#the-vd-system

[istherewifiinhell]

Gay car saga: The one where he hits on MEGATRON

VD: TFP Clip, Knockout driving on a road at night. Shifts to interior view of a box in his passanger seat, then focuses on his wheel, a light pulsing with his voice.

"Knockout to Lord Megatron. I have secured one vintage predacon talon. Plus! Two of the autobots' pets for you to employ as hostages, lab experienments... well anyway you see fit. So go on, Big 'Em, tell you love me more than Starscream. [Radio noises] My liege? Hello? Too familiar?

[Clip cuts with a splits second shot of a predacon]

[linagram]

me right after a new milgram song drops trying to assign it to one of my ocs

[decoupledlogic]

Revolutionizing Business Operations for Digital Products a Value Delivery System (VDS)

In the world of digital products and business operations, we often talk about delivering value to customers. But what does this really mean in practice? How can we ensure that our processes are optimized for maximum efficiency and effectiveness? Enter the Value Delivery System (VDS) – a framework that’s revolutionizing how businesses approach value creation and delivery. Deconstructing the Value…

[atlasequiptech]

Vacuum dewatering system - Tremix system India

Vacuum dewatering system consists of double beam screed vibrator, power floater cum trowel, vacuum pump and groove cutting machine.

[atlasequipmnets]

Tremix system India - Atlas Equipments Vacuum dewatering system consists of double beam screed vibrator, power floater cum trowel, vacuum pump and groove cutting machine.

[nibbelraz]

[VD: Video Animation of Moshang and The System with the music Kingslayer Ft. Babymetal playing in the background. The video starts with a black screen and text saying "Warning: This Video contains a lot of flickering, flashing lights, blinking lights." Before fading as heavy music starts up and shows Shang Qinghua running quickly as if something is chasing him. The next scene panning to view all of his peak, before dashing into his room and throwing the door shut. The music grows heavier with the visual of Shang Qinghua shakily trying to look behind him before the first vocals come in saying "Hi" with the system popping up from behind Shang Qinghua as he's stricken with fear. Next scene shows a close up of Shang Qinghua's face shaking in terror with vocals singing "Are you looking for the other side?" The visuals pan out to show the system is floating above Qinghua terrorizing him as it glitches out aggressively as Mobei Jun shadows linger in the back, he has been waiting for Qinghua but stays hidden to view what this thing is doing with Qinghua while more text moves in saying "Feel like nothing ever seems quite right?". Next Shows a side profile of Shang Qinghua looking at the system glitching in and out and yelling "WARNING!" with vocals singing "Are you circling the drainpipe, getting off on pain like" Before Shang Qinghua is standing in the middle of static, he himself glitching out with heavily distorted text saying "You're corrupted?" Then Mobei coming out of the shadows to grab at Shang Qinghuas hand and looking down at him in jealousy and anger, unsure of what he's doing with the green glitching thing as vocals and text sing "I need to know where your loyalties lie, Tell me, are you gonna bark or bite?" Mobei and Qinghua are moved to the side and blurred as the system blinks back to life behind them while vocals continue to sing "Do you really wanna twist a knife in the belly". Next is images in quick succession of Mobei Juns neck and Shang Qinghua's neck both being choked with a system induced lock at their throat.

The vocals scream "MONSTER" while the systems cheery face pops up. Next comes in a strangling, angry Shang Qinghua screaming with text behind him saying "GET THE FUCK UP" and "WAKE THE FUCK UP" With a close of of an angry crying Shang Qinghua while his eyes begining to blink in and out glowing gold. The music continues with "WIPE THE SYSTEM" Showing a new god shang Qingha wiping the system with a gold slice and zooms into Qinghua's serious face as his eyes continue to glow and vocals saying "BACK THE FUCK UP" Next is Mobei Jun clawing at his throat before Qinghuas power overrides the system and breaks the lock as it sings "YOUR A PUPPET WHEN THEY CUT YOUR STRINGS OFF" Before Mobei falls to the floor grasping at his throat and Shang Qinghua yells "MY KING" before running towards him as the sing sings "DON'T COME CRAWLING BACK". Qinghua grabs at Mobei's hand and lowers his head apologizing as he shakes while vocals scream "KINGSLAYER DESTROYING CASTLES IN THE SKY" Mobei looks at Qinghua concerned, confused, a bit angry but intrigued while another "Kinglsayer" screams in the back. Next shows Shang Qinghua crying, his eyes are glowing bright gold and in heart shapes with he has his hands clasped together begging his king. The vocals sing "FOREVER MORE THE APPLE OF MY EYE" the visuals zoom out to show Qinghua on his knees, system boxes pop up but they are bright gold and show different images of Qinghua from his life before and current, some show him as airplane, holding a mobei bodypillow, almost bashing his kings head in, and grasping at Mobeis hand. Text pop up to show as if Qinghua is speaking it "I'd sacrifice my life to find you". Next shows Mobei grasping at Shang Qinghua's hand, zooming out to show Mobei looking at Qinghua like he's the love of his life and would love him no matter hwat, before it zooms back in to then show glowing background and silouhette of Mobei Jun and Shang Qinghua kissing. It then glitches out in gold to move to the credits where text says "Thank you for watching! Novel: Scum Villains Self Saving System by Mo Xiang Tong Xiu. Characters: Shang Qinghua and Mobei Jun. Song: Kinglsayer By Bring me the Horizon Ft. Babymetal. Art and editing: @Nibbelraz" End VD]

Ah Mobei jun, Don't be jealous of that dumb system! Shang Qinghua has loved you since creation 💞

Prompt for the @moshangevents DXD event: "Pre-canon SQH's identity reveal as the author/creator. Hiding in the shadows, MBJ eavesdrops SQH talking to the System and gets jealous." With added bonus of God Shang Qinghua! For @notsofrozt ! had a lot of fun making this and hope you enjoy!

If the video isn't working click here for the YouTube Link

[evilvillain123456789]

i can't stop fucking old people. it's seriously a problem. their hearts can't fucking take it. they know i'll kill them. but they never say no. i travel city to city with each conquest. i log onto tinder and meet a girl. three chances a year... one for easter dinner, one for thanksgiving, one christmas. she takes me to her house to meet the family. the grandmother and i lock eyes from across the table. grandfather has passed. shes here alone.. sad.. we make eye contact for a while until she excuses herself, and i follow her. sometimes the deed is done right there in the bedroom, sometimes i'm given the number to her jitterbug, to return to her later. she makes me go in raw no matter what i suggest. i break up with the girl shortly after i've achieve sexual contact with one or both grandparents. i've no family of my own. that's true, that's always the excuse. i got a reputation that follows me. that's why i'm always moving. the grandmother often catches a VD from our little quickie. her weakened immune system. she passes away a few weeks later. some time before her time. or maybe just in time. god forbid, she invites me over. i sit in her little rocking chair as she speaks to me. that was her husbands chair.. she eyes me. my presence awakens this within her. i make her feel young again. she leads me to her bedroom. i have no reason to restrain myself, nobody will find us. she comes, then she goes. i clean her up as she grunts from the remnants of her heart attack, and leave her tucked into bed. she lays there peaceful, like shes asleep. that's when i lock the doors on my way out, and head to the next city. the next city, where i'll lay low until the next holiday season. start chatting up some chicks while i'm at it.. god, and the grandfathers. unlike with the grandmothers, they dont need to have lost their love to want me. they always cheat. they always want to use me as a tool to cheat. they look at me in ways their wives havent seen in years, and their wives see this. but their wives remain subservient. they always let him do this. they pray for him, but none of them pray for me. they hate me. they hate me so much. they know what i'm doing but refuse to make it stop. i lead their husbands away and kill them. they know it serves him right. i leave them heartbroken. but they'll never say a word. they'll never say a word about how an ugly little gay boy stole their man and now he's paid the ultimate price. and so have they. they seethe until their death. sometimes i swoop in on them too. silence them. they want me to silence them. but usually its too risky. after all, there are simply some secrets, that one must take to ones grave no matter what. i have nothing to gain from doing this. what i do is completely legal. all are lucid. but i feel as if i'm moving through a dream. i feel the earth around me shift as though i were asleep. i can't settle down. i can't fucking stop it. i want to stop. i want to find love. i feel so guilty. how many women fell in love with me, only to lose me. lose one or both grandparents and i'm nowhere near to comfort her. by the time it comes to mourn, i'm already long gone..

But yes, i suppose you can apply this to your fucking little tomgreg or harry styles or whatever. Yeah dude. You fucked that old man.

[milk-ly]

Lets talk about this awesome commissioned official art of Fuuta because I haven’t seen it discussed yet!

One thing I love is how the swords are stuck into the ground in a way that plays into the trope of weapon tombstones on a battlefield. The trope is basically when a comrade dies on the battlefield and are buried with their weapon acting as a tombstone. In this Fuuta piece, the swords also resemble crosses in a way!

Going even further, it also plays into the trope of a “field of blades.” The symbolic idea that is created from this kind of trope/image is an unending war/struggle and it also acts as a graveyard.

Of course, these tropes fit wonderfully with Fuuta and his knight symbolism, but it also further plays into Fuuta’s themes of comparing participation in the kind of hostile communities Fuuta was in on twitter to a battlefield.

Another important detail is the fact that the swords are Fuuta’s prisoner colour: Scarlet. Now, bear with me here, scarlet is particularly significant due to its common association with Christianity because it is the colour of Christ’s blood. (Thank you to muu_kusunoki on twt for bringing this up!) I’ll only get into it briefly because I am definitely not qualified to talk about this, but Fuuta’s got a TON of religious symbolism, mostly Christian. His t2 VD is named “Baptism by fire,” and fire itself is associated with punishment and judging sin in the Bible. Scarlet, Christ’s blood, is known to offer forgiveness, and therefore purifies sin. The fact that Fuuta’s sword is this colour is an interesting detail!

Another thing is that Fuuta seems to be referencing Lady Justice here, a metaphorical personification of the morality of the Justice system, as she also wields a sword and a scale. However a crucial identifying feature about Lady Justice is her blindfold, which represents impartiality and the idea of “Justice is blind.” But Fuuta isn’t wearing one here.

Additionally, typically, the scale Lady Justice wields is meant to be balanced which represents considering all sides to the story. But in this Fuuta piece, it’s unbalanced. At the end of the day, upholding morality was never Fuuta’s main objective. But it’s also important to note that Fuuta isn’t the one holding the scale either.

I’m ending things a little unceremoniously here but I’m not sure how to talk about the thing below Fuuta’s feet. I assume it represents the “sinners” fuuta has punished in a way but I’m not sure how exactly? Is it a training dummy? Or rag doll? With bandages? Representing how he didn’t see them as humans at first? I would love to hear more thoughts if anyone has any!

[schlimbo-muffin232]

Your 3DS and your DS Library isn't worth that much

Let's be real, this system and these games are over (or for some games almost over) a decade old.

I understand that homebrewing adds a lot to the cost. With a homebrewed DS or 3DS you can do basically anything. But if anything, that should take away from the cost of these damn games. Why TF are people charging $200 for a legit copy of Pokemon Black 2 and White 2, sometimes you can get them for $150 instead but that's not even for a mint one still in the box! Just the cart!

It's yucky, really yucky. And I hope that Nintendo releases some version of these games on Switch 2 via a port or VDS, and tanks this bullshit retro market. After Covid, all ya'll retro sellers suddenly had your balls inflate by 10x and started thinking your copy of Pokemon Heart Gold was actual fucking gold. I mean come on, selling just the god damn box and manual for Pokemon Black for twice as much as the game itself originally???

WHAT THE HELL IS WRONG WITH YOU?! (Sellers)

Ppl, I beg you to stop buying these fucking games. Homebrew your 3DS, then download either Twilight Menu++ or the NDS forwarder (So the DS games can be on your home screen) and enjoy them that way.

I understand collecting, but this isn't that. You shouldn't be paying as much as you would for a damn Switch Lite for just the cartridge, and certainly not for one that isn't mint and in box. Demand. Better.

[cosmicrescendo]

Hakanaki Shinzou no Mobius Analysis/Rant

(Precursor Note: will be using the wiki's version of the lyrics and also 4G interview about the twins' songs with FragMem's producer! Read them. Ready, go!)

Overlaying but not Overlapping:

At first, one would assume the twins' chivalries(Louter's 不変(unchanging, I think it was officially TL'ed in the VDs as "stasis" at one point) vs Klark's 永遠 (eternity) ) are simply, synonyms. To imply they both feel the same way. And yeah they are, but there's a nuance in how they differ. They have the same dream and yet......

The love that this light spills The future that awaits us far ahead Please, allow me to shine on you like a shimmer for ever and ever Just like this

Klark dreams of a eternity that continues into the future. That his family happily walks forward, together. He wants to guide his family to that future! (I'll shine on you forever so that you'll never get lost in the stars)This is why he's drawn as looking upwards, and why he's specifically paired with Myunna and Kurode, two characters' whose willingness to walk into the future and embody/protect their dreams. (You'll notice Myunna is looking down rather than up, that's a story for another time but is very much Intentional, alas). A notable motif is constellations (the bonds that tie us together) and a meteor shower (a lengthy journey, to wish for something).

I can't abandon it, I will pray for this unchanging dream Draw these fleeting pictures, my world of stasis is Mobius Dreams that come true and dreams that won't come true, I hope they can become a zero-shaped loop

In contrast, it seems like Louter wants to preserve the present/past, to have it remain unchanging. Locked in stasis, her happy family untainted by the throes of change. She cradles her star gently, gazing down. Ciel and Will's inclusion is a little different (especially Ciel is the odd one out, referring to her willingness to invoke change to grasp the unchanging blue sky she desires) but Will shares the same feelings of wanting to protect something desperately. A notable motif is a "dark" universe (per producer's intention) and novae (the sharp flashing lights that appear repeatedly in the MV, more on that later).

Mobius is 3:22, Sirius is 4:11 (out-of sync but trailing each other, with Klark leading). When their stars overlay each other, they don't overlap. Klark's clock is well-crafted, intricate, and marches steadily into the future, while Louter's is almost half-finished, or as if someone ripped away its plating to get to the heart of it, it quickly moving counterclockwise to the point it breaks itself. They look as if they are one, but they aren't. And the same is true for Sirius- it appears to be a singular star, but is actually a binary star system of two stars in different points in their lifespan.

Those who read character bios are probably already aware that Klark is Sirius A, the first magnitude star, and Louter is Sirius B, the white dwarf. Typically, a binary system with this kind of setup will cause a Type Ia-Supernova, in which the white dwarf siphons material from the bigger star until it hits an ignition temperature from its engorged unstable mass it cant handle and 1) unbinds the bigger star and flings it to god knows where and 2) violently explodes by tearing itself apart, eviscerating itself but. The distance between Sirius's stars is simply too great for this kind of process to happen. Instead they will most likely create novae, where the white dwarf siphons material from the bigger star as usual, but the ignition just causes a big expulsion of energy, causing a big flash of light! The loss to the white dwarf is relatively minor in this scenario, and it can happen multiple times throughout its life.

I don't think Louter being Sirius B is a sign of incoming death, rather just stagnation (which is eerily similar to her chivalry). The love she gets from her family shines brilliantly.....but why must it be finite...

Hiding Your Wish Away?

Klark's skill is machinery, Louter's is magic. Unlike say, the cogs in Klark's MV, I feel the magic in Louter's is more..mysterious. There are heavy references to the twins' divination ability (crystal balls, tarot cards) but the one I wish to reference the windows! Very transparently "gazing out into the future". Louter is the only one shown physically inside a window (viewing her own fate?), but the windows for all 3 characters clearly weigh heavily on the 3 characters. They don't gaze upon them directly (to verify would seal one's fate), but they Know Of Them. (they are often physically behind them or Near in some way)

There's a comical amount of star charts/magic circles that of resemble the pattern of the twins' sleeves. It makes me wonder at one point.....did she attempt to invoke the world she desires by her own hand? Making a wish on the stars is how she uses her abilities, as we've seen in B02. And with how the song ends, I certainly feel that's an interpretation with some meat on it. However, it cannot come to pass: if just a physical barrier had Louter severely unwell after a few days(?), something akin to time manipulation would just. straight up be impossible to maintain with her constitution. And....I think she understands a little bit, the difference between her and Louter. One can see her desires as cruel and ugly, to deny her family of the future. If that's what they want, then who is she to deny them? She's always been the type to spoil them. after all. So she hides these feelings away, deep in her heart....Then we get the verse that is pretty much identical in both songs, other than the fact that Louter adds she'll do it gently(そっと):

I'll tell you (gently), I'll fix my eyes on you, I want to touch you with my heart......

So when they "touch hearts", we get The Look. We understand the sheer intensity of Louter's anxiety and the true implications of her desires, and the impression of "Whoops, we weren't Supposed To See That!" because she's purposefully keeping her family in the dark about her inner anguish about this.

Time for the Ciel/Will Detour!

Ciel is the "odd one out" of Mobius, and unlike Myunna (i am so Sorry they don't give you shit for me to cook with) there is plenty to say about her. Brief stuff that couldn't fit in the other two sections.

Firstly, you'll notice that they never give her the "Mobius" shot (showing someone and their reflection, which symbolize the allure of Mobius, and conscious duality between desires). Instead, they give a shot that looks like she's the center of the galaxy. How apt for someone who has become the infallible axis her country (and eventually the continent. and the world) spins upon. For Ciel, whose love is bottomless and the firm believer of "minna nakayoku", something like a galaxy suits her dreams far better.

Will's has plenty of Mobius Shots, but it differs from Louter: they glitch to fill the other person's place. Perhaps it's a twist to the duality part: Will does not see a contradiction in their desires as Louter does (desiring stasis/respecting the wishes of her family). Or perhaps it's an illusion to hide the one they love from the viewer's gaze....

I love 1:38: Ciel's ignoring what's been divined (two futures! whatever could they be) and forcibly changing the future through her own means. However one of the futures she's done away with seems to be of Great Interest to Will(1:48, instead of their usual one seen at 2:39). Does Will want to protect a future Ciel is willing to throw away for the sake of her dreams?

Sirius was mostly Klark's blue overtaking everyone's image colors, but Mobius is more like a gradient/purple (everyone feels so strongly here!). When Ciel is alone, she's almost *never* overtaken by the purple/gradient, she is staunchly and wholly blue. Her security in her worldview is super strong!.

There's a specific sequence that comes up roughly 3 times (beginning, after the first chorus, and the end). Louter is cradling her star, when a premonition of Will and Ciel appear, causing her to open her eyes. It's a completive look. Do Will and Ciel represent the throes of change that are going to bring potential harm to her family's world?

This is further corroborated that she's never a moment where like, there's a frame of solely Ciel/Louter or Will/Louter. She's often either alone or all of them together, or Ciel/Will w/ Louter alone. They may attempt to understand, but ultimately they are Outsiders to her World.

To Deny Mobius........

Gaze at each other until we meld together, the two of us are connected in a Mobius Even a gaze in the opposite direction, even an outline sketch is unpleasant Even if the end should come, I shall love you forever, for eternity...

This is the final part of the song. Seems simple enough, we're going to finally embody Mobius, so don't look away! And yet.....everyone looks away from their stars during this sequence. They deny themselves the gaze of their beloved star, not becoming one. Ciel and Will's looks are more...cold and determined? Of course for Ciel, Mobius doesn't appeal to her for previously stated reasons, this is easy. Perhaps Will does wish to answer the call of Mobius, since they has plenty of the "Mobius shots". But as someone who believes Ciel's dream will ensure the protection of what they love, they too look away.

And for Louter, it's a fond, regretful (or even embarrassed) look, matching up with the lyric: it's not done with purpose, merely an theoretical end. Maybe in this future, she bittersweetly come to terms that the stasis she dreamed of was a fool's errand......Or maybe not, as the clock attempts to desperately turn back time one last time, causing the logo, the clock, and our beloved theme ("The Knights ask nothing in return for their love") to shatter, and a final reverse sequence occurs ends with a flash. How selfish. It's left up to interpretation to what happens to her in this future, so I'll leave you hanging too, ok?

[harukapologist]

Yesterday I was having lots of 09 thoughts & mainly talked about him, so today I'll talk about why I think Haruka will not die before T3.

First off, what is the point of leaving such an engaging mystery unsolved?

If you think about it, Haruka's death would add two things in the story: drama factor to test the fans' feelings, and a chance to learn more about the extraction system. For the drama/emotional factor, it would be more useful if he stayed alive in critical condition; the fans' feelings will change and that will affect how these fans vote for Haruka and the other prisoners. In the scenario that he dies, the other prisoners' character developments will get somewhat of a push but Haruka's case will remain unsolved forever; if he stayed alive, I think that would help him and everyone develop further. e.g we would see more tension with Muu as she seems to be spending less time with him, we would see how Haruka struggles to cope with his verdict, how he interacts with the other prisoners etc it is much more compelling that way in my opinion

There is a possibility the extraction system could work on a dead body but 1. there would be no VD and VDs are important because they force the prisoner to think about and focus on their crime before extraction, 2. I don't see it being worth killing off a character, there are other more effective ways to get a reaction out of the audience and keep all of the prisoners' fates tied. And if it doesn't work, then wasn't Haruka's death pointless? It is just such a fruitless way to seal his case. Him being dead has only one outcome, which is...well, being dead. But surviving his attempt may have many outcomes: he might not attempt at all and remain unscathed, he might get in critical condition, he might be punished for attempting to escape milgram's boundaries by dying; who knows?

Not only narrative-wise is Haruka important, but also Haruka is a fan favorite, at least in JP fandom. He is well-loved, a lot of fans are intrigued by his case and killing him off without even getting close to solving his deal—which I see as one of if not the most ambiguous in the prison for many reasons—will leave a lot of fans disappointed and some may quit milgram, so the sales and audience etc will drop.

You have to keep in mind that Jackalope is biased, loves messing with us and sometimes says or implies things that are not true (e.g implying Haruka and Muu's dynamic to be romantic "lovey-dovey" when they are just friends) so you should not take anything he says—much like most of the info we are presented in milgram generally—at surface level.

Something else to be considered but which I wouldn't rely on as heavily, is that minigrams have foreshadowed things before (e.g system Amane), and Haruka has been really in the spotlight in nearly every recent minigram. I take this as a sign that he might not only survive but also play an important role in T3.

[vulgrados-best]

Intro Post

Hey I'm Miguel. I'm a xenic nonbinary butch dyke, pronouns are they/them + ze/hir. I'm 17. I'm from Vulgrado, an island region off the coast of Paldea. Recently I had to move to Zapapico to take care of my grandparents.

I'm a Cyclizar Racer, and a pioneer of new types of races. I'm best known for my Bodyguard Racing (name subject to change) style. My rival is @yveltalreal so sorry boys I'm taken.

As it turns out I'm probably plural! At the moment you can refer to us as Miguel& when referring to us all. My two notable headmates at this moment are Zacian and Asterion:

Zacian - He/Him, They/Them, Swor/Sword

Fuzztive (Factive + Fictive) of the legendary wolf pokemon, Zacian! Speaks very formally and is passionate about human society, pokemon conservation efforts, and swords.

Asterion - Ze/Hir, He/Him (exclusive to friends and headmates)

Fictive of The Minotaur from mythology! Speaks bluntly with lots of ellipses and is passionate about stories.

Our Pokemon are:

-> Celcity - Cyclizar | Male

-> Nyoom - Eulimmun | Nonbinary (it/its)

-> Terrainity - Excadrill | Male

-> Mãesaur (& Meninosaur) - Kangaskhan | Female & Male

-> Reapwing - Scyther | Female (they/them)

-> Ferravis - Skarmory | Female (she/he/it)

Uh. I tend to swear a lot, yell a lot, and I love the word dyke.

Also I might start religion discourse on accident considerin' Lachrilove is more commonly referred to on Vulgrado than Arceus. So if ya see me say "Lach" its kinda like how you guys say "Arc"

Fuck uuuhhhh. Look at me and my pokemon 👍

And, no, nothing's wrong with my Cyclizar. It's just a color morph.

// Miguel's universe's pokemon are based more heavily on irl animals. Miguel has and will frequently express distress about other universes' being closer to canon (lack of color morphs, lack of variants, biological workings, etc) or generally unlike theirs.

// Miguel loves to talk about their universe's pokemon and will share knowledge from their universe on other people's posts. They will not understand your universe does not work the same as theirs if you don't explicitly state to them that It Does Not Work Like That for your characters.

// The mun will also not realize discomfort with poke-biology arguments unless it is explicitly stated to them. This goes doubly so for poke-biology about Rapidash as the mun works with horses irl.

(ooc under the cut)

Guidelines:

No NSFW (Miguel is a minor.) Keep it PG-13

Any kind of PKMN IRL blog can interact (Miguel is aware of the multiverse)

In Character Anon Hate is acceptable (but at least make it interesting.)

Pelipper Mail/Malice: OFF (unless funny enough)

Musharna Mail/Malice: OFF (unless compelling enough)

Magic Anons: OFF

Tags:

Posts Made By Tags:

#riders diary -> Posts made by Miguel

#howling voice -> Posts made by Zacian

#labyrinth lost -> Posts made by Asterion

#rotating cast -> Posts made by headmates who don't have a tag

#flowering garden -> Posts made by [Information Redacted until 9/18/2025]

Posts About Tags:

#rivals feud -> Posts about Maple

#caveboy tag -> Posts about Nick

#miguel family -> Posts about Miguel's family

#saddle up -> Posts about racing

#vulgrado info -> information about the fan region Miguel is from that is based on the Azores Islands of Portugal

#lachrian info -> Information about the religion Miguel is a part of.

Important Tags:

#festering -> something important.

#unseen watcher -> signifies that post is invisible to blogs linked to this one (@yveltalreal , @espers-n-espurrs, @jaimemes, @aspens-dragons, @victoria-vd, @rock-n-rolycoly @estranger-and-stranger-still) [works the same as blindspot]

Misc. Tags:

#answered best -> ask tag

#sysposting -> System related posts

Story Arcs:

Minor Arcs:

🏇Neighborhood Arc 1: Riders (Finished) -> 4 Cyclizar Riders get territorial when Nick and Miguel explore a junkyard. Nick mentions to Miguel they had previously driven him and his friends out of the Junkyard.

A couple days later Miguel challenges and beats the Riders in a 4 on 1 Capture the Flag Battle Race, and the 4 Riders invite Miguel to join up with them. A week later there is a sort of rematch and Miguel is betrayed and beat up by the Riders.

A revenge plan is made by Miguel and Nick, this involved getting the Rolycoly Racers (who had been pushed out of the junkyard earlier in the year) to play a prank with Paintball Guns on the Cyclizar Riders. This goes badly as Nick is nearly run over and Miguel beats the shit out of the rider who attempted to do so. Miguel is then arrested.

Major Arcs:

🪼Trouble in Paradise (Finished) -> Miguel joins the Alola trip! Miguel joins Flynn and Maple on their Island Challenge, acting as a bodyguard against dogmon for Maple. Over the course of the trip they go through some mishaps (such as getting beaten up by an angry Buneary, and Maple jumping into the ocean to rescue a baby Vulpix) that cause the trio to get closer.

During the Electric Trial, Miguel was hiking and came across a dead Mother Skarmory, killed by a Tinkaton. Miguel rescues the baby Skarmory that is in danger and runs for their life with the little guy in their arms. They decide to keep the Skarmory who is named Santo Ferravis (a name recommended by Nick).

At one point Maple and Aspen break into the Aether Foundation Lab and Aspen gets kidnapped. It turns out that Aspen was taken by Nihilego and the gang, after some deliberation and preparation (such as Miguel being trained by Victoria), goes into an Ultra Wormhole to rescue Aspen. During the rescue, Miguel is injured by Aspen's Kommo-o, Hibiscus, and is left with a scar.

Afterwards things go... mostly smoothly (except for Maple disappearing for a couple days, and Maple getting attacked by a different Kommo-o) and they finish the Island Challenge. The gang returns home in one piece.

☠️Revenant (In Progress) -> Something's not right with Maple.

[all mentions of dyke will be tagged #d slur tw for filtering.

Mun identifies with the label and feels uncomfortable describing their character as simply sapphic.]

Main is @werewolfcave

[good-beansdraws]

Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy

[blitz0hn0]

Ah hello. Did you know in the T1 script book John Doe 009 VD, when 09 introduces himself, "Mikoto Kayano" personally introduces himself with the kanji spelling of his name but its alternative reading (furigana) is in katakana, not hiragana. He is the only prisoner that introduces himself in full with an alt spelling in katakana rather than Es imparting or calling a prisoner with their katakana code name in the beginning.

The speech style he has here also matches the speech style in Neoplasm where Boku was using gobi due to the usage of the particle 「さ」。(I've written a speech style analysis of 09 before but I'll have to find the notes again. I'll likely send a follow-up ask or something ^^')

This has me thinking about one of your previous posts which brought up the possibility that Mikoto "boku" Kayano, or, how others say, 🔵 and 🟢koto, don't realize that they're separate identities.

「ボクが僕を救ってあげましょう」 <- these bokus

There's also the possibility that when people have been referring to 🔵koto, they've actually been meaning 🟢koto this entire time. So are color code[name]s appropriate for 09 anymore? (/rhetorical)

What do you think? Any changes in how you perceive 09? I look forward to seeing more of your really cool analyses or thoughts on him.

Hello! Thanks so much for the ask! I did not know that; super interesting that it's unique from the other introductions. What you pointed out here is actually so intriguing, thank you for sharing your knowledge!

I have been wrestling with this for some time now because it's truly a case of "Schrodinger's Alter"; we have several instances that seem to indicate 2 "boku"s, but when they're speaking without the pronoun visually accompanying it, there's no gurantee of which one is fronting in any given interaction (let alone if a completely seperate alter is masking as "Mikoto," which is unlikely because writing that would get complicated, but not impossible).

Telling them apart is likely as difficult for them as it is for us given the amnesia; however, we don’t get insight into these things without the narrative explicitly stating such. This is interesting to me because this uncomfortable ambiguity is how systems operate in daily life, sometimes even amongst ourselves.

While color codenames have lost their usefulness to me personally, colloquially I find it helpful in discussing basic theories (and even tho it's gimmicky I've just personally liked the concept); that said, for all we the audience know, ボク ("Mido") and 僕 ("Miko") could be interchangable alters in the narrative; people may very well be referring to ボク as 僕 or vice-versa in any given interaction that John isn't around.

As far as changes in perception, it's dawning on me more and more how little we know about "Mikoto" (僕 or otherwise) as an individual in his system. He's high-masking as it is, but on top of that, we have no real way of guessing which alter "he" is at any given time unless they give an indicator. It's just simplest to assume 僕 in most cases. In the case of 俺, he's an easy guess only because he is made outwardly distinct by the narrative in both speech pattern and attitude. If there is a third, we may see glimpses of them in hindsight, but either way "Mikoto" (僕) as an individual alter is yet to be known as his own person beyond his passive, "professional" demeanor.

Tbh it's giving me insight into why a system host may be widely "liked" while remaining relatively or even completely unknown as an individual person. The demeanor shown by 僕 and his desire to be popular further shows that his sense of self is purely dependent on others' perceptions of him, which is as expected as it is tragic. I think if there is a third, we're gonna see a resigned, perhaps even apathetic tone from them; the system all tried so hard for seemingly nothing. I think the more 僕 tries to disappear, the more the other could realize their place alongside John in the system, if we explicitly see ボク at all.

It's all very ambiguous so I don't get really care how others label them, but I'm near certain that "僕" is not always who we think he is. (In John's case, I typically use his name rather than his pronoun bc even if he picks a more suitable name for himself later on, I feel strange using a first-person pronoun in place of a name when he has one; in the case of "僕" Mikoto, I do find it a necessary distinction from "ボク" given the ambiguity of it all, and it's more solid than color theory imo.)

This is all just my personal conjecture on how they are writing the system. It's definitely a kind of narrative I never thought I'd get to analyze, so I'm so happy to have others to discuss with! Thanks again for the ask. I'd love to see the follow up w the speech style analysis! I love yapping w you about the little guys 🙏

[purgemarchlockdown]

I- god- I need to talk about how Milgram as a system makes you assign who the "worst" is out of the cast. Which one doesn't seem guilty for the actions? Which one didn't have a good enough reason? Which one is most dangerous? Which one is the scariest? Which one is the most Deserving of punishment? Which one Deserves Support the Least?

When Milgram asks who deserves to be forgiven and who shouldn't be this is what they mean. This is why Jackalope insists that you can vote for any reason. This system is Built to find the "Worst One" and Punish Them.

ES SAYS THIS IN AMANE'S T1 VOICE DRAMA:

Es: Don’t make me laugh. I’m not your teacher at school; it isn’t my goal to teach you things or guide you on the right path. Milgram’s goal isn’t to turn you back into decent human beings and get you back into normal society. What is needed here is firm, honest judgment and decisions.

Es: Milgram's goal is not to help people, but to judge them "firmly" and "honestly."

It is NOT a coincidence that they are saying this in Amane's T1 VD. Y'know, the same character whose cult punishes them unjustly and unfairly under arbitrary and often unreachable standards.

And look- I get that they committed murder. That is indeed a crime, that is indeed a horrible thing to do.

However, there is an Underlying Theme here that is being explored! If this work was just about what was murder and who actually committed murder this series would be over by Trial 1 and characters like Mikoto, Amane, Haruka, would be guilty and also Dead.

Milgram is actively making us engage with this System of Punishment and find out that No, it actually isn't that easy to prevent the evil from hurting the weak. That people get hurt in this pursuit of justice. That this black and white system of punishment Does Not Actually Help Anyone!

And this is such a cool and interesting part of Milgram that I wish people we're more willing to engage with! I wish we, as an audience, we're more willing to accept that Our Judgement Hurts People. That this is a part of the experience of engaging with the musical murderer series that asks the audience if their willing to forgive or not.

(And I also wish the risk of people attacking me for this is a lot lower but ah well.)

[good-beanswrites]

Reworking my neurodivergent Fuuta post because I had more to add and wanted it in one place 👍It started out just silly thoughts and projection but I have a lot of evidence now??? It feels pretty solid!

🔴 He holds to an overwhelming sense of right, wrong, rules, justice, etc. It’s a system that makes sense to him (you learn to apologize before anything else, right?) and he’s obsessed with it. He's an extreme rule follower. He's obviously careful so he's not called out online, but even inside Milgram. He follows Es' orders naturally. Even though they’re silly, in the minigrams he’s repeatedly reminding people of the rules about requesting items. Even though he'd been shown to voice thoughts about escaping, he refuses, and is too much of a stickler that he won’t even let other people request things considered dangerous.

🔴 He takes things very literally, most notably some of the interrogation questions. In both his vds he’s pretty particular about describing his involvement, taking a long time to admit he could be a killer because his situation falls pretty far out of its normal definition.

🔴 He’s shown to be intensely lonely: sitting alone, walking alone, watching others from the outskirts, but thriving online where the social rules are different. He has trouble identifying/defining friendships, choosing to focus on the sharing of interests and excitement.

🔴 However, he does find a group that accepts him and listens to him -- and that feeling of belonging becomes intoxicating. The typical “gets a taste of doing something correctly but then gets carried away and crosses a line in excitement”

🔴 He doesn’t think hard work can get him anywhere in society, he doesn’t have any goals, he struggles at school, he wants to just go with the flow -- aka, burnout from trying so hard in a society that isn’t made to accommodate you. Instead of focusing on that, he loses himself in fictional worlds of heroes and villains. He sees connections in everyday life, occasionally getting so lost in them that thoughts of them bleed into reality.

🔴 He's bad at lying. Or, he has to deal with people pointing out nonsensical body language cues to make assumptions about his emotions (which is just as much a neurodivergent experience, unfortunately).

🔴 I know all the prisoners have some kind of act they put up to cover up their true emotions, but it’s still so obvious how he lashes out in anger instead of properly processing/expressing his legitimate fear of the entire situation.

🔴 Extreme restlessness when waiting in an empty room all alone

🔴 This may be more personal interpretation than evidence (because I don’t know how it holds up in the original Japanese), but his line in Muu’s bday timeline just struck me as someone who isn't usually accepted or accommodated for when they're feeling down.

🔴 Also. Transed Gender. 🏳️‍⚧️