#their designs are close yet different

[i-am-a-fan]

Ao Lie’s design for my Dnd Camp/ Dnd Au

[mschismosa]

I went back to work so i have nothing to post this week except some minor doodles

no one cares about my asoryuri designs but me & that's OK-

[b4kuch1n]

wizard of the sky (again!!!!)

[kirisclangen]

Zelda

She/her, 65 moons, cis molly

[kiribread]

Updated Mt. Lady dnd design 💃

I recently learned about goliaths in dnd and realized they were a better fit than tiefling so I made a new design for her! While I still like the idea of her being a tiefling, I like her being a goliath more.

Also, I'm open to different name suggestions and marking bc I'm not to sure I'm 100% happy with them.

Idk who the dead person is btw I'll figure that out later 💀

[chronoscout-writ]

OCKiss24 Day 6: Reach for ockissweek

I drew my OCs, Jay Vũ and Xuân Lâm from Moonlight & Mist, my Vietnamese steampunk fantasy WIP.

"You know how the story ends. The Dragon King kills the Fox Queen." "Humans and hồ ly tinh are not meant to be together. So why do you still reach out to me?"

A forbidden love between a human mechanic who isn't supposed to be the new Dragon King and a fox spirit minstrel who is supposed to assassinate her.

[culmaer-sideblog]

please forgive me, but I need to complain and over-share or my brain is going to explode please feel free to ignore

[toastshark]

Oc-tober day 11 - Palette Week 2 feat. red Red

This is easy! :D Says person who names their characters after their assigned color

[idle-compy]

camp fam but it's 2022

(click for better quality)

[rainbow-sparks]

[mafukasa]

the day people finally understand whats the actual deal with mafukasa parallels is the day I will achieve inner peace.

[mango-ti]

More enemies from the 1st beta!

The ruin guard seems the least changed, mainly changing in the head area

The fatui masks are separate from their faces but there are no eyes underneath, just a plain face model with the shadow from the mask. In the final game the mask and the face are modeled as one material so there's nothing to look at there

Enemies 1

textures and icons below

Icons for the fatui are not present in the first beta, instead the mage is from the 2nd and agent is from the 3rd

[seagullcharmer]

just realised that my current design for my lorule swamp people is basically just. the people of lurelin.

[vyibunni]

as promised, the besties in the same post!

[mcmansionhell]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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[rootsofdread]

HI EVERYONE!!! ❤️ BHVR started their costume contest today, and i will be entering again! i was really hoping they would do it again this year and got so excited when i heard they were. these are small screenshots of my concept sketches for the unknown skin i'm designing!!

i don't wanna give away too many details, but i was struck with inspiration when i thought of my favorite slasher. 💘