#the pineapple still gives me nightmares over a decade later
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da-birb-writes-sometimes · 1 year ago
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Hello bonjour!
I've been thinking something recently...
As a fellow Canadian (hey!) with some, uh, less than magnifique French language skills, I was wondering how you think our dear francophone Rook Hunt would behave around someone with "cereal box French" (that is, able to understand it, but cannot speak it)?
Would he speak the same amount of the language around you? Even more French? Would he offer to teach the language?
I'm curious as to what you think! :)
Bonjour! I too only have "cereal box French" about the same literacy as a third-grader. even though I have 8 years of classes under my belt, but that's the education system for ya. And also, yes, a fellow Canadian; always a pleasant surprise! But here are my thoughts!
Some of the French is what I remember plus a bit of Word Reference, and much to the dismay of every French teacher that I ever had, Google Translate to fill in the gaps.
Rook Hunt with a Reader Who Has "Cereal Box" French
Okay, so he would notice that, unlike the others, you seemed like you were following along with what he was saying. "Tu parles français, trickster?" He would ask, resting his chin on his hand, waiting for an answer.
"Un petit peu," you answered. "Honestly though, I can only read it. Speaking it? Well, it isn't great. I call it 'cereal box' French."
He would smile, "Well, reading is a start. And, if you want trickster, I could teach you."
If You Accept His Offer
He would be an amazing teacher and would go at your preferred pace. Having difficulty with that one phrase? He's patient and will help you. "Très bien! Bien travail, trickster! For that one word, I would recommend rolling the 'r' a bit more."
He would ask you if you wanted to improve your accent while speaking it, so it isn't a "baguette accent" as some would put it.
It would start small, such as asking, "Comment ça va?" and seeing how long you would be able to keep the conversation going. He would be proud if you just gave him a, "Ça va bien" or proceeded to say a bit more.
Would pass you notes just in français. "Lisez ceci plus tard, mon chou.~" You can decide whether or not you want to bring up him calling you his cabbage.
His use of French would increase as your skill does. Even though it may be fun that you understand what he's saying, he would much rather speak with you. It would be a nice change of pace since no one that he knows, outside of his own family of course, speaks the language. No, Rollo does not count.
Learning through cooking would also occur. Since you did, after all, call it 'cereal box' French. "Passe l'oeuf s'il te plait, trickster. Merci beaucoup!~"
If You Deny His Offer
He would still speak the same amount of French, but he won't push to teach you if you didn't want to. Maybe just a tad more, but not by much.
He would probably be a tad bit disappointed, but wouldn't show it. At least you know some of what he's saying, and that in itself is enough for him.
Would surprise you with some family recipes that were left in his care by his arrière grand-mère, seeing if you can understand the words by yourself before helping out if you have any difficulties.
Overall, I see Rook as being pleasantly surprised but also happy, regardless or not if the reader takes him up on his offer to teach them. But very relaxed on the subject, not pushing them if they didn't want to learn. Taking it at your own pace with a gentle hand. Also, you two would probably watch French soap operas and films, just saying.
And I'm so sorry if you, much like I did, had to sit through French class watching Téléfrançais. Also, I do love the Québécois Rook headcanon, but I do know it's very niche.
I hope that you enjoyed the little headcanons. Rook, please hold French classes for those of us who want to learn.
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flowerfan2 · 4 years ago
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Gray Skies - Epilogue (now complete)
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McDanno, 13k, A03 Read from the beginning here
Hi all!  Apologies for taking so long to finish this - in my head it was done, but a conversation on the H50 writer’s discord about WIPs reminded me that I had meant to give it an epilogue.  So here it is - hope you enjoy it!
Summary: What if Danny misses work because some days, he just can’t manage to come in? What if Danny didn’t move into Steve’s house just because he was worried about Steve, but also about himself? Living with depression doesn’t have to mean living without love.
Epilogue
Six months later
Steve’s in the kitchen, having a philosophical debate with himself over whether trying to find pineapple flavored coffee to tease Danny with is worth the effort, when the man himself comes into the room.
Danny’s looking kind of rough, hair tousled and unshaven.  He clearly hasn’t showered yet.  Steve’s heart squeezes a little, and he moves towards Danny, arms opening to catch him in a hug.
“Nuh-uh, none of that,” Danny says, stepping back and shaking his head.  “I’m fine.”
Steve stops in his tracks.  He’s surprised, to say the least.  Since when has Danny not wanted a morning hug?
“I didn’t say you weren’t fine,” he responds carefully, searching Danny’s face for a clue to his mood.
“But you assumed.”  
Danny’s clearly annoyed, even upset, and Steve can’t fathom why.  “No, I just wanted to-”
“Don’t lie.  You took one look at me,” Danny waves his hand up and down his rather unkempt self, “and you decided I needed help.  Next thing you know you’ll be offering to put on some music and bring me peppermint tea, or build a pillow fort, or give me a back rub.”
“And those are bad things?  I was under the impression that you liked it when I did nice things for you.”  Now Steve is getting annoyed too.  “What’s got into you this morning?”
 “Nothing,” Danny says, a little too loudly.  “Absolutely nothing.  It is an absolutely normal morning.”
 “Then why are you acting like this?” Steve can feel his voice rising to meet Danny’s.
 “Like what?  I haven’t done anything unusual.  It’s you who’s being weird – why aren’t you out on a run, huh? Or swimming around the island, or practicing for a decathlon?”
 “Oh, that’s mature.  And I already went for a run, as you would know if you were having a reasonable conversation with me instead of-”
 “So it’s my fault for not being reasonable?  Forgive me, I should have gotten up earlier, been prepared to quiz you on your morning activities.  Sorry I’m not a mind reader.”  Danny scrubs a hand over his face.  “Shouldn’t have bothered to get up at all, if I can’t do it right.”
 Steve doesn’t understand how this has gotten so out of hand.  “Danny, please, tell me what’s going on?”
 “For god’s sake, Steve, can’t a person just want to have a lazy morning for once, without his partner jumping all over him to fix everything?”
 Steve bites back his immediate reaction, which is to argue some more, and point out that maybe a person who wanted a lazy morning shouldn’t have started it by picking a fight as expertly as Danny just did.  But maybe something he’s learned in therapy is actually sticking, because he takes a deep breath instead.
 Danny’s hands are tightening into fists as he watches Steve, and he can tell Danny is about to blow.  But then, remarkably, Danny takes a deep breath too, and removes himself from the kitchen.
 Steve follows him – slowly, respectfully, not like he’s running after Danny to keep arguing, definitely not – and finds Danny staring out at the lanai.
 “It’s raining pretty hard,” Steve says. He’s not changing the subject so much as giving them both a chance to regroup, and Danny knows it, squeezing his eyes together hard and taking another deep breath before answering.
 “Yeah.  Good for the plants, though.”
 “Yeah.  It’s been dry.”
 “Yeah.”
 Steve lets another long moment pass, watching Danny’s shoulders relax and his fists unclench.  “If I come over there and give you a hug, ‘cause I like you a lot and for no other reason, are you gonna snap at me again?”  Steve asks calmly.
 “Asshole,” Danny mutters.  “Come here.”
 Steve wraps his arms around Danny from behind, and Danny leans back against him.  They both stare out at the downpour for a few minutes.  Steve loves the way he can feel Danny breathing, how he can match his inhales and exhales if he tries.
 He presses his nose into Danny’s shoulder, rubs his cheek against the soft t-shirt Danny wears to sleep in, and Danny tilts his head to rest it on Steve’s.
 Sometimes Steve wants to worm his way right under Danny’s skin, line them up together and fuse them tight with no space between them.  Maybe then he’d understand better what makes Danny tick, when to push and when to give him space.  Thing is, Steve hardly ever wants space from Danny anymore, and he thinks Danny feels the same. They’re getting better at this, lifting each other up without either of them faltering as a result, but it takes practice.
 “You went for a run in the rain?” Danny asks, as a burst of lightening races across the sky.  His voice holds nothing of the accusatory tone from just a few minutes ago, he’s just asking.
 “It wasn’t raining as hard before,” Steve says.
 “You’re kind of crazy.”
 “I know.”
 They fall silent again, but it’s more comfortable now.  Steve nuzzles against the side of Danny’s head, where his hair is buzzed short, and Danny hums contentedly.
 “I don’t feel depressed,” Danny says.
 Steve gets that he’s circling back to their earlier conversation, although he’s not sure yet where it’s going. “Okay,” Steve says carefully.  
 “No, I mean it.”  Danny turns in Steve’s arms, gives him a quick peck in the vicinity of his chin, and then steps away, walking over to the couch and flopping down.  “I’m okay. I’m so much better than I was, you see that, right?”
 “I do,” Steve says, and he means it. They’ve been going to therapy, and are each on slightly different meds, and he thinks it has helped both of them. Sure, there are good days and bad days, and Steve’s nightmares have proved difficult to shake, but overall they’re in a much better place than they were six months ago when Danny finally pushed them to get professional help.
 “But I woke up this morning,” Danny continues, “and I just felt, I don’t know, bleh.”
 “Bleh?”  Steve asks, letting a hint of humor color his tone, and Danny smirks.
 “Yeah.  Bleh.”
 “Okay.”
 “Do you get it, though?  Not hopeless, not as if I couldn’t bother to get up.  Not like there wasn’t any reason I could think of to even move.  Just bleh.”
 Steve comes over to the couch and sits down next to Danny, twisting so he can see his face.  “That’s good, right?”
 Danny snorts.  “Yeah, I thought so.  But then I came downstairs and you looked at me with that concerned face and…”
 “You felt like I wasn’t seeing your success.”
 Danny sighs and gazes away.  “I don’t like the idea that I’m always going to be sick, to you.  Someone who needs help.  I don’t like feeling weak.”
 Steve slides a little closer to Danny and bumps their knees together.  “One, you’re not, and I could tell you about a hundred reasons why, although you know them already.  And two, I could say the same thing about me.”
 Danny looks at him now, his nose wrinkling.  “I know. But why do I still worry about it?”
 Steve shrugs.  “Guess we’re just going to have to be patient.”
 Danny laughs half-heartedly and pokes a finger into Steve’s chest.  “Ha. Good one.  You, patient?  We’re doomed.”
 “As long as we’re doomed together, we can handle it.”  Steve leans his shoulder against Danny and Danny leans back, his hand reaching for Steve’s.
 “We’ve been doomed together before.”
 “Multiple times,” Steve agrees.
 “Remember when we dropped that nuke into the ocean from Kamekona’s helicopter?”
 “Not sure I could forget that, Danny.” Steve would love to forget it, it was terrifying, but there’s no chance.  “We still made it back in time for Kono’s wedding, though.”
 “That we did.”  Danny picks up his hand that’s holding Steve’s, and plays with his fingers.  Steve watches him, his heart stuttering as Danny brings his hand up to his mouth for a kiss, and then lets out a long sigh.
 “You know,” Steve starts out slowly, “I really did intend to have a lazy day today, too.  I cut my workout short and everything.”
 Danny rolls his eyes at Steve. “You did?  What does that even mean?  Only two hundred push-ups?”
 Steve glances over at the window as another burst of lightning streaks through the clouds.  “Thought I’d put on some Norah Jones and make something decadent with bacon.  Maybe eat it in a pillow fort.”  Steve raises an eyebrow at Danny.  “Rainy days are good for pillow forts.”
 “Using my words against me,” Danny groans.  “I’m gonna kill you.”
 “I was thinking about back rubs, too…”
 Danny opens his mouth, then closes it again.  “If back rubs are a euphemism for something else, I may regret rejecting them as a potential activity for today.”
 “Maybe yes, maybe no.  Does that mean you’ll reconsider?”
 Danny lets a smile dance across his face, then stifles it in mock exasperation.  “But no peppermint tea.  A guy’s gotta draw the line somewhere.”
 Steve beams, and pounces on Danny, who flops back on the couch and grins at him as Steve covers his body with his own.  Danny reaches for Steve’s head and pulls him down into a blistering kiss that is entirely out of synch with the whole lazy day aesthetic.
 “Sex now, lazy day and pillow forts later?” Steve asks when Danny lets him come up for air.
 “Sounds like a plan,” Danny replies, one hand sliding down to give Steve’s butt a squeeze, grinding them both together.
 “That’s why I love you so much,” Steve says between kisses, “you have the best plans.”
 Danny laughs against Steve’s skin, sending shivers down his spine, and there’s the Danny he knows again, sunshine bright and heart open.  “Love you too, babe, love you too.”  
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itsdannyg · 6 years ago
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James Roday on Reddit discussing Treehouse
Reddit with JAMES RODAY
I’m James Roday from Psych and A Million Little Things. I also directed two horror movies for Blumhouse’s Into the Dark Horror Anthology Series on Hulu. AMA!
JAMES RODAY: Roday here. I think. I'm typing things in a box so that seems encouraging.
JAMES RODAY: I think I'm an hour early. That's the first time in my adult life this has ever happened. I'll pop back by a little later. And I'll be READY.
JAMES RODAY: Yo! How about I knock out these early bird questions like a baller.
QUESTION (CharlotteBeer): Given your latest is part of a seasonal series, when did you start work on the script -- and how long did it take you? How did y'all settle on the Ides of March?)
JAMES RODAY: CharlotteBeer -- it all came together very quickly because of my schedule on AMLT. Got the thumbs up in April and we were shooting in early June. It was an idea I had been kicking around for years but current climate and conversation definitely opened a window and my collaborators and I jumped through it.
CharlotteBeer -- Oh, and we settled on International Women's Day. Hulu made it Ides of March.
ASSHOLE QUESTION (yanderebeats): So uh what the fuck was that scene with them putting the snake on his arm? Like what was the direction given to mcpoyle exactly, did you specifically tell him to do the worst job possible or what
JAMES RODAY: Yandererbeats -- 1. Well, the dude is tripping on psychotropes so he's seeing all kinds of shit and the ladies are using that to their advantage. 2. No, I think Jimmi Simpson is a genius and generally requires little direction from me 3 (bonus) You sure this is what you want to be doing with your time?
QUESTION (ConicalSun): What advice would you give to someone that wants to pursue work in film? Directing in particular.
JAMES RODAY: ConicalSun -- Make something. Get familiar with a camera and how to shoot. If you can afford to take a filmmaking class that provides instruction and equipment, sometimes that helps speed the plow. But I'm guessing you know what you like and don't like about movies and it's easier than ever to get out there and make your own content so give it a whirl.
QUESTION (psych-o5life): Out of every character you have ever played, which one are you most like?
JAMES RODAY: psych0-5life -- Probably the dude I'm playing now on AMLT.
QUESTION (seppukuu): What is your writing process like? Do you live out the stories in your head or, since you usually have a writing partner, do you prefer a more systematic approach that involves discussions and outlines?
JAMES RODAY: Seppukuu -- Todd and I have been writing together for over 20 years now. We have such a great shorthand that we can accomplish a lot quickly without spending much time in a room together. Vodka helps. We talk story, specific scenes and generally write the stuff we see best in our heads, respectively. Once we have a very rough draft, everything becomes much easier and the streamlining and polishing begins. That's generally when character voices really start to take shape as well.
seppukuu: In vodka veritas!
QUESTION (Nikesneaker): Hi James!
Do you have a favorite director/actor/actress that you look up to as a “hero”?
P.S. supa excited for Psych: The Movie 2
JAMES RODAY: Nikespeaker -- I grew up an enormous fan of Val Kilmer as an actor, Rick Baker and a SPX Make Up Artist and Stanley Kubrick as a director. I'd add Bergman, Wes Craven, John Landis and Quentin Tarantino to the list of directors I've really appreciated over the years and Lynne Ramsay is an absolute force of nature. I also CANNOT WAIT to see what Julia Decournau does next after RAW...
QUESTION (mooviescribe): If you were to direct another horror feature (not for Dark Horror), what type of script catches your eye?
JAMES RODAY: mooviescribe -- I will def be directing more horror. I love the genre and believe there are plenty more good stories to be told. As for scripts -- anything that moves me catches my eye. Being scared is fun but if it makes you think and feel -- that's the real fire starter
JAMES RODAY: I just realized I can reply to questions by hitting reply. This is GOOD SHIT.
QUESTION (Wizardmer): I am such a huge fan of Psych, and some of my favorite episodes were the fun homages to classic horror movies, here's lassie was my personal favorite. Was there any other horror movies you wanted to do as an episode?
How did the costume design come to life for treehouse? I loved those awesome outfits, super dope
JAMES RODAY: They let me check most all the remaining horror boxes in A Nightmare on State Street. It's just a big sloppy buffet but I loved every minute of it. Costume and mask design were the work of the incredibly talented Diane Crooke. She was one of a whole team of lady designers that elevated every element of Treehouse and I am eternally grateful.
QUESTION (UHeardAboutPluto): Have you heard about Pluto?
JAMES RODAY: That's messed up, right?
UHeardAboutPluto: James, you have made me the happiest I’ve been in a long time. Pysch is my favorite show ever, and that response from you was perfect. Thank you for being awesome!
QUESTION (AsymptoticGames): I just want to point out that I love when co-stars of some of my favorite shows hang out outside of the show. On that note, how was Dule Hill's wedding?
JAMES RODAY: Beautiful.
QUESTION (psych-o5life): Are you helping with production on Psych the Movie 2?
JAMES RODAY: Co-wrote the adventure and we're prepping it now. Steve will be directing and it's gonna be sweet.
QUESTION (bakuryu69): Hey big fan James - what drew you to directing horror. Will you be doing more work in the genre (possibly pineapple related)?
JAMES RODAY: I've been a fan of horror since I was old enough to know what movies were. Somehow convinced my mother that I loved being scared and wanted to learn how all the cool special fx and make up worked. She went for it.
QUESTION (Maxzhouse): Hey man, I really dig your work. I was wondering if you’re into writing and if so what your process looks like? Thanks mate!
JAMES RODAY: It generally looks like one inspired hour of writing a day and 23 hours of procrastination and thinking I should never write again.
Maxzhouse: Ah a man after my own heart! Thanks for answering brother, Hope the best for you and yours. Peace, love & Mercy
QUESTION (seppukuu): You said before that your high school production of Elephant Man was the most challenging acting gig you've ever done. Is this still true, and would you like to do it again now that you have considerably more experience under your belt? What would be another (type of) character you'd find most challenging/exciting to play?
JAMES RODAY: I'm too old to dip back into John Merrick's skin but man that is a tough play to pull off. Moving forward, I think characters that are well written with a real point of view (good or bad) are the ones that we all want to play as actors.
QUESTION (TheReelPliskin): Hey James. I just wanted to say you're awesome! I've been watching everything you're in or a part of ever since I saw a little movie called Rolling Kansas. Can't wait for the new Psych movie and I fell I'll hafta get Hulu now so I can see your new movies. Ok. Enough of that. Now for the question. Outside of Psych and Little Things, what is one of your personal favorite movie or show you've been a part of? P.S. . . SUCK IIIIIIT!!!
JAMES RODAY: It's gotta be Treehouse. And a tiny film I was lucky enough to be a part of a few years back called Pushing Dead directed by Tom Brown. Worth checking out. Important subject matter.
QUESTION (deadpool902): Hey James!
Quick two-part question:
What aspect of anthology storytelling entices you the most?
Were there any horror stories or films that you turned to for inspiration when directing for Into the Dark, and if so what were they?
Thanks for stopping by and I can't wait for your return to Santa Barbara!
JAMES RODAY:
The fact that, in this case, 12 different filmmakers got to come in and do anything they wanted without worrying about stepping on toes or syncing up with any of the other films
Raw, Thelma, Goodnight Mommy -- 70s horror.
QUESTION (tedlogan43): Mr. Roday - Gravy was fantastic, A Million Little Things blows my mind, and Psych is a part of who I am at my core. I wanted to ask what it is like to get to continue working with so many great professionals like Dule Hill, Michael Weston and Jimmi Simpson. Do you feel like your continued projects with them are improved by your on-going relationships with them? Thanks for the profound impact your roles have had on my life!
JAMES RODAY: I am tremendously lucky to have so many insanely talented besties. I am no dummy. I surround myself with ladies and gents that make me look way better than I deserve and will continue to do so as long as they'll let me.
QUESTION (fangirl005): What is the best thing about working on AMLT?
JAMES RODAY: The cast. And knowing that we're dealing with issues that affect so many people every day. It feels good to be a part of those conversations in even the smallest of ways.
QUESTION (jmsturm): Hi Mr Roday, big fan.
Who would win if Shawn went head to head with the Mentalist?
JAMES RODAY: Well he'd def be the comic relief.
QUESTION (TheWalkingGamefreak): Good evening James, just want to say hi
JAMES RODAY: sup
QUESTION (seppukuu): Marvel called and wants to give you half a billion dollars to direct Guardians of the Galaxy 3. Do you accept, and would you still try and shoot it in 3 weeks on a 200 dollar budget instead?
JAMES RODAY: hahaha. that's a great answer and the honest to God answer is that I'd only do it if I thought I could bring something unique or unexpected to the fanbase. Otherwise there are plenty of ladies and gents for the job.
QUESTION (FusionCinemaProd): What would you say is the most creative horror film of the last decade?
JAMES RODAY: Creative? That's pretty subjective. I'd say last years reboot of Suspiria was a pretty big creative swing that mostly succeeded IMHO. And I stand by RAW as one of the best films of the last decade, period.
FusionCinemaProd: Raw is a fantastic film. I’ll have to check Suspiria out on blu ray when it comes out here in the UK.
QUESTION (modsrfagbags): What was your favorite “Gus don’t be...” line from Psych? My favorites gotta be either “eleven and a half pound Black Forest ham” or “the 100th luftballoon”
JAMES RODAY: I am a sucker for a luft balloon
modsrfagbags: Oh shit thanks for responding
QUESTION (imdannyg): Have to admit, the torture scenes with Peter Rake (Jimmi Simpson) gave me flashbacks to your work in Blood Drive. Is there any connection there at all and/or did it prepare you in anyway for this scene in Treehouse?
JAMES RODAY: Welcome Daniel. You know I hadn't thought about it until just now. The two projects are so tonally different but I'll say this -- shooting scenes designed around a character that cannot move is challenging to say the least. Blood Drive probably did serve as a dry run for me without even realizing it.
QUESTION (seppukuu): Have you ever done special effects make-up on another person? If not, would you like to try or are you happy watching the professionals do it for you?
JAMES RODAY: I used to do it quite a bit as a kid. There's a reason I didn't end up being the next Rick Baker.
QUESTION (HippoMafia42): Hey James, huge psych fan here, I know psych the movie 2 will start production sometime this month, but when will that be? Hopefully within the week?:)
JAMES RODAY: Soon. We need a little time to find and build things.
QUESTION (miatosc): What was your favorite scene to shoot this season on a million little things?
JAMES RODAY: There were so many. My scenes with Colin the dog in the "day before" episode were especially sweet.
miatosc: haha! I was guessing any scene with Colin since he’s such a sweet dog.
QUESTION (thepineapplesplat): James! Man glad to hear your free-spirit self. Huge fan of Psych and no matter how much I’ve watched the episodes over and over it never ceases to make me smile. You were apart of a master piece and taught me to always stay true to the inner child in me. Absolute master piece!
Serious question, do you see yourself doing any meet and greets with fans in Canada? Perhaps in Vancouver where Psych was shot?
JAMES RODAY: thanks! So glad it resonated with you. As for meeting fans, I'm always happy to say hi -- I struggle with the format of conventions because I wish fans didn't have to spend their money. They already do so much by just watching and keeping shows on the air....
thepineapplesplat: Yeah definitely makes sense. Meeting you and Dule Hill is definitely on my bucket list. I’m not a huge on meeting celebrities (I think of them as regular people) but psych stars will definitely hold a place in my childhood/adolescence memories. Thanks for bringing it to life! Sorry if I seem like I’m fan girl-ing out haha!
QUESTION (seppukuu): Will we ever see a new play written (and directed) by you?
JAMES RODAY: someday.
QUESTION (psych-o5life): What was your favorite episode of Psych to film?
JAMES RODAY: Probably Dual Spires because it was the closest I'll ever get to being in Twin Peaks.
QUESTION (NateLeport): What was your favorite episode of psych to work on? What was your favorite running gag like the pineapple, I’ve heard it both ways, come on son, I’m Shawn spencer and this is my partner ____, etc.
JAMES RODAY: I became partial to singing suck it towards the end
QUESTION (leeselislisuh): What was your biggest recurring nightmare as a kid? Mine happened a lot when my mom was pregnant with my little sister, and I kept dreaming she'd be born with a full set of very pointy teeth. Horrifying. Huge fan and excited to see more of your work!!
JAMES RODAY: What a question. And what a nightmare. I used to dream that I was a werewolf but I thought that was awesome and didn't want to wakeup
QUESTION (bsischo): When does the next Psych movie come out? I loved that series and I really enjoyed the last movie.
JAMES RODAY: Good question and not sure of the answer. If I had to guess I'd say around the holidays again
bsischo: Really looking forward to it!!!
QUESTION (imdannyg): How did the music choices for Treehouse play out? Priscilla Ahn's Under the Covers is the bomb!
JAMES RODAY: All those needle drops are in the script. I tend to write very specifically to music and, knowing we'd have little to know music budget, I chose songs we had shot at getting. We got all of them. Priscilla, per usual, stepped up and wrote something incredible just for the movie. Another ridiculously talented dear friend who I will employ forever and ever as long as she says yes.
QUESTION (TheWriteOwl): James, thank you so much for doing an AMA and letting us all fan-girl our hearts out. I think it's rare to see someone who moves as smoothly as you do from being a comedic genius in a show like Psych and a thrill master in movies like Treehouse.
What attracted you to these two, disparate genres, and can you speak a little bit about why you think you've seen so much success in both?
JAMES RODAY: Better to be lucky than good and I've been very lucky. I have dedicated myself to being as good as humanly possible to try and make sense of how blessed I've been. Growing up, horror and comedy were the genres I gravitated to the most so they've been in my bones for a very long time. I still remember seeing An American Werewolf in London in the theaters as a six year old. That just about sums me up.
TheWriteOwl: Your dedication and your inherent love for what you do really shows up in your work. As a fan, it's awesome to see - thank you!
QUESTION (eppukuu): Film or digital?
JAMES RODAY: Film. But I do understand the revolution. We shot the first three seasons of Psych on film and Tuesday the 17th was shot on Super 16 which is one of my very favorite formats. There's something truly special about knowing you only have so much film to shoot on and so many takes to get it -- really brings a crew and cast together. And it just looks so good. Though technology has definitely curbed that with HD.
QUESTION (angelusgirl): I started watching Psych after I watched the awesome episode Dual Spires. What was your favorite Twin Peaks Easter egg in the episode or memory of filming it?
JAMES RODAY: The last scene in the diner was a blast because it was a basket of easter eggs. And I'll never forget watching the cast of my favorite show reunite in real time at the Sutton Place bar. Some of them hadn't seen each other in 25 years.
angelusgirl: And a follow up if I may, what did you think of the showtime season?
JAMES RODAY: Well. I loved it because it felt like the deepest recesses of David Lynch's mind were turned loose and who knows if or when we'll get to experience that again. That said, I understand why it wasn't for everyone and if you came in expecting an evolution of the original series....well, you probably didn't get what you were hoping for.
QUESTION (cabose7): How is Timothy Omundson doing?
JAMES RODAY: He's such a badass and he's doing great. He has exceeded expectations at every turn and I cannot wait to bring Lassie back home.
QUESTION (]miatosc): what’s it like working with Allison Miller? She seems super funny and passionate about her work.
JAMES RODAY: Miller is a truly gifted performer. I lucked out getting her as a scene partner. She pushes me, carries me and makes me better. No question.
QUESTION (imdannyg): Did you write Agnes with Nancy Charles in mind? She (and all the cast) is incredible!
JAMES RODAY: We did not but boy did she come into her audition and own that role. When she left we all looked at each other and were like "well, that's that."
QUESTION (seppukuu): You survived the (non-zombie related) apocalypse. The planet is a wasteland. What do you miss most?
JAMES RODAY: Dogs and pals.
QUESTION (mndrlyn): Hi James! Two questions. 1. Does the beard stay for the new Psych movie? 2. What do you do in your off time that makes you happy?
JAMES RODAY: You'll just have to wait and....oh who are we kidding, Shawn doesn't have a beard. I generally spend as much time in NYC as I can and relax by thinking about the next juicy thing I can make. And vodka and sports.
QUESTION (psych-o5life): Do you know what's gonna happen in AMLT season 2?
JAMES RODAY: I may know a thing or two -- which still leaves close to a million
JAMES RODAY: You awesome ladies and gents I'm gonna wrap this up in the next five minutes. We've actually gone over an hour and I don't want to break Reddit.
QUESTION (imdannyg): What are the most difficult constraints to overcome with a limited budget such as this? Is it just time, is it human resources, is it gadget/technology oriented issues? What extra thing would help the most with a limited budget like Treehouse?
JAMES RODAY: All of the above. And I would always choose time over money.
QUESTION (SydneyHollow): Shawn was a big hero of mine for a long time. Then I realized over time that Shawn is a huge dick. Nevertheless, your ability to breathe such life into his character is nothing short of amazing. All the actors on Psych, really, are truly gifted!
​Did you ever have doubts about how successful Psych would be?
JAMES RODAY: Hahaha! I love this. And believe me the longer the show ran, the more challenging it became to keep a character like Shawn digestible. It's like watching Puck of Peter Pan for muuuuch longer than a movie or a play. But yes, that was a wonderful group of actors and humans and we are family. Lightning in a bottle to be sure. The success of Psych never ceases to amaze me. Truly. And that's all because of the fans. 100 percent.
QUESTION (JessicaSimbro): In writing a female role for one of your films, what personality traits does an attractive woman have in your mind? And what then makes that same woman gaspingly frightening?
JAMES RODAY: I believe attractiveness lives primarily on the inside. I'd say the same for what makes anyone frightening.
QUESTION (woahbells): From interviews you seem introverted and introspective but not uncomfortable being questioned about both work and personal topics. Assuming I'm correct and that you are an introvert, how do you reconcile that aspect of your personality with fame?
Also, I noticed the subtle pineapples on Peter's daughter's shirt at the end. Was that intentionally done?
JAMES RODAY: Not my choice but I also didn't veto it so...
QUESTION (firmhair): Come back to White Rock. Our Pier is gone :(
JAMES RODAY: Deal. And with that, thank you all for joining me. It's always a pleasure to connect with you all. If you haven't checked out Treehouse on Hulu, give it a spin. I am enormously proud of the work from all involved and especially grateful for the opportunity to work with and learn from so many talented and insightful women. Be kind to yourselves and others and get ready for a million little spoonfuls of delicious flavor in the future....
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