#the three marys at the tomb

[artthatgivesmefeelings]

William Adolphe Bouguereau (French, 1825-1905) Les saintes femmes au tombeau (The Holy Women at the Tomb or The Three Marys at the Tomb), 1890

[koredzas]

Jan van Eyck - The Three Marys at the Tomb. 1425 - 1435

[druid-for-hire]

“the chief surgeon and his chief mourner”

[image ID: fanart of characters from the TV show, MASH. it shows father mulcahy and surgeon hawkeye pierce leaning at the edge of an operating table near the end of a recent wave of operating, as the background appears mostly empty and the table behind them is unoccupied. the table they’re at is occupied by a blanketed body. mulcahy leans with his chin in his hands with a despondent expression. hawkeye grips the white sheet with a severe look and blood on his white scrubs. mulcahy wears the purple stole he uses for rites—presumably he just delivered the dead soldier’s last rites. end ID]

so i know the 4077th has a 90%+ efficiency rate but like if a MASH unit can process hundreds at a time how many last rites do you think mulcahy gave by the end. do you think it’s more than any other. do you think that just after giving thanks for his bread, what he prayed for most was soothing the dying. hey what’s with being drafted as a psychopomp huh

[artandthebible]

The Three Marys at the Sepulchre

Artist: Giovanni Battista Gaulli (Baciccio) (Italian, 1639-1709)

Date: c. 1684

Medium: OIl on canvas

Collection: The Fitzwilliam Museum, Cambridge, England

Jesus Has Risen | Mark 16:1-8, NIV

When the Sabbath was over, Mary Magdalene, Mary the mother of James, and Salome bought spices so that they might go to anoint Jesus’ body. Very early on the first day of the week, just after sunrise, they were on their way to the tomb and they asked each other, “Who will roll the stone away from the entrance of the tomb?”

But when they looked up, they saw that the stone, which was very large, had been rolled away. As they entered the tomb, they saw a young man dressed in a white robe sitting on the right side, and they were alarmed.

“Don’t be alarmed,” he said. “You are looking for Jesus the Nazarene, who was crucified. He has risen! He is not here. See the place where they laid him. But go, tell his disciples and Peter, ‘He is going ahead of you into Galilee. There you will see him, just as he told you.’”

Trembling and bewildered, the women went out and fled from the tomb. They said nothing to anyone, because they were afraid.

[themuseumwithoutwalls]

MWW Artwork of the Day (4/9/23) Hubert van Eyck (c. 1385–1426) The Three Marys at the Tomb (c. 1422-26) Oil on wood, 71.5 x 89 cm. Museum Boijmans Van Beuningen, Rotterdam

Hubert van Eyck (also Huybrecht van Eyck) was a Flemish painter and older brother of Jan van Eyck.  The division of surviving works between Hubert, early Jan van Eyck, and other painters has been the subject of great debate among art historians, involving the Ghent Altarpiece, the Turin-Milan Hours and other pieces. After a period in the mid 20th century when the tendency was to attribute work away from Hubert, he has made something of a comeback in recent decades, but there is still a wide range of opinion among specialists.

For more of this artist's work see this MWW exhibit/gallery: * The Flemish Masters of the 15th & 16th Centuries https://www.facebook.com/media/set/?set=a.419007544871287&type=3

[katakaluptastrophy]

So you know how at the end of Nona the Ninth, Harrow doubts that John is god and goes off into the River to find god, who is maybe Alecto?

It turns out we had a clue right at the beginning that John is not the metaphysical engine of the universe of The Locked Tomb...

When Teacher gives the assembled scions at Canaan House a highly selective history of the OG Lyctors, he says:

Those eight necromancers were first after the Lord of Resurrection; they have spread his assumption across the blackness of space.

Remember that John is, in the theology of the Nine Houses, the "God who became man and man who became God." It's never entirely explained what this means to them, but it's clearly intended to riff on Jesus, the 'Word made flesh' (John 1:14), "born in the likeness of men" (Philippians 2:7).

But here's the thing if you're going to be a Catholic-flavoured god: Catholicism has some quite specific terminology for leveling up in terms of heavenly power.

Jesus, who is God, goes up to heaven after the resurrection. This is described as his "ascension" - it's an active process. He is ascending, going to his heavenly throne. He can do that, because he's God. He *is* the rules of the universe and metaphysics. If he wants to fly up into the sky and transcend into another dimension, he can do that, because he's God.

But there are three other people who are understood to have gone up to heaven bodily: Jesus' mum Mary, and the prophets Elijah and Enoch - for all three of them, this is described as their "assumption": it's a passive process, which they aren't doing under their own steam, it's being done by God. In art, this has historically been depicted by showing them being propelled skywards by a writhing mass of cherubs.

So let's get back to Jod.

You know, the man who became god, etc etc etc? The one who resurrected his Lyctors who then "spread his assumption across the blackness of space"?

Either John wasn't paying quite enough attention when going through Catholicism for Dummies or Teacher is being a bit sly here.

So this is a nod, right at the beginning, to the fact that John isn't actually the metaphysical power of the universe that he claims to be.

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[picklepie888]

We Don't Talk About Judas (Biblical Encanto Parody)

PETER

We don't talk about Judas no no no

We don't talk about Judas

But

It was the Passover

ANDREW

It was the Passover

PETER

We were all together and we're passing the bread and the wine

ANDREW

Passing the bread and the wine

PETER

Jesus comes through

With some upsetting news

ANDREW

Traitor!

PETER

Are you telling the story or am I?

ANDREW

I'm sorry dear brother go on

PETER

Jesus said 'I'll be betrayed'

ANDREW

Why would He tell us?

PETER

Upon this news, we're all dismayed

ANDREW

The whole room was in chaos!

PETER

Who of us would dare betray?

ANDREW

We're not naming names

But we'll just say

BOTH

We don't talk about Judas no no no

We don't talk about Judas!

MATTHEW

Hey! Grew to be weary of Judas's intentions

None of us suspected his crime beyond comprehension

I equate him to the sound of coins hitting the floor (clang, clang, clang)

How could we remiss

With a kiss, he touches

Failed to keep our Rabbi out of the Romans' clutches

Choking on his guilt until he can't breathe anymore

Gone forevermore

JOHN

Thirty pieces

Of silver in his sack

When the night ceases

He stabs us in the back

He had seeled our doom

Led Jesus to His tomb

ALL

(Hey) We don't talk about Judas no no no

We don't talk about Judas

JEWISH VILLAGER 1

They say He was sacrificed

To pay our cost! (No no)

JEWISH VILLAGER 2

The Romans had dragged Him off

To Pilate, their boss! (No no)

JEWISH VILLAGER 3

He said that Jesus of Nazareth

Would hang on the cross! (No no)

ALL

The Hebrews mourned

Our most devastating loss!

MARY MAGDALENE

He told me

That upon this day three

Not to worry for He will soon rise

He told me

The Messiah will come

And our souls will be made divine

PETER

He told me

Before that next morning

I'll deny him times three

Upon the cock's crowing

It's like I hear it now

It's like I hear it now!

I can hear it now!

MATTHIAS

Um...Judas

Yeah, about that Judas

I really need to know about Judas

Give me the truth and the whole truth

Judas!

ZECHARIAH

Hey the King of the Jews is here!

ALL

He has risen!

(Overlap of Peter/Andrew, Matthew, John, and Mary Magdalene verses)

ALL

He's here!

Don't talk about Judas

MATTHIAS

Why did I talk about Judas?

ALL

Not a word about Judas

MATTHIAS

I never should've brought up Judas!

[drewtober]

Hey! Sorry this has taken so long--had a lot of family things come up one after another after another, and lots of work on top of all of it. Been kinda one thing after another these past few months. 🤣

TAGGING AND SUBMISSIONS

I'll open up submissions on October 1st for any pieces if anyone wishes to submit, and I'll check the tags once a day for reblogging. The tag is #Drewtober2024.

LOCATIONS

This list is mainly for quick reference or to spark an idea, but if I’ve forgotten a location in a game that you wanna illustrate go for it! I’m doing this from memory.

SCK - Paso Del Mar High School, Maxine’s Diner, Aunt’s Eloise’s house

STFD - The studio, Dwayne’s apartment, Aunt Eloise’s apartment (this is the only game I've not played, so I'm unfamiliar with all the locations).

MHM - Nancy’s room, the basement, Abby’s room, the library, the parlor, the foyer

TRT - Nancy’s room, the foyer, the library, the locker room, Marie's tower

FIN - The Royal Paladium

SSH - The exhibits, the Henrik’s lab, Nancy’s hotel room, Henrik’s hospital room, Joanna’s office, Alejandro’s office, Taylor’s office

DOG - Sally's cabin, Mickie's speakeasy, the ranger station, the woods, Em’s Emporium

CAR - Nancy’s hotel room, Joy’s office, the security office, Ingrid’s workshop, the various rides in the amusement park, Rolfe Kessler’s workshop

DDI - Katie’s boat, Jenna’s cafe, Whale World, the lighthouse, the beach, the sea caves, the smuggling tunnels

SHA - The ranch house, the stable, the farm yard, Mary’s gift shop, Dry Creek, the cliff dwellings

CUR - Nancy’s room, Linda's room, Jane’s room, the conservatory, the library, the foyer, the alchemy lab

CLK - The Lilac Inn, the tunnels, Josiah's house and barn, the mini golf course, Jim's office, Bogart's pond

TRN - The dining car, the sleeping car, Camile’s car, Jake’s car, the map room car, the dancing studio car, Fatima’s shop, the crypts

DAN - Minette’s workshop, the reception office, Dieter’s studio, the park, the sewers, Cafe Kiki, Jay Jay’s house, Noisette's stained glass safe

CRE - Big Island Mike’s property, the beach, the Hilihili labs, the volcano, Three Finger Rock jungle, Dr. Kim’s base camp

ICE - Nancy’s room + all guest rooms, the fishing shack, the Trapper Dan's Needle, Julius's cabin, the basement

CRY - Renee’s room, Bruno’s room, the library, the miniature’s room, the foyer, the garden, the cemetery, Bernie’s log and swamp, Zeke’s

VEN- Nancy and Helena's room, the ca, the flower stand, the various plazas, Antonio's office, Casa dei Giochi

HAU - The foyer/downstairs, Brendan and Caitlyn’s room/tower, Fiona’s room, the library, the castle grounds, Fiona’s bog hut, The Screaming Banshee Inn, the laboratory

WAC - Nancy and Corine’s room, Mel’s room, Izzy and Leela's room, the basement, the library, the common area, the courtyard

TOT - The basement, the farm house, the barn, the wind mills, Pa’s shop, Pa's museum

SAW - Nancy’s room, the baths, the hidden bath’s, Yumi’s apartment, the gardens, the bento stand, the pachinko parlor, the ryokan foyer, Rentaro's workshop, Takae's classroom

CAP - Nancy’s room, Karl’s office, the gift shop, the security booth, the monster’s camp, the dungeons, the glass blowing studio, the dining hall, the courtyard

ASH - River Heights police department, Toni's ice cream shop, Alexei's antique shop, Brenda's van, Nancy's house, original town hall

TMB - The camp tent, the tomb

DED - Ryan's workshop, Mason and Ellie's offices, the break room, Gray's security room, Niko's office and secret lab, the main lab

GTH - The cemetery, the crypt, the dilapidated house, the mansion parlor, the kitchen, the basement, Charlotte’s room

SPY - Nancy’s hotel room, Bridget's hotel room, Cathedral HQ and server room, Moira’s house, the training grounds, the cookie stand, the train station

MED - Pacific Run camp, the puzzle palace, the Annunaki star cave

LIE - The museum, Melina's office, the stage, the sets, the Niobe's pottery workshop

SEA - The Missti Skip, the Heerlijkheid, Magnus's cabin, the caves, the gift shop

BONUS DAYS/ALTERNATIVE DAYS

MID - Mei and Jason's hideout, the Parry house, Lauren's shop, Olivia's shop, the museum, the courthouse, the Hathorne estate and grounds, the cemetery, the tunnels,

KEY - Hungerkünstler Cafe, Oskar's exhibit, Zlaty Custom Jewelry, Aparát, Radek's marionette theater, Prague castle courtyard, St. Vitus cathedral, the alchemy lab, the astronomical clock

[lauralot89]

Because I am a masochist, I decided I wanted to read all the 19th century vampire literature. Currently I'm focusing on short stories and novels rather than plays.

I have read:

The Vampyre - John William Polidori

Varney the Vampire, or The Feast of Blood - James Malcolm Rymer

Dracula - Bram Stoker

Dracula's Guest - Bram Stoker

I have not yet read:

Fragment of Novel - Lord Byron

The Black Vampyre - Uriah Derick D'Arcy

Lord Ruthwen; ou, Les Vampires/Lord Ruthwen of the Vampires - Charles Nodier

Vampirismus - E.T.A. Hoffman

La Morte Amoureuse/Clarimonde - Théophile Gautier

The Vampyre - Elizabeth F. Ellet

Spiritual Vampirism - Charles Wilkins Webber

Le Chevalier Ténèbre/Knightshade - Paul Féval

La Vampire/The Vampire Countess - Paul Féval

La Ville Vampire/Vampire City - Paul Féval

Carmilla - J. Sheridan Le Fanu

Strange Event in the Life of Schalken the Painter - J. Sheridan Le Fanu

The Fate of Madame Cabanel - Eliza Lynn Linton

Ninety Years Later - Milovan Glišić

Manor - Karl Heinrich Ulrichs

A Mystery of the Campagna - Anne Crawford

Let Loose - Mary Cholmondeley

Le Captine Vampire/Captain Vampire - Marie Nizet

The True Story of a Vampire - Eric Stenbock

The Vampire - Alexei Tolstoy

The Family of the Vourdalak - Alexei Tolstoy

The Reunion After Three Hundred Years - Alexei Tolstoy

The Prayer - Violet Hunt

The Blood of the Vampire - Florence Marryat

The Vampire of the Val-de-Grace - Léon Gozlan

The Vampire and the Devil's Son - Pierre Alexis Ponson du Terrail

Wake Not the Dead - Ernest Rapauch

The Vampire of the Carpathian Mountains - Alexandre Dumas

The Pale Lady by Alexandre Dumas

Pepopukin in Corsica - Arthur Young

Good Lady Duncayne - Mary Elizabeth Braddon

Luella Miller - Mary E. Wilkins Freeman

The Skeleton Count, or The Vampire Mistress - Elizabeth Caroline Grey

The Virgin Vampire - Étienne-Léon de Lamothe-Langon

The Phantom World - A.A. Calmet

Death and Burial: Vampires and Werewolves - Emily Gerard

And the Creature Came In - Augustus Hare

The Tomb of Sarah - F.G. Loring

And then there is this book which I don't even know if I can read, because I've yet to find an English translation and don't know if it even has one:

Der Vampyr – Novelle aus Bulgarien - Hans Wachenhusen

Are there any others I'm missing? Are any of those not actually vampire stories or not from the nineteenth century and I've been misled?

As to why the nineteenth century: I think if I tried to read all vampire stories EVER it would take the entire rest of my life and then some, and also early vampires are fascinating to me because all the standard tropes were not yet in effect.

As to why I'm doing this at all: Who even knows. I need things to distract my brain.

[koredzas]

Jan van Eyck - The Three Marys at the Tomb. Detail. 1425 - 1435

[laurelwen]

Nigel's Book Details: Spread Two

Using the order in which each spread is presented in the scene where Alex finally reads through Nigel's book, this is the second spread.

Text

The text included at the top left of the page is illegible, sadly. However, the handwriting seen here leads me to believe that it is Nigel's own notes, rather than an excerpt cut or photocopied from another book. This becomes apparent when compared to a sample of his handwriting taken from one of his notebooks, as below.

Map

The left side of the page features a map larger than the page itself and thus folded over. This map clearly shows the Levant, presumably at the time of the Crusades since that is the focus of Nigel's mythology. The color of the paper and the style of the map suggest that this item was pulled out of a fairly old book. There are probably thousands of maps drawn of this area in this time period, and there is sadly no way to identify this specific map or where it came from.

Just to give an overview of what this map is presenting, here are a few other maps of the area in this time period. The fourth map included below is from my post regarding the Battle of Forbie.

The Knights: Brass Rubbings of Tomb Effigies

The right side of the page centers on one large, very clear image. These three figures are very clearly knights wearing armor and carrying weapons and shields. I recognized the imagery and was able to track down a great deal of information regarding this item.

These are reproductions (rubbings) of monumental brass, "a type of engraved sepulchral memorial once found through Western Europe, which in the 13th century began to partially take the place of three-dimensional monuments and effigies carved in stone or wood. Made of hard latten or sheet brass, let into the pavement, and thus forming no obstruction in the space required for the services of the church, they speedily came into general use, and continued to be a favourite style of sepulchral memorial for three centuries." There are possibly around 4000 of these effigies remaining in English churches in the present day. The practice of recording brasses through a process of rubbing originates from the Victorian Gothic Revival.

Knight 1: Sir Roger de Trumpington, d. 1289

He is in the cross-legged position found on the earliest brasses and in three-dimensional recumbent statues. This may allude to a knight's participation in a crusade, since the Knights Templar were often represented in effigies with their legs crossed in honor of the cross. Others believe the position means the person was a benefactor of the church. In 1270, he accompanied Prince Edward, Henry III's heir, on the seventh Crusade to free the Holy Land. eight years later the prince, now King Edward I, drew up a list of 38 knights to take part in a tournament at Windsor Park; one participant was Sir Roger de Trumpington. Sir Roger thus used the tilting helmet seen on his brass---indeed, the helmet has a staple on top to hold his crest or a lady's kerchief. He is the only known Crusader to be represented in a brass in England.

Knight 2: Sir Robert de Setvans(or Septvans), d. 1306

From a brass in St Mary's Church, Chartham, Kent. Sir Robert was custodian of Rochester Castle during the reign of Edward I and fought during the wars against the Scots. He died in 1306.  In chain mail armour. His surcoat, ailettes and shield charged with winnowing fans, his armorial device. His name means seven fans. Father of Joan de Cobham.

Knight 3: Sir John Daubernon, d. 1277

The earliest brass now extant is that of 1277 at Stoke d’Abernon. The figure of Sir John Daubernon shows the armour which had been worn for the last three centuries. He is in chain mail with coif de mailles, hawberk and chausses complete, but the junctions of these are not distinct. Single-pointed prickspurs are buckled round the ankles. The only sign of the coming change to plate armour are the genowilléres, which protect the knees and are adorned with a fine pattern. They were probably at first made of leather, but later were of plate. Over the mail is a linen surcoat, drawn tight round the waist by a cord. Suspended upon his left shoulder is his shield, small and heater-shaped, charged with his arms: azure, a chevron or. The ground of the shield is in actual enamel—an almost unique feature. The cross-handled sword is attached to a broad belt and hangs in front of the body. This is the only brass which shows the lance. His feet rest on a lion, which is said to signify that he fell in battle. His legs are not crossed, unlike the other knights of the Surcoat Period.

The indents in the marble surrounding his brass form the letters of his inscription, now lost since all the brass letters sunk into the indents are missing. It reads as follows: SIR: JOHAN: DAUBERNOUN: CHIVALER: GIST: ICY: DEU: DE: SA: ALME: EYT: MERCY. (Sir John D'Aubernoun, knight, lies here. God have mercy on his soul.") A Roger D'Aubernoun came over from Normandy to England with William the Conqueror in 1066. His name probably derived from the river Aube in Picardy and Burgundy. Gilbert D'Aubernoun, Sir John's father, died in 1236 when his son was still a minor. Sir John became sheriff for the shires (counties) of Surrey and Sussex in 1264 and again in 1266. In 1253, he gained the rights to Albury Manor, as well as judicial authority in his village of Stoke D'Aubernoun. He died before 1278, the year his son, John, received his father's lands.

The Crossed Legs

From an abstract for a journal article regarding this topic:

Since the sixteenth century, both scholarly and popular readings of tomb monuments have assigned a series of interpretations to medieval effigies with crossed legs. These have included the beliefs that the effigies dated from before the Norman Conquest; that they commemorated crusaders, or those who had taken crusading vows; and that they commemorated Knights Templar. The ‘crusader’ theory has proved particularly tenacious, and, although largely discredited by scholars, continues to flourish in folk wisdom.

It would seem that recent scholarship has debunked this connection, but due to the paywall gatekeeping bullshit of Academia, I haven't been able to find the exact scholarship in question. Since the idea remains persistent, we can assume that Nigel thought of the knights depicted as being connected to the Templars and therefore worthy of inclusion in his bible. To go one step further into speculation, perhaps he even had personal reasons for including these three, such as common ancestry.

Further Reading:

Brasses, by J.S.M. Ward, 1912 (public domain book on archive.org)

Antiquarian Attitudes: Crossed Legs, Crusaders and the Evolution of an Idea (paywalled journal article)

Brass Rubbings at the V&A Museum website

Brass Rubbings: Catalogue of Rubbings of Brasses and Incised Slabs. Victoria & Albert Museum. by Muriel Clayton (1969-02-01), featuring Sir Roger and Sir Robert on the cover. It is my suspicion that the prop makers pulled their images from this book:

[Nigel's Book Details: Spread One] [Like Minds Masterpost]

[artandthebible]

Christ and St Mary Magdalen at the Tomb

Artist: Rembrandt van Rijn (Dutch, 1606-1669)

Date: 1638

Medium: Oil on Panel

Collection: Royal Collection Trust, United Kingdom

Description

Christ and St Mary Magdalene at the Tomb reveals how imaginatively Rembrandt could interpret traditional religious subject-matter. The scriptural source for this scene is the Gospel of St John (20:11-18), who describes in some detail the burial and subsequent resurrection of Christ following the Crucifixion. Mary Magdalene returns to the tomb early the next morning, only to find the stone at the entrance removed and two angels inside it where the body should have been. She then fetches two of the disciples, who check that the tomb is empty and then leave her. The angels then ask Mary Magdalene, ‘Woman, why weepest thou?’ and she replies, ‘Because they have taken away my Lord, and I know not where they have laid him.’ At that moment she turns round and sees a man dressed as a gardener, not appreciating that he is the resurrected Christ. She appeals to him for information, but he calls her by her name and she instantly recognises him. (‘Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say master.’) Rembrandt has depicted the moment of realisation just before the actual recognition. Most artists chose to paint the next moment in the text, when Mary Magdalene reaches out towards Jesus and he forestalls her with the words ‘Touch me not’ (in Latin, Noli me tangere).

Rembrandt skilfully evokes the dawn as the opalescent light picks out from the darkness the towers of the Temple of Jerusalem, the upper half of the figure of Christ, the face of Mary Magdalene, and the outline of one of the angels in the tomb. This use of light is almost symbolic in both the physical and the spiritual senses. The paint is in general thinly applied and, apart from the treatment of the light and the vegetation around the tomb referring to Christ’s activities as a gardener, could almost be described as monochrome. It is only after a time that the eye focuses on the two female figures (the Gospels of St Mark and St Luke refer to three Maries at the tomb) in the middle distance on the left descending the hill.

Of particular note is the positioning of Christ, who in the relationship established between his partially silhouetted vertical form and the Temple of Jerusalem behind and the rocky cave next to him dominates the composition, whereas the twisting pose of Mary Magdalene is the pivot. The tension created between Christ’s standing figure and the twisting kneeling Mary Magdalene is palpable. The artist’s only other treatment of the subject of Christ and Mary Magdalene is in Brunswick (Herzog Anton Ulrich Museum): it is dated 1651 and is totally different in composition.

[bookwyrminspiration]

Hey quil, I trust your book taste, can you give me some reccs perchance? I’m not picky, whatever your faves are

of course! you'll have seen some of these before in my dragon recs list, but I'll throw in some other ones too :)

A Chorus of Dragons by Jenn Lyons; My favorite book series of all time. I can't tell you what it's about because discovering that is part of the plot. Genuinely changed how I think about fantasy and writing. This post goes into a tiny bit more detail but I cannot stress enough it only covers like 2% of the story it makes me FERAL you just need to trust me and stick it out through the confusion (trigger warnings)

Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution by RF Kuang; young Robin is taken from his home in Canton to England when his family dies, his knowledge of Cantonese invaluable in a world where language, via silver bars, can literally become magic. The British Empire is working to collect all it can for its own gain, but as Robin grows up and learns more of how the world works, how it wants to use him, the more he finds it shouldn't be this way. A beautiful story on loss, oppression, imperialism, injustice, and language's role in identity. I cried.

The Memoirs of Lady Trent by Marie Brennan; Isabella, now an old woman, recounts how she became the most renowned dragon naturalist in the world--overcoming misogyny, maneuvering through politics, and more. Follow her from childhood to present day around the world, studying dragons in the field. This story has wonderful characters, critiques the "not like other girls" trope, has beautiful relationships (including platonic!), a lot of action and intrigue alongside the fascinating science, animalistic dragons, and!! SO many pictures! the artwork it's seriously incredible. Love this series

The Bone Houses by Emily Lloyd Jones; around Colbren, the dead don't stay dead. Ryn, a young gravedigger, agrees to take the mysterious visiting mapmaker, Ellis, to the abandoned castle, because she needs the money to support her two siblings and in hopes of stopping the worsening curse. Ellis, found near the woods as a babe, hopes to find some remnant or clue to who his family was, who he was. together, they must face the walking dead, find the abandoned castell where this all started, find the answers, and find themselves. I adored it's tone, characters, how it handled death and grief, everything. it reads like a fairytale in the best way

The Martian by Andy Weir; Mark Wattney's an astronaut on Mars when a storm hits, forcing the mission to return to earth prematurely--but he doesn't make it to the shuttle in time, they presume him dead, and leave devastated. now alone on Mars, Wattney's got to figure out how to survive--and how to get in contact with earth and let them know, hey, uh, I'm still here guys. one of my favorite hard sci-fi books of all time. Wattney is such an entertaining, intelligent guy; he'll have you laughing, then on the edge of your seat as Mars tries its best to kill him. this one also comes with a movie :)

Legendborn by Tracy Deonn; Bree's in an early-college program, grappling with the very recent death of her mother. when she stumbles into creatures that shouldn't exist, magic, it starts to look like her mom's death might not have been an accident. she finds a secret society of the descendants of king arthur + the round table, inheriting their powers to defend the world from a different plane--and Bree needs to find out what they know. but getting in is difficult as a Black girl, especially when their guard dog is convinced she's a demon. a beautiful story on grief, Black generational trauma, racism, identity, and more. we're eagerly awaiting book three this spring <3

The Locked Tomb by Tamsyn Muir; of course I had to include this one--tonally similar to ACOD in that you WILL be confused <3. The Emperor Undying needs necromancers; Gideon doesn't give a shit, but the girl she's been raised alongside, Harrowhark, the heir of the house on their far away planet, doesn't give a shit that Gideon doesn't give a shit. She contracts Gideon to serve as her guard, her cavalier, as Harrowhark travels to the Emperor's planet to compete to become one of his right hands. Except as the competition progresses, something's...wrong. fatally, lethally wrong. people keep turning up dead, and if they don't figure this out, they could be next.

I'll stop there, but I hope you find something you like on that list! If you (or anyone else) have any more specific requests or guidelines for recs, feel free to send them :)

[katistry]

misha collins so committed to the bit of being anti-woke jesus (coming out and recanting three days later) that he was blind to the clout of staying bisexual forever. warner bros mary magdalene checking on him on the tomb begging him to stay in there adding more rocks to the entrance

[skaiplana]

Read Harrow the Ninth. Went insaner. Read As Yet Unsent. Shitpost and thoughts:

- God's name is John. He makes dad jokes.

- I am glad this is a universe where God can be: a) killed b) fucked. We have empirical evidence

- on that note, let's do dios apate minor three but make it a foursome with me baby. Let me get that ancient pussy and/or dick

- rip Mercymorn that woman served cunt was a cunt and talked!! In an amazing! Way!! Do you think she would fix my scoliosis?

- rip Augustine he was a cunt too. Trying to send god to hell is iconic. Of course Ianthe would kill him.

- Mercy and Augustine... they hated each other. They worked together to kill god. They had a suicide pact. They wanted to be burried next to each other. They died only a few minutes apart.

- Ianthe that gay little pathetic snake.

- CAN SOMEONE EXPLAIN THE 'GALL ON GALL' JOKE I DONT GET IT

- GIDEON (2) IS BACK!!! NOW WITH MORE FUCKED UP PARENTAL ISSUES!!!

- is Gideon (2) biologically Mercy's or Wake's kid? I thought she was Wake's because everything Mercy made died but I've seen some people say otherwise

- so like. Wake is evil virgin Mary. Gideon (2) is space lesbian Jesus.

- Gideon (1) is OUT, Pyrra is IN! What that entails I do not know but she seems cooler than him

- how do you get in affair with a commander of your enemy. How do you not use a condom or like kill your sperm. Why were you afraid it's your kid Gideon (Pyrra?).

- when John asked if Harrow and Ianthe are using protection what did he mean. Is he implying that there is a possibility of pregnancy? Is he concerned about infections and stds? They could just cure those? Is he saying that there are like dental dams somewhere on mithraeum

- Harrow. What can I say? She did a diy lobotomy. She's haunted. Every woman wants her. She's in love with a dead body. She made a soup out of her own bone and tried to murder someone with it. I want to hug her

- yk I'm starting to think that the Emperor Undying is a wretched liar a dick and a colonizer. Just a hunch.

- now I don't believe anything he's ever said and I'm thinking that Harrow probably did open the tomb

- Camilla is alive and well!!! Sex Pal is almost alive an fairly well!! Can we get him out of the bones

- Coronabeth is realizing how fucked up the nine houses are! Deuteros is not!

- Abigail!!! Magnus!!! I'm glad I got to see more of them. Abigail is actually so cool I want them to adopt me

- the actual Dulcinea! She's so cool too

- the alive Protesilaus being a poet udhdhehhehe and Ortus having internal beef with him

- Ortus is an interesting person now! Also the way everyone likes his poetry except for Harrow is peak comedy

- they actually summoned Nonius. Then he killed ghost Wake. Then they made a dnd party and went to to fight the Resurrection Beast and they WON I guess. These series is a comedy

- I actually understood everything most of the time except for some obscure words (please explain gall on gall tho)