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pucksandpower · 1 day ago

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Wildest Dreams

Charles Leclerc x pop star!Reader

Summary: you seem to have it all — a successful singing career, complete with a sold out world tour and countless adoring admirers — until an out of control fan sends everything crashing down. With no end to your panic attacks and anxiety in sight, your management team decides to send you to Monaco, where they hope the stringent privacy laws will give you space to recover in peace. What no one can anticipate is that along the way you’ll find love in the form of a piano-playing Formula 1 driver who helps you remember what it means to find joy in your music again

Warnings: descriptions of an aggressive fan interaction and panic attacks

The bass thumps through the stadium, vibrating up through your bones, and the lights are so blinding you can barely make out the sea of fans screaming your name. You’re smiling, though. At least, it feels like you are. Your muscles know how to hit their marks even when your mind isn’t entirely there.

You reach for the microphone stand, letting the chorus carry your voice, a glittering sound that hovers above the crowd. The audience swells, their energy feeding into yours. It’s always like this. As exhausting as it gets, performing feels like standing at the edge of an open window — terrifying, thrilling, and impossible to look away from.

“Sing it with me!” You shout, holding the mic out to the crowd.

They scream back the lyrics. Thousands of voices, cracked and messy, but earnest. For a second, you think you could stay here forever, suspended in this moment.

And then it happens.

The music stutters. Just a second — barely noticeable. You catch the band faltering behind you. Drums off beat. Guitar missing a note. A glitch in a perfect machine.

At first, you think it’s nothing. Someone tripped on a cable. Someone fumbled. It’s a live show. Things happen. But then, the corner of your vision snags on something that shouldn’t be there — movement from the side of the stage.

He comes from nowhere, a shadow slipping past the edge of the lights, fast and jagged like an animal.

You freeze.

He’s on the stage. He’s on the stage.

It takes a second too long for your brain to register it. The security guards stationed by the barrier scramble too late. The man — wild-eyed, his face twisted with something you can’t name — launches himself toward you, a sharp glint of metal flashing in his hand.

A scream catches in your throat, choking on the shock. You’re paralyzed for a second, the space between you and him folding too fast to react.

And then he’s there.

He grabs your arm, fingers like claws, and jerks you forward.

“No-” It comes out as a gasp, not a command, and suddenly the whole world tilts sideways. The microphone drops from your hand, clattering against the stage floor, and you hear the audience roar in confusion. Cheers turn into screams — panicked and raw.

You struggle — instinct kicking in before fear takes over. “Get off me!”

You twist in his grip, adrenaline making your muscles feel like they’re tearing. The man’s breath is hot against your ear as he says something — words tumbling too fast and fractured to understand. His free hand still clutches the knife, too close to your skin.

This is when everything breaks.

There’s a blur of black uniforms, and the weight of him is yanked off you so fast you stumble backward, landing hard on your hands and knees. The crowd’s screams crest into something deafening. Security tackles the man to the ground, and for a second all you can hear is the thud of bodies hitting the stage, fists pounding into flesh.

“Get him out — get him OUT!” Someone shouts.

You press your hands to your ears, everything tilting too sharp, too loud. The lights feel like knives cutting into your skull. Your breath comes in shallow bursts, like you’re breathing through a straw. You try to stand, but your legs give out.

Your heart’s racing so fast it feels like it might punch out of your chest.

“He … he just-” Your voice cracks. You can’t even finish the sentence.

A stage manager rushes toward you, wide-eyed. “Are you okay? Y/N, look at me — are you hurt?”

You shake your head violently, even though you’re not sure if you mean it. Are you okay? What does that even mean right now?

The man is dragged off the stage, kicking and snarling. You see his face for a brief second — twisted into something feral, like he thinks you belong to him. Like he’s owed you. The sight makes your stomach twist, and you have to look away before you throw up.

Someone shoves a water bottle into your hands. You can’t remember who. Your hands shake so badly the water spills down your wrist.

“Should we stop the show?” The stage manager asks, but it’s not really a question. It’s an out. A lifeline dangled in front of you, waiting for you to take it.

But you don’t know what to say. If you stop the show, you’ll have to explain what just happened. If you keep going, you might pass out before you finish the set. There’s no right answer.

The crowd is still buzzing, restless and electric, as if waiting for you to reassure them this was all part of the performance. Like maybe the crazed fan was just another surprise.

“I-” Your voice catches, brittle and weak. “I don’t know.”

Someone touches your shoulder — too light to be comforting, too heavy to ignore. “Y/N, if you need to end it, we can. No one would blame you.”

Wouldn’t they, though? Wouldn’t they pick this apart on social media, frame-by-frame, asking why you couldn’t just handle it?

Your throat feels like it’s closing up. The lights are too hot, the noise too much. It feels like the whole world is leaning in, waiting for you to crumble.

And then it happens.

You break.

It’s not a dramatic collapse. There’s no scream, no cinematic fall to the floor. It’s quieter than that — just a slow unraveling, thread by thread, until all that’s left is the mess underneath.

You drop the water bottle.

Your knees hit the stage again.

And then you cry.

It’s not the pretty kind of crying, either. It’s ugly — snot and hiccuping sobs that make your chest hurt. You bury your face in your hands, trying to hide from the audience, from the cameras, from yourself. But there’s nowhere to go. Nowhere to escape the weight pressing down on your ribs.

You hear someone — maybe the stage manager — swear under their breath. “Shit. We’re cutting it. Get the lights down. Now.”

The stage goes dark in an instant, but the damage is done.

You know what comes next. The headlines. The viral clips. The think pieces dissecting every second of this moment, every tear, every breath you couldn’t catch.

“Y/N?” Someone asks softly, crouching beside you.

You can’t even lift your head. Your chest is heaving, your nails digging into your palms hard enough to hurt. All you can think is I can’t do this. I can’t do this. Not again.

“I’m so sorry,” the voice says, closer now. You feel a hand on your arm — gentle, not prying. “We’ll get you out of here, okay? Just breathe. You’re safe.”

But you’re not safe. Not really.

Because the fan wasn’t the first. And you know he won’t be the last.

The sobs come faster, ripping out of you in jagged bursts. You’re vaguely aware of someone wrapping a blanket around your shoulders, as if that could hold you together.

The crowd is still out there — restless, confused. Waiting.

And all you can do is cry.

***

The blinds are drawn tight, shutting out the morning light, but the world outside is still there. You can feel it pressing against the windows, thick and suffocating, like it’s waiting for you to crack them open and let it all pour in.

You sit on the couch, knees pulled to your chest, wrapped in a throw blanket you barely remember being given. Your body feels like it doesn’t belong to you — like you’re a puppet someone left slumped in a chair.

Voices hum and swell around you, muffled but relentless. They’ve been at it for hours. Your family. Your manager. The people who care about you, supposedly. They’ve all flown in, clutching their opinions like lifeboats.

“She needs professional help,” someone says sharply. It’s your manager, Grace. She paces the length of the penthouse suite, heels clacking against the marble floor with every angry step.

“She doesn’t need rehab!” Your mother snaps from somewhere near the kitchen. You can hear the frustration in her voice, brittle and sharp. “She’s not a drug addict. Why are you acting like she is?”

“She’s traumatized,” your sister chimes in. “Putting her in rehab would only make things worse.”

“And what do you suggest?” Grace fires back, hands on her hips. “She stays here and … what? Pretends everything’s fine?”

The walls feel like they’re closing in, the voices bouncing off every surface, sharp and loud. You press your forehead against your knees, trying to disappear inside yourself. It doesn’t work.

“Look at her,” Grace says, her voice low but pointed. “She hasn’t spoken all morning. This isn’t just about last night. This has been building for months. You all know it.”

You flinch, just slightly, but it’s enough to send a ripple through the room.

“Don’t talk about her like she’s not here,” your sister warns, her voice tight with anger.

“Well, she’s not exactly engaging with us, is she?” Grace retorts, throwing her hands in the air. “I’m doing my job. I care about her. But you can’t expect me to pretend that this-” She gestures toward you, slumped on the couch like a ghost. “-is sustainable. She’s not fine. And none of you want to admit it.”

“Don’t make this about you,” your mother snaps. “We are not sending her to some clinic to be paraded around like she’s broken. That would destroy her.”

“Destroy her?” Grace barks out a bitter laugh. “What do you think this is doing to her right now? She had a public breakdown on stage in front of thousands of people! Do you have any idea what’s waiting for her online?”

“Enough!” Your father’s voice cuts through the noise like a whip. He’s been silent for most of the conversation, standing stiff by the window, arms crossed. Now he steps forward, pinching the bridge of his nose like the argument is physically hurting him. “Stop fighting. This isn’t helping.”

For a moment, there’s blessed quiet. Just the faint hum of the air conditioning and the soft tick of a clock somewhere in the room.

“Rehab isn’t the answer,” your mother says again, this time softer but no less firm. “She’s not some Hollywood cliché who needs detoxing. She’s our daughter. She’s traumatized. That’s not the same thing.”

Grace blows out a breath, frustration curling off her in waves. “Then what? What’s the plan? Because if you think this just goes away with time, you’re fooling yourselves. She can’t even step outside without getting mobbed by cameras. She needs space.”

The word hangs heavy in the air. Space. You cling to it like a lifeline.

Your sister sits down on the armrest of the couch beside you, placing a tentative hand on your shoulder. “Do you want to go somewhere?” She asks gently. “Just to get away for a bit? Somewhere quiet?”

You don’t answer. You can’t. The thought of leaving this room — of facing the outside world — makes your chest tighten like a vise. But staying here feels just as unbearable.

Grace watches you carefully, arms crossed over her chest. “Look,” she says, her tone shifting from sharp to calculated. “If you won’t consider rehab, fine. But you need to go somewhere. Somewhere you can breathe without a camera in your face.”

Your mother gives her a skeptical glance. “And where exactly do you suggest?”

“Monaco,” Grace says without hesitation. “Strictest privacy laws in the world. Paparazzi can’t follow her there — not without getting arrested. No one can film her, no one can take her picture. It’s safe.”

That feels like a promise you’re not sure you can believe in.

Your father raises an eyebrow, skeptical. “And you just happen to know this because …”

Grace gives him a tight smile. “Because this isn’t the first time I’ve dealt with something like this.”

“Monaco?” Your sister echoes, frowning. “What is she supposed to do there? Sit in some fancy hotel and wait to feel better?”

“Exactly,” Grace says, like it’s the most reasonable thing in the world. “She rests. She doesn’t have to be on all the time. No performances, no interviews, no one breathing down her neck. Just … time to get her head straight.”

Your mother looks unconvinced. “She needs more than a vacation.”

“She needs a break,” Grace counters, her voice firm but not unkind. “And right now, Monaco is the only place I can guarantee she’ll get one.”

The room falls into another uneasy silence, everyone waiting for someone else to make the next move.

Grace sighs, running a hand through her hair. “Look, I know you all want what’s best for her. I do too. But pretending this is something she can just push through isn’t going to work. If she stays here, the pressure will crush her. We’ve all seen it happen before.”

Your father shifts uncomfortably, like he hates that she’s making sense.

Finally, Grace looks at you, her expression softening for the first time all morning. “What do you think?” She asks quietly. “Do you want to go?”

It feels like everyone in the room is holding their breath, waiting for your answer.

But you don’t have one. You can’t think beyond the next minute, the next breath. The world feels too big, too loud, too sharp. You don’t know what you want. You don’t know if you even care.

Your sister squeezes your shoulder gently. “You don’t have to decide right now,” she murmurs.

But Grace shakes her head. “No. She does. The longer we wait, the harder this gets. This-” she gestures around the room, frustration leaking into her voice again. “-isn’t working. She’s drowning, and none of you seem to see it.”

Your mother bristles. “Don’t you dare-”

“She needs to get out of here,” Grace says, cutting her off. “Before it’s too late.”

The words hang heavy in the air, the finality of them settling over the room like a weight.

And for the first time all morning, you feel something other than numbness. It’s small, barely noticeable — a flicker of something that might be relief. Because maybe, just maybe, getting away — really away — is exactly what you need.

Grace leans forward, her expression soft but determined. “Monaco,” she says again, like she’s offering you a lifeline. “What do you say?”

***

The jet touches down with a soft bump on the runway at Nice Côte d’Azur Airport, and you jolt awake from a sleep so light it barely counted. The low hum of the engines winds down, and the pilot’s voice crackles over the intercom.

“Welcome to Nice. Local time is 11:42 AM. Weather is clear, 22 degrees Celsius. Please remain seated until we’ve come to a full stop.”

You sit up slowly, the weight of exhaustion pressing down on your bones. Your mouth feels dry, and there’s an ache deep in your chest that hasn’t left since the night everything went wrong. The cabin is dim, but even the weak sunlight filtering through the windows feels too bright.

Grace is already on her feet, tugging her bag from the overhead compartment. She glances down at you, scanning your face like she’s trying to gauge how much of you is actually here. “You good?”

You nod, even though the answer is no. It’s always no. But that’s the answer everyone expects, so you give it.

“Let’s move, then,” Grace says, her voice clipped but not unkind. She’s been running on fumes, too, trying to stay two steps ahead of everything — flights, accommodations, press rumors. She’s doing her best. You know that.

But it doesn’t make any of this easier.

You reach for the sunglasses perched on your lap and slide them on. They’re oversized, swallowing half your face, and the tinted lenses turn the world into a duller, slightly safer version of itself. It’s a fragile kind of armor, but it’s all you have.

The plane door hisses open, and the warm Mediterranean air slips inside. It smells like saltwater and jet fuel, a strange combination that makes your stomach flip.

“Okay, let’s go,” Grace says, nodding toward the exit. “Straight to the car. No stopping.”

You stand slowly, clutching the strap of your bag like it’s the only thing keeping you upright. Every movement feels heavy, like you’re swimming through molasses. You follow Grace down the narrow steps of the jet, keeping your head low, as if shrinking into yourself will make you invisible.

The tarmac is bright and blinding, and your skin prickles with the heat. A sleek black car waits just a few feet away, engine humming softly, driver standing at the ready.

But then you see it.

Beyond the airport fence, just far enough away to be contained but close enough to be seen, a cluster of people is gathered. Fans. Some are holding signs with your name scrawled across them in glittering ink. Others have their phones up, cameras trained on the plane like they knew you were coming.

Your heart stops, just for a second.

And then it starts again — too fast, too loud, slamming against your ribcage.

“They’re not supposed to be here,” you whisper, but your voice is barely audible over the pounding in your chest.

Grace follows your gaze and swears under her breath. “Ignore them. They can’t get to you.”

But it doesn’t matter. They’re still there. Their eyes are on you, their phones are on you, and suddenly the ground feels like it’s shifting beneath your feet.

Your breath catches in your throat, sharp and painful.

“It’s okay,” Grace says quickly, stepping closer to you. “They’re behind a fence. You’re fine.”

But you’re not fine. The fence isn’t enough. The sunglasses aren’t enough. Nothing feels like enough.

Your vision blurs at the edges, and your lungs feel like they’ve shrunk, leaving no room for air. The noise in your head gets louder — memories slamming into you all at once: the man’s grip on your arm, the microphone hitting the stage, the screams from the crowd.

You can’t do this. You can’t do this.

“Y/N.” Grace’s voice cuts through the static in your brain, sharp and insistent. “Look at me. You’re safe. I promise, you’re safe.”

You shake your head, gasping for breath that won’t come. The world tilts sideways, and for a second, you think you might pass out right here on the tarmac.

“I can’t — I can’t-” Your voice breaks, and panic claws its way up your throat, sharp and relentless.

“Okay, okay.” Grace moves fast, slipping between you and the fence, blocking your line of sight to the fans. “Breathe. Just focus on me.”

The driver approaches, concern etched into his features, but Grace waves him off. “Give us a minute.”

You clutch the edge of the car door, knuckles white, trying to find something solid to hold onto. Your chest feels like it’s caving in, and tears sting your eyes, hot and unwelcome.

“Listen to me,” Grace says firmly, crouching just enough to be at eye level. “You’re not on stage. You’re not there. You’re here. And nothing bad is going to happen.”

The words are meant to ground you, but they float past like smoke. You squeeze your eyes shut, trying to shut out the world. Trying to make yourself smaller.

Grace’s hand lands gently on your arm, not pulling, just there. “In through your nose,” she says softly, like she’s guiding a child. “Come on. You’ve got this.”

You suck in a shaky breath, and it catches halfway, but it’s better than nothing.

“Good. Now out through your mouth. Slow. That’s it.”

The air comes out in a stutter, but you follow her lead. In. Out. The panic is still there, sharp and insistent, but the edges start to blur just enough to make it bearable.

“See? You’re doing it,” Grace murmurs. “Just a little more.”

Another breath. And another. The tarmac stops spinning, and the pounding in your chest eases, just slightly. You’re still shaking, but the panic isn’t quite as sharp anymore.

“There we go,” Grace says, relief softening her voice. “You’re okay.”

You nod, even though you don’t quite believe it.

“Let’s get in the car, yeah?” She says gently, her hand still resting on your arm. “We’ll be at the apartment soon. No one can get to you there.”

The thought of the apartment — a place with walls, with locks — feels like the only lifeline you have.

You let Grace guide you into the car, sliding into the cool leather seat. The door shuts behind you with a reassuring click, and the tinted windows turn the world outside into a blur. The fans are still there, but they’re just shapes now — distant and meaningless.

The driver slips behind the wheel, and the car glides forward smoothly, leaving the airport behind.

You lean your head against the window, the cool glass soothing against your skin. Your hands are still trembling, and your chest still aches, but at least you’re moving. At least you’re away from the fence.

Grace settles into the seat beside you, pulling out her phone and firing off a quick text, probably to your team. “You did good,” she says without looking up.

You don’t answer. You don’t feel like you did good. You feel like you barely survived.

The car glides onto the highway, the Mediterranean stretching out in the distance, sparkling under the sun. It should be beautiful, but all you can think about is how far you are from home.

The apartment in Monaco is supposed to be a refuge — a place where no one can reach you. But you know better than anyone that no place is ever truly safe. The fear follows you, no matter where you go.

“Almost there,” Grace murmurs, glancing at you from the corner of her eye. “You’re going to be okay.”

You rest your head back against the seat and close your eyes, trying to believe her.

But the truth is, you don’t know if okay is something you’ll ever feel again.

***

The silence in the apartment feels suffocating. Days have blurred together, each one stretched thin and lifeless. Grace left three days ago — urgent work stuff, she had said, promising she would be back soon. But her absence hangs heavy in the air, leaving you alone with your thoughts. Too many thoughts.

You sit curled on the couch, scrolling through the same apps again and again, looking for something — anything — to hold your attention. But everything feels distant. Even messages from your family feel like they’re coming from a world you can’t reach. They’re checking in every day, sure, but no amount of emojis or reassurances will change the fact that they’re thousands of miles away.

And you? You’re here. Alone. In this rented apartment with towering walls of glass and not much else.

Your stomach growls, and the noise breaks the heavy quiet in the room. You groan softly and curl deeper into yourself, trying to ignore it. But then a sudden, vivid craving hits you.

It’s not just hunger. It’s that craving — the one you haven’t thought about in years.

Your mom’s pasta. Specifically, that simple tomato-and-garlic spaghetti she used to make on weeknights when you’d come home from school. You can practically smell it — fresh basil, lots of olive oil, that rich comfort of home cooked into every bite.

The craving grips you so hard that for a moment, it’s the only thing you can think about.

The thing is, ordering it wouldn’t be the same. Even if a fancy Monaco restaurant could somehow recreate it, it wouldn’t taste like hers. And you’re desperate for that — something familiar, something safe. Something to anchor you.

You sit up slowly, chewing your lip.

You could go out. Just this once.

Your mind drifts to the last time you were out in public — those fans at the airport fence, the panic that had swallowed you whole. But you remind yourself: this is Monaco. There are laws here. Strict ones. No paparazzi, no public filming.

You’ll be fine. Right?

You slide off the couch and move toward the mirror by the front door, hesitating only a second before putting on your sunglasses. The oversized lenses feel like a flimsy shield, but you pull on a baseball cap anyway, tucking your hair up underneath it.

You glance at yourself in the mirror. It’s not much of a disguise, but it’ll have to do.

“Okay,” you whisper to yourself. “Just in and out. Quick.”

The grocery store isn’t far — just a few blocks from the apartment. You clutch a reusable tote as you step out the door, heart thumping a little too hard in your chest.

The streets of Monaco are bright and clean, the kind of picturesque perfection that should calm you. But every step feels heavier than the last, like you’re wading into unknown waters. You focus on the task ahead — pasta, garlic, tomatoes, basil. Nothing complicated.

You tell yourself it’ll be easy.

But the city feels too open. The sky, too wide. You pull the brim of your cap lower, keeping your head down as you pass luxury boutiques and sunlit cafés.

Finally, you spot the grocery store. Relief trickles through you. Just a little further.

The automatic doors slide open with a soft *hiss*, and the cool air inside wraps around you like a small mercy. You exhale.

You grab a basket and move quickly down the aisles, avoiding eye contact with the handful of people browsing nearby. It feels like you’re being watched, but you know it’s just paranoia clinging to you from the airport incident.

You find the pasta easily enough. Next, olive oil. Then a bundle of fresh basil. You reach for the tomatoes — ripe and bright — and drop them into your basket with care. It’s almost done. Almost over.

Then you hear it.

“Wait … is that-”

Your heart stops.

You keep your head down and turn away, hoping — praying — that they’ll second-guess themselves. But the whispering spreads like wildfire.

“It’s her. I swear it’s her!”

A couple of girls with phones raised approach from the next aisle. You catch their reflection in the shiny packaging of a can of beans, and panic prickles at the base of your spine.

They’re already snapping photos.

Your heart slams against your ribs as you whip around, heading for the checkout.

“Y/N! Oh my God!”

The name cuts through the air, loud and clear, and suddenly it’s like the whole store shifts focus. Shoppers turn. Heads swivel.

Your breath catches, and a wave of dizziness crashes over you.

You make it to the front of the store, but by now, more people have noticed you. Some are pulling out their phones. Others are whispering, excitement buzzing in the air.

They’re not paparazzi, but it doesn’t matter.

You bolt out of the store, leaving the basket behind.

The sun feels blinding as you hit the street, and the sound of footsteps follows you — people moving fast to catch up, phones aimed like weapons.

“Y/N, can we get a selfie?” Someone calls out, too cheerful, too loud.

The walls close in, and you can’t breathe.

You need to get away. Now.

You turn down a narrow street, heart pounding in your ears. But the footsteps are still there. Someone’s still following.

You push forward, scanning the street for an escape, but everything looks too open, too exposed. You spot an alleyway, leafy and shaded, and veer toward it without thinking.

Your feet hit the cobblestones hard, and the cool shadows swallow you whole. But you keep running, legs burning, lungs screaming for air.

The alley twists and turns, and you don’t know where you’re going — you just know you have to get away.

And then-

You slam into something solid.

Or someone.

The impact knocks the air out of you, and you stumble backward, heart racing, sunglasses slipping down your nose.

Strong hands grip your arms, steadying you before you can fall.

“Whoa,” a voice says, low and surprised. “Easy.”

You blink, dazed, trying to make sense of what just happened.

The man’s chest rises and falls under your hands, and for a second, all you can hear is the sound of both your breaths, mingling in the stillness of the alley.

His hands steady you gently, warm through the fabric of your jacket. For a moment, everything blurs — the edges of the alley, the sounds from the street behind you, your own heartbeat thundering in your ears. All you can feel is the solid presence in front of you.

“You okay?” The man asks, voice low and careful, like he’s speaking to a frightened animal.

You shake your head without meaning to. Your breath comes in shallow gasps, and your chest feels like it’s wrapped in iron bands, squeezing tighter and tighter.

“Hey, hey,” the man says quickly, tilting his head to look at you under the brim of your cap. His voice stays calm, soothing. “It’s okay. You’re safe. Just breathe.”

You try, but it’s no use. The air won’t come.

He shifts, crouching slightly so that he’s eye-level with you. “Alright,” he murmurs. “We’re going to sit down, yeah? It’ll be easier.”

You don’t resist as he gently lowers you both to the ground, sitting cross-legged on the cobblestones. His hands stay on your arms, not holding you down, just there — anchoring you.

“You’re alright,” he says, voice quiet but steady. “It’s just your body playing tricks on you. We’ll get through this.”

The kindness in his tone is almost unbearable, and you bite down on your lip, hard, trying to keep from breaking down completely. Your sunglasses slip down your nose, but you’re too shaken to care.

“Okay,” the man says softly, “listen to me. Look at me. In through your nose, real slow.”

You squeeze your eyes shut, desperate to get a grip on yourself, but the panic is relentless, squeezing tighter and tighter.

“Hey, open your eyes,” the man urges gently. “Just focus on me. Can you do that?”

Something about his voice — steady, grounded — makes you listen. You force your eyes open, though it takes everything in you.

“There you go,” he says, smiling slightly, like you’ve already done something right. His eyes are warm and kind, crinkling at the edges. “Now, breathe with me, okay? In through your nose.”

He inhales deeply, showing you how, and you try to mimic him. The breath catches halfway, ragged and shaky, but it’s something.

“Good,” he murmurs, still calm. “Now out through your mouth. Slowly.”

You exhale, and it stutters on the way out, but the pressure in your chest eases just a bit.

“There we go,” the man says. “Again. In through your nose. Nice and slow.”

You follow his lead again, and this time, it feels a little easier. The world isn’t spinning quite as fast, and the ground doesn’t feel like it’s going to drop out from under you.

He keeps breathing with you, slow and steady, until the worst of it passes. The iron bands around your chest loosen, and you can finally get a full breath.

“See?” He says softly, still sitting close enough that you can feel the warmth radiating from him. “You’re doing it.”

A lump rises in your throat, and you swallow hard, trying to keep it down. It’s been so long since someone’s been this gentle with you.

The man leans back a little, giving you space but not leaving. “I know it feels horrible,” he says, his voice low and empathetic. “But it won’t last forever. I promise.”

You nod weakly, swiping at your eyes with the sleeve of your jacket. “Sorry,” you manage, your voice hoarse and barely audible.

“Don’t be.” He shakes his head, brushing it off like it’s the most natural thing in the world. “I’ve been there.”

You glance at him, surprised. “You have?”

“Yeah.” He offers a small, knowing smile, though there’s a flicker of something sad in his eyes. “When I was younger. My godfather died in an accident, and I didn’t really know how to deal with it. For a while, I used to get these panic attacks out of nowhere. Thought I was going crazy.”

His admission catches you off guard, and for a moment, the world feels a little quieter. Less threatening.

“I get it,” he continues, his voice soft but sure. “It feels like you’re drowning and there’s no way out. But there is. You just have to breathe through it, even when it feels impossible.”

You blink, still trying to process everything — his story, the way he’s sitting here with you on the dirty cobblestones, like it’s the most normal thing in the world.

“Does it ever … go away?” You ask quietly, not sure if you really want to hear the answer.

He tilts his head, considering. “It gets better,” he says after a moment. “But it takes time. And it helps when you’re not going through it alone.”

Something tightens in your chest again — not panic this time, but something softer. Loneliness, maybe. Or the weight of everything that’s happened, pressing down on you all at once.

The man watches you carefully, as if he can sense the shift in your mood. “What’s your name?” He asks gently.

You hesitate for a second, unsure whether you want to tell him. But there’s something about him — something genuine — that makes you trust him, if only a little.

“Y/N,” you whisper.

He smiles, the corners of his eyes crinkling again. “I’m Charles.”

The name doesn’t ring a bell, and you’re too drained to think about it. All you know is that, for the first time in days, you don’t feel completely lost.

Charles shifts slightly, adjusting his position on the cobblestones. “Mind if I ask what happened? Why were you running?”

The question hangs in the air between you, and something inside you shifts, loosens, like a knot finally starting to untangle. You’ve been holding everything in for so long, clenching your teeth and forcing yourself to get through each moment without falling apart, but now the dam cracks wide open. It’s like the words have been waiting, boiling under the surface, desperate for release.

You inhale sharply, eyes stinging. “I-” Your voice wobbles, but you press on. “I’m a singer. I was on tour …”

The words spill out, halting at first, but Charles stays quiet, his gaze steady, listening without a flicker of impatience.

“It started during one of the shows,” you continue, hands trembling as you clasp them in your lap. “Everything was going fine — until it wasn’t. This … this fan rushed the stage, and I just froze. Completely froze. He was coming straight at me, and I couldn’t even-” Your breath catches, and you press a fist to your mouth, as if you can shove the memory back down.

Charles shifts a little, making sure you’re still steady on the ground, but he doesn’t say anything. He just listens.

“They tackled him before he got too close, but I … I lost it.” Your throat tightens painfully. “I started screaming, couldn’t stop. They had to cut the mic — God, it was all over the internet the next day.” You laugh, but it’s a thin, brittle sound. “Every headline called it a breakdown. Which — yeah, it kind of was, I guess.”

Charles’ face stays calm, focused. There’s no pity in his expression, only quiet understanding. That makes it easier to keep going.

“I thought it’d get better after that, but it didn’t.” You shake your head, feeling like you’re unraveling as you speak. “The panic attacks just kept coming every time I thought about performing again. I felt trapped. And then the airport happened …”

You glance away, biting down on your lip so hard it stings. “I saw all the fans lined up by the fence, taking pictures, and I just — I couldn’t breathe. Everything caved in again.” Your voice is cracking now, raw and exhausted. “It’s been like that every day since. I can’t sleep, I can’t leave my apartment without thinking someone’s going to-” You choke on the words.

Charles doesn’t say anything, just shifts a little closer, his shoulder brushing yours. That quiet presence grounds you, keeps you from spiraling too far.

“And now I’m here,” you murmur, gesturing vaguely around you. “In Monaco. Supposed to be getting better, but … I’m not. I feel like I’m drowning. And today …” You squeeze your eyes shut for a second, voice dropping to a whisper. “I just wanted to make some stupid pasta.”

The tears hit before you can stop them, hot and unstoppable. “I needed it,” you manage between sobs. “My mom used to make it for me — simple tomato and garlic spaghetti — and I just … I really wanted it. I thought if I could make it, maybe I’d feel normal again. Just for a little bit.”

You press your palms to your face, trying to stem the tide of tears, but they keep coming. “But I left everything back at the store. All the ingredients. I ran out, and now I can’t go back, and I just-”

The weight of everything — the panic, the isolation, the craving for something familiar — crashes over you, and all you can do is cry.

Charles stays quiet for a moment, letting you ride out the wave of emotion. Then, softly, he says, “Hey.”

You sniffle, peeking at him from behind your hands.

“I think,” Charles says, a small smile tugging at the corner of his mouth, “I have everything you need for that pasta at my place.”

You blink at him, thrown off by the sudden shift in the conversation. “What?”

He nods, still smiling gently. “Yeah. Tomatoes, garlic, spaghetti, olive oil — pretty sure I’ve got all of it.”

You stare at him, overwhelmed and disoriented by how easily he’s offering exactly what you need. “You don’t have to-”

“Come on,” Charles says, standing and offering you his hand. “We’ll make it together. I’ve been told I’m not too bad in the kitchen.”

The kindness in his voice cracks something open in you again, but this time it’s not panic — it’s something softer. Hope, maybe.

You hesitate for just a second before slipping your hand into his. His grip is warm, solid. Steady.

He pulls you gently to your feet, and for the first time in a long time, you feel a flicker of something like relief.

“Pasta for dinner?” Charles says, still holding your hand as he tilts his head toward the end of the alley. “What do you think?”

You manage a shaky smile. “Yeah. Okay.”

Charles’ smile deepens, and for the first time in what feels like forever, you feel like maybe — just maybe — you’re not drowning after all.

***

Charles’ apartment is tucked on a quiet street, close to the harbor but far from the chaos of the main city. He leads you up a narrow stairwell, his hand lingering lightly on your back, a reassuring presence. You’re still jittery, the weight of what happened earlier pressing down on you, but Charles seems calm — like nothing fazes him. It’s comforting in a way you didn’t expect.

He unlocks the door and pushes it open with a casual, “Make yourself at home.”

Before you can even take a step inside, a blur of cream-colored fur bolts toward you, yipping excitedly. A small dachshund launches itself at Charles’ legs first, wagging its whole body like his happiness can’t be contained.

“Hey, Leo,” Charles says, crouching down to ruffle the little dog’s ears. Leo’s tail thumps wildly, and he licks Charles’ chin enthusiastically.

Then the dog turns to you, nose twitching as he sniffs curiously before deciding you’re a friend. With a delighted bark, he jumps against your shins, demanding attention.

“Leo,” Charles laughs, scooping him up before the dog can trip over himself. “You’re too excited, baby.” He holds the squirming dachshund in his arms, scratching behind his ears. “This is Y/N. Be nice, okay?”

Leo wriggles in Charles’ grip, tongue darting out toward your face, eager for kisses. Despite everything — despite the panic, the exhaustion — you can’t help but smile. Something about Leo’s pure, boundless joy is infectious.

“Can I?” You ask, holding out your hands, and Charles grins, passing the little dog over.

Leo practically melts into your arms, licking your cheek with enthusiasm. You laugh softly, a sound that surprises even you — it’s been a while since you’ve felt light enough to laugh.

“He likes you,” Charles says, his eyes warm as he watches the interaction.

“I think I like him too,” you admit, pressing your nose to Leo’s soft fur.

Charles steps aside, gesturing for you to come further in. “Come on. I’ll give you the grand tour.”

You follow him inside, cradling Leo as the dog rests his head contentedly against your shoulder. Charles’ apartment is bright and modern, with big windows that let in the soft afternoon light. It’s stylish but not showy — comfortable, lived-in.

As you step deeper into the space, your eyes catch on something: a row of helmets lining one wall, polished and carefully displayed on shelves. Nearby, there’s a stack of racing tires leaning against the wall, and framed photographs of what looks like racecars.

You glance around, taking it all in. “What’s with all the helmets?”

Charles glances over his shoulder, an amused smile playing at his lips. “Ah, that.” He gestures to the shelves. “I’m an F1 driver.”

You blink, trying to process what he just said. “Wait … like Formula 1?”

“Yeah,” he says, nodding. “I drive for Ferrari.”

You stare at him, your mind spinning as you try to reconcile the man who just helped you through a panic attack with the image of a world-famous racing driver. You don’t follow motorsports — your life has always revolved around music — but even you know Ferrari.

“Wow,” you manage, feeling suddenly self-conscious. “I, um, I had no idea.”

Charles laughs, and the sound is warm, not mocking. “That’s okay,” he says, shrugging it off like it’s no big deal. “You’ve had other things on your mind.”

You feel your cheeks warm with embarrassment. “I’m sorry. I probably should’ve known. You must think I live under a rock.”

He shakes his head, smiling. “Honestly? It’s kind of nice. Most people freak out when they find out what I do.” He tilts his head, studying you with a playful glint in his eyes. “But you? You’re just worried about your pasta.”

You can’t help but laugh at that. “I really am.”

Charles grins, clearly pleased to have lightened the mood. “Come on,” he says, nodding toward the kitchen. “Let’s see if I actually have everything we need.”

He leads you through the apartment, Leo trotting happily at your feet. The kitchen is open and modern, with sleek countertops and a large island in the middle. It’s the kind of kitchen that looks like it belongs to someone who knows what they’re doing — though you suspect Charles probably doesn’t get much time to cook.

He moves easily through the space, opening cabinets and pulling out ingredients. “Alright,” he says, setting down a few items on the counter. “We’ve got tomatoes, garlic, olive oil … and spaghetti.” He turns to you, raising a brow. “How’s that sound?”

“Perfect,” you say, feeling a little lighter already.

Charles smiles, his expression softening as he watches you. “Good. Then let’s make some pasta.”

***

After dinner, you help Charles rinse the dishes, working side by side at the sink. It feels strangely domestic, standing shoulder-to-shoulder with him in the quiet kitchen, water running over plates, Leo curled up at your feet. Charles hums to himself as he scrubs a pan, and you catch yourself smiling — not because you have to, but because you want to.

When everything is clean and put away, Charles nudges you gently with his elbow. “Come on,” he says. “Let’s relax a bit.”

He leads you into the living room, a cozy space with deep couches and big windows that overlook the marina. The soft hum of the city outside filters through the glass, mingling with the sound of Leo’s paws clicking across the floor.

As you settle onto the couch, something catches your eye: a sleek black piano tucked into the corner of the room, polished to a shine. You sit up a little straighter, curiosity piqued.

“You play?” You ask, nodding toward it.

Charles follows your gaze and smiles. “Yeah, a little. Nothing professional, but I like to mess around when I have time.”

You lean forward, intrigued. “Can you play something for me?”

Charles tilts his head, considering, then shrugs. “Sure. Why not?” He crosses the room, sits down at the bench, and runs his fingers lightly over the keys, warming them up with a few random notes.

You stay on the couch for a moment, watching the way his hands move — deft and confident, like he knows exactly what he’s doing. Then he glances back at you, a playful gleam in his eye.

“Do you know Coldplay?” He asks.

You nod, a flicker of excitement rising in your chest. “Yeah, of course.”

He smiles and turns back to the piano, pressing a few familiar chords. The soft, haunting opening of “The Scientist” fills the room, the notes flowing effortlessly from his fingers.

You feel the first swell of emotion as the melody settles around you like a blanket, warm and comforting. Charles plays with quiet intensity, his head tilted slightly to the side, lost in the music.

Then the lyrics drift into your mind unbidden, and before you can second-guess yourself, you open your mouth to sing.

“Come up to meet you, tell you I’m sorry. You don't know how lovely you are …”

Your voice is soft at first, hesitant, but the music pulls you in, makes you forget the tension knotted in your chest. Charles glances at you from the corner of his eye, and something shifts in his expression — like the light inside him just got a little brighter.

You keep singing, your voice growing stronger with each line.

“I had to find you, tell you I need you. Tell you I set you apart …”

Charles grins as you get more comfortable, his fingers dancing across the keys with a little more flair now. He slows the tempo slightly, matching the rise and fall of your voice perfectly.

Without thinking, you slide off the couch and move toward him, sitting down on the bench beside him. The wood creaks under your weight, but neither of you seem to notice.

“Nobody said it was easy …”

Your voice wavers slightly on the word easy, the emotions threading through your tone without you meaning them to. Charles doesn’t say anything — he just keeps playing, like the music is his way of holding space for you.

When you hit the next line together-

“No one ever said it would be this hard …”

-it’s like the air between you thickens, heavy with unspoken things.

You finish the verse in perfect harmony, your voice blending with the soft notes of the piano. And for a moment, everything else — the anxiety, the exhaustion, the noise in your head — fades away.

When the last chord drifts into silence, you realize you’re smiling, a real, unguarded smile.

Charles leans back slightly, his hands resting on the keys as he turns to you. “You have a beautiful voice,” he says quietly.

You feel your cheeks warm under his gaze. “Thanks,” you murmur. “That was … nice.”

“Yeah,” Charles agrees, his eyes sparkling with something you can’t quite place. “It was.”

For a moment, neither of you move. The room feels suspended in time, like the music has cast some kind of spell over everything.

Then Leo trots over, pressing his nose against your leg, and the spell breaks. You laugh softly, reaching down to scratch behind his ears.

Charles watches you for a moment longer, then nudges you lightly with his shoulder. “So,” he says, his voice teasing, “any plans for tomorrow?”

You shake your head, smiling. “Not really.”

“Well,” Charles says, drawing out the word like he’s building up to something. “I was thinking of taking the yacht out for a bit. Maybe you’d want to come?”

You raise an eyebrow, surprised. “You have a yacht?”

He grins, unapologetic. “I do. It’s not as glamorous as it sounds, though. Just something to get away from everything for a few hours.”

The idea of spending a day on the water — away from prying eyes, away from the noise in your head — sounds almost too good to be true.

“Are you sure I won’t be intruding?” You ask, though you already know your answer.

Charles shakes his head, his expression sincere. “Not at all. It’ll be fun. Leo will come too,” he adds with a playful wink.

You laugh, feeling lighter than you have in weeks. “Alright,” you say. “I’m in.”

***

The yacht rocks gently as you step aboard, the crisp breeze off the Mediterranean whipping through your hair. The sun glints off the water, dazzling and endless, and Leo is already scampering ahead, his tiny paws tapping happily on the deck. Charles follows closely behind, carrying a cooler and a bottle of wine under one arm like this is just another day for him.

“Welcome aboard,” Charles says with a grin, setting down the cooler. He gives the yacht's railing a quick pat. “It’s not a superyacht or anything, but she does the job.”

You laugh softly, shielding your eyes against the sun. “It’s more than enough.”

The yacht isn't enormous, but it’s sleek and beautiful, just like everything else Charles seems to surround himself with. A couple of cushioned sunbeds are arranged at the front, and there’s a small dining area shaded under a canopy. Leo wastes no time climbing onto the sunbed, claiming it like a king, tail wagging furiously.

Charles catches your look and shrugs with an easy smile. “He thinks he owns the place.”

“Clearly,” you say, grinning, feeling lighter than you have in days. It’s hard not to, with the sun on your skin and the promise of a peaceful day out at sea.

Charles casts off the ropes with practiced ease and starts the engine. You sit cross-legged near the bow, letting the wind ruffle your hair as the boat glides out into the open water. For a while, neither of you speaks — you just sit in companionable silence, watching Monaco’s coastline grow smaller behind you, the glittering city shrinking into the horizon.

Eventually, Charles kills the engine and drops anchor somewhere far from shore, where the water is crystal clear and the world feels blissfully quiet.

He turns to you, leaning casually against the railing. “So,” he says, a mischievous glint in his eye. “Do you swim?”

You raise an eyebrow, already suspicious. “Yeah … why?”

Charles grins, and before you can react, he lunges toward you. “You look hot. I’m doing you a favor.”

“Charles, no!” You shriek, scrambling backward, but it's too late. He hooks an arm around your waist and lifts you effortlessly off the deck.

“Don’t you dare!” You shout, laughing despite yourself.

“Dare?” He echoes, grinning wickedly. “Oh, I dare.”

Then he throws you over the side of the yacht.

You hit the water with a loud splash, the coolness shocking your skin. For a moment, everything is muffled — just the sound of bubbles rushing past your ears and the soft sway of the sea surrounding you. You surface quickly, gasping and sputtering.

“You are so dead!” You shout, treading water and glaring up at him.

Charles leans over the railing, grinning like a kid who just pulled off the perfect prank. “You said you could swim!”

“That’s not the point!”

He laughs — this carefree, delighted sound — and before you can protest further, he vaults over the side of the boat and plunges into the water after you.

He surfaces with a splash, slicking his wet hair back from his forehead, his grin still firmly in place. “Now we’re even,” he says, swimming closer.

You roll your eyes, though you’re laughing too, the tension between you dissolving with the salt water. “You’re impossible.”

“I’ve been told,” he says with a cheeky shrug, floating lazily beside you.

The water is warm and buoyant, cradling you both as you drift together. For a while, you just float there, surrounded by nothing but the sea and sky. There’s a peace to it — a kind of freedom that you didn’t realize you’d been missing.

Then Charles’ grin softens into something quieter, more sincere. He drifts closer, the space between you shrinking until you can feel the warmth of his skin, even through the water.

“Hey,” he murmurs, his voice low and teasing. “You’re not still mad, are you?”

You smirk, giving him a light splash. “Maybe just a little.”

Charles chuckles, then reaches for you — his hand finding your waist under the water, steadying you as the gentle current pulls at your limbs. His touch is light, careful, as if he’s waiting to see if you’ll pull away.

You don’t.

Instead, you let yourself float closer, the air between you humming with something unspoken. His gaze flicks to your mouth for just a second — so quick you might’ve missed it if you weren’t looking for it. But you are.

Before you can second-guess yourself, you close the distance, pressing your lips to his.

The kiss is soft at first, tentative, as if you’re both testing the waters. But then Charles tilts his head, his hand tightening on your waist, and the kiss deepens — slow and unhurried, like you have all the time in the world.

The water laps gently around you, but it feels like everything else — the sea, the sky, the boat — fades into the background. There’s just the warmth of Charles’ lips against yours, the steady rhythm of his heartbeat where your hand rests lightly on his chest.

When you finally pull back, breathless, Charles’ forehead presses lightly against yours, his grin returning in full force.

“So,” he murmurs, his voice low and playful. “Still mad?”

You laugh, your heart lighter than it’s been in a long time. “Not even a little.”

Charles grins, brushing a strand of wet hair from your face. “Good,” he says, his voice soft. “Because I really didn’t want you to be.”

You smile, and for the first time in what feels like forever, you feel like maybe you’re exactly where you’re supposed to be.

Leo barks from the yacht, his tiny form bouncing excitedly along the edge as if to remind you both that he’s still there.

Charles glances up at the dog and laughs. “Looks like Leo’s getting jealous.”

You shake your head, still smiling. “Better get back before he starts plotting revenge.”

“Good idea,” Charles agrees, giving your waist one last squeeze before reluctantly pulling away.

He swims toward the yacht, reaching up to pull himself back onboard with effortless grace. Then he leans over the side, offering you his hand.

You take it, and he hauls you up easily, his arms steady around you as you find your balance on the deck.

“Not bad for a first date,” Charles teases, water dripping from his hair as he gives you a cheeky grin.

You raise an eyebrow, wringing the water from your shirt. “Is that what this is? A date?”

Charles shrugs, grinning. “It could be.”

You laugh, shaking your head in disbelief. “You’re ridiculous.”

“And yet, here you are,” he says, his smile widening.

You can’t help but laugh again, the sound carried away on the breeze as the yacht rocks gently beneath your feet. Maybe this is ridiculous. Maybe it’s spontaneous and reckless and exactly what you needed.

Either way, you’re not about to overthink it.

Not today.

***

Charles tilts the bottle of wine, filling your glass with a smooth stream of red before refilling his own. The late afternoon sun filters in through the windows, casting long, golden streaks across the hardwood floors of his apartment. The air feels easy between you two — comfortable in a way that feels new but natural, like you’ve fallen into a rhythm neither of you had to try too hard to find.

You sit cross-legged on the couch, your lyric notebook balanced in your lap, the pen twirling absently between your fingers. It’s the first time in weeks — months, really — that you’ve felt the itch to write. The pages are filled with old scribbles, half-finished ideas, and false starts, but today something feels different. There’s a spark, a sense that maybe this time it will stick.

Charles wanders back toward the couch, a glass of wine in each hand. “What are you working on?” He asks, setting your glass down on the coffee table and sliding onto the couch beside you.

You hesitate for a second, fingers tracing the edge of the notebook. “It’s … a song,” you admit softly. “Or, it’s the start of one. I haven’t written anything in a while, but now I think I’ve got something.” You chew on your bottom lip, a little shy. “I just don’t know where to take it from here.”

He leans in, his shoulder brushing yours as he peers into the open notebook. His eyes skim the lyrics you’ve scratched onto the page.

“He said, ‘Let’s get out of this town, drive out of the city, away from the crowds.’”

Charles reads it aloud, slow and thoughtful. “I like that,” he says, tapping the edge of the notebook with one finger. “It sounds like … an escape.”

You nod. “Yeah, that’s the vibe I was going for. But I don’t know what it sounds like — like, I have no idea what the melody would be.”

Charles takes another sip of his wine, studying the words for a beat longer before setting his glass down. Then, without a word, he stands up and heads over to the piano.

You blink, surprised. “What are you doing?”

He glances back at you with a small, playful smile. “Helping.”

He sits down at the piano, rolling his shoulders like he’s about to play a concert. His fingers hover just above the keys, teasing a few notes to test the sound, adjusting the weight of his hands. Then, slowly, he begins to play. The first few notes are tentative, like he’s searching for something just out of reach.

You watch, mesmerized, as he falls into the melody — soft, dreamlike chords that seem to float through the air. It’s gentle at first, and then it starts to shift, becoming something more steady, more certain. He hums along quietly, head tilted, eyes closed, as if he’s feeling his way through it.

After a few moments, he glances over at you. “What do you think so far?”

Your heart skips a beat, and you scoot closer to the piano. “It’s beautiful.”

He smiles, pleased, and keeps playing. “Come here,” he says, patting the spot on the bench beside him.

You slide onto the bench, your thigh brushing against his as you sit down. The music wraps around you like a cocoon, and for a moment, the rest of the world falls away. Charles’ fingers glide effortlessly over the keys, filling the room with that delicate, hopeful sound.

“Try singing what you’ve got,” he suggests, glancing at you with a look that’s both encouraging and a little mischievous. “I’ll follow your lead.”

You take a breath, feeling the familiar flutter of nerves in your chest. But there’s something about the way Charles looks at you — like he believes in you without a shred of doubt — that makes you want to try.

So you do.

“He said, ‘Let’s get out of this town, drive out of the city, away from the crowds.’”

Your voice is tentative at first, but as the melody begins to take shape beneath you, you feel yourself relax into it. The lyrics come more easily now, flowing out in a way that feels almost effortless.

“I thought heaven can’t help me now … nothing lasts forever, but this is gonna take me down.”

Charles smiles as he plays, nodding slightly to encourage you. His fingers never falter on the keys, steady and sure. The notes swell, lifting the words, giving them wings.

The next lines slip from your lips without hesitation, the music carrying you along.

“Say you’ll remember me, standing in a nice dress, staring at the sunset, babe …”

Charles hums the harmony under his breath, and it sends a shiver down your spine. There’s something magic in the way the song is coming together, as if the music and the words have been waiting all along for this moment — this exact combination of notes and timing and connection.

You lose yourself in the lyrics, the melody unfurling like a secret finally spoken aloud.

“Even if it’s just in your wildest dreams, ah-ah, ha. Wildest dreams …”

The final chords linger in the air, sweet and melancholic, as your voice trails off into silence. For a moment, neither of you moves. The room feels suspended in time, like the last note of the song is still hanging between you.

Charles turns his head toward you, his gaze soft and unreadable. “That,” he says quietly, “was incredible.”

Your heart pounds in your chest, the adrenaline of the song still buzzing under your skin. “It felt … right,” you whisper, almost in disbelief.

He smiles, and there’s something in his expression — something tender, something knowing — that makes your breath hitch.

Before you can think twice, Charles leans in.

His lips brush against yours, warm and careful, like a question waiting to be answered. And you answer it, leaning into the kiss with a soft sigh, your hand sliding up to cup the back of his neck.

The kiss is slow and unhurried, just like the song — like you have all the time in the world to figure out where this might go. His hand finds your waist, pulling you just a little closer, and for a moment, it’s just the two of you — no fans, no cameras, no expectations. Just you and Charles and the quiet hum of something new unfolding between you.

When you finally pull back, Charles rests his forehead against yours, his breath warm against your skin.

“Wildest dreams,” he murmurs, a soft smile tugging at his lips.

You smile back, your heart still racing. “Yeah,” you whisper. “Wildest dreams.”

***

The yacht rocks gently on the still water, the evening air warm and soft against your skin. The sky is a canvas of fading oranges and purples, the last light of day slipping into the night. You and Charles are seated across from each other on the yacht’s deck, surrounded by flickering candles, plates of pasta, and a bottle of wine nearly emptied between you.

Charles twirls a forkful of spaghetti, his other hand resting lazily on the table, fingers tracing circles on the wood. There’s an easy silence between you, one that has become familiar in the last few weeks — a silence that speaks more than words sometimes can. The kind where you don't feel the need to fill every gap with conversation because being together is enough.

But tonight, there’s something behind Charles’ quietness — something thoughtful, like he’s working up the courage to say what’s on his mind.

You sip your wine, watching him as he chews on his pasta and glances out at the horizon, his brows slightly furrowed. “What’s up?” You ask, sensing the shift in his mood.

He blinks, almost like you’ve caught him off guard. Then he smiles, a little nervous. “I wanted to talk to you about something.”

You set your glass down and lean forward, resting your elbows on the table. “That sounds serious.”

He chuckles, rubbing the back of his neck. “Not serious, exactly. Just … something important.”

You tilt your head, waiting.

Charles exhales softly, the kind of breath you take when you’re gearing up to say something that matters. “The summer break is almost over,” he begins. “In a few days, I’ll be flying out to the Netherlands for the next race.”

You nod, trying to keep your expression neutral, even though the thought of him leaving tugs at something inside you. The past few weeks with Charles have felt like a bubble — something delicate and safe, like you’ve both been hiding from the world together. And now the bubble is about to pop.

He taps his fingers lightly against the table. “After the Dutch Grand Prix … we race in Monza. The Italian Grand Prix.”

You raise your eyebrows slightly, waiting for him to get to his point.

“It’s Ferrari’s home race,” he explains, his eyes flicking to yours. “It’s always a really special weekend for me. It’s … a lot of pressure, but also really meaningful.”

You nod slowly. “That makes sense.”

Charles shifts in his seat, leaning closer to you. “I was thinking … I’d really like it if you were there.”

The words hang in the air between you, delicate and tentative.

You blink, caught off guard. “At the race?”

He nods, studying your face carefully. “As my guest.”

There’s a long pause as you try to wrap your head around the idea. Charles at a race is a public Charles — a version of him that exists under a magnifying glass, scrutinized by cameras and fans and reporters. It’s a world that feels miles away from the quiet, private moments you’ve shared with him on his yacht or in his apartment.

Charles seems to sense your hesitation, because he adds quickly, “You wouldn’t have to interact with anyone if you didn’t want to. You’d have a VIP pass — my personal guest pass. It would get you into places the fans can’t go.”

You bite your lip, your mind racing. “Charles, I don’t know …”

“I get it,” he says softly, reaching across the table to take your hand. His thumb strokes the back of your hand, soothing and patient. “It’s a lot to ask, I know. And I don’t want to pressure you. But it would mean a lot to me if you came.”

The sincerity in his voice makes your chest tighten. This isn’t just about a race — it’s about you being part of something important to him.

“I don’t want to put you in a position where you feel uncomfortable,” he continues. “If it’s too much, we don’t have to do it. But … I think you’d enjoy it. And you wouldn’t be alone. I’d make sure of that.”

You chew on the inside of your cheek, weighing your options. The idea of being surrounded by people — fans, photographers, reporters — makes your heart race with anxiety. But then there’s Charles, sitting across from you, his green eyes soft and hopeful, asking you to be there for something that matters to him.

“Would I really have a place to hide if I needed to?” You ask, your voice hesitant.

Charles nods, squeezing your hand gently. “Absolutely. There are private areas for drivers and their guests. No fans, no cameras. And if you want, I’ll introduce you to some of the other drivers — they’re good guys. But only if you want.”

You let out a slow breath, feeling the tension in your chest loosen, if only a little. “Okay,” you say finally. “I’ll come.”

Charles’ eyes light up, and the smile that spreads across his face is so genuine it makes your heart skip a beat. “You will?”

You nod, a small smile tugging at the corners of your mouth. “Yeah. I’ll come to Monza.”

Charles grins, and before you can say anything else, he’s out of his seat and leaning across the table to kiss you. It’s the kind of kiss that’s filled with gratitude and excitement, a kiss that says thank you without words.

When he pulls back, his forehead rests against yours, and he’s still smiling, like he can’t help himself. “You’re amazing,” he whispers, brushing a strand of hair behind your ear.

You laugh softly, your cheeks warm. “I’m just coming to a race.”

“It’s more than that,” he says seriously, his hand cradling the side of your face. “It means more than you know.”

His words linger in the air between you, and you realize that saying yes to Monza wasn’t just about the race — it was about showing up for Charles, being there for him the way he’s been there for you.

You wrap your arms around his neck, pulling him in for another kiss, and for a moment, everything feels right.

***

The air around Monza buzzes with energy, a whirlwind of cheers, Ferrari red, and Italian pride. The grandstands are a sea of waving flags and chanting fans, their roars echoing through the paddock even after the race is over. Charles has just crossed the finish line first, and the entire circuit feels like it’s vibrating from the weight of it — Ferrari’s golden boy has won at home.

You watch the celebration unfold from the safety of the private viewing suite Charles arranged for you. From here, tucked away from the chaos, you see the team erupt in joy, mechanics and engineers throwing themselves at each other in wild celebration. The commentators’ voices, crackling over the monitors in the room, narrate Charles’ victory lap with giddy enthusiasm.

“Charles Leclerc wins the Italian Grand Prix! What a race! What a moment for Ferrari!”

You smile softly, knowing how much this means to him. Even from the suite, you can see the glint of happiness in his eyes as he climbs on top of his car, throwing his arms in the air. The crowd chants his name, the fans surging against barriers, trying to get closer to their hero. Charles punches the air and lets out a joyous roar before jumping down to embrace his team.

But your smile is tinged with anxiety. You know what comes next: endless interviews, the champagne-soaked podium, media obligations, and swarms of fans. Part of you wonders if he’ll even have a moment to breathe, let alone a moment to sneak away to find you.

You sit back, your hands clasped tightly in your lap, heart fluttering with a mix of emotions — pride, nerves, and that ever-present thread of uncertainty that’s lingered since you first said yes to coming here.

The minutes crawl by, and you try to distract yourself, fiddling with your phone and glancing every few moments at the screen broadcasting the race aftermath. Charles is still out there, getting pulled in every direction. You watch him hug mechanics, shake hands with journalists, and answer rapid-fire questions while grinning through it all.

He’s in his element. Confident, radiant, unstoppable.

But all you can think about is how much you want to see him.

Just when you’ve convinced yourself to give him space, the door to the suite creaks open — quietly, almost suspiciously — and Charles slips inside, still wearing his race suit, damp and sticky from champagne. His hair is a mess, waves clinging to his forehead, and his cheeks are flushed from exertion. He smells faintly of sweat, champagne, and adrenaline, the chaotic mixture of victory.

“Charles?” You whisper, sitting up, startled. “What are you — aren’t you supposed to be-”

“Shhh,” he grins, breathless, holding a finger to his lips. “I escaped.”

He’s like a kid sneaking out of school, his eyes sparkling with mischief. Before you can say anything else, Charles strides across the room and pulls you into his arms without hesitation. You barely have time to react before his lips are on yours — urgent, warm, and full of something that feels dangerously close to gratitude and relief.

The kiss takes the breath out of you. His hands slide up your back, pressing you closer as if he needs to make sure you’re real, like victory only means something if he can share it with you.

When he finally pulls away, his forehead rests against yours, and you can feel his rapid breathing against your skin. He’s still grinning, like the joy of the win hasn’t even begun to wear off.

“You,” he murmurs between breaths, “are officially my good luck charm.”

You laugh, breathless and dizzy from the kiss. “I think your driving might’ve had something to do with it.”

He shakes his head, eyes locked on yours, a gleam of playful determination in them. “Nope. It was you.”

You roll your eyes, but the warmth spreading through your chest is undeniable. “You’re ridiculous.”

“I know.” He presses a quick kiss to your temple, still grinning like he can’t help himself. “But I’m right.”

Charles takes a step back, still holding your hand as if letting go might cause you to disappear. “I didn’t want to stay out there without seeing you,” he says, softer now. “I just … I wanted you here, with me, for this.”

Your heart flutters, and you don’t know what to say, so you just squeeze his hand in response.

“I don’t care about the interviews or the photos,” he continues, brushing a stray curl from your forehead. “This is what I wanted. Just this.”

You exhale a shaky breath, overwhelmed by how easy it feels with him — how natural, like you belong here despite all the noise and chaos swirling just outside this room.

He glances down at himself and grins sheepishly. “Sorry. I’m probably disgusting.”

“You kind of are,” you tease, brushing a damp curl off his forehead. “But I’ll allow it, just this once.”

He laughs, low and soft, the sound vibrating against your skin as he leans in for another kiss. This one is slower, more deliberate — like he’s savoring the moment, like he knows it’s fleeting and wants to make every second count.

When he pulls back again, there’s a flicker of something more serious in his eyes, something that makes your chest tighten. “Thank you,” he whispers. “For being here. For coming.”

The sincerity in his voice catches you off guard, and you feel a lump rise in your throat. “Of course,” you manage, your voice barely audible.

Charles takes a step back, exhaling slowly as if trying to gather himself. “Come with me to my driver’s room?” He asks, a hint of that playful glint returning to his eyes. “I need to hide for a bit longer.”

You nod, smiling. “Lead the way.”

He slips his hand into yours and pulls you gently toward the door, glancing down the hallway to make sure no one’s spotted him. The halls are buzzing with activity — team members shouting, media swarming — but Charles weaves through the chaos like it’s second nature, keeping you close behind him.

When you reach his driver’s room, he ushers you inside quickly, closing the door behind you with a soft click.

“Safe,” he whispers, grinning.

You barely have time to process before he’s kissing you again, backing you gently against the wall, his hands on either side of your face. There’s a fervor to the kiss now, a kind of desperation that only comes after holding something in for too long.

When he finally pulls away, both of you are breathless, your foreheads pressed together. “I told you,” he murmurs, brushing his thumb along your cheek. “Good luck charm.”

You laugh softly, still catching your breath. “You really are ridiculous.”

“Maybe,” he admits, his grin widening. “But I won in Monza, so I think I’ve earned it.”

You can’t help but smile, your heart full in a way you haven’t felt in a long time. And for the first time in what feels like forever, the chaos of the world outside doesn’t seem so overwhelming — because right here, in this stolen moment, it’s just you and Charles. And that’s enough.

***

Sunlight filters softly through the curtains, casting a warm glow across the sheets. The familiar scent of Charles — his cologne, mixed with a hint of sweat from yesterday’s excitement — wraps around you like a cocoon. His arm is slung loosely over your waist, and his chest rises and falls in steady rhythm, his breath warm against the back of your neck. It feels safe. For once, you feel like the chaos of the world can’t reach you here.

And then your phone rings.

The sharp, jarring sound slices through the quiet morning. You groan, disoriented, fumbling blindly on the nightstand until your hand closes around your phone. Charles shifts behind you, murmuring sleepily but not waking.

You squint at the screen. Grace.

Before you can think better of it, you slide your thumb across the screen and lift the phone to your ear. “Hello?”

“What the hell, Y/N!” Grace’s voice cuts through the line, sharp and unrelenting. You wince, instinctively sitting up, trying not to disturb Charles as your pulse begins to race.

“What are you-”

“Don’t even start,” Grace interrupts, her tone laced with frustration. “Why didn’t you tell me you were going to be out in public? Let alone at a Grand Prix? I thought you were supposed to be laying low, taking time to recover.”

Your stomach drops. “What are you talking about?”

“The pictures, Y/N!” Grace huffs. “They’re everywhere — Twitter, Instagram, even some sports blogs. You were at Monza, weren’t you?”

You blink, heart pounding now. “What pictures?”

“The ones of you in the VIP suite, for starters. And a couple from the paddock exit too — probably some fan with a long lens. They’re blurry, but it’s definitely you.”

Your throat tightens. You and Charles had been so careful — at least, you thought you had. You didn’t talk to anyone, stayed tucked away from crowds, and only left his driver’s room when the paddock had mostly cleared out. But now it’s all unraveling.

Grace’s voice barrels on, not giving you a chance to respond. “Do you realize how this looks? You’re out at public events now, so obviously you’re feeling well enough to get back to work. Your team is already asking me when we can restart your tour dates. They think-”

“Grace-”

“-they think this whole thing was just overblown. Maybe you just needed a break, but now you’re good, right? If you’re ready to attend races, you can-”

“Grace, stop!” You blurt, your voice cracking. Your head spins as the walls start closing in. The pressure, the expectations — everything feels like it’s crashing down on you all at once.

You clutch the blanket tight around you, trying to hold yourself together, but the familiar sensation of your chest tightening makes it hard to breathe. It’s happening again — your mind racing, spiraling into the panic you thought you’d escaped.

Charles stirs beside you, sitting up now, his brows knitting in concern. “What’s wrong?” He asks, his voice rough with sleep, but the moment he sees the look on your face, he’s wide awake.

You barely register him. Your heart pounds violently in your chest, and your breath comes in shallow gasps. Grace’s voice keeps drilling into your ear, relentless, a never-ending stream of words about tours and schedules and deadlines.

You can’t answer. Can’t breathe.

Charles sees it — he sees you unraveling — and in one smooth motion, he plucks the phone from your trembling hand and presses it to his ear.

“Y/N is busy,” he says, his voice low and firm. “She’ll call you back.”

“Wait, who is-”

Charles doesn’t let her finish. He ends the call with a click and tosses your phone onto the nightstand. Then he’s back at your side, cupping your face in his hands, his touch steady and grounding.

“Hey, hey — look at me,” Charles murmurs, his thumbs brushing gently over your cheeks. “It’s okay. You’re okay.”

You try to nod, but the panic is clawing at your throat, making it hard to focus on anything except the tightness in your chest and the overwhelming sense of failure that threatens to swallow you whole.

“Breathe with me,” Charles whispers, his forehead resting against yours. “Come on, just like before. In, slowly … now out.”

His voice is a lifeline, pulling you out of the storm raging inside your head. You grip his wrist like it’s the only thing tethering you to reality and try to follow his lead — inhale, exhale, again and again, until the tightness in your chest begins to ease.

“That’s it,” he soothes, brushing a stray tear from your cheek. “You’ve got this.”

After a few more breaths, the world starts to come back into focus. The sharp edges of panic soften, and the spinning in your head slows to a manageable hum. Charles stays close, his presence warm and steady, as if daring the panic to come back and try again.

When your breathing finally evens out, Charles shifts slightly, but he doesn’t let go of you. “Do you want to talk about it?” He asks softly, tucking a strand of hair behind your ear.

You shake your head, still too raw to explain everything that just happened. But Charles doesn’t push. He just nods, his thumb brushing soothing circles on the back of your hand.

“I’m sorry,” you whisper, your voice hoarse.

“Don’t,” he says immediately, his brow furrowing. “You don’t have to apologize for anything.”

You drop your gaze, your fingers twisting nervously in the blanket. “Grace thinks I’m ready to go back to everything. She thinks because I went to the race, I should be able to start working again.”

Charles’ hand finds yours, lacing your fingers together. “And what do you think?”

You swallow hard, guilt prickling at the back of your mind. “I don’t know. I don’t think I’m ready. But what if everyone expects me to be? What if-”

“Hey,” Charles interrupts gently, tilting your chin so you have to meet his gaze. “It doesn’t matter what anyone else expects. You don’t have to do anything until you want to. Not Grace, not your team, not anyone.”

You blink, the weight of his words sinking in. “But what if-”

“No,” he says firmly, his green eyes unwavering. “Listen to me. You are allowed to take your time. You are allowed to say no. And if anyone has a problem with that, they can deal with me.”

You let out a shaky laugh, the sound somewhere between a sob and a chuckle. “You’re going to fight Grace for me?”

“If I have to,” Charles says with a grin. “But I think I’d win.”

The corners of your mouth lift, a small smile breaking through the storm of emotions. “You really think so?”

“I know so,” he says confidently. Then his expression softens, and he squeezes your hand. “You’ve been through a lot, mon cœur. You don’t have to prove anything to anyone.”

You nod slowly, the knot in your chest loosening a little more. For the first time in what feels like forever, you start to believe that maybe, just maybe, it’s okay to put yourself first.

Charles leans closer, pressing a kiss to your temple. “Whatever you need, I’m here. No pressure, no expectations.”

The words settle over you like a blanket, warm and comforting. And for the first time in a long while, the crushing weight of other people’s expectations lifts — just a little.

Charles shifts, pulling you gently into his arms, and you curl into him without hesitation, resting your head against his chest. His heartbeat is steady beneath your ear, a quiet reminder that you’re not alone in this.

“We’ll figure it out,” he murmurs into your hair. “One day at a time.”

And somehow, with Charles holding you like this, you believe him.

***

The familiar opening notes of Cars play softly from the TV, the colorful animation flickering across the screen in the dim light of your apartment. You’re curled up comfortably on the couch, Leo nestled between you and Charles, his small, warm body shifting every few minutes as he tries to snuggle deeper into the cushions. He paws insistently at your hand, his tail wagging whenever you stop petting him.

Charles laughs quietly beside you, clearly amused by Leo’s persistence. “I think he likes you better than me now,” he teases, running a hand through his messy hair and leaning back against the couch.

You smile, scratching behind Leo’s floppy ears. “Maybe I just have better petting skills.”

Charles grins, his arm draped casually over the back of the couch, his fingers occasionally brushing your shoulder. “Unfair advantage,” he murmurs, tilting his head toward the screen as Lightning McQueen barrels into Radiator Springs.

It’s peaceful — easy, even. For the first time in a long while, the constant buzz of anxiety in your chest has quieted. Charles is beside you, Leo’s warm little body sprawled between you both, and the world outside feels far away, like it can’t touch you here.

Then there’s a knock at the door.

Your heart skips a beat. You glance at Charles, who raises a brow but doesn’t seem concerned, probably assuming it’s nothing more than a delivery. Leo lets out an excited little yip and hops off the couch, his tail wagging as he scampers toward the door.

You pull your blanket tighter around yourself, feeling the familiar trickle of anxiety starting to creep back. “Did you order something?”

Charles shakes his head, giving you a curious look. “No. Were you expecting anyone?”

You frown. “No.”

Before you can think to stand or tell Charles to wait, the door swings open — without so much as an invitation — and Grace strides inside, her heels clicking sharply against the hardwood floor.

“Y/N, we need to talk,” Grace announces, her tone brisk and no-nonsense. She’s balancing her phone in one hand and a folder in the other, looking like she’s just come from a meeting. “I’ve been trying to call-”

Her voice trails off mid-sentence as she looks up and takes in the scene before her — Leo skittering around the room, the two half-empty wine glasses on the coffee table, and you huddled on the couch in sweatpants and a hoodie.

And then her gaze shifts to Charles.

For a split second, Grace freezes. She stares at him, her mouth opening slightly, confusion flickering across her features. Then she does a sharp double take, and her eyes widen as recognition clicks into place.

“Oh my god,” she breathes, blinking as if she can’t quite believe what she’s seeing. “You’re … you’re Charles Leclerc.”

Charles shifts slightly beside you, offering a polite but slightly awkward smile. “Uh, yes.”

Grace’s eyes flicker between the two of you, as if trying to piece together a puzzle that doesn’t make sense. “You’re … here. In Y/N’s apartment.”

“Yes,” Charles repeats calmly, his tone light but cautious, as if he’s waiting to see where this is going.

You watch the realization spread across Grace’s face, her expression shifting from disbelief to something resembling stunned amusement. “Wait — are you two … together?”

Your cheeks burn under her gaze, and before you can answer — or even figure out what to say — Charles gives a small, easy shrug. “We are,” he says, as if it’s the simplest thing in the world.

Grace blinks, visibly thrown off her game. “Since when?”

Charles glances at you, his eyes warm. “A little while now.”

There’s a beat of silence as Grace processes this new information. Then she lets out a half-laugh, half-exhale, clearly bewildered. “I mean … obviously I knew you were in Monaco, but — Charles Leclerc?” She looks at you with a mixture of shock and something close to admiration. “I guess I can’t say I saw that coming.”

Leo prances back toward the couch, demanding attention from both of you again. Charles leans down to rub the little dachshund’s head, his expression calm and unbothered, like this is the most natural situation in the world.

Grace, however, is not one to be easily distracted. She clears her throat and crosses her arms, focusing on you now. “Okay, so let me get this straight. You’ve been staying under the radar all this time, but now you’re … dating a Formula 1 driver?”

You glance at Charles, who gives you a reassuring look, his hand resting lightly on your knee beneath the blanket. It’s subtle, but the touch steadies you.

“Yes,” you say quietly, meeting Grace’s gaze head-on.

For a moment, she just stares at you, as if trying to decide how to respond. Then she lets out a long breath, shaking her head. “This is … unexpected.”

Charles chuckles softly beside you, clearly amused. “That seems to be the general consensus.”

Grace narrows her eyes at him, though there’s no malice in it — just the cautious protectiveness of someone who cares deeply about you. “And you’re … serious about this?” She asks, her gaze flickering between you and Charles.

“I am,” Charles replies without hesitation. His voice is steady, sincere. “Very.”

The simplicity of his answer makes your heart squeeze in your chest. You glance at him, finding that familiar warmth in his expression — like you’re the only thing that matters to him in this moment.

Grace watches the exchange closely, her sharp gaze softening just a fraction. Then she sighs, pressing a hand to her temple. “Okay,” she mutters, almost to herself. “This is … a lot.”

You shift uncomfortably, the anxiety from earlier threatening to bubble back up. “Grace, I didn’t plan any of this,” you say quietly. “I know it’s a lot to take in, but … I’m happy. For the first time in a long time.”

Grace’s expression softens further at your words, and she lets out a slow breath. “That’s all I care about,” she admits, her voice quieter now. “I just want you to be okay.”

Charles gives her a small, understanding smile. “I want the same thing.”

For the first time since she walked in, Grace seems to relax, her shoulders loosening as she takes in the scene once more — the cozy apartment, the soft lighting, the half-finished movie on the TV, and the way Charles’ hand rests protectively on your knee.

“Well,” Grace says finally, rubbing the back of her neck. “This is … definitely not how I expected this conversation to go.”

Charles chuckles. “Life is full of surprises.”

Grace shoots him a wry look but doesn’t argue. Instead, she gives you a small, tired smile. “I guess if you’re happy … then that’s all that matters.”

You feel a weight lift off your shoulders at her words, the tension easing just a little. “I am,” you say softly, and for the first time in a long time, you truly mean it.

Grace nods, seemingly satisfied — for now, at least. “Okay, well … I guess I’ll leave you two to it, then.” She glances at Leo, who’s now sprawled dramatically across Charles’ lap. “And your dog.”

Charles grins, scratching behind Leo’s ears. “He’s good company.”

Grace rolls her eyes, though there’s a hint of a smile tugging at the corner of her mouth. “I’ll let myself out.”

She heads toward the door but pauses just before stepping out. “Y/N?” She calls softly.

You look up, meeting her gaze.

“I’m glad you’re doing better,” she says sincerely. “Really.”

You offer her a small, grateful smile. “Thanks, Grace.”

With that, she gives you a nod and slips out the door, leaving you and Charles alone once more.

The room feels lighter now, the tension from earlier dissipating into the warm, easy atmosphere you’d shared before Grace arrived. Charles turns to you, his expression soft and amused.

“Well,” he murmurs, “that went better than I expected.”

You can’t help but laugh, the sound light and genuine. “Yeah. Me too.”

Charles leans in, pressing a gentle kiss to your forehead. “Told you — we’ll figure this out. One day at a time.”

And somehow, with him beside you, that feels like enough.

***

The Instagram Live notification pings on Nora’s phone as she sprawls across her bed, scrolling aimlessly.

@yourusername is going live now.

Her thumb hovers over the screen for a second. Nora hasn’t seen a post or update from you in months, and the gossip forums have been buzzing with wild theories — everything from burnout to secret rehab stints. It’s been radio silence since your tour abruptly ended, with no official word on what had happened.

But now you’re back? On Live? Nora’s heart races with excitement and curiosity as she taps the notification, the screen loading just in time for your face to appear.

The video is a little shaky at first, as if you’ve just propped your phone up on something last minute. You’re sitting cross-legged on a couch, wearing a cozy hoodie that looks two sizes too big and barely any makeup.

The person Nora sees looks different from the polished pop star she’s used to — more real. Your eyes flicker nervously between the camera and something off-screen, as if you’re not sure whether this is a good idea.

“Hi, everyone,” you start, tucking a loose strand of hair behind your ear. The live chat immediately explodes with greetings.

OMG SHE’S ALIVE

We missed you so much!

Are you okay? What happened?

You smile, though it doesn’t quite reach your eyes. “Uh, I’m not really sure how to do this, but I just … I wanted to talk to you guys. To explain everything.”

The chat rolls by so fast that Nora can barely keep up, but she keeps her eyes glued to the screen, her heart thumping. This isn’t the usual PR-filtered message, it feels personal.

“I know a lot of people have been wondering where I’ve been,” you say, shifting slightly on the couch. “The truth is … I had to step away from everything for a bit. Things got really overwhelming. It wasn’t just one thing — it was a lot, all at once.”

Your voice wavers slightly, and Nora finds herself leaning closer to her phone, feeling the vulnerability in your words.

“The last few months of the tour were … hard. I started having panic attacks. At first, I thought I could push through, you know? Just keep going. But I couldn’t.” You pause, taking a deep breath as if the memories are still too close. “One night, a fan ran on stage, and something in me just … broke. I couldn’t pretend I was okay anymore.”

The chat slows slightly, the flurry of emojis replaced by supportive comments.

It’s okay, take your time.

We’re proud of you for talking about this.

We love you no matter what.

Nora can feel the wave of empathy through the screen. She has always admired you for your strength, but this — seeing you raw and open — makes her respect you even more.

“I know I kind of disappeared,” you continue. “I didn’t mean to worry anyone. I just needed time to figure things out … away from the cameras, the shows, everything.” You smile sadly. “And that’s why I didn’t say anything earlier. I wanted to come back when I was ready, not when someone told me I had to.”

The chat fills with heart emojis, and Nora finds herself tapping one as well, caught in the warmth of the moment.

Just then, there’s movement in the background. Someone off-screen calls your name, the sound muffled at first. The camera wobbles slightly as you turn your head.

“Hang on a sec,” you say with a small laugh, glancing toward the doorway.

The viewers — Nora included — watch with curiosity as a figure steps into the frame. A man in gray sweatpants and a white T-shirt, his dark hair slightly tousled as if he’s just woken up from a nap.

Nora’s eyes widen. Wait. No way.

It takes a second for the recognition to sink in, but when it does, the chat explodes.

WAIT IS THAT CHARLES LECLERC?

OMG WTF IT IS HIM

Y/N AND CHARLES?! HOW?!

Charles strolls into the room casually, clearly unaware that you’re on Instagram Live. Leo scampering at his feet, barking happily.

“Do you want pasta or pizza for dinner?” Charles asks, his voice soft with that unmistakable Monaco accent.

You let out a soft, embarrassed laugh. “I’m … I’m on Live right now,” you whisper, as if trying to warn him.

Charles blinks, his gaze shifting to the phone propped up in front of you. His eyes widen slightly, but then he gives a sheepish grin, as if to say, well, the damage is done now.

“Oh,” he murmurs, rubbing the back of his neck. “Hi, everyone.”

The chat is in chaos.

CONFIRMED. THEY’RE TOGETHER.

I CAN’T BREATHE WTF

LEO FOR PRESIDENT!

Nora can’t believe what she’s seeing. Charles Leclerc — Ferrari’s golden boy, Monaco’s favorite son — standing casually in your apartment, talking about dinner like it’s the most normal thing in the world.

You give him a look that’s equal parts amused and mortified. “You just outed us to the entire internet.”

Charles chuckles, completely unfazed. “Oops.”

Leo, as if sensing the excitement, jumps onto the couch beside you and wiggles his way onto your lap. You scratch behind his ears, looking between the dog, Charles, and the phone as if wondering how this all escalated so quickly.

“Well,” you say with a helpless shrug, “I guess … surprise?”

The chat is relentless now, a mix of fans freaking out, congratulating you both, and demanding answers.

HOW LONG HAS THIS BEEN A THING?

THEY’RE SO CUTE TOGETHER I CAN’T 😭

DO YOU NEED A THIRD?

Charles leans over the back of the couch, peeking at the comments on the screen. “They seem happy,” he observes, his lips twitching with amusement.

“Yeah, well, they’re also never going to let us live this down,” you mutter, but there’s no real annoyance in your voice — only fondness.

Charles smiles, brushing a kiss against your temple. “Could be worse.”

Nora can’t help but grin at the interaction. It’s rare to see celebrities in such an unguarded, domestic moment, and the fact that it’s you and Charles Leclerc makes it even more surreal.

“Well,” you say, addressing the camera again, “I guess now you know. This is Charles. Charles, meet … everyone.” You gesture vaguely at the phone, and Charles gives a small, amused wave.

“Ciao,” he says with a playful grin.

The chat is relentless with heart-eye emojis, fire emojis, and messages about how happy everyone is to see you smiling again.

“Okay,” you say, glancing between Charles and the phone, “I think that’s enough excitement for today. Thanks for listening, and … thanks for being patient with me.” Your expression softens. “It means more than you know.”

Charles leans in again. “So … pasta or pizza?” He asks quietly, his voice just for you.

You laugh, the sound light and free, as if the weight on your chest has finally lifted. “Pasta. Definitely pasta.”

With one last smile to the camera, you reach for your phone. “Okay, we’re going to make some dinner. Love you guys. Talk soon.”

And just like that, the screen goes black, leaving Nora — and the rest of the internet — in stunned, delighted disbelief.

***

The energy at the Australian Grand Prix is electric, a swirling mass of noise, speed, and anticipation. The grandstands vibrate with thousands of cheering fans, the scent of burnt rubber and adrenaline thick in the air. It’s the first race of the season, and the world’s eyes are locked onto Melbourne’s Albert Park Circuit. But right now, all you can focus on is Charles.

You stand behind the barrier with the Ferrari team, the red-clad crew surrounding you as they watch the final lap on a sea of screens. Your heart thunders in your chest, each corner of the circuit feeling like a heartbeat skipped. It’s not just nerves — it’s pride, excitement, and a flicker of disbelief. Charles is about to win. The lead he built throughout the race holds steady as he tears through the last straight, the commentators’ voices booming through the loudspeakers, growing more frenzied.

“Charles Leclerc comes through the final corner … and wins the Australian Grand Prix!”

The Ferrari pit wall explodes into wild cheers. Engineers and crew members throw their arms in the air, shouting and hugging each other. Flags whip through the air, and the roar from the grandstands becomes deafening. You let out a breath you didn’t know you were holding, your hands clutched together, knuckles white with tension.

“He did it!” Someone from the team shouts beside you, their voice almost drowned out by the collective noise.

You can’t help but laugh, a giddy, breathless sound that surprises even you. There’s something surreal about witnessing it all — seeing Charles cross the finish line and knowing how much this win means to him. It’s the perfect start to his season, and part of you is so proud that you feel like you might burst.

Charles brings his Ferrari to a screeching stop in parc fermé, right beside the boards marked P1. Without missing a beat, he jumps out of the car, tearing off his helmet as the crowd erupts again. His face is flushed with triumph, damp with sweat, and his grin stretches wide, full of unbridled joy. He climbs onto the nose of the car, throwing his arms in the air to soak in the cheers and applause.

You feel your chest swell, warmth blooming from within at the sight of him — your Charles, victorious, on top of the world.

Then it happens.

He jumps down from the car, his eyes searching the crowd. He’s supposed to go be weighed in. The cameras are supposed to be on him for the formal celebrations. But Charles doesn’t care about any of that. As soon as his gaze locks onto you, standing among the throng of Ferrari team members, everything else fades for him.

He takes off running.

“Wait-” someone from the team starts to say, confused by Charles’ sudden sprint.

You freeze as he barrels toward the barrier, helmet still in one hand, the other hand brushing through his tousled hair. Your heart slams against your ribs as you realize what he’s about to do.

“Charles-” you start, but it’s too late.

He doesn’t stop. He doesn’t hesitate. In front of everyone — Ferrari, journalists, FIA officials — Charles sprints towards the barrier in a few smooth steps, closing the distance between you in a heartbeat. And before you can even react, he’s cupping your face with both hands and kissing you.

The world falls away.

The crowd’s noise becomes a distant hum as Charles’ lips press against yours, firm and desperate, like he’s been waiting all race to get to you. His hands hold your face as if he never wants to let go, his thumbs brushing along your cheekbones. The kiss is everything — celebratory, intense, and filled with a raw kind of joy that makes your knees weak.

For a moment, you forget where you are. All you know is Charles — his familiar scent, the roughness of his jaw, and the way his lips move against yours, like he’s trying to pour every bit of emotion into this one moment. You kiss him back just as fiercely, your hands gripping the front of his race suit, pulling him closer.

When you finally pull back, breathless, Charles’ forehead rests against yours. His grin is impossibly bright, and the look in his eyes makes your heart flip.

“Hi,” he whispers, his voice low and full of laughter, like he can’t believe he’s standing here with you after all of it.

You laugh, trying to catch your breath. “Hi.”

Around you, the team starts cheering again, even louder this time. Someone whistles, and another engineer yells, “That’s our boy!” as if Charles’ kiss is part of the victory itself.

It’s then that you realize what just happened. You glance over Charles’ shoulder and catch sight of the cameras — the journalists on the other side of the barrier, the fans in the grandstands with their phones raised. The internet is about to explode.

“Charles,” you murmur, half-laughing, half-panicking, “everyone saw that.”

“I know,” he says, his grin widening. He doesn’t look the least bit sorry. “Let them.”

You shake your head, but a laugh escapes you anyway. There’s no point in worrying about it now. The moment has already happened, and — surprisingly — you don’t regret it.

Charles pulls you into another hug, squeezing you tight against him. His suit is thoroughly damp with sweat, but you don’t care. All you care about is the way he holds you, the way he whispers, “Thank you for being here,” against your hair.

“You didn’t make it easy to say no,” you tease, your words muffled against his chest.

He chuckles, pressing a kiss to the top of your head. “You know me. I never play fair.”

You pull back slightly, just enough to look up at him. His green eyes are warm and shining with happiness, and for a second, everything feels perfect. The noise, the cameras, the crowd — it all fades into the background, leaving just the two of you standing together in the aftermath of his victory.

Someone from Ferrari taps Charles on the shoulder, reminding him that he still has obligations to do. He groans, clearly reluctant to leave your side, but you give him a gentle nudge.

“Go,” you whisper. “I’ll be right here.”

He kisses you one more time, quick and soft, before finally turning toward the waiting media. As he jogs back down the pit lane, the crowd cheers even louder, the energy electric with both victory and the revelation of your relationship.

You stand behind the barrier, watching as Charles throws his arms around his team and gets swept into the celebrations. A part of you knows that the media frenzy is only just beginning — that by the time you check your phone, social media will be ablaze with photos and speculation.

But for now, none of that matters. All that matters is the way Charles looked at you, like you were the most important person in the world.

And as the Monegasque anthem plays over the speakers and champagne sprays into the air, you smile, knowing that this — this moment — is exactly where you’re meant to be.

***

The stadium hums with anticipation, a low buzz of excitement rippling through the crowd as thousands of fans fill every seat. The lights are dimmed, leaving only the faint glow of phones peppering the darkness. It’s been well over two years since you last stood on a stage, and tonight marks the beginning of your long-awaited comeback tour.

Your heart thrums in your chest — not from nerves, but from exhilaration. This is the moment you’ve dreamed of, the one you thought might never come.

Backstage, you take a deep breath. The setlist is memorized, the band is ready, and the stage awaits. But there’s one song you’ve kept secret until tonight. One that means more to you than anything you’ve ever written. And Charles — your Charles — is somewhere in the audience, waiting to hear it for the first time.

The stage manager gives you a nod, signaling it’s time. The lights drop completely, plunging the arena into black, and the crowd erupts into cheers. You walk onto the stage, the soles of your boots vibrating against the platform as the energy of thousands of voices surrounds you. You step into the spotlight as the first few notes hum through the speakers.

The crowd’s roar crescendos as they finally see you, and you offer them a soft smile. Then you lean toward the microphone, your voice amplified but intimate, as if speaking to an old friend.

“New York,” you begin, grinning as the crowd cheers even louder at the mention of the city’s name. “Thank you for being here with me tonight. I’ve waited a long time for this moment, and I can’t tell you how much it means to me to be back on this stage.”

The crowd roars, chanting your name, the sound enveloping you like a warm embrace. You pause for a beat, your hand resting lightly on the mic stand. “For those of you who’ve been with me from the beginning … you know it hasn’t been an easy road. But here we are, and I feel more alive than I ever have.”

A wave of cheers crashes over you again, and you feel your heart swell in gratitude.

“Tonight,” you continue, a mischievous glint in your eye, “I want to do something a little special. I’ve got a song — one you’ve never heard before. I wrote it for someone very important to me.” You pause, your gaze sweeping over the crowd, imagining Charles out there somewhere, hidden among the sea of faces. “This one’s called The Alchemy.”

The arena erupts into applause and whistles, the fans feeding off your excitement. The band strikes up the first few chords, a shimmering pulse of sound that builds slowly. You close your eyes for a moment, feeling the rhythm settle in your chest. And then you start to sing.

“This happens once every few lifetimes. These chemicals hit me like white wine …”

Your voice is clear and powerful, carrying through the stadium with ease. The crowd sways along, captivated by the song even though they’ve never heard it before. The verses flow effortlessly, the words spilling from your heart as if they were written only yesterday.

“What if I told you I'm back? The hospital was a drag. Worst sleep that I ever had …”

The memory of those dark months flashes briefly in your mind, but you push it away. That’s not where you live anymore. This song isn’t about what you lost — it’s about what you found.

As the music builds, your thoughts drift toward Charles, and a grin tugs at the corners of your mouth as you reach the next verse.

“So when I touch down, call the amateurs and cut ‘em from the team. Ditch the clowns, get the crown. Baby I’m the one to beat …”

The crowd catches onto the energy, cheering as if they know exactly who you’re singing about. And then, at last, you reach the line that you’ve been holding close to your heart since the day you wrote it — the line meant just for Charles.

“Where's the trophy? He just comes runnin’ over to me …”

The audience erupts, but you barely hear them. You can only picture Charles, the memory of him bounding over the barriers in Melbourne, high off a win and still drenched in sweat, just to kiss you in front of everyone. That moment plays like a movie in your mind, the emotion of it surging through your voice as you sing.

The song carries on, the lyrics unfolding like pages in a story — your story. The fans are swaying, waving their arms in time with the music, some already singing along despite hearing the song for the first time. You feel weightless, completely immersed in the moment, knowing that Charles is somewhere out there, listening.

As you belt out the final chorus, the band swells around you, lifting the song to its peak.

“Cause the sign on your heart said it’s still reserved for me …”

Your voice soars over the crowd, and when you sing the final line, your heart feels like it might burst.

“Honestly, who are we to fight the alchemy?”

The song ends, the last note lingering in the air before the crowd explodes into applause. The stadium feels alive, vibrating with energy, and for a moment, you just stand there, basking in it. This is what you missed — the connection, the joy, the sense of belonging.

You step back from the mic, catching your breath, and glance toward the side of the stage. There, just out of sight from the audience, you spot Charles. His arms are crossed over his chest, a proud grin stretching across his face, and his eyes gleam with something that looks a lot like love.

You give him a small, almost shy smile, and he mouths the words, “I love you.” Your heart swells, and for a second, everything else fades — the lights, the noise, the crowd. It’s just you and Charles, exactly where you’re meant to be.

Turning back to the audience, you grin and raise a hand in the air. “Thank you, New York!” You shout into the mic, and the crowd roars in response.

You can feel it in your bones — this is just the beginning. The tour, the music, the life you’ve rebuilt. And Charles will be with you every step of the way.

As the next song begins and the crowd’s cheers grow louder, you glance toward the wings again. Charles is still standing there, watching you with that same proud, loving smile.

And you know, without a doubt, that the alchemy between you two is something no one could ever fight.

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thewildbelladonna · 2 years ago

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The Wild Heart Tour, Rosemont Horizon, Rosemont, Illinois, July 18th, 1983.

#stevie nicks #fleetwood mac #the wild heart #the wild heart tour #rosemont horizon #rosemont #illinois #1983 #leaf pattern shawl #sequins #fringe #jewellery #black and white

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lovebugism · 1 month ago

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i’d love to see what you’d do for a holiday spent with rockstar!eddie 🙂‍↔️ maybe a quiet night in decorating or just smitten with each other’s company after time spent apart?? a suggestive ending maybe 🧎‍♀️🧎‍♀️

ty for requesting :D — you and rockstar!eddie spend the holidays together after coming back from tour (rockstar!eddie universe, established relationship, allusions to smut 18+ | 1.2k)

You wake that morning to a heavy and familiar weight on top of you.

Eddie Munson — rockstar, heartthrob, and world-famous dweeb — is sprawled along your back like your own personal blanket. You swear you can feel his heart beating softly against your shoulder blade while his mouth rests on your cheek, pink and softly parted to exhale little snores in your ear.

You let him for a while, until you think you feel drool on your jaw.

“Wha—?” Eddie slurs when you shift slightly to shove at him. He makes no move to get off of you, though.

“You know we aren’t in a bunk anymore, right?” you mumble into the pillow. “So you don’t have to sleep directly on top of me now.”

“Well, jokes on you, ‘cause I love being on top of you,” he quips, voice heavy with sleep.

You raise a feeble hand to swat at him. “You’re such a perv,” you grumble.

Eddie laughs quietly in your ear, then brushes his lips along your cheek in a chaste kiss. “Want breakfast?” he mumbles against your skin, soft and warm with a lingering slumber.

You nod lazily against the cushion. “Yeah. But I also wanna sleep for, like, five more hours…”

“How 'bout I do a bagel run, and after we fall asleep on the couch? Like old times?”

The mention of old times makes your chest feel all sparkly. Back when you swore you’d hate each other to the grave, but Eddie still had your breakfast order memorized, and you’d still have his favorite T.V. show on by the time he got back.

You’d doze off together, on opposite sides of the couch, but under the same blanket — like some kind of old married couple. Until Steve inevitably found you both there, and you’d go back to hating each other all over again.

“Deal,” you mumble, already half-asleep.

Eddie pats your ass twice and slides off of you.

You grieve his warmth the moment he’s gone.

An hour or more later, the two of you are sufficiently full with breakfast, passed out on opposite sides of the couch, with Scooby Doo re-runs playing quietly across the room.

That’s precisely how Steve finds you — his roommates turned world-famous rockstars — snoring with their mouths wide open, at one in the afternoon, after months of being away.

With his arms full of groceries, he slams the door shut with his foot. The resounding thud startles both of you accordingly. You and Eddie lift your heavy heads like waking zombies, wincing as you stretch your aching backs.

“This is really humbling to see, by the way,” Steve quips as he hangs his keys by the door.

Eddie scowls. “What the hell are you talking about?”

“Nothing,” Steve shrugs. “It’s just— while you guys were halfway across the country, people wouldn’t stop gushing about the two of you... But it’s a really nice reminder to know that you guys are still a bunch of slobs.”

“Asshole…” Eddie grumbles.

You wipe the sleep from your eye and sit further up. “What are those?” you ask, nodding to the paper bags he holds in both arms.

Steve’s lips jut softly out as he peers over the tops of his groceries. “Ornaments, garlands, tinsel… And some condoms, ‘cause we were running low.”

“Who’s we?” Eddie scoffs.

“Me and your mom—”

“I love you, Stevie,” you say. “But there’s no way in hell I’m decorating this place today.”

“Yeah, Harrington,” the wild-haired boy beside you squints. “We just got home. You’ll have to peel me off this couch if you want me to help.”

“Oh, please,” Steve scoffs.

“What?”

You flash him a knowing grin. “We all know you’re gonna watch Steve do it until he inevitably puts something in the wrong spot and pisses you off until you just to do it yourself. You do it every year, Eds.”

Eddie rolls his chocolate eyes. “I’m not that predictable, doll.”

—————

The apartment is fully decorated by nightfall, by Eddie’s own stubborn volition.

Steve helps you bake a batch of cookies, then promptly leaves after taking a phone call you weren’t allowed to spy in on. He shoves on his coat and mumbles something about an old bootycall that was back in town for the holidays.

You break into his good liquor accordingly, and spike your mugs of hot chocolate with his expensive whiskey.

“C’mere,” Eddie waves from his spot by the glowing Christmas tree.

You let out an immediate whine from the couch, made sluggish from the long day and the spiked cocoa. “What?” you call back in a dramatic mewl.

“You gotta put the star on, doll— You do it every year,” he mocks with a lopsided smile, slick with alcohol.

“But I’m comfortable!”

“Stop complainin’ and get your sweet ass up here.”

You comply, though not without a series of inaudible grumbles as your feet shuffle along the carpeted floor in subdued protest. Eddie guides you up the small step ladder with his palms splayed on your ass.

“What? I’m helping you!” he defends when you flash him a knowing look.

His hands jerk instinctively to your hips when you rise to the tips of your toes, leaning slightly over to hang the shining star upon the highest bough, as it were. You don’t seem to notice how the old wood wobbles slightly beneath you. Eddie does, though, and his chest stings with a fleeting panic as you smile widely down at him.

“It’s so pretty, Eds,” you marvel, only partially tipsy. “You did such a good job.”

“I know,” Eddie hums, all proud of himself, as his palms smooth back over the plush of your ass. “So pretty…” he echoes in a distracted murmur.

“Stop being a perv. I’m trying to compliment you.” You roll your eyes and descend the creaking ladder.

The tree looks best from far away, you think — a chaotic mess of lights and tinsel; of shiny new ornaments and old ones the three of you have collected since childhood. It’s nostalgic, homey, warm. All the feelings you’d nearly forgotten about after spending months on the road.

“Thank you for doing all the work, by the way,” you lilt sheepishly, resting your head on Eddie’s shoulder when he stands at your side. You inhale the sweet scent of his cologne until your chest glows with it.

“How’re you gonna make up for it, huh?” he quips, obviously playful, as he presses a chaste kiss to your hair.

“By cleaning up the mess you made.”

Eddie only then seems to notice the piles of boxes and ripped-open plastic littered along the floor. “Okay, well, what about after that?” he presses.

“Um… Getting in the shower, probably,” you continue with a feigned obliviousness. “‘Cause I smell like sweat and booze.”

A pleased sound rumbles in Eddie’s throat as he smiles down at you. “Mm… Can I join?”

You meet his grin with your brows raised in question. “Only if you’re gonna shave my legs for me,” you answer.

He’s grown strangely fond of doing it for you, which you noticed after months of sharing showers to save water on the road. Not only does it save you the grueling work, but it’s always sure to end with his mouth between your thighs.

So it's a win-win, really.

Eddie knows it, too, and he smiles wider than he realizes.

“Deal.”

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keeryhours · 3 months ago

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wildflower chapter one

Eddie Munson x Henderson! female reader, Steve Harrington x reader

Main Masterlist

Series Masterlist

Eddie Munson Masterlist

Summary:

Eddie leaves Hawkins (and his girl) behind to chase his dreams with Corroded Coffin. 2 years later, things have definitely changed.

Chapter Warnings:

Pregnancy, labor/birth, blood, traumatic birth/complications, secret baby

Word Count: 4.3k

A/N:

This is sort of a prologue, but I’m calling it chapter one. I’m really excited about this new series and I hope you will be, too!

—

“It’s my dream, baby. I can’t let this opportunity pass us by. This could change our lives.”

You had heard it over and over again. The same words coming from the same man with his wide puppy dog eyes, holding both your hands in his as he occasionally reached up to wipe your tears away again. He knew he was breaking your heart, and he hated that more than anything, but he also felt confident he was making the right decision.

You had been thrilled for him when he walked home into the trailer, screaming about how a scout had actually been to The Hideout and approached Corroded Coffin (specifically Eddie himself) after their show. The two of you stayed up all night talking excitedly, thinking of what this would mean for the band, for Eddie’s dream. Then he proceeded to give you the best sex of your life.

Things moved fast after that. It turned out the label really liked Corroded Coffin, and they wanted them in the studio immediately. And it really was a dream, at first. Eddie and the guys had just graduated and they immediately dumped all their time into the studio and perfecting their songs. You spent near every day lounging around the studio, watching the band record, a grin on your face so big it hurt watching Eddie do what he does, the happiness simply exuding from him. You loved him deeply, and seeing him beginning to really live his dream was everything you ever hoped for.

When the album was done, it released to more success than any of you could have dreamed of. Corroded Coffin was building a substantial and dedicated fan base already, they were on the radio, everyone was begging for them to perform in their city. That’s when the tour started being discussed. And their new manager began to point out the fact that there were no opportunities in Hawkins - the band would be better off moving somewhere like California.

You had never really thought Eddie wanted to leave like that. Sure he always dreamed of the band making it big, but you always assumed at the end of the day he would come home to Hawkins, come home to you. But it was obvious immediately that Eddie and the guys were completely on board with the idea of moving.

“Eddie, I can’t move to California,” you had explained, pacing around your tiny shared bedroom and huffing a humorless laugh. “My family is here. My mom and Dustin. All my friends are here. I’ve never even lived anywhere else.”

Eddie had ran his hands through his wild curls, another sigh escaping his lips. “I know, baby. But we could make a life out there, you and me.”

Tears had begun to well up in your eyes. “I would be left alone all the time, Eds. You’d be so busy with all the band stuff and being famous, and I’d be stuck alone, states away from home with no friends or family or support system.”

Eddie’s face fell, because he knew that was true. He hated the idea of being apart from you, but he hated the idea of making you follow him and be miserable, too. “We could do long distance?”

The tears actually began to fall then, and you collapsed on the bed next to him, your face in your hands. “I don’t know, Eddie. It sounds awful.”

Eddie didn’t say anything else as he started rubbing your back. He didn’t know if there was anything else to say. Those were your options, and none of them were great. But he knew if he passed up this opportunity, he would regret it for the rest of his life.

There were many variations of the same argument over the next few months as Eddie and the band prepared for the move to California and the beginning of the tour. There were a lot of tears. A lot of fighting followed by make up sex. None of the arguments ever made any actual progress, you always found yourselves stuck right back at the beginning.

Now Eddie stood in front of you, holding both your hands in his as you cried your eyes out in front of him. His heart was shattered in his chest. But the day had finally come, the bus was packed and waiting as the band said their goodbyes. It was somehow one of the best days of his life, while also being the worst.

“You’re sure you don’t want to come with me?” Eddie asked you again, although at this point it was too late, they were leaving now.

You sniffled, your face already red and eyes puffy from the amount of crying you’d done in the past few months but especially today. It seemed you only got more and more emotional about the whole thing as time went on. “I can’t,” you said, which is exactly what Eddie knew you’d say.

Eddie looked at you with the pain visible in his eyes. He moved his hands to gently hold either side of your face and pulled you in, placing a gentle, lingering kiss on your lips. Like it was the last time.

“I love you,” he said. “I will always love you.”

You were pretty sure there was nothing left of your heart to break. “I love you too, Eddie.”

He pulled you into a tight hug. You never wanted to leave that embrace - it felt so final, and you always hated goodbyes. Eddie held you until one of the crew members tapped him on the shoulder, telling him it was time to go.

He pulled away from you reluctantly. He looked you in the eyes for a moment before placing a kiss to your forehead. Then he was turning and walking away.

You watched him go, duffel bag and guitar case slung over his shoulder, the rest of everyone’s belongings and the band’s supplies packed tight under the bus. You watched as he climbed the stairs and turned, giving you one last look before you lost sight of him.

You stayed and watched until the bus drove away, down the road and completely out of your view. Taking your heart and soul with it.

—

It was two weeks later when the positive pregnancy test stared you in the face.

You couldn’t believe it, but at the same time, it did seem like that would be just your luck.

You had been feeling sick for the past week, but convinced yourself it was the nerves and emotions over Eddie leaving and the break up. You hadn’t even heard from Eddie since he left, despite his insistence that he’d call, relationship or not. You hoped he had just been busy and he hadn’t simply forgotten about you that quickly. You’d been together for two years before he left, you didn’t think you were that unimportant to him.

You cried on the bathroom floor of your new apartment for who knows how long. Your life was over, you felt quite sure. Eddie was long gone, who knows where at this point, with no plans to return. And now you were carrying his baby.

You didn’t say a word about it to anyone for a while. You had to work through it in your own head first. What did you even want to do? The thought of an abortion crossed your mind, but ultimately you felt you couldn’t go through with it. You could handle things on your own, you thought. Your waitressing job at the diner paid well enough for you to live off of, especially with all the overtime you picked up. Could you have and raise this baby on your own?

A week after the positive test, you broke the news to your mom and younger brother. Your mom cried, of course, which made you feel terrible. You had always imagined telling this news one day to be a joyful occasion, but that wasn’t your reality now. Your reality was being a single mother at 18. Dustin was in shock, but he seemed excited at the prospect of being an uncle, at least. You avoided all questions about Eddie.

Next, you broke the news to your best friends Steve and Robin, leaning over the counter of Family Video. They may have been more shocked than your family had been, and they both absolutely freaked out.

“You’re gonna have a baby,” Steve had choked out, as if that part was hard enough to say, “at 18, by yourself?”

Having the facts spelled out in front of you like that did nothing to help, and you burst into tears for the millionth time in the middle of the video store. Robin shot Steve a look before she was hopping over the counter to wrap you in a tight hug.

“What Steve meant to say,” Robin said, glaring at your mutual friend over the top of your head, “is that we’re here for you, whatever you need. You don’t have to do this all alone.”

You knew you needed to tell Eddie. And you definitely did have every intention to…but he never called. Never. Not once. And that hurt you so deeply, and made you so angry, you refused to reach out to him first. So…he never got the news.

True to their word, Steve and Robin were the best support system. Dustin, too. Your mom called you every single night needing to know exactly how you and the baby were and how you’d spent your day and that you were making good choices, which drove you a little bit crazy but at least she cared.

Your pregnancy progressed healthily, and the weeks went by faster than you were prepared for. Watching your body grow and become unfamiliar to you was…bizarre. And you missed Eddie. You started seeing Corroded Coffin popping up on magazine covers at the grocery store check out. You’d lay your hand over your growing belly and think about what could have been, what wasn’t.

Then you’d shove the magazine back in the rack and push him out of your mind.

Steve and Robin loved the belly. They found it fascinating, even if it made Steve a little squeamish. The first time the baby kicked you had been hanging around Family Video on your day off, looking through the new releases for a movie night with Dustin. You felt the strange flutter beneath your skin and you gasped, your hand shooting to that spot on your belly. You felt the kick again, against your hand.

Steve and Robin’s heads both shot up at the sound of your gasp. Robin was hopping over the counter and rushing to your side before Steve could catch up. “What is it? Are you okay? Is the baby okay?” Robin asked in a rush.

You just laughed, taking Robin’s hand and placing it where you had felt the kick. She looked at you strangely until you felt it again - her jaw dropped. “No way!!!” she exclaimed.

“What?” Steve asked, confused and not liking feeling left out. Robin moved her hand as you let go and grabbed Steve’s instead, placing it in the same spot. Sure enough, there was another kick moments later.

“Holy shit!” Steve said, but he jerked his hand back like he’d been burned. “It moved!”

You laughed. “That was the first kick!”

Robin cooed to the unborn baby, her hands moving back to the bump. Steve kept his distance, but watched the two of you.

“It’s weird,” Steve finally said, “like an alien. Have you seen Alien?”

Despite his squeamishness around a lot of pregnancy topics, Steve was an amazing support the entire time. He drove you to every appointment, Robin usually tagging along as well. They were there along with Dustin and your mom as you found out the gender of the baby - a boy.

Names were a big debate for a while. Not only choosing a name for your baby boy, but deciding what last name you would give him. You felt bad giving him your own last name and erasing Eddie entirely, but it also made no sense to give the baby the same last name as him when he didn’t even know of his existence and would never meet or know him.

You went into labor early, at 35 weeks. It caught you by surprise when your water broke and contractions began at 2am while you were snuggled in bed. Steve and Robin were going to take turns staying at your apartment when you hit 38 weeks, but you never made it that far, so you were alone with no transportation. You fought off a panic attack as you stumbled into the kitchen and picked up the phone, breathing through an intense contraction.

“‘lo?” was the sleepy reply when your call was picked up. It was obvious that Steve had been in deep sleep.

“Stevie?” you had said, knuckles turning white as you gripped the edge of the countertop. “The baby is coming.”

“What?” he certainly sounded a lot more awake after that. “Like, now? It’s too early!”

“I know it’s early, but it’s definitely happening,” you said.

“Shit, I- okay. Okay, shit. I’m on the way right now.”

The call ended before you were able to say anything else, so you hung the phone back on the wall. You grabbed your bags from your bedroom, feeling grateful you’d packed so early. You paced as you waited for Steve, you couldn’t stand to sit still when contractions started wracking through your body. It’s the only thing that controlled some of the pain as you remembered your breathing exercises.

Thankfully it didn’t take Steve long at all. You heard his tires squealing as he sped to a stop right in front of your apartment building. You didn’t even have to look to know it was him. He was bursting through your front door moments later, sweating and looking panicked. He was dressed in sweatpants and a t-shirt that was on backwards, his usually perfect hair completely mussed up.

“Are you okay?” he asked, grabbing onto your shoulders and looking you all over as if you might have had the baby already and hid him somewhere.

“I’m okay,” you said, needing him to calm down. “The contractions are bad and they’re coming on fast but I’m okay. Your shirt’s backwards, by the way.”

Steve looked down at himself, a blush rising to his cheeks when he realized you were right. He pulled the shirt over his head and spun it around. “Sorry,” he said shyly.

Steve grabbed your bags and helped you into his car. Less than an hour later you were set up in your hospital room, dressed in an ugly gown and hooked up to a bunch of monitors. Steve sat next to you, having already called Robin and your family for you.

When things had calmed and you were relaxing in the bed between contractions, Steve looked at you seriously.

“Do you want me to try to reach Eddie?” he asked tentatively, cautious of your reaction.

The reminder of Eddie on that day hit you harder than ever. Did you want Eddie to be there? Yes, more than anything. But the reality was that he was god knows where, living his rockstar lifestyle, completely unaware his ex-girlfriend back home was preparing to give birth to their son. It was partially your fault, you knew, but still. You didn’t imagine he would have turned the bus around and quit the band to come play happy family with you, anyway.

“No,” you told Steve simply. He nodded and squeezed your hand once, although he looked like he had more to say.

When it was time to push, you were surrounded by support. Steve, Robin, and your mom stayed in the room with you - Dustin, who had no desire to see any of what was about to go down, moved back to the waiting room until it was safe to return.

The birth was more complicated than expected. You pushed for a long time, your mom wiping the sweat from your face as the pain went on seemingly endlessly. The doctor started talking about a c-section, but you didn’t want that. The thought terrified you. It motivated you to push even harder, and within the next 5 minutes, the baby was out and the room was filled with the sound of newborn cries. The doctor asked if Steve wanted to cut the cord, and he said yes without hesitating.

Your mom started bawling immediately, even Robin and Steve were tearing up at the sight of the baby, your baby boy. You tried to lean up to see him, but your head was so woozy, the second you lifted it from the pillow you felt like you were spinning. Nurses were working on the baby across the room while the doctor still hadn’t moved from between your legs - but you couldn’t get your brain to form a proper thought. Your vision was starting to get blurry and nausea roiled in your stomach.

The chatter in the room turned frantic, and you saw Steve turn to look at you in a panic, your mother’s sobs sounding less like happy crying now. You were confused as your mom and friends were quickly pushed away from your side and the sidebars on the hospital bed were lifted and locked into place. You caught some mentions of “emergency surgery” and “bleeding” as the bed started moving before everything went dark.

You woke up in a quiet, brightly lit room. You squinted from the lights as you opened your eyes, looking around you confused. You felt incredibly sore, and more alert than before but still a little out of it.

“You’re awake,” a relieved voice said, and you turned to see Robin by your bedside, looking exhausted.

You went to speak but found that your mouth was incredibly dry, your throat sore. Robin noticed immediately and grabbed a jug of water, holding the straw to your lips to help you drink. You accepted the help gratefully, and the ice water soothed your mouth and throat.

“Thank you,” you croaked out as she set the water jug back on the rolling table. “What…happened?”

Robin looked at you sympathetically. “You were bleeding really bad. They had to take you back for emergency surgery. But you’re okay now,” she added the last part quickly, seeing the panic rising on your face. “They got it under control. You’re going to be just fine.”

You nodded, and Robin looked behind you as another voice spoke. You hadn’t even realized you weren’t the only two people in the room.

“Somebody wants to meet you, if you’re up for it.”

You turned to see Steve, holding a little bundle of blankets gently in his arms. He looked even more tired than Robin, but he also looked happy. Your eyes locked in on the tiny bundle as Steve brought it closer before leaning down and placing it gently in your arms.

He was perfect. Sure everyone thinks their baby is the cutest, but this one? This had to be the cutest baby to ever exist. Tears began to fall and a huge smile spread its way across your cheeks as you took in the sight of him. You looked him all over, wanting to memorize every part of him.

He looked like Eddie. The realization sent a pang of guilt and hurt through your heart. He had a head full of dark brown curly hair, and looked up at you with the same big brown doe eyes his father had that got him anything he wanted. You realized you had just created another little person who would have that power over you. He was still so small, only born 5lbs 6oz. But he was healthy, and strong. The hospital just wanted to keep him for a few extra days since he was premature.

Your mom and Dustin returned a minute later, both relieved to see you awake and alert. Dustin got to hold his nephew for the first time, and you took a photo on the polaroid camera you packed. You got a picture of everyone holding him, and your mom took plenty of you, one including Steve and Robin on either side of you like three proud parents.

Asher James Henderson was perfect. You had decided to give him your own last name, since you were doing it alone and you were the only parent on the birth certificate.

You were terrified of being a single mother - even with the amazing support you had, it was still horrifying to think about. But honestly? You rocked it.

Asher was a happy baby, hardly ever fussed and slept like an angel. He loved spending time with you, would light up in the brightest smile every time he saw your face. He was also close with Steve and Robin, who came by every day. Uncle Dusty was another favorite, and your mom stepped into the grandma role happily and easily. Things were not the nightmare you feared they would be.

He got a bit crazier once he entered the toddler years. Reminding you of Eddie and what he must have been like as a child - which happened every single day - he was full of endless energy, completely fearless and always looking for adventure. You spent most of your time chasing after him and stopping him from climbing the furniture. But he was also the sweetest kid in the world, full of love for his mom and loved ones.

2 ½ years after Eddie’s departure, things had become easier and easier. You were comfortable with your little life, your little unconventional family. You were happy. Sure, sometimes it felt lonely, but you didn’t feel the need to date when you felt your attention should be all on Asher. And the idea of bringing a new man into his life scared you. So you didn’t.

You liked your job at the diner. You’d been there since the summer after graduation, and while it could be hard work and long hours, you loved your coworkers like family and it took care of you and Ash.

You were wiping down an empty table when the bell above the door chimed, signaling someone had entered the restaurant. You looked up to see Steve rushing in, breathless, still in his Family Video uniform. He held a piece of paper in his hand as he looked around, presumably for you.

When he spotted you he came walking over with purpose, which made you furrow your brows in confusion over what could possibly be so important.

Steve reached you and slammed the paper on the table in front of you. “You’re not gonna believe this shit.”

You looked down at the paper - and felt your blood run cold.

“…Corroded Coffin is coming to Hawkins?” you asked, your voice suddenly weak.

“A homecoming show,” Steve scoffed. “This weekend. I thought they were too good for us now, but I guess they can spare one little visit for us hicks.”

Steve looked pissed. Eddie’s calls had stopped for him, too, not long after he left. You weren’t surprised - if he had abandoned you, the woman he claimed to be in love with for years, then nothing surprised you about him anymore. But Steve had been deeply hurt.

Your ears were ringing. You thought you might pass out. You couldn’t believe what you were looking at - they were really coming here. Back home to Hawkins. Eddie and Asher would be in the same place and not even know the other existed.

“Hey, hey,” Steve said, suddenly realizing you didn’t look too good. He rubbed your back. “I’m sorry. I shouldn’t have sprung it on you like that. I just…I just saw it and I freaked and I had to tell you.”

You shook your head. “No, Steve, it’s…it’s alright. I’m glad you told me. I guess it doesn’t really matter, though. It’s not like I’ll be going.”

Steve looked at you, his face etched with concern. “Are you sure you don’t want to see him?”

You bit your bottom lip nervously. “I don’t think so, Steve. I don’t think I can.”

Steve nodded in understanding. “Okay. Well I’m not gonna push you. But if you wanna go, try to talk to him…we can do that. It could be good.”

You considered his words. Should you see Eddie? Let him explain himself? …Maybe tell him about his son? The thought made you feel like you could be sick.

“You look pale,” Steve said, looking worried. “You should sit down.”

You waved him off. “I’m fine.” Steve didn’t look like he believed you, but he didn’t push the subject. “Look, I’ll think about it, okay? I don’t know what to do right now. I don’t know what to think.”

Steve wrapped you up tight in his strong arms. “Hey, it’s your decision, sweetheart. You let me know what you want and we’ll make it happen. I’ll be right by your side either way.”

You nodded, grateful for Steve’s unwavering support as tears began to fall. Great, now you were crying and you still had 4 hours left of your shift.

Steve held you for a little longer, fingers soothingly brushing through your hair before he pulled back. “I gotta get going. I just totally ditched Robin to run over here the second that guy dropped these flyers off.” He ran a hand through his immaculate hair. “We’ll talk later, okay? It’s okay. Everything’s gonna be okay.”

You wanted to believe your friend’s words as you watched him go, but it was hard. You had finally found your footing on your own, and now Eddie was coming back to Hawkins and throwing everything off. Going to this show or not would be a life changing decision. Either you can keep living life as you are, ignore the show and Corroded Coffin leaves Hawkins again without giving you a second thought…or you go, talk to Eddie, and flip both of your lives upside down.

You felt thoroughly fucked.

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xo100 · 2 months ago

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Hi there!! Could I ask Lando with a singer or a dancer reader?? They are already dating, but haven’t made it officially yet to the public. Lando surprises the reader by attending to the readers tour and fans are going feral about him being there, because it’s a “duo” they didn’t knew they needed. After the show he comes backstage to the reader and they make the relationship public with the pictures of them being backstage or something. Just really sweet and fluffy. Thank you❤️

A surprise in the spotlight - LN4

*:･ﾟ Summary/request: request by anon as you can read above this!

*:･ﾟ Word count: 781

*:･ﾟ A/N: hey loves! I just wanted to let you know that I have another blog called @norrisxwrites on this blog I will reblog your reblogs. I’ll reblog my posts and other posts! Go check it out if you want posting there soon! Enjoy the fic!

masterlist / community / request

౨ৎ

The stadium buzzed with the excitement only a sold-out concert could bring. The energy was palpable, like a living, breathing thing, as fans spilled into their seats with glowing bracelets and homemade signs. This was your tour, the biggest one yet, and it had been months of grueling rehearsals, endless interviews, and nights spent missing the man who’d somehow slipped into your life and turned it upside down.

That man, Lando Norris, Formula 1’s rising star and everyone’s favorite cheeky Brit, was supposed to be halfway across the world, prepping for the next Grand Prix. At least, that’s what he’d told you over FaceTime just two days ago.

But Lando had never been great at following the rules—especially when it came to staying away from you for too long.

It wasn’t until the third song of the set that whispers started spreading through the crowd. Something was happening near the back, a ripple of excitement weaving its way forward. The screens overhead briefly panned across the audience, and there he was, seated among the fans in a hoodie and cap pulled low but not low enough to fool anyone.

The stadium erupted.

“Is that Lando Norris?” someone screamed.

“He’s at her concert?” another gasped.

The internet moved faster than the speed of sound. Within moments, Twitter was ablaze with shaky screenshots and wild speculations.

-Are they dating?!- -This is the crossover I didn’t know I needed!- -Lando and Y/N??? MY HEART.-

Onstage, you were mid-chorus, but the sudden roar from the crowd was hard to ignore. Your eyes scanned the sea of people, your heart stuttering when you spotted him. Lando gave a small wave, his smile tugging at the edges of his mouth like he couldn’t quite contain it.

You fought the urge to break character, biting back a grin as you returned your focus to the performance. But your cheeks were warm, and the butterflies in your stomach were undeniable.

The show ended with an encore, the crowd’s energy lingering in the air as fans slowly filed out. You darted backstage, the adrenaline still coursing through your veins, only to stop short when you saw him leaning casually against the wall near your dressing room.

“Fancy meeting you here,” Lando said, his voice warm and teasing.

You couldn’t help it—you threw yourself into his arms, the scent of his cologne instantly grounding you. He caught you effortlessly, his laughter soft against your hair as he held you close.

“What are you doing here?” you asked, your words muffled against his chest.

“Surprising you,” he said simply, like it was the most obvious thing in the world. “Missed you too much. Figured it was time I crashed one of your shows.”

Your heart swelled. “You’re insane, you know that?”

“Only for you.”

He pulled back just enough to look at you, his hands still on your waist. “You were incredible out there. I mean, I knew you were good, but seeing you like this…” He trailed off, shaking his head. “You’re amazing, Y/N.”

The sincerity in his voice left you momentarily speechless, your cheeks heating under his gaze. “You’re not too bad yourself, Mr. Norris. Though I think you’ve caused a bit of a stir.”

Lando smirked, the corner of his mouth quirking up in that infuriatingly charming way. “Oh, I noticed. Your fans are relentless. Think I saw my name trending on Twitter halfway through the third song.”

“Serves you right,” you teased, but the warmth in your voice gave you away.

You didn’t plan to go public with your relationship that night, but when your manager walked in, phone in hand, and said, “We’ve got paparazzi swarming the back exit,” you knew it was inevitable.

Lando squeezed your hand, his touch steadying. “If you’re ready, I am.”

“You mean it?” you asked, your voice quieter now.

“I wouldn’t be here if I didn’t.”

He kissed your forehead, and in that moment, everything else faded away. The chaos, the cameras, the noise—it all felt distant, insignificant compared to him.

The two of you walked out together, hand in hand, the backstage photographer snapping candid shots that would be on every gossip site by morning. You didn’t care.

Later, in the car, Lando scrolled through the early posts. He turned his phone to you, showing a picture of the two of you backstage, mid-laugh, your fingers laced together.

“‘The duo we didn’t know we needed,’” he read aloud, chuckling. “Not bad, huh?”

You leaned against his shoulder, your smile soft. “Not bad at all.”

And as the city lights blurred past the windows, you couldn’t help but think that maybe, just maybe, this was only the beginning.

౨ৎ

*:･ﾟ Notes; thank you for reading, love’s! Hope you all enjoyed it! If there is something wrong or need to be edited, let me know! Also hey anon! If you read this, I hope that this is what you had in mind!

*:･ﾟtags; @spookbusters-jr

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mediocre-writing · 6 days ago

Text

Fic recs Yoongi

Some fics I read this week, and I need to make people read them too lol I'll probably do it with the other members too.

Interlude | MYG | Series Masterlist @yoongiofmine (Idol!Yoongi X Deaf!Reader)

Summary: All Yoongi wanted was to use the last few months before enlisting to work on his solo projects, prepare for his tour. When the silence left around him as his members started to go one by one got too loud, he needed to find something else to fill in the void. But Yoongi would never have guessed that it would come in the form of you… Someone he would never expect to fall in love with.

– This is simply the most beautiful Yoongi series I've ever read.

——

The Consequences of Fucking Up @borathae

“Your break up was messy and painful. All you want to do is to forget about him. His friends, who ever since you ended it with Yoongi see you as their bullying target, make sure that the memory of him stays fresh in your mind however, haunting you day by fucking day. While Yoongi makes it seem as if he gives no fuck about your situation. Until one night he is in front of your door. Drunk and fucking regretful.”

– You won't regret reading it, trust me.

——

his entire world | min yoongi x f!reader | a serendipitous life series @serendipitous-seven

summary: you and yoongi are trying to enjoy your friends' wedding with a very fussy baby

– THIS WAS ONE OF THE SOFTEST THINGS I'VE EVER READ 😭💞

——

F*ck Tradition | Yoongi @dancinglikebutterflywings ( Min Yoongi x Fiancee!Reader)

- Synopsis: Y/N takes Yoongi with her to go wedding dress shopping because her fiancées opinion is the only one that matters.

– I feel like this story and this writer deserves much more recognition, MY GOD IT'S SO BEAUTIFUL.

—

you're okay | myg (m) @taegularities

Summary: Let it hurt and burn. Let it out; and then let it fade away. Let it heal. Yoongi can't lift all your burdens, but he has taught you at least this much over the years.

– This here comforted my heart in a way 😭😭💞💞

—

ex-things - m.yg. @namfinessed

summary: over the years, everything you've owned has belonged to yoongi and everything yoongi's owned has belonged to you but when you break up, everything is your's and everything is his but none of it belongs to the two of you anymore and both of you can't stand it.

– That was adorable and made me smile like a fool.

—

impression | yg @namjoonchronicles

↳ summary many forgot that when you marry someone, you marry their family too, at least that’s how Asian family is like

– This is so cute, I love the husband!Yoongi

—

The Final - Day 02 | MYG | ONESHOT @yoongiofmine

Summary: You've been Yoongi's go-to companion for the past few years, well aware that's all you were going to be. Despite your very real, growing feelings for the rapper, you took what you could get every time. Now, you're backstage at day two of the final leg of his tour when another member takes an interest in you. Will it be enough to make Yoongi realize he's got competition?

– it made me wild and crazy

—

dissertation | yg @namjoonchronicles

↳ summary many people doubted your union, how exactly an artist with as much influence as yoongi be a husband to a wife that is still studying.

– Yoon being the person we all need, This writer is wonderful, please give him a chance. (I'm telling you this writer is amazing)

—

Shy - Yoongi X Reader @7ndipity

Summary: You’re desperately craving your boyfriend's attention, but are too shy to ask for it outright. Luckily, Yoongi knows what you want anyway.

– This is something cute and warm.

—

YES, I WILL DO MORE BECAUSE WE HAVE MANY TALENTED WRITERS.

#yoongi x you #yoongi scenarios #yoongi x reader #yoongi #bts x fem!reader #bts x reader #suga x reader #min yoongi #fanfic #fic rec #fic recs #yoongi recs #suga fic #bts recs #bts fic #bts #bangtan #jungkook x reader

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iamnotoriginalphil · 2 months ago

Text

For the Article (Agatha Harkness x f!Reader)

Synopsis: You're sent to cover the opening show of the Coven's next tour. Agatha Harkness, the lead singer, is magnetic. Luckily for you, she seems to think the same as you.

Words: 4.2k

Warnings: Swearing, oral (R giving), strap (R receiving), masturbating, mirror sex

Tags: @sasheemo @buttercandy16 @chlondykebar @midnight-lestrange @babybeeelle @dontsblameme

The crowd was buzzing around you. The music was loud, the thump reverberating through your ribcage, making your heart beat faster. The band onstage was captivating, there was no other word for it. The women were everything they promised to be, the kind that could easily be believed to be witches. They’d certainly cast a spell over the crowd.

Front woman Agatha Harkness was a clear fan favourite. Flouncing around the stage, flirting with any pretty thing in the front row, captivating blue eyes drawing you in, it was easy to see why her fan base had once been described as a cult. You found yourself watching her more often than the others. It might not be the most professional, but she drew the eye, and that was worth putting in the article.

You’d been sent by your boss to review the show, the first on their American tour. The others in the office had bemoaned their luck, busy on other stories when you got to go rock out. It didn’t help that you were the only member of the team who wasn’t a fan of the Coven going in.

Now? Well… you supposed you could see the appeal.

It shouldn’t have worked, the eclectic collection of people on the stage. Alice, the pianist, the child of a 70s star. Jen, the bassist, spending more time on social media than in rehearsal. Rio, the drummer, a wild card if ever there was one. Billy, the guitarist, a replacement for his own mother from the early days, younger than you thought was reasonable to have so much talent. Lilia, who seemed to fill in any small instrument that was needed in the song. And of course, Agatha, the showman.

It shouldn’t have worked, but standing there in the crowd, you’d be the first to admit that it did.

The air was charged, electricity moving through the crowd. You drank it in, soaked in the energy thrumming between the people. It was the kind of show that got the heart racing and the fingertips tingling. Something special was happening. Of that you were sure.

Later, once the last note had been played and the lights had flooded the auditorium, showing the crowd in all their glory at the end of the show, you watched them stream towards the exit. The excited chatter was familiar, almost comforting in its ordinariness.

You, taking a different turn, following the band’s manager backstage, felt a moment of anticipation. It was almost anxiety. You hadn’t gotten nervous about interviewing anyone since your early reporting days. Now, it was just routine.

Something about this band had you feeling butterflies at the thought of meeting them.

The greenroom backstage was not what you were expecting. Rio was sprawled over the small two seater couch, twirling her drumsticks above her head. Billy was hunched over a notebook, sitting on the ground criss cross apple sauce. Jen was perched in a chair, taking a selfie as she chatted to Lilia. Alice was slumped against one wall, arm resting on the top of a bent knee, listening in. Agatha, the one your eyes alighted on first, was in front of a mirror, leaning forward as her fingertip brushed over her lower lip.

“Hi,” you said, hoping to break through the tension in your stomach, “great show.”

Everyone liked compliments. Starting out on the right foot might let you in on some of the secrets behind the curtain. Everyone knew the band, everyone had heard the stories. You wanted to know the truth.

“Thanks,” Billy said, glancing up for only a moment before he went back to his notebook.

“You going to give us a good review?” Rio asked.

“I’m thinking about it,” you replied, “but I’d love to get some behind the scenes flavour.”

“You want the tea,” Billy drawled.

“Be nice,” Agatha said, before her eyes met yours in the mirror, “we’re here to make friends.”

“You don’t make friends,” Jen said.

That piqued your interest.

“What does she make?” you asked.

“Don’t listen to her. I’m very friendly,” Agatha purred.

You met her gaze again, trying not to let it show on your face how intrigued that comment made you. You were there on a job. You had to remain professional. There was no chance you’d be letting yourself be taken in by her, not when keeping your wits about you was necessary. And you thought it would be very necessary around her. She seemed like the kind of person who charmed her way into getting what she wanted.

The way her eyes swept over you made you think that in that moment she wanted you.

“What do you want from us?” Alice asked, sounding more tired than the rest of them. Just looking at her she seemed exhausted. Her hair stuck to her skin from the sweat still glistening on her forehead.

“Not much. I’m just going to hang out for half an hour, see what you’re like.” Honesty seemed like the best route with her, “then I’ll leave you be and I’ll go write up my article.”

“No interviews?” she asked.

“Nope,” you said.

“And this is all off the record?” she asked.

“I’m just here to see what you’re like as a group,” you said, “nothing else. I didn’t even bring any of my recording equipment.”

“Except your phone,” Rio drawled.

“I’ll hand it over for the half hour I’m here,” you said, pulling it out of your pocket.

A warm hand closed around yours, lingering before it pulled the phone from your grip. Glancing up, you found Agatha had managed to sneak up on you, close enough that you could see each individual eyelash. Your breath stuttered, not used to having someone so magnetic focusing all their power on you.

“I’ll keep this safe for you,” she murmured.

“I’m sure you will.”

A twinkle in her eye let you know you were walking a dangerous line. You were getting too close to flirting. And not in order to get her to open up and reveal more than she might want to. No, this was purely because you wanted to.

You could understand why so many people were clamouring to meet her.

You stepped around her, the space necessary for you to keep your head in her presence. Leaving the phone in her hand, you perched on edge of one of the tables, staring out at the group. Agatha’s hips swayed as she sauntered over, lowering into the seat by your hip with a flick of her hair.

“What did you think of the show?” Lilia asked.

“You’re all very talented. I’ve never been to one of your shows before,” you said, turning your attention to their small grouping.

“So we popped your cherry tonight?” Agatha asked, her chin coming to rest in the palm of her hand, gazing up at you from under eyelashes.

“That’s one way to phrase it,” you said, offering her a tight smile.

“Play nice,” Rio warned.

“I’m always nice,” she said, her hand landing on your thigh, “aren’t I being nice?”

You watcher her tongue run along her lower lip, painted red, white teeth flashing at you. Your own lips parted.

“Very nice,” you whispered.

Her hand squeezed your thigh and a flush of heat went through you. She was still gazing up at you with smouldering eyes, hand burning through the denim of your jeans. You had to drag your eyes away from her, physically stopping yourself from looking at her.

“You enjoyed yourself then?” Lilia asked, ignoring whatever it was Agatha was doing to you.

“I’ve had a very enjoyable evening,” you replied, trying to slip back into professionalism.

“No need for it to end so soon,” Agatha said, snatching your attention back.

She was the definition of temptation. Leaning into your body, her hand still on your thigh, climbing higher, her shirt open down to her navel giving you quite the eyeful from your position. You wanted to lick a long line between those breasts. You bet she tasted like heaven.

“There’s nothing stopping us from continuing it after this little meeting,” she said, voice lowering into a seductive purr.

“That would hardly be professional,” you said.

“You’ll be off the clock,” she said, leaning closer, “nothing but two people getting to know each other better.”

“You’re used to getting what you want, aren’t you?” you asked as you lowered your head towards her.

The loud cackle startled you. Jerking away, you found Rio laughing, head tipped back, almost wild in her delight. The glower that passed over Agatha’s face was fascinating before she smoothed it over, offering you a pleasant smile. Billy’s eye roll felt natural, like something he’d done plenty of times before.

You doubted you were the first one Agatha had tried to seduce after a show.

“Why haven’t you ever been to one of our shows before?” Jen asked, glancing up from her phone.

You weren’t sure how to answer it without admitting you weren’t exactly a fan of theirs. Not that you hated their music, just that you’d never been particularly invested in it.

“Probably because journalists aren’t paid that much,” Billy said.

“They’re paid enough,” Alice said.

“Leave her be. She’s under no obligation to spend her money on us,” Agatha said, hand slipping up your thigh another inch.

“Maybe I’ll have to come see another. I had no idea you put on such a fun show,” you said.

“No need to stroke our egos. Just tell us what you really think,” Rio said.

You considered her a moment that stretched out as you held eye contact with her. You weren’t sure you liked being so seen, especially by a stranger.

“Your music is fine,” you said, “it’s just not my favourite.”

“And what is your favourite?” Agatha asked, voice turning sultry, as if asking something far more interesting than your taste in music.

“A closely guarded secret from those I’m writing articles about,” you replied.

Her head tipped back as she laughed, full and throaty, the kind that made you wonder if this was the truth or another performance to make you like her. You had to admit, it was working on you.

“Well, now I definitely have to get you off the clock, hon,” she said.

Standing, her other hand landed on the other thigh, pushing you up to sit properly on the table. She stepped between your knees, fingers dragging up your legs, turning your brain fuzzy. Your chin tilted up, an automatic response to your position. Her gaze darkened, focusing on your mouth for longer than was appropriate.

“This is definitely not professional,” you said, voice whisper quiet.

“Fuck professional,” she said, “you already know what you’re going to write. This is just between you and me.”

“And the rest of us you’re forcing to watch this pathetic attempt at seduction,” Billy drawled.

Your cheeks heated, becoming aware of the audience to your embarrassment. Eyes were turned towards the two of you, watching. You shook your head, pushing Agatha back. Sliding onto your feet you looked around.

“Well, you’re right about one thing,” you said, “I already know what I’m going to write. Thank you all for your time.”

Offering a tight smile, you turned on your heels and fled out of the room. Cursing your own stupidity, you beat a retreat towards the exit, wanting to get home and not linger on the way that woman had made you feel with so little effort. There had to be something wrong with you to lose your head so quickly. You were trained better than that.

It wasn’t until someone fell into step beside you that you became aware of the sound of heels on the concrete floor following you. You glanced over, unsurprised when the smirking face of Agatha was looking back. You sighed, slowing your pace until you’d stopped just feet from the exit.

“You left in rather a hurry there, hon,” she said.

“I don’t want to keep you from whatever after party you had planned,” you replied.

“It’ll be no celebration without you there,” she said.

She took a step towards you and you took an answering one back. Her lips pulled up into a small smile, doing it again. When your back hit the wall, you realised you’d made a mistake. You’d let her corner you, alone, when the only thing you wanted was space to screw your head back on right.

“You left your phone,” she whispered, hand landing beside your head against the wall.

“Oh. Right. Thanks,” you said.

A hand slid into the back pocket of your jeans. Your breath hitched and a look of pride passed over her face. Her body slotted along yours, the hand on your ass pulling you closer, hips aligning in a way that made your thoughts scatter. Her nose ran along your jawline before her lips pressed to the vulnerable place behind your jaw. The noise you made as embarrassing, want and shame mingling together.

“Come celebrate with me,” she murmured into your skin.

There wasn’t any question about denying her request.

Her hotel room was almost clinical, all white sheets and bright lights. Clothes spilled out of multiple suitcases, flung over the couch and the bed. Agatha pushed them aside, uncaring when they fell to the floor as she reached for you.

You fell onto the bed in the cage of her arms, her lips finding yours in a searing kiss. The entire trip back to the hotel had been a masterclass in foreplay. Her hands had wandered as she whispered dirty things in your ear. Her lips would barely brush your skin and you’d shiver in the back of the car, leaning into her as she made you whimper for her touch.

Her tongue swept into your mouth, making you groan, legs curling around her hips. Her hands weren’t careful as they dragged down your body, pushing up underneath your shirt, nails scraping over your skin. You arched up into her touch, offering yourself to her.

Dragging the shirt from your body, she sat back for a moment, eyes tracing over your exposed chest. Fingers tangling in her hair, you pulled her back down, kissing her long and deep. Her hands were swift to divest you of the bra you were wearing, leaving you bare to her touch.

Her lips trailed down your body, your gasp only making her smile into your skin. Her tongue traced around one nipple, fingertips mirroring her movements on the other. You arched into her mouth, fingers tightening in her hair, pressing her to you, refusing to let her go. You were gasping her name. Blue eyes found yours, burning with lust, watching the way you responded to her.

You dragged her back up, kissing her, needing her in a very fundamental way. She laughed into your mouth, hands stroking over your skin. Rolling her, you straddled her waist, staring down at her. So much skin on display and yet not nearly enough. Ducking down, you did as you’d been thinking about since seeing her, running your tongue from navel to neck. Her groan was filthy, wriggling beneath you.

You were careful as you peeled the clothes from her body, lavishing attention on every new inch of skin you revealed. She squirmed, her voice raspy as she told you to get on with it. Grinning up from between her thighs, you waited for the sharp tug on your hair.

Her hips canted up into your mouth as you devoured her. Even in pleasure, she was musical, the noises she was making a symphony to your ears. Your hands held her legs open, refusing to let them close around your head, wanting her wider to get deeper, to hear the deep moans you could draw from her. Her hand was forcing you harder against her, rocking against your face.

You let her use you however she wanted. Her pleasure only made the throbbing between your own legs worse. Staring up her body, you watched as her lips parted, her hand working at her own breast.

She wasn’t quiet as she came, the noise loud, ringing in your ears as you lapped at her. You could spend hours there, doing this over and over again. This was a better show than the one she’d put on earlier that night, far more compelling to you. She hissed as you kept going, wanting to see it again.

With a grip stronger than you were expecting, she pulled you away, throwing you back down onto the mattress. She crawled up your body, lips trailing kisses up your bare skin, making you whimper. It was inconceivable how she made you feel with such simple actions.

She tugged your jeans off, a flurry of movement that had you pressing a hand to your eyes, squeezing shut when you felt her fingers on your wet heat. A featherlight touch circling over your clit had you whimpering, wanting more, ready to beg for it.

“Stay right there,” she whispered, lips brushing against the shell of your ear.

You watched as she stood from the bed, gloriously naked, uncaring and confident in her own body. Your own fingers slipped down your body, brushing over your clit, watching as she rummaged through her luggage. She glanced over her shoulder, watching for a moment, eyes darkening as she focused on your hand.

“You’re too fucking gorgeous, you know that right?,” she said before going back to whatever she was doing.

When your finger slipped in, your eyes fluttered closed, a soft sigh on your lips. Some relief was better than nothing. You were beyond ready for an orgasm of your own.

Fingers curled around your ankles, startling you. Your hand fell away from your hot cunt, staring at the sight of Agatha at the foot of the bed. More importantly, you were staring at the heavy purple strap bobbing between her legs.

“I’m going to fuck you so hard you’re ruined for anyone else,” she told you, her hold tightening on your ankle.

“Better get on with it then,” you said, feigning a cockiness you couldn’t feel in your breathless state.

Her chuckle was warm, throaty, making you reach for her. She fell over you, kissing you deeply until all thoughts fled. You didn’t even notice as her hands manhandled you until her lips disconnected from yours. Positioned on your hands and knees, her lips trailed down your spine, making you whine. Her hands were palming at your ass as she took her time, uncaring of how you were trying to wiggle closer.

“You’re dripping, hon,” she groaned before her teeth sunk into one cheek.

You pressed back into her, your own moan loud to your ears. Her tongue soothed over the mark before she rose. One hand on your hips steadied her as the other curled around your body, running through your folds. Whimpering, you looked over your shoulder.

“Are you ready for me?” she asked just as her finger pressed down on your clit.

“Yes,” you whimpered, “please.”

“Say it again,” she commanded.

“Please.”

The tip of her strap nudged at your entrance.

“Again.”

“Please.”

She pushed in, both hands grasping your hips, rough and demanding as she slid in to the hilt. Her name was nothing but a moan, your own hips pressing back into her. She was slow as she pulled out before thrusting forward again.

“Look at how well you take me,” she murmured, “you make such a pretty sight.”

One of her hands tangled in your hair, pulling your head up from where it had fallen forward. Staring back at you was your own image, a mirror placed in the perfect position to show you as she thrust into you. Your mouth fell open, watching your two bodies move together.

Her hands were back on your hips, throwing back her wild hair as she increased the pace of her thrusts. You couldn’t stop watching, not realising how much of a turn it would be to watch yourself get fucked by the rock star. Her grip was tight, almost painful, as she began to pound into you.

You were a babbling mess, begging for more, enamoured by the sight of the two of you. Her burning eyes found yours in the mirror, locking on, refusing to let you look away. Your internal walls were beginning to flutter, your desperation obvious. She grinned, slowing down her pace, making you whine like the brat you knew you could be.

“I should bring you on tour with me,” she said, tortuous slow thrusts keeping you on the edge but not enough to push you over, “you’re such a good stress relief toy.”

“Agatha,” you groaned.

“I could do this every night,” she said.

“Please.” You tried to press back into her faster than she wanted. The tight grip she had on your hips kept you in place.

“Would you like to come with us?” she asked.

You nodded your head, knowing it was ridiculous, knowing there was no chance you’d be joining her on the tour. But the thought of having more of this, to be given this every night for months on end, was one that you wanted desperately. You wanted to be owned by her, to be her bitch, to submit to her until you forgot your own name.

Her pace increased agains until she was slamming into you, the slap of skin loud in the room as you moaned like the whore she made you. Right before your orgasm hit, your elbows gave you, sending you face first into the mattress, giving her an angle that let her hit deeper within you. Her name was a strangled gasp and then you were clamping down on her strap, lost in the feeling of fire in your veins and pleasure rocketing through your body. Her slow stroks eased you through it before she finally pulled completely from you.

Rolling onto your back, you stared up at the ceiling, gasping for breath. You passed a hand over your face, overwhelmed by how good it had been. A quick fuck with a one night stand wasn’t meant to rock your world quite the way Agatha had. You listened as she did something by the edge of the mattress.

The bed dipped as she drew closer. She swooped down, kissing you long and deep and dirty, making you curl your arms around her waist. Repositioning you to curl against her side as she lent against the headboard, she was slow to draw away, hand stroking along your ribs.

“We’re leaving for the next stop on the tour tomorrow morning,” she said.

You knew this song. Sitting up, you pulled out of her hold.

“Right, yeah, of course,” you said, “well, thank you for the celebration.”

“Where do you think you’re going?” she asked, arms wrapping around your waist, front pressed to your back.

“Home?” you said, unsure what was going on. This was not how your usual one night stands went.

“I suppose you will have to pack but it’s late. Do that tomorrow,” she said, lips pressing to your bare shoulders, turning you back into liquid heat.

“Pack?” you asked while your brain could still produce thoughts that weren’t just about the feel of her against you.

“You’ll need things while you’re on tour with us,” she replied, a whisper into your skin.

“On tour? I can’t drop everything and follow you around the country,” you said, turning in her arms to look at her properly.

Her long fingers pushed your hair out of your face but her lips were pursed in displeasure. Your fingertips ran along her collarbone, feeling the way the bone shifted under her skin as she shifted away from you.

“You said you wanted to come with me,” she said.

“I thought… I thought it was just a heat of the moment request,” you said, peering into her eyes.

“I don’t ask every beautiful woman I fuck to join me on the road,” she said.

“You seriously want me to go with you?”

Her hands on your waist pulled you closer until you were straddling her lap. Your fingers pushed into her hair, tangling in it, tilting her face up towards you.

“Come with me, hon,” she said, “join me on the road.”

You felt crazy for actually considering it.

“I’ll have to talk to my boss,” you said.

“Of course,” she said.

“I can’t lose my job,” you said, “and fair warning but I don’t exactly have any savings.”

“Don’t worry about that. I’ll take care of you,” she said.

You considered her for a moment before you nodded your head. She brightened, your smile answering hers. You lent down, kissing her again, feeling insane for agreeing but not sure you could stop yourself even if you’d wanted to. There was something about Agatha Harkness that made you want to do things you knew you shouldn’t.

But you sensed it would be worth it.

#agatha harkness x reader #agatha harkness imagine #agatha harkness #agatha all along #aaa week

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badnewswhatsleft · 2 months ago

Text

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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