#the show has a target audience and it is me. I'm sorry

[syncrovoid-presents]

Hazbin Hotel thoughts (with a splash of vague theories) (Alastor edition)

Something that is super fascinating about how Alastor's character has been left highly up to interpretation is that, before these next episodes at least, it's not entirely clear what his motives are.

We know he is a skilled manipulator, a master of wording things in his favour to get the deals he wants. We know he's a serial killer that puts the laughter in slaughter, yet still has a variation of a moral code. We know he has ties, likely to lilith (though personally I really hope it ends up that he made a deal before he died for power, which now haunts him in hell).

We know that he partly protects the hotel because it's where he has a new radio broadcaster, but his protection of it could be protection for him, for what demon would mess with a friend (father figure?) of the princess of hell? Even Lucifer can't actually hurt him without hurting Charlie, regardless of how authentic Alastor is towards her.

Is his song purely to manipulate Charlie into feeling safer around him? Is he slowly wearing down her defenses so she may accidentally (or even purposefully) make a deal with him? It's clear from the dialogue and interactions that he's not incorporating himself much into the group, and we still don't know what's up with his radio broadcasting system being up once more.

There's so many ways it can be interpreted, but it's fun to have a character that is both mysterious but also bound to a set of morals he doesn't care to explain. He is the master of his own life, and (likely) sees others as lesser because they're weaker/manipulatable/"stupid". Yet his morals are just present enough that he could find it dishonorable to destroy demons that have, perhaps in his eyes, given up power for a chance at redemption.

There's also other questions around his character too, my biggest one being whether he has 1 power source or two? Many times we see his power/magic manifest as red hues (symbols specifically), similar to how he wears all red. Other times it is green, which may or may not be tied to his "neon" colours. Is it because red and green are complimentary but conflicting? Is it to show that one power is fully his and the other is not? Does the neon represent a lack of truthfulness or him acting outside of his true wishes? Because the only time we've really seen it is when he is saying (somewhat) nice things in very specific situations.

Does Alastor know Vaggie is/was an angel? He didn't like her in the pilot, and its unclear whether their strained dynamic is because Vaggie wants to protect Charlie and it is one sided, or if Alastor knows and is waiting for the perfect moment to use that against her, perhaps for a deal?

Also his only songs so far have been him just taking over someone else's song. How petty and silly of him. Can't wait to see what he has planned next!

Who knows! Either way Hazbin Hotel is a very fun show and I'm so excited for the next episodes!!

[foone]

Your posts are in an AI model

and then Tumblr decided to sell them to AI models.

Now, don't get me wrong, tumblr selling out the users to AI companies is bad, yes, they shouldn't do that. It sucks.

but don't lets get this confused: your posts were already in there. Tumblr selling them is about tumblr making some money and about the AI models having more exhaustive post collections. It's not about your posts being in an AI model, vs not being in one. That battle has already been lost.

Can you find your post on google? Then it's almost certainly in an AI model already. Think about it: These AI sites showed up before all the sites were making deals to sell their users' content, right? How do you think they built them in the first place?

They scraped the posts. Just like google and bing and such do when they build their search indexes.

It's a fundamental part of how the open web works: you want your posts on tumblr to be visible to users, right? You want them to be readable?* Like, look how much stuff broke when twitter changed their whole read-while-not-logged-in policy, ruining a bunch of thread links/NSFW links. And if it's visible, it's scrapable. That's what the AI models were built on.

I've done website scraping before (not for AI models, of course. I was doing search engines and website archival), this is just how it works. You hire a few relatively smart CS graduates and tell them "build me a scraper that'll give us a bunch of tumblr posts" and they go off for a month or two and come back with a database of a few billion posts, and you stuff that into your AI model. That's how they got all the deviantart and flickr and twitter and pinterest and so on posts. They didn't pay for them: they just took them.

They only ever pay for this shit because either:

they fucked up in such a way that the site might be able to sue them for taking rather than paying

They can buy them cheaper than they can finish taking them. Maybe they'd need to pay the CS grads for an extra month? well, that might be more expensive than just throwing the site a couple hundred thousand bucks.

ANYWAY: my point is, don't treat this "oh no tumblr is selling our posts to AI" like it's a big thing that might happen and it would be bad to happen. Yes, it's bad, tumblr shouldn't do this, this'll let AI models get continual updates of content for far easier than just scraping them would be, tumblr betrayed user trust, and so on...

but realistically, this is not a black and white matter of "if only tumblr didn't do this, then we'd be safe from AI models!"

Nope. We already lost that battle. I'm sorry, and it does suck, but that's just how it is. The avalanche has already started, it's too late for the pebbles to vote. * I'm assuming here that you don't run a private blog that's set to only followers or something. You'd be safer then, of course, but you're not really my target audience for this rant

[themthistles]

from is such a bizarre show. it feels like something released in 2009 or 2013 but actually came out this year. clearly aiming for complicated mystery stretching across multiple seasons but because of its cinematography and dialogue half the time i feel like i'm tuning into a walking dead episode

[atrwriting]

selfish - frank castle x reader

hey y'all back in action with another porn no plot one shot

all i'm saying is,,, they knew who their target audience was with this (or are we just all mentally ill?)

summary: frank shows you what it means to be a real, selfish man.

informal warnings: frank is the selfish man in this, but I was the selfish woman writing this. couldn't get this out of my head as I started season two of the punisher, and frankly (haha get it -- sorry) after this scene you wouldn't be able to either

as always, the actual warnings: vulnerable frank, #sadboihrs for both the reader and frank, smut, porn no plot, choking, dirty talk, and ROUGH frank

anyway... selfish:

“what’s your type?”

the million dollar question. the one that you had been troubling yourself over for years.

“my type?” you repeated, eyeing the man who asked you. “or my pattern?”

he tilted his head in curiosity. “both.”

you chuckled. “my pattern… well, they’re usually useless. man babies.”

it was his turn to chuckle. “you like taking care of them, yeah?”

you shrugged. “i love taking care of people, but not men that de-age into babies as time goes on. did you know a guy i dated asked me how to boil water once?”

“you’re joking,” he took a swig of his beer, eyeing you. “no way that’s true. made that up.”

“i wish,” you laughed, rubbing a hand over your face. “i’m also not making it up that i stayed with him two years after that.”

“sounds like your fault.”

you nodded. “the pattern made me realize what my real type is.”

“what?”

“it’s corny.”

“say it.”

a smirk attempted to appear on your lips, but you pushed it back down. “i don’t like selfless men.”

he let out a laugh in disbelief at that. “you and every other chick.”

you chuckled too. “i heard this an analogy once… if you’re falling over a cliff, would you want your person to save you? or someone else about to fall on another side of the cliff?”

he stopped talking then, listening intently.

you kept going. “obviously, i’d want the other person saved… but in my head, when i’m all alone and there’s no one that has to be saved… sometimes it’s nice to think that someone would be so selfish that they would save me over doing what’s right.”

“you could live with that though?” he asked, narrowing his eyes, a bit of judgement lacing his words.

you shrugged. “never been the person that was saved, so i’m really not sure. it’s not that i want to be saved or anything — that’s super fucking corny. but man, a fucking masculine man, putting you over other things? deciding that in that moment, you’re what matters to him? i spend all my days being selfless, putting myself in danger so other people are saved… and i’m tired.” you took a swig of your drink. “i’m really fucking tired.”

“why don’t you save yourself, then?”

“for the same reason you’re here,” you sighed. “when have we ever been selfish, frank?”

he laughed at that, but almost scoffed. “i don’t do anything i do for anyone but me.”

you swallowed then, clenching your jaw. “so many people have wronged you… but you’ve only done what you’ve done because of how people have wronged those you loved. hate to break it to you… but you’re as selfless as anyone could be.”

he folded his lips underneath his teeth and stared aimlessly off into the distance. there were bags under his dark eyes, and no amount of sleep or beer would ever take them away. the man would never know peace, and your heart broke at that. however, it was nice to know someone was going down the rabbit hole with you.

“i don’t think i’m selfless,” he finally spoke after a bit.

you raised an eyebrow at him, calling his bluff.

“i did the things i did because my family was what was most important to me,” he admitted. “that’s selfish.”

you swished his words around in your mouth a little, and decided he was right. the spin on your words made you nod, agreeing with him. “i see your point.”

“so, what?” he asked. “you want a man that would choose you over innocent people?”

you huffed, standing. “i know you know that i never said that. i’m saying that in the back of my mind, it would be nice, just once, for a selfish man to decide that i’m all he wanted. it would be nice to know that i don’t always have to carry the weight on only my shoulders.”

he didn’t say anything then, staying planted on his seat on the floor. he twisted the bottle in his hands and listened to you.

“if i’m being honest with myself…” you began, swallowing your heavy statement. “i would prefer if they saved the innocents, but only so i could die, as i probably would falling in that situation, with a clear conscience. all i’m saying is… it’s a heavy fucking burden always doing things so i don’t feel guilty.”

you walked away then, not muttering a goodbye. frank didn’t say anything either. you heard him raise the bottle to his lips once more before you shut your bedroom door behind you.

it would be an hour or so before you heard a gentle knock on your door. there was no yelling or screaming outside, so you were grateful to hear there was no imminent danger present. in your tiny pajamas, you answered the door to find none other than frank. he was leaning against a wall in the hallway that led to your door, only a couple feet from you.

he didn’t say anything when you came face to face with him. he just stared at you, placing all of his focus on your confused face. it would be a few moments of silence before he finally stepped closer to you, and placed a calloused hand on your face.

you froze. frank castle never touched you, especially in that way.

“wanna know my type?”

you stared at him and swallowed thickly. your lips parted to whisper, “sure.”

“an escape,” he whispered back. “i know what you meant by always having the dark cloud of duty hanging above your head, ready to kill any moment of peace you happen to get your damned hands on. i’ve done everything i’ve ever done for the people i loved, and i know the only way for me to experience any fuckin’ joy is with another person.”

his dark eyes held your gaze, and you soon grew lost in them and his words. you swiped your tongue across your lips and stepped closer. you could feel frank’s breath on your chin, but you couldn’t breathe. his scent, his stare, and his fucking words were more intoxicating than any alcohol you had before.

“you want an escape, frank?” you softly asked, eyes darting to his lips.

“i do,” he stated, before he lowered his head and kissed you.

his free hand immediately came up to the other side od your face and pressed against your cheek. there, he held you in the palms of his hands as you rested your hands on his thick, muscled chest. his lips were dry and cracked, but you didn’t care. the fire that brewed from his affection was enough to fill any of the cold, dark, and lonely places inside of you and you greedily drank from anything he offered.

“you want someone to want you, darlin’?” he asked in between kisses.

you hummed in agreement, not wanting to break apart your kiss for anything — even words.

“can’t get you out of my head, sweetheart,” he spoke, dipping his tongue into your mouth. “need to feel those long legs around me.”

you whimpered at his words, letting his tongue dance with yours. you could taste the heineken on his tongue and savored every bit. “please, frank… i need to feel you so badly.”

“i’ve got you, darlin’.” he picked you up by the backs of your thighs and you wrapped your legs around him. the pads of frank’s finger tips dug into your flesh and a warmth spread throughout you. “those fuckin’ legs.”

you would’ve giggled, but you were too consumed with the very touch of frank to even care. you pulled at his shirt and threw it over his head, sad to break the kiss for even a second. you immediately went to his neck and began to nip at the thick skin, causing a growl to rumble in the deepest parts of his rib cage.

“y’drive me fuckin’ crazy,” he grunted. “sweetest fuckin’ kisses.”

“oh, frank…” you moaned against his neck before he threw you onto the bed. you turned over onto your back to face him. he locked eyes with you as he stood over you, muscles naturally flexed as he undid his belt. your mouth watered at the sight of the fucking man before you, taking off his belt for only you. the way his shoulders, pectorals, and arms worked in the dim light of your room… that man would be the death of you. you hissed, “you’re such a tease.”

he smirked at that, throwing the belt somewhere in the distance. “think you’ve just never been with a real man before,” he replied, before engulfing you into another kiss.

frank’s hand dipped into your shorts and immediately went for your slit. your body fucking sang at finally being touched the way you needed to be as you arched your back into frank, his chest pressed against yours. when frank began to run rough circles around your clit, nothing could hold back your moans or him swallowing them whole.

“only took off my belt, and this is how wet you get?” he asked, biting down on your neck. his long, thick middle finger dipped inside of you as his thumb worked at your clit. he tapped against your upper wall and you keened into his touch, whimpering his name. “now i know it’s the men before me. barely doing a fuckin’ thing and i’ve got you like this.”

you nodded pathetically, just wanting him to continue. “it feels so good,” you gasped, bucking your hips into his hand. “please, please — don’t stop, frank.”

he leaned over and pressed his chest against yours before his lips found your neck once more. his kisses were wet and sloppy, and there was nothing better than feeling the weight of a strong man above you working at your needy pussy. his rough movements against your sensitive skin were sending you into a frenzy as if nothing mattered in the world besides frank — your world started and ended there. your body felt hot — steaming from everything this man was doing for you with barely any effort. your whimpers and gasps fueled frank’s movements as if he couldn’t get enough of them.

“such a good girl f’me,” he said before he bit down on your neck and kissed the spot. “y’get so worked up, i want to see what it’s like when you fall apart.”

“i’m so close, frank…” your voice was hoarse and full of lust, and you were about to break any moment.

“that’s it, baby, yeah,” he spoke, slipping a second finger inside of you. “cum all over these fingers baby. let me taste you after.”

“fuck, fuck, fuck —!”

your world came crashing down onto you. your strength was no match for frank’s, but with the way your back arched and body curled into him, your chests both rose off the bed. he wrapped a strong arm underneath the curve of your back as you fucking sobbed his name, holding you to him and supporting your weight.

“that’s it, darlin’,” he grunted against your ear. “yeah — that’s it. keep cumming for me, fuck…”

your hands grabbed at his thick biceps and you grew lost in his movements against the most sensitive parts of you that never ceased. your hips were rolling in circles with his fingers and your vision went hazy.

“so beautiful like this f’me,” he groaned. “might be mean and not let you stop.”

“fuck, frank,” you cried, whimpering for him. your body fell limp against his arm, and he lowered your bodies back down to the bed. during your comedown, frank kissed at your neck as his free hand ran up and down your body. his other hand continued to rub against your pussy and it was driving you fucking crazy. “let me ride you — please.”

your voice was full of desperation, and frank smirked down at you. he slipped his fingers out of you and rolled off of you onto the bed. you tugged his pants down to his thighs, not wanting to waste any time. you were so greedy, but he didn’t care. he smirked as he watched you pull down your tiny shorts. you straddled him, pressing his chest to yours, as you sank down onto his thick cock.

“my fucking god —“ you gasped, your pussy stretching around him.

frank immediately grabbed your throat and you sucked in a sharp breath at the sight. he placed the tips of his fingers in his mouth, and tasted your juices that remained on his skin. there you were, impaled on his cock, hovering over him as you watched the most sensual thing you had ever seen him do. his dark eyes were locked on yours, but your lips parted as you watched him taste you. only a smirk remained on his lips.

“sweetest fuckin’ pussy i’ve ever tasted,” he spoke. “now show me how she rides me.”

he roughly pushed you upwards so you stood up straight. the angle made a whimper leave your lips, as he was now fully inside of you and the deepest anyone has ever been. you planted a limp hand on his stomach, and began to roll your hips against his.

his calloused hands found your hips as he threw his head back against the bed. the tendons in his neck were on full display as he stretched his head back as far as he could. the pleasure he felt was spreading all throughout his body, and he couldn’t help but go taut at the feeling. you watched his mouth fall agape and his eyes close as a moan pushed passed his lips.

the pads of his fingers dug into your hips and pushed you forward and back. even his fingers were strong and had control over you, and you couldn’t help but willingly give everything over to him. your whines filled the room, getting lost in your own pleasure with him. there was nothing like the sight of being thrown into vulnerable pleasure with the man under you, succumbing to your touch.

“fuckin’ god —“ he moaned, raising his head back up to keep his eyes locked on where your bodies connected. “never felt so fuckin’ good.”

his hoarse voice caused you to move faster as you ground your hips against his. his hands were rough and desperate as they pulled you up, down, back and forth — until you didn’t know which way was anything. all you knew were the directions of frank’s hands, and you followed in suit as he dragged you down another road of ecstasy.

“greedy fuckin’ pussy,” he groaned. “never enough for her, huh? needs more, even after what i did?”

“yes, yes,” you whimpered pathetically. “your cock feels so good, frank. so fucking good.”

“yeah, darlin’, that’s it,” he grunted, brown scrunching together. “such a good fuckin’ girl f’me.”

“fuck, frank — don’t say that,” you cried loudly, biting your lip. “feels too good when you say that — i can’t cum yet.”

he immediately reached for your neck and pulled you down to him. you gasped at his rough touch, but your hips never stopped. he bent his knees so your ass could bounce off of them, giving you more leverage. his cock curled deeper into you, hitting your cervix.

“oh my — god —“ you sobbed so close to his lips.

“nah, baby, that’s not how this works — you’re gonna take everything fuckin’ i give you,” he grunted. “i know y’want to be a good girl f’me, yeah?”

“yeah, yeah, yes —“ you were incoherent at this point, ready to tell frank anything he wanted to hear as he bucked his hips into yours. “frank, i’m so close — how —“

“love a needy pussy like this,” he spoke, pulling you closer by the throat for a kiss. “you gonna be good to me? you gonna cum around my cock?”

“fuck, yes —“ you sobbed. “i want you to cum with me, baby, fill me up.”

that set him off. he rolled both of you over before you even knew what was happening. he had you pressed against the bed, hand still around your throat. you grabbed at his arm, loving having the feeling of his strong muscles hold you down. you wrapped your legs around his back as he threw his hips into you. over, and over, he drove himself inside you.

“dirty fuckin’ girl,” he growled, biting down on the skin of where your neck and shoulder met.

that was it. that was how you crumbled a second time for frank that evening.

you fucking wailed his name.

you grabbed at every part of him you could, struggling to hold on for dear life. your body shook with convulsions as your pussy tightened around him, locking his cock in place. nothing could stop his strong hips as they continued to rut into you — riding out your second orgasm of that evening.

you fell back against the bed, fucked out and gasping for air pathetically. frank pressed several kisses to your neck before he stood up on his knees, leaving your weak body below him. you pushed yourself to your elbows with whatever strength you could muster. frank grabbed you by the hips and you watched him slam his hips into yours.

you watched his forehead scrunch as his mouth fell agape. his chin was almost tucked to his neck as his eyes never left where his cock fucked into you.

“use me just like that, baby,” you cried. “i want your cum inside me.”

his strong, trim body went taut as his orgasm hit him, and you watched hungrily as the man before you fell vulnerable to the only pleasure he could allow himself these days. you watched as his conscious mind slipped further and further into the sensation until every ounce of stress and exhaustion left his face. you couldn’t help but bite your lip in pride and satisfaction — knowing that you will never see a more beautiful sight like frank castle using your body to get off.

you fucking loved selfish men.

----

DO YOU SEE WHAT I MEAN NOW EVERYONE GO WATCH THIS SCENE -L xox

[respectthepetty]

Dunk and Joong could have offered me anything in 2024, and I would have taken it, gladly, no questions because my ass is a Jaidee fan first and a human second. But to hand me The Heart Killers? Oh! Let me list all the reasons y'all gonna hate me when this comes out.

Joong plays Khao's older brother

Khaotung is older than Joong, but in BL Land that doesn't matter because Khao is playing the hopeless romantic little brother while Joong is playing his stern older brother. Someone already wrote it was 10 Things I Hate About You/The Taming of the Shrew, and Shakespeare would be thrilled to know one of his masterpieces is getting the queer treatment and it's not Twelfth Night.

Dunk is playing the crazy seducer

Boy wants a car and is willing to go to great lengths to do it, including distracting some dude, so his buddy can play house with that dude's little brother. But the whole point is they had to find a guy who was crazy enough to accept the offer in the first place >insert Dunk's character< so the guy isn't just wanting the car. He is doing this for the thrill of getting tied up, stripped down, and threatened.

And I respect that.

Jojo is apparently directing

I wanna have beef with Jojo after Only Friends, then I look at his resume and remember this is the man who gave me puppy play in The Warp Effect, poly in 3 Will Be Free, and a chaotic stripper named Judo in Dirty Laundry PLUS the YinWar trailer for their Partner in Crime concert which has now lead to YinWar doing Jack & Joker, so as a vegetarian, I'm gonna be like Elsa and let that go.

Which means Rath is probably the cinematographer

I don't give men compliments easily, so when I state that Cinematographer Rath has never disappointed me, I mean it. The man knows what he is doing, and if he is in on this series, I know if anything, it will be visually stunning.

First and Khao being the Beyonce of GMMTV

I'm in Jaidee's corner always, but I have eyes and First and Khao could really do whatever they want and I'd eat it up. I have believed them with whomever they have been partnered with in the past, and if they want to play high schoolers in an oppressed school system or a banker willing to see his ex and his ex's new man just to flirt with the boy from the market, I'm buying the tickets, I'm sitting in the front row, and I'm holding up homemade posters. Basically, I'm shutting the fuck up and experiencing whatever they want me to experience.

First and Khao tears

This is its own category because when they cry, they are in a league of their own. They claimed this series was going to be lighter than their previous work, but what is a First or Khao series without tears? I hope they are drinking water right now because someone is crying in this series, and JD's faces are already wet for other reasons.

DUNK'S BODY!

Not to objectify the man's body, but . . . it's a banger, and he has been done dirty by wardrobe for two solid years. His face card never declines. His arms are solid. His waist is snatched. His hair is perfect. Even Tay, New, and Jan were talking about him in the BTS for Peaceful Property because they were saying how New's character was based off of Dunk - pretty, fashionable, and COCKY! But wouldn't we all be that cocky if we were walking around looking like this?! Like shut up fives. A ten is speaking!

It's high time that man got to stunt like Force always does just taking off his shirt for no reason. Good for him. And good for us.

Oh, yeah, and the plot

Sorry, I mean the plot.

SHIT, THE PLOT!

You know what? Nah. I honestly do not give a fuck about the plot. Joong and Khao are hired killers. First is out to get them. Dunk gets involved (although, I think he knows a lot more than he leads on), and . . .

All will end well.

Because if anything, Jojo ain't never been allergic to a happy ending *wink*

So just know this show hit its target audience

ME!

¡Salud!

[prettyinpwn]

I know I'm gonna sound like a crazy old broken record... but hear me out. Lots of speculation as to the true purpose of the thisisnotawebsitedotcom.com thing beneath the cut.

So... does anyone else feel like the ARG website is... odd? Like it's leading to something more coming? And before anyone screams, "Well, ackshully, Hirsch said he doesn't want to do a Season 3-"

YES. I KNOW. He said no Season 3 a million times. I was there when he told us Season 2 was it for the first time. But what he didn't say, however, was, "No more Gravity Falls anything... EVER.". Hence why we've gotten Journal 3, Lost Legends, and now The Book of Bill. Hirsch is veeerrrrry comfortable making more GF stuff.

And as someone that studied programming in college, I can tell you, this website does not seem like it was easy or cheap to make. It's effectively a single screen point and click game in a browser. Looking at the code, it seems they did use a framework called Bridgetown, lacing in looped animated MP4 files with clickable assets on top that make up the interactive elements (e.g the computer), with a lot of content made for the website itself from image files and text for each prompt a user might type. Sure, it's not the most difficult thing to program, but it's a lot more complex than, say, the searchfortheblindeye site back in the day.

That, and as someone who has worked in the corporate world, I'm sorry, but you don't pour this much effort/money into something that is just "lol cool things after product for funsies". If this was just for The Book of Bill, the smart marketing decision would have been to make the lofi album and the website, tease fans with both of them, and let them lead to an announcement of the book itself to tempt them into buying it, not the other way around. Like... Disney ain't gonna do that just out of love for fans. It's Disney, come on. They do things for money.

It's possible that Hirsch paid for it himself just for the fans, but I doubt it. Wanna know why? Because of the website's security certificate and ownership. Let's take a gander at this:

There are two odd things here. One, the range of the expiration. Most security certs last 1-2 years, at least they did at one of my previous places of employment (and we had like 50+ of them). This one expires November 7th, 2024. Odd, but maybe they only want the website up for a few months? Anyways, as an aside, everyone keep an eye out for November 7th, 2024. Could be nothing, could be something.

The other weird thing is the domain holder. Looking it up on ICANN, it gives this address:

Look that up on Google Maps, and it takes you to a company called Dun and Bradstreet. Long story short, the company does a bazillion things, but the main thing we're talking about here is:

Oh gee, Sales and Marketing. And their Sales and Marketing tools? Basically, they use data to tell companies who their audience is, so that they can market to them. Now, why would Disney care about this for a fandom for a show that's been done for almost a decade, just for a book that was released before said website (so we know they're not gathering marketing data for the book)?

Well, if I were to guess... long story short, all this stuff is a tactic to gauge who the Gravity Falls audience is now. Release the book, make some dough and fans happy, tie in a secret marketing data collection gimmick (AKA the website) using D&B as a vendor to hook the data into your CRM, send fans to a website to collect marketing data, and shabam. Now you know who the target market is all this time after.

And why in the hell would a company care about that? You tell me. Why care about who a target market is if you're not planning on marketing something to them later?

It could be that Disney is planning something similar to Gravity Falls and wants to gauge if there'd still be a market for that kind of show. Or... it could mean that Disney is planning on something more substantial related to Gravity Falls or Hirsch pitched it, and they were like, "Well, wait, let's collect data on this, first, so we'd know if it'd be a good business decision.". Not sure.

I mean, maybe I'm crazy, but doesn't this seem fishy to anyone else? If anyone else has any hypotheses as to why Hirsch and Disney have a Gravity Falls website owned by D&B, let me know, but to me... this smells... very... marketing oriented. And Hirsch doesn't seem like the guy to pour his own money into hiring an outside company to gather marketing data, that seems more up Disney's alley.

[kikuism]

finished it

ok i'm starting cemetery boys

[slavghoul]

Slav, what are some of the changes you would like to see in the concerts? I think you've said this before, but Ghost sometimes kind of threads this line of "you've seen one concert, you've seen them all", which, don't get me wrong, there's nothing wrong with that (look at Iron Maiden, for example) but, with their concerts even being scripted for little moments and jokes, it can get old pretty fast. Maybe the new Papa could bring some spontaneity (I agree with you, I feel like it could be someone younger - crazy to think we're talking about made up guys). Anyway, sorry for the ramble.

It's always going to be scripted to the max, I don't expect that will change. We're already getting like a few minutes of spontaneity per show, which tbh is a lot more than in the past lol. It gets stale, but only for what, 5% of fans who are wild enough to do all the dates on a given tour, or watch every single filmed performance on YouTube? They're not the target audience. Anywho, the changes I'd like to see are maybe more on a visual side. New outfits, sure. But also in terms of stage design. I'm ceeeertain Tobias has got the wildest fucking ideas in his head that probably couldn't be realised thus far due to budget limitations. I don't know what that could be and to be frank I am terrified of the possibilities. But I know it's gonna be an acid trip.

No joke that's what I imagine he looks like at every super serious meeting with important concert-making people

Also, I would like to see Papa play an instrument on stage, even if only as some kind of a running joke. Preferably a guitar. I need to witness him churn out some mean riffs on stage before I die. Imagine he leaves the stage during a song and comes back to blast out a guitar solo? I'd explode

[skynapple]

Hi! Sorry to bother you but could you tell us (me) the plot of Love and Deepspace? I've seen a lot of tiktoks and tumblr post about the main 3 💦voice lines💦 but now I'm really interested about the plot of the game. I've only read about a Caleb dying in an explosion, Zayne seeing mc die in every timeline (?) and Rafayel being a Lemurian but I still don't know the contexts. I'm asking because I can't spend money on the game so I have no idea. Thank you in advance!!!

*cracks knuckles* Alright Anon.

This story is SO, so rich and deep and I can't even begin to cover it but I will try to be as thorough yet brief as I can for people who are interested!

TL;DR:

In a futuristic earth, the audience plays as a new hero in a world of alien invaders. When a sudden tragedy occurs, the world is revealed to be far darker than previously thought, and evil forces seem to be at play behind the scenes. Seeking the truth, our protagonist begins to investigate on her own.

On the outside, the story is about a heroine's journey, and also the internal struggle in seeking revenge and how far she'll go to find answers.

It's really about time loops, alternate universes colliding, and how far will you go for the one you love.

I'm going JUST off the main plot here not the myths or too far into the side stories and trying to avoid the in-game jargon:

About the three love interests in order of proximity to her:

Zayne:

Her childhood friend Zayne is introduced early on as her primary care physician and cardiologist. They spent 8 years apart and only recently reconnected. At this point in the story, he is the one she's closest given that history.

He is outwardly stoic but cares deeply not only about the MC but about people in general. This is widely noted by the hospital staff and patients you encounter.

He has an ice power that he uses sparingly and it's currently unknown whether or not it's because he doesn't have total control over it or because it causes him pain or...?

Secretly good at random things like he studied how to peel an apple perfectly in one go

Is shown to be very thoughtful. Always keeps candy around for MC (and his patients!) (they both have a sweet tooth problem)

Speedran med school (he's 27 good God)

Was a combat medic before taking up his current hospital residency

Plot-wise: he knows the most about MC's heart disease and a little about the evil forces who might be seeking to capture her? To me its obvious he may know a lot more than he lets on but he might be withholding to protect her

Xavier:

Xavier is introduced as a mysterious fellow hunter and colleague who is very powerful. They have odd run-ins and she's initially suspicious of him until his employment and position are confirmed by her supervisor, who seems to trust him greatly. Xavier is very knowledgeable about the antagonist's group (Onychinus, lead by the antagonist named Sylus) and what they are seeking. Proximity wise, he's her work partner and upstairs neighbor but it's unclear how much MC trusts him yet in the current plot.

Many things hint to him having lived a long, long time but his age is unconfirmed (he has mentioned he's around 23)

Has a light superpower, in that he can weaponize and control rays of light. Can also teleport.

Is probably definitely an alien

Has a secret alter-ego as a superhero vigilante called "Lumiere"

Is often shown needing to sleep to recover energy and finding out why killed me dead

Obviously knows more than he lets on

He's a bit standoffish with MC at first but this is revealed to be because he can't let her know too much and it's made clear he's very protective of her and shows up often to rescue her

Has a playful "play dumb" side

Rafayel:

Rafayel is a renown artist who is currently living in the same city. He's introduced as somewhat rude and maybe even arrogant. Because of his wealth and popularity, he's targeted by no-gooders and the MC is sent to investigate. She ends up being coerced into being his personal bodyguard-for-hire, in exchange for some information. Rafayel, too, knows more than he lets on and its clear very quickly that he is no ordinary artist. At this point, while they are friendly it's clear that he might be the person she trusts the least (just because she knows the least about him at this point and it's so, so obvious he's hiding a lot).

His paintings are implied to have occasional hypnotic abilities

Is obsessed with the ocean

His special power is fire and it can't be put out by water

Is older than MC

Its revealed to the audience but not MC that he is a Lemurian from the ancient and long gone civilization under the sea (not actually a merman but can and does take the form of one)

Has a strange work partner that may or may not be related to Onychinus but either way he's definitely involved in the underworld somehow

Initially comes off bratty, whiny, and demanding, seemingly thinking only of himself. Overall very over-dramatic

Has a lot of faith in MC for seemingly having just "met her"

Lore-wise: his backstory is very, very deep, tragic, and intriguing where you learn the brattiness is somewhat of an act

The Myths:

Each love interest has an equivalent "mythical" story self, either long, long in the past, long in the future, or simply an alternate world altogether. There's no official word yet on whether they're all connected, or if the myths truly happened. The myths at least add layers and layers to the love interest's personalities and interactions with the MC, at least in showing their deep care and also how they conduct themselves in different circumstances. In each myth, the MC is known to either be romantically involved or wanting to be romantically involved with the corresponding love interest. In all of the myths, the MC has the same heart disease. All the myths have tragic endings.

Rafayel: a former sea god

Xavier: an immortal prince

Zayne: a cursed demigod

About the MC:

The version of her in the main story was adopted by her grandmother-like figure (but no confirmation of true relation) alongside her adoptive brother, Caleb. They fit into the mix for only a brief moment in the story and both die tragically early on in an explosion. This being the event that shakes her world and sets her off on her journey to seek truth of what secrets her grandmother may have been hiding.

Can reincarnate

She's shown to be headstrong, determined, diligent, and a little mischievous.

Her superpower is "resonance" which. I'm still... a little lost on what that means altogether. We do know that she can "connect" and "enhance" other things so in the gameplay by "resonating" with the love interests' powers she can enhance their abilities and make them stronger and maybe even mirror them(??). Don't quote me on this. Anytime she does something I'm like "okk?? I guess she can do that now??"

Her heart is Broken™️ in that she has some kind of disease that only exists in that world. Something struck her heart in a catastrophe when she was young and is now just... lodged itself in there.

Whatever is lodged in her heart is what the evil group (and literally everyone) is seeking.

It's somewhat obvious in the plot that her power is actually going to be crazy OP and strong and that "Only She Has The Power To Save Us All" type of trope

Has a mischievous side

When she wants something, come hell or highwater she's gonna get it

Currently does not have feelings for any of the love interests in the main plot

There you have it!

There's so many layers, so much to uncover, but the main plot is relatively simple so far. The gameplay is fun, and easy. Apparently its similar to Genshin Impact but I've never played that so I can't say!

There's a ton of content on Youtube so if you ever have more questions pls pls bother me I will be glad to send a link or explain more things! My brainrot is spinning so bad.

[ninjakk]

Hi..

As much as I wanted to love the novel (original version), that r*pe jokes author threw in that extra chapter really put me off. She's so good creating the plots in her stories, but why did she has to put that jokes in? She was so insensitive about that issue.

I want to know your thoughts about this :)

Hi anon,

I'm sorry to hear you've been put off the novel, but each to their own.

So, you see the thing is it's not a joke to WWX and LWJ, they are just roleplaying to their kink. There are hints throughout the novel that WWX is not opposed to this forceful behaviour and he even makes a 'joke' about such things back when they are trapped in the Xuanwu's cave.

I think one thing that a lot of people forget is that this was a web novel on a site with author's notes and tags. So if the noncon, or in this case CNC (consensual nonconsensual), was an issue for readers, they might have been able to see this and not read on. It is also something often found in BL and she was targeting a specific audience who would mostly be aware of such things possibly appearing in her chapters anyway. Because of this, I don't think MXTX was being insensitive about such topics.

In fact, I think due to noncon and dubcon being a common trope in the BL genre, MXTX has (as she so often does) turned this trope on its head and actually made it something I would consider healthy. LWJ holds himself back from doing anything without WWX's consent (bar his momentary laps with the kiss, which he feels terrible about afterwards) and consent is actually a running theme throughout the novel. LWJ refuses to do anything WWX doesn't want - to the point he does not take him back to the Cloud Recesses in his first life. It only becomes CNC because WWX wants and encourages it at the end of the novel. Even the apparent dubcon bath scene where WWX thinks he's taken advantage of LWJ, was actually consensual because LWJ had sobered up before this point and it's subtly shown as such by LWJ's speech pattern changing from childish to a more forceful tone. Obviously LWJ's dream is technically noncon and was quite a shock to some, but this was a dream and you can't control dreams. I won't go into the dream scene because there is already a lot of meta on this and I'd just be repeating!

Overall, CNC is a part of WXs shared kinks and I actually found it refreshing to see it handled quite respectfully, in the sense of it being a kink that can have a bit of a bad rep. MXTX showed her readers how a loving couple can have such a kink, yet be so tender and sweet as well.

Naturally I understand why this might make some readers uncomfortable, especially if they are unaware such things are in a novel and it may be triggering. There is an argument here for some sort of warning being included for such content that may pose as a possible trigger and something indicating as such somewhere on the novel cover - as it does not have any on the official volumes I have. Especially considering some readers may have come from the CQL or donghua and aren't aware of such things being present.

As such, I would say that if anyone handled such things insensitively, it would be the publishing companies, not MXTX - as she is just an author catering towards a certain audience and genre. It is the publishing company's responsibility and choice to safeguard the general public from reading something that may be triggering, but most publishing companies do not do this because they fear it may impair sales. There is also a huge argument about adding warnings being a form of censorship and trigger warnings actually doing more harm than good, so it seems to be a very difficult line to tread.

[peachyfnaf]

I'm sorry but "MY BEAUTIFUL PRINCESS WITH A DISORDER<3" really made my day and I needed you to know

🤣🤣🤣

I can't believe Nexus is bullying peepaw war criminal.

Do you think Nexus is going to be stopped by big bro Sun or do you think the lil guy is going beyond the point of no return?

(Please talk about baby cringe Lord Nexus, I want to hear about your blorbo 🙏)

That's because Nexus IS my beautiful princess with a disorder, I'll have you know <3 they're diseased but it's okay I can give them their tetanus and flu shots and it'll all be better I GOT THIS

But. ahem, okay, blorbo yapping time. I'm not even gonna say "I'll try to keep this short" because I know it wont end up that way HAHAHAHAHA

"Do you think Nexus is going to be stopped by big bro Sun or do you think the lil guy is going beyond the point of no return?"

I... have absolutely no idea!!!1! (and also it took me an embarrassingly long amount of time to realize peepaw war criminal was Ruin KJDFHSDF)

The most frustrating thing about canon Nexus is how his morals, motivations, and goals seem to see-saw back and forth all the time. at first, he became how he is now due to Solar's death. he spiraled in his grief, identity-issues, and abandonment. but... now his motivation is to become an all powerful god??? while it's most likely that NSP is at play and affecting his thought process, it's... well, it's really hard to take him seriously as a villain because of it, lol. for an audience to enjoy, and even sympathize in some cases, with a villain, their goals and motivations have to be concrete. they have to be relatable, or at least understandable, but Nexus' whole thing is... not, Imho. and I know I'm not the only person who feels this way!!!

I see a lot of people calling Nexus "cringe", and the thing is, when it comes to canon Nexus, they're not really... wrong??? The worst thing Nexus has done so far is make Old Moon see his past victims, which is fucked up of him to do, but.. so far, that's kind of it??? other than that, his "villainy" consists of saying empty threats and cheesy evil one-liners. hell, he was supposed to kidnap Sun yesterday but instead spent the whole episode yapping and venting to him, chasing Sun around in the worlds darkest game of tag before getting some lead right in the face dkfjhsdfsd

Also, notice how he's only targeted Old Moon when it comes to actual physical violence? not Lunar, Earth, Solar, or Sun, but Old Moon? yeah, I did too. we already know that Nexus does everything because he's lashing out, but as of rn the only target he's gotten his hands on physically being O.M...? well. I think it says a lot. cause' yeah, he sure as shit scared the life out of the other Celestials, but he's never put his hands on them!! the only other one of them he harmed physically was Earth- and not only was he not aiming for her, she was just in the way- he felt immediate regret for his actions once in space, and has yet to even see Earth ever since that day.

So, I really have no idea if he's going to be "redeemed" or not. one second he's showing signs he might be, and the next he's falling further down the "pretty badly written villain" rabbit-hole. if he does get something akin to a redemption arc, he'll prolly mostly be accepted in the eyes of the viewers, considering a lot of peeps sympathize or at least understand where he's coming from, but I seriously doubt the other Celestials would take him back. the only one's who might see him as family/a close friend again are Sun and Solar, but even then, nothing would ever be the same.

I hope he gets redeemed, or at least freed from the hold Dark Sun has on him and he's able to live his own life, I really do. at his core, Nexus is a good person. a good person who was crushed under the weight of the shadow of the man he was born under. and we know this because he used to be New Moon. sweet, dorky New Moon.

New Moon, who made inventions like sentient knives and whoopee cushions. New Moon, who had matching My Little Pony stickers with his best friend. New Moon, who bought a whole ass island-luxury-house for Sun because he wanted to make him feel better and give him the proper space to heal. and New Moon- the poor freshly-baked A.I who gave his all to make sure he could do everything that Old Moon could, but it just wasn't enough. he tried and tried and tried, but it wasn't enough.

So yeah, idk if he's getting one in canon, but to me, he more than deserves a good ending, for the life he was given. let him be at peace.

[bekolxeram]

I honestly think it's nothing personal. Someone just saw your post and felt pity because the writers often don't do this much research when it comes to the show, so OP and those reblogging the post probably thought you'd do yourself a favor if you stopped obsessing over the timeline. What they failed to notice, though, is that this is not really the focus of your analyses; you don't care about the timeline, you care about the aviation stuff. It's your passion so it's normal that you want to see it represented well or at least somewhat believable in the show. This is not a crime.

If you worry about potentially irritating people, you could always add a disclaimer on top of the post that this is just an info dump about the real world, but the show ultimately does what it wants to do so no one here should feel obligated to subscribe to your theories.

I think there are a lot of people actually appreciating your input to our fandom, but there will obviously be some who don't care and get irritated. It's normal. I get irritated all the time when I scroll on my "For you" page here on Tumblr just because people headcanon Buck and Tommy in a way that I don't. That shouldn't stop them from writing what they want, though. It just says that I'm not their target audience. I think the same's with you. If someone's really this annoyed because you write about something you're passionate about and it collides with what they believe to be true, let them. Add a tag that they could block if they don't want to see it. But don't let them dictate what you write about.

Sorry, this got really long, but I really want you to know that it's okay to be yourself here, even if some people don't appreciate it. There will always be those who don't, but there will also be those who do. I think your input is great for fanfic writing purposes at least. If you help just one person with your knowledge, I think it's enough to feel satisfied. Also, if Buck was real, I bet that your blog would be one of his favorites because he could actually learn some cool stuff about his boyfriend's profession.

Ultimately, this is your mental health and no one here can force you to do something you don't feel comfortable with. If their comments made you feel like you shouldn't impose, it's a shame but if helps your mental health it's fine. I'll miss your analyses and I'm sure plenty of people will too. But we'll have to accept it because there's a real person behind this screen and their comfort should be prioritized on this blog. But if a part of you feels like you don't want to stop, please listen to it before you make this decision and remember that it's okay to be fully and unapologetically yourself.

I actually love long posts. And this is so lovely, I teared up a bit reading it yesterday, so thank you.

I think you put into words very accurately what I wasn't able to. I made my first ever post the day 7x09 aired. (It was actually my 30th birthday.) Something happened that week, a Singapore B777 encountered severe turbulence over Myanmar, injuring 104, killing 1. The media immediately pointed out the jet "plunging 6000 ft in 3 minutes" using FlightRadar24 data. I'm not talking about tabloids, I'm talking about BBC, Reuters, Al Jazeera, reputable news agencies. Aviation experts contacted the media upon reading the articles and told them a descent rate of 2000 fpm is actually standard, more so when there are injured passengers in need of urgent medical attention. Even then the media didn't walk back their sensationalized statements until a week later. That combined with the widespread attention Boeing has gotten after the MCAS scandal and the door plug blowout earlier this year, this kind of clickbait-y reporting with numerous misconceptions always gives me the ick.

Then, as you remember, the tide on BuckTommy turned drastically around that time, when a subsection of the fandom realized Tommy was staying. And that's when I started seeing takes like he only "drove the helicopter", Hen was the hero, Tommy did nothing and didn't deserve a medal. As you can see I was already in that mindset, being irritated by aviation misconceptions, I really wanted to hit back with my measly little knowledge about flying. I was already seeing people over here getting annoyed by the constant negativity and fighting, then I had an idea, why not try explaining the 5 years vs 7 years at Air Ops conundrum by bringing the intensive training for LAFD pilots into it? I mean, the introduction Tommy gave Buck during the Harbor Tour was lifted verbatim from the real LAFD website. The writers didn't even have to google the "training takes 2 years" part, it was on the same page, they just had to scroll down a little and read a few more lines.

I just thought it would be a fun little hc/potential background story for Tommy, showing how hard it is to be a firefighting pilot. On top of that, competency and dedication towards one's goal is just super hot. Even the CAL FIRE air tanker stuff I wasn't trying to persuade others that the invisible string theory is wrong. I just saw and loved the idea that Tommy always "knows a guy". We only saw one example in canon of that, him being friends with the Las Vegas fights promoter, so I was like, wait, he knew a guy with CAL FIRE too! Maybe also sneaking in some fun facts about the power and danger of water dropping in an urban environment. I never intended to nitpick, I'm just trying to bring 2 things I love together. I mean real CAL FIRE didn't even start operating C-130 until last year, and I don't give a damn about it.

I wrote about my fear of one day being mistaken as one of the Tommy bashers because my current overfixation coincides with what the haters decide to fuss about that day. I saw pushback against looking too much into the timeline first 2 times I posted about Tommy's pilot career. As I said, I planned to keep writing about things I enjoy until the day comes that I unknowingly walk into the bear trap. Honestly, I feel like this time is it.

Like many BuckTommy enjoyers, I've been a little on edge since the hiatus started. We've got attacked, harassed and bombarded daily by a thousand different reasons Tommy supposedly won't be back for S8. Then I saw those planes, I saw that hangar, and I was so excited. I had so many ideas and speculations to play with. The 8x02 title came out, I finally got a couple aviation related asks, I was so pumped. I wasn't even thinking about CAL FIRE at the time, someone asked if it was possible Tommy flew that plane realistically, so answered it. And hours later, that post popped up, explicitly mentioning my theory, with 200+ notes. It was just... a little overwhelming.

I'm not even mad at those who think I obsessed over these things too much. I just... wasn't prepared for that. I thought, comparing to the months of bad faith discourse, I was just talking planes, helicopters and clouds, that should be quite tame? I did not expect it to be actually controversial. I just don't feel the same happiness nerding out about aviation in this fandom afterwards. Maybe I just need some time to process and perhaps tone it down? I don't know. I still have many ideas in my head and those asks in my inbox.

But once again, thank you for taking the time to read my ramblings. You have no idea how good that makes me feel.

[thelawsofdaylight]

I'm sorry if this isn't approriate, but I don't really understand why you find Les Mis a good target for a climate protest? I get that the musical has themes that align with the protesters but like... what was the good outcome? Are there really People in that audience that don't know climate change is happening? How Will this change their mind? What action is meant to be brought on by trowing soup at paintings or disrupting a performance? Does that actually help the cause of combatting climate change at all? Does it help make people more aware, does it have an effect on the mechanisms of polluters? Isn't there anything more focused that these resources (both money and the incredible bravery and drive of the People themselves) could be better focused on. These protest feels so different from like, people chaining themselves to a private jet or the schoolchildren going up to parliaments by the thousand to demand policy chances to better their future. All of the JSO actions feels so performative, I just don't see how they are actually doing anything of even the mechanism by which they are meant to accomplish anything? Which doesn't mean that the people involved aren't great people or that the reaction of the Les Mis crowd wasn't fucked up. Just... what was even the goal?

Hey! I know it's been a while since I made that post supporting the JSO protestors but I've gotten a few asks like this in the time since (and am still getting them) so I'm responding to this as the most good-faith one in my inbox and hopefully it answers others that have been asked to me in the past couple weeks as well. Disclaimer: If I'm responding to things outside the remit of this ask, it's likely that it's because someone else sent an ask about it and I've been juggling them all in my head as I've been thinking on a response.

I think in order to answer the first part of the ask we have to tackle the second. 'What has this action achieved' only works as a comprehensive criticism if we look at it in isolation to all of JSO's other actions. What I mean by this is: JSO launched by blocking oil refineries for days on end. In the two years they've been active they've done similar actions, including but not limited to disrupting fuel distribution centres, petrol stations, interrupting fossil fuel conferences, and, most recently, trying to stop the relocation of asylum seekers to prison barges. Their actions go far beyond blocking roads and disruption of public events. I think this is important to establish as I don't know how much of a working knowledge anyone not in the UK Climate movement actually has about JSO and I think it's good we're all on the same page.

But if they do all that (effective, important) direct action, then why target Les Mis? What does a West End show have to do with fossil fuel companies and climate change? And in response to these questions I'll ask one of my own: were you aware of the fact that JSO tried to stop migrants from being deported until I mentioned it just now? A lot of these actions, the ones that actually target infrastructure and confront those directly responsible, get little to no media coverage. When news of the Les Mis action first broke out, I saw so many people on Twitter with the same reactionary takes: why target Les Mis when the Conservative Party Conference literally happened the same weekend? And that's a fair and valid point- if it wasn't for the fact that JSO were at the conference. I know this because I was there too. They had a huge bloc in the march and went on to do other actions in the city after the march had ended. The whole thing, the entire 10,000+ strong protest, got maybe 30 seconds coverage on the local news and not even a mention of JSO's presence (or of climate change in general for that matter.) JSO's previous actions directed at fossil fuel companied themselves get very little, if any, coverage compared to their big flashy sports/awards show/performance interruptions.

So yeah, some of JSOs actions are 'performative'. But I don't think it's unreasonable to suggest that even performative actions have their place within the wider struggle. I understand not liking public disruption as a tactic and I understand the issues with it, but I also think it's worth reflecting on why groups like JSO use it.

Editing my draft here to report that earlier today they smashed the frame of a painting that was previously vandalised by the Suffragette movement in 1914. That's a performative action, sure, but you have to admit it makes a point. Just like the tageting of Les Mis, a play about an unjust society and the people striving to change it, makes a point about hypocrisy. It gets the media coverage. We can debate all day about the usefulness of that coverage and if chasing media headlines should be our goal in the first place... but at the end of the day, it's been proven that JSOs membership grows every time they do something like this. It gets more people to join, which means next time it comes round to blocking key infrastructure, they'll be in a stronger position to succeed.

This isn't to say don't criticise them at all! I actually think criticisms like this one are a key part of organising and, done with care, can only make our movements stronger. I have my own issues with JSO- namely, the carelessness with which arrest is actively encouraged/promoted as the only valid form of resistance- but that's a whole other conversation and one that doesn't undermine my support and solidarity for the activists who are doing those actions (and sacrificing a whole lot in the process.) I think mass direct action movements are rarely ever perfect but I also think we need to show solidarity first and foremost when people are trying to do the right thing, especially if how they're doing it is in conjunction with or as a response to other tactics.

[pseudowho]

hiya 🙂 i love your nanamin fics and i followed you for them way back when you wrote the pregnant reader one (and I still think about it). thought id ask you cos you seem to answer questions like this pretty wisely 🥲

i started writing fics for a pretty niche character in a fandom (not jjk) a while back and a friend/moot started then too. this character doesnt have lots of readers and thats fine im just here for the writing.

but since then ive noticed my friend has stopped reblogging my fics even tho they did before and even tho they obvs read and reblog everyone elses fics for this character (there really arent many of us).

they also seem upset about notes/likes a lot of the time. but I know they read my fics because I see lots of the same word choices and styles show up in their fics the next time they post.

its upsetting me lot tbh. i still read, like/comment/rb fics i like and its starting to feel like they do it because they think i have more readers than they do and mb theyre jealous.

anyway i dunno if you think i should raise it with them or just leave it?? they dont talk to me much anymore either after I didnt rb one of their fics i didnt really love.

First of all, well done for starting to write, and writing for an 'unpopular' character too, it looks like it's hard having a niche audience in the Tumblr-sphere. I'm always really grateful when someone writes for a niche character I love, every fic is like finding a diamond!

Second of all: I'm really really sorry this is happening to you. It has happened and still happens to me, too.

Thirdly: While I'll give my thoughts on it straight after this, one truth is that the other person maybe simply doesn't like your writing, and there's nothing mean-spirited about it at all.

Saying this, in your case, there seem to be too many little factors that actually makes me think... 👇

I have Thoughts™️💬 about Toxic Tumblr Reblog Culture...

There is a little phenomenon I've noticed with a lot of fic writers, where they seem to stop reblogging the fics of others who they view as competition. Even if they often read and reblogged another writer's fics before they themselves started writing.

They seem to think that if they reblog the work of you, their "competitor", then your work will get more attention than theirs. It gets even worse the more 'popular' you get, sadly.

I understand, because it's hard to see someone reblog most other peoples' fics about a character, and then pointedly ignore yours. You're not mad for feeling targeted. It can feel this way.

Equally, there can be a cherry-picking of moots' work, and a high school clique attitude to reblogging. Do two or three people band together and constantly reblog each others' work, making a huge fuss whatever it is, but leave you out even though you've historically been part of the circle before? Again, it's not as uncommon as you think.

A real "if we become moots, that means I reblog all your stuff, and you reblog all my stuff" as an unspoken rule. While that might work nicely for some people, it can also foster an air of pressure or entitlement, or of reblogging things even if you didn't really like them, because they're your friend. While fostering growth and circulation in the art community should be celebrated, I'd hate to think someone reblogged my work out of obligation, as opposed to passion.

I've had followers who loved my stuff, always commented and reblogged etc, but when they started writing for the same characters themselves, just stopped. I've also noticed a lot of the things you mention (them using similar word choices, stylistic choices etc to mine, in their new fics).

So, you know they're there reading in the background, and it doesn't make sense that they liked your writing one day, then just stopped liking it overnight, right?

I don't often muse aloud about "controversial" subjects on Tumblr, but this one really gets me. It turns writing, an already isolating art, into an even more isolating "competition".

It's sad, really.

Saying that, I still read, comment, reblog all the work of theirs that I read and love! It feels petty and ridiculous, but try to be the person that you want to see in the community. They'd probably notice they still get just as many readers as before, and actually, will be forced to address that their writing may be less popular for another reason.

I have wonderful friends here who read and reblog any of my stuff they like, just as I do theirs. I made a post a little while back, r.e. always reblogging stuff just because you're moots, and I'm glad to say I don't have this strange entitled relationship with these friends. It's low pressure and really fun.

Reblog in the best spirit; reblog stuff you love, that you think is great, etc etc. Don't fall into bad intentions! It's meant to be fun. It's not high-stakes. What are people competing about? I feel really bad for you, OP, and I know what it feels like.

Jealousy in the Tumblr fic writer community is strong!

Hang in there baby. You're doing great.

-- Haitch xxx

[r1ckst3r]

Discussing stuff:

Gonna try to make this short and simple.

If you have been in the Kaeloo fandom these last few months you might have saw or heard some discussions about some drama happening. One of the person concerned posted a document about it and I'm not here to talk about it or anything since someone else already got that covered. I'm here to talk about the one "critic" (or how do you want to call it) I have received in it.

Even if I joined the server very lately compared of most people involved I somehow made it in there.

The only interaction I've had with Jay was them complimenting a WIP of an animatic I started and never finished that I then posted in STM, nothing else.

But still they've decided to include me in the document for only saying that my opinion doesn't count because I am a fictionkin?? At this point you could've just ignore me at all.

Do you even know what a fictionkin is? Or you just saw the word misused on socials and went with it. Because I am sorry to disappoint you but even like that, your point doesn't make any sense.

To make you try understand where it isn't working here is a small definition of fictionkin. A fictionkin is someone who has a deep connection to a certain character (in a emotional or spiritual way) to the point they believe they were them in a past life or alternative universe. It can be caused by neurodivergence or trauma, and it's sometimes a sort of coping mechanism.

Your whole point is that since I "identify" as a character as a coping mechanism from the stuff I've experienced, my opinions are obviously wrong and not valid.

Here is a small reminder for you that I am a person, a minor, and like everyone, I have feelings and the capacity of thinking. I know what I like and what I don't. I know what is right and what is wrong.

You are in a fandom of a kids show, where the targeted audience are children. There are gonna be kids, they are gonna have access to any content, if they see the stuff you've created, it's your fault. Posting the content you make on an adult only server or platform would've worked. But you are posting that content saying that "you aren't responsible of minors viewing it", well you are actually.

I tell you this with all the respect and kindness I have, please grow up. Because judging literal children for being "cringe", (since, I understood your sentence as a sort of mockery), is literally the most childish thing you could ever do.

Thank you for whoever took the time to read this. Remember to check also Random's response before picking a side.

[anhed-nia]

BLOGTOBER 10/5/2024: INTERVIEW WITH THE VAMPIRE (1994)

I'm sorry, but this movie fucking sucks. I hadn't seen it in decades and I thought it was probably "OK"; I devoured the books as a kid and I didn't remember hating the film, but I should have realized that it was a red flag that I didn't love it. I have now discovered that it's bad enough that it failed to thrill me when I was a morose little horror dork who was really the target audience, and as an adult I can hardly stand it.

Daniel Molloy (Christian Slater, dressed up as Art Spiegelman for some reason) interviews for-realsies vampire Louis (Brad Pitt, still looking like he spends a lot of time in the sun) about life with his master Lestat (Tom Cruise, who knows why) and their eternally-childlike daughter Claudia (poor li'l Kirsten Dunst). Suddenly I feel like I don't know what to say about this, as I'm writing, even though I enjoyed the book and also the superior-in-every-single-way TV show. You know. Louis is really sad about being a monster. Lestat is really happy about being a monster. Claudia is really mad about being a monster. They have interpersonal problems. Later they meet some other vampires, and have interpersonal problems with them. At the end Louis is angry with Daniel for not getting the point, but maybe neither did I.

To some degree the problems of the movie are the problems of the book, but on the page they're basically forgivable for various reasons. I'm probably not going to refresh my memory, but as I recall Anne Rise has a way of really drawing you into her world, which is so literally-sensational that it makes up for her boy-crazy humorlessness. Everybody basically has one characteristic, outlined above, but the visceral pleasure of the prose takes over--and to be totally fair, it was novel at the time. It was the vampire story we had all been waiting to hear. (Ok, so the book is from 1978 but it still felt fresh in 1994) But when you port all that to the screen and leave the telling to these actors who are almost universally miscast, it all just lies there, dead.

I thought my hesitation about rewatching this was related to my petty aversion to Brad Pitt and Tom Cruise specifically. I really don't enjoy either of them in general, and I also felt like they were profoundly wrong for the roles; neither of them could be less goth, less tortured, less otherworldly. It feels criminal to fill these classic queer outsider roles with alpha males who seem like they would have beaten up your weird gay friends in high school, and their performances are not remotely good enough to make up for this impression. Kirsten Dunst is perfectly awful but like...you just can't have a 12 year old playing a person who is any older than 12. It cannot work. It's not her fault, it's just a bad idea.

The only guy who is any good at all in this is Stephen Rea, a staple of director Neil Jordan's films, who I almost didn't even recognize because his Santiago is so uncanny and dynamic and fun despite having very little to do. I love the way his look references LONDON AFTER MIDNIGHT, it made me wonder how much more could have been done by subtly comparing Rice's vampires with their cultural predecessors. Rea lights up every scene he's in because he's so mischievous and unpredictable, and he's also almost the only person with any standout stunts--which helps me segue into the other main gripe I had with this movie, that it is incredibly stiff and static. It's like a prison. Everyone is totally weighed down by their giant ridiculous wigs and seven layer costumes, so even though the movie is supposed to be all sensual and shit, it's like nobody can even move.

Dealing with INTERVIEW WITH THE VAMPIRE is making me realize that I'm not quite sure what I think about Neil Jordan. I have this kneejerk reaction that he is Great because THE CRYING GAME is such an institution, and MONA LISA is real good too, but I might have found all of his other movies kind of humorless and stiff and like, beautiful but not altogether meaningful. I really struggle with THE COMPANY OF WOLVES because of its terrific FX and handful of fun scenes, but there is something about it that fails to connect with me. Sometimes it's overly pretentious, I mean paralleling a maiden's coming of age with the blood on the white roses is like...pretty gross, dude. But overall there is something about it that just lacks substance, despite its relentless and oppressive Symbolism. It seems like this problem should have been smoothed out for INTERVIEW since it was shot from Anne Rice's own script, but according to me, it really does not work out.