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#the sun and i are not on speaking terms
rayalltheway · 1 year
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MONKIE KID SEASON 4 SPECIAL SPOILERS//
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The monkey bros are making progress. Good for them
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dulcebot · 1 month
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DON'T GIVE ME IDEASSSSSSS!!!!!!!!!!!!!!!!!!!!!!!!!
and when hiraeth releases their final mini album before a year long hiatus or more so poppy can focus in her health + kaia can do her own things + yvan can do musicals and do whatever projects they want because in the dulceverse yvan will be glinda for wicked instead of ari bc i can do whatever i want this is my silly universe and i can do whatever but two months in and vivi's rent is due and the lights are flickering and the eviction notice is at the front door and none of the girls are answering her calls despite them being together at poppy's vacay home in lake como so she had ONE chance and ONE dream she had NO OTHER CHOICE so she got out a dusty and retired angel of the season project and got these three talented girls from diff companies that she's been eyeing to be hiraeths little sister unit and it's all fun and games until the new girlies don't do good because there will never be another hiraeth / another kaia poppy and yvan and they have a lot to carry on their shoulders even during predebut and there's a lot of self doubts and hesitance and insecurity and tension between vivi and even themselves and it becomes a really big problem where they don't stand each other or just refuse to understand each other and it will be a story of them slowly becoming and understanding that they are their own person, either alone or together as they try to carry on a legacy even when they are not hiraeth they are THEMSELVES!
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LORE SPEAKING they were born / created by "mother" the exact day each seasonal angels broke their own loop by eating their forbidden fruit = giving into temptation and they are little angels who were born to parallel hiraeth as hiraeth weren't "pure" anymore but ffs the little sisters wanted to be like them wtf....... and then they were left behind in celestias castle or palace i don't remember what it was and they hold some kind of grudge because why did they leave and not us?! why did they not took us with them?! but eventually hiraeths doctrine cult like messages gets to them and they are not ready to break their loop but instead they start shaking things up in celestia's castle palace whatever and being a pain in the ass for "mother" because they are sharing to other angels that they could be and do more outside mothers doctrine and this even makes the little sisters realize that they are their own person/angel and they are not the seasonal aengels as much as mother wanted them to be and maybe they start their own "cult" and its not like "mother" can force them to leave celestia because they are perfect w no sins!
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longagoitwastuesday · 4 months
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So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙
Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!
About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.
The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.
Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.
But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.
For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.
Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.
Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.
You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.
Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.
#I have a lot of opinions about translations in general tbh but this is not a semi clear case like in Crime and Punishment#in which there's one detail that a translation must do for me to recommend it (it used to be the one but now in English several do it)#I wouldn't recommend Burgess as a first approach to the play‚ but having already read the play and knowing the text and characters#and how Burgess may modify it‚ then I wouldn't not recommend it because it is the best in form in many aspects#And while he fails in direct concept‚so to speak‚ form is particularly important in this play and in conveying concept and characterisatio#So idk personal taste is it I guess? Again I am not an English or French native#I vehemently recommend reading the play in French if you can and haven't done so already#Even best if you want a translation to read the translation alongside the French text#to see how the translation bends the play in form and subject#Anyway... Sorry for the long delay and the too long reply. I always end up talking too much#Oh by the way I think I saw you talk about the blood/tears motif in the act IV in some tags? It's not just act IV#The tears/soul motif is repeated through the entire text linked to Cyrano and is opposed to the body of Christian#That's why the culmination in the last act and the tears in the fourth hit so much#Like the constant of Cyrano being linked to the moon and the darkness while Roxane is the sun and the light#And also I would argue the 'pearled perfection of her smile' is not an unidentifiable trait or intangible#It's poetic and metaphoric but it's a description of her teeth. Small‚ straight‚ white. Perfect teeth. That wasn't so common back then#It's quite common in classic literature to find poetic references of good teeth spoken of in these terms#Anyway...#I hope you'll find some use in this that would make the insufferable wall of text worth some of the time at least#After all time spent is a little death. I would have hated to kill a fragment of you for nothing haha#Cyrano de Bergerac#Did I tag asks? I usually delete them after a while so I think I didn't? I never recall#I talk too much#That will suffice#Hmmm it's useless in any case. I think I've talked for over twenty tags before tagging that#A wall of text and somehow I ramble in the tags nonetheless ugh#I will reread this in a bit to see if it's coherent enough. The little screen of the phone always makes me lose track of things when I writ
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tsubasagirl · 7 months
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My fifth photo featuring my fav boiz in suits :)
(They look better together with default looks)
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parelmoer · 5 months
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imperial-agent · 4 months
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my dreams of cosplaying laios at a con in june are dead and gone as it's going to be over 35℃/95℉
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wabblebees · 1 year
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badolmen · 2 years
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I just remembered donut peaches and now I’m sad I wasn’t home this summer
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voidmenace · 5 months
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dont mind me im gonna just causually thinks about how i call her the sun to my moon and the day we finally met in person was the day of the eclipse and it was like the universe itself was celebrating that we finally got to hug
anyways im having a completely normal one tonight
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propertyofwicked · 4 months
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ROOKIE - LN
based on this request ✧ my inbox is open for requests (or if u just want a chat!) ✧
warnings - none! just fluff (not proofread), oblivious reader and lando
part 2 !!
masterlist the playlist
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the sun was shining brightly over the racetrack, casting on the 4 karts, lined up behind the group. max stood behind the camera, making sure everyone was in frame before running round to join Lando. at his other side stood y/n - long term friend of the two, and unofficial quadrant member.
lando flashed a wide grin at the camera.
“hey, everyone!” he announced, clapping his hands together, “welcome back to the quadrant channel. today, we have something special for you. me and max are going to teach our karting rookie here how to drive on a track like a pro,” he add, hands moving to gesture in y/n direction.
she smiled, waving awkwardly at the camera. it wasn’t her first time featuring on the channel, but she usually made small appearances when the whole team filmed. at the start, viewers had assumed she was lando’s girlfriend, noticing the way the two interacted with each other. but she wasn’t - not to say there wasn’t anything between the two of them, but they were just too stubborn to talk about it.
“you nervous?” lando asked her, smiling lightly.
“no different to driving a car right?” she replied, smiling back at him.
“not the way you drive, i guess,” he retorted, earning a light slap to his arm.
“so!” max started, clapping too as he faced the camera, “we’re starting y/n off in the lowest powered kart, and working our way up. when she’s comfortable, we’re going to have a small competition,” he added, his tone holding emphasised mystery.
it was y/n turn to speak to the camera.
“do i also need to clap when i start my sentence?” she asked max, grinning as she did. y/n could see niran burst into laughter behind the camera, all too familiar with the “who claps the most” argument.
“sorry, sorry,” she jokingly defended, holding up her hands when she caught max and lando both giving her a look filled with distaste. she turned back to the camera, “we will be seeing if the student really becomes the master, as i take on lando in a time-trialled race.”
the group moved closer to the first kart, y/n zipping up the rest of her protective clothing as they moved, balancing her helmet in the crevice of her arm.
“right, helmet on!” lando told her, though he moved to tuck loose hairs, that had fallen from her ponytail, behind her ears before grabbing the helmet from her, pushing it over her head. his hands rested on the side for a moment, wobbling her head slightly before moving to pop the visor up and look her in the eyes.
“comfortable?” he asked her, watching as she nodded, “ready?”
she hesitated for a moment, before nodding again. y/n wasn’t worried about injuring herself, no, she feared that she would do a bad job and the video wouldn’t be a good watch.
“you’ll be fine, angel, i promise,” he reassured her, his fingers moving to pull the zip of her suit up further, “if not, we blame max,” he joked. the two of them looked at the man stood on the other side of the kart, who quickly turned his head as though he hadn’t been watching the two interact, wondering when they’d figure whatever this was out. though he didn’t supposed it mattered, if this footage was left in the viewers would be quick to point it out, as they always did.
“it’s ok - if something bad happens, you’re the one that has to tell my mum,” y/n replied with a shrug, trying to grin despite her face being squashed.
“bagsy not me this time!” max called out.
“not fair! i did it last time!” lando shouted back childishly.
“in max’s defence, last time was your fault, lan,” y/n chimed in, patting his shoulder, “and all you did was leave a voicemail!”
“hiya, it’s lando - just letting you know y/n is in the hospital, but she’s fine. probably,” max mimicked, recalling the way lando left quite possibly the worst voicemail anyone had ever.
“not my finest moment, i’ll admit,” lando replied quietly before trying to manoeuvre the woman in front of him towards the kart.
y/n moved to climb into the first kart, her hand gripping tightly at lando’s arm to use as support before she sat down fully. he squatted down next to her, max following suit on the other side, before explaining the basics to her - when to brake, when to speed up, when to take a corner wide.
“last thing - the steering wheel,” he continued, making sure the mic could pick up his voice. his hands reached out to grab hers, placing them in the correct position on the wheel.
“what about the pedals?” she asked him.
“the same as normal? accelerator….brake?” he added, smiling as he pointed to each pedal as though it was obvious.
y/n nodded up at him, before grabbing the steering wheel and pretending to drive, making a ‘neeyowwwm’ noise as she did.
“she’s fine,” max laughed out, “strap her in and we’ll get started. oh, y/n don’t forget you have a the mic and the headset so we can communicate as you go round the track.”
“you’re doing great!” lando’s voice sounded through her earpiece, full of encouragement, “brake a little earlier for this next turn.”
y/n grinned, confidence growing with each lap. she was now onto the last kart, one lap left before she was supposed to race lando.
“how’s that?”
“perfect! you’re a natural,” he praised, his pride evident.
“i’m gonna kick your ass,” she threatened as she neared the finish line.
“looking forward to it,” lando remarked, this time in person as he stepped towards the side of her kart, “10 minute break before we race?”
“please,” she replied, nodding up and moving her hands to undo the straps before pushing herself up to step out from the kart. her balance faltered slightly as she did, though lando’s arms had shot out, his hands gripping her waist to steady her as she stepped out from the kart. even when y/n was fine to walk alone, lando’s hands never left, his hand firmly positioned on her lower back as they walked towards max.
“how was that,” max asked her, his eyes darting from lando to the woman who was struggling to pull her helmet off.
“really good,” she replied with an enthusiastic nod once lando had helped to pull the helmet from her head, “not sure on that last corner but we’ll see how it goes.”
“seemed alright on that last lap,” max reassured her, though he couldn’t help but notice the way lando looked at her face, smiling fondly as she explained how she might approach the race.
“right, it is finally time!” max called out, facing the camera as y/n took a seat in the kart behind him, “the moment we have all been waiting for. lando norris, formula one racer versus karting rookie y/n.”
“karting rooki- max i have so many better attributes to describe me?” y/n called out jokingly.
“sorry - lando norris, formula one racer versus ‘nine points on her license’ y/n!” he joked, “is that better?”
“NINE? i do not have nine points on my license?” she retorted, “it’s like 3?”
“it’s nine,” lando interrupted with a snort as he crouched down next to her to check her straps were tight enough, “two counts of speeding, and that one time you ran a red light - am i wrong?” he added with a grin.
y/n shook her head at him, though her silence confirmed his claim. the three moved on quickly, y/n finding herself breathing in sharply as lando pulled on the straps too hard, tightening them around her ribs.
“sorry,” he mumbled, loosening them slightly, “breathe out f’me,” he added, checking that she had room, before muttering a quick perfect as she did.
anyone who believed lando would go easy on y/n was a fool. she’d managed a good few overtakes, took corners well and maintained her speed, but as they approached the last lap lando seemed to slip further away. even with her foot to the floor, her kart was slowing more and more until the engine fully gave up, spluttering a few times before dying.
“well this is embarrassing,” she announced, looking into the gopro attached to the kart as she did.
“hold still for a moment, y/n,” max said through her headset, “need lando to stop before you can get out.”
so y/n sat, waiting for lando to stop so that she could climb out from the kart and do her walk of shame back to base. but she didn’t have to wait long before she saw lando jogging towards her.
“you good?” he asked her on approach, his helmet long abandoned with his kart.
“the engine just died on me,” she told him, annoyed.
“i told max i thought i could hear it struggling when i passed you,” he told her, holding out his hand for her to climb out, “however, can’t have you not finish your first ever karting race.”
“what?”
“climb on,” lando told her, crouching slightly and tapping his back for her to climb on.
y/n didn’t argue, she knew she’d lose. so she stood behind him, bouncing slightly before jumping onto his back, his hands moving to grab her legs and her arms wrapping around his neck loosely. he started running towards the finish line, y/n clinging tightly onto him whilst mimicking car noises, lando laughing loudly as she did.
“you two look like you’ve been doing this for years,” max called out, breathing through his laughter at the sight in front of him.
“we have,” they said in unison as they approached him. max knew this - he himself had fallen victim to giving y/n a piggyback a fair few times over the years - however it didn’t make the situation less funny to him.
lando placed y/n down with a soft thud, before realising something, his eyes widening.
“wait who won?”
“what do you mean ‘who won’?” she asked confused, “my engine died, lando.”
“i didn’t cross the line,” he whined, “i went to get you before i crossed it.”
“funny you should ask,” max interrupted, using the opportunity to turn to the camera set up, “we ran the VAR and…”
“are you waiting for a drumroll or…?” lando asked impatiently.
“don’t be mean,” y/n told him, slapping his arm lightly, “god forbid you not be so competitive for once.”
“so!” max started again, knowing their bickering could last hours if he didn’t interrupt, “we ran the VAR and you’ll be glad to know that….y/n - your foot was the first to cross the line!”
“yes!” she cheered, pumping her fist dramatically.
“how is that right? i was carrying her?” lando whined again.
“her foot was in front of you mate,” max laughed, “should’ve tucked it behind you if you wanted to win so bad,” he added, shrugging.
“that is the last time i do anything nice for you,” lando seethed jokingly, turning to face y/n before ruffling his hand through her hair to mess it up.
she dodged his hand quickly, head jerking sideways as she shouted at him.
“you’re such a sore loser.”
“i am not.”
“rematch?”
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dduane · 5 months
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Today's auroral shenanigans
Relatively speaking, yesterday night (May 11/12) was a bit of "not much" for aurora-watchers, compared to the night of the 10th/11th. (Which, to be fair, was a most unusual event, and it wouldn't be surprising if it wasn't equaled for a long, long time.)
Nonetheless, the Sun continues to be in an interesting mood at the moment... specifically the big sunspot region AR3664, which is the one responsible for the auroral extravaganza of May 10th. You can just see it in this next image, getting ready to rotate away from us around the Sun's rightward limb.
(For those interested in scale: that complex of sunspots is about fifteen times the diameter of the Earth. You could drop the whole planet into the middle of the biggest one and lose it. A timelapse video of its growth is over here at YouTube, if you're interested.)
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As AR3664 continues to spit out CMEs and flares, the NOAA has issued a geomagnetic storm watch for today, tonight and tomorrow—with the suggestion that conditions like those of the night of the 10th may in the relatively short term be about to repeat themselves.
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This is a "watch" rather than a "warning," reflecting some uncertainty over exactly how the various incoming coronal mass injections are likely to behave on reaching Earth orbit. (Also, the CMEs aren't being aimed straight at us, but off to one side as the sunspot region rotates further and further toward the sun's edge: so this adds somewhat to the unpredictability of it all.)
The animation below comes from the SOHO spacecraft's LASCO C3 coronagraph instrument. It starts on May 10th and runs through until early on the morning of May 12th. You can see the newest incoming CMEs right at the end of it.
(BTW, I think the two bright objects to right and left of the Sun are probably comets passing through, as LASCO images normally mask out any planets that would be in view.)
Anyway, as for what this means for auroral activity tonight? It's tough to tell as yet. The planetary K index (which expresses the relative strength of geomagnetic storms) has dropped back down into near-baseline levels at the moment.
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But when those new CMEs and the solar wind associated with them hits the atmosphere, things may change suddenly.
We'll soon see...
And an afterthought: AR3664 will soon be off around the Sun's edge, and invisible to us. It'll be interesting to see what happens to it after that.
The Sun takes 27 days to rotate, as a whole: the poles take longer, the equatorial regions a shorter time. In a couple of weeks or less, what will greet us, rotating around toward Earth's POV on that left-hand side? Will AR3664 have dissolved and vanished away, as sunspot groups so often do... or grown even bigger?
ETA 1, 12 May 2024, 1820 UT: Like a kitty coughing up hairball after cosmic hairball, AR has popped yet another X-class flare.
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ETA 2, May 13 2024, 0100 IDT / 0000 UT: New G3 storm warning dropped.
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paper-mario-wiki · 2 months
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Could you explain how Ambrosia is able to come back after dying?
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Sure yeah, I'll give it a shot.
[Fursona Lore/ Mild Existential Horror presented in charmingly primitive MS Paint style under the cut]
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[At the top of the panel there is the label "conceptual space (currently being created. The middle is labeled "THE UNIVERSE, REALITY (the other)". The bottom is labeled "CONSCIOUSNESS, REFLECTION (the self). The very bottom of the panel reads "OTHER, FREAKIER BUT LESS IMPORTANT STUFF" ]
To keep it brief, a person is when a certain amount of consciousness slips upwards into reality. Consciousness is, like the laws of thermo dynamics [sic], a fundamental property of the universe.
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I'm sure you've heard of the sticking-a-pencil-through-paper metaphor for theoretical wormhole travel, right? Staying within that visual metaphor, imagine the moisture in the air around that "piece of paper" as what consciousness is. It creates tiny, imperceivable changes in the surface and makeup of the paper. Imagine a microscopic rain cloud making a tiny fraction of the paper a little bit soggy. That's what you are in the universe. A tiny soggy fraction of a massive piece of paper. (That's why you feel so small btw).
Of course, putting it into that metaphor IS greatly simplifying it, since in real life things like time and space sorta overlap, ya know? Because they're entirely separate dimensions of measurement. Consciousness is the same, it is everywhere in the universe all at once, but only after it seeps in from a place that is exactly where we are, but elsewhere. 4D stuff is complicated sorry if that's not super clear ha ha.
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Normal people happen when a bunch of that stray potential-consciousness starts stacking more and more layers of reality on top of itself. Sort of like those pastries that you fold butter into and then fold it like 10 times and that makes it so theres like a billion layers of butter and dough and butter and dough and butter and dough and on and on and on. But with, uh. The other stuff. Consiousness and matter from the universe.
Speaking semantically, that's all the little tiny organisms that work really hard to make you alive. Like the biome in your gut, or the bacteria in your tissue and blood cells. Look it up, 43% of the human body is made of bacteria. Like, that's just on google.
Anyway, all their effort culminates in an increasingly complex meat shell that constitutes a person.
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For the sake of practicality, we can imagine the way consciousness "seeps in" to the universe is like heat coming off the sun. The two overlapping infinite planes radiate into each other like heat radiates off the sun.
That clear? Heat from the sun. Remember that, it's important for the next part.
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I'm sort of like a solar flare.
My consciousness, in its raw form, was so concentrated that it was like a tiny shooting star straight from the source.
Also kind of like a kidney stone, I guess.
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Since my consciousness (which, to be clear, is approximately the same "amount" of consciouessness as anyone else, just all smooshed together into a single clump) is smooshed together into a single clump, the shell forms naturally as "reality" settles onto it. The "shape" the consciousness takes is basically the same as your body or anyone else's since the framework of both entities are the "same" on the "outside". Thus the "shells" turn out "similar" too.
Sorry for all the quotation marks, it's hard to talk about concepts outside of the third dimension in third dimensional terms, and like. I also am not super sure about this stuff either. I'm only relaying what I've learned from the scientists but some of it goes over my head.
I like to think I'm clever but like. I'm not a genius.
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8
So here's the part where me and you are different: When your shell breaks apart (when you die) it's because the consciouessness had been escaping your shell, like air from a balloon, and the physical structure can't support itself anymore. Or, like, maybe you just fall over and hit your head on the concrete one day and pop the balloon all together.
Either way, the consciousness escapes from the pressure, and either goes back "down" where it came from, or goes upward into conceptual space, which is sorta being constituted through forces exerted in the physical universe. Well, I mean, really it's more of a product of a reaction between consciousness and physical space. Whatever I'm getting off topic.
The point is the shell breaks cuz the balloon pops. I think that was my point.
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9
Now that you get all that, you can probably deduce on your own how and why I'm able to keep "coming back".
It's cuz I'm not really "coming back", I'm still here! The shell representing me here was just lost.
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10
And while the facade may not look precisely the same every single time...
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11
I remain the same.
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finniestoncrane · 5 months
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Ain't So Bad
Cooper Howard x Fem!Reader, word count: 1.1k i want this man to do horrible things to me, i want him to tell me he'll make sure i'm ok when i know full well he's the most dangerous thing around, he's driving me INSANE anyway i'll have a softer thing for him soon!! 🤎 request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: dubcon/noncon, restraints, use of 'no' but reader is quick to do as told, restraints, slight threat, gun mention, hair pulling
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The sun had thankfully almost set, the long shadows cast by it a welcome relief, though it did mean that night was coming, along with the threats that were its constant companion. But you always assumed you were safe, travelling with your own companion. Especially when that companion was Cooper Howard. Charming, despite his foul attitude that put most people off. Handsome, at least to you, and much to the disappointment of the more ‘reserved’ folks you came across out in the wasteland. And you felt lucky, most of the time, to consider him yours. But you suspected that, while he kept the danger away, that there was a reason for that.
Even predators had something they were afraid of. There was always a greater evil.
And as the darkness fell, his silhouette lit only by the small fire in the corner of the roofless room, you began to realise that Cooper was a lot more dangerous than you had let yourself come to terms with.
“Cooper, wait… we’re not safe enough, I don’t…”
You trailed off, aware that your words were falling on deaf ears as Cooper dragged his dry lips across your cheek, grazing his teeth against the skin as you felt him pushing you backwards, your spine straightening against the crumbling wall behind you.
“It ain’t so bad out here… certainly won’t be when you see what I’ve got in store for you.”
“Please, Cooper… no, Coop, I can’t-”
Interrupted by your own sharp inhale, you held the breath as you watched Cooper’s eyes settled on yours, your hands above you head against the wall, his hands tight around your wrists, preventing you from holding him back any further.
“I’m here to keep you safe, darlin’. You’ll be fine.”
His words meant very little against what you knew was lurking out there, and your nerves pushed your protests out of your clamping throat.
“But Cooper, you know I get scared… I don’t want to do this, not here.”
“Well too bad, missy…”
He lifted your hands and slammed them back down again, watching as you winced at the dull pain.
“… it ain’t like there’s a nice place I can take a girl like you for something like this…”
Cooper’s grip loosened, one of his hands leaving yours as he fumbled with the belt on his pants. You could have easily pulled away, but you didn’t. You couldn’t be sure why, and you chose not to linger on that thought, luckily distracted from it as Cooper’s unbuckled belt clanged, his eyes back towards you.
“…Now, are you going to be a good girl and take it?”
The free hand now drifted to his hip, pushing back his long coat, his palm lazily resting on the holstered gun by his side before he continued speaking. Slowly, clearly, in a low, guttural tone.
“Or am I gonna have to be a bad man and take. It.”
His stare penetrated you, like he could see through your skull to the wall you were trapped against. Your chest seemed to stay completely still despite the deep breaths you took. When you tried to speak, your tongue stayed flat, your lips trembling, nothing but a squeak of air managing to pass between you.
“I asked you a question.”
All you offered was a stuttered mumble and a sheepish nod of your head, a smile offered to you by Cooper as he kicked your legs apart with his muddy boot. Two gloved fingers teased at the front of your pants, pulling them away from skin before sinking below the waistband and brushing against your thickened lips. Excitement, adrenaline, fear. All of it passed over you in a heartbeat, your heart fluttering as he removed his hands from you. Bringing the fingers to his lips, he bit down on the leather with his yellowed teeth, tearing off the glove and tossing it to the ground. His fingers were back down quickly, spreading apart your folds. His uncovered fingers delved inside of you, only briefly, before he withdrew that small modicum of pleasure from the otherwise intense and nerve-wracking situation.
As he separated himself from you, your back arched involuntarily away from the wall, your body betraying your protests as you ached for more of his touch.
“My, my… you sure were fussing a lot for someone who is clearly enjoying themselves…”
Bringing his two fingers up, he spread them apart, watching carefully as your slick stretched in long strands between them.
“Bend over.”
“Cooper, wait, please, I-”
Gripping your waist, Cooper knocked you off balance and let you fall to the floor, a cloud of dust rising up around you.
“I done enough waitin’, darlin’.”
As you struggled to get onto all fours, you felt yourself knocked once more, cheek slamming to the ground as your arms were pulled up behind your back. You could feel the rope tightening around your skin, your wrists bound together and stuck against your spine.
“Now listen, you just lie there…”
He leaned down, whispering into your ear, his hot breath tingling you, making the hairs rise on the back of your neck.
“… and try to keep quiet.”
Behind you, Cooper fell to his knees, pulling down his own pants before turning his attention to yours, uncovering just enough of you that he knew he could slip himself between your thighs and into your wet, warm cunt without leaving either of you too vulnerable to any surprise guests.
Once his other glove was off, you could feel his palm sliding up your back, cracked nails scratching at the nape of your neck before his fingers gripped your hair. Your back contorted as he lifted your face from the ground, positioning you perfectly for his curved cock, lubed with his own drool which he let drip down from his lips in a long, lewd strand, to slide inside of you with little mercy. He pounded into you once, setting the tone for the rest of the encounter you had to endure.
But he hadn’t lied.
“Just a little longer, darlin’, we’ll have you back on two legs… just hng gimme… ah… fuck, that’s it…”
His brutal pace, the way he was so desperately trying to get to the conclusion, the relief, the pain of the stretch, the heat in your own chest that made you moan in response to the way his cock pulsed within your walls.
But he was true to his word.
Because while one hand was tugging at the hair, fingernails scratching your scalp, his hips bucking into your body, knocking you forward and into the ground, his other hand clutched the shotgun, finger teasing the trigger, tempted to send shots into the air at his climax, but ready to defend you both against anyone, or anything, that threatened to interrupt him.
“See, darlin’… not so bad after all.”
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leiiilaaaa · 2 months
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beauty in astrology
hii, i wanted to go through some aspects and some general placements that i notice are huge indicators of beauty. this is speaking energy-wise, appearance, and other ways. of course, there is way more placements and dynamics to beauty indicators of astrology, however these ones i feel are most common and striking!
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venus in the 1st house/ libra&taurus risings - usually have a very magnetic factor about them, their beauty is oddly comforting, and you are naturally drawn to them. they tend to have a softer look and they might seem like they "have it all," usually with taurus risings. libra risings can often have very elongated features giving them the "model-esque," because libra's are harmonious and balancing, libra risings tend to have a very symmetrical face and charms to reel anyone in. in general, venus being in the 1st house creates a lot of appeal surrounding one's aesthetic.
neptune in the 1st house/ pisces risings - they have a beauty that many people say is far different than the rest, because of your neptune/pisces influence, people tend to fantasize about your looks- or want to look just like you. you have a dreamy profile and parts of you can even seem hypnotic, hard to resist. you tend to have soft skin and soft features and carry yourself sensitively to your environment. you make sure to always style yourself accordingly to the places you are going, and sometimes go over the top. you are visionaries in terms of fashion, arts, and the makeup world. many love this about you because you are experimental and usually pull it off very well. facially, you could also have very narrow cheeks and a pulled look, similar to the pisces fish embodiment.
honorable rising mentions; scorpio & capricorn.
scorpio risings - have this intensity to their looks and bold features making them stand out amongst other people. they do typically have darker hair and almost a "vampire" look to them. these people appear very daring and carry the "intimidating" beauty with them. their dark and offputting vibe attracts most people to them due to curiosity. usually, they don't always receive many compliments regarding their beauty because it is admired from afar. they tend to have very good eyebrows & hair and exude with an unmatchable confidence. people usually fall for them very fastly though and might even feel turned on by them more quickly than others.
capricorn risings - alike with scorpio risings, have an intimidating presence of beauty. people with this placement have prominent cheek bones, jawlines, teeth, and their body movements are super peculiar and unforgettable. just like the leo's, capricorns carry themselves on a pedestal than the rest of people in terms of how they approach others. not in an egotistical way, but more of a "i think therefore i am," type of sense. these people usually take most comments with a grain of salt as their sense of self is through the roof with their beauty. but nonetheless, they age like fine wine and as they get older they only look better.
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sun in 2nd/7th - when sun is in either of these, the native can almost always attract people or money towards them. sun in 2nd house finds abundance from their charms and might have people spoil them often or gift them things frequently. usually, the 2nd house sun exhibits an energy that appears sensual, which people are drawn to. the 7th house sun exhibits a friendly energy, which can be flirtatious in some ways. because of this, you usually have such a range of potential partners to choose from, and love is really in your hands as long as you are giving it. in terms of appearance, 2nd house suns have good posture, nice jaw to shoulder proportions, and very clean girl/boy aesthetic. 7th house suns have diplomatic demeanors when talking, strong cores & abdominal area, and also harmonious features.
venus in midheaven - alike with much of what i have said with venus in ascendant, venus in midheaven might be flustered with compliments a lot, and can commit to careers with modeling, influencing, etc, anything which displays your energy/beauty. in your career your most likely will have people telling you to go for something else because of your looks, or people being overly friendly to you, or even copy you depending on the public setting. you have a mimicable flow and create trends without thinking about it.
lilith in the 6th/1st/3rd - lilith in the 1st house exudes a femme fatale-like energy, most people really like them because they are so different meaning they push away from norms and dress exactly how they want wherever they want. they have a lot of free will which many people admire, they also have really captivating eyes. they embody lots of femininity and can also seem stern because of their "above all" attitudes. lilith in the 6th house usually have very notable body, typically people are infatuated by your essence, and you might be somebody who works out a lot, or is highly active, giving you a very eye-catching look. lilith in the 3rd house are also very magnetic and have a way with their words, people love hearing their voice and they have a way with their intelligence.
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aspects;
venus sextile/trine ascendant, venus sextile/trine sun, neptune trine/sextile sun/ascendant. lilith conjunct/trine venus/sun/ascendant/midheaven, moon conjunct venus, mars trine/sextile ascendant, chiron square sun/moon/mars/ascendant, moon square mars, uranus trine sun/ascendant, saturn square pluto, neptune oppose lilith/moon, saturn trine ascendant. + many more.
if u have your ascendant at the 2nd, 7th, 14th, 26th, or 19th, you also exude either that libra or taurus energy. you will have that glimpse of the attraction they are noted for. not only the ascendant, but if you have the sun or moon in any of those degrees.
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thank u for reading, of course there is more if you would like me to elaborate on any of these let me know below and i will get back to you, otherwise some of these are more opinion based and touch on the standard venusian influence and what that standardly means to natives! <3
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kasagia · 5 months
Text
Right Hand IV
Pairing: Na-Baron Feyd-Rautha Harkonnen x fem!exBeneGesserit! reader Summary: This is the first time you plan to do something completely behind Feyd's back. You must tread carefully with him to ensure that your plan is not exposed until it is fully implemented. However, you begin to have doubts about the role you want to play in Na-Baron Harkonnen's life… and you don't like it at all. Warning: 18+; violence; blood; Feyd Rautha; death; fight; brutality; smut; Feyd-Rautha Harkonnen's Masterlist ~•♤♤♤•~ Main Masterlist ~•♤♤♤•~ PART III ~•♤♤♤•~ PART V ~•♤♤♤•~
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You return from the harpies as the sun begins to rise over Arrakis. It took you a little longer than you thought to come to terms with them, but to your surprise, they turned out to be very cooperative.
The first stage of your plan has begun. The easiest one. Now you have to deal with the next part of it.
You reach your bedroom and close the door quietly. You lean against it and sigh, allowing yourself to rest for a moment. Thoughts race through your head as you reconsider your plan.
Killing the baron and making it look like a Fremen kidnapping and execution would be child's play. It will be much worse to convince the emperor to protect his bloodline in the face of sudden tragic events. And what's a better solution to that than marrying his daughter to the new, young Baron of Giedi Prime?
Feyd would be, by this marriage, a sure successor to the emperor. He would also probably leave you alone and take care of his new wife. If you were lucky, he would make you governor of Arrakis.
A sharp knock on the door interrupts your thoughts. You almost fall over, being able to take only a few steps forward before the door almost flies off its hinges under the force of whoever opens it.
You take a deep breath, ready to scream at anyone who dared to invade your private space like that, but you freeze when you see Feyd-Rautha at your doorstep. Very pissed off, Feyd-Rautha. 
"Where the hell were you?" He asks in a cool, controlled tone of voice. It is surprising considering he has the blood of probably hundreds of people on himself.
"Well, I guess I should be the one asking you about it. It's not every day that you're dripping with so much blood. What happened? Instead of entering the disinfection chamber, you fell into the prison drainage system?" You scoff at him and turn your back to him, taking off your black robe.
You gasp as he reaches your side in a few quick steps and turns you to face him, his hand tightening around your throat as he is looking at your eyes. Surprisingly, his hand doesn't cut off your air; he just keeps it wrapped around your throat, pressing his fingers against your pulse point. You wonder if this is a warning for you or if he's checking to see if you are real.
"Where. Have. You. Been?" He speaks hoarsely, not raising his voice at you but demanding an answer to his question, completely ignoring your mockery of him.
"With your harpies. Someone had to feed them. Ask them if you don't believe me." You answer confidently. If he's surprised or thinks you're lying, he doesn't show it. His eyes move from your face to your torso, more specifically to the place where you were bleeding profusely a few hours ago.
You shiver as he slides his hand down your throat, through the valley between your breasts, and down your stomach. He gently lifts the fabric of your nightgown and reveals the bandage on your side. He stares at it for a while in complete silence.
Suddenly, he takes a step towards you, pressing his body against yours. You feel the blood from his armour slowly seep into the fabric of your nightgown, but that's not what makes you suddenly hold your breath.
Feyd Rautha Harkonnen, Na-Baron, an heir to Giedi Prime and Arrakis, a psychopath, probably a future emperor, a man hungry for pain, suffering, and blood, rests his forehead against yours and holds you tightly to him, cuddling you. You are afraid to take even the smallest breath. You just stare stupidly at the man in front of you. His eyes close as he inhales your scent and basks in your warmth.
"What happened with you? You weren't with me when I woke up.” You whisper, keeping your gaze on him, examining every last inch of his face as you try to read the reason for his strange, soft behaviour.
"Did you want me to be there?" He asks in a whisper, still not opening his eyes. His closeness overwhelms you. His tender treatment makes you feel more vulnerable than when he held a dagger against your neck.
But what terrifies you more than that is that you really wanted to see him waiting by your bed for you to wake up—just like in those hopeless romances hidden in Giedi Prime's library. But you knew too well that your life would never be like one of these love stories. More like textbooks about the history of their family—a very bloody story full of intrigue.
"I didn't care one bit. What worries me is that you clearly had fun without me. Whose blood are you staining my clothes with?" He sighs at your question. He reluctantly pulls away from you and looks at you carefully. He places his hand on your bare shoulder and plays with your hair, twisting it around his finger.
"Fremen's. As soon as the medic assured me that you were in stable condition, I joined the units that started chasing them. We caught three sandworms and people on them." He reports to you dispassionately, with no emotion in his eyes. For a moment, you think he might be exhausted from the events of the day, but ever since you became his right hand, you never remember him showing any signs of tiredness.
"I see." You say, swallowing. Lately, his proximity has been giving you a strange feeling. It's been like this ever since he ordered you to kneel in front of him. You feel a faint blush rising to your cheeks as you remember that day. He hasn't touched you since then. Something you weren't extremely happy about.
"The Reverend Mother asked about you. The one from the Corrino." He says this and moves away from you. He slowly starts to remove his bloody armor. You look away from him as he removes his breastplate, revealing his muscular, pale chest.
His partial nudity almost makes you ignore what he said. And it annoys you that suddenly staring at his fit, well-built body seems more interesting to you than listening to the important message he's telling you. After all, that was what you were afraid of—that the Bene Gesserit would start looking at you more closely.
"What exactly did she want?" You ask, directing your gaze to your black nightrobe. As you suspected, the blood from his clothes soaked yours. You wrinkle your nose, realising you'll have to change.
"Take you away from me. I clearly explained to her that this was not an option and never would be. You're mine. They gave you to me themselves." You hold your breath as he's a few inches away from you again. Only a black loincloth around his hips covered his... intimate parts. He reaches for your cheek, tracing your cheekbones with his thumb. He pulls you towards him, pressing his body against yours again.
"Technically you took me yourself. And I never gave in to you." You remind him, watching him closely as he wraps his other arm around your waist, making sure you don't run away from him. Your heart beats faster as his fingers slip under your nightgown and trace the edges of the bandage wrapped around your waist.
"Irrelevant details." He growls, tangling his hand in your hair. He pulls you closer to him, making you rest your chin on his shoulder as he buries his face in your hair. "What happened? After you used the voice. Why were you bleeding..."
"That's irrelevant. It worked. Atreides got scared, and we bought ourselves more time before his next attempt... to make a move against us." You interrupt him before he asks a question.
The story of this particular wound and your... incredible skills was something you promised not to reveal to anyone. It was the darkest memory of your past, one that haunted you more than your memories of Arrakis. It was selfish of you to forget about the poor people you had to kill to survive, but you had worked with Harkonnens for too long to be even ashamed of it. Everyone had to look after themselves. Only monsters equal to them survived among them. Apparently, you were one of them.
He interrupts your thoughts, moving away from you. His eyes burn with a vivid, burning anger that sends shivers down your spine. You lift your chin, enduring the stern look that he wanted to intimidate you with. He scowls even more when he sees that you don't take much notice of his silent admonishment.
"You almost died."
"You're exaggerating this. I thought you of all people won't be afraid of the sight of a little blood." You respond dismissively, which only makes his mood worse. In a few steps, he walks over to you and pins you against the wall behind you. His chest rubs against yours with each deep breath. But you are calm. Unlike you, he doesn't have daggers attached to his body... unless he has them under his loincloth...
"I simply don't enjoy holding your almost lifeless body in my arms. I much prefer it when your heart beats strongly against your chest... like now." He whispers hoarsely, his nose brushing against your cheekbone. His lips are dangerously close to yours; if he leaned a little closer to you, he could brush the corner of your lips with his. You sigh shakily, closing your eyes as you are trying your best to deny this strange, sick desire for him that suddenly rose in you.
"Maybe you shouldn't hold me at all?"
Your question was met with silence and no response from him. And just when you think he's actually going to pull away from you, he grabs your hair, pulling your head back and exposing your throat to himself. You sigh as his full lips descend on your neck. He sucks on your skin, licking it before his black teeth sink into you. You gasp, reflexively placing your hand on the back of his head. You know you can't pull him away; all you can do is place your hand on the back of his neck and dig your nails into his skin as he leaves his marks on your soft neck.
You gasp when he suddenly grabs your hips and lifts you up. His hardness rubs against your clothed core as he grinds his hips into yours. You bite your lip, holding back a small moan as you feel him so close. He breathes shakily against your neck, staying there for a moment. Never in your life have you seen Feyd-Rautha Harkonne refrain from taking what he wants. That's why you're shocked when he suddenly lets go of you and walks away, turning his back on you.
"It was a very long day and I believe there is an even longer one ahead of us. So shut up, lie nicely on the bed and wait for me. I'll come over in a moment and you better fucking be there because this time I'm gonna tear down this planet looking for you, are we clear?" He asks, turning around to look at you. You nod, swallowing thickly, with your cheeks still a little blushed and your heart beating madly fast. "Good girl." He mutters and walks into the bathroom, closing the door behind him with a loud bang.
You stare at the closed door for a good while. Only when the sound of water reaches your ears do you manage to snap out of this strange state.
You place a hand on your neck, tracing with your fingertips the spot his greedy lips marked. You shudder as you hear his soft grunts from the bathroom, knowing full well what... impressive problem he's dealing with there. You blush and run to change before he comes out of the bathroom.
Your head lay on the pillow just as the bathroom door opened. You try not to stare at him as he towels off. He throws the towel on the chair next to the desk and turns off the lights in the room. You sigh shakily, listening to his quiet footsteps around the room. He locks the door with a loud click. A cold chill runs through you, and your heart beats faster as you hear him approaching the bed.
You stiffen as you feel him sit down on the bed next to you. You hear him hide something under the pillow, probably one of his daggers, before laying down next to you.
His arm slips under the covers and wraps around you, pulling you closer to his chest as he takes on the role of a big spoon. You're pressed against his naked body; only a piece of the duvet and the fabric of your nightgown separate you two. You feel your heart speed up rapidly as you feel his toned chest muscles against your back.
"Is something wrong, little witch?" He asks mockingly, as if he didn't realise how uncomfortable you felt when he fell asleep and cuddled up to you while being fully naked. Only this time you felt a completely different kind of discomfort...
"You'll be cold, Na-Baron." You say, trying to convince him to get dressed. However, Na-Baron has completely different plans. If possible, he moves even closer to you, his length brushing against your ass as he leans close to your ear.
"You can always warm me up." You snort at his suggestion and say nothing more. His lips brush against your earlobe as he presses a feathery kiss there.
His grip on you tightens, and he rests his head just behind yours, nuzzling his nose into your hair as he inhales your scent. You feel like his private stuffed animal, favourite blanket, or other cuddly toy. But you know he didn't have the privilege of having such a thing—a normal childhood with toys and so on. Just like you.
So you delude yourself that this is the reason why you put your hand on his—the one with which he hugs you—and lean more on his chest. You were doing it only in search of the rare feeling of comfort that you are both unaccustomed to and that you both silently long for, however, your rational explanation doesn't include the reason why you feel the warmth rising in your chest when you hear his soft snores before you fall asleep.
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It will be better this way. — You try to convince yourself as you watch Princess Irulan and Feyd dancing on the dance floor from the corner of the room. — You never wanted him. Sure, there were... some nice moments between you two, but that's all. It wasn't even a crush. Just a few irrelevant conversations and heated meetings—nothing that you haven't experienced before with someone else.
So why the hell did you want to pierce the heart of the emperor's daughter with your dagger?
A few days have passed since Atreides attacked. Harkonnen troops cleared the area and ensured that further celebrations of Na-Barone's birthday would proceed without further incident. Meanwhile, you watched as Irulan approached Feyd as well as how the Emperor and the Baron communicated about the possible marriage of these two. And although you were happy with this turn of events, it really bothered you to look at the blonde, who was obviously flirting with your Na-Baron.
You shouldn't care. Not at all. You should be happy that the burden imposed by the Bene Gesserit has been lifted from you and passed to someone else—that another woman has been assigned to carry their fucking powerful child. But you couldn't help the burning feeling of jealousy, anger, and regret when his eyes were on the emperor's daughter and not on you.
You shake your head at your stupidity and take the glass from a passing servant. You take a huge gulp and cough, unaccustomed to the burning sensation of the strong alcohol running down your throat. But you take another sip anyway. Fuck the patriarchy and the Bene Gesserit. You're not going to give birth to any Kwisatz Haderach, so you might as well ruin your liver with alcohol.
"I see you still don't absorb alcohol well, my sweet death. It's surprising, considering how many years you've been living among the Harkonnens." You freeze when you hear a familiar voice behind you. You put your glass down and turn around in shock.
"Fevas?" You ask, shocked to see a familiar man with dark hair standing in front of you. A smile forms on your face when you see his signature mischievous smirk and the twinkle of amusement in his night-dark eyes.
"The one and only. What's wrong with you? You look like you've seen a ghost." He says it, laughing, and walks over to you. He takes you into his arms without asking, trapping you in a tight embrace. You wrap your arms around him and let yourself breathe in his familiar scent for a moment.
"Aren't you one? You didn't come to haunt me for all the times I kicked your ass in front of your friends during training?" You ask with a cheeky smirk, moving away from him. He rolls his eyes at you dramatically and gives you a nudge in the side.
"No, but if I die first, know that it's the first thing I'll do as a ghost." You laugh, shaking your head. Looking at his wide smile, you realise that you haven't felt so carefree around someone in a long time. With the Harkonnens, you always had to keep your guard up, but with Fevas... it was natural to lower your barrier a bit.
"What are you doing here?"
"I'm responsible for protecting the emperor and his daughter. Since our fateful trip to Arrakis with you, Harkonnens, and the Atreides, things have been quite... boring. It's the only exciting trip I've been on since then. And a few days ago... you were amazing. I even saw the baron staring at you in pure horror. You don't know how long I will remember this picture. My people almost shit themselves with fear when you controlled us all."
"You too?" You ask with a mischievous, teasing smile, completely ignoring your surroundings.
"I admired… but I was worried about you. I went to the hospital wing, but those bald idiots wouldn't let me in. Na-Baron's order or some other shit."
"Yeah… he can be quite a pain in the ass." You nod, shifting your gaze to Feyd. He danced with Irulan. You try to ignore the pang in your heart, and without thinking much, you reach for two glasses, handing one to Fevas. The two of you make a quick toast, and you're relieved to feel the burning sensation of the alcohol masking the unexpected bitterness you feel.
"Well, since he's busy... will you allow me the immense honour of having my toes trampled by you?" You look briefly at the harpies, considering his proposition. It wouldn't hurt anyone if you will have a one dance with your old friend, right?
One of the harpies nods at you while the other two stare daggers at Irulan. And in that very moment, you decide that you will not allow yourself to become another of Na-Baron's harpies. You'd rather die than become the other jealous woman.
"I am better dancer than I used to be. You can get very surprised." You respond flirtatiously, offering him your hand. You giggle, rolling your eyes as he leans down and plants a kiss on it.
"Really? Impossible. The last time you danced with me, I had to go to a medic to heal my poor, trampled toes."
"And yet you still want to dance with me..." You reply teasingly as he leads you to the dance floor. He wraps his arms around your waist, pulling you a little too close to him for comfort. But neither of you care.
You think it's nice to feel seen and desired. It was certainly better to have a charming man like Fevas than to prop up the walls at a party. Sometimes being in the shadows bothered you. And even though Fevas was... too lively for you, right now you wanted to break out of your comfort zone for a moment. You knew he was perfect for this.
You didn't realise that the blue eyes of a certain Harkonnen were piercing your companion with a hateful look, which especially intensified when Fevas wrapped his arms tightly around your waist and leaned towards you to whisper in your ear.
"Guilty. But I haven't seen you in so long that it doesn't seem like such a crime, does it? We did... much braver things in the darkness of our tents, remember, my sweet death?"
"In a blur... maybe I need a reminder?" You reply in an equally suggestive tone, licking your lips. Fevas's eyes drop to your lips. He chuckles throatily, pulling you even closer to him.
"Oh, you look like you really need one. Maybe even more..."
"Exchange." A familiar, hoarse voice reaches you. Before you know it, arms wrap around your waist and pull you away from Fevas. You gasp as Feyd pushes you onto his chest, holding you tightly against him. But he's not looking at you. His gaze is fixed on the man you were dancing with a few seconds ago.
"Who is it?" He asks coldly, assessing Fevas with his eyes. You see him staring at him dispassionately, but you know from the way he tightens his grip on you that Feyd isn't even close to being calm.
"I... It does not matter…" You stop as soon as his eyes meet yours. You swallow, seeing the pure, unbridled rage.
You hiss as his grip on your waist becomes painfully tight. Feyd frowns and loosens his grip on you a little, remembering how a few days ago you were bleeding out onto the floor in this same room. And in his arms. He ordered his servants to destroy the armour he was wearing at the time. And your dress. It's a pity he couldn't erase the memory from his mind in the same way.
"I think you've forgotten who I am to you, little witch. Say it."
"I… you are the Na-Baron." He hums dissatisfyingly, shaking his head at your response.
"Try again."
"Future Baron of Giedi Prime." Your answer was again unsatisfactory to him. You shiver as you feel him press the dagger against your chest, the tip of the blade playing with the strings holding the corseted bodice of your dress together. If he used a little bit of the dress, it would expose your breasts to his view.
"Don't play stupid, or I will punish you in front of everyone. And I wish that dirty, walking pile of muscles that had his hands on you didn't see me slapping your beautiful, little ass red. In fact, I'd rather be the only one enjoying this view, so be my good girl and tell me whose remains I'll throw to my harpies tonight?"
You hold your breath at his words. Feyd couldn't visit his harpies tonight. Not when they were supposed to be busy... getting rid of the baron's corpse. You think quickly, trying to find the best way out of the situation without condemning Fevas to a certain death. Feyd's intense, urgent gaze makes you blurt out words in an act of pure panic and thoughtlessness that you have probably never said to him before.
"No."
Your words are followed by silence from him. The chatter of the guests around you and the music make his reaction a little less terrifying, but you know him too well to think he'll take your refusal to follow his orders in stride.
"What?" He asks hoarsely, staring at you in shock.
"Nobody. He... he is nobody Leave him alone. He didn't do anything." You try to quickly correct your mistake, but one look into his eyes, and you know how screwed up you are. You gasp as he pulls you to a more secluded spot, shielding the two of you from any potential onlookers.
"Since when are you the one to judge what other people deserve and what they don't? Since when do you decide for me? Since when do you oppose me? Is this your lover? Did he have you? Tell me kindly, or I'll throw you on this floor and fuck you in front of everyone until you tell me." You're trembling, not because you're afraid he'll follow through on his words, but because you WANT him to claim you in front of everyone. In front of Irulan...
"What will your princess think of you?" You ask defiantly, raising your eyebrows. His nostrils flare as he sighs. He closes his eyes and tightens his grip on your waist and his dagger. You wait patiently for his reaction, ready for anything, even for him to stab you, piercing your stupid, rapidly beating heart.
"I don't fucking care. You're mine. Should I mark you? Carve my name on your chest? Maybe it would be better if I put my heir inside you? Then no one would have any doubts about who you belong to."
"Feyd..." His name leaves your mouth faster than you think. His heart beats faster when he hears you using his name instead of his title. The madness in his eyes slowly gives way to something else. A feeling you don't recognise. "Please. Leave him."
"Who is it?"
"Old friend. Nobody important." You assure him, desperately trying to convince him that it really wasn't someone he had to worry about.
"You slept with him?" The question catches you off guard. You blush slightly, knowing full well that you can't lie to him right now. You curse alcohol for reducing your ability to come up with lies and fake stories on command.
"I... It does not matter."
He growls, staring at you intensely, as he don't want to let go of the topic. You know that the moment you give him his name, your friend will die a tragic death. It bothers you, but you're much more worried about Feyd foiling your plan by going to his harpies tonight. You thought Irulan would distract him... enough for you to finish your job. As you can see, you had to take care of Na-Baron completely by yourself tonight.
So the moment Feyd turns to find the man you were dancing with in the crowd, you grab his hand and pull him back to you. Before he says a word, you lean forward to whisper suggestively in his ear:
"He can't compare to you." You brush your nose against his cheekbone. You smile teasingly as you hear him catch his breath at your sudden, unexpected closeness.
"No?" He asks, turning his head towards you. Your noses brush against each other, and his mouth is mere inches away from yours. You lick your lips unconsciously, completely by accident. However, this does not go unnoticed by him. His pupils dilate slightly, and his breathing quickens as he waits for your response.
"No." You whisper without looking into his eyes, too scared of what you might find there. He doesn't like that you're avoiding his gaze, so he wraps his hand around your throat, forcing you to look at him as he leans over you.
"Were you planning to run away with him? Fuck in one of those hallways?" He growls furiously, trying to intimidate you and overwhelm you with his closeness.
You swallow, carefully looking at him. Your hand wanders over his armour, moving to his neck and gently wrapping around it. You pull him closer to you, so you both can feel the others breath on your lips. You stroke the skin of his neck with the pad of your thumb, still holding it in your grip.
"I just... wanted your attention." You whisper, looking into his eyes. You feel the muscles in his throat tighten as he swallows, his pupils dilating to the point that you can see only them as he stares at you, completely surprised by your behaviour towards him.
To say Feyd is shocked is an understatement. He's dazed and confused to the point that all he can do is stand in front of you and let you do whatever you want with him. He should be used to you constantly surprising him, but even in his wildest fantasies, he didn't expect that you would be so eager to press your body against his to tease him in the same way he teased you. Feyd is not stupid. He knows your actions have a purpose—an ulterior motive that he honestly didn't care about as long as you had your hands and mouth on him.
"So what will you do now? Once you have it?" He asks, licking his lips as you look up at him through your eyelashes. His heart skips a beat when he sees your gaze linger on his plump lips for a moment. You both take deeper, shorter breaths, slowly closing the distance left between you.
"Come with me and see for yourself, Na-Baron." You whisper against his lips. Feyd growls at how cruelly you are teasing him. He had never wanted to pin someone against a wall and kiss them hard and deep as much as he wanted to do it with you now.
"You didn't answer the question. Who am I for you?" He asks, moving his hand from your neck to the hair at the nape of your neck. He pulls your head back and starts placing kisses on your jaw.
You tighten your grip around his neck and press him against the wall. Feyd blinks at you in surprise, but before he can say anything, you place a finger on his full lips and shush him. He trembles as you trace the bone of his jaw with your tongue, biting into it.
"My lord. My Na-Baron... my master." You whisper against his pale skin, effectively stripping Feyd of any little inhibitions or patience he had left for you.
You moan as his lips crash against yours. Your nails dig into his neck as he grabs the sides of your chest and pulls you onto the balcony. The metal door closes behind you with a loud bang. You gasp as you feel the cool, rough metal against the bare skin of your exposed back. This feeling quickly disappears under the sensations you feel thanks to the lips and tongue of your Na-Baron, who took advantage of your moment of surprise and sneaked into your mouth, exploring it eagerly.
You wrap your tongue around his, fighting him for dominance, moaning as he presses his body against yours. His hands deftly untie the strings of your dress at the back, loosening your corset. He pulls the fabric aside, moving his lips from yours to your neck, collarbones, and breasts. You groan, leaning your head against the door and digging your nails into the back of his head.
"Your princess is probably waiting for you." You mumble, closing your eyes as his tongue curls around your nipple. He sucks on it, biting it every now and then, making you squeal loudly as he cups his hand around your other breast and massages it, teasing your other nipple at the same time.
You're completely fucked under his touch—well, not so much that you don't remember how much fun the bastard was having with the princess just a few moments ago. You scream as he suddenly slaps your breast in a punishment.
"I only have one princess I want to please. And it's definitely not Lady Corrino." He says this before pressing his lips against yours. You moan as his hands tangle in your hair, and he tilts your head to give him better access to your mouth. You kiss him back with an equally burning passion, feeling the fire of desire ignite inside you with each of his touches.
"Lady? Since when have you been a gentleman?" You ask mockingly as he moves his mouth to your neck, nipping at it and littering it with hickeys.
“Would you prefer it if I called her a whore? Maybe I should really claim you right in front of her... Would that calm down your beautiful, burning jealousy, my little witch?” You growl at him, moving your hand to his hardening length and squeezing him painfully. He groans against your neck and bites into you in retaliation, making you let out a hollow scream.
"I'm not jealous. I can always go to Fevas for pleasure if you're too fascinated by the princess to notice anything else." You huff, not wanting to give him any satisfaction by letting him know that his closeness to Irulan bothers you. But why do you feel envy while watching them two together? That was your plan. He was supposed to finally leave you alone. So why is it that when the opportunity presents itself for him to become interested in someone else, you desperately cling to him and pull him towards you?
"Hm... so this is your mysterious man? Fevas..." You tense up when you hear him repeat your friend's name. You cup his cheeks in your hands, forcing him to look at you.
"Don't kill him." You ask him, knowing full well that he will refuse. But despite everything, you cling to this stupid hope, not knowing why you care so much about keeping Fevas alive.
"Why?"
"Because I ask you. Please." For the first time, you look at him desperately, knowing full well that all you can do is beg him to change his mind. Because if Feyd Rautha Harkonnen decides that someone is going to die, then even the Grim Reaper won't be able to save the poor man from him.
"Do you love him?" You know the answer to his question perfectly. However, it scares you too much to say out loud what you think and to admit to him and to yourself what you have been running away from for so many years. Apparently ineffective, since your first response was supposed to be:
No. I love you. And it's ruining my life.
Fortunately, or unfortunately, you weren't stupid or brave enough to say it to his face.
"I am a Bene Gesserit. I don't love anyone." You answer coldly and without emotion. He stares at you for a moment before pushing you away from him. He no longer looks you in the eyes, though his eyes are still glued to your half-naked form. He stays in silent reverie for a moment, then breaks it with a bitter, hoarse laugh, shaking his head.
"And I am a Harkonnen. We don't obey anyone." He growls impassively and pushes you away to get to the door. He returns to the party, closing the metal door behind him with a loud bang.
You shiver as you are left completely alone on the balcony. You try to swallow your humiliation and hurt pride and tie your dress to gain back some of your dignity. Once you've improved your appearance enough to show yourself to other people, you decide to leave to join Feyd's harpies in the dungeons. Along the way, you try to ignore how Feyd flirts recklessly with Princess Irulan.
It will be better this way.
You repeat it to yourself like a new mantra or slogan. Or at least that's how you try to drown out the cries of your wounded heart, which desperately begs your mind for a little mercy.
But if you learned anything from Feyd Rautha, it was that mercy was an overrated thing.
And if you've learned anything today... it was that you have truly become Feyd Rautha's fourth harpy.
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If it wasn't a sign of weakness, you would have covered your nose to avoid inhaling the disgusting smell that lingered in the dungeons. You might have expected that the harpies would show no mercy to the baron. You weren't here to save him yourself. Just the opposite...
"The little witch looks angry…"
"The little witch was right, we are having a lot of fun."
"Does the little witch want to join?"
You give them a sadistic, proud smirk when you see the baron's condition. You shake your head and address them as sweetly as you can.
"Maybe in a moment. I don't want to take away all the fun from you. Can you leave us alone for a short while?" The women nod at you and slowly leave the room, keeping a close eye on the barely surviving baron. You wrinkle your nose as the door closes behind them. You take a few steps towards Harkonnen and stop right in front of the large pool of blood that has formed from all the wounds inflicted on him.
"So it's you… I thought my nephew was responsible for this. Ironic… get rid of me with one of my gifts to him."
"I think we both can agree that Feyd would be more than capable of it. After everything you did to him… I'm surprised he didn't try this ages ago." You reply indifferently, taking great satisfaction in seeing him like this—on the verge of death.
"You don't know our ways, witch. You may have studied and lived with us for years, observing from the shadows, but you know nothing about the Harkonnens." You tense up, offended, and angry at his words, but you do your best not to let it show. You came here to enjoy the death of the most disgusting man you have ever met. You won't let him spoil this solemn moment.
"Possible. But I know enough to convince the court and the great houses, and even the emperor himself, that the Fremen are behind your sudden, unfortunate death. Besides... I doubt anyone would cry over you."
"The same goes for you, witch. My nephew did well to make you his right hand. I'm sure he'll get rid of you as quickly and suddenly as he took you in. Harkonnens don't take wives. We have no equals. Whatever you think, you are living in pathetic delusion. You'll end up just like me. Or the boy will hand you over to these old women when he gets bored of you." A cold shiver runs down your spine at his words.
You had considered such a scenario several times, but the Baron and your interaction with Feyd today made you realise that you had to consider this turn of events to be... the most likely to happen. You guess you have to prepare for suddenly leaving Giedi Prime... and Feyd's side. Your heart clenches painfully just thinking about it.
"That's very possible. But at least I survived you." You answer and take out the dagger that you managed to steal from Fevas. You take aim and, with a small smirk, throw it, hitting the baron's throat. You were too disgusted to lay even a finger on him, in order to hurt him. You turn away and leave the room without giving him a second glance, knowing full well that Feyd's harpies will take the revange for anything he did to his nephew better than you. "Ladies! You can finish now." You announce this to the harpies as you leave the cell.
They scream excitedly and almost rush back towards the baron. You walk forward, but a sudden pull on your hands stops you. You raise a questioning eyebrow at the oldest concubine.
"The little witch shouldn't listen to this old man. The master likes the little witch very much. He threatened to kill us if we did anything to her." You frown at her sudden confession, but you don't question why she's doing it. You decide to brush it off.
"I think we both know that he... likes to break his favourite toys only by himself."
"But not a little witch. When the little witch was bleeding, the master became furious. The master almost killed his uncle when he ordered him to kill the little witch. The master watched over the little witch until the doctors said that the little witch would survive. And he told us to guard her door while he went away to kill the people who hurt her."
"I… I really appreciate you telling me this. Join your sisters. I'm sure you don't want to miss the feast."
"Little witch." She calls after you. You turn to look at her. "We can share the master with the little witch, but not with the princess." A smile creeps onto your face. Hearing that from her is the best compliment she can give.
"I'm afraid neither of us has any say in the matter."
"The little witch is smart. The little witch is too smart to think like that. The little witch has to know that the master is crazy about her from the begining." You blush at her words, your stupid heart speeds up, and your too vivid imagination presents you with various scenarios of what could have happened if Feyd... had claimed you at the very beginning. But you couldn't turn back time. You didn't want to.
"Desire makes us weak."
"Maybe. But it is also very pleasant." You smile and nod. She responds in kind and disappears behind the cell door. After the baron's scream, which is muffled by the door, you come to the conclusion that he is clearly saying goodbye to this world. Just as he should. Alone. At the hands of women whom he mentally destroyed to make them good pets, whose task was to arouse his nephew's cruelty and bloodlust.
While walking through the corridors, you come across one of the servants. He tells you that the Na-Baron requests your presence in his chambers. You frown, convinced that the last thing Feys wants to do today is to have you close to him, but you head towards the familiar rooms.
After a very short walk, you reach his chambers and open the door. You stand frozen in his doorway at the sight that greets you.
Fevas is chained. His hands are chained to the ceiling as he is hanging above the floor. His chest is cut multiple times, and his blood drips onto the white fabric placed beneath him. You tense up as Feyd's hands are on your shoulders, holding you firmly in place as you stare at the unconscious, bloody man who is either dead or within a whisker of death.
"What the hell is this?" You growl angrily, trying to turn to look at him. Feyd, however, holds your waist tightly and grips your jaw, making sure you keep your eyes on Fevas.
"I thought you'd appreciate seeing your secret lover after I brutally separated you. Where have you been? Looking for him? Maybe you were supposed to run away together, but he didn't come?"
"I leave you alone for a few minutes, and you start creating absurd stories and tormenting a poor, innocent man?" You mock him. His grip on your waist tightens as he gets more furious with every passing second.
"A man who had the privilege of enjoying what was not his." He corrects you, growling hoarsely into your ear.
"I'm not yours either. Will you kill Irulan's former lovers too?" You ask sarcastically, struggling against his grip. He growls in your ear, shaking you gently but keeping his grip on you firmly.
"I don't care about that royal bitch."
"You should. After all, she is your future wife. The mother of your heirs..." He doesn't let you finish. He tightens his grip on your throat, preventing you from speaking, and pushes you against the wall, pressing your body against his. You shudder as you see him gasp in rage, glaring daggers at you.
You tremble as you feel his fingers spread Frevas' blood on your neck. He breathes heavily, tightening his grip. He leans forward and presses a bruising, aggressive kiss on your lips. You know this is supposed to be a punishment for you, but you can't help but moan and clutch his arms as he kisses you so intensely, pulling all the oxygen out of your lungs.
You gasp, noticing a strange ache in your neck as his lips continue to caress yours, but you choose to ignore it. For a moment, you forget about anything other than him. Even the metallic smell of blood lingering in the room fades away with the feeling of his lips on you.
His other hand moves under your skirt, his fingertips gently caressing your thigh, avoiding the dagger attached there as his hand slowly climbs up your leg. You moan into his mouth as his fingers tease your pussy through the fabric of your wet underwear.
He breaks the kiss, kissing the line of your jaw. You breathe heavily, whimpering softly as he continues to work on your clit, peppering your face with kisses at the same time. You dig your fingers into his arms, desperately holding onto him as you grind against him, chasing the release he's denied you for days.
His fingers wander under your underwear, making you moan louder. Your forehead leans onto his shoulder as you gasp as he ruthlessly pushes his three thick fingers into you.
"My little witch is so quiet and obedient when full of fingers. I'm sure if I impaled you on my cock, if you had kept it deep inside you day and night, you wouldn't even dare to think about letting someone else take your place, right? Maybe that's what I should do? Maybe I need to breed you and fill your lower lips so that the other ones will shut up and stop talking nonsense?"
"Feyd..." A needy moan of his name escapes from you before you can bite your lip. All you can do is hold on to him for dear life, wrapping your legs around his waist as he keeps you pinned to the wall and on his toes.
"You make such beautiful sounds... it's a pity you've been acting like a brat lately instead of like my good girl. You understand that, in this situation, I cannot reward you." He mocks you, pulling away from you moments before you reach your peak.
You growl at him angrily and reach out to finish what he didn't want, but he grabs your wrists and pins them to the wall, grinding his crotch against yours, teasing your desperate, abused pussy even more. You scream, trying to fight him. He effectively silences you, kissing you hard, chastisingly, and biting your lower lip until it bleeds. You are at his complete mercy. And dear Lord, you would let him do anything if that meant that he would let you cum.
He presses his body against yours and holds your face in his hands, forcing you to look at him. He leans down and licks the tears of frustration from your cheeks, sloppily licking your face at his discretion.
"Can you think for a moment or have I finally made you think with just your needy pussy? Is this what you want? For me to take another woman? For me to treat her the way I treat you? For me to leave you on this damn desert? Because I can, Y/N. I can fuck the other women, become emperor the easy way, and give you damn Arrakis, but you have to look me in the eyes and tell me that's what you really want."
You stare at him in shock as he continues to hold you close to him. This is what you wanted—exactly that scenario and turn of events. You could have been finally free—free from all of Bene Gesserit's prophecies and plans.
"I... You would let me stay here? Would you let me be the governor of Arrakis? You would marry Irulan?" You ask, disbelieving that he would ever let you go from his grasp, convinced that he would rather kill you than let you leave his side.
"If that's what you want."
"It... it is..." You say this, feeling a lump growing in your throat. Your heart beats insanely fast as you desperately try to convince everyone—you, him, and your stupid heart, which is begging you to change your mind—that this is exactly what you want.
But you had definitely come too far to slip into his arms at the end and become his wife, concubine, or whatever he wanted you to be, just because you were horny for him. Desire makes us weak. But was it just lust that connected you with him?
"No. Not like that. Look at me and tell me exactly what you want me to do, my little witch." He orders, looking at you defiantly. This is a very small payment for what he offers you. Your dream future is within your reach; all you need to do is say these few words.
"I... I want you to... to marry... I..." The lump in your throat grows. You can't say anything as you look into his icy blue eyes, which pick up on your uncertainty. But she's not the only one thing holding you back.
You physically can't speak. You can't lie to him and say you want him to marry another woman and forget about you, to leave you alone on Arrakis—a place that should have swallowed you up years ago. You just can't. Your eyes widen as you realise what he's done to you.
"You son of a bitch… Which Bene Gesserit witch gave you the truth serum?!" You ask, furious, realising what he injected into your neck during your little hot session.
"This is of little importance. I was going to use it on you and ask you about your secret lover, but he himself told me a bit about your past. With a bit of pressure from my side, of course. Now, before this miracle product stops working, look me in the eye and tell me you don't want me. I dare you. Reject me like you did countless times before, my little witch. And I will gladly leave you alone."
The smirk on his face grows with every second of your silence. Your blood boils, and you feel immense rage, pursing your lips as you glare at him with hate. What's more, the bastard has the nerve to laugh at you.
"That's exactly what I fucking thought." He growls and kisses you. His lips caress yours, tasting you as if you were the only thing that could quench his thirst. He holds you tightly as if you were the most precious thing in his possession that he is afraid to let go of, even for a moment, for fear of someone stealing you from him.
You place your hands on his shoulders and pull him closer to you, letting your lust for him take over all of your senses. There was no turning back. Not after he found out that you are not indifferent to him at all and that the future with him does not seem as scary and terrible to you as it was at the beginning.
"You had no right to treat him like that." You say this as he manoeuvres you around the room and past where Fevas is still hanging from the ceiling. He pushes you deeper into his chambers and closes his bedroom door behind you.
"As if you wouldn't do the same to the emperor's daughter, if you could…" He responds sarcastically, stripping off his armour and not wasting a moment, as if he were afraid you would change your mind and start fighting him again.
"Shut up." You use the voice on him with a cocky smirk. He lifts his head, staring at you in surprise. You step back, sitting on the bed, keeping your gaze on him the entire time. "On your knees." You order in a low, suggestive tone of voice, not hiding your smirk as he is forced to obey your command right away. "Come to me." You command him, your eyes glistening dangerously as you notice his length twitch beneath his loincloth. "Good boy." You say teasingly, stroking his head as he kneels between your legs.
"Are you aware of what kind of dangerous game you are playing right now, my little witch?"
"If I were still a full-fledged Bene Gesserit, I would probably put you to the gom-jabbar test of humanity right now. You put your hand in the box, and you feel unimaginable pain until you prove that your awareness is stronger than your instincts. I'm sure Irulan or another Bene Gesserit was assigned to do this to you. I barely managed to stop one of them from giving you... a drug that would make it easier for her to convince you to extend your bloodline through her womb. Back to the topic... we both know how this test would end for you, right? How quickly would you get horny? How quickly would you tremble for release? How quickly would you show me that you love it when I hurt you, my Na-Baron?"
"Don't torment me, witch. You've been doing this for too long." He growls, moving his hands to your legs and pushing the fabric of your dress higher as he exposes your legs to him.
"You're right… why put your hand in a box when it can be useful elsewhere? Undress me." He laughs hoarsely, having no choice but to obey your command.
"You don't have to use the voice on me to make me follow this kind of orders."
"I thought the Harkonnens did not obey anyone?" You ask defiantly, raising an eyebrow at him as he licks his lips, carefully examining every inch of your (finally) exposed skin.
"I thought the Bene Gesserit didn't love anyone?"
You did not answer. You lean down, cupping his cheeks in your hands, and kiss him passionately, finally allowing yourself to express all the feelings and desires you had been hiding deep inside for so long.
"I need to feel you." He growls, pushing you onto your back. He climbs up you, placing kisses all over your body until he's hovering just above your face. He stares at you for a moment, spreads out beneath him, ready to finally take him in, and decides that his fantasies are a poor comparison to the real thing.
You both moan, resting your foreheads against each other as his pre-cum, leaking hard length, rubs against your wet entrance. You wrap your legs around his hips. You run your hand down his spine, sinking your nails into his neck as he abuses yours, kissing, nipping, and marking it as his property.
And when he is finally about to unite you and get rid of the tension between you for good, someone knocks on his door. He groans in protest and leans in to kiss you to shush you when you let out an uncontrollable laugh at his reaction to the sudden interruption.
"You should go." You say as you manage to place your hand on his chest and gently push him away from you. "This could be something important."
"Woman… how much patience I spent on you…" He growls, pressing his forehead against your temple. The knocking on the door is more insistent. His brother calls out to him furiously, and you can't help but smile as you watch his internal struggle.
Seeing your amusement, he spanks your pussy. You scream, trying to block out the sound against his shoulder so that only Feyd can hear it and not his brother, who is banging on the door. He chuckles, burying his nose in your hair and inhaling your scent.
"Stay here. Don't move an inch. I will be right back. If I don't find you in this bed naked and ready for me, I will beat that ass of yours red. You won't be able to leave these chambers for a month." He gives you a threatening warning. You roll your eyes and pull him into a kiss, teasing him and pulling away from him in a moment when he wanted to deepen it.
"I'll be waiting." You promise, out of breath after the kiss. "On the way, tell your servants to take Fevas to the infirmary."
"Next time I will kill him without hesitation. Or any other lover of yours."He promises as he puts on his clothes. You crawl to the edge of the bed and help him put his armour on faster.
"I am very aware of this, my Na-Baron." You reply snidely, still kneeling on the bed and dressing him. He rolls his eyes at you and smirks mischievously as he reaches up to pinch your nipples. You squeal, punching his shoulder. He laughs and cups your cheeks, pulling you in for one last kiss.
"I'll be back in a minute." He promises and leaves, making sure to close the door behind him quickly enough so that no one has a chance to look inside and see you naked in his bed. After all, this was a view reserved only for him.
You fall onto the bed, giggling stupidly like a teenager, as you wonder what his reaction will be to having the opportunity to fuck you as the Baron of Giedi Prime.
A cold chill runs through you as you hear footsteps in the main room. You downplay it, thinking that it was the servants who came to clean up the mess Feyd made, but too much silence starts to make you suspicious. You stand up and put on some clothes before reaching for the knife attached to your thigh.
You open the door and slowly leave the room. Fevas was gone, but something was still bothering you, giving you a strange feeling of being observed. You could feel someone's presence on your back.
You avoid a sudden attack from behind and quickly cut your attacker's throat. Before you can turn around, you receive a powerful kick in the back. You stumble and fall forward, but quickly get back up, taking in your surroundings. Three women dressed entirely in black slowly surround you, each of them armed to the teeth. You tense up, ready to use the voice, but just as you're about to, you're grabbed from behind.
You only manage to stab your attacker before a cloth is placed against your nose. You struggle, trying to fight the women as hard as you can before the sedative takes effect. After a few moments, however, darkness enveloped you. But before you lose consciousness completely, you notice the familiar Bene Gesserit symbol tattooed on the women's wrists.
What catches your eye most before you hit the floor is the familiar skirt of Princess Irulan's dress.
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To be continued...
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woodenanemone · 8 months
Text
"you’re so precious to me.”
you look up at choso, who in turn was looking back at you. you didn’t realize he had been staring at you, quite invested in the meal he had just prepared for you two. looking down at his plate, you notice that it was untouched. shifting your gaze back to him, you had to physically flinch at the pure, unadulterated adoration in his tired gaze. looking back down bashfully, you pushed your food around on your plate, unable to help the smile that bloomed on your face.
before you could react, choso had reached over the small table, soft hand wiping at your cheek faintly. you look over to see him withdrawing, a tender look in his eyes. “did I have some food on my cheek?” you questioned, wiping the other side of your face, observing your hand for any crumbs.
“no.”
you look back at him in slight surprise. “oh.” was all you could lamely say. it was hard having such an affectionate boyfriend at times; he was constantly outperforming you in terms of love. you know a relationship was supposed to be anything but a competition, but he couldn’t even speak straight. its literal pure poetry falling from the mans mouth. how could you measure up to that?
“i love you, you know.”
you look down at your plate intensely as you say this, unable to look him in the eyes. even his mere eye contact felt deeper than your simple words of, “i love you”. you see him rise from his seat out of your peripheral, but you still stubbornly stared down at your warm plate of food, which you’re sure he poured some of his literal soul and spirit into (even food outdid you…). feeling a warm hand guide your face, you look up to see that familiar soft gaze on you once again, filling you with the type of warmth only felt by a million suns.
he cupped both of your cheeks, bending down to look at you closer. you didn’t even have to say anything, his eyes already telling you that your love is enough. more than he needed, than he deserved. leaning forward, his warm lips placed themselves between your brows, longer than he needed to. he pulled back, only by a hair, to whisper his professions.
“i want to say you have my heart, but you are my heart.” he kisses your face once more, a little further down from the last kiss.
“there’s nothing and nobody else that I need.” another kiss, further down again.
“i surrender my everything to you.” another kiss, landing on your cheek.
“do you know how long I’ve prayed, begged, for your lips?” your other cheek.
“you own me. you, and you alone. you own me.”
you at first thought choso to be a quiet man, shy even. a person unskilled with his words. and yet… you’ve never seen anyone more assured, confident, and certain than him when he spoke to you like this. to know that the one thing this man was undisputable about was his adoration for you… well, it spoke to your soul in a way no store bought flowers ever could.
he punctuates the absolutely devastating confession with one last glance to your lips. you notice his eyebrows are furrowed, his voice strained. you swear these confessions hurt him somehow.
he plants his lips on yours with a sweet inhale, slowly breaking away just to reconnect his mouth to your own, over and over. the kiss was languid, syrupy, and filled to the brim with adoration. he pulled away slowly, his nose still brushing against yours.
"i love you.”
yeah. he was better at this than you.
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i need to stop and go study omg
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