Similar to P3 and P4D it opens with an animated cutscene. It almost mirrors P3’s shot for shot, just with the person who is walking more obscured (and with the camera focusing on heavily zoomed up shots of the body as to avoid giving away anything about the figure even gender) and “different” music is playing, and as each shot changes there is a change in the song, like the beats start to slowly sound familiar. (pictures to help give a flow)

The scenes in the P3 cutscene where it flashes to Yukari instead flash is instead flashed to a young, brown haired girl at a studio (similar to the P4D opening cutscene with Kanami as a kid) the kid we see feels familiar but we don’t really know why; the little girl seems to be practicing a dance routine but seems hesitant to do one of the dance moves (mirroring Yukari’s hesitation to pull the trigger), the last scene with the little girl is where she decides to go for the move and pulls it off (so this instead opposes what happens to Yukari, but her situation makes sense). The little girl is ecstatic and then muses “I did it! I can’t wait to show sensei! *looks at clock* I should keep practicing before my lesson begins…. *pouts* You better not be late sensei….”

And then we flash back over to the body that we have been following (at this point the song is still unfamiliar). We get a shot of the person getting on/riding the train/bus (mirroring Minato getting on the train)

And then a shot of them getting off the train but instead of stopping and the Dark Hour taking over the figure keeps on moving and the music still keeps going (indicating this person is in a hurry and they know where they are going). The final shot is one that mirrors the panning shot of Minato looking at the dorm. (except from up to down, it’s from down to up)

This is where we finally see the figure we’ve been following. Last zoom in on the figures feet (which come to a sudden stop right when a giant gust of wind hits), on the last motion of each foot there are two very familiar beats, the camera zooms out at brisk pace as a very familiar song’s music begins to bellow, the camera zooms up the legs and briefly register the person is wearing sweat pants, then the torso we register that the person is wearing a sweatshirt with the number 22 on back, and then we see the back of the person’s head…..a girl with a messy, brown haired bun. Just then the wind eases up and we see a butterfly fly in front of the girl’s face only to then fly around her and into the camera, right as she turns her head the “BURN MY DREAD!” lyrics finally kick in. We see the girls face as she looks at the butterfly, red eyes with her pins arranged in a roman numeral 22 fashion. She continues to look at the butterfly in awe (mean while the music builds higher and higher, with the lyrical line ‘Burn my dread’ increasing in epicness along with the music). She keeps looking in the butterfly’s direction, then has a sudden look of panic (as if she remembers she’s late for something) and turns and runs through the doors.

The music stops with a “DUHN” right as the doors close and there’s silence. And then in the blackness we hear a voice say “You’re late! I’ve been waiting a long time for you!” in the voice of the little girl we heard earlier.

We quickly jump right into another cutscene, we see a familiar hand suddenly whisk out a piece of paper saying, “If we want to proceed, please sign your name here.” The camera zooms out and we see a red headed woman, it’s Mitsuru, the person holding the paper is Aigis. Mitsuru looks at Aigis waiting for her to continue, “Don’t worry, it’s just a contract. It’s just to make sure we take responsibilities for our actions. You know….the usual stuff.” Mitsuru sighs before grabbing the paper and signing it. The scene then transitions over the P4D Visual Novel style. The begin discussing about the events of P4D, they muse how trouble seems to follow those kids. They are upset that they didn’t act in that situation (as they didn’t get the shadow reading/alert early enough and the kids resolved really quickly). But because of that incident, and the data they gathered from the P4 kids, they were able to see a similar shadow reading occurring in a town and are hoping the can investigate it before anything bad happens. They decide they need every single person of the SOs on deck if it’s anything like what happened in P4D, but they won’t get the P4 kids involved (as if anything happens to the SOs, the P4 kids would be the world’s last hope). That being said, they would still keep 3 of the P4 kids close (Naoto, Rise, and Yu), Naoto because she is working a case nearby, Yu because is living in the next town over, and Rise because she has work to do at the studio that they are attending. Mitsuru and Aigis are both amused as it seems like trouble really does seem to follow them.

The scene transitions over to the girl we saw in the opening with the little girl. They are finishing up the lesson, the little girl is berating her sensei (whom if you haven’t realized by the description is the P3FeMC) being late.

Little girl: You were so late! *pouts* Older girl: *pouting back* Hey hey it was only five minutes! And I made it up to you by staying over for 4 times as long! LG: Why were you so late?! OG: I was waiting for the mail, but the mailman came late….. LG: Oh! Ok! Wait so does that mean you got it? :D OG: *depressed* No….. *orz* LG: Oh no…I’m sorry…. OG: It’s ok…. ;w; *stomach grumbles and she shakes off her depression* Ahhhhh all this running around and being sad has made me hungry! How about it, wanna grab a bite? My treat! LG: Really?! Can we get takoyaki! :D OG: Haha sure!

So yeah, Takoyaki the girls’ favorite (hint hint). Just then the dance instructor from P4D (Coach is what I’m calling him, he was never given a name so yeah just calling him that….also yeah I’m using male pronouns for him only cause English ver uses those and I just don’t want confusion). So anyways, Coach comes in and greets the girls: “Well well well, if it isn’t my little protégé Ni-chan! Well not so little anymore since it looks like you have your own little protégé too, Maiko-chan is it?” Yup, the little girl is Maiko, then 2nd grader from P3, tho now she’d be in like 5th grade (same grade Ken was in P3 8U). Ni(-chan) is what Coach calls the FeMC (note I’ll be calling her Ni from now on), though we later find out that’s just a nickname, the entire game she is actually referred to in a nickname form (similar to how Minato/Makoto didn’t really get a canon name ala PQ, her canon name is not revealed). Also, this is the first time Maiko meets Coach, and is the first time she’s heard that variation of Ni’s nickname (later you’ll hear people calling her other names, they’re all nicknames there’s meta reason is to avoid giving her a canon name for yet another game 8U).

Maiko: Ni-chan? Ni: I-it’s another nickname is all… Maiko: I’m gonna call you that instead from now on! :D Ni: *comically distraught* H-huh? No more “Sensei?!” D: Maiko: Wait so you know Ni-chan mister? Ni: Nooooo she’s already started doing it! TT_TT Coach: Haha sorry Ni-chan! And yeah I’ve known her since she was around your age!

We then get a little backstory on Ni’s past and concerning dancing and how she was a prodigy and was able to land a job at the agency (to teach beginners at least) and how she was in high school when she started the job. The conversation then goes back to Takoyaki.

Coach: Haha you must really like Takoyaki Maiko-chan! What’s your favorite? Ni: Favorite? Isn’t it all octopus? Maiko: Actually my favorite is in Port Island, and it’s called Weird Takoyaki! Ni: *winces* Nnng. (no one notices) Maiko: Yeah and Mister/(o)Nii-san used to treat me to some all the time! Ni: *back to normal* Nii-san? Maiko: Yeah he was someone who used to play with me all the time! Ni: He sounds like a great guy then! Maiko: Yup! Actually he reminds me of you Ni-chan! Coach: Ah! Nii-san and Ni-chan! Is that why you latched on to that name? Maiko: Haha yup! They’re so alike! Ni: I wanna be called sensei again! ;w;

The scene ends. Also Ni is portrayed to be very outgoing, energetic, and nice throughout what we’ve seen, but her demeanor does crack for a second (wonder why :D Hint hint remember this).

The next scene then transitions over to the SOs, well some of them. Mitsuru, Aigis, Labrys and Akihito are there (the others will be showing up the next day). They discuss the possibilities of this shadow situation being different compared to what they’ve faced in the past. Different being, they might have to use the power of dance to defeat shadows. The problem is that….no one but Junpei (cause you know Saturday Night Fever pose he does canonically) Aigis and Labyrs (cause they can matrix download dance moves if they want to)...and maybe Yukari (she’s pretty hip to things so I wouldn’t be surprised) knows how to dance. XP But Mitsuru being Mitsuru and always wanting to be prepared, has come up with a plan! She suggest they learn something like “fight dancing” (yes it’s sounds really stupid, but it’s the only way I can see it working in-canon and lordy lord it’ll be glorious in soooo many ways). Ok so, basically everyone knows how to fight, everyone probably knows a few songs, and basically they’d just be mixing something that is like a “fight choreography” to music. Considering fight choreography in movies kinda go about a similar way to actual dance choreography.They will of course throw some actual dance moves in (this IS a dancing game I swear 8U) but for the most part it’ll be like a fight dance choreography thing. Akihiko is not exactly fond of the idea as he’s thinking he’ll look dumb....until Mitsuru says that shadow boxing to a beat might give him a unique rythme and be good for training. 8U Aigis comments that she won’t lose to anyone in the “do the robot” dance move as is the self proclaimed best at it. This is where we get our tutorial, either Aigis or Mitsuru dance here. (I should note that Aigis and Mitsuru are probably going to fulfil the Yu and Rise roles of this game). 

We transition back over to Ni’s side of the story . She’s back at home, she talk talks to herself a little bit only to decide to take a shower (paralleling Kanami’s scene in P4D where she talks to herself and then checks the website only to take a shower). There’s a cutscene where Ni is getting up to get ready to take said shower only to stops and look at her computer; and the camera zooms in on a USB drive, it cuts back over to Ni’s face whose face goes from (cutely) neutral to fairly serious before walking away muttering “not right now.” There’s a quick shower scene (just like with Kanami), though it cuts to her after she’s finished her shower and is fully dressed, and is now drying her dripping wet hair in front of the mirror. She stops for a second to look at herself, some water roles down her face, then suddenly there’s a quick change in seneary! Everything goes dark, and the water on her face and towel are now red as blood. And then as suddenly as it appeared, it’s gone and the lights are back on. Ni freaks out jumping away from the image falling down, and then she slowly gets back up to look at herself in the mirror again. (panting and really shaken up by what she saw).

Ni: *touches face* Ni: *looks at towel* Ni: *touches mirror* Ni: *realizes she’s ok* Ni: *inhales* It’s ok, it’s ok. You’re just.....seeing things cause your tired. That’s right.....Just go to bed and you’ll be fine.

The scene ends with a few zoom shots in the room, ending on a zoom in on the USB drive. 

Part 1 end.

cont pt 2