#the place i was pirating it on was ASS like i fr could not figure out what was happening

[the-kneesbees]

I just wanna watch doctor who please i just wanna watch doctor who that's all I want please im begging you

[reversecreek]

pops hip n winks at the dash. haaaaiiii. me again. i’ve honestly missed playing lana fr a while she’s one of. my most treasured muses bc she’s jst a silly n vivacious ball of sunshine or alternatively? a train wreck depending on which way u turn her in the light..... i actually hv two playlists made fr her n one is rly old bt it’s more like. songs that Remind me of her which u can find here n then here is more like. stuff u’ll most often catch her blasting on her record player as she dances around in her underwear w the curtains open. OH and here is her pinterest 🍓⚡

* kristine froseth, cis female + she/her  | you know lana jameson, right? they’re twenty-three, and they’ve lived in irving for, like, a few hours? well, their spotify wrapped says they listened to play that funky music by wild cherry like, a million times this year, which makes sense ‘cause they’ve got that whole cherry red gym socks worn with nothing else, doodling penises in the condensation of a stranger’s car window, a bumper sticker on the back of a convertible cadillac that says ‘scrappy doo is a filthy slut’ thing going on. i just checked and their birthday is june 2nd, so they’re a gemini, which is unsurprising, all things considered. ( nai, 24, gmt, she/her  )

HISTORY:

lana grew up in a big house in albany, NY. i picture it w dark oak floors n lots of light furniture. albums framed on walls. mayb some rolling stone covers too frm way bk when of the bands her dad’s label signed. kind of like… a rock star palace w no evidence of children at all. i think i described it best in one of lana’s self paras once when i said the garden ws “as big as it was unloved”

lana’s mum victoria (vic) ws a music journalist w a pretty fruitful career ahead of her when she met lana’s dad richard (rich). his record label ws jst starting out, founded on the coattails of his wealthy best friend’s (jensen peters) investment w his other best friend (who he jst calls knoxville). it rocketed to success when they signed poppy injects, a rock band w an electric stage presence, n vic ws drawn to the glitz n glamour of a man tht ws at the helm of his aspiring industry. their love ws very impulsive, all or nothing right frm the start, n it ws almost like she ws mre in love w his accomplishments n what he represented than him.

(DRUGS TW) anyway so jameson records repped a few rock bands bk in the eighties, altho poppy injects r who they’re mostly known fr, namely bc of hw brightly they crashed n burned. they were a big chart success bt the lead singer hd quite an intense struggle w heroin (wsnt rly subtle abt it either while he ws in the public eye as u cn probably imagine frm such an on-the-nose band name) n he ws always in n out of the papers. it eventually brought down his career n it ws a big publicity nightmare

lana pretty much… grew up around figures like this throughout childhood. real characters who wld kind of… b extremely volatile n destructive abt their troubles. the jameson house was an open one as welcoming clients went n a lot of parties took place there. a lot of the time musicians wld b snorting lines in the kitchen when she wnted to grab a bowl of cereal fr breakfast n it was just. a very strange environment fr a child to grow up in. more zoo than home. more shaken snow globe than resting place. (END OF TW)

(ABORTION REFERENCE) her parents always kind of jst… didn’t like her much. her older brother caleb ws unplanned bt they sort of welcomed the surprise more bt… quickly realised they weren’t cut out fr parenthood n then when lana came as another surprise 3 yrs later they didn’t even try to hide their resentment abt the situation. her mum ws actually booked in to have an abortion bt cldnt go through with it at the last minute. once when lana ws a kid she asked her why she’s so cold towards her she jst turned her head frm her dresser, looked at her, told her abt this n said “idk why i didn’t go”. lana didn’t kno wht to say to tht so she jst left her room n closed the door (END OF REFERENCE)

(DISSOCIATION TW) bc of the intensity of her parents ignoring her growing up lana adopted this sense of like…. she didn’t rly kno what it ws bt it ws a delusion of sorts where she thought she ws a ghost bc she gt this strange outside feeling. she’d jst sort of… drift around the halls w no-one acknowledging her n sometimes she ws jst convinced she wsnt actually there or they cldnt see her n she ws jst haunting the house frm a previous family. (END OF TW) her imagination festered an explanation out of smthn she didn’t understand essentially. lana used her imagination to do this a lot growing up. it ws kind of like the band aid she slapped over everything. after all she wasn’t alone if she was sword fighting imaginary pirates dwn the hallway with a poker from the fireplace. 

the one saving grace tho tht sort of?? gt her thru this n made her feel Seen ws caleb. lana quite genuinely hs always thought the sun shines out of her older brothers ass like she jst thinks. he’s the best person in the entire world. wld b rly bewildered if anyone questioned tht. he wld always look out for her n cut the crusts off her sandwiches (he’d cook fr them most of the time bc their parents were too busy/didn’t care to) n sometimes wld even sleep at the bottom of her bed curled up like a guard dog. it ws always lana n caleb n his best friend tommy against the world in tht house (tommy lived next door bt was always over bc he had very strict parents tht he found suffocating)

(ARMY MENTION) SO when tommy announced tht he’d signed up to the army (bc of pressures from tommy’s military dad to fulfil some kind of stupid “legacy” tommy didn’t even care abt) n caleb said he was going with him lana ws understandably…….. completely blindsided. she ws rly upset tht they were leaving n was kind of like “wtf why are u doing this like what do u even think this is gna solve” etc n begged caleb not to leave her there on her own n jst to not sign up in general bc tommy had to bt he didn’t listen. 

ERM i won’t go into it but it didn’t turn out well as u can probably imagine bc the army is a terrible industry n caleb had to return home without tommy. he wasn’t the same after that. (END OF MENTION)

what’d been a rly close relationship before where he ws basically like a surrogate father figure to lana was Not there any more. he ws rly withdrawn n always pushing her away n snapping at her for the sake of getting her to leave him alone. on top of this lana had a lot of shit go down while he was away n rly just shouldn’t have been a kid alone in tht house. regardless lana thought if she kept grinning as wide as she cld she’d convince caleb to join in too. maybe if she seemed fine n happy he’d take the lead. maybe she’d believe it too n start to feel it n everything could go bk to how it was before her world became so different. lana liked the way the sky flipped when she tipped her head back on the swings bt this was different. everything was upside down bt this didn’t make her belly feel like she’d swallowed a butterfly and it wasn’t funny bt still, she kept laughing. always desperate to find something to laugh at n if she couldn’t find it she invented it. as long as ur laughing the world can’t b that bad.

she ws always well liked in school bc she jst tended to treat everyone like they were bffs no matter who like u cld have literally bumped shoulders w her once in the corridor n she’d be like OMG HAIIIIIIIIIIIIIIIIIII let’s kiss<3 n like she ws a huge notorious flirt w any n all as well as incredibly impulsive n jst. wild honestly to put it simply too bt things like. changed a bit frm 16 onwards. (HYPERSEXUALITY & IMPLIED TRAUMA TW) she jst became far more reckless honestly n like....... jst didn’t rly seem to care after a certain point abt herself too much.... got herself in a bunch of bad situations.......... kind of jst flung herself to the wolves numerous times without any caution abt the way they’d bite. formed a lot of self destructive habits one of which ws cruising craigslist personals fr random hook-ups n like. she literally cld have wound up in a ditch somewhere honestly it’s a shock she hasn’t. despite various dips n inclines in her journey navigating this side of her it’s very much still present in her life to this day n she struggles to kno hw to control herself at points. sometimes she feels like a melting candle tht needs moulding by thumbs until it can form a person again. sometimes she’s only sure she’s real when she’s being touched. (END OF TW)

ANYWAY. laughs nervously. went to college to study dance bc she’s always loved dance in general bt specifically ballet (despite definitely not hving the discipline for it) n honestly this was both good n bad fr her. had a whole string of terrible heartbreaking relationships bc she tends to fall into those hard n fast n they were w a lot of bad people fr like 98% of the time. she kind of learned more abt what love is during her time there tho which is a gd thing bt she still isn’t very good at knowing hw to believe she deserves it so it’s a process. she hd fun tho. threw 498572598475 outrageous n elaborately themed parties. ws friends w pretty much everyone on campus. 

despite a strained relationship w her brother n having to go home to visit n check on him whenever he got rly bad it ws the first time it actually felt like she’d found a home in a lot of rly loving n genuine friendships n lana will never forget hw much that experience meant to her even if she definitely struggled there too. college felt like a place she belonged n then suddenly she couldn’t belong there any more n there was a big sense of floundering in that. like where do u go now when u’ve never known home elsewhere? how do u happily go out into the world if it means leaving ur world behind?

she applied to a dance company in LA n fell in w a pretentious art scene there full of wannabe andy warhols n the like. became a makeshift edie sedgwick to some guy w dyed white hair n the idea his every concept was revolutionary when rly he jst shot her dancing barely clothed splashing around in a random fountain in his friend’s mansion on an ancient film camera. she’d spend her days floating around on lilo’s and prancing in feather boas and racing with glitter leftover frm last night in her leotard w smudges of faint red lipstick to barely make her job on time. always a sexy train wreck bt this time? make it hollywood. 

(IMPLIED ALCOHOLISM TW) i won’t lie to u lana hs always partied way too hard bt then partying way too hard turned into slurping merlot thru a crazy straw shaped like a flamingo at 4 in the afternoon wearing penis novelty sunglasses n it wasn’t quite so much of a party when u were doing it on ur own. this rly snowballed into place in college bt carried on n wound up getting her fired from the dance company bc she turned up to rehearsals drunk one too many times n they didn’t allow fr sloppiness like tht. it was a “professional operation” that didn’t “accept that kind of behaviour” bt lana was jst like ummmmmmmmm that’s totally dramatic btw way to spank me in the town square like i’m gale w a raw ass n back in the hunger games bt ok sure i’m out ig. BOOP! (literally booped the director on the nose before leaving) (END OF TW)

honestly hd no idea what to do w herself after her job fell thru in LA n was pretty embarrassed actually upon sobering up the nxt day. cldn’t bring herself to tell her friends for a hot minute bc she felt like a failure or smthn n she was meant to be living this glamorous life out there being the classic wild n silly n fun Lana Jameson. cldn’t figure out how to repackage it into a funny story tht wouldn’t worry ppl. eventually wound up jst caving n telling her closest besties (shoutout freya n rosa) bc she ws hving a weird time dating losers n randomly living in LA even tho she didn’t kno why she was there any more after losing the job n they were jst like. fk it then. jst come here. we’re in irving. and so? mizz jameson packed her bags....

PERSONALITY:

always smells vaguely of wild cherries or strawberry starburst or jst the candy aisle in general. if she ws a vinyl record she’d b this one n she’d only play good vibrations by the beach boys, dancing on my own by robyn, play that funky music by wild cherry, femme fatale by the velvet underground n (i can’t get no) satisfaction by the rolling stones

the jameson family r pretty well off n bc of her relation to such a big music industry figure she’s hung out w a fair few relatively high rep ppl thru her teens. mostly kids of celebrities n stuff like tht. she amassed a bit of an instagram following #nepotism bt also fr her style (v penny lane-esque in some aspects. lots of fur cuff trimmed jackets bt then also jst…. a wild combination of everything honestly. pastel faux fur coats, seventies style platforms, bright red cowboy boots, pink fishnet tights, holographic stickers of planets on her cheek n glitter used like highlight, 90% of the time a red lip) n bc she’s not gna make ur eyes bleed to look at or anything let’s b real

growing up lana was always a huge social butterfly. knew everyone n everyone knew her. she ws one of those girls tht ws kind of impossible to ignore or forget. very animated, always made u feel like u were the centre of the universe whenever she spoke to u, always made it feel like u were best friends even if ud only spoken to her once.

deliberately puts on tht kind of Magnetic Alluring Act tht femme fatales wear in movies w most ppl. kind of…. is always playing A Role of the person tht she wants to b seen as. hates being sad n always wnts to be happy / making ppl happy. chameleons to situations. feels like she’s performed as the vivacious n fun loving Lana Jameson fr so long tht she doesn’t rly kno who she is beneath tht bt she isn’t too keen to find out. sometimes gets glimpses n feels the urge to close her eyes.

she’s always been rly spontaneous n adventurous. always doing something weird n wild every weekend. she has ten thousand ridiculously absurd n chaotic stories. she’s like oh ya this one time this guy made me ride him with a daddy saddle like i was woody and he was bullseye. he literally made me call him bullseye. or she’s like. oh ya once i had to run barefoot thru a cabbage patch bc this one farmer wanted to have a threeway w me n my friend tht we met off craigslist n every framed photo in his house was a pig dressed up in cosplay bt honestly they were kind of cute n he was sexy aside frm the murderous vibes n the fact he kept calling me babe which i’m pretty sure means he wanted to dress me up next bt like whatever honestly.... she tells jst the most batshit stuff n the person she’s telling it to is left blinking like. wtf.

uncontrollably flirty. insanely confident. cld make a joke out a paper bag n will try. she tends to laugh when she feels like crying n has a smile brighter than a ray of texas sunshine.

likes to roller skate n hs a red pair she’ll glide around in at night lit up by amber street lamps breath sticky w the taste of wine n lollipops probably heading to a random hookups. who needs ubers?

always dapples her fingers thru the breeze when she’s driving in a car w the window down. honestly likes dangling her whole body halfway out too. she almost always has some sort of sweet on her, whether it’s sour haribo cherries or strawberry lollipops.

luvs bowie (ONLY aesthetically) n prince (wholeheartedly) n madonna (completely) n anyone tht’s a vintage style icon w little care fr what ppl think.

daisies n poppies r her fav flowers bc daisies r wild n overlooked n poppies r the first thing u look at in a green field. she’s had like 8472493874 ‘relationships’ n none of them hav lasted beyond a month / hav been terrible / hav seen her being treated badly / she’s cheated on them. honestly it’s like a burning train wreck but u can’t quite tear ur eyes away. often the heart of many sordid gossip scandals.

PLOTS:

TBA bc she’s only jst arrived in town i won’t lie to u all but i’m gna whip things up on here anyway n link in chat w updates at some point........ that said? lana is insatiable n it isn’t rly unlikely tht she cld’ve bumped into ur muse in a grocery store aisle n somehow a wild spontaneous adventure spawned frm that alone.......... if u have any immediate ideas we can discuss 😋

[smokeybrandreviews]

Smokey brand Retrospective: Red Pill Me

Cinemacon has passed and there has been a lot of awesome sh*t revealed. On the top of that list, obviously, Spider-Man: Far From Home has me geeked to high heaven but there were a ton of other noteworthy reveals. There was some Batman reveals, a few Mission Impossible 7 and Top Gun 2 trailers, plus audiences ever got a surprise screening of Ghostbusters: Afterlife. Now, that would be great on it's own but cats even got a little sizzle real for Matrix Resurrections: The long gestating fourth Matrix film. Apparently, this thing is releasing in December. I am lukewarm at best. I have fond memories of the Matrix trilogy as a whole but, since it’s final release some twenty years ago, the Wachowskis have been revealed to be one trick ponies. They kind of suck at film making. I mean, i liked Speed Racer but i just generally enjoy Speed Racer. It helped tremendously that Christina Ricci was Trixie, too, but everything after that was kind of balls. I also really like V for Vendetta but that’s not real their movie, they just adapted it. I guess you can say that about Speed Racer, too. Anyway, in light of there near Shyamalan-esque track record with their films, i wanted to revisit the first three Matrix films and see if they hold up, to try and muster some sense of excitement for what comes next.

The Matrix

Of the trilogy, this is easily the best film. Everything about it is exceptional. The Matrix was a whole ass shift in the cultural zeitgeist. It was a lot of people’s first experience with accessible cyberpunk and I'll always love it for that. I’ll also love it for normalizing Hong Kong style action sequences and giving us the most breathtaking application of Bullet Time I've seen to date. The Matrix s why the theater exists. If you’ve never seen this thing on the big screen, you missed out on something very special. I had just just turned thirteen when it released and checked it out at the dollar theater. I had only ever seen anything like this, in anime. Seeing all of my favorite Eighties OVAs filtered through the big budget Hollywood lens was incredible. I even like the rather pedestrian narrative. I think the story worked for what the movie was trying to do. It’s a shame the Wachowskis have tried to rewrite history about the narrative as of late. I understand the underlying themes of identity and sexuality but come on? That’s some college film theory bullsh*t that got tacked on after the fact. Now, if the original script is to be believed, then, yes, all of that, but what we got is not so profound. This is a basic Chosen One narrative with Dope ass effects that were ahead of it’s time.

A fr as the cast, what can i say? These motherf*ckers were perfect. Keanu Reeves as Neo was inspired. It’s wild to say that because dude is a plank but it works. He’s the POV character, he’s who you see that world through. Making him a blank slate so to speak, helps with immersion and that is a world you definitely wan to be immersed within. This was my first experience with Carrie-Ann Moss and I've loved her ever since. Her Trinity fast became one of my favorite characters and I'm actually pretty excited to see where she is in the new film. Lawrence Fishburne as Morpheus was an interesting choice. I wasn’t mad and it worked perfectly but it was weird seeing him in such an active, action oriented, role. That said, for me, this movie is made by Hugo Weaving. He is absolutely monstrous as Agent Smith. He’s got this scene chewing energy that mirrors Christoph Waltz’s Hans Landa and we all know how much i love that Nazi f*ck so that’s really high praise. To this day, I've got his Humanity is a Virus speech memorized. It was just that f*cking good! The Matrix is an exquisite watch and it is absolutely mandatory viewing if you consider yourself a fan of cinema.

The Matrix Reloaded

Whoo, boy, talk about a drop in quality. Reloaded released four years later in 2003 and it screams Studio Mandate. I was a sprightly eighteen years old when this thing dropped and made it a point to see it opening day. I really enjoyed the first outing so i figured this one would be just as amazing. Indeed, i remember leaving the theater thinking to myself how decent of a sequel it turned out to be. It wasn’t better than the first but it didn’t sh*t the bed like most follow-ups do. Fast forward to present day and, after watching this thing again for the first time in probably fifteen years, it’s kind of f*cking bad. Like, as a cinematic experience, it’s pretty tight Everything is amped up. Tons more action, way more bombastic set pieces, stakes have been raised considerably; The Matrix Reloaded is everything you want in a summer blockbuster sequel. However, that’s it. Everything else is worse. The acting has become way too hammy and the new cast members fit into this narrative like a square peg in a round hole. Why is f*cking Niobe even in this thing? Who even is the Merovingian? Why is Mouse? The pacing is all over the place, too. Like, this thing stops dead in it’s tracks on several occasions but that’s not the worst of it.

The worst thing is the narrative. What the f*ck even is the story trying to be told in this movie? It doesn’t make any f*cking sense. The Matrix was, very obviously, a standalone film. That was a closed narrative. Neo’s story had been told. Everything after that is unnecessary. This movie is an exercise in the unnecessary. I appreciate all of how unchained and manic Smith is in this but, outside of that, what the f*ck was the point of this whole narrative? It’s filler. This movie is filler and it feels like it. The returning cast is serviceable and seeing Zion was interesting. I like how all the survivors are just sweaty black people. I literally hated everyone added to the cast though. Well, that’s not quite true. I rather enjoyed Collin Chou as Seraph. Dude was inconsequential but i love seeing Asian martial artists not name Li or Chan getting some shine. Also, Monica Bellucci is in this and i kind of just love her in general. Her Persephone is absolutely disposable but she looks damn fine in that plastic wrapped dress of hers. I literally can’t be bothered mentioning anyone else. They are that forgettable. This movie is that forgettable. And it’s arguably the best of the two sequels.

The Matrix Revolutions

Talk about going out with a thud. Man, i saw this with my best friend, rest in peace B, and we both hated it. He was an even bigger fan of The Matrix than i was so his disappointment was palpable. I’ll never forget his visceral reaction when that rainbow spread across the super happy Hollywood ending. Dude was hot and he had every right to be. The first Matrix set up this intriguing, immersive, world full of fanatic visuals, great piratical stunts, and a very through provoking premise. The second Matrix was your basic Hollywood sequel; More shine, less substance. But Revolutions? Man this is peak Wachowski fail. You saw hints of this messiah sh*t in the first, it’s literally a Chosen One narrative, but thy went all in on that sh*t in Reloaded. By the time Revolutions finished, this whole narrative was so far up it’s own ass, it didn’t know which way was up. It just f*cking ends. Everyone is dead and it’s over. The Wachowskis went heavy on the Jesus imagery, they were not subtle, and the f*cking conflict just ends. Robot don’t stop using people as batteries. Flesh and blood Humans still have to live in Zion. The only thing that’s changed is Neo’s dead and Agent Smith has been deleted. That’s it. The Matrix still exists, people are still trapped in it, and everything that happened in these films doesn’t f*cking matter. Literally right back at the start of the whole goddamn conflict. Revolutions is so f*cking disappointing, dude, by every measure of that metric.

Hugh Weaving is still pretty good as Smith and Keanu does his best imitation of white bread as Neo but, like, everything else is just so pedestrian. Plus, this thing is long. Like, unreasonably so. Why the f*ck is this movie two hours? The entire trilogy is kind of like that but it’s most egregious in this one. This story could be told in ninety minutes, just like Reloaded. Why the f*ck do i have an extra half hour of bullsh*t in this? Like, that whole “Neo Lost” arc was unnecessary, in both sequels. F*cking why? I don’t hate Revolutions. It’s not a “bad” film per say, it’s just disappointing. It’s the poster child for the law of diminishing returns. The Matrix Revolutions is the what happens when you let creatives with fresh egos, run amok with one hundred and fifty million f*cking dollars. So much spectacle but even less substance that Reloaded and that motherf*cker was a hollow mess. Still, The Matrix Revolutions is better than anything Michael Bay or Zack Snyder has ever made so i guess it’s got that going for it.

[smokeybrand]

Smokey brand Retrospective: Red Pill Me

Cinemacon has passed and there has been a lot of awesome sh*t revealed. On the top of that list, obviously, Spider-Man: Far From Home has me geeked to high heaven but there were a ton of other noteworthy reveals. There was some Batman reveals, a few Mission Impossible 7 and Top Gun 2 trailers, plus audiences ever got a surprise screening of Ghostbusters: Afterlife. Now, that would be great on it's own but cats even got a little sizzle real for Matrix Resurrections: The long gestating fourth Matrix film. Apparently, this thing is releasing in December. I am lukewarm at best. I have fond memories of the Matrix trilogy as a whole but, since it’s final release some twenty years ago, the Wachowskis have been revealed to be one trick ponies. They kind of suck at film making. I mean, i liked Speed Racer but i just generally enjoy Speed Racer. It helped tremendously that Christina Ricci was Trixie, too, but everything after that was kind of balls. I also really like V for Vendetta but that’s not real their movie, they just adapted it. I guess you can say that about Speed Racer, too. Anyway, in light of there near Shyamalan-esque track record with their films, i wanted to revisit the first three Matrix films and see if they hold up, to try and muster some sense of excitement for what comes next.

The Matrix

Of the trilogy, this is easily the best film. Everything about it is exceptional. The Matrix was a whole ass shift in the cultural zeitgeist. It was a lot of people’s first experience with accessible cyberpunk and I'll always love it for that. I’ll also love it for normalizing Hong Kong style action sequences and giving us the most breathtaking application of Bullet Time I've seen to date. The Matrix s why the theater exists. If you’ve never seen this thing on the big screen, you missed out on something very special. I had just just turned thirteen when it released and checked it out at the dollar theater. I had only ever seen anything like this, in anime. Seeing all of my favorite Eighties OVAs filtered through the big budget Hollywood lens was incredible. I even like the rather pedestrian narrative. I think the story worked for what the movie was trying to do. It’s a shame the Wachowskis have tried to rewrite history about the narrative as of late. I understand the underlying themes of identity and sexuality but come on? That’s some college film theory bullsh*t that got tacked on after the fact. Now, if the original script is to be believed, then, yes, all of that, but what we got is not so profound. This is a basic Chosen One narrative with Dope ass effects that were ahead of it’s time.

A fr as the cast, what can i say? These motherf*ckers were perfect. Keanu Reeves as Neo was inspired. It’s wild to say that because dude is a plank but it works. He’s the POV character, he’s who you see that world through. Making him a blank slate so to speak, helps with immersion and that is a world you definitely wan to be immersed within. This was my first experience with Carrie-Ann Moss and I've loved her ever since. Her Trinity fast became one of my favorite characters and I'm actually pretty excited to see where she is in the new film. Lawrence Fishburne as Morpheus was an interesting choice. I wasn’t mad and it worked perfectly but it was weird seeing him in such an active, action oriented, role. That said, for me, this movie is made by Hugo Weaving. He is absolutely monstrous as Agent Smith. He’s got this scene chewing energy that mirrors Christoph Waltz’s Hans Landa and we all know how much i love that Nazi f*ck so that’s really high praise. To this day, I've got his Humanity is a Virus speech memorized. It was just that f*cking good! The Matrix is an exquisite watch and it is absolutely mandatory viewing if you consider yourself a fan of cinema.

The Matrix Reloaded

Whoo, boy, talk about a drop in quality. Reloaded released four years later in 2003 and it screams Studio Mandate. I was a sprightly eighteen years old when this thing dropped and made it a point to see it opening day. I really enjoyed the first outing so i figured this one would be just as amazing. Indeed, i remember leaving the theater thinking to myself how decent of a sequel it turned out to be. It wasn’t better than the first but it didn’t sh*t the bed like most follow-ups do. Fast forward to present day and, after watching this thing again for the first time in probably fifteen years, it’s kind of f*cking bad. Like, as a cinematic experience, it’s pretty tight Everything is amped up. Tons more action, way more bombastic set pieces, stakes have been raised considerably; The Matrix Reloaded is everything you want in a summer blockbuster sequel. However, that’s it. Everything else is worse. The acting has become way too hammy and the new cast members fit into this narrative like a square peg in a round hole. Why is f*cking Niobe even in this thing? Who even is the Merovingian? Why is Mouse? The pacing is all over the place, too. Like, this thing stops dead in it’s tracks on several occasions but that’s not the worst of it.

The worst thing is the narrative. What the f*ck even is the story trying to be told in this movie? It doesn’t make any f*cking sense. The Matrix was, very obviously, a standalone film. That was a closed narrative. Neo’s story had been told. Everything after that is unnecessary. This movie is an exercise in the unnecessary. I appreciate all of how unchained and manic Smith is in this but, outside of that, what the f*ck was the point of this whole narrative? It’s filler. This movie is filler and it feels like it. The returning cast is serviceable and seeing Zion was interesting. I like how all the survivors are just sweaty black people. I literally hated everyone added to the cast though. Well, that’s not quite true. I rather enjoyed Collin Chou as Seraph. Dude was inconsequential but i love seeing Asian martial artists not name Li or Chan getting some shine. Also, Monica Bellucci is in this and i kind of just love her in general. Her Persephone is absolutely disposable but she looks damn fine in that plastic wrapped dress of hers. I literally can’t be bothered mentioning anyone else. They are that forgettable. This movie is that forgettable. And it’s arguably the best of the two sequels.

The Matrix Revolutions

Talk about going out with a thud. Man, i saw this with my best friend, rest in peace B, and we both hated it. He was an even bigger fan of The Matrix than i was so his disappointment was palpable. I’ll never forget his visceral reaction when that rainbow spread across the super happy Hollywood ending. Dude was hot and he had every right to be. The first Matrix set up this intriguing, immersive, world full of fanatic visuals, great piratical stunts, and a very through provoking premise. The second Matrix was your basic Hollywood sequel; More shine, less substance. But Revolutions? Man this is peak Wachowski fail. You saw hints of this messiah sh*t in the first, it’s literally a Chosen One narrative, but thy went all in on that sh*t in Reloaded. By the time Revolutions finished, this whole narrative was so far up it’s own ass, it didn’t know which way was up. It just f*cking ends. Everyone is dead and it’s over. The Wachowskis went heavy on the Jesus imagery, they were not subtle, and the f*cking conflict just ends. Robot don’t stop using people as batteries. Flesh and blood Humans still have to live in Zion. The only thing that’s changed is Neo’s dead and Agent Smith has been deleted. That’s it. The Matrix still exists, people are still trapped in it, and everything that happened in these films doesn’t f*cking matter. Literally right back at the start of the whole goddamn conflict. Revolutions is so f*cking disappointing, dude, by every measure of that metric.

Hugh Weaving is still pretty good as Smith and Keanu does his best imitation of white bread as Neo but, like, everything else is just so pedestrian. Plus, this thing is long. Like, unreasonably so. Why the f*ck is this movie two hours? The entire trilogy is kind of like that but it’s most egregious in this one. This story could be told in ninety minutes, just like Reloaded. Why the f*ck do i have an extra half hour of bullsh*t in this? Like, that whole “Neo Lost” arc was unnecessary, in both sequels. F*cking why? I don’t hate Revolutions. It’s not a “bad” film per say, it’s just disappointing. It’s the poster child for the law of diminishing returns. The Matrix Revolutions is the what happens when you let creatives with fresh egos, run amok with one hundred and fifty million f*cking dollars. So much spectacle but even less substance that Reloaded and that motherf*cker was a hollow mess. Still, The Matrix Revolutions is better than anything Michael Bay or Zack Snyder has ever made so i guess it’s got that going for it.