#the person he wants as desirable because it means he likes the 'right' people but he has genuine feelings for gerri and now logan's

[prettyboykatsuki]

fang i need to see yukimiya with an oversexed s/o so bad

i think about this all the time bc of hypersexuality

tags for some implied religious trauma on mr yukimiyas part and very explicit sexual content. reader is very wanton lol, 18+

it is . sooooo hard for him. the thing is yukimiya genuinely thinks of you as such a warm, kind person. his feelings for you are so deep and sincere and completely removed from any lust he might feel for you. or at least that lust is intertwined with a stronger desire to be gentle and intimate and sweet with you yk

but you are sooooo horny and so shameless and it is soooo much for that poor boy. i do genuinely think yukimiya has like self imposed saving himself for marriage thing. and he's super upfront about it with you from the start bc u so obviously want to jump his bones. he has a very Strong sense of discipline overall.

like the first time you kiss you're just like... all over him. hands in his hair, pressed against his lap, tongue in mouth and he is trying to handle all the sensory input and failing. he has to PRY you off of him and he's so red and he's like no no we can't go any further.

and you pout jokingly but you never push him. you're so sweet about it, maybe a little teasing but that's it. you always express your desires and voice them, always tell him whats on you mind. if you think he looks handsome or sexy or whatever—you'll sort of fidget with the end of your straw and bite and make a comment so unbelievably lewd before moving right along.

you make these like... eyes at him. fuck me eyes, he's heard the term before but he didn't really get it until he met you. you know exactly what you want from him and you're thinking about how you can get it. a little dazed, very determined. always gets him sooo flush.

you brush things off easily enough when he blows you off about it. you're a lot but you're not....forceful or anything. he makes a little face of faux disappointment and you laugh it off and thats all there really is but the longer you date the less he feels sure of himself.

yukimiya wanted to get married young and didnt see a whole lot of purpose in trying to lose virginity to someone he didn't love so he held onto it for longer than most people. that plus growing up religious its just something he was so sure about it.

and he does want to treat you well. marry you. yukimiya is the first guy to ever be such a gentleman to you and he doesnt want to taint that because of his own ...desires. its dirty to him. he doesn't think it's bad when you want things, but it's different when he wants things.

but it gets. harder and harder. you're so forward and you are also so good at touching him (too good) and so attractive already without trying very hard. you could do anything and look insanely beautiful to him but god.

you really don't go farther than making out and heavy petting. but that in itself gets so obscene. the way you space out your kisses, the way you flick your tongue - how your hands slide up his chest and neck, thumb rubbing against his ears, how you carry your weight in his lap, how you use your teeth. you kiss him like you could eat him whole.

when your hand gets on his belt he always loses his sense of reason - only barely tears himself a way from it each time. half-hard and apologetic. eventually you get the feeling that he's not even... it's not like he doesn't want to do it but he's holding onto beliefs he only barely has.

you have to have a long conversation about it i think. give him a peptalk about how you know how much he loves you and sex can be intimate too etc. when he's still resistant to it, you make a compromise. no penetration until he's ready, even if that means marriage. no sex. you think its silly but it helps him make sense of everything.

i think he agrees to this kind of blindly, assuming it will take the edge and tension off. like letting the pressure out slowly so something doesnt explode.

but. once you open that box, you can't really close it again.

so you do everything but have sex. and it absolutely makes him want to fuck you.

its light at first. dry humping while you make out and making him cum in his jeans. giving a handjob or teaching him how to finger you ("for when you do fuck me, someday"). directing him on how exactly you like getting head - on foreplay, your sure hands over his shaky ones as he make him squeeze your tits and guide them into his mouth. tell him the other places on your body you like being touched.

you teach him things about his own body too. or rather, he learns them because of you. his ears get red and sensitive, he likes when you bite his ear lobes lightly.his lips too. likes your hands on his biceps or chest or back, kissing and rubbing his muscles appreciatively. it does something to him. he knows he's attractive but it's... different. it's a nice feeling to be wanted but being wanted by you makes his whole body break into these terrible shivers.

he learns that the tip of his cock is way more sensitve than it should be. he learns he doesn't mind when you take advantage of this either.

he's got a few moles on his body and he likes how you kiss them when you go down on him. on his hip and inner thigh and some other places. likes when you rub up against him in general, when you cling to him during it or when your nails dig into his arms

yukimiya likes how... relaxed you get when you feel good. the first time he makes you cum with his mouth he feels so absurdly accomplished, even more so when you giggle at him and kiss him so full of love.

nothing changes. you go on dates and see each other. sleep in the same bed. but when you stay over at his place now - he's started to anticipate your little escapades.

no penetration. he knows that should mean not getting his dick anywhere near you. but you're persuasive. it's fine, yuu-kun. just slide your dick against me, it'll feel good. you can do it between my thighs, if you want.

the first time yukimiya slides his hard cock through the soft, slick folds of your pussy he nearly passes out. randomly on a date night. it just turns out that way. your hands on the back of his neck, kissing him as it slips through the sticky warmth.

it feels so good. it's mindblowing. it's so unfair. how can something feeling so much better when everything else you've been feeling had felt so incredible? how can there be anything more tempting than what you already do?

but there is. its you with your ass up and your thighs squeeze as yukimiya fucks the plush of them - tip knocking against your clit, catching on your hole, one misstep away from thrusting. the thought haunts him even as he's cumming up against your belly and thighs.

there's a guilt he feels about greed in particular, even more than lust. sometimes you go at it and he just. can't help it. can't help but want more. can't help but shamefully jerk off in the bathroom after you've already done it for a while.

you come onto him the same as always, more now that he's receptive to it but god he can never turn down your advances. even when it'd be smarter to do it. all it takes is his name now, or maybe just you taking his glasses off so it's a little easier to kiss him. it scares him a little, just how easy it'd be to slip up and . take you really. thin threads of control fraying as he gets close and closer to just giving you what you want.

it's Hard. he holds onto it for so long. i think he snaps eventually when you do something very thoughtful for him on a bday or anniversay and he just becomes uncharacteristcally aggressive (not that ur mad) and u have such intense deep missionary. like eye contact, chest to chest, slow rolling of his hips while he grinds into you. it is such a crazy feeling.

yukimiya just really. bends to your whims after you have these breakthroughs. he is so unbearably seduced by you even when he tries so hard to fight but it . god its rough on his brain. shame and pleasure are not opposites for him, that's for sure.

[bossuary]

Neve is painless. Rook is real.

Lucanis likes Neve because she represents what he is desperate to regain. He wants to feel normal, to work and cook and focus on the things he used to enjoy (such as they were) before the Ossuary. He wants capital R Romance, right out of a book.

Most importantly, he wants to get rid of Spite. He wants to pretend that he is the man he was...not this abomination.

Without truly knowing her, Lucanis believes Neve is a pathway to all of that. He's attracted to her, and she to him. Their flirting has an edge, but it's also friendly. She dislikes Spite, and her presence makes Spite disappear.

Neve will tell Lucanis that he's still himself, and that Spite doesn't change that. She will never be the one to reconcile Lucanis with Spite, to get them to accept each other. So, yeah, he gravitates to the charming, flirty, warm person who (through no fault of her own, really) feeds his desire to pretend he's not an abomination.

Even early on, I think he's smart enough to know that accepting Spite is his only option, but he...just... can't. With what tools? Nothing in his life has prepared him to deal with this. Rook does that. When denial tears Lucanis apart, Rook puts him back together with acceptance. Rook accepts the reality of Spite, and deals with it head-on every time.

Neve will remind Lucanis that she's not going anywhere. She'll tell him to open his eyes and look at facts, but she (probably) won't be the one to push him out of his own prison. Lucanis knows this, so Spite knows this, and therefore Spite will not look to Neve for help.

It's important for Lucanis to accept that Spite has changed him. But when it's Rook who says it--for whom Lucanis has developed real feelings, not idealized ones--well, it destroys the fantasy Lucanis clings to so vehemently, the one where he isn't this.

For me, the Lucanis/Rook romance feels the way it does NOT because the writers "preferred" that Lucanis and Neve get together, but because Neve is simply easier for Lucanis to accept. She's easier to talk to, unchallenging. Easy isn't bad! Comfort isn't bad! God knows they both deserve some comfort.

Loving Rook is a profoundly complex choice. There's not a lot of cute ways to work that profundity into sexy banter. It makes sense, then, that Lucanis doesn't have as much dialogue for a romanced Rook as he does with Neve. What he can do is cook, make small gestures. He can, heartbreakingly, tell Rook, over and over, that he doesn't have the words to express how he feels. That's such an awful state, knowing that the person you care about needs to hear words you simply cannot locate. As soon as he does have the words, he shares them.

Rook is real. And real is not easy.

To Lucanis, Rook represents a difficult path to recovery, a path he has to keep choosing to follow, every day. At a time in his life where he is incapable of seeing Spite (and his own PTSD ) as anything but a 'distraction' to shove aside, Rook shows genuine interest in helping Lucanis heal. Rook takes consistent action toward that goal, particularly when it's clear that Lucanis doesn't know how.

Lucanis also has to believe that he's worth the effort, his own and his love's. Neve is great, love her, but I don't see this struggling cynic, this chronic worrier, being very helpful in the self-worth department. No, people in a relationship do not have to perform therapeutic roles. But, partners do have to respect each others' boundaries and needs.

Of course Lucanis goes all-in for Neve, romantically, even while he and Rook are dancing around each other. Accepting how much he loves and cares for Rook means looking at himself the way Rook does. That is so much harder than whatever will happen with Neve.

The fact that Lucanis isn't afraid to pursue Neve, even if Treviso is blighted, tells me that Neve is an indulgence for him. Again, that's not a value judgement. If they treat each other with respect, then the merits of the relationship don't have to fall on whether Lucanis 'heals' as a result. Sometimes not hurting all the time is enough.

BUT. Contrast the ease he feels with Neve with his feelings about Rook:

"When I was afraid to want you..."

That is a powerful admission.

What was he afraid of? The annihilation of neglect, worthlessness, and shame. The awful but knowable pillars of his existence.

Wanting Rook means that Lucanis wants to dismantle everything he knows in pursuit of something he doesn't. To love Rook is to love and accept himself, exactly as he is.

Then...then...Lucanis finds real comfort.

[illmoraineakoi]

Some Thoughts on the rest of AvA Season 3

You know, I'm a little bit baffled by how many episodes are left in Season 3.

It's supposedly set to run to episode 15, which means there are four more episodes in this season.

But I really don't understand what else could happen?

Victim has Chosen, Orange and Yellow. He has the means of summoning the Cursor. He also has the means of finding Alan's PC location too, via the memory scanner, if that's something he wanted.

He even has the means of containing the Cursor, with The Box.

For all intents and purposes, Victim is so close to achieving his goals.

Literally all of it, from Yellow summoning the Cursor, to Victim having a confrontation and fight with the Cursor, to Orange inevitably intervening and ruining his attempt at vengeance and saving the day, it can all be wrapped up in a single episode.

So...four?

Four more?

Something's not right. There's more we're missing. There's more that will happen. It's not going to be that straight forward.

Chosen is an integral part of this arc. And he's left far too many mysteries in his wake thus far.

Orange's origin and his connection to Chosen, too, has yet to be explained.

Which Alan has confirmed would be, at some point, quote, "explained in the story". (Thought to his credit, he did not specify when it would be, nor if it would be in S3. This was also a quote by DJ, not Alan's actual words, when DJ was asking about Orange and Chosen, for added context. Alan's response was "Uh-huh.", to the above quote.)

I do not think it's a coincidence that we received a MASSIVE lore dump on how the Outernet works, and the "green energy" along side it, in the episode immediately after Orange's powers became known. The green energy played a massive part in Victim's episode, symbolizing both the creation of life, but also the loss of it. Orange's powers are going to play a more significant role going forward.

Though it will be difficult to say if his reviving powers will play a role or not.

(I personally believe they will, because I don't understand why Mitsi would get a plush otherwise. Her role in Victim's story was very important yes, but...a plush? Alan's never done that before, made merch of canonically, permanently dead, only-appears-in-one-episode characters. It feels a little strange. Unless they were just banking, literally, on the audience's heartbreak and swift attachment to her character? People's desire to want to make her and their Victim plushes a set? That feels so disingenuous for Alan, though...So why?)

(I don't believe Mitsi's role is complete. That might just be the cope, admittedly.)

The new gap in TCO and TDL's story is also very suspicious. There must be a REASON that Alan decided to set the Newgrounds attack in 2011, upending most people's assumptions for how they spent their time after they escaped.

And therein lies a problem too: our assumptions. We know so very little about TCO and TDL's time after they escape until Showdown, and it's starting to feel like it's becoming a problem. Especially when things keep tying back to them.

It's intentional. Alan isn't rewriting the timeline for no reason. He's not casting doubt onto Chosen for no reason.

We are going to get more information on Chosen and Dark. The new gaps in the timeline and the ambiguity to their character arcs needs to be completed. Alan and his team have been very good at tying up those loose ends.

I firmly believe one of the four remaining episodes is going to be Chosen and Dark's 'extended'/'improved' backstory, an episode that is going to massively clarify both their characters like Victim's did.

Dark's strange absence from Victim's arc in particular is feeling very odd. Why is the narrative trying so hard to push Chosen as a main perpetrator for Victim's antagonist arc? Is it to set up his own expanded redemption arc better? Is it to fall in line with the theme of "actions have consequences"? Is it to forcefully beat it into the thick-headed fandom that Chosen is a morally grey character, a fact so many people seem to chose to just ignore because they like him?

But then why immediately show Dark after Agent has left, if we are supposed to focus on being upset at Chosen? Why is his appearance on that tank treated as a reveal?

What is there to reveal? We already knew he was there. Why was that important to show?

It's just so weird. By willfully hiding Dark, Alan is calling even greater attention to him. His absence is perplexing. So why?

Something is important about Dark. Dark is going to play a bigger role in what happens in the future than we might currently think.

Either he's being set up for the 'grand reveal' that he was the only one actually throwing attacks around during the Stick Page and Newgrounds attack (A weak reveal because people already think this, think that Chosen is being used a bait-and-switch) OR, and I really hate to be 'that person'-

He's being set up to come back.

I hate to be 'that person', because I've frankly gotten tired of people theorizing that Dark's going to return in Season 3. There was never any evidence for it, before. The arc, originally, had nothing to do with him. He had his arc in Season 2, and Alan being undecided in his fate didn't magically mean he'd pop back up in a brand new narrative with a brand new antagonist. Especially when, at first, it didn't seem like he was involved.

But there is evidence for it now. He is involved, at least a little. Dark is, by his absence and the complete lack of acknowledgement of his very existence by Victim, important to SOMETHING in this season.

Though in what way, I can only speculate. And those speculations sound like fanfics, fam, so they're going in a reblog.

There is also the issue of the Animator's character. Something huge needs to happen to redeem him in the eyes of the audience after what was revealed in AvA11. So many people are horrified and appalled by his past actions, and his current "redemption" doesn't feel like it hold up. It's too weak.

I've said it before, but I'll say it again: The Animator needs to do something more. He needs to show he actually cares about his stick figures.

And he needs to apologize to Victim. That is one of my biggest desires to see, in the final episode: Alan apologizing to Victim. I want to see it as badly as I want to see the Cursor burst into pixelated flames in a fight scene. Chosen, too, deserves an apology.

I personally think that Victim is going to receive a good ending - the fact that he's being fleshed out with a backstory that makes him very sympathetic is a good sign that he might have a nice ending in this story, if not the one that he perhaps wants at the moment (that being his vengeance lmao.) And Alan usually goes for good, feel-good, endings to his story arcs. The only one that didn't really feel very 'complete' is Season 2, which, y'know, might now be for a reason.

In any case, I at least don't think Alan has it in him to kill Victim off permanently. Victim is the stick who started it all, who started him on his path to success that's brought him to where he is now. Victim is special to Alan's life story. Animator vs Animation would not exist without him. Alan wouldn't be here, doing what he loves, without him. Victim literally changed his life, just as much as Orange has, if not more.

This is why I hope Alan gives Victim the same respect of a good ending. The same respect of the ability to be happy and kind again.

It would be such a nice bookend, that the stick figure he originally created with the intent of beating up and tormenting is given love, happiness, and closure for his arc end.

That's what I want more than anything else. I want Victim to have a happy ending. I want him to have what he was deprived of in AvA1.

He deserves it, so much.

We have four more episodes to go. And a lot is going to happen in those episodes. Maybe I'm wrong and they stretch the whole 'confrontation with the Cursor' out really long, but it'll still play out mostly as expected. Or maybe something utterly batshit crazy will happen that will catch us by surprise, like Dark returning (either as an antagonist or ally, both would be awesome and unexpected) or Mitsi returning as an antagonist for some reason (probably not, but it'd be insane.) Or maybe I'm extra extra wrong and Victim will die, which would utterly devastate me and break my heart into a billion little pieces.

It's impossible to tell right now.

But I'm looking forward to the wild ride. Regardless of what happens, Alan and his team are going to make some beautiful art. Scott Buckley is probably going to make some amazing music. Everyone is going to continue to breath life into this amazing, gorgeous world, an tell an amazing story alongside it.

I don't love AvA just because of the story of the characters. I love it for the passion that goes into it. I love it because it's clear Alan loves it, and all of the animators, editors, artists, and sound designers clearly love it too. I love seeing all of that effort, all of that work, all of that love, come together to make something truly amazing and beautiful. I love that the team are in a position where they can make these animations for an audience who loves them so much.

I cannot wait to see what more their passion and love can make, and where they will take us from here.

[babiestbubbles]

Consequences

(A character study/analysis that kind of stumbled its way into being a drabble?)

I absolutely love when people play around with the consequences that Jack and Janet's neglect would have on Tim, and the ways it would foster a desperation for affection/attention with little to no regard for the cost or consequences. But I hate when people write it off as, "Bruce saves sad sad Tim from his neglectful parents. Tim finally gets the love he wants and deserves. They live happily ever after." (I'm using affection and attention interchangeably here to denote the same concept of positive recognition)

Because, while i do absolutely think that Tim's neglect, coupled with the intrinsic human desire for companionship and positive attention, would result in a desperation for affection. I don't think it would be that two dimensional. I think that instead Tim with end up with a really complicated relationship with affection.

I think it would play out more like, Pre-Bruce Tim really wanting affection, fantasizing about being saved/cared for, and constantly oscillating between self blame + fear that he brought his neglect upon himself and anger or resentment towards his parents for neglecting him.

But then post-adoption? (induction? whatever?) Tim, watching his fantasies be fulfilled and being absolutely revolted by it. Tim who craves affection so badly, deflecting or avoiding attention and affection when he does get it. Being uncomfortable when faced with the same acts of care he'd spent years yearning for. Running from family dinners and movie nights and any form of platonic intimacy, locking himself away in his room and isolating to avoid the discomfort that bubbles under his skin.

But also immediately regretting it. Locking himself away only to sit in his bedroom and yearn for something that's right outside of his door. Pushing away anyone's attempts to be close to him or care for him, but then being devastated when people pull back and give him space.

Him sneaking out and going to parties, acting out, breaking things all over the manor all for the same attention he pushed away when spoon fed. Him having no regard for consequences because everything he breaks could be replaced, and the worst that could happen to him when he sneaks out is ending up sick, and thus not expecting to be punished or reprimanded.

Because of this, I really see Tim being entirely caught off guard when presented with punishment and consequence. Begging Bruce not to bench him, apologizing, desperately trying to bargain, barter, or hell blackmail his way out of trouble, all to no avail.

And Tim subsequently throwing a literal tantrum as he realizes there's no getting out of this. Because this is the first time Tim has ever been faced with a punishment that contains no loophole or means of negotiating his way out. A punishment he KNOWS will be personally fufilled/carried out by Bruce. Unlike Janet and Jack's approach that Tim is used to, where they rarely cared enough to even remember the punishment, not to mention follow through. Meaning Tim's being faced with, for all intents and purposes, his very first real consequence/punishment as a result of his actions. And that, the unequivocal nature of his punishment makes Tim feel trapped. It’s suffocating, terrifying, and entirely uncharted territory for Tim, which results in his 14 yr old grown ass literally throwing himself on the floor sobbing begging Bruce to let up. Because he feels so absolutely helpless in his situation, he's begged and he's pleaded and he's tried everything he could think of and none of it's working and he has no idea what to do with himself, how to react. He cannot comprehend his newfound lack of autonomy at all and it results in him literally melting down on floor of the manor hoping that it will somehow change the circumstances, or at the very least relieve the caged desperation thrashing in his chest.

And Bruce is absolutely shellshocked to see this 14 yr old straight up collapse into tears so, for a couple seconds, he's just kind of frozen, not sure what to do. And this only upsets Tim more, because on top of the insufferable affection and now overbearing rules and damning punishments, Now? When Tim needs him the most? Is when Bruce decides he's done with the whole caring parent act? Now is when he's being deprived of affection and soothing? When it's the only thing that could possibly make the world around him stop spinning?

And the further frustration manifests in like, the meltdown evolving from just crying and a bit of kicking, to incoherent and self destructive distress. Head hitting, hair pulling, biting, scratching, clawing at himself anything to make the feeling go away, anything to distract him from the fact that everything is wrong and awful and miserable and there's no escaping any of it.

And it's this transition into physically harmful behavior that snaps bruce out of his little trance and has him bending down to meet Tim on the floor. Shushing him and trying his best to comfort Tim knowing full well that every other instance in which he's tried this has ended with Tim making a break for it before Bruce could get more than a sentence out.

Except this time is different. This time Tim is tiny and helpless and heartbreakingly overwhelmed thrashing on the floor. This time Tim is that tiny broken 5 year old, begging the parked cars in the garage to bring his parents back. This time Tim doesn't *want* the comfort, he *needs it*.

And he clings to it like a lifeline. His arms are trembling in Bruce’s hold, and he continues to thrash and fight for a minute, as he fights for shuddering wet breaths. But after a few seconds of soothing, the fighting subsides, and Bruce drops his wrists in favor of wrapping the boy in a hug. Tim refuses to let him go. For the rest of the night.

Yet another,Obligatory self-promo for my DC agere discord server

Join it! Come harass me for fics, hcs, and drabbles personally ‼️ /silly

[summerpearlgirl]

Debling's Red Flags 🚩

On first viewing of S3, I liked Debling because he displayed some of Colin's attractive qualities of nerdiness, adventurousness, rebelliousness against society's rules, passion for purpose and disdain for fakeness. It was nice to see a suitor dancing with Penelope and complimenting her frankness and wit.

But on deeper reflection, Debling had several red flags.

He warned Penelope that he loved his work so much there was unlikely room in his heart to love his wife (🚩please get away from Pen).

He wanted a wife who was convenient, independent and capable of running an estate (🚩sounded like he was employing an accountant).

Debling was aware that Penelope is a romantic and yet he wanted to lock her in a loveless, essentially sexless marriage for life (🚩bastard, you are dead to me).

Penelope was right to feel nervous telling Debling in S3E4 that she is drawn to "reading stories of love, stories of connection and a better life" (better than the cold & cruel home she grew up in, meaning Penelope desperately desires a warm & loving home). The honourable response to hearing that from Penelope would be for Debling to end plans of a marriage of convenience. Instead Debling equated what Penelope said to how he feels about his work. 🚩Debling then proceeded to take steps to bind Penelope to a marriage contract that would remove any chance of her experiencing romance without catastrophic financial, legal and social consequences.

Some neurodivergent viewers may find Debling with his quirks and special interest in animals relatable. Which is more than fine. But Bridgerton is a romance show and I believe marriages work best when core values are compatible. Penelope's core value of "love & connection" is incompatible with Debling's core value of "work above all & indifference to love". Sometimes people change, but it is always safest to take people based on observed evidence of the compatibility of their character and values with yours.

Debling was hostile towards Colin too. It drives me insane when people say Colin's beef with Debling was one-sided. In the S3E4 library scene, Debling followed Penelope's line of sight and saw that she was looking with interest at Colin. He then stepped to the side to block Penelope's view of Colin. At the Innovation Ball when Debling came to collect Penelope to dance he interrupted as Colin was about to speak and then Debling gave Colin a savage, smug glare.

Some may argue that Debling was kind, intelligent and rebellious enough to not bend to social pressure and abandon Pen if he found out she was Lady Whistledown. But he failed to provide a long enough courtship to confidently demonstrate this. Debling was rushing Pen to the altar because his noticeable priority was to divest the responsibility of running his estate so he could depart to catalogue animal species. His lack of care for a longer courtship demonstrated selfishness, arrogance, impatience and disrespect. Qualities that do not bode well for a happy marriage. You can be passionate about your work, and a bit impulsive, but rushing into marriage/pregnancy with a stranger who has not proven to have a compatible personality over time and various challenges is not smart and not safe.

It is true that women had few options in Regency times and that marriage to a wealthy, titled and absent man could be preferable to remaining in Featherington House. To that, I say: give Penelope a helpful solicitor. Book!Penelope's solicitor was the MVP. He established publishing connections, managed her finances across multiple bank accounts, and utilised the deaths of distant relatives as a cover for large financial transactions. Honestly, "Go speak to a lawyer" should be the message more romance stories promote, rather than "Marry quickly and blindly hope for the best". I recommend this Polin fic with a helpful solicitor, it is empowering and romantic: Mistress of Choice by some_mad_lunge https://archiveofourown.org/works/29520279/chapters/72531312

Debling did not need to exist. The use of a rival courtship in S3 cheapened Colin's decision to declare himself by making it appear that it was predominantly motivated by possessiveness and a time crunch rather than driven by the genuine growth of his romantic feelings towards Pen.

The Debling plot stole precious time away from Polin building a stronger connection, character development for Colin and Bridgerton sibling support for Colin. The S3 writing/editing gave Colin crumbs and my boy deserved better.

There were many things I loved about S3, which I happily post about, but Debling is not one of those things.

(No hate to the actor. I loved listening to him on this podcast episode. He is a real sweetheart.)