#the raveonettes sing...

[danbenzvi]

On The Jukebox: The Raveonettes - "The Raveonettes Sing... (EP)"

A covers album consisting of songs that are personal favorites of the band. Track listing as follows:

"I Love How You Love Me" (originally performed by The Paris Sisters)

"Goo Goo Muck" (originally performed by The Cramps)

"The Girl On Death Row" (originally performed by Duane Eddy and Lee Hazlewood)

"All I Have To Do Is Dream" (originally performed by The Everly Brothers)

"Will You Love Me Tomorrow" (originally performed by The Shirelles)

"Venus In Furs" (originally performed by The Velvet Underground)

"Wishing" (originally performed by Buddy Holly)

"Return Of The Grievous Angel" (originally performed by Gram Parsons)

"Shakin' All Over" (originally performed by Vince Taylor)

"Leader Of The Pack" (originally performed by The Shangri-Las)

[manitat]

Slušam...

[th3-0bjectivist]

Dear listener, on the incredibly rare occasions when I crave some old-fashioned rock n’ roll that also appeals to the very darkest shades of human nature, I immediately turn to The Raveonettes for elucidation and insight. This Danish duo manages to give me the exact audial drug I need when I’m in a mood, whether it be an upper or a downer, to put my troubled spirit back to a delicate balance. This isn’t music that I enjoy in a traditional sense. More like I can’t help but LOVE it because it’s just that damn good! Above this paragraph, you can smash play on Love In a Trashcan from their 2005 album Pretty in Black. And if you happen to find yourself in an uncontrollable full tilt boogie, join me down below for a little more on these feathered friends.

These birds create a lot of retro-rock which is a big throwback to an American 50’s and 60’s style, all while touching upon some very dark themes like murder, lust, crime and betrayal. Hailing from Copenhagen, Denmark, this dynamic duo’s tracks are often tied to the past instrumentally and given a facelift through synth, distortion, and occasional hip-hop inspired beats. This is indie noise pop with a refreshing darksome lyrical twist. These corvids don’t just play well together, they sing well together as well, giving them a slight edge over the standard guy/girl, one is on instruments the other is on vocals model that I’m used to seeing everywhere in modern music. When you mash all of that up with some skilled guitar work and a clear fascination with vintage Americana, what you’re left with is a sound that somehow feels old school and new school simultaneously. Musically groovy, lyrically edgy and boasting a catalog that spans over two decades, these songbirds manage to consistently bang out tunes that are fun AND forlorn. Often combining catchy vocal harmonies with shoegaze stylishness, their work will keep you feeling as bipolar as Kayne West… only without the inflated ego and narcissistic God-complex as part of the total package. If you’re old enough or know enough about 60’s music to have heard of groups like The Velvet Underground, these winged wonders will provide you with a walk-down-memory-lane experience with their spicy topics, high-quality poetry and avant-garde approach to rock. A few years ago, I posted my very favorite song by these nutcrackers which either Soundcloud or Tumblr deleted for God-knows what reason, so now I’m posting it again. Click just below for Lust from their 2007 album Lust Lust Lust, its one hell of a melodic banger! Lots more music to come in 2024, folks. Thanks so much for tuning in to my personal radio station on Tumblr!

I don’t necessarily recommend a lot of bands that reach for a retro style, so I implore you to enjoy this week’s entry as it’s something of a rarity. And HEY, @t-underneaththeradardancing, as far as I’m concerned this one’s just for you my bird-lovin’ buddy. Image source: https://music.newcity.com/2024/06/06/harmonic-noise-is-real-explosive-and-fun-a-preview-of-the-raveonettes-at-the-bottom-lounge/

[alwaysalreadyangry]

the raveonettes, who i am on the record as sometimes enjoying (where are you wild horses is one of my favourites) have done a really boring lacklustre cover of the shangri las’ transcendent girl group goth pop masterpiece the leader of the pack. it’s not the first awful cover of it… made by people who maybe think they can elevate it or make it weirder or more goth. like, you can’t. a group of 1960s working class teenage girls singing their goth melodramas will remain more punk and interesting than any attempts to outdo them

[addicted-to-his-knife]

WHAT THE REPO! CHARACTERS WOULD LISTEN TO.

Do you find yourself bored, looking for new music? Do you happen to like Repo! The Genetic Opera and have you ever wondered what music the characters would listen to? Here are my headcanons! I'm submitting them directly to "addicted-to-his-knife" since my blog doesn't have much reach, I have like 30 followers and I also think this blog is great ♡ Songs are taken from my own gothic rock-metal/darkwave/goth playlist.

Shilo Wallace: I have a feeling Shilo would really like Siouxsie And The Banshees, I can see some of her favorite songs being Sick Child, Happy House, The Lonely One, Spellbound or Cities in Dust. I think she would also like The Birthday Massacre, particularly Looking Glass, In The Dark, Shallow Grave, The Sky Will Turn and All Of Nothing. Shilo would also find solace in the lyrics of So Alone by Anna Blue, Illusion by VNV Nation, Isolated by Chiasm, Coma Baby by Nicole Dollanganger and Walking On Air by Kerli. After all the isolation and grief she's gone through, Shilo needs music that makes her feel understood.

Nathan Wallace: Nathan, as we all know, is going through it. I can see him listening to some Joy Division songs with lyrics he would find comforting, such as Disorder, Shadowplay, Dead Souls, New Dawn Fades and I Remember Nothing. Nathan would also enjoy some Depeche Mode songs, for example Enjoy The Silence, Ghosts Again, It's Called A Heart and Strangelove. Cuts You Up by Peter Murphy is another song he really likes. He will listen to Bauhaus as well, classics like Dark Entries, She's In Parties or Bela Lugosi's Dead. Anesthesia by Type O Negative or Spectre by Christian Death are songs Nathan would like as well. Overall, he needs music that helps him deal with the pain within his soul, torn between being a protective father who wants to keep his daughter safe at all costs, even if that means lying to her, and a bloodthirsty, macabre and violent Repo Man.

Graverobber: Graverobber listens to Rob Zombie, and he actually tries to imitate his style. Songs like Dragula, Superbeast, Feel So Numb, The Life And Times Of A Teenage Rock God and Dead City Radio And The New Gods Of Supertown are some of the tunes he listens to while he's partying with the Zydrate addicts. Graves also enjoys Light Asylum, with songs like Shallow Tears, Dark Allies or Knights And Weekends. Sometimes he listens to Absence by Ludovico Technique, Dig Up Her Bones by Misfits or The Wanderer by The Cemetary Girlz. Graves finds that music helps him relax as well as petting any rats he comes across. Other songs he also vibes to are Rats by Ghost, Drunk On Shadows by HIM, Entombed by Deftones and Grave Robber At Large by Creature Feature.

Blind Mag: When she's not blessing others with her beautiful voice, Mag listens to Within Temptation, songs like Forgiven, Stand My Ground, Angels, Somewhere, Our Farewell and The Swan Song are her favorites. She sings along to Phobic Sea by Autumn's Grey Solace, Procession by SRSQ and Bless The Child by Nightwish. Mag also enjoys Lebanon Hanover, particularly Midnight Creature, Saddest Smile, Gallowdance, Hollow Sky and The Last Thing. Mag is a sad soul, a caged bird who can't escape so she just sings. Music helps her feel a little more free.

Amber Sweet: Amber is definitely into Diva Destruction, she loves their aesthetic and their sound, especially their songs Tempter, Snake, Valley Of Scars, Cruelty Games, Enslaved, Screaming Inside and The Broken Ones. Hole is another band she likes, with songs such as Reasons To Be Beautiful, Doll Parts, Violet or Nobody's Daughter. Amber also enjoys The Raveonettes, their songs Love In A Trashcan, Kill or I Wanna Be Adored (a cover) are just a few examples. She likes the song Gothic Girl by The 69 Eyes as well. Amber is very girly but also very gothic and that tends to reflect in her music taste.

Pavi Largo: Pavi listens to Male Tears, with some of his favorite songs being Hit Me, Model Citizen, Trauma Club, Good In The Dark and Embrace Death. He also likes Drab Majesty, with songs such as Kissing The Ground, Forget Tomorrow, Too Soon To Tell or 39 By Design. Pavi likes The Cramps too, especially The Way I Walk, Human Fly and Goo Goo Muck. I also feel like Pavi would vibe to Barbie Girl by Aqua, his bisexual ass loves both Kens and Barbies. He also likes Lullaby by The Cure, Beast Of Blood by Malice Mizer and Dressed For Death by Fear Cult. And if it's possible in the Repo! universe he would definitely listen to Skinny Puppy as well lol.

Luigi Largo: Luigi has severe anger issues and I think his music taste would reflect that. Luigi listens to Korn, songs like Falling Away From Me, Coming Undone, Freak On A Leash or Make Me Bad. Luigi likes She Wants Revenge as well, especially their songs Tear You Apart, Written In Blood, Take The World and Red Flags And Long Nights. And he probably likes some Shayfer James songs too, like Villainous Thing, For The Departed and Where We Belong. He would also enjoy In The Dark You Die by Dark, Watch You Bleed by Haunt Me, and Samael by Ankst.

Rotti Largo: Rotti has lived a very privileged life, but he's dying and he thinks none of his kids are worthy heirs so I can see him turning to music for comfort. A song I think he would like is (Don't Fear) The Reaper by Blue Oyster Cult, since it would help him feel less afraid of death. As CEO of GeneCo, he probably has contacts and associates in other countries, since GeneCo would probably exist on a global scale, so I can see Rotti enjoying music in other languages as well. She Past Away would be another band he'd listen to, with songs like Ruh, Monoton, Kasvetli Kutlama or Ritüel, as well as liking Molchat Doma, for example their songs Kletka or Sudno. He would also like Crow Baby by The March Violets and Dead, Cold, Autumn by This Cold Night.

Thank you all for reading, feel free to make similar posts if you'd like, add more songs in the comments, or make playlists, if you enjoyed it maybe I'll submit some more in the future! Have a great night/day wherever you are ♡ Stay kind and spooky! The best season of the year is around the corner.

[weneverlearn]

Mary Weiss, me; outside Magnetic Field, Brooklyn, 2008 (photographer unknown)

Mary Weiss, R.I.P.

It was 2005, and I'd lived in NYC for less than a year. I somehow finagled my way into a listening party for the incredible new Rhino Records box set, One Kiss Can Lead to Another: Girl Group Sounds Lost & Found. It was at some small event space in midtown, I don't remember what it was called. Cool joint though...

I felt a bit overwhelmed in this packed room of esteemed scenesters, aging industry big wigs, and the incredible original performers from the box set they were able to round up and sing a few songs.

Luckily the ever-fun couple of Miriam Linna and Billy Miller (Norton Records) were there, scanning the room with eyes as wide as anyone's, and the two introduced me to a few heps, like Richard Gottehrer -- the amazing producer/songwriter who sprung form the Brill Building and ultimately produced some of my faves, like Richard Hell, the Go-Gos, and Marshall Crenshaw, among many.

Then I saw Sune Rose Wagner, singer/guitarist of the Raveonettes, one of my newer faves of the moment, and he was crying. I'd interviewed him over the phone a couple years earlier for a Cleveland mag, so I re-introduced myself and asked what was wrong. We hugged. He said that earlier in the week they'd played and had all of their instruments stolen afterwards, and he was so distraught he was thinking about quitting music. I told him no way, maybe they'll find the stuff, etc... He kind of perked up, and then once the women started singing with a live band, his teary eyes started shining from the glow of the stage taking over the pretty dark room. These women -- and I can't remember which acts they came from, but they were all on the box set -- were resplendent in glittering dresses, hair done big, and smiles wider than 5th Avenue.

I saw Billy and Miriam again, and they were chatting with Mary Weiss lead vox/face of the Shangri-Las -- arguably one of the top three acts of the whole mid-60s "girl group" scene. I was introduced quickly, but I let them get at their convo as I assumed the Norton nabobs knew Mary from way back.

However, Billy comes up to me later and tells me he had never met her before, that she was his first female musical star crush, and he absolutely sounded like a 16-year old trying to cram his melting heart back into his chest. I was pretty floored myself -- I always loved the Shangri-Las from first hearing them slip out of oldies stations growing up to when I first started diving into girl group sounds as a record-amasing teen. They, the Ronettes, and Darlene Love were the cream of the dreamy crop in my book.

The whole night was not unlike making your way through a Shangri-Las compilation: every emotion possible heaving up and down, surrounded by sounds lilting, swelling, crumbling, but always with that Big Beat bubbling, ready to shove you out of the sadness...

After the news of Mary Weiss' sad passing yesterday, of course many acknowledged her teen stardom of the mid-60s; the influence of the Shangri-Las' street-tough image and emotions on the New York Dolls (who used Shangri-Las producer, Shadow Morton, for their second album) and much of the early new wave of the mid-70s; the respect of her keeping a singing career going through the years, and the glorious third act she had in the late 2000s with the help of Norton Records and the great album, Dangerous Game, where Weiss, in excellent voice, was backed by the rulers of garage pop of that era, the Reigning Sound.

No, it wasn't some top 10 album, but it just oozed with a kind of vintage-to-ever cool that is so rarely captured in a "comeback." (And it definitely got her press and new young fans.)

In fact I think that album, and especially that incredible Rhino box set, brought back that '60s malt shop-meets-back-alley girl group ouvre to a whole new generation.

This was not front page news. Nevertheless loads of acts like King Khan & BBQ, Peach Kelli Pop, Shannon & the Clams, Hunx and His Punx, the Vivian Girls, Baby Shakes, Black Lips, A Giant Dog, and even the re-emergence of Nikki Corvette and Ronnie Spector to the stage brought the cloud-bound reverb and scruffy riffs of vintage girl groups back to prominence in the underground garage rock scene. And again, due to their sounds and looks, the Shangri-Las and the Ronettes were the template.

It has since dawned on me many times that Mary Weiss -- and the Shangri-Las as a whole -- have a nearly singular place in R'n'R history. Considering the admittedly limited catalog of songs, their outsized influence has spread from radio hits in the '60s to the underground proto-punk not ten years later; to the CBGB scene; early '80s new wave and power pop shadow-pep (like Blondie, Go-Gos, and many more); Aerosmith covered "(Remember) Walking in the Sand," and others of the big coif/high dramatics of hair metal had some Shangri-Las DNA in the hair spray; from transgressive filmmakers like John Waters to drag queen blueprints; to 2000s female neo-soul hitmakers -- arising at the same time as the aforementioned garage pop underbelly -- and even up to the recent talk/sing busted romance stylings of mega-popsters like Taylor Swift.

I saw Weiss at a couple shows over the next year or so. She was always so excited and grateful for all the accolades and thanks people laid on her. She played a remarkable show in Brooklyn that Lee Greenfeld booked, at the Atlantic Antic street fest in September, 2007 -- right outside Greenfeld's madly-missed club, Magnetic Field. We felt the Antic gig would be the first of many, but there were just a few more local gigs, if memory serves.

Somewhere in 2008, at an A-Bones / Yo La Tengo show at Magnetic Field, I chatted with Weiss for a bit afterwards. I can't express enough how inspiring was her love of music and hanging out at a small bar with a bunch of music obsessives knocking back cheap beers. At the 1 a.m. chime, she kissed my cheek, I laid one on her's, I walked home, and I will assume that if there is a Heaven, that moment should get me into the meetings where they discuss how to improve Heaven. It's a cinch it's improved today.

Variety obituary here.

From obituary:

The group’s tough-but-vulnerable New York City teen image was genuine. “Overall, the girl groups had very sweet images, except for the Ronettes and the Shangri-Las, who had a tougher, harder attitude,” Greenwich told the website Spectropop in an undated interview. “By today’s standards, they were as innocent as the day is long. Back then, they seemed to have a street toughness, but with a lot of vulnerability. Mary Weiss [had] the sweetest long straight hair, an angelic face, and then this nasal voice comes out, and this attitude — the best of both worlds.

“In the beginning, we did not get along,” she continued. “They were kind of crude, with their gestures and language and chewing gum and the stockings ripped up their leg. We would say, ‘Not nice, you must be ladies,’ and they would say, ‘We don’t want to be ladies.'”

From Chapter 33 of The Downtown Pop Underground — order online, or from a local independent bookstore

THE SHANGRI-LAS’ INFLUENCE ON PUNK LOCATION Brill Building The Shangri-Las were one of the common musical denominators that Blondie shared, and Clem Burke explained the Shangri-La’s proto-punk appeal: “They had their black leather vests and their tight black leather pants, and they sang ‘Give Him a Great Big Kiss.’ They sang about dirty fingernails, wavy hair, and leather jackets, and things like that.” The Shangri-Las cast a long shadow over glam and punk rock. The New York Dolls’ “Looking for a Kiss” borrowed the spoken word intro from their “Give Him a Great Big Kiss,” and another Dolls song, “Trash,” copped the campy “How do you call your lover boy?” line from “Love Is Strange,” a catchy 1956 hit by Mickey & Sylvia. The group’s final album, Too Much Too Soon, was produced by Shadow Morton, who had crafted the girl group classics “Leader of the Pack” and “Remember (Walking in the Sand)” for the Shangri-Las. As Burke recalled, “Bubblegum rock was part of the roots of the New York music scene. Some of the old-school guys like Richard Gottehrer or Marty Thau—who had some money and success in pop music—they understood the music because they were coming from that Brill Building mentality.” Thau was the New York Dolls’ first manager before McLaren took the job, and he had previously made a living as a record promoter for late 1960s bubblegum groups the 1910 Fruitgum Company (“Simon Says”) and the Ohio Express (“Yummy Yummy Yummy”). Thau recorded the Ramones’ first demos and released Suicide’s debut album on his independent label Red Star, and also formed the production company Instant Records with the old-school industry hit maker Richard Gottehrer. “Richie was part of that whole Brill Building rock thing,” Leon said, “which had a lot of nostalgia for us because we grew up with it on the radio when we were kids.”

[errorryx]

5, 19, and 21!

5: a song that needs to be played LOUD

first question and i'm already struggling to pick just one, but i have to go with something off three cheers for sweet revenge. me and my best friend (@motheffigy) were scream-singing along to the album on a long drive a couple months ago, and it was an unparalleled experience. three cheers simply can't be background music—when it's playing, it's the most important thing happening to me.

19: a song that makes you think about life

this is so vague that i could put anything in here, but the oh hellos are really good at making songs with lyrics that really get me thinking like this. there are songs by them that i enjoy listening to more, like grow and torches, but soap is the one that really sits with me from a lyrical standpoint. it's gonna hurt like hell!!!! but we're gonna be well! makes me sick every time.

21: a favorite song with a person's name in the title

i've been listening to this song for years and it fucking rules. such a great guitar noise that it inspired me to make an entire playlist of songs like it. i love the raveonettes, i wish i had one of their more recent cds. runner-up song that meets this criteria is isabella of castile by STRFKR.

link to ask game

[blackhyena]

lovely @inyourroomalbumversion tagged me to post 10 songs im listening to atm, thank you sweetheart!!! 💗💗💗💗

Ebony Eye - Yves Tumor

Francesca - Hozier

Mermaids - Florence & the Machine

Bi Lambam - Toumani Diabaté & Ballaké Sissoko

Lebanese Blonde - Thievery Corporation

Keep The Streets Empty For Me - Fever Ray

Don't Touch That Dial - Django Django & Yuuko Sings

I Wanna Be Adored - The Raveonettes

Truly Being Alive - Night Tapes

Blown Minded - Young Galaxy

tagguing @softwarmdirt @summerhauntings @gablehood @wulfhall @dearorpheus @wutheringdyke @nights-decay @ceolfriths @zaegreus @gothiclit no presh enjoy x

[winifred-meeks]

I Wanna Be Adored by the Raveonettes is top tier relatability.

Apparently I'm the fucking "ladiest lady of the headspace", which is ridiculous, but what's funnier is that I've been apparently accidentally singing the little Earl to sleep with this song. This is horrifying considering the man I associate with this song I want to pound my little- [REDACTED] and [REDACTED] until I'm nothing but a little [REDACTED]-

(JESUS FUCKING CHRIST. OH MY GOD. HOLY WATER. NOW. -RANDY)

[parkerbombshell]

Cobwebs And Strange Radio Show #368

Cobwebs And Strange Radio Show  Mondays 12 noon EST , 5pm BST , 9am PDT COBWEBS AND STRANGE #368 - Boy George - Funtime (Cheapness And Beauty, 1995) - Stereolab - Captain Easychord (Sound-Dust, 2001) - Pixies - Chicken (The Night the Zombies Came, 2024)* - Messer Chups - Intox-Tika (Night Stripper EP, 2023) - SUPER 8 - Tell It Like It Is (Retro Metro, 2024)* trip8.bandcamp.com - Bananarama - Cheers Then (Deep Sea Skiving, 1983) - The March Violets - Bite The Hand (Crocodile Promises, 2024)* marchvioletsband.bandcamp.com - Elastica - Mad Dog (The Menace, 2000) - Monsune - Outta My Mind (Tradition, 2019) - Dayglow - Can I Call You Tonight? (Fuzzybrain, 2018) - Stargazer Lilies - We Are The Dreamers (We Are The Dreamers, 2013) - The Crushing Violets - Hollywood (Filaments Of Creation, 2024)* thecrushingviolets.bandcamp.com - Kraftwerk - Neon Lights (2017) (3-D: The Catalogue, 2017) - BMX Bandits - E102 (The Rise & Fall Of BMX Bandits, 2009) - J-Kwon - Tipsy (Club Mix) (Hood Hop, 2004) - Truth Hurts - Addictive (Truthfully Speaking, 2002) - Eddie Murphy - Party All The Time (How Could It Be, 1985) - Carin Leon - It Was Always You (Siempre Fuiste Tú) (Boca Chueca, Vol. 1, 2024)* - The Raveonettes - Leader Of The Pack (The Raveonettes Sing…, 2024)* - The Limiñanas - Primitivism (Un Autre Monde Dans Notre Monde, 2024)* - Cocteau Twins - Ivo (Treasure, 1984) - Robin Guthrie - Without A Word (Atlas EP, 2024)* robinguthrie.bandcamp.com - The Raft - Far Away From Here (Look At The Patterns, 2024)* shorediverecords.bandcamp.com - The Suncharms - Saddest Sound (Beautiful Noise, 2024)* sundayrecords.bandcamp.com - sparkle*jets u.k. - Princess Needy (Box of Letters, 2024)* bigstirrecords.bandcamp.com - Sassyhiya - Kristen Stewart (Take You Somewhere, 2024)* sassyhiya.bandcamp.com - Mannequin Pussy - Nothing Like (I Got Heaven, 2024)* mannequinpussy.bandcamp.com - Perry Blake - Nobody’s Child (Death Of A Society Girl, 2024)* moochinaboutltd.bandcamp.com - American Spring - Sweet Mountain (Spring, 1972) - Michael Kiwanuka - Floating Parade (single, 2024)* - YUQI - Red Rover (YUQ1, 2024)* - æspa - Salty & Sweet (MY WORLD: The 3rd Mini Album, 2024)* - Billie Joe Armstrong - Black Haired Girl (Silver Patron Saints: The Songs of Jessie Malin, 2024)* - Jesse Malin - Do You Remember Rock ’n’ Roll Radio (On Your Sleeve, 2008) - The Linda Lindas - I'm So Happy To Be Little (Yo Gabba GabbaLand!, 2024)* - The Speed Of Sound - Underground (A Cornucopia: Victory, 2024)* thespeedofsound.bandcamp.com - Susan James - Aquamarine (Time Is Now, 2024)* susanjames.bandcamp.com - Shop Assistants - Ace Of Spades (John Peel session 11/11/86) (Will Anything Happen: Deluxe Edition, 2024)* - David Christian - (I’m A) Shop Assistant (Oh Wow! Here Comes The Now!, 2024)* comet-gain.bandcamp.com - John Howard - Diamond Meadows (Songs For Mr Feld EP, 2024)* - David Bowie - Lady Stardust (The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, 1972) - John Mayall & The Bluesbreakers - Key To Love (Blues Breakers, 1966) - The Four Tops - Reach Out I’ll Be There ((Reach Out, 1967) - Living With Lions - Second Narrows (Island, 2018) - Evelyn Thomas - High Energy (High Energy, 1984) - Moby Grape - Can’t Be So Bad (Wow, 1968) - Nick Cave & The Bad Seeds- Long Dark Night (Wild God, 2024)* Read the full article

[yellowsnow77]

The Raveonettes Sing...

Creo que no hay otra banda más indicada para revisar el cancionero norteamericano de los 50, 60 y 70 que The Raveonettes. El dúo danés ha hecho toda una carrera de unas influencias que, principalmente, beben de esos años. Tanto, que muchas de sus canciones parecen salidas de aquellas décadas. Aunque eso sí, con una buena capa de distorsión como acompañamiento. Así que no resulta extraño que ahora…

[musikblog]

https://www.musikblog.de/2024/07/the-raveonettes-the-raveonettes-sing/ Musik gilt als kreatives Berufsfeld. Viele Menschen, die Bürojobs nachgehen, bewundern es daher als Verwirklichung von Träumen. Dass auch die Wurzeln der Popmusik in einem geordneten 9-to-5-Tagwerk liegen, lernen wir in der Auseinandersetzung mit “The Raveonettes Sing…” – dem nicht gerade einzigartigen Comeback-Album der einzigartigen The Raveonettes. Das Phänomen The Raveonettes muss man jüngeren Musikfans […]

[mxdwn]

The Raveonettes Announce New Album Sing For July 2024 Release & Summer 2024 U.S. Tour Dates, Cover Everly Brothers’ “All I Have To Do Is Dream”

https://music.mxdwn.com/2024/05/29/news/the-raveonettes-announce-new-album-sing-for-july-2024-release-summer-2024-u-s-tour-dates-cover-everly-brothers-all-i-have-to-do-is-dream/

[newmusicunited]

The Raveonettes - Return Of The Grievous Angel

This is our version of Return Of The Grievous Angel by the late, great Gram Parsons. The song is taken from our upcoming album “The Raveonettes Sing…” It’s a collection of some of the songs that inspired us to start the band. “…Right before I founded The Raveonettes I played bass/guitar in legendary Danish punk band Sort Sol (Black Sun). I was introduced to a lot of different music through the…

[dinosaursr66]

A dream pairing. The Raveonettes sing Buddy Holly.

SONG OF THE DAY - Thursday, May 30, 2024

Thank you inthewindtunnel.

The Raveonettes

All I Have To Do Is Dream

[deanseths]

— 𝑠𝑜𝑚𝑒𝑡𝑖𝑚𝑒𝑠 𝑡𝘩𝑒 𝑝𝑒𝑜𝑝𝑙𝑒 𝑤𝘩𝑜 𝑏𝑟𝑒𝑎𝑘 𝑦𝑜𝑢𝑟 𝘩𝑒𝑎𝑟𝑡 𝑎𝑟𝑒 𝑡𝘩𝑒 𝑜𝑛𝑙𝑦 𝑜𝑛𝑒𝑠 𝑤𝘩𝑜 𝑐𝑎𝑛 𝑝𝑢𝑡 𝑖𝑡 𝑏𝑎𝑐𝑘 𝑡𝑜𝑔𝑒𝑡𝘩𝑒𝑟. (x)

𝐀 𝐃𝐄𝐀𝐍 / 𝐒𝐄𝐓𝐇 𝐅𝐀𝐍𝐌𝐈𝐗 |  listen here

𝐈. 𝐩𝐫𝐢𝐦𝐨 𝐯𝐞𝐫𝐞. ⁽²⁰¹¹⁻¹²⁾

adtr // city of ocala ・ lana del rey // blue jeans ・ angels & airwaves // the gift ・ the cure // primary ・ lana del rey // ultraviolence ・ simple minds // don’t you (forget about me)

𝐈𝐈. 𝐯𝐮𝐥𝐧𝐞𝐫𝐚. ⁽²⁰¹⁴⁻¹⁵⁾

ursine vulpine ft. annaca // wicked game ・ zack hemsey // vengeance ・ linkin park // in the end ・ rihanna // rehab ・ bring me the horizon // and the snakes start to sing ・ linkin park // what i’ve done ・ nine inch nails // hurt ・ simon says // slider ・ smashing pumpkins // bullet with butterfly wings ・ slowburn // coming for you ・ blue stahli // you kill me every time ・ fall out boy // light ‘em up

𝐈𝐈𝐈. 𝐩𝐞𝐫 𝐚𝐬𝐩𝐞𝐫𝐚. ⁽²⁰¹⁶⁾

the national // start a war ・ coldplay // fun ・ imagine dragons // demons ・ bastille // power ・ afterhours // la vedova bianca ・ the phantoms // this is a war ・ the raveonettes // ignite ・ joy williams // ordinary world ・ pink floyd // wish you were here

𝐈𝐕. 𝐚𝐝 𝐚𝐬𝐭𝐫𝐚. ⁽²⁰¹⁷⁾

tamer // beautiful crime ・ arkells // making due ・ staind // it’s been a while ・ arkells // show me don’t tell me ・ of monsters and men // little talks ・ heffron drive // parallel ・ jaymes young // i’ll be good ・ toploader // achilles heel ・ hoobastank // the reason ・ paramore // grudges ・ skillet // feel invincible ・ peter gabriel // heroes ・ of monsters and men // king and lionheart ・ yoke lore // bravado ・ alexi murdoch // all my days

𝐕. 𝐝𝐢𝐞𝐬 / 𝐧𝐨𝐱. ⁽²⁰¹⁸⁻¹⁹⁾

flora cash // you’re somebody else ・ onerepublic // let’s hurt tonight ・ sigrid // everybody knows ・ mattew and the atlas // counting paths ・ amber run // i found ・ adtr // end of me ・ the civil wars // devil’s backbone ・ alice in chains // down in a hole ・ madonna // the power of goodbye ・ 30 seconds to mars // the kill ・ trading yesterday // shattered ・ imagine dragons // radioactive ・ zayde wolf ft. ruelle // walk through the fire ・ lord huron // the night we met

𝐕𝐈. 𝐞𝐭 𝐨𝐦𝐧𝐢𝐚. ⁽²⁰¹⁹⁻ ⁾

the national // about today ・ nickelback // how you remind me ・ mumford & sons // beloved ・ james bay // scars ・ the national // light years ・ lord huron // ends of the earth