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Sohemians to start meeting again in September 2024
The Wheatsheaf pub on Rathbone Place. Photo: Fitzrovia News. The Sohemian Society, founded in 2003 for lovers of all things Soho / Fitzrovia / bohemian, is restarting its monthly meetings on Thursday 5 September, after an enforced Covid break. Founder member Paul Willetts, author of North Soho 999, Fear and Loathing in Fitzrovia and Members Only (filmed as The Look of Love), is breathing new…
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The Wheatsheaf ****
The Wheatsheaf is a traditional country pub located in the village of Braishfield, in the heart of the Test Valley. The pub is surrounded by stunning countryside views with local farming and is known for its quality pub food. The pub was originally a stagecoach stop, and it later became a popular gathering place for locals.
The pub has a large conservatory and garden, making it a great place to enjoy a meal al fresco. The food menu features classic pub dishes, such as fish and chips £16.95 as well as a few more modern options. Cask ales on tap on my visit HSB and Tribute. I stopped for lunch choosing a ploughmans which I enjoyed with a pint of HSB. Review 2023.
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The Wheatsheafers- Music Video: Smooth B "Wheatsheaf Boys Roll Barrels" ...
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The location of The Wheatsheaf pub on Talbot Road, which is now the entrance to the Sainsbury's car park after the towns major redevelopment project Talbot Gateway.
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A c1890 Victorian-era bracelet in black enamel with an incised and seed pearl studded wheatsheaf motif. Built in gilt silver. Austro-Hungarian hallmarks.
eriebasin.com
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“As I sit down to write this letter to you all, I don’t quite know where to begin, or how I feel. There’s sadness, of course, that in a few short weeks this will all be coming to an end. But every time I think about you – about what we have achieved over the last 12 years, together – I can’t help but smile. Because you made it. You made the experience, this journey that we have been on, far greater than you will ever know. There is nothing more special than the love between a team and its supporters, and I can’t ever thank you enough for what you’ve given us over the years.
I think back to those humble beginnings at Staines. Wheatsheaf Park might seem like a million miles away from what we’ve built at Kingsmeadow, but to me it was the start of something magical. A small, but dedicated, home fanbase quickly became a small travelling army. Those chants we heard at Wheatsheaf Park soon started popping up at Donny. Then Birmingham, Manchester, wherever.
You know I did everything I possibly could to make it the best experience for you, pushing the club to put on buses, even funding trips myself over the years – and plying you with wine gums and mints to keep you sugared up! More than that, I wanted to provide you with a team that’s reflective of you, a diverse group that we can all see ourselves in. One that is proud to represent the badge, that would run through brick walls for each other and do anything to achieve success. Because that’s what you would do for us.
We’ve created so many magical memories together. From the first FA Cup win at Wembley, quickly followed by a first WSL title at Staines, to those early Champions League trips – something special was building, and it’s just gone on and on from there. Honestly, there’s too many highlights for me to list.
When I think of the journey we’ve been on, I cannot imagine what it would have been like without you. We had a taste of that during Covid, and football just wasn’t the same. I feel sad that you weren’t able to be with us for the Champions League semi-final win over Bayern Munich, and I honestly believe it would have been a different experience if you’d been there with us in the final. But to come out of the other side of that with an FA Cup final at Wembley against Arsenal, on a cold afternoon in December, and being together again is something that will always live with me.
I love that you’ve created a community for yourselves, starting at Wheatsheaf Park and then onto Kingsmeadow, which has become like a fortress because of you, and now Stamford Bridge. As we’ve grown, so have you. Wherever we go, you’re there with us in huge numbers, developing your own memories from supporting the team across the country and Europe, over land and sea (and Leicester!). You’ve been amazing to our players throughout that time, and I know you’re going to keep creating memories together long after I’ve gone.
I want to thank you for all the songs, which kept me going so many times on the bench. I especially want to thank you in those losing moments, which fortunately there haven’t been too many of. I always heard you. Always. You show your appreciation for the team no matter the scoreline or how the game has gone. That’s what true fans are.
You’re the lifeblood of this club, the heartbeat, and I think you’ve been the envy of the entire league with the support you’ve given the team. I look forward to being one of you at some point, with Harry alongside me.
From the bottom of my heart, thank you for making this the experience of a lifetime.”
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Ward, Benjamin, What’s Wrong with Economics?, Basic Books, New York, 1972
Ware, Norman, The Industrial Worker 1840–1860: The Reaction of American IndustrialSociety to the Advance of the Industrial Revolution, Elephant Paperbacks, Chicago, 1924.
Watson, Andrew, From Red to Green: Green Politics and environmentalism cannot save the environment. A socialist politics can,Privately Published, 1990.
Weisbrot, Mark, Globalisation for Whom?, available at: http://www.cepr.net/Globalization.html
Weisbrot, Mark, Baker, Dean, Kraev, Egor and Chen, Judy,The Scorecard on Globalization 1980–2000: Twenty Years of Diminished Progress,available at: http://www.cepr.net/publications/globalization_2001_07_11.htm
Weisbrot, Mark, Baker, Dean, Naiman, Robert and Neta, Gila, Growth May Be Good for the Poor — But are IMF and World Bank Policies Good for Growth? available at: http://www.cepr.net/publications/econ_growth_2001_05.htm
Weisbrot, Mark and Rosnick, David, Another Lost Decade?: Latin America’s Growth Failure Continues into the 21st Century, available at: http://www.cepr.net/publications/latin_america_2003_11.htm
Wilkinson, Richard and Pickett, Kate, The Spirit Level: Why More Equal Societies Almost Always Do Better, Allen Lane, London, 2009.
Williams, Gwyn A., Proletarian Order: Antonio Gramsci, factory councils and the origins of Italian Communism, 1911–1921, Pluto Press, London, 1975.
Artisans and Sans-Culottes: Popular Movements in France and Britain during the French Revolution, Edward Arnold, London, 1981.
Wilson, H., The Labour Government 1964–1970, London, 1971.
Wilkinson, Richard and Pickett, Kate, The Spirit Level: Why More Equal SocietiesAlmost Always Do Better, Allen Lane, London,2009.
Winn, Peter (ed.), Victims of the Chilean Miracle: Workers and Neoliberalism in the Pinochet Era, 1973–2002, Duke University Press, Durham and London, 2004.
Wolff, Edward N., Top Heavy: A Study of Increasing Inequality in America, Twentieth Century Fund, 1995
Wolff, Jonathan, Robert Nozick: Property, Justice and the Minimal State, Polity Press, Oxford, 1991.
Wray, L. Randall, Money and Credit in Capitalist Economies: the endogenousmoney approach, Aldershot, Elgar, 1990.
Zinoviev, Grigorii, History of the Bolshevik Party: A Popular Outline, New Park Publications, London, 1973.
#community building#practical anarchy#practical anarchism#anarchist society#practical#faq#anarchy faq#revolution#anarchism#daily posts#communism#anti capitalist#anti capitalism#late stage capitalism#organization#grassroots#grass roots#anarchists#libraries#leftism#social issues#economy#economics#climate change#climate crisis#climate#ecology#anarchy works#environmentalism#environment
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White Noise
Feeling much more than alright
Life sometimes isn't fair
Into you it can tear
It'll teach you
My goodness
how it can beat you
In the know
in and around
Professor's Lake
White noise
Here in Toronto
Downtown
King and Bathurst
near Much
Used to be
all over the place
in Ontario
Now I'm on
an over the road tour solo
The Wheatsheaf Tavern
back in the day socializing
Now and then
Now I want to be
a writing star
Always somewhere
A star search for words
that slay
Some people like us
we have to work
White noise
Here in Toronto
Downtown
King and Bathurst
near Much
Humane
Got to choose
Number one hits
Coming home
White noise
Here in Toronto
Downtown
King and Bathurst
near Much
I used to be all over the place
in Ontario
Now I'm on
an over the road tour solo
White noise
Here in Toronto
Downtown
King and Bathurst
near Much
Humane
Got to choose
Number one hits
White noise
I used to be one of the boys
Now I'm on
an over the road tour solo.
-Walter
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[..]a garden,—once stocked with such hard plants and flowers as could best brook the soil and climate, and such trees and shrubs as could best endure the gardener’s torturing shears, and most readily assume the shapes he chose to give them,—now, having been left so many years untilled and untrimmed, abandoned to the weeds and the grass, to the frost and the wind, the rain and the drought, it presented a very singular appearance indeed. The close green walls of privet, that had bordered the principal walk, were two-thirds withered away, and the rest grown beyond all reasonable bounds; the old boxwood swan, that sat beside the scraper, had lost its neck and half its body: the castellated towers of laurel in the middle of the garden, the gigantic warrior that stood on one side of the gateway, and the lion that guarded the other, were sprouted into such fantastic shapes as resembled nothing either in heaven or earth, or in the waters under the earth; but, to my young imagination, they presented all of them a goblinish appearance, that harmonised well with the ghostly legions and dark traditions our old nurse had told us respecting the haunted hall and its departed occupants.
so i did a fair bit of reading on garden symbolism for an essay i wrote on the yellow wallpaper last year, and - with the caveat that this was about colonial america, not england - one of the things that did firmly crop up was the garden as a site of patriarchal control. and just looking at the word torturing i wonder how exactly we're meant to read an overrun garden in this context. like on the one hand it was stocked with hard plants, appropriate to the climate, and on the other it also contained soft plants that would submit to and be shaped easily by a man's guiding hand. i'm certain there's a deliberate tension there. also relevant, i think, is the way the name of the house seems to reflect this unruly garden: wildfell. anyway, there's a decent amount of really fascinating stuff going on with nature in this novel which imo shows that anne bronte did have a clear capital-r-romantic influence even if she's usually shunted into a different category from her sisters, and i think it's worth paying attention to.
this is incidentally what stevie davies has to say on it in her notes:
the topiary details add a unique twist to the theme of recidivism played out both by Wildfell Hall and Wuthering Heights (see S. Davies, Emily Brontë (Harvester Wheatsheaf, etc., 1988), pp.130-54). Nature, 'tortured' to an art which represents nature (the boxwood swan, the lion) is in process of reverting to nature. However, swan and lion belong with laurel towers and fabricated warrior as armorial tributes to dynasty - a dynasty which has died out, subverted by nature. For Emily Brontë's mystery, Anne Brontë substitutes grotesquerie, in a chaotic vision in which human aspirations are in process of recrudescence, paralleling the disintegration in the ethical sphere of the novel: but the author fails to develop these implications.
#maybe i'll try dig up that essay tomorrow or something but idk if i'll have time cos i'm set to have a p busy week#laura talks books#the tenant of wildfell hall#wildfell weekly#bronte blogging#i don't think that mention of the ethical sphere is too spoilery but anyone who thinks it is is welcome to let me know
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Some newer pages from my witchy #inspojournal. I haven't had as much time or inclination for it this year but every so often I make some time to sit down and do a page or two for some quiet art therapy.
(@neil-gaiman Thanks for the inspiration! 💜)
#journaling #witchy #junkjournal #artjournal
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[IMAGE DESCRIPTION: Two pages from a spiral-bound notebook.
The first is bordered top and bottom by brown washi tape with silver magical designs. In the middle is written, "M is for magic. All the letters are, if you put them together properly. -Neil Gaiman" The M is a fancy letterblock with wheatsheafs and a stylized book with pastel magic fizz trailing from the cover sits below the quote.
The second is a collection of botanical illustrations of purple flowers (possibly campanula, lilac, and morning glory) and a handful of scattered dragonflies, surrounding the handwritten motto, "Bloom where you are planted."]
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Manager of The Wheatsheaf says: 'We are open. It is business as usual'
Despite Shaftesbury Capital gaining planning permission to redevelop The Wheatsheaf, they are still open and taking bookings for Christmas. Photo: Fitzrovia News. Since my article was published about Shaftesbury Capital’s plans to convert the upstairs of The Wheatsheaf pub into flats, “large numbers of customers” have apparently been asking the manager: “When is The Wheatsheaf going to…
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Looking west across Glasgow from Port Dundas at dusk. In the right foreground is the 1860s Wheatsheaf Building on Speirs Wharf, in the middle is the 1960s Woodside High Flats, while in the left background is the distinctive 1870s gothic tower of Glasgow University.
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The Wheatsheafers coming soon early development for Season 2
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Today's reading list
Stephens, John. Language and Ideology in Children's Fiction. Longman, 1992.
I need to finish this today while I'm in the library - it has a reputation for being dense but incredibly useful, so I'm going to need focus to get through it. Also it's a library book, so I'd rather not carry it home if I don't need to!
Humm, Maggie, editor. Feminisms: A Reader. Harvester Wheatsheaf, 1992.
There's going to be loads for my critical essay in here and I've wanted to dive into it for a couple of weeks. But actually I'm glad I haven't had the chance until now, because I have a much better idea of what I'm looking for.
Butler, Judith. Undoing Gender. Routledge, 2004.
I read a bit of this for my undergrad, and I love what Judith Butler does, so I'm looking forward to cracking this open and hopefully getting stuck in to some complicated gender discussion.
Ideally, I'll also finish an essay plan for my critical essay today, but I'm finding it increasingly hard to pin down what I actually want it to do, so that's a soft target for today. If I can finish the reading I want to do, I should hopefully have all the tools I need to do that next time.
#studyblr#reading list#academic writing#academic reading#gender studies#literature studies#feminism studies
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The evenings are drawing in, not quite time for gloves! Yet the harvest is just about in. So this week's wedding board at Belinda Mary Hale Fine Jewellery Ltd is a Wheatsheaf Wedding! So be it.
https://pin.it/2F76kdtFM
#design#fine jewellery#style#silver#weddings#brides#belindamaryhale@pintrest#bridesmaids#grooms#flowergirls
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The evenings are drawing in, not quite time for gloves! Yet the harvest is just about in. So this week's wedding board at Belinda Mary Hale Fine Jewellery Ltd is a Wheatsheaf Wedding! So be it.
https://pin.it/1vglxISqA
#belindamaryhale pintrest#design#style#weddings#art#brides#bridesmaids#pageboys#groomsmen#flowergirls
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