#the story here seems to take place before the end of the liyue storyline

[hydrachea]

Don't know if you know this, but way back in 1.1 there was this web event with both Childe and Zhongli where you essentially hang out with them in Liyue harbor. The event dialogue is up on the wiki if you wanna check it out. I just think it's neat

I'd heard of it but never took the time to read the story, I see I'd been missing out. That was such a wholesome little event, it had so much heart! I hope something else like it comes back eventually, I really like this sort of stuff.

[welshoot]

Genshin Impact Timeline: Analysis and Theory (Part 2: Mythic period)

[Ancient History]  [Mythic Period] [Archon War-Mondstadt] [Archon War-Liyue & Inazuma] [Archon War-Sumeru & Fontaine]

This is the second part of my theoretical timeline for Genshin Impact Lore. I put the rest under-the-cut because it gets rather lengthy. I didn’t exactly know where this section falls, so I just put it here on its own since the so-called ‘Ancient Calamity most certainly happened quite some time ago, it is worth mentioning that this may have all occurred before the Second One Who Came since the only dating used for this period is Rex Lapis/Morax. There are definite spoilers below for pretty much all of the Genshin Impact storyline  and this is a VERY long post so please beware!

The Moon Sisters (named Aria, Sonnet, and Canon, respectively) are odd entities that may or may not be mythical and are mentioned in several in-game book collections and alluded to in many other sources from Mondstadt, Liyue, and Sumeru, respectively [Book: Heart’s Desire: Sapphire Volume 3]. Assuming they are real though, as has been implied a few times, then they were once some of the oldest beings in Teyvat alongside the Seelie, with the Seelie supposedly having been an ancient race that may have been part of the single, unified nation that spanned all of Teyvat {Artifact: Flower of Paradise Lost - Amethyst Crown]. Interestingly, the Moon Sisters are stated as being specifically older than Morax, but their deaths seem to have coincided with when he was young, though it is worth noting here that it's implied that two died and the third locked herself up in her palace [Book: Moonlit Bamboo Forest Volume 3, Artifact: Vermillion Hereafter - Solar Relic, Weapon: Moonpiercer]. The Moon sisters are described as rulers of the night sky who rode through the heavens in a silver carriage, taking turns regarding which one of them was the actual ruler of the night sky. These sisters were apparently in love with the morning stars, and that love was equal to the love the sisters held for each other. At some point these sisters were witnesses to a marriage between a Seelie ancestor and an outlander (also described as a traveler from afar who could possibly be the Second One Who Came) that took place at the Lunar Palace [Book: Records of Jueyun Volume 4, Nahida 2nd Story Quest]. Thirty days after this, ‘The Ancient Calamity’ that overturned the heavens and earth happened. The lovers (Seelie and outlander) attempted to flee, but the calamity caught up to them. As punishment, the two were separated for eternity and their memories wiped. The Seelie, as a group, were heartbroken, withered away and shed pieces of themselves, creating the Seelie we see in game [Book: Records of Jueyun Volume 4]. The Aranara's claim that the Seelie were cursed at birth to lose their form should they ever fall in love with a human, might refer to this [World Quest: Aranayaka]. The Ancient Calamity also overturned the sisters' carriage and ransacked ‘the palace of the stars’ with the sisters turning on each other, and some sources state that it ended in all three, or just two, dying [Artifact: Vermillion Hereafter - Solar Relic Weapon: Moonpiercer]. Notably, the moon in Teyvat and the moon in the spiral abyss are said to be the corpses of two of the sisters [Book: Moonlit Bamboo Forest Volume 3]. Notably, the presence of just two moons for two bodies, does support the idea that one sister did survive. Around this same time the Solar chariot, which was piloted by the morning stars, fell into the plains west of Liyue and created the Chasm and the place that would become Dunyu Ruins [Artifact: Vermillion Hereafter - Solar Relic, Book: Records of Jueyun Volume 6 - Hidden Jade]. Supposedly, the wolves remember the tragedy of the moon sisters and now refer to the morning stars as ‘the grievous stars’ implying they had a hand in the Ancient Calamity [Book: Moonlit Bamboo Forest Volume 3]. It is possible that this Ancient Calamity could be the war that occurred between the Primordial One and the Second One Who Came, and the calamity itself has something to do with the Forbidden Knowledge that was introduced to the world by King Nibelung [Nahida 2nd Story Quest]. If that is the case, then the war may have broken out if the Primordial One was against the marriage between the Seelie ancestor and the Second One Who Came. Interestingly, Nabu Malikata, a supposed descendant of the Seelie, is suggested to have been the one who gave King Deshret access to Forbidden Knowledge and the idea that Seelie are banned from loving humans lest they lose their forms [Artifact: Flower of Paradise Lost - Secret Keeper’s Magic Bottle, Book: The Tale of Shiruyeh and Shirin].

[apompkwrites]

hi!! I really really REALLY like your blog!! (reminds me of getting a warm hug on a long day ㅠㅠ) can I request for Kaeya, Diluc and Xiao's reaction (in Reader Impact, hehe I love the au) to the trailer of the reader, which is going pretty well, Reader's mischievous and playful as usual until the ending, where it goes dark and all that is heard is a whisper from Reader ("Forgive me, traveller.")? Thank you and take care!! ( ◜‿◝ )♡

reader impact || trailer voiceline

series masterlist characters: diluc, kaeya, xiao genre: fluff summary: when mihoyo decides to release a trailer for the newest update featuring you, they drop an... interesting voiceline. notes: hehe thank you! i'm glad my blog is has a comfy sort of feeling :D

diluc -

diluc is always up for anything related to you.

he doesn't think there's anything that could go wrong with you.

i mean, you've been through a lot already.

surely mihoyo won't do anything more!

...right?

his chat is trying their hardest to not give anything away.

the trailer starts with you at the winery.

you're in front of... that vase.

"i didn't expect you to be here, traveler," you greet, quickly turning away from the vase. there is no verbal response but you still let out a quiet chuckle.

you step away from the stand and walk over to the camera, placing your hand on what is probably the mc's shoulder. you pat it lightly before walking off screen. the shot cuts to you outside in the middle of night, ready with your weapon in hand.

he's having fun watching how your attacks are in terms of the storyline.

like how (if you use a claymore) you heave your weapon around to fight the abyss mages.

he doesn't show it but he comments on how amazed he is at your skills.

not just as a fighter but as person/character in general.

he's ready to talk to chat when the screen turns black.

"please... forgive me, traveler."

...

he doesn't say anything.

he's just dead quiet.

his chat is trying to ask him what's going on.

what does he think of the trailer?

what are his theories?

but they're getting nothing out of him.

he just... needs some time to think.

kaeya -

okay, first off, kaeya keeps wine next to him at all times when he's gaming.

it doesn't matter if it's on stream or off, he'll have at least a bottle next to him.

now then, about your trailer...

it's supposed to be a normal character trailer.

you finally get your own trailer paired with the new version coming out.

so it's pretty much the only thing he was looking forward to.

it starts with you just on-screen in the tavern, drinking what's probably your favorite drink.

"there's the honorary knight," you muse, placing your cup on the table. you trace the rim of it with your finger, staring at the screen with your signature smirk.

the person behind the camera, presumably genshin's mc, says something that prompts you to chuckle and stand up from your chair, holding out your hand.

"let's head out on an adventure, shall we?"

that scene is supposed to take a minute at most.

on-stream, it takes kaeya five to get through that.

he's constantly pausing and flirting with you during those five minutes.

finally, he lets the rest of it play.

basically, you're traveling through the new area and showing off your abilities :D

and then you leave mc behind, your scarf floating behind you as you walk.

the screen fades and he's ready to talk to his chat.

"traveler... forgive me. but this is something i need to finish. for them."

...

"HUH?!"

his cool and calm demeanor vanishes immediately.

he doesn't care that this is the first time he's "broken character" on stream.

he's actually panicking.

he has a small idea of what the newest update will contain.

and he doesn't like it at all.

solution?

time to drink every single wine bottle he has in his home :D

xiao -

xiao... isn't completely excited to see the newest trailer.

you've already had a character trailer and it was really sad.

so how bad will it get now?

with a lot of prompting from his chat, xiao finally hosts a watch party.

so the trailer starts with you at the inn's balcony.

you're sitting on the balcony railing, staring out over liyue. the moon is shining down on you as the camera (mc) walks closer to you.

"traveler," you call out, looking over your shoulder. "what is it?"

you are met with no response from the audience's perspective. in terms of the story, however, mc has most likely said something of note happening in liyue. you respond with a brief nod, disappearing over the railing.

the trailer follows your normal routine, fighting off any monsters that are "tainted by the demonic" as you so lovingly said in your story quest.

xiao is, as always, in awe of you.

from your attacks to your design to your voice, he loves you.

the trailer seems to end with you spinning your weapon in the air.

the screen is black and he's relieved that there wasn't anything bad happening to you.

"traveler... forgive me."

AGAIN?!

WHY?!

WHY DO THEY DO THIS TO YOU?!

"mihoyo. serious question."

he will turn to the camera with a conflicted face.

"w h y ?"

[froggysoup]

wowee

Alrighty I’m just gonna ramble on about my thoughts on the new quest (and things in general because I talk too much) and pray that at least some of it ends up coherent. Spoilers, by the way.

I’ve had this first theory since the last archon quest but got nervous and didn’t share, so here it is now. Maybe it’s an obvious thing that I’m just in the dark about, but I’m fairly sure that Dainsleif’s “Boughkeeper” title has a large part in explaining why he knows so much about things he really shouldn’t. From the newest quest, we learn that he is actually cursed with immortality, which could explain some it, but the guy still knows too much for it to simply be chalked up to his age. He’s literally the designated narrator for half of the official videos and knows a lot about what and who he talks about.

I suspect that the ley lines serve as an information network of some sort, and that Dainsleif’s position as Boughkeeper allows him access to it in one way or another. The only other places we really see the whole tree/branch thing is with the ley line branches, Irminsul trees, the Frostbearing Tree, and the tree who once had roots that spanned the whole continent (which we know the ley line branches were once directly a part of), all of which are connected in a way that I haven’t quite figured out yet. 

Now, from those screens that come up while the game is loading, we know that supposedly, the intertwined roots of the Irminsul trees far beneath the earth determine the pattern of the ley lines above, and we also know that ley lines are a “mysterious network that links the whole world together” and that they are said to remember everything that happens in the world. From this, I don’t think it’d be that much of a reach to say that Dainsleif can access that somehow.

Next. I do think there’s a pretty good chance that the Archons were involved in the destruction of Khaenri’ah. The Viridescent Venerer set actually tells us how the former Dendro Archon died during the cataclysm while in Khaenri’ah, which. Uh. That’s kind of really incriminating. 

However! Obviously, we’ve only heard this from Dainsleif’s point of view and he’s pretty biased considering his whole thing. We don’t know how much control Celestia has over the Archons’ actions, either, and I’m about 98% sure that some of them weren’t into it, and likely didn't even have a choice. Like, look at the Tsaritsa. Her whole thing is that sometime during the cataclysm, she witnessed something so view-shattering and unjust that her whole thing now is to “burn away the old world” and overthrow Celestia. 

I also can’t see Venti and Zhongli going along with the destruction of an entire nation with no hesitation. Like, obviously, again, Dainsleif is going to be biased, but from what we’ve been told Khaenri’ah didn’t even do anything divine-retribution-worthy. Celestia just seems be into dropping skyscraper-sized pillars and other things onto nations who get too good at being independent, for whatever reason. The new quest is definitely supposed to make us question the current systems of this world but I don’t think we’re meant to hate Venti or Zhongli, at least yet. I think they’re even kind of meant to be seen as the “best” out of the Archons, so to speak. (Not that I think they’re perfect, by any means.)

Like, just look at the way they’ve been presented to us, versus how some of the other Archons have been introduced (Storyline Trailer, my beloved). 

Raiden Shogun is made out to be some self-absorbed divine ass-kisser who doesn’t have humanity’s best interests at heart (which we know is supposed to be a thing you do as an Archon). She’s doing her whole confiscating visions and oppressive rule thing in an effort to be seen as more divine, but, as Dainsleif puts it, “what do mortals see of the eternity chased after by their god?”

The Dendro Archon/God of Wisdom is implied to not actually be as smart as somebody with that title is supposed to be, one way or another, and either has turned a blind eye to or blatantly encourages the “push for folly” in Sumeru. Can’t tell exactly what that would mean or entail (thanks, Dainsleif), but obviously. Doesn’t sound good.

Dainsleif says of the Hydro Archon that she “lives for the spectacle of the courtroom, seeking to judge all other gods. But even she knows not to make an enemy of the divine.” While the not making an enemy of the divine thing I get (I guess, coward), the whole “seeking to judge all other gods” bit seems very “remove the log from your own eye”-y. Like, you’re an Archon, too, what are you trying to prove here?

The Tsaritsa is- well, the Tsaritsa, as we know. While I do think we are meant to sympathize and agree with at least part of her core ideals and motives, she still is the one behind the Fatui and is, by extension, a war criminal. She also apparently has “no love left for her people”. It’s a bit of a complicated relationship that we have with her.

The only ones who Dainsleif does not directly slander in the trailer are Venti, Zhongli, and Murata. While I don’t think we have enough on her to come to any conclusions about her character yet, Venti does say of her that she is a “wayward, war-mongering wretch”. Now, he does also jab at Rex Lapis during this voiceline, but unlike with Murata we know that those two are buddy-buddy and it was very likely that it was “buffoon (affectionate)”.

Venti and Zhongli are also the first two Archons we encounter, which is important for multiple reasons.

Gonna derail for a bit because I don’t know where to start. But. The game very likely will (or at least should) end with no Archons.

Obviously, especially in light of the new quest (although this stuff has been floating around since the Dragonspine update and even before that), Celestia Bad. Like, cataclysmically bad (lmao). In fact, I’m highly certain that you could trace basically every problem in this game back to them, some way or another.

Even our main “villain” groups all seem to be gunning for Celestia. The Fatui obviously work for the Tsaritsa, who’s made it very clear that she plans to rebel against the divine. The Abyss Order, too, has their Deeply Upsetting plan of creating a mechanized god with the power to “topple the divine thrones of Celestia”.

Evidence points to an overthrow of Celestia at some point in the game, and considering how being an Archon or even a god is directly tied to Celestia, yeah. No more Celestia means no more Archons.

But even besides that, there’s a lot there to suggest that that’s where things are going.

I find it interesting how Mondstadt’s our prologue chapter, or that there’s even a prologue chapter of the game at all. Prologues are meant to set up ideas that will be present throughout the rest of the story, and Mondstadt does exactly that. Venti’s let the people of Mondstadt govern themselves and has almost completely been out of the equation for millennia, even if that means he is significantly weaker than his godly peers. When asked why he chose to do that instead of remain in charge and just give them freedom, Venti responds that “freedom, if demanded of you by an archon, is really no freedom at all.” This sentiment is also brought up in the Mondstadt portion of the storyline trailer, and the traveler even has a whole voiceline debating what Venti really meant when he said that.

This idea of freedom and that humanity is capable on its own is further reinforced in Chapter 1, in which Liyue learns to move on from the death of its Archon. Zhongli set up his plan with the intention of testing if his people could stand on their own legs without him there to guide them, and they do. He even expresses how pleasantly surprised he is that the Qixing were able to take advantage of the situation and seize control like they did. Keqing gives us this whole speech when we first meet her about how the adepti and gods underestimate humanity’s capability and how Liyue’s future is meant to be a godless one. This, in a way, extends to the rest of the continent as well.

In the storyline trailer (which I quote too often, I’m sorry. My favorite and only party trick is that I got bored one day and memorized the whole thing), Dainsleif spends the entire Khaenri’ah section musing about something similar. 

“In the perpetual meantime of a sheltered eternity, most are content to live and not to dream. But in the hidden corner where the gods’ gaze does not fall, there are those who dream of dreaming,” is obviously about the people of Teyvat vs. those in Khaenri’ah. While a future under the care of the Archons is a safe and reliable one, is it one that allows humanity to chase its potential to the fullest? Khaenri’ah was destroyed for flourishing like it did without gods, both as a punishment and a warning to everybody else.

“Some say a few are chosen and the rest are dregs, but I say we humans have our humanity.” This is in reference to visions. Throughout the game, this idea that, at least in the eyes of the gods, vision holders are more important than those without them, is constantly brought up.

In the commission “Leaves on the Wind”, Dr. Edith expresses how it often seems as if vision holders are the main characters of this world. From the notebooks we receive during the “Time and Wind” world quest, we learn that the Sumeru Academia actually discourages non-vision holders from conducting outdoor surveys, and how “these days... trying to be an academic when you don't have a Vision, it's really restricting...” Dainsleif even just straight up asks us what we think the gods think of vision holders and people in general during question time in that one quest.

In Lisa’s stories, we learn that the reason for her laziness is that a part of her is afraid of learning or doing too much, after witnessing what “uninhibited erudition” can do to people during her time in Sumeru. She also senses that something beneath the surface is happening regarding the distribution of visions. “For whatever reasons, the gods gave humans the key to changing everything, but they did not explain the cost involved. Lisa grew fearful of the truth.”

I forgot exactly where I was going with that last paragraph, but yeah. There’s definitely sketchy shit going on behind the scenes in regards to visions, possibly to keep people either quiet or complacent. I suspect it may even be to restrict access to certain knowledges or even the elements themselves. Anyways.

I lose track of my thoughts too often. Fuck. Right. Mondstadt and Liyue served as good examples of society under the rule of the Archons, and in Chapter 2 we will encounter our first bad example, showing us the pros and cons of the current situation. However, despite Zhongli and Venti seeming to genuinely care for their people, humanity’s wellbeing shouldn’t be reliant on how their god is feeling that day, and they shouldn’t have to look to the gods for a chance to become something greater than themselves, either.

Um. All that’s to say I’m just very excited to see where the story will go, and if Zhongli’s contract with the Tsaritsa is any indication then it’s gonna go somewhere good. Celestia bad, Archons bad but also not bad but also bad, I don’t know if what I just wrote actually even counts as understandable, thank you and good night.

[ballad-in-goblets]

inazuma archon quest (rewrite ? critique ?)

OKay so i’m gonna preface this with i don’t hate the inazuma archon quests ! i quite enjoyed the storyline and everything about it, there are just things that ,,, i'm not so satisfied with. and so i'm gonna go over those here and rewrite it or like. idk offer critique lol something like that !

real quick, @like-that-one-weird-dog-thing here if u want this here's that ramble i was talking about lol (yeah i made a genshin tumblr kSDKGHDFFGD)

i feel like this is a given but;

spoilers for all acts of the inazuma archon quest under the cut

with that out of the way, onto the rewrite ! (quick side note: it kinda turns more into a creative writing piece more than a critique or full rewrite near the end which is not what i meant to do but it still gets my point across so !! it works)

so, like i said, i quite enjoyed the archon quest. the first two acts (autumn winds, scarlet leaves & the immovable god and the eternal euthymia) are perfect, i don't think i'd change anything in those two acts at all. the third act (stillness, the sublimation of shadow) is also wonderful, and i honestly think that's my favourite out of the archon quest acts so far ! it's mainly when act 3, omnipresence over mortals, hits that i think it fell a bit short

things kinda feel... a bit rushed when it comes to this quest ? compared to the slow, steady pace of the prologue and act 1, then the speeding up of act 2, it honestly seems too fast paced and yet too slow at the same time. some parts of act 3 were really fast, like the encounter with scaramouche and the duel with la signora, and then some were... really slow. like the entire bit with the reistance.

on top of that, a lot of characters really fell short for me. it felt like teppei, an unplayable npc, was way more important than gorou, sangonomiya kokomi, kujou sara, basically everyone except for yae miko and raiden shogun. which, don't get me wrong, teppei was important, but i feel like these other characters had a big introduction only to just... kinda exist with no real reason.

gorou and sangonomiya kokomi were played up as big characters due to their status in the resistance - kujou sara was played up as the raiden shogun's right hand woman, and they were advertised as the duo of inazuma - hell, it even felt like kamisato ayaka was going to play a larger role in the final act of the story. and then none of them really did.

gorou only shows up to inform us about the soldiers aging quickly (and a bit near the end, but kaedehara kazuha had more of a role there, with actually leaping towards the shogun). sangonomiya seems important, but her only real action is making us a force captain and then telling us where the delusion factory could be. kujou sara only showed up to talk to the head of the kujou clan then get fucking knocked out by la signora in front of the raiden shogun, who did nothing about a snezhnayan diplomat knocking out her LEAD GENERAL ! kamisato ayaka only appeared for a few moments.

so, now that i've explained some of why i felt the final act fell short, i'm going to offer up how i would've changed things.

first, gorou and sangonomiya should play a bigger role in the story. like, they're the leads of the resistance, and they get less screentime than unplayable npcs... that's kinda weird. kujou sara should also play a bigger role. kamisato ayaka, i think would be fine with not appearing, due to how much of a part she played in the first acts, but gorou, sangonomiya kokomi, and kujou sara should be a lot more present, just in general.

in the 2.1 trailer, there were lines of "peace talk", correct ? i feel like that should've been in the story. perhaps after the traveler meets with sangonomiya on watatsumi island, they hear word of kujou sara wishing to meet. they meet up with her, which is where the peace talk comes into play. the two sides start trying to come up with a compromise. while this is happening, gorou is keeping an eye on things back on watatsumi island... where things start getting strange.

the soldiers start showing signs of accelerated aging. it's concerning, and as far as they're aware, unstoppable. due to this, sangonomiya cuts the compromising short to return to her people and try to help them. perhaps kujou sara could make a jab at this, something like "how do you ever plan to defeat the shogun's army if you can't even keep your own soldiers alive outside of a fight?" which could lead to sangonomiya and the traveler believing that kujou knows something about what's going on (even though she doesn't).

upon getting back, the traveler recognises the delusions. honestly ? i really liked the delusion subplot. i really like the idea of the fatui trying to tear inazuma apart, kind of like they did mondstadt and liyue, so they could get their hands on baal's gnosis. perhaps they had it so that scaramouche was in charge of scattering the resistance forces, while la signora was working behind the scenes with the kanjou commission and the tenryou commission to manipulate the raiden shogun.

i love the part where teppei dies, simply due to how emotional it was. i genuinely cried at that part, lol... but i really enjoyed it. i would say, keep that in. after discovering the delusions, things stay relatively the same. the traveler goes to teppei and watches him die, and then goes to the factory to get revenge, where they meet scaramouche. yae miko still saves them, however...

instead of remaining at the shrine to talk to yae the entire time, i think the traveler would want to go back to the resistance. sure, yae could very much help them defeat the raiden shogun, but the traveler is working with the resistance, who, from what we've seen, can be quite strong... at times. however, as they're about to leave, yae leaves the traveler with these parting words: "be careful of who you trust, child. not everyone who seems like a friend is one"

why ? well, i love the idea of the resistance not entirely being in the right, either. y'know that giant serpent that baal struck down ? yeah, that was watatsumi's protector deity. simply put: watatsumi island doesn't really like the raiden shogun, and i doubt sangonomiya feels much differently. i would love if one of the subplots was about how the resistance wasn't firstly formed to fight the vision hunt decree, but just the shogun in general, and slowly morphed to fighting the vision hunt decree.

after returning to the resistance, the traveler tells sangonomiya what they found. after speaking for awhile, they figure out that the fatui is most likely not just making things miserable on the front of the resistance (via the delusions). how do they figure this out ? the traveler, of course. while wondering why the fatui are in inazuma, the traveler remembers how the harbingers are trying to collect all the gnosis. they make this known to sangonomiya, who guesses that the fatui could be trying to make inazuma a mess so they can get the shogun's gnosis. at this point, the traveler heads back to the grand narukami shrine to speak to yae miko, hoping she'll know more about this, with sangonomiya at their side.

upon arrival, yae miko is speaking to kujou sara. kujou and sangonomiya are immediately.. well, simply put, not happy to be in each other's presence. yae miko calms them down, and tells them all what she was telling kujou. sangonomiya and the traveler were right: the fatui were behind the vision hunt decree. sangonomiya tells kujou what had happened in the resistance, and the traveler tells her what happened in the other nations, with the fatui (specifically la signora) hunting the gnosis. kujou mentions seeing a harbinger, a tall woman with blonde hair, and the traveler connects the dots. it's la signora, and she's in inazuma. kujou still isn't convinced, so the traveler does need to get kamisato ayaka and sayu's help to get the documents.

while waiting for the documents to arrive, the traveler speaks more with sangonomiya, where they learn more about the past of watatsumi island and the serpent deity. perhaps, trusting the traveler, sangonomiya reveals to them why she started the resistance in the first place: to get revenge on the shogun for killing their deity. of course, as time went on, she is now fighting against the vision hunt decree and simply wants to see inazuma united again, though it shakes the travelers trust in the resistance. after all... teppei, their good friend, died for the reistiance, and here sangonomiya is telling them that she started it simply to get revenge on baal for a centuries old fight that was ended... well, centuries ago.

after getting the documents, the traveler meets with kujou sara at the grand narukami shrine. sangonomiya was planning to come, but gorou needed her help tending to more soldiers at the resistance, as some refused to hand over their delusions. things stay relatively the same from here. kujou confronts takayuki, and she goes to speak to the shogun about this. while that's going on, yae miko is speaking to the traveler, giving them a brief rundown on what is going on with the raiden shogun - the one that is actually given in the quest, where we learn more about her puppet and her name being ei and whatnot. afterwards, the traveler goes to face the raiden shogun. they find la signora and kujou sara in a standoff, with the raiden shogun taking kujou's side (they are a duo, after all). la signora moves to attack kujou, but...

before she can land a strike, our traveler runs in, stopping her blow. all three parties present are startled - a wanted criminal in inazuma just stopped inazuma's head general from being attacked. it's not something you see every day. after speaking a bit more, the traveler challenges la signora to a duel before the throne, remembering this as an option due to kaedehara kazuha telling them about his friend. the traveler wins, and as such, la signora is executed... or is she ? well, to the traveler it seems like she is, but some subtle hints clue us in to the fact that something seems off. maybe la signora isn't dead, after all.

however, before la signora is executed, kujou sara steps in. she can tell that the traveler needs to ask signora something, and as they have been helping her, she asks the raiden if they can ask their one question before she executes signora. raiden agrees. and so, the traveler asks... "why?"

"why what?" signora laughs, though it's a pained laugh. "i'm afraid you'll have to be a bit more specific."

"you didn't just take venti's gnosis."

"not like you did zhongli's."

"you were brutal. you knew him."

"what did he ever do to you?"

and then... a cutscene. a story cutscene, to be exact. telling us about la signora's backstory as the crimson witch of flames (after all, this is fully confirmed during the fight). it shows her meeting her lover, and her lover perishing in the war, and her turning into the crimson witch. it shows her blaming venti for her lover's death, and then being found by the fatui. given her cryo delusion so she could appear as a human in a world of humans, and vowing to work side by side with the tsaritsa... as long as she can get revenge on the god that caused her lover to die.

after that, the raiden shogun executes signora. the traveler leaves, and we get that terrifying cutscene of them walking (which, let me tell you, scared the hell out of me. it was wonderfully made, please keep that in). we see the resistance coming up, having decided now was the time to take back inazuma... and then, the raiden shogun appears. not fully attacking the traveler, but she appears, walking on the steps out of a portal, like she did when facing the traveler the first time. kaedehara kazuha, in a moment of anger, lunges forward, activating his friend's vision as he clashes his blade with the shogun. she knocks him back, raising her blade to end him and take his vision when the traveler jumps in again.

and this time, she takes them back to the plane of euthymia.

the fight happens again, and once more, the traveler is not strong enough to win. however, the voice of yae miko rings in their ears: "your ambition alone is not enough to stop ei". words that were said to them right as they left to go find kujou sara.

and in that moment, the visions reach out to them. the stolen ambitions of all these people, gifting their ambition to the traveler. and, in the end of that all, we see the face of teppei. we see his hope, his determination to help the resistance. except, it's not just an illusion, it's a spirit. "help the resistance for me, okay, my friend?"

and the traveler gets the strength. they fight back against the raiden shogun, and they defeat her. they win. they are thrown out of the plane of euthymia, and the raiden shogun is kneeling over, weak. she lost the fight. she lost the fight. she looks up at the traveler, her eyes glowing a bright purple as she takes them in.

"their ambitions are stored within you."

"you really are an exception."

she stands up, and the traveler readies their blade. is she going to attack them again? instead, her blade simply... vanishes in her hands. in a brilliant, electrifying light, what was once there is no longer there. she stands before the traveler, empty handed. just looking at them. the traveler lowers their weapons.

"you are no longer wanted in inazuma. even i can't beat you."

"that's not what i want."

"oh? then what is it?"

"end the vision hunt decree. now."

and the raiden shogun laughs. "you think you get to make that choice?"

"almighty shogun." kujou sara is there, too. had she always been there? the traveler isn't sure. "the vision hunt decree.. it's harming inazuma."

"not just vision bearers," gorou adds. "but the entirety of the inazuman people."

"vision bearers and non vision bearers alike." even sangonomiya kokomi is there. "we have been fighting to end this for two years. people have died on all ends. many lives have been lost. don't you think it's time to end this?"

"after all, it was the fatui's doing." and then, there's yae. and the shogun seems shocked, then angry, then hurt, then... sad. then happy.

"yae. my old friend..."

the shogun takes in the people all around her. she takes in friends and enemies, foes and allies, vision bearers and regular people... and yet, despite their differences, they're all inazuman. they're all her people. they looked to her for guidance, and it failed.

"very well."

the decree is over. visions are returned to the few still able to receive them. the raiden shogun, for the first time in what feels like an eternity, steps out of the plane of euthymia. for the first time in years, the shogun is not who walks the streets, no; it is ei who walks the streets alongside her people. she goes to the small villages, along with her good friends yae miko and kujou sara, and she sees the damage she caused on her people. sangonomiya kokomi and gorou show her the resistance troops, who, at first, almost try to attack, before ei steps down and bows to them, asking for their forgiveness. she sees the damage her idea of eternity inflicted upon inazuma, and she makes it her goal to do better.

after all. she was aware it was the fatui's doing. she knew what the fatui were doing. she knew that two of her three commissions were working behind her back. and she did nothing about it, as it fit well with her goals at the time. she turned her back on her people in a false pursuit of eternity that would only end in loss. she recognises that. she knows what she did was wrong, and she takes the steps towards making things right. she reopens inazuma's borders, and takes down the statue of the omnipresent god.

alongside yae miko, she offers advice to the traveler on where their sibling might be. she suggests they go to sumeru next; the city of scholars might know something. when asked about what they were told by yae, the ei tells the story herself. the story of two twins; baal and beelzebul, makoto and ei. how one lost the other, and took over her identity. much like venti and the unnamed bard.

in the final cutscene, we see how inazuma starts to heal. sangonomiya prays at the watatsumi island shrine, for all the souls lost in the resistance. gorou and kujou sara start working together to mend the relationships between the reistance and the shogun's army. yoimiya, thoma, and kamisato ayaka enjoy a game of hot pot together, with sayu sleeping nearby. kaedehara kazuha leaves his friend's vision at his grave, and he takes his friend's cat with him. behind him, beidou awaits for her friend to join her, and the two walk off together. yae miko looks up at the sacred sakura, it's petals blowing in the wind. we see the traveler walk up to her to thank her for her help, and she simply smiles at them. sakura petals cover the screen... and then we see ei.

we see her walking alone. it's sunset, just about to go dark, but not just yet. it's lightly raining... and we see her kneel down at what seems to be a shrine. she leaves an offering before she stands up and moves away. we see the names engraved on the shrine - makoto. chiyo. sasayuri. kitsune saiguu. her sister, and her old friends. eternally preserved in a shrine created by the one who still cares for them.

and end scene.