#theme: light
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vampiremogai · 2 days ago
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[Plain text: Phosvampirial / Phosvampire-!
a phosial gender that is lit by light from, reflected off of, or filtered through vampires.
phos + vamp + ir + i + al.
requested by no one, coined by us. End PT.]
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✦ ​ ​ ✦ ​ ​ ✦ ​ PHOSVAMPIRIAL / PHOSVAMPIRE- ! ╰┈➤ a phosial gender that is lit by light from, reflected off of, or filtered through vampires. ╰┈➤ phos + vamp + ir + i + al ╰┈➤ requested by no one, coined by us. ​ ✦ ​ ​ ✦ ​ ​ ✦
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wallpapersdehetalia · 2 months ago
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Be happy.
Character: Spain
Theme: Flowers; Light, warmth, cozy; Quote
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dress-my-dragon · 5 months ago
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Enlightened - 2642143 [Worn by Tyddras]
Keep reading for apparel list!
━ Apparel List (6 pieces)
Light Aura
Sunshield Cloak 
Simple Gold Wing Bangles 
Simple Gold Bracelets 
Golden Seraph Tail Bangle 
Advisor Rings 
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Bring Light To The Darkness
《for @magpie-trove. I don't know if fanfics are allowed as part of the @inklings-challenge, but if they are, this can probably count for my Christmas challenge offering.》
“In him was life, and the life was the light of men. The light shines in the darkness, and the darkness has not overcome it. There was a man sent from God, whose name was John. He came as a witness, to bear witness about the light, that all might believe through him. He was not the light, but came to bear witness about the light. The true light, which gives light to everyone, was coming into the world.
John 1:4‭-‬9 (ESV)
The first time she walked in the creaky, rusted door of Opened Door ministries, with their name printed on a colorful, vinyl-laminated sign on the window of the storefront they were in, she was seven years old. She'd just asked her mom to cut her hair and her mom had said no, that she needs it long for the winter to keep her warm, because they don't have the money for new scarves. Walking around the corner from their apartment, which at least still has heat even if the oven is broken, makes Stephanie think that maybe her mom was right.
Mom is on the phone with the landlord. Christmas is tomorrow and they had gotten a big turkey, but now, they can't cook it. Steph, who reads all the signs on the street as the schoolbus takes her past, had slipped into her big thrift-store boots and purple coat that was a birthday present this past year and snuck out the door while Mom argued with their landlord.
"Free Christmas meal," the sign offered, in large red text. There's smaller lettering underneath it that Steph hadn't been able to make out through the frosty windows of the bus, but the boy seated next to her who she thinks is a couple grades above her and always has his nose stuck in a book had reading glasses on and told her it said "all you can eat, noon to 6pm Christmas Eve and Christmas Day". Steph sits next to that boy because he's always warm, like as in friendly but also body heat. The bus doesn't have heat. At least Steph and her mom's apartment still has that, though, and so does the building that the Christmas dinner place is in.
Steph steps, or kind of shuffles because of all her winter clothes, into the storefront (which isn't a store) at 5:58pm on Christmas Eve. There's a lot of people starting to clean up, but she got in two minutes before the doors would have been locked, so she's lucky or blessed or something. A lady takes one look at the purple and blonde poof that is Stephanie Brown and grins, a really warm kind of grin, and asks her what they can do for her.
"My mom got a turkey for Christmas," Stephanie explains, because she doesn't want these people pitying her and thinking they can't afford their own food, "But our oven broke and they can't fix it yet. So I wanted to get us a Christmas dinner and I saw your sign from the schoolbus. So. Um." She shrugs, a swishy sound because her coat rustles against itself. The lady nods understandingly.
"Does your mom know you're here, though?" Asks a younger woman from over by a table that Steph stares at for a minute, eyes wide, because it's covered in sweets.
"I left a note."
There's a murmur, maybe a bit of a laugh. "Okay then," says the first lady, the one with the warm smile. "Let's get you and your mom some Christmas dinner."
And she's led over into the room with all the food, tables piled high with turkey (light meat for Steph, dark for Mom, and lots of gravy) and potatoes (Steph likes the cheesy ones best) and vegetables (that she accepts without complaint even though she doesn't like green beans). The lady helps her fill two big grocery bags with take-boxes of food and then lets her pick out whatever desserts she wants from the table she'd seen before. Steph leaves the store that isn't a store with enough food for a week and a chorus of "God bless you, Merry Christmas" that she echoes back even though she doesn't really know what the "God bless you" part means, because she didn't sneeze or anything.
The teenager who had been there had put a little piece of paper in the bag that Steph reads once she's home and in bed, happily drowsy from turkey and a huge piece of chocolate cake.
"Opened Door chapel services:," it reads. "Saturday, 6:30pm; Sunday, 11am. Youth service Wednesday nights, 6pm. Opened Door after school program daily 3pm-5pm."
Stephanie isn't totally sure what any of that means. She's never been to church before (She's at least mostly sure that "chapel" means "church," pretty much). She doesn't think about the little church that set up in a storefront for another few years, until she's nearly eleven and her dad is out on bail (which means that the apartment's heat hasn't been paid for because her mom decided to pay to get Dad back. Even at ten and a half, Steph doesn't understand that very well) and she's sick of hearing them argue.
She climbs down the fire escape and walks around the block to where she remembers getting Christmas dinner and a smile three years ago. It's Wednesday night and she doesn't know if she's old enough to be part of the youth stuff; youth usually means kids older than her, like Jason from the bus who she hasn't seen in school for the better part of a year. She doesn't just walk in like before, she knocks, since she isn't sure she's allowed at this stuff.
"Hi," she says, when someone comes to the door. It isn't anyone she recognizes. "You have... youth stuff tonight, right?" She shoves her hands in her hoodie pockets and decides she's not going home if she's turned away here.
But the kid who opened the door (hah!) just smiles and invites her inside. "What grade are you in?" He asks. "We have different small groups for different grades."
"Sixth," she lies, because 6th grade means middle school and none of the kids in the room look younger than that.
The guy nods. "Cool," he says. "You'll be with Lynn's group, then."
Lynn is, apparently, the younger lady who'd helped Steph on Christmas Eve nearly three years ago, and she recognizes the combination of long blonde hair and purple clothes immediately. Steph sits in the circle of kids just a bit older than her and smiles as they go around the circle and introduce themselves. This is, she decides, way better than staying at home in her room while her dad tries to convince Mom that he's helping them when he really isn't. At least these people actually do help other people. At least they invited her in.
They play a game a little bit like charades, but not quite, and then Lynn hands out soft-paged Bibles with plasticky feeling blue covers and the words Holy Bible, English Standard Version printed on the front. Lynn says a lot of words that Steph doesn't understand and several kids start flipping through the thin pages. Steph tries to read over the shoulder of the person next to her, who notices and stops what she's doing. Steph pulls back, hesitating.
"Hang on, Miss Lynn," the girl says in a lightly accented voice. "I think Stephanie needs help finding the right page."
Steph wills herself not to flush or curl into herself and hide, just lets the girl — Nadia — show her how the books and chapters and verse numbers work (she doesn't understand it still, but it will start to make sense in a couple weeks). When Nadia stops thumbing through the book, it says John 1 at the top of the page in bold letters. Everything else is in tiny print that Steph has to hold close to her face to read.
"The light," Lynn says in a slightly different voice than her usual one, "Shines in the darkness, and the darkness has not overcome it."
Steph likes the sound of that. She stares at the words on the page in a way that only someone still young and curious and new to all this can. When the conversation, drawn out by Lynn's leading questions, draws to a close and people start to funnel out of the store (which is definitely not a store, even if Steph got food there once), she holds the floppy, thick book with the bold word Holy and wonders if anyone would notice if she took it.
She isn't like her father, though. She isn't a criminal even if she did lie about being in middle school, and stealing doesn't sit right with her. So she walks over to Lynn, in a corner talking to one of the older kids, and waits for a break in the conversation so she can butt in.
"Uh," she says eloquently, "Can I... take this home?" She waves the Bible in question.
Lynn smiles at her, a little naturally lopsided. "Oh yeah, that's what they're here for!" she says. "You can totally take one home! I hope we'll see you here next week...?" She offers, and Steph nods. Even without the offer of free food, she thinks she likes it here.
She goes to that youth group every week from then on. It isn't like, a huge revelation, but it's fun and it gets her out of the house and they always say "come on in!" all bright and happy when she walks up, like somehow the leaders and other kids all know that Steph needs an invitation (like some kind of purple-clad vampire, or just a girl who isn't used to being welcomed). Nadia helps her find Bible verses sometimes but mostly she does it herself, but she likes sitting by a girl whose name means hope.
She learns that, about Nadia's name, a few weeks before Christmas when she's fourteen and everyone thinks she's in tenth grade instead of ninth and she still hasn't corrected them on that, even though she feels crappy for lying. "May the God of hope fill you with all joy and peace in believing," reads the feather-light page that Steph maybe will always be afraid of tearing. Nadia lights up even more than she's normally bright and warm, and she tells the group of a Russian family name passed down, almost like the handing of hope from generation to generation. Steph thinks the name fits her.
The light shines in the darkness, reads the verse they'd talked about the first time Steph went to the youth meeting. That's what she wants Spoiler to be; that's what she tries to make herself. She knows the Bible verse is about the Iight of God, but she can apply it here, too, can't she? She's all eggplant-purple and golden hair and her dad is full of darkness, Batman is full of darkness, too, even though she thinks he honestly tries not to be. And if God's light can't be overcome or understood by the darkness, then it makes sense that Stephanie — Spoiler — can't be, either. She won't be.
Saturday night in late autumn, and she's sixteen and not out as Spoiler because for once, her dad is at home. Of course it's the one time the power is out, too, and Steph runs smack into her father on her way to the bathroom in the dark. He grumbles at her, something low and frustrated about how she's always in the way and she was an accident, anyway, and Steph ignores it and leans back against the closed bathroom door and tries not to cry. Mom is asleep or high, she isn't sure which, and she's too old to run to her mommy like a baby because her feelings got hurt; but she suddenly feels unwelcome even in her own house, her own life.
Her father never wanted her, her mom barely does, and Batman sure doesn't want Spoiler around. She has a wristwatch with numbers that glow in the dark and when she checks it, it's 6:30, already dark outside as it is inside and as is creeping into her heart, and. And, and, and. She's never gone to an actual chapel service at Opened Door. At least she's pretty sure she's welcome there.
She shrugs a cardigan over her plain T-shirt and leggings, feeling strangely like she needs to make herself presentable, check that her face isn't blotchy from holding back emotions. She would put on makeup, if she had enough light to do it by. Instead, she pads quietly down the hall in a worn pair of hightops and steps in exactly the right places on all the building's stairs so that they don't creak. Batman may not want her, but she hasn't learned nothing from him.
There's music coming from inside the storefront when Steph opens the door of Opened Doors, slipping inside to warm yellow light and friendly smiles of greeting even though she's ten minutes late and has been lying about her age since before she was eleven. She's heard a little of this kind of music, sometime playing in the background on a radio when she first arrives at youth group. But this is different, with a guy playing guitar on a small stage set up in the main room and a woman next to him singing and swaying. Steph stands in the doorway, transfixed.
When the song ends, another man steps onto the stage with a cordless microphone, says something about offerings, but Steph has nothing to offer. She slips into a seat in the back row and scans the room for anyone she knows, but when the people onstage start playing another song, she watches them. This is different than anything she's used to from Wednesday nights, but it's just as warm. You give life, the woman starts to sing, You are love, and Steph pays attention because talking about God is different when it's singing instead of talking. You bring light to the darkness. You give hope, restore every heart that is broken.
For the second time tonight, but for a totally different reason, Steph blinks back tears.
By Christmas, she's Robin. Basically the epitome of a light shining in darkness, in her opinion. B is definitely dark enough, and so is the Batcave. Steph, then, blonde hair and colors that are definitely not hers and maybe shouldn't be, is the counterpoint to all that. She's not here because B wanted her. She's here because she wanted to be here. Wants to. And if B's approval lights her up a little bit, then that has nothing to do with anything.
Alfred has strung some lights in a corner of the Cave. Robin colors, Steph thinks. She kind of wants to ask if there's any extras she could borrow, just for the season, since the lights on her and Mom's old plastic tree stopped working a couple years ago. Steph stares at the lights and shifts her weight from foot to foot on the training mats.
"Christmas Eve and Day are high crime days," B is saying, focused on the Batcomputer instead of her. "Police often take leave for the holiday and most people are at home; there are a lot of break-ins and robberies." He glances over his shoulder at her. "We'll need to redouble our efforts on patrol this weekend."
Steph sniffs awkwardly, gaze firmly fixed on Alfred's Christmas lights. "Actually, uh..." she squirms a little bit. "I can't patrol on Christmas Eve. I... have stuff I need to do. Commitments, ya know?" She flashes what she hopes is a bright grin to counter Batman's sudden glower.
"Family?" He asks carefully, watching her for some reaction she doesn't give. As if she wants to spend the holiday with her arch-criminal father and a drug addicted mom. As if she wants to face that.
She shakes her head. "It's a volunteering thing. Like, community service? It goes on my high school transcript. I promised I'd be there Christmas Eve, so..." she shrugs. "If that's, like... okay."
Batman stares at her a few moments longer. "I not your parent, Stephanie," he says, softer than she expected. Somehow, the words sting even though they're probably meant to be reassuring, or at least just a reminder. It isn't a rejection. "Where are you volunteering?"
Steph shrugs again. "Just a place near where I grew up. They do a Christmas dinner thing every year." She leaves out the fact that she's gone to it, and not to volunteer. B is stupid rich, she doesn't need the reminder.
He nods. "Christmas night, then?" And she nods. Light in the darkness, invitation as a counterpoint to rejection.
This year, Steph is the one doing the inviting. She grins widely at everyone who walks over Opened Doors' threshold, refills trays of food donated by church members and volunteers. It's strange, being on the other side of all this, but she's been attending Saturday night services as well as youth group every week, and they'd asked for helping hands, so. That's what she is. Seeing the light from their front window shining out into the dark of a street with broken streetlamps almost feels like coming full circle.
Steph doesn't know that in a few months she won't be Robin anymore; in a few months she'll be dead and then alive and still feeling like she's dead. Like the light in her heart has flickered out. All she knows is that it's Christmas, and she's standing in the church's kitchen (which is really just a camp stove someone brought in and a microwave they keep in the back room for popcorn at youth events; all the turkeys were cooked at people's homes and brought in this afternoon) with Lynn, who has a gold ring on the hand she keeps resting on her heavily pregnant belly, and Steph thinks things are starting over new.
"I was scared for you, at first, you know," Lynn says conversationally, nibbling at a leftover cookie. Steph is unscrewing the propane tank from the camp stove so its owner can take it home, and pauses to look over her shoulder.
"Huh?"
Lynn chuffs a soft laugh, hem of her maternity dress bouncing. "You came in here all alone that first Christmas, no parents or siblings, and I was worried for you. And then you came to youth group and I thought, she's only here because it's warm. Maybe I thought you were homeless, or didn't have good heating, since you showed up when it was cold out."
Steph checks the outlet on the propane tank, then turns around and sits cross-legged with her back to it on the kitchen floor. "I mean, you're kind of right," she admits. "I did come for the warm. But not because of why you thought. I just... I mean, you know my home life isn't the best. You guys gave me a place to come, you know?" She looks at the floor, like she'd looked at Christmas lights in a cave a couple days ago.
Lynn hums. "I never thought you'd become such a staple, though. Never thought we'd end up here." She smiles, that same smile she'd given Steph the first time they met on a Christmas Eve like this one, when Steph was tiny and Lynn had been a high schooler. "I'm glad," she adds.
Steph grins, then, too, thinking of handing lonely people a bit of warmth and welcome. "The light shines in the darkness and the darkness has not overcome it," she recites, because it feels fitting. "I don't think I ever stopped thinking about that after the first time. You guys are a light in the darkness." She turns back to the stove, carefully folding it up and leaning it against the wall.
Lynn hums again, then the pitch of her voice changes in a way that activates every single one of Steph's Spoiler-and-Robin instincts. The sound of hope becomes the sound of pain, and Steph swirls into action because she's wearing red and green and even though this time it means Christmas and not necessarily Robin, B's training is admittedly really good and she's grateful for it. Please, please, please, she prays in her head, absolutely incoherent because she's never delivered a baby before, and she still hasn't by the end of the night because two other women who had been volunteering usher her out of the way (she wasn't in the way) as the sound of pain becomes the sound of hope again. Joy and peace, too.
In spring, Steph dies. She isn't really Robin even though she's wearing those colors, and she spends the whole time her life is being taken from her praying, please, God, please, just as incoherent as ever. She's never been good at the praying part, always leaves the end-of-group prayers to Nadia or whoever else wants to say it. She wonders if Nadia will miss her. If Lynn will. She doesn't think B will, even though she misses him somehow even though he's with her at the end. Please, her mind screams, because it feels like the darkness is overcoming the light even though she knows in the end of all things that can't happen.
And then she's not dead again and she doesn't know what to feel. Grateful? Yeah, she is. But she doesn't feel like the hands and feet of light in the darkness anymore. She feels a little bit like a part of the darkness, and she spends a lot of time beating it back.
The floppy, blue-covered Bible she hadn't stolen still says Holy on the front even though it's beaten up and worn and she has, in fact, accidentally torn some of the delicate pages. The slip of paper listing the service times at Opened Doors is still in it as a bookmark, the words behind it highlighted in magenta Crayola marker, the closest color to purple she could find at the time. The light shines in the darkness, and the darkness has not overcome it. But the preceding verse stands out to Stephanie now, "In Him was life, and the life was the light of men." She stares at that for a long time and can't figure out how she feels about it.
Life and light, shared from Someone other than herself. That's where the light, the one that shines in the darkness and can't be overcome, the one that she's built her entire existence up around, comes from. She can't embody it by herself; Steph knows that now. Maybe she needs to be done trying.
The first time she walks in the creaky, rusted door of Opened Door ministries after she dies and is allowed to keep living (just like Jason Todd, the Red Hood, who she knows know is the same Jason she used to sit next to on the schoolbus in winter because he was warm and didn't mind her being there. She wonders if he's still warm like that.), she's seventeen years old and still hasn't cut her hair, because now that she's older she likes it long. She's still got a big purple coat (eggplant). It's Saturday night, her father is in prison and Mom is in rehab, and she hasn't been here since spring. The light still shines out the window of the storefront and the streetlight is still broken.
"It's Your breath in our lungs," sings the lady onstage when Steph walks into the sanctuary, a few minutes late as usual, and slips into the back row like she always does. "So we pour out our praise." Steph knows this song. It means more to her now, though. "Our hearts will cry, these bones will sing," says the bridge, and maybe that's why it's okay that Steph doesn't have the words to pray. "Great are You, Lord."
She goes to Opened Doors on Wednesday night that week, knocks on the doorframe. Someone opens it and tells her it isn't locked, and she says, "I know," and smiles. Lynn walks into the room with her baby on her hip and stops short when she sees Steph, bright golden hair and purple hoodie against the world, hands in her sweatshirt pocket almost sheepish in a way she never let herself be before.
"Stephanie!" She exclaims, breaking into the light smile Steph has come to know over the course of a decade. "I thought- we haven't seen you in months!" Lynn offers a one-armed hug that Steph gladly steps into, almost trembling with the force of being welcomed back so powerfully.
"I know," she mumbles, "Some... stuff happened." Death and new life counts as stuff, she thinks. "But I'm back now, so." She shrugs, and then blurts before she can stop to think about it: "I lied."
Lynn looks her up and down and pulls her back into the room they use as a kitchen, the microwave room. "When?" She asks gently, not judging or scolding, just curious.
Steph takes a deep breath, sighs it out. "When I first came here," she replies. "I was only in fifth grade at the time, but I didn't want you guys to like, turn me away because I was too young, you know? I really wanted..." she trails off.
"Wanted what?"
"The... light, I guess. To be invited in." Steph is holding back tears, now, and she isn't totally sure why. "I didn't think you would." Nobody else did. "I'm sorry I never told the truth."
Lynn shakes her head. "It's alright, Stephie," she says gently, which makes Steph cry more because her mom usually calls her that and she hasn't heard from her mom since she started rehab. Mom and Lynn are the only two people who have ever really called her Stephie. She'd forgotten what that felt like. "Honestly, I'm glad you did." She holds out a hand, and hesitantly, Steph takes it. "Plus," Lynn adds, "That means you have another year before you age out of youth group."
Steph hadn't thought of that. She'd almost thought they wouldn't want her around when they found out she lied. "Oh."
Steph isn't Spoiler anymore. She isn't Robin, either. She's Batgirl, now, taking up another legacy of light in the darkness. At first, she doesn't think it suits her. She confesses as much to Alfred, or maybe she's more complaining than anything else, unsure about living up to what B and Babs need her to be. Thanksgiving has just passed, and Steph is helping with Christmas decorations. She never did ask about borrowing some before, but maybe since she has her own place now, she'll ask this year.
"If Master Bruce and Miss Barbara think you are not exactly what you need to be," Alfred says simply, "Then that is on them, not you. You, Miss Stephanie, have something that unfortunately, they often don't." He fixes her in a long look, and bends to plug in a string of Christmas lights. "Light."
That's the moment Steph knows that Batgirl is going to be begging off patrol again this year, that as important as what she does at night is, there are things more important, and one of them is the light in the darkness. Alfred gives her a box of twinkling lights and decorations and won't hear of it when she promises to bring them back, tells her that every young person making their way in the world, in life, needs a good set of decor, so she ducks her head and grins about it and sets the box by the door before she runs downstairs. Like, downstairs, downstairs.
Tim is seated at the computer with Bruce hovering over his shoulder, both of them casting occasional glances over at Jason, still half in his Red Hood gear but leaning casually against the wall as they discuss some case Steph isn't involved in. They've been keeping her out of gang cases, she thinks, and anything to do with Sionis. Part of her bristles at the protectiveness while the rest of her is touched by it. She nods a greeting to Jason and walks up behind B and starts poking him, which gets a smirk out of Tim and a sigh from the man himself that she knows, these days, isn't actually annoyed.
"Yes, Stephanie?" He asks, tilting his head to look down at her. To think, she'd once been intimidated by that, thought he was like, actually looking down on her (and maybe he had been back then, at first). Not anymore, though.
"I'm dipping for Christmas again this year. Volunteer stuff, all that. I was wondering," she says slyly and a little shyly, like a little girl asking if she's allowed to take home a book called Holy, "If any of you wanted to join me." They should see that light, too. She wants to show it to them.
Tim looks up from the computer. "I didn't know you do volunteer work," he says. "Where?"
"Once a year," Steph replies, then falters. "It's uh... like a community Christmas meal type thing. There's a ministry that runs it in my old neighborhood, ever since I was a kid." She leaves the rest of that unspoken, knows that they know what's implied in that and isn't actually ashamed of it anymore.
"Wait," Jason pipes up, "Opened Doors?" He's staring at her, almost squinting with thought, and Steph nods.
"The one and only." She grins.
"Huh." Jason blinks. "I didn't realize you actually went."
"I didn't realize you could grow out of needing reading glasses," Steph retorts, and he grumbles. "But yeah. I uh... never stopped going, after that. And they never stopped inviting me in, so." She shrugs. "I helped out last year, too, and it was really nice." She turns back to Tim and Bruce. "I figured I'd ask, at least."
Tim frowns. "Well, I think we're skimming over the fact that you and Jason knew each other as kids," he says slowly, looking mildly perplexed.
"Same schoolbus," they both reply in unison.
Bruce clears his throat, then, which is a very quick way to get the attention of all of his kids including Steph, who isn't exactly his but isn't not, either. "If you don't think my presence would cause too much commotion," he says, "I would love to join you."
Steph tries to pretend like she isn't dying (coming alive) inside from happiness and acceptance. "Everyone's pretty chill." She breaks into a grin. "They'll love you."
"Hn." Bruce looks like he's suppressing a smile, and looks over at Tim, who shrugs.
"I'm in," he answers.
"Am I invited, too?" Jason asks. "Or would a vigilante crime lord be too out of place in a church?" He says it sarcastically, shooting a halfhearted glare at Bruce as he does so. But Steph thinks maybe he's actually asking.
"You don't have to talk about it," Tim sighs, exasperated. "Why are you like this."
But Steph just smiles wider and thinks of warmth from a storefront window. "You're invited."
Dick tags along, too, when he gets in from Bludhaven on Christmas Eve. Steph doesn't ask who's handling patrol, because she doesn't want to ruin this by reminding anyone of their other responsibilities, and she just assumes that Bruce has that all figured out. She can trust that, now. She carries a box of Alfred's pastries over the threshold of Opened Doors, letting out warmth into the cold and light into the darkness (the nearest streetlamp is still broken. She doesn't think it's ever going to be fixed.) as the boys and Bruce trail after her.
She's still got a big purple coat, this one not from a thrift store (it was an early Christmas present from B) and her hair is frizzed out over the fur-lined hood and she's absolutely certain she still looks like a poof. She's golden and purple and she grins madly back at Lynn and Nadia, who greet her with warmth as soon as they see her.
"I brought helping hands!" she exclaims brightly, nodding over her shoulder at the family who isn't quite her family, but who keep welcoming her into theirs anyway.
She finally, finally gets how to be a light in the darkness. Because the light doesn't come from just her, or just the church lights or the brightness of a welcoming smile. It comes from Something more, Something bigger. She just has to accept the invitation to it. And then she can turn around and open the door for others, the way it was opened to her. And the darkness, whatever it may contain, can't overcome that light.
She's going to call her mom tonight, wish her a merry Christmas. Figure out what she wants to do about college. Write a Christmas card to her father, send it to the prison even though she doesn't really want to, would rather let him rot. But right now, she's offering light the way it was once and is still offered to her, and it's warming her inside and out. It's Christmas Eve, and there's life here.
May the God of hope fill you with all joy and peace in believing, so that by the power of the Holy Spirit you may abound in hope.
Romans 15:13
In Him was life, and the life was the light of men. The light shines in the darkness, and the darkness has not overcome it.
John 1:4-5
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pride-flag-fag · 2 years ago
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lichtgender
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lichtgender: a xenogender represented by or described as being a big ball of light
term coined by: unknown
flag designed by: deviantart user Helkie-three on or before august 17th 2015
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araekni · 5 months ago
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[ID: it was August. / August! the light in the trees, full of fury. End ID]
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Ilya Kaminsky, from "Musica Humana", Dancing in Odessa: Poems
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pride-flag-fag · 2 years ago
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gossagender
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gossagender: a xenogender that is described by being light, transparent, and fragile; a barely there gender
term coined by: tumblr user cooldragon1998 on or before august 31st 2014
flags designed by: deviantart user pride-flags on september 6 2015 (x x)
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hymnoeides · 3 months ago
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I am so crazy about your Hermes and Athena designs! Your art is so good! Now I wonder what your Aphrodite looks like? 🤔
Quite a lot of people have asked for some Lady Aphrodite, so here’s finally some concept sketch for y’all !!
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+ Bonus Eros🥺
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poorly-drawn-mdzs · 12 days ago
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Who is this sassy lost child?
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#poorly drawn mdzs#mdzs#lan wangji#a-yuan#A-Yuan knows how to to utilise his big wet eyes to get treats. What a little legend.#The crowd comments about LWJ being 'daddy' and WWX being 'the mother' are a little too 'fan-service bait' for me.#So I am personally reimagining it as another layer of 'misinterpretation of a more complex situation' commentary.#I like how the different styles of interacting with children WWX an LWJ exhibit say so much about their own childhoods.#We - human beings in the real world - take two lessons from how we were parented: What we valued and what we wish we had.#LWJ leaning into indulgence is him pushing back against his own childhood of asceticism. It's something he didn't have - so he gives it.#WWX on the other hand has been *so* defined by his drive to indulge. And here he is the restrictor!#It takes a bit more to see what's going on here. The factors are not singular.#but to keep it in theme with LWJ; I'd propose it is partly his way of establishing structure when he did not have it as a child.#Both approches are a way of saying 'I didn't have this and I wish I did.'#With LWJ it's pretty obvious why...but WWX? What is at your core? What is your regret towards a lack of restriction?#Or...What benefit do you think it gives this child to learn the harsh lessons of going without?#Did it make you strong when you were a child? Do you think it is just the nature of the world and we all must learn it?#How we interact with children is such a fascinating topic to delve into our psychology and neuroses.#In a more light hearted turn of topic:#WWX confirmed to be 'person taking the car to the drive through to order one black coffee for himself' on the triangle spectrum.#LWJ is saying 'we have food at home' as he is opening his wallet ready to order for everyone.#(Technically this is comic 213 but yippee! We are in the 200's now! Thank you all so much for reading and cheering me on!)
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araekni · 5 months ago
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[ID: Let me LOOK at you. / Let me LOOK at you in a light that takes years to get here. End ID.]
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Solmaz Sharif, from "Look", Look
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heartorbit · 2 months ago
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figure skating set right now please. thanks
#project sekai#pjsk#prsk#emu otori#proseka#tsukasa tenma#nene kusanagi#rui kamishiro#wxs#wonderlands x showtime#GUYS I AM PUTTING OFF WORKING ON MY COSPLAY SOMETHING STUPID. im tireddddd i like sleeepingggff i want to play and drawwwww#after work ​I literally ate a giant bowl of mac n cheese and climbed into bed. lifestyle choices of a 9 year old#anyways i want figure skaitng set. bad. PJSK HAS A WEIRDLY LOW NUMBER OF ACTUALLY WINTERY SETS... like 3. kind of.#i have some thumbnail sketches but im kind of stumped on composition for them. my idea was a nene focus set#(IF HER NEXT FOCUS ISNT PHANTOM OF THE OPERA THEMED INWILL DIE. BADLY. THEYRE GOING TO AN OPER AHOUSE. PLEADBR)#originally my idea was for nene to be biting a medal i was very sold on it bc i love nenes competitive side#however her outfit is so nice i want it to also be part of the art .. its heavily inspired by that one iconic eunsoo lim dress#from her somewhere in time program iirc. im really undatisfied with emus dress tbh my origimal idea was to give it a phoenix look#but a lot of the firebird/phoenix skating programs have very sleek dresses and i want emus to be fluffy. the balance is hard ..#and since i want her program song to be once upon a dream from sleeping beauty i swerved to make it look a bit like auroras ? but again#it definitely feels like the weakest of everybodys ... maybe i just love her too much and want her to look the best. sorry wxs.#tsukasas outfit is supposed to look like a shooting star. easy. program music moonlight sonata 3rd movement like from dazzling light. easy.#actually i like takahashi daisukes moonlight sonata program its a medley of the 1st and 3rd movement.. i think the calm at the beginning#is best. maybe smth like that.. for his card inhad him doing a haircutter spin but again. the outfits good i want the outfit visible. damn.#ruis the one im very set on even now. girl why are you so phantom of the opera.#it has a lot of beautiful programs to reference but the outfit i didnt really have any solid reference i kind of just balled#my main idea was to make it look a bit like both christine and the phantom.... gender Fluid.#my yapfest... i should be SEWING!!!!!!!!#despite my yapping im not that well versed in figure skating i cant really distinguish jumps i just like it . and medalist#i only do normal skating. bc i played hockey for like 7 years LOLLLL inlove skating though Heart.
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hurtheart · 1 year ago
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anitalenia · 1 month ago
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𝓬𝓲𝓷𝓭𝓮𝓻𝓮𝓵𝓵𝔂 𝓷𝓸𝓽 𝓻𝓮𝓪𝓵𝓵𝔂 . . .
𝓒𝓻𝓮dit𝓼 𝓽𝓸 𝓜e . @𝓐𝓝𝓘𝓣𝓐𝓛𝓔𝓝𝓘𝓐 ♡
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@bunnysp1ce @zhenyiuu @julesdesires @liliesdiary @tiamathh @garfieldissocool @cinnamonghostcrunch @bunnychronicless
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slavhew · 8 months ago
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charmed, i'm sure
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dykedvonte · 2 months ago
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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i-mmaculatus · 5 months ago
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⠀⠀⠀⠀⠀⠀▒ུ 👼🏻 Glory From Above ♥︎ ⡣⠞
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀Regard my Dear. 日  ☁️•̩̩͙*˚
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