Do you think Banjo is the type of person who hides his problems behind a clown mask?
The guy acts like a bit of comedy relief, but I think he's the kind of person to face his problems head-on. I don't think he uses humor as a coping mechanism. We never see him do that for himself. He's just a loud guy
Look at how he first appears to Midoriya
He's loud, and it steals Midoriya's attention. But he's calling him out on why he's messing up
But as a character's debut, the first things he does are:
Call out Midoriya for trying to do things alone, when Yoichi's first message to him was that he wasn't
Tell him that if he can compose himself, things typically work out
Understands Midoriya's side of things, and tells him he knows (like lacking a mouth)
And once he says those two previous things, he exhales, and his eyes show their pupils properly
The parting advice he gives Midoriya is a reiteration of the second point: It's okay to be mad. What's important is controlling your heart.
Blackwhip is a Quirk that responds to the holder's emotions. Like other Quirks, but Blackwhip goes out of control when the user isn't able to get a grip on themselves
Banjo used his Quirk effectively. He'd have to live that advice to pass it on to Midoriya, back when Abilities were starting to become normal, but Japan was still wrecked. And we know that Quirks are influenced by, and influence, the holder's personality.
Banjo would have to be able to be honest with himself, understand his emotions, and has the maturity to say it's okay to be mad. Just control it.
When he said that for the first time, it actually surprised me. Everyone in fiction or reality says "Don't be mad", but a character on his debut and says it's okay to be that. I never heard anyone say that controlling your emotions and outputting them in a healthy manner is what matters. People just say not to he negative or annoying, because it's inconvenient; but Banjo went past that.
And when he fades, he tells Midoriya he's got this. He reminds him that they're all behind him.
Whenever he speaks, he doesn't make the receiver feel bad, or speak down to them. He understands them, and gives the next step in a familiar, friendly way.
On his debut, he told Midoriya to control his heart, and to remember he wasn't alone. Here, he tells him he should try understanding their Quirks better.
He's actually got a mature way of seeing things. He's an adult, and being the holder between Shinomori and En, he wouldn't be able to deal with either of them if he wasn't mature about himself. Shinomori probably wouldn't choose someone who can't be honest with himself upfront, after spending almost half his life for OFA. And En is young, prone to panic, and a guy who acts like his problems aren't there or funny wouldn't help that.
I can visualize Banjo sitting at a small fire with Shinomori, having an honest, calm talk about life (until Shinomori says the wrong thing and Banjo yells something about it). But not Banjo trying to push his problems down with a hearty laugh, and Shinomori being okay with that.
When Midoriya used his Quirk for the first time, Banjo did get loud at the start, but he did lecture him in a way that was kinda teacher-mentor-ish.
I actually like the way Banjo talks about his observances. He's got the demeanor of a good teacher, he's clear, and direct. He's light-hearted about serious things, but doesn't diminish them. He just approaches it in a way that you aren't feeling the pressure, and can feel like it's possible.
He seems to have this habit of being loud to get people's attention, and simmers down once he has it. He's never indirect or leaving the addressed to figure out the answer on their own, he gives it outright.
When Midoriya used Blackwhip for the first time, Banjo was all "You got it all wrong!" and then explained things. Since he felt himself fading, he could've been talking louder to compensate himself past the daze he felt. To make sure he was talking, heard, and to keep himself awake
When the first Three made the void silent because Kudo and Bruce didn't want to help, Banjo broke it with what Midoriya should do next
When Shinomori got yoinked, the first thing Banjo did was report it in a panic to Midoriya. This just tells Midoriya he really has to be careful now, because OFA can really be stolen. Even if Banjo just panics and doesn't say that aloud
Every time Banjo is facing some kind of problem, he doesn't let others panic too hard. He's not pressuring about problems, and steps back to let Midoriya figure things out.
When Midoriya was running himself into the ground, Banjo was one of the vestiges that didn't show up to tell him to rest. He already understood how Midoriya saw things, and was doing them his own way
Rather than trying to be a clown, I think Banjo is just a friendly person. He's honest with others and with himself, otherwise he wouldn't have been able to utilize Blackwhip right, or be the holder between a sagey hermit and young, scared adult.
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in a turn of events that doesn’t surprise anyone im sure, @impishtubist has caused yet another scene to be stuck in my head until i wrote it down. so, have some sexy, greying sirius; a deeply thirsty, appreciative james who won’t let him dye it; and a very-fed-up-of-his-parents-antics harry for prongsfoot wednesday!
x
Harry entered the house with ‘I’m home!’ on his lips that died an instant death as soon as he registered what he was seeing.
“Er,” he hesitated. Does he really want to—? One more look at the scene in front of him and he decided to bite the bullet. Better to clear the air now than keep stewing on it later.
“Um. Is this a—kink? A fetish? Should I leave and never come back?”
In any other scenario, the way both his parents froze and looked at him with wide eyes would’ve been comical.
If only Dad wasn’t straddling his Papa on the ground, one of his hands holding both of Papa’s above him with disturbing ease.
“Er—“
“It’s not what it looks like, Haz!” Dad yelped, cutting across Papa who’s face and neck were turning a steady pink. “I swear.”
“Then why are you still—like that?” Harry asked, deciding to play it safe and look at the boring grey couch in the living room instead. Nothing scandalous going on there.
He could hear the scrambling of feet, a few thumps, and a mini-yelp, absently wondering about the amount of noise the simple act of getting up could produce.
“Right.” Dad cleared his throat. “So, Harry, would you please tell your Papa that he is, under no circumstances, allowed to dye his hair?”
Harry blinks, turning to his other, exasperated, father in silent question.
“Harry, will you please tell your Dad that this is my hair and I can do with it as I please?”
“Not when you promised yourself to me!” Dad yelps and Harry is hit with an intense wave of regret at instigating this.
“Promised—?”
“Yes! Our wedding, you said, and I quote, ‘I give myself to you, James Potter, mind, body and soul’, don’t tell me you forgot.”
“Of course I didn’t forget,” Papa throws his hands up in the air. “But c’mon James—this is not what I meant when I said body!”
“What, you think I only wanted you for that ars—“
“Dad!” Harry, yelps, mortified. He can feel his cheeks heating in a violent blush. He can feel a similar flush creeping up Papa’s neck. Sadly, his words don’t have the deterring effect he’d intended.
“I mean, it is spectacular, don’t get me wrong, but you’re more than just a beautiful body, Si!”
“James, please, have some mercy for our child, if not me,” Papa says. Thankfully, this seems to register as Dad’s eye widened, part horror and part apology. Harry waves it away tiredly; though he’s no less embarrassed every time it happens, growing up in the Potter household with two extremely affectionate parents has exposed him to much worse. He’s accepted it as his lot in life.
“Er—yeah, anyway,” he coughs, ruffling his hair, “Bottom line—Sirius isn’t allowed to dye his hair.”
“I literally never agreed to that.”
“Too bad because you will,” Dad says, slowly moving towards Papa with a look on his face that Harry is loath to describe as predatory. If only it wasn’t so true.
“Oh?” Papa’s left eyebrow rises extraordinarily high, as it tends to do quite often. He crosses his arms over his chest in challenge. The motion makes his Dad smile.
“Mhm.” The two of them are chest-to-chest by this point, staring into each other’s eyes. Harry could probably conduct a whole rave party right here, right then, and they wouldn’t even notice. That is when he decides it’s high time he should step in—not literally, Merlin, no—before they end up doing something that makes him try to run away (again).
“So I was right—it is a kink,” Harry says dryly, once again regretting starting this entire conversation in the first place. He should’ve just turned back around and gone to the Weasleys instead.
“Harry, no—“
x
Three years later, Harry—who’s almost blissfully forgotten about the entire incident—walks into his parents’ house to an almost identical scene, just with his Papa on top this time. This time, he makes the sensible choice he still regrets not making all those years ago, and walks right back out the door.
Let those two sort it out on their own. Merlin knows his intervention hadn’t helped a bit the last time around.
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