#the whole final sequence UGH i literally could picture everything on my mind i need to see this in the big screen

[belovedfarseer]

The amount of comments on my hero of ages pdf that are just "CINEMA"

[ambitionsource]

S2 Rewatch - Maggie’s Take [ 207 ]

oh honey we’ve got a big storm coming...

Favorite scene

We’re getting to the point now in the season where all these questions become a million times harder to answer. All the scenes have an oomph to them. All the characters are at their richest. All the performances go off. So forgive me for cheating and giving multiple answers from here on out most likely. So in 207, three answers jump to mind. 1) The sequence where Farkle is having his true meltdown, before “Santa Fe.” From a writing standpoint, I remember I was really proud with how that scene turned out. It was a fun challenge, trying to capture that anxiety and panic and loss of reality. A fun fact that you may or may not know is that nearly all of the lines of dialogue said by the hallucinated characters are repetitions or variations on dialogue that has actually already been said in the show, meant to highlight how Farkle’s brain has taken these (usually offhand) comments and held onto them obsessively and in some cases even warped them into something more antagonistic than they were. Then there was the pattern of tying the sentiments together into one overarching monologue of sorts, repeating that thematic word over and over, “enough.” It was just so fun to write, and I’m really happy with how it came together. 2) The Dylan, Lucas, and Asher argument in the booth. Ooh, buddy. This was a true turning point, both for the narrative and for Asher and Dylan as characters. To me, that is the scene where they rise from supporting characters to mains, and in some ways it’s a long time coming. I love how it highlights the imperfections at play between that trio, and the way that Lucas and Asher know exactly how to get at one another, but nothing gets me more than Dylan’s “HEY” and stepping in between them. How Dylan snapping seems to be what pulls Lucas out of his anger, and how Dylan’s anger only lasts seconds before it shifts into like shock / concern... ugh I love him. I love them! Definitely a standout scene, even back when I first wrote it, but even more so now that Dylan and Asher have such larger roles in the third season. 3) The unintentional coming out scene between Riley and Charlie. The whole thing is just rich with tension, like I love the moment where Charlie is like you can’t tell anyone you can’t -- and she just interrupts him and it goes dead silent until she’s emphatically like I would never tell anyone... like chills, bro. Chills. And the relief that comes from Riley finally understanding why he’s been acting the way he has... so good. The follow up to this choice is the Zay and Charlie scene at the end where the freedom of someone knowing seems to allow him the strength to kiss Zay in their studio... I love them. I love it all. Whew. 

Favorite performance

It’s getting hard... it’s getting tough to choose... like “Santa Fe” is up there because of the raw emotion of it and what it represents for Farkle and his arc. “Loser” is great too, mainly in concept, as we have Dasher acting as Lucas’s subconscious mind essentially and all of the cool choices in the production of the number. But I think I will have to go with “Waving Through A Window,” as that is such a standout performance in my opinion. It delivers emotionally, it has a cool flow and concept, there’s snow... whenever it comes on AMBITION shuffle I’m like oh yeah. Now we’re talking. And I love the visual of Isadora being stuck on the acting block / courtyard table, always inches from falling off the ledge but managing to avoid disaster. It’s just a really cool visual in my head. So that’s the top for me I think.

Favorite character (within context of the episode)

I literally can’t choose. I don’t know what to say. I think I’ll say maybe Charlie and Zay? Both in their storyline together as well as individuals. They’ve both got great solos (“Consideration” and “Exhale”), Charlie has his devolution emotionally and Zay finally (righteously) snaps at Angela. They find refuge, in Riley and Harper and of course each other. There are standout moments throughout the episode for their relationship -- holding hands at the top in the studio, Charlie hugging Zay in the hallway to comfort him and telling him it’s okay, the fraught moment of Charlie snapping at Zay about being at his locker which feels like a tiny unintentional step back, Charlie’s frazzled kiss on the cheek in public, the ending scene with another handhold and the softest kiss... ugh I love them. They were at a peak this episode, which makes sense considering what’s about to come...

Favorite line(s)

“You know what, you’ve got a lot to think about. Let me just get out of your hair. Best of luck with this next phase in your life, sir. Save a little social security for the rest of us provided climate change doesn’t kill us first!” --Lucas James Friar, to Eric

“I mean, but what am I going to do instead? Follow in the footsteps of my mom? I won’t survive veterinary school, Mister E. And you can only cure lung cancer once!” --Darby Winters

“Might be nice to help combat the impending danger of climate change and issues with renewable resources by studying environmental sciences or maybe aeronautical space engineering in pursuit of space materials that could be used as new energy sources. Ooh, or a rodeo clown!” --Dave Williams

“Actually, I’m near-sighted. But I wear contacts.” --Dylan Orlando, in response to Eric asking if his future plan is “short-sighted”

“I looked into “space cowboy,” but as it turns out you need a degree in aerospace engineering as well as a license to boy cows, and that seems like a lot of work. So then I thought, well, if I don’t have the capacity to work, what else is there in this capitalistic hell we call society? Sure, I could probably enter myself in human cage fights and scrap to death for spare change, but I think that would hurt after a while and to be honest, I think I’d feel a bit like a piece of meat if I took up that mantle. Who would I be fighting to impress? The bourgeoisie? Hard pass. But after some deep, probing soul-searching, I finally hit the one. Trophy husband. Now, I know what you’re thinking. To accomplish such a grand ambition, I’d have to get someone to like me. And that’s a pretty hefty task, believe me I know, but I’ve devised a work around. This is, as Dave would say, galaxy-brained thinking, Mister E. I’m going to put an ad on Craigslist.” --Lucas James Friar

“It’s easy to say you believe in someone. Showing up for them is a different story.” --Zay Babineaux

“We’re friends, Lucas. We care about you. Asher wasn’t lying about that. And when you decide you want to do something about this, we’ll be there. When you need us... we’re going to be there for you. No matter what.” --Dylan Orlando

“I don’t know if this will make you feel better or worse, but the truth is it all comes down to endurance. How long you can take it, how long you can stick it out until it ends up being your shot. The true test of who lives the dream is who hangs on… and who gives up.” --Harper Burgess

An underrated moment

There are so many it would be so hard for me to pick one if I thought about it too hard, so I’m gonna go with my gut. My favorite mini moment in the episode is during the end montage, when Dylan climbs in the window to comfort Asher. There’s a lot of small details I like about it that occur just within like 30 seconds -- Asher’s routine with crushing up his anxieties (a thing elaborated on in Cruel Summer), how commonplace it is for Dylan to climb in the window, and how he jumps into comfort mode and they both fall into that without any words at all. I just love it. And I can picture the way Dylan kisses his cheek and then his shoulder and then rests his head against him so perfectly... I adore them. They are angels.

First impression vs your reread impression

Obviously, even when I wrote this last year it felt major. Because it is. This is the turning point episode, literally and narratively. It’s smack in the middle, and from here I knew everything was going to be bigger and more, especially since we pulled the (metaphorical) trigger with Farkle. We knew that was a narrative risk, but we felt strongly about it, and we took every method we thought possible to set it up well, be cautious about it to y’all (with trigger warnings and hotlines, etc.), and then follow through on it in a way that balanced realism with care and attention. I think we managed to pull it off, but it was a great relief that you all reacted so well to it (in terms of the narrative, not like joyously LMAO) and trusted us to carry it forward. That kind of trust in a writer means a lot, and that’s what I’ll always remember when I think about this episode. Thankfully, we all survived it, and now here we are on the cusp of S3. Insane. And now onto 208... the storm is here...

[acertaincritic]

The Last Jedi - Opinion

To say that I have mixed feelings about this movie would be a serious understatement. I have a chaos in my head, a tangle of let-down hopes, pleasant surprises, and above all else, my inner critic’s ramblings. One thing I can say for sure – it’s better than “The Force Awakens”. But I guess it doesn’t tell you much, eh? Well, let’s try and unpack this mess, shall we?

Heavy spoilers under the cut.

But I mean it.

I. Do. Not. Hold. Back.

Where do we start when all the words fail us? How do we begin to describe the infinity? Eh, I don’t know. But for this movie, let’s start with all the good things, and then dive right into the bad stuff. Pretty much like “The Last Jedi” does.

So… Characters. I was surprised to find that I actually came to like Finn in this movie. He’s proactive, he’s heroic, he’s got motivation – a solid character now, that guy. Rose I liked too, and Poe, and of course good ol’ Leia. Luke was outstanding, and even more so Kylo Ren. Almost every character (see who’s missing?) got better by miles; I was sincerely afraid for some of them, and sad to see others go. Whoever was the screenwriter, they’re definitely praiseworthy.

Next. Special effects, camera work, music… But I don’t really have to list these, do I? What else do we expect from a high-budget Disney movie these days? Scene writing – and directing – was pretty good too. An example: we pick up with Rey just where she ended in the last movie: offering Anakin’s lightsaber to Luke on a forgotten island… He takes it, and then throws it away like nothing – brilliant! That’s the last thing the viewer expects, but at the very same, it aligns very well with Jedi’s ideal of not getting attached to things. To Luke, a Jedi Master, this lightsaber means nothing. It’s a little twist, but a twist that makes sense.

There’s plenty of other fun moments too. Luke teaching Rey the first lesson about the Force? With a blade of grass? I cracked a smile then, and at many other occasions too. Unfortunately, at some point creators seem to have got lost in the form, and stopped caring about the substance – more on that in a second.

Kylo-Rey talks. I loved it. Even more I loved the way Luke-Kylo past was revealed, complete with the little tweaks. When Luke first gives his lie about how he just went to Kylo to talk, this is what we see on screen – a memory he wants to remember. When it’s Kylo’s turn, we see Luke from his POV – a mad killer ready to strike. When we finally get to know the truth, we can see how both the versions came to be, and the whole picture makes an awful lot of sense.

Kylo and Rey vs Snoke. There are problems with this scene, undoubtedly, but overall I would be willing to forget them if not for what followed. Before that, though – the way Kylo killed Snoke was just perfect. I was holding my fingers crossed the entire sequence, and was not let down. Just. Why couldn’t the movie end right then and there?

That would be this. All the pleasant surprises listed above. Should I let my inner critic speak now? And heck, he has a lot to say…

Troublesome worldbuilding and inconsistencies

This is something that I care the least for, when compared to the other stuff, but it’s still a huge problem. See, there are things in this movie that just don’t make sense, or render the past actions laughable. The most obvious thing – destroying a super big imperial ship by jumping into hyperspace for a split of second, then dropping out of it. And I ask – if that’s possible, why didn’t we see any other character do it? Where’re the hyper-drive based missiles, why didn’t the Rebellion use this trick anytime before? Judging by the scale of destruction, they could’ve easily destroyed a Death Star with it – no need for a suicidal mission for a few dozens of pilots, let’s just send a single kamikaze. Bah, if a human can do it, then all the more a droid or a well-programmed computer. We see the ball take control of an imperial walker after all, why can’t it steer a ship as well? No need for anyone to die, let’s just keep building droids and ships with hyper-drive… Oh no, actually, the Empire can do it as well! Look how funny the battle scenes look now – like two fleets of comets raining against each other. Well.

Time flow is another serious problem. We know that the plot is supposed to take 18 hours – and yet Rey manages not only to spend at least a day on Luke’s planet (it feels like much longer), but also to return to the Rebellion in time for her facedown with Snoke and Kylo. What happened? Previously, even travelling by hyperspace took long hours; now it functions like teleportation.

There’re many other problems like this, and I’m sure you’ll find science nerds to list ‘em all. I’ll stop at this – I believe you see the point. And, like I said, this is the least of the problems.

The Force and its philosophy

Long story short, the Force is pretty much omnipotent right now. The sky is the limit! No, wait, actually, the sky is but a little obstacle… After all, Luke’s got no problems fighting Kylo through the Force when he’s in some faraway point of the galaxy. The creators were careful enough not to show us any actual map, but even assuming that they were barely a system away, these are still light years apart. Even in the Prequel Trilogy, for all its flashy somersaults and prophetic dreams, Force Users were not wizards. They could fall to the fire of a few blasters, and they weren’t able to do much against a full unit of fighters. But here? Who cares! Everything can be done, starting with reading one’s entire mind, finishing at surviving in the vacuum for long minutes and even levitating to safety. Basically Jedi are the new Superman of the galaxy, ugh.

Don’t get me wrong. I like magic, and I like the concept of the Force as something more mystical than just ‘microorganisms living in one’s body’. Previously I was often irritated that the characters don’t use it as often as they could, or that they do something outstanding one moment to forget about it twenty minutes later. But here? Here the creators went over the top, then climbed up the Mount Everest, and then decided that they’re still too low. The perfect balance of Force abilities I found in “The Rebels” seasons one and two – here it’s completely broken.

Speaking about the balance… the philosophy is a problem as well. It’s clearly established that the balance of the Force means both the Dark Side and the Light Side. That when there’s great light, there’s also great darkness. The problem is, it doesn’t make sense. If that was the balance, then what about the Chosen One? Why would Jedi wait for him, knowing that he would have to destroy them? Bah, is there any sense fighting for the Light then? We know for sure that the evil will only rise again, because ~balance~. What kind of message is that?

See, previously, the balance of the Force was the Light Side. The Jedi’s philosophy was to surrender to the will of the Force, to preserve harmony. The Dark Side, on the other hand, was extracting your will over the Force. Literally forcing events to go your way. This was why Jedi had various colors of lightsabers, and the Sith only red. This was why Sith’s eyes would change color – to reflect that what they were doing wasn’t natural. Bah, eventually their bodies would rot and turn ugly, distorted. The Light Side Users didn’t suffer that.

Now it’s all over the place. And it doesn’t make sense. Honestly, I never found the idea of surrendering to an outside will compelling, but at least it was consisted and provided a great explanation as to why the Sith are evil, and the Jedi good. Sure, you can say that the Jedi Order eventually rotted and let Darth Sidious rise – but it was because of their complacency and tendency to choose meddling in the politics over guarding the galaxy, not because something was inherently wrong with their philosophy. Now it’s because it was necessary for the balance, apparently.

Structure problems

Putting the clumsy worldbuilding aside, the first two-thirds of the movie are really great. The characters get development. We learn about what happened between Luke and Kylo. Kylo and Rey are having their strange conversations, really enjoyable to watch and adding depth to both of them. Then their showdown with Snoke – and what a twist, Kylo kills his evil master in a clever moment of badassery. And the fight! And Finn and Rose get captured! And the rebel ships are being destroyed one by one! But eventually Kylo and Rey win – what a great finale!

Just that… it’s not the finale yet. There’s another twist – Kylo’s not good after all, he killed his master only to take his place! And the imperial ship got cut in half by a kamikaze attack, so Finn and Rose have to run away ASAP! And the rebels reach their old base, hurray! What a great fina–

No, wait! The baze is now under attack by Kylo! And nobody responds to the rebels’ call for help, and they’re trapped inside, they have to destroy the big-ass cannon that the imperials have brought, and Finn is ready to commit suicide to do so, what a great f–

But wait! Finn is saved by Rose, and Luke suddenly comes for the rescue, now he’s facing against Kylo, and–

Do you see it? There’s no finale in this movie. There’re a good few sequences that would work very well as the finale, if they stood alone. But they don’t – they come one by one, with little to no break in between. The first one’s great, the second a surprise, but the third is tiresome, and the fourth straight-out irritating. You just can’t hold your viewer on the edge for so long – they want a conclusion, not an endless cycle of ‘they almost made it but...’ And I must say, the twists are very cheap too. No foreshadowing whatsoever, no satisfaction when they happen – all save the Snoke scene. Why the creators didn’t decide to go through with what the story was clearly building up to is beyond me. It was perfect, it was interesting, it was against the tropes – and yet they turned around in the last moment. It’s like an overly elaborate matryoshka doll. You unpack a layer after a layer, at first interested but then progressively more annoyed, hoping to finally find the last, whole doll – but in the end there’s nothing inside, just empty air.

Seriously, I felt like the creators were jumping at me from behind the corner, crying, ‘Surprise!’, in their childish belief thinking that they are being clever. But you can laugh at a cheap trick like this once, twice, maybe even thrice – then you’ll find that you’ve had enough. You don’t want every corner to be a playground for the insistent kid. Pulling things out of your ass is not a plot twist.

Just too many unfulfilled promises. After this crazy ride, we ended up just where we started, with a very cliche ending. I can’t even express how massively disappointed I am.

Rey

When I was a child, I dreamt of a female Jedi, you know? I imagined countless little stories of kinda-my-insert training, and eagerly pinpointed female Jedi among the fallen ones in the “Revenge of the Sith” to prove to myself that it was possible.

Nevertheless, Rey is by far the worst Star Wars lead I have ever seen.

She’s nothing. She has no character at all. No writing, no backstory, no motivation to be a hero. Luke wanted to be a Jedi because he wanted to be like his father – and then he had to grow and mature when he discovered his father’s true identity. Rey doesn’t grow, doesn’t mature. You can’t grow something that is nonexistent in the first place.

Why did Rey help Finn and the rebels in “The Force Awakens”? Even Rose has her reasons – she gives us a story of how Empire destroyed her home planet. But what did Empire do to Rey? Nothing. It was her parents who left her on Jakku as a slave. Sure, she wanted to be free, have adventures, just like Luke. But she didn’t have to join rebellion for that. She could’ve just left them once she got off Jakku, become a smuggler, bah, an imperial officer even. Why not?

To Luke, Empire was what killed his father. He wanted revenge, in some extent, I’m certain. Sure, that conviction turned out to be false – but he didn’t know about it when he left Tatooine with Obi-Wan and Han Solo. Rey doesn’t have a motivation. There’s just this weak ‘because everybody can see that Empire is EVUIL, mwhahaha.’ But really, this is a meta reason and as such, should not be considered at all. We as the audience can see it – Rey cannot.

Worse, even. In the second movie, Luke had to face his own Dark Side. First in the cave, where he failed, then in the form of Darth Vader who turned out to be his father – the man Luke had strived to imitate. He thought that it meant becoming a hero, just to discover that he was so, oh so wrong. But at this point he had grown close with the rebellion, with Leia and Han. He had other reasons to fight.

Rey didn’t change in this movie. What was the point of her cave scene? She went in there, saw some funny vision, and went out. No shock, nothing learned. ‘But, Critic,’ you may say, ‘she had an arc this time – she wanted to find out who her parents are!’

No. Just no. Yes, it was mentioned several times, but it was also 100% superficial. It was as if the creators realized that hey, our protagonist is completely bland, we need to give her something – and decided that of course, searching for her parents would be the right thing. Luke had something similar, right? The problem is, this searching in no way reflects in Rey’s actions.

Had it really been an integral part of Rey’s character, she would have taken Kylo’s hand.

Why not? She supposedly struggled to accept the truth that her parents were nobody, that they sold her and then died somewhere away, that they didn’t want her – and here’s the guy that does want her, that begs her to join him. Why shouldn’t she take his offer? From what she knew, Luke abandoned his mission and preferred staying on his tiny island to saving the galaxy. Why shouldn’t she join Kylo, who had just saved her from Snoke, with whom she had faced against multiple opponents?

There’s only one reason – because it’s not what heroes do. But Rey has no reason to be a hero! Bah, she didn’t even need to learn from anybody, she was a perfect good girl from the start. She’s the one lecturing Luke about his duties, not the other way round. Even Yoda states that she already knows what it means to be a Jedi. How? Why? How dare you ask! She’s super powerful because, uhm, ah… I know! Because balance! Because when Dark Kylo grows stronger, then so does Rey, because she’s his counterpart in the Light.

Don’t you find it ironic? The creators pretty much admitted that Kylo was the one who did all the heavy lifting. Rey’s power isn’t something she achieved – she was given it by the Force for the sake of ill-understood balance, because Kylo worked hard to grow more powerful.

Blah. And the creators probably congratulate themselves on writing a strong female lead. How condescending can you get? I want a female Jedi as the lead – but I want a female Jedi who is a character, not a mere plot device with a ‘woman’ slapped on the back as her only characteristic. I’ll eagerly wait for one – right now, I can only turn to “Clone Wars” and Ahsoka.

That would be all. I’m pretty sure that I missed plenty of things – but I feel fulfilled nonetheless. Thank you for reading so far, and may the Salt be with you. Always.

[askdacast]

Rant from an ex-fan: RWBY’s Volume 5 shorts are terrible

Quick warning: if you are a huge fan of RWBY, especially of the third volume onwards, I am going to be needlessly cruel towards the series in this post. Turn back if you don't wish to hear the ramblings of a jaded ex-fan.

So I used to love RWBY, or more specifically the first two volumes of RWBY. They were far from perfect, but I enjoyed what fun action and neat fantasy and tech ideas they had to offer.

Then Volume 3 came about, in its glut of sudden edginess and shocking twists, and I came down with a case of salt poisoning.

As you can imagine, I dropped the series harder than a slab of concrete and have been very hesitant to pick up the series again since. Then I saw in my YouTube Feed that Volume 5 of RWBY was coming out, and there were character shorts and teasers, one of which was of Weiss, being released as promotions. So I thought, "Fine, why not? I might as well see if they win me over once more."

I was not won over.

Problems that I had with the series when I dropped it were somehow encapsulated in 3.5 painfully long minutes, and after some mental testing out of my hair, I decided to do the following moment-by-moment analysis of the trailer below as follows.

Please keep in mind I have sworn entirely off Volume 4 and any details I do know about it are from my friend @randomnumbers751650 who HAS watched it. Nothing first-hand.

0:00 We begin with some abstract shots of totally-not-symbolism set to yet another generically sad Casey Williams song.

Okay look, I don’t want to hate on Casey Williams. She’s an amazing singer at the age she is, and she’s got great talent! I don’t hate her work at all. The problem is she’s in EVERYTHING RWBY RELATED. No, literally, everything. RoosterTeeth has shoved her into every single vocal song for the series and I’m getting tired of it. There’s no variety in any of the vocals unless they get Jeff Williams to do some screaming or Lamar Hall to do some okay-rapping in them. Even they seem to sound overused.

Not to mention sometimes I feel like they’re forcing Casey’s vocal chords to sing certain songs that really do not lend well to her vocals (*cough* When it Falls *cough). She’s a beautiful singer, but when you just churn out song after song with her, the songs lose their magic. I don’t even wanna get started on these lyrics, but let’s rant one thing at a time, shall we?

0:12 Hey look, the moon is still broken. We ever gonna find out what that means?

Now one compliment I guess I’ll give is that the art has definitely improved. The characters still move jankily (albeit more smoothly now), but the background art has really upgraded. The shot of the manor Weiss is fighting in, the ice fountain with the Schnee logo and the snowing effects in this are actually kinda pretty!

0:25 And now we meet best girl Weiss! Well, she originally wasn’t my best girl. It was first Ruby, but unfortunately she had no personality (despite being the main character). Then there was Penny, but she was.

You know.

Dead.

Thanks RoosterTeeth, I’m still not over that. You introduced a precious cinnamon roll and killed her off for shock value. And fan theories about her being rebuilt have not been acted on.

Uh-huh. Sure. I’m totally okay with that. Not bitter at all.

Anyway, just look at those expressions. Mouth movement still looks as awkward as ever. I think enough people have probably mocked the expressions in the Volume 4 opening so I won’t harp on it, but…yeeeeah.

0:36 Oh hey look ominous snow wind out of nowhere. That sure is whacky and wacky.

And listen closely to the lyrics of this super-duper-sad song.

“And in its place is nothing, just an endless empty hall.”

GEDDIT? BECAUSE WEISS IS LONELY! SHE’S SAD AND LONELY CUZ SHE’S GOT NO FRIENDS! WE’RE SO SUBTLE AND SYMBOLIC GUYS!

Jeff Williams, or…whoever did the lyrics for these songs, the instrumental is lovely on its own. You could’ve just let the emotions speak for themselves. You don’t have to HAMMER IN THE MESSAGE THAT WEISS IS OBVIOUSLY STILL SAD AND LONELY. I THOUGHT WE GOT THREE ENTIRE SONGS FOR THAT ALREADY. Or was Mirror Mirror just not subtle enough? >_>

0:45 Oh look. Ice Beowulves. How interesting and original.

And don’t tell me they’re a different species of Grimm or whatever, those models are clearly palette-swapped Beowulves! It’s like they’ve become the Goombas of Remnant or something.

You know last I checked, one of the bigger reasons people liked this show at all was because of the fantasy setting and how not just the heroes and their weapons, but the creatures of Grimm had all sorts of creative designs. I get that this is just a teaser trailer and the fight here doesn't have any actual plot bearing, but one on, you could've at least come up with something more interesting for an ice-based Grimm. Even better, give hints of new Grimm to be introduced later in the volume or something, I dunno! Just anything more than a freaking palette swap.

0:59 ...did...did Casey just say 'Weissolation?' I hope she didn't; that's a level of goofy I think not even RT would stoop to.

Also, still piling on that reaaaally subtle lyric-work about how lonely Weiss is! Ugh.

1:01 I dunno why but that shot of the Beowulf pouncing at her just looks so goofy. “COME AND GIVE ME A HUUUUUG!”

1:12 ...okay, I admit, the change in tempo and shift in instruments for this song and the ensuing fight made me excited.

If there's one thing Jeff Williams has always done well, it's his instrumental. I complain a lot about RWBY's vocals, but the way the songs mix hard rock and more classical music has always been amazing. It's the perfect blend of instruments to get you pumped up for a fight while still getting into the different moods and settings each fight takes place in. Even better is that they don't have to constantly rely on awkward dubstep or techno beats like most other shows nowadays do with their action scenes. All things considered, if you just changed the lyrics, I would totally replay this song in my free time.

Even this initial start of the fight isn't bad at all. The violins and Casey's vocals really match up to the angles, Weiss jumping on the glyphs, shots like the pan up to when she's standing on the ledge, and oh man, those melting icicles. That was such a neat touch!

1:31 That is an adorable Weiss happy face. Can we get more of that? Please? And not all the random depressing edgy plot points?

1:40 "Forced to conform" YES WE GET IT WEISS FEELS TRAPPED, MOVE ON CASEY

You remember how the original Mirror Mirror's lyrics were about Weiss' self-doubt and fear of what's inside her? Only 2012 remembers.

1:45 Once again, more of those awkward expressions. Her face is literally OAO in this moment. A second shot of it is passable. You hold it for longer than that though, not to mention in a close-up shot, and it just looks goofy.

This, however, is probably a good time to get to one of my major complaints of this trailer. Namely that this trailer could have been stuff like foreshadowing of plot points, a quick character insight into how Weiss has been doing since the end of the last Volume, a whole number of things. But instead, what do we get?

Fighting.

Just. Fighting.

Look I get it, RWBY is an action series, fighting is kind of what it's selling. But if you would humour me, let me take you back to 2012, when RWBY just became a thing and people were fawning over the awesome trailers. Let me remind you guys that the first two trailers shown, Ruby's and Weiss', were both consisting of nothing but -you guessed it- fighting. We didn't hear their voice actors at all, we didn't get a glimpse as to what their characters like beyond their small facial expressions and song lyrics (you know, like the incredibly deep revelation that WEISS IS LONELY), or their place in the plot.

As much as I loved the fighting choreography in those old trailers, when the show was finally released, the characters suffered for it. People were wondering why Ruby was a squeaky high-pitched now girl when she looked so stoic and badass in the trailer. People were wondering why Weiss was so snooty and insufferable when once again, the trailer painted a different picture of her. My point is the original trailers for RWBY tried pushing for its awesome action scenes at the expense of the writing of its characters.

And now it's happening again.

Let me be blunt: when I first saw this Weiss short, and after the initial few cool shots of fighting, my brained tuned out and I IMMEDIATELY skipped the whole fight scene. I knew what to expect – another flashy action scene that has no bearing on the plot or Weiss as a character or what's to come.

You know guys, most of us who are anime fans safely say that most of us who enjoy action scenes and stuff like shonen anime is NOT just because of random fighting. I need to care about what I'm watching. I need to know the fight I'm seeing matters. And failing THAT, I at least want to see something new; new fighting techniques, new ways of attacking and reversing your opponent's moves onto them, rather than just the same old.

I remember when I used to enjoy the fight scenes in RWBY. It was cool seeing the fighting techniques, the crazy weapons and having some vague idea of how Dust worked. It was all fine and dandy back then. But RWBY hasn't evolved since. As much as I like Weiss, her simple sword tactics have always struck me as rather plain compared to the rest of the team. Clearly, she's designed less as a combatant focusing on power and more as the 'Mage', what with her glyphs (which we still haven't gotten an explanation of how her Semblance works btw) and her Dust usage. I could've gone for something simple like Weiss combining Dust in her attacks or something like that.

But no.

RoosterTeeth is just doing the same old action sequences over and over again. It's to the point where the fight scenes are just white noise! Congrats, RoosterTeeth. You guys made me think of an action scene as WHITE NOISE.

Mind you, I actually went to rewatch the trailer to try to see what I missed in the fight scene just to be fair, but even then I tuned out again. Nevermind the actual choreography or some weird wide-angle shots, everything just felt so generic. I honestly can't muster up any energy to even critique the fight.

So enough of my whining I guess, let's just get back to the trailer shall we...

2:48 And somehow despite Weiss being best girl, she still continues to have the weakest of the voice actresses. The way she screams Winter's name sounds more like annoyance rather than the actual fear she might have been feeling.

Also WAIT WHAT?! THOSE WOLVES WERE WINTER'S CREATION?!

...so not satisfied with giving us a dull action scene, this trailer decides to pull the rug out under us and render our investment into Weiss surviving this fight pointless. Fantastic.

3:04 Oh hey, Winter! One of the few parts of Volume 3 I actually liked!

Great to see you and your Icy Cool Big Sis self again! Boy, it sure was a good thing you...weren't important in the last Volume...or the second half of Volume 3...oh man was your great character totally utilized and not squandered in the face of the changing plot or anything...

3:15 More stilted Weiss voice acting. The way she says "I'll get better" is just so oddly rushed and lifeless.

3:26 And so we end this trailer with a reprise of Mirror Mirror, showing how even after 4 whole Volumes, Weiss has not grown as a character despite her trials with her barely-visible team, and she's still left alone with the insecurities and loneliness plaguing her, sending her back to square one!

Yay. RWBY is such a well-written satisfying show.

3:36 But ZOMG! This whole trailer was a flashback! And Weiss is still sad remembering old sad times!

...

BULL.

What was even the point of having that entire fight be a flashback? Narrative-wise, it's a slap in the face to the hope of Weiss growing as a character. Didn't she spend the last part of Volume 4 singing an entire song about how she's going to forge her own path and break away from her family? But her face when she remembers this memory of her old self and replaying Mirror Mirror in the background seems to imply this isn't the case. That she's still stuck in the same mental chains she's been in since the show started. If there's no promise of her truly overcoming herself, why would this flashback have any meaningful bearing on her arc?

Technicality-wise, this only confuses the viewer and short-changes the animators. Believe it or not, I was actually confused as to if Weiss in the trailer was from present time; thought maybe she just put on her old clothes again or something. But it's not; we are just seeing her old self fighting some of Winter's illusions. If we aren't seeing any cool new stuff about Weiss, what is the point of making this a teaser for Volume 5?

So with all that said and done, RWBY has once more proved that it’s just going to be nothing more but a swirling pot of wasted potential and eye candy with some irresponsible writers mixing it all into one big mess, and it’s only going to get more incomprehensible from here on out.

Wonderful.

Let me clarify one last thing: I did NOT drop RWBY in Volume 3 because it was ‘too dark and depressing’. I like a good serious story myself. The purpose of this rant is to show you all my real problem with RWBY: it does not handle its writing with any care whatsoever, or the responsibility to deliver a satisfying product to its audience. Volume 3’s out of nowhere shift, as much as it angers me, I feel is symptomatic of every other writing problem in this series.

It’s lazy. It’s half-baked. It’s popcorn entertainment in the end, sure, but even popcorn needs to be cooked well. I want the tastiest popcorn ever, not some cold barely-microwaved corn kernels left out in the open!

Ugh, if you guys will excuse me, I’m gonna go write my own action-packed fantasy story. With blackjack and hookers.