#the people of tumblr are really into the monks for some reason. this has been sitting unfinished for weeks. here's the monk.

[chiropteracupola]

The islander and his chronicle.

[justanotherblogger]

Small Tang Ramble

Right now, I have started rewatching the entire Lego Monkie Kid series from the start while I wait to see the recent season 5 episodes (that I was suckerpunched with when scrolling through Tumblr and having some stuff spoiled whene I didnt even think a new season would come for at least a few more months).

Then, when I finally got to season 4, I noticed something interesting with how they handle Tang's powers.

At the start of the season, it's revealed that Tang's cheat sheet, given to him by Azure Lion, was something that supposedly should've been helpful to someone "mysticly powerful, comparable to the Great Monk, Tang Sanzang", then the sheet should be a piece of cake so to speak.

Then we see how Tang struggles and has a hard time finding where his friends are located, but then a Golden Cicada helps him to find Pigsy, which was the same one that flew around the Samadhi Fire ritual site when Mei had it reunited within her.

That's not my topic right now, though, so I'll just skip the "random destiny bugs" (name given to me by a friend), and keep going towards my main point.

Anyways, skipping a few episode to when the meet the Great Master (I forgot the guys name), we see how Tang got berated for his lack of courage and work ethic. Then Tang and the rest of the gang are put to train, and I'm not exactly sure on how long they were in training for, but I'm going to assume a few hours at the sky visibly got darker near the end of the montage.

(I'm pretty sure that something akin to a stop in time for them to train would have been stated in the show itself if that was an explanation for how long they have been training for, so I'm gonna rule out any sort of "checkpoint" or "rest stop" rules here, like when you can stay in a safe space for whatever amount of time and come out with little time passed afterwards.)

The reason why I'm talking about how long they've trained for, is because after (what I assume) is a few hours, Tang is able to teleport a WHOLE AIR BALLOON, RIGHT ON TOP OF WHERE THEY NEEDED TO BE, WITHOUT HIS STAFF NO LESS.

*ahem* We know Tang had struggled with the teleportation magic from the beginning, even with his staff along with only transporting 3 people, and the magic level required to do so is comparable to the Monk, who is very powerful considering what we've seen in how his training was revered by the great master for being extensive plus how the Monk focussed only on his studies, and in-show examples. (Ex. Releasing the heavenly seal put on monkey king singehandedly, sealing the Samadhi Fire along with three others, then also Sealing the Lady Bone Demon to where she can only escape through her self reflecting or a rare, mystical key, etc)

I'm just saying how it's very impressive how Tang could go from barely being able to teleport accurately with 3 people, the staff in hand, to figuring out how to teleport accurately, how to teleport something as big as an airship, and then gaining enough focus/mystic power to do the teleport without his staff for this first time shown in the show. And remember this: all of this growth was in, at most, half a day.

And we know how long the Great Monk had to study to get to where he was, "learning everything there was to learn" with him blocking out anything else to focus purely on his studies to get where he was, and yes, he probably studied more than just the teleportation magic in his time, but Azure said it himself, that someone "mysticly powerful, comparable to the Great Monk, Tang Sanzang" should be able to figure out the cheet sheet, or at least versed in the mystical topic.

I already showcased how much work is really needed through that comment, but then Azure showed it again in his comment of "if hes learned it in the mystical arts.." describing how this would have needed to be taught like how they gang were forced to with the Great Master. We already know how hard the training from the Great Master was to get even a fraction of Mk's power, and considering how heavily it's put on how the Monk only studied and studied when it was talked about, with the students in the flashback looking like the ones under the Great Master, I would assume learning the mystic arts takes a similar amount of time and effort.

And now that my points have been laid out, you guys get it when I was gobsmacked at how quickly Tang grew in the time with the Great Master, reiterating my point of how Tang was able to figure out HOW TO DO TELEPORT AND AIRSHIP WITHOUT THE CHEAT SHEET, WITH HIS BARE HANDS, IN A MATTER OF HOURS when it was heavily implied (from what interpreted) that doing something like this would take a considerable amount of time and training, even for the Monk as he was said to only focus on his studies to optimize his mystic abilities and to block any distractions.

And then to add to this, it was only ever shown in the show that Tang only read throughout the entire training session. Whenever we see him in the montage, it's him reading scrolls no matter what. We never see him practice, or even mimic any of the moves or exercise that I would assume would be on those scrolls for him to learn. Then, the first time he ever put those ideas he read about into practice after using the staff the entire time before and messing it up, he was able to make the transportation of the airship fast, accurate, and without the help of the staff entirely.

TLDR: Tang is either so good at cramming that he was able to shorten a good year of learning into a couple hours, or he's severely gifted in the mystic arts with the right training or examples. Either way, if you gave this man a week in the scroll library with some noodles and motivation from the Great Master, then I would assume he might actually become one of the most powerful characters LMK, given the time to do so. Thank you for coming to my TED talk.

[personalpagan]

The Jotnär and Liminal Space:

Here is more UPG:

I could get into the historical accuracy of 'Utgarðr,' but to save time: there are people that ascribe to it, and people that don't. I am somewhere in the middle, as I usually take a firm stance on "we will never really know what the ancients believed.'' Essentially, I take all mythology with a grain of salt, use the big picture/metaphor to gain an understanding of the God(s) in question, and move along. However, I did want to delve deeper into the Utgarðr concept. Particularly after the rise of Liminal Space-core. Tiktok and Tumblr have seemed to latch onto the idea of Liminal space, or the Back Rooms, and unsurprisingly, that's made me think of the Jotnär.

The whole premise of Liminal Space is an unoccupied area that, for some reason, seems somewhat familiar but wholly unsettling. Some people even get a sense of nostalgia from certain images. The area doesn't have anything outright scary about it, but instinctually, you know something is wrong with it. There is an intrinsic gut feeling, a knowing that something bad could happen, and that people don't belong in this area. Liminal Space is essentially one big "DO NOT ENTER" sign. But humans possess morbid fascination, so we poke and prode at the feeling of fear, anxiety, and instinct.

Similarly, the Utgarðr has the same sign hanging on its metaphorical door. We know from a conglomeration of myths that the Jotnär occupy harsh lands—snow-capped mountains, the deep sea, the open air, even the space between Realms. This land is inhospitable to us, to even the Gods. It is primordial land that holds something in it that we, as a species, cannot understand. Something that the All-Father sought after ruthlessly in hopes of evading Ragnarök.

I suppose my interest/theory is that Jotnär are Liminal Space. At least, their home is—not neglecting that some Jotnär are, in fact, places. It's been my experience that the Jotnär exude this bizarre sort of feeling. When praying, meditating, and dreaming of them, they often come off as almost...uncomfortable. It's the uncanny, jarring feeling. And I think this genuinly makes sense when comparing to the literature. They are the primordial clan, and so, it would make sense that they occupy The Strange.

The Strange is what I am going to refer to this place/feeling as on this blog, for future reference. Just because I think that encapsulates this experience well; pure, intangible strangeness.

I suppose this could sometimes be applied to the Aesir and Vanir, but I hesitate on that for other literary and historical reasons. The Aesir in particular are Gods of society, in myth they represent human connection, human experiences, etc. Vanir could be considered agricultural Gods, but that is also a human invention, so they too represent key aspects of humanity. So, there is an aspect of familiarity there, which cuts through the uncanny, and destroys the key part in Liminal Space.

To circle back to the original point: Utgarðr is the intangible, the outside. A feeling that our ancestors felt, and so their myths reflected as much. Those myths, put to paper by Christian monks, might not be perfect in terms of accuracy and biased influence, but it gives us a solid idea, a sizable clue. I think it's neat that our ancestors felt that same strangeness.

[priintiisor]

the people seem to be enjoying my pmv and someone said they d like to hear me ramble about it, and i want to ramble about it. so here we go

the struggles of making neglected space

part 1: this thing has been haunting me for at least a year now

so as i said in the description of the video- yes i know this song from the warrior cats map. for those who don t know there s a warrior cats map (multi-animator project) to this song, and it s absolutely beautiful, and you should watch it. it s actually one of my favorite warrior cats maps and that s saying a lot, there s a lot of really good ones-

anyways so i was watching the warrior cats map one day and. i don t remember exactly which part of the song it was, but i believe it was the line that goes "save me the ache of slow decay", that i heard and i was like, haha that kinda sounds like rain world. and then i listened to the rest of the song. and i was like holy shit this DOES sound like rain world- i mean. i think i realised this after i d had the idea for the pmv, but the song is literally about an abandoned building slowly deteriorating, there are very few stories where your characters are literally abadoned buildings lol, it just works too well

the final version of the pmv is in fact not my first attempt at making it- i always imagined the finished thing with beautiful colored backgrounds and some fully animated segments and cool lighting (probably because of the warrior cats map, which, again, is really beautiful) but i didn t think i d be able to pull that off. the final thing is 4 and a half minutes long, which doesn t sound like a lot, but my previous longest ever animatic was 3 minutes long and nowhere near as detailed and i spent the entirety of last summer on that one. this was a big project

the first attempt at making neglected space was in october 2023. i decided that i wasn t gonna do the pretty bgs and fancy lighting, but i was going to animate it! well, not exactly animated, more like manual frame by frame twinning (kind of like what i did for the terrible things saint animatic, but a bit smoother) it was going to have different color palettes for all the different flashbacks and stuff, but i only ever got the first 4 shots done

(unlisted yt video because tumblr won t let me put more than 1 video in a post)

i think the reason i gave up on it the first time is because i was trying to make it in an animation program, and my poor laptop could not handle it- it was really laggy and annoying to draw in, so i just gave up eventually. i really don t like the art for it anymore

oh yeah, it should be mentioned, i have a kind of dumb way of making my animatics. apparently some people make them in animation programs. i just draw everything in a drawing program, save all the pieces as pngs and edit them together at the end. idk if that s weird but that s how i ve always done it lol

attempt no 2 was in april 2024. this attempt got a bit further, i got to the shot of survivor and monk reaching for eachother in the void (so i d made about a minute of it). i didn t get to editing everything i had drawn of it, but here s the first few shots of it

oh yeah, this is the one where i got the idea to write the lyrics in the color of which character in meant to be saying them :D i think it looks a lot cooler as subtitles tho. that yellow was barely visible on some of the bg colors

i think i gave up on this one cuz i just got burnt out. i still thought the idea was cool. but in my head i was still imagining it very beautifully rendered and i didn t like a lot of the art i d made for this attempt, so i gave up

attempt no 3 is from may 2024, and this one was colored! this time i had actually planned out some of the color palettes

and this one was once again going to be kind of animated! still making it in my drawing program (even tho i think this was after i got my new laptop that i have now, but i wasn t gonna try with the animation program again), but it was essentially gonna look like the final one, except with slightly nicer color palettes and slightly less detailed bgs. this one didn t get very far

it is the only one that didn t get to the shot with the title. i assumed that i got burned out so quickly because i was trying to make it so detailed, so i decided that even tho i really want to make it as pretty as it is in my head, that s probably not going to happen

i briefly fantasized about making neglected space a storyboarded map, but then i remembered that i ve never hosted a map before and no one knows who i am so that would take forever to be finished and probably wouldn t end up looking exactly how i wanted it. still, a fun thought

attempt no 4 was called "neglected space storyboard edition", in honor of the idea of making it a storyboarded map. i knew that wasn t happening, but i was like ok, i just want to see some version of this idea realised. let s just make it some messy sketches, as if it was the storyboard of a map. just to see it put to paper. i never edited any of it together, but here s some bits of it!

ah yes, this was during the very brief time when i was drawing iterators with 3 fingers on their hands to match the scugs. i would still do that but drawing these guys is the only reason i somewhat know how to draw hands and i don t want to lose my practice so. i don t do that anymore. but it s fun.

i actually still really like the art for this one!! the colors are nice and at this point my style was pretty close to how it is now. in fact for the shot of survivor and monk in the void in the final version, i was struggling with drawing it and i ended up just using the sketches from this version lol

this one s fine. but again in my head this thing had always been beautifully rendered and i just wasn t happy with it as a low effort animatic

and then summer vacation came

and i had spent the entirety of last summer vacation making the fall, my previous biggest project, that i was really proud of. and now i had the time and i felt the need to work on another big animatic

and i was like. fuck it. we re making neglected space

and we re making it beautiful, with beautiful shading, and beautiful fully rendered backgrounds, and if i feel the need to animate bits of it then i am. i m making this thing the way it is in my head if it s the last thing i do.

and i did. i m kind of surprised i finished it, but then again i kind of think i did it out of spite. usually i get bored of big projects and take months long breaks but for this one i never did. i really wanted to make this thing man

see you in part 2 for more rambling about how i made the one i actually finished!

[amusingmusie]

hi musieee!!! i've been following yours truly for a loooong time and personally it may be the best not only in the hazbin fandom but among all the fan fiction i've read. thank you very much for bringing together so many people with the same feelings even though it takes so much effort to even think and write a fiction. (even though i was a monk while waiting for the 30th chap :p) i would be rich if i earned a dollar every time i logged into ao3 to see if the notification had arrived. it will be a great compensation after my birthday and the university entrance exam. at the same time i am very sad because we are approaching the 40th chap. especially when the story between 27-28 has reached its own consistency. i really like the dialogues, they are very natural and fluent, not only in the fan fictions, in general there is no artificiality that i complain about even in many books. you inspire even a procrastinator like me and push me to write something.

as a song suggestion, i recommend "Rattlesnake" from Kabaret Sybarit, which is a song by a Danish band that is unfortunately not very well known and has already disbanded. in fact, it is jazz-oriented fits the New Orleans theme, and some of its songs use French words as well as English, and it is a song that includes the theme of enemy-lovers. i can recommend many of his songs. btw, the word "Sybarit" is a phrase used in Danish for hedonistic men in the 1930s, for some reason this reminds me of someone else ;). I may have taken the song to its root, sorry. here we gooo

"hahaha, I kid you not I think I just heard my Luger saying: 'Shoot me, shoot me Fire me through his wrinkly face ' Well, it's not that I don't want to But first, I wanna hear you yelling 'Kill me, kill me, kill me', hahaha"

"I hope you go to hell Click, bang!"

"Rattlesnake pulls her string and My marionetto kind of guy He won't ever ask me why, no So let the games begin"

these parts scream Penelope in my opinion

"Yeah, doggy-style was never my thing"

even though i don't find such terms very nice, i can't be angry because the woman sings the song beautifully- anyway. i think this part reminds me of how disgusted Alastor is with conventional sexuality

"I never did care for waiting I better like compensating And mama just taught me one thing Sewing stitches like a madame Dying might just be your thing And the pope just taught me one thing: ”Take things into your own hands!”'

i don't know exactly about Nel's relationship with her mother- if im not wrong there were posts on your tumblr talking about the Sheridan sisters' parents, but I seriously forgot- anyway poor woman only had ten years in Nel's life for heaven's sake but the mention of "mama" in the song and the mention of learning to sew like a madam is a shame Alastor. it reminds me of the fact that he did not conform to the much stricter social norms back then. and i think the father part fits both of them. in terms of how she coped after his father's suicide(im sure picking up the dismembered remains of a corpse is a good experience that will make you forget everything else your father taught you-) and how Alastor's issues with his father turned him into a violent person.

"Hey now, don't be blurry You know I hate those eyes"

Al's freakish obsession with smiling and Nel's constant pouting and frowning.

"I'm sorry 'Cause I love you Like a rattlesnake Like a bellyache Like this day to your face And people do crazy things for love"

of course they never openly say that they love each other in their own twisted ways but i think this part explains their behavior.

in some parts of the song, it is said "Living is overwhelming" or "Killing is overwhelming", Penelope is the one who is living, but here "overwhelming" refers to her in a sense that makes people stressed due to the intensity of life. in the one with killing, a more pleasant "overwhelming" is mentioned in the sense that Alastor is enjoying it. thank youuu for your time, i hope you enjoy it and it inspires you

Hiiiii! Sorry for replying to this so late, but hey, that just means that Chapter 30 is already out! Thank you so much for the kind words and all the BANGER song recs revolving around so many characters. I'm gonna listen to these when I'm home form work today!

[lasenbyphoenix]

10 Characters I Fell In Love With in 2023

I liked doing this retrospective so I'm bringing it back. I feel like I didn't watch many shows in 2023 but of the shows I did watch there were SO MANY good characters that making this list proved to be difficult to narrow down.

1. Tang Lian, The Blood of Youth.

The Blood of Youth gave us a main trio of an exiled prince, a chaotic monk and a himbo firestarter, but it was Tang Lian the ace shixiong who was the first in the series to make me go oooh he's mine. Was it the purple clothes? The grey streaks in his hair? The romantic awkwardness? The hyper competence with small deadly weaponry? The crisis over following orders vs following his heart? All of the above probably. And I'm very glad the creators of the bonus episode decided to agree with me that HE IS NOT ALLOWED TO DIE otherwise I would have been throwing hands.

2. Sikong Changfeng, The Blood of Youth.

While the main trio are very fun to follow along with, they are also very young and at my age now I find myself gravitating towards appreciating some of the older generation just as much. Sikong Changfeng is one such character, and chosen because he's someone I think I'd like spending time with. He's a practical man among outlandish people, a doting father, and the fact that he'll throw a tantrum in public when one of his fellow city lord's decides to slice their training tower into pieces is a refreshing change from the great and aloof martial experts of his generation. And just look at that cloak!

3. Di Feisheng, Mysterious Lotus Casebook.

I came to MLC for Cheng Yi, and watched with amusement as other tumblr users fell head over heels for the moody antagonist until I got halfway through the show and had to mentally apologise to everyone because y'all had the right idea, omg how do I explain how Di Feisheng endears himself right into your heart and stays there? He's very show-no-weakness especially for someone who gets constantly nerfed - and boy do I like watching a strong man being whumped - he has the aesthetic of a total Boss and a sword named Sword.

He's unapologetic about his ambitions to be The Best Ever, which comes across as a bit shallow until you learn that his entire goal to be strongest ever is to be able to overcome the mind control bug forced onto him by the slave driver who raised/trained/tortured him as a kid and kick the guys ass. Which is the best and most heart breaking reason for a character to do anything and if that doesnt make you love him then the cuteness of the A'Fei amnesia arc certainly will.

4. He Xiaohui, Mysterious Lotus Casebook.

Again the older generation appealing to me, Fang Duobing's mother is absolutely a character you want on your side in a crazy place like this show. Taking in her sister's son as her own, she doesn't hide what she thinks of the jianghu when Fang Doubing runs away from court life, but also happily creates an accupressure torture machine when he needs a prisoner interrogatated. A little haunting can't scare her off from a bargain for her new dayspa empire, and she's barely rattled after being kidnapped. She's just so fun.

5. Yang Wuxie, Heroes.

Clever, loyal and funny are 3 easy ways to win me over. But they also went ahead and wrote a man who said "you're my only friend" and proved it with his every action -

- The way he pauses at the door to plaster a smile on his face before entering the room when Su Mengzhen is sick,

-  "can you take the archers on that side?" "Yes, but I'll die."

- clinging to SMZ's robe and weeping that he can't find him

- being trusted with the final blow, and crying all the while....

I really don't have the words. End me now.😭😩

6. Di Feijing, Heroes.

Again the loyalty of the subordinate is what moves me in this show and I chose Di Feijing for this list because I didn't expect to be moved by him. At first everyone in Six Half Hall seems to be there for their own greed, which is good for them but can be a very flat motivation to watch. It's after the death of Lei Sun that his story unveils itself and his protection of Lei Chun comes to the foreground and you learn that he's a moral person stuck in the middle of corruption and obligation.

I kinda feel like he got shafted by being ordered to stay out of things, because I reckon if given the chance he could have actually sorted a bunch of shit out?? I liked the handful of interactions between Di Feijing and Wang Xiaoshi and wish there could have been more.

7. Lee Rang, Tale of the Nine Tailed & Tale of the Nine Tailed 1938.

Protagonist's little brother with severe abandonment issues and a grudge to match, deadly but secretly a softie? Sign me up. The spurned sibling is by far the most relatable and likeable of the antagonists in season 1, and you get the joy of seeing him turn from the dark side due to the Power of Family, but still cuss and sulk the whole time. They created such a fun sibling dynamic that they had to go back in time for season 2 so that we could have a whole nother season with the two of them bickering and fighting for each other. Also, the looks he had going in season 2 were stellar.

8. Li Wu, Pledge of Allegiance.

I'm predisposed to liking Zhang Yunlong, and Li Wu was both very fun and very angsty to watch as he lied his way into and out of all sorts of trouble.

As Li Wu would tell you, he's just a theif! Selfish, no moral compass to see here..(Rescues kid from being arrested, finds kid a job)(shares his money with his friends in the alley)(helps them flee when he thinks they're in danger because of him)(keeps the knife as a reminder of the death he feels responsible for)(helps the son of the man he killed when he finds him again)(how many times does he save Lu Zheng from himself and all the people gunning for him??)(unravels political conspiracies)(and so much more). Just a theif! Sure thing Jan.

9 & 10. Fox Mulder & Dana Scully, The X Files.

Having only started watching The X Files for the first time in 2023 (and only as a filler show when I was too tired for subtitles,) I now find myself in season 7 of the show, entirely because of these two leads. What can I say about Mulder's non-threatening, hyperfixating, dorky ass and Scully's brainiac does-everything-he-does-only-backwards-and-in-high-heels competency that hasn't already been said? They're just *chefs kiss*

If anyone else wants to do a similar review I'd love to be tagged and see your 2023 blorbos!

[eruscreaminginthedistance]

Book recs based on stuff I read in 2023

Nonfiction

Under the Banner of Heaven by John Krakauer (2003) - it's outdated by about 20 years which leads to one hell of a jumpscare at the end, but I'd recommend it to anyone who's interested at all in Mormonism, high control groups, FLDS, and the history of abuse against women and girls in the LDS; it covers everything you need to know about the ways the LDS church has cultivated a paedophile/domestic abuse culture and it's fucking haunting and it's the most upset a book has ever made me

Black Tudors: The Untold Story by Miranda Kaufman (2017) - a really fun read; it's a collection of case studies of the real life Africans living or working in England during the Renaissance, with each chapter focusing on a different individual and what we know about them from parish records, legal documents etc. It's also a great primer on England's relationship with the slave trade and African nations from the 16th to 17th centuries. Also I listened to this on audiobook and the lady's voice is super soothing

Problematic gay rep

Giovanni's Room by James Baldwin (1956) - yeah okay turns out Baldwin is the GOAT of queer lit for a reason. I don't even like 20th century stuff but Baldwin can WRITE man I was sucked in! And David is the BLUEPRINT of problematic gay rep! I loved watching his awful decisions I hope he suffers eternally! It's a short and easy read and a classic for a reason do give it a chance

Exquisite Corpse by Poppy Z Brite/William Martin (1996) - I'm not sure if I'm deadnaming Martin here because I bought the book earlier this year and it was still being attributed to Poppy Z Brite so I guess it's being treated like an author pseudonym now? I think? Anyway, don't read this book unless you're a disgusting freak like me who enjoys torture porn. This book comes with every content warning under the sun and I had an AMAZING couple of afternoons reading this book. American Psycho, Jeffrey Dahmer and NBC Hannibal had a baby and Martin delivered it; it's a raw, twisted and angry scream into the void about AIDS, homeless queer youth, homophobia and cultural stigma, wrapped up in a bow made of intestines. I went into this book hoping to see people get tortured and came out of it quite melancholic with a lot to think about, and I accidentally got attached to the victim oops!

The Charioteer by Mary Renault (1953) - I was gonna make a non-problematic section just for this book but then I remembered all the rampant femmephobia xD and Ralph and Laurie would 100% be bootlicking gays against pride. This book personally isn't for me - it's a lot of love triangle nonsense - but I think the tumblr demographic is particularly primed for gay World War II love triangle stories, and it's a softer, happier love story than my other recs. Would recommend if you can get past the main characters being pick mes.

Manga

No Longer Human by Junji Ito (2019) - this is a story about being a bad person and ruining everyone's lives especially your own lol; I loved the original prose version, but Ito's spin of the story makes everything so much worse and if I hadn't literally read a book about irl paedophilia the month before I think this book would have put me in the angriest and most violent place I've been all year. Love gorgeous art? Love mental illness? Love despicable spineless main characters? Get on this

Other fiction

The Name of the Rose by Umberto Eco (1980) - it took me a month to read this entire book. It's so self-indulgent and long winded and contrived and the big twist is laughable and I wouldn't have it any other way! It's just some old guy playing in his sand box with his little monk action figures and it's charming af. Plus the concept of a monastic murder mystery involving several orders of monks will never not be fun, and I'm biased towards the book cos my guess at the very start as to whodunnit was right >:) would recommend if you like Sherlock Holmes and long long diatribes about medieval Catholic geopolitics

Garth Marenghi's Terrortome by Garth Marenghi (2022) - this one's just a bit of a laff. The horror comedy ramblings of a man going stir crazy during COVID lockdowns. You don't need to have seen Garth Marenghi's Darkplace to understand the book but it is recommended if you can access it. Content warning for explicit man x typewriter

We Have Always Lived in the Castle by Shirley Jackson (1962) - it's a modern day (relatively) witch story! Jackson was writing about and for all the weird autistic little girls out there with this one. It's a gothic murder mystery about two co-dependent sisters who are outcasts in their village. It was a great introduction to Jackson's work

[baeddel]

Please. Please can you tell me what a baeddel is and why people (terfs?) used it in a derogatory manner on this website for a hot minute but now no one ever uses it at all

you asked for it, fucker

[2k words; philology and drama]

baeddel is an Old English word. i have no idea where it actually occurs in the Old English written corpus, but it occurs in a few placenames. its diminuitive form, baedling, is much better documented. it appears in the (untranslated) Canons of Theodore, a penitential handbook, a sort of guidebook for priests offering advice on what penances should be recommended for which sins. in a passage devoted to sexual transgressions it gives the penances suggested for a man who sleeps with a woman, a man who sleeps with another man, and then a man who sleeps with a baedling. so you have this construction of a baedling as something other than a man or a woman. and then it gives the penance for a baedling who sleeps with another baedling (a ludicrous one-year fast). then, by way of an explaination, Theodore delivers us one of the most enigmatic phrases in the Old English corpus: "for she is soft, like an adulturess."

the -ling suffix in baedling is masculine. but Theodore uses feminine pronouns and suffixes to describe baedlings. as we said, it's also used separately from male and female. but it's also used separately from their words for intersex and it never appears in this context. all of this means that you have this word that denotes a subject who is, as Christopher Monk put it, "of problematic gender." interested historians have typically interpreted it as referring to some category of homosexual male, such as Wayne R. Dines in his two-volume Encyclopedia of Homosexuality who discusses it in the context of an Old English glossary which works a bit like an Old English-Latin dictionary, giving Old English words and their Latin counterparts. the Latin words the Anglo-Saxon lexicographer chose to correspond with baedling were effeminatus and mollis, and Lang concludes that it refers to an "effeminate homosexual" (pg 60, Anglo Saxon). this same glossary gives as an Old English synonym the word waepenwifstere which literally means "woman with a penis," and which Dines gives the approximate translation (hold on tight) male wife.

R. D. Fulk, a philologist and medievalist, made a separate analysis of the term in his study on the Canons of Theodore 'Male Homoeroticism in the Old English Canons of Theodore', collected in Sex and Sexuality in Medieval England, 2004. he analysed it as a 'sexual category' (sexual as in sexuality), owing to the context of sexual transgressions in the Canons. he decides that it refers to a man who bottoms in sexual relationships with another man. i don't have the article on hand so i'm not sure what his reasoning was, but this seems obviously inadequate given what we know from the glossary described by Dines. Latin has a word for bottom, pathica, and the lexicographer did not use this in their translation, preferring words that emphasized the baedling's femininity like effeminatus, and doesn't address the sexual context at all. Dines, however, only reading this glossary, seems to decide that it refers to a type of male homosexual too hastily, considering the Canons explicitly treat them separately. both Dines and Fulk immediately reduce the baedling to a subcategory of homosexual when neither of the sources to hand actually do so themselves.

by now it should be obvious why, seven or so years ago, we interpreted it as an equivalent to trans woman. I mean come on - a woman with a penis! these days I tend to add a bit of a caution to this understanding, which is that trans woman is the translation of baedling which seems most adequate to us, just as baedling was the translation of effeminatus that seemed most adequate to our lexicographer. but the term cannot translate perfectly; its sense was derived from some minimal context; a legal context, a doctrinal context, and so forth... the way Anglo-Saxons understood sex/gender is complicated but it has been argued that they had a 'one sex model' and didn't regard men and women as biologically separate types, which is obviously quite different from the sexual model accepted today; in any case they didn't have access to the karyotype and so on. the basic categories they used to understand gender and sexuality were different from ours. in particular, Hirschfield et al. should be understood as a particularly revolutionary moment in the genealogy of transsexuality; the Institut für Sexualwissenschaft essentially invented the concept of the 'sex change', the 'transition', conceived as a biological passage from one sex to the other. even in other contexts where (forgive me) #girlslikeus changed their bodies in some way, like the castration of the priestesses of Cybele, or those belonging to the various historical societies which we believe used premarin for feminization [disputed; see this post], there is no record that they were ever considered men at any stage or had some kind of male biology that preceded their 'gender identity.' the concept of the trans woman requires the minimal context of the coercive assignment at birth and its subsequent (civil and bio-technological) rejection. i have never encountered evidence that this has ever been true in any previous society. nonetheless, these societies still had gendered relations, and essentially wherever we find these gendered relations we also find some subject which is omitted or for whom it has been necessary to note exceptions. what is of chief interest to us is not so much that there was such a subject here or there in history (and whatever propagandistic uses this fact might have), but understanding why these regularities exist.

a very parsimonious explanation is that gender is a biological reality, and there is some particular biological subject which a whole host of words have been conjured to denote. if this were the case then we would expect that, no matter what gender/sexual system we encounter in a given society, it will inevitably find some linguistic expression. if, like me, you find this idea revolting, then you should busy yourself trying to come up with an alternative explanation which is not just plausible, but more plausible. my best guesses are outside the scope of this answer...

anyway, all of this must be very interesting to the five or six people invested in the confluence of philology and gender studies. but why on earth did it become so widely used, in so many strange and unusual contexts, in the 2010s? we're very sorry, but yes, it's our fault. you see apart from all of this, there is also a little piece of information which goes along with the word baeddel, which is that it's the root of the Modern English word bad. by way of, no less, the word baedan, 'to defile'. how this defiled historical subject came to bear responsibility for everything bad to English-speakers doesn't seem to be known from linguistic evidence. however, it makes for a very pithy little remark on transmisogyny. my dear friend [REDACTED] made a playful little post making this point and, good Lord, had we only known...

it went like this. its such a funny little idea that we all start changing our urls to include the word baeddel. in those days it was common to make puns with your url (we always did halloween and christmas ones); i was baeddelaire, a play on the French poet Baudelaire. while we all still had these urls a series of events which everyone would like to forget happened, and we became Enemies of Everyone in the Whole World. because of the url thing people started to call us "the baeddels." then there was "a cult" called "the baeddels" and so forth. this cult had various infamies attatched to it and a constellation of indefensible political positions. ultimately we faced a metric fucking shit ton of harassment, including, for some of my friends, really serious and bad irl harassment that had long-term bad awful consequences relating to stable housing and physical safety and i basically never want to talk about that part of my life ever again. and i never have to, because i've come to realize that for most people, when they use the word baeddel, they don't know about that stuff. it doesn't mean that anymore.

so what does it mean? you'll see it in a few contexts. TERFs do use it, as you guessed. i am not quite sure what they really mean by it and how it differs from other TERF barbs. i think being a baeddel invovles being politically active or at least having a political consciousness, but in a way thats distinct from just any 'TRA' or trans activist. so perhaps 'militant' trans women, but perhaps also just any trans woman with any opinions at all. how this was transmitted from tumblr/west coast tranny drama to TERF vocabulary i have no idea. but you will also find - or, could have found a few years ago - i would say 'copycat' groups who didn't know us or what we believed but heard the rumours, and established their own (generously) organizations (usually facebook groups) dedicated to putting those principles into practice. they considered themselves trans lesbian separatists and did things like doxx and harass trans women who dated cafabs. if you don't know about this, yes, there really were such groups. they mostly collapsed and disappeared because they were evildoers who based their ideology on a caricature. i knew a black trans woman who was treated very badly by one of these groups, for predictable reasons. so long-time readers: if you see people talking about their bad experiences with 'baeddels', you can't necessarily relate it to the 2014 context and assume they're carrying around old baggage. there are other dreams in the nightmare.

the most common way you'll see it today, in my experience, is in this form: people will say that it was a "slur" for trans women. they might bring up that it's the root of the word bad, and they might even think that you shouldn't use the word bad because of it, or that you shouldn't use the word baeddel because it's a slur. all of this is a silly game of internet telephone and not worth addressing. except to say that it's by no means clear that baeddel, or baedling, were slurs, or even insulting at all. while Theodore doesn't provide us with a description of how we can have sex with a baedling without sinning, and it may be the case that any sexual relations with a baedling was considered sinful, sexuality-based transgressions were not taken all that seriously in those days. there was a period where homosexuality within the Church was almost sanctioned, and it wasn't until much later that homosexuality became so harshly proscribed, to the extent that it was thought to represent a threat to society, etc. and as i mentioned, there are places in England named after baedlings. there is a little parish near Kent which is called Badlesmere, Baeddel's Lake, which was recorded in the Anglo-Saxon Domesday Book (as having a lord, a handful of villagers and a few slaves; perhaps only one or two households). it's not unheard of, but i just don't know very many places called Faggot Town or some such. it's possible that baedlings had some role in Anglo-Saxon society which we are not aware of; it could even have been a prestigious one, as it was in other societies. there is just no evidence other than a couple of passing references in the literature and we'll probably never have a complete picture.

[apothiplatonic]

hello, i'm really sorry for asking this because you must get this a lot, but i'm still a bit confused about the idea of being aplatonic? to me it sounds less like an identity like aromanticism and more like... i don't want to say "an issue" because that's rude, but something that maybe shouldn't be happening? obviously you can be happy just with yourself, not everyone is really extroverted, but humans still need to interact with other humans to be like, mentally healthy. (that's been proven in studies). at best it sort of sounds like a neutral character trait, not necessarily an identity.

(i am asking this in good faith and i really want to understand- i'm aro myself, and i'm sure your experiences are real, i don't want to gatekeep or anything, i'm just genuinely confused & want to understand!)

you're fine, don't worry! this is actually the first ask i've ever received here. and i'm sorry if you sent this a while ago; i use tumblr on my phone's web browser and have to manually check for asks.

i think the biggest gaps in our respective understandings of “aplatonic”, just based on your message, are:

0. some aplatonic people have friends, or want friends, and use the term because they don't feel platonic attraction and/or they struggle to form friendships. most modern definitions of aplatonic will point to those two things, after all! a lot of these friending apls have found aplatonic terms useful for explaining their complicated feelings about platonic relationships, and helpful for navigating their friendships. this only applies to some aplatonic people, and it's often used as our only defense, so i'll focus on other things here, but i would be leaving out a lot of apls – maybe even the majority – if i didn't at least mention this.

1. friendship is not the only way of interacting with, and connecting with, other humans. i'm on the aro and ace spectrums, but i have a long-term partner i live with, and family members and coworkers who i interact with. lots of nonfriending aplatonic people will still seek out social interaction, often in groups that talk about topics they're interested in. one of the reasons i use the word “aplatonic”, and post here at all, is to push against the idea of friendship as a default human connection, or something that happens automatically when you're around someone enough.

2. even if someone is very isolated, and doesn't want any sustained human connection at all...i think that's fine, and it has historical precedent. hermits, anchorites, stylites, partially-eremetic monks, and all kinds of other recluses...through much of our recorded history, for a variety of reasons, some people have lived alone. many of these people lived in a much more complete solitude than nonfriending apls today – and even then, few of them managed to have absolutely no social interaction. some would have visitors, or people who brought them meals, or shopkeepers they met when they went into town for supplies. something happening frequently in the past doesn't mean it's good, but in this case it does suggest there's a kind of natural tendency towards it in some humans.

3. i don't think we should put too much weight on what psychology and the social sciences say is “normal”, anyway. there's a huge replication crisis in scientific research, especially in those fields. there are also studies showing people in romantic relationships are, generally, happier...and that obviously isn't true for a lot of aros! there are nearly always outliers in studies like that, even in the most well-done and rigorous ones. i completely believe social isolation is harmful for most humans, but the keyword here is most. and the kind of studies you describe usually focus on involuntary solitude; chosen solitude is much different. most apls aren't very isolated at all, so this point might not be as important...but if there's an aplatonic hermit somewhere in the woods who hasn't talked to another person in years, i support them.

4. there is “something wrong” with a lot of us, and that's fine. the term “aplatonic” was coined in 2012 by an alloromantic ace who theorized his experiences were caused by parental abuse, so that sort of thing has been woven into aplatonicism since day one. some people attribute their aromanticism to neurodivergence and/or trauma, too; for many aroapls, both of those identities will be tied up in it. i'm traumatized, and i'm schizoid, and both of these things interact with my aplatonicism. someone's self-concept, and their words for themself, can very often be tied up in their unusual experiences and their suffering. i don't think that makes any identity illegitimate.

if i've misunderstood any part of your ask, i'm sorry, and i'd be happy to adjust my answer. i'm also leaving out a lot of details and caveats to stop this post from being too long – and with ask length limits, i'm sure you had to do that much more than me. i agree with you that aplatonicism seems a markedly different thing to aromanticism and asexuality, and fits less comfortably into an “orientation” framework, but i wasn't sure what you meant by “neutral character trait” vs “identity” here and didn't want to assume. if you have any questions, need any clarifications, or want to elaborate on what you've already said, feel free to send a followup and i'll answer when i can. (i also welcome asks from anyone else, especially other apls; i'm only one person, with weird experiences, and i don't speak for the community.)

[sophiamcdougall]

This helps crystallise some of my unease at the backlash I see fairly regularly -- sometimes from randoms on Tumblr, but also from actual historians -- against many LGBT readings of history. This is where it all leads.

I've seen a cutesy uwu cartoon about how a medieval monk is actually more progressive than you, because he doesn't believe in "putting people into boxes." Which is of course a terrible thing to do. Even though some people have fought pretty hard for those boxes.

I've seen historians who are deeply offended at the idea that there could be anything homophobic about resisting the notion that, say, a passionate exchange of letters between two people of the same gender at least potentially indicates a sexuality we would understand as queer. "I'm not saying they were straight either!" they insist. "I'm just saying they didn't understand themselves that way and so you are being harmful if you say apply those terms to them! They didn't categorise people as gay and straight! You are being anti-intellectual if you think there is anything problematic about the idea that these identities only pop into being as they are named. " Even assuming, for starters, that it's true to say that until very recently no one really understood themselves as [whichever LGBT+ identity]...

Isaac Newton didn't understand himself as being autistic. And it is quite fair to say we can never know with absolute and final certainty if he was autistic. But we can say that autistic people existed in his time, even if unknown, and there is reason to think Newton might have been one of them. The fact that that the category was not established at the time does not mean that autistic people recognising him as perhaps one of their number are doing anything unreasonable. The idea that autistic people did not exist until they were named does not apear to be particularly widely accepted as far as I''m aware-- and thank goodness, because it is a profoundly troubling one.

The thing is "I'm not saying they were straight, I'm rejecting straightness AND gayness AND everything in between as valid categories!" isn't some academic lens that only apply to historical figures. It is highly current, applied by real, living people, to real, living people. And it tends to suck:

There are exceptions, but most people -- even homophobes -- can agree that it's unfair to blame someone for something that's genuinely an inherent, inborn part of their nature. So they don't, in their own mind, persecute gay people for being gay, they don't accept that orientation of any kind exists in the first place. They believe that people are simply choosing to act a certain way. They could choose not to, and therefore it is reasonable to hold them accountable for those choices. It is therefore kind of a lot when you insist that we must not merely be aware of this belief, but effectively share it when examining same-sex relationships in the past. A frequent extension of the idea that people in the past perceived sexuality only as an action, not an identity, and that we must discard all other lenses when examining the past, is that it was also not that bad to be subject to the explicit prohibitions placed on sexual/romantic relationships between people of the same gender.

"They thought it was a sin, but not a worse sin than say, lying! Or having the wrong kind of straight sex!" Again, this is an entirely modern attitude held by (at least) millions of people.

Have you talked to anyone about what it feels like to be on the receiving end of it? When there will never be any non-sinful way you can act on your sexuality? When falling in love puts you, at best, in the same category as someone obsessed with the desire to lie or to steal? (And it is worth mentioning that "theoretically not worse than [minor sin x]" does not necessarily guarantee that two sins were treated as equivalent in practice. They certainly aren't now.)

It's not wrong to remind us this way of thinking exists and has existed for a very long time, but it is galling to see it as held up as liberating or even kind of cute, when it's functionally indistinguishable from the TERF quote which prompted this whole post. Now, there can be a tendency to exaggerate the miseries of the past: all women were married at 12 (and somehow tight-laced to the point of fainting regardless of period) no one knew how to wash, and all queer people's lives were defined by oppression and possibly burnings-at-stake. Of course it is worth correcting that. Of course it is important to explore the way that queer people did manage to thrive as well as the institutional burdens placed upon them. But to do that you have to be able to name them, and to recognise continuities both in identities and in suppressions of them. Finally, before someone says otherwise -- I am not saying we have necessarily arrived at a final, perfect end point in our understanding of sexuality and identity! I understand myself as an ADHD, bi woman. The traits that lead me to identify myself thus existed before I found names for them and, I assert, would exist if I had never found them. But if some future age is able to look at those traits and others I am unable to even pinpoint, and armed with greater knowledge and precision they say "maybe, she was actually what we would call [x]" -- fine! Good! In fact I ardently hope someone comes up with a more accurate name for the appallingly inadequate and clumsy "ADHD". But, these inner experiences are real, they are part of me as they have been part of uncountable people throughout history, whether named or not.

[asleepinawell]

Book Recs

I was gonna do one of these at the end of the year, but I’ve somehow managed to read 26 books this year already (12 novellas, 14 novels), almost all featuring queer authors and/or characters so this is already a long list.

Note: There’s a few on here I was kind of meh about, but in most of those cases it was a ‘book might be good but it’s not for me so i’ll mention it to put it on people’s radar anyway’ type of thing. Insert the usual necessary tumblr disclaimer about all of this being only my opinion and your opinions are valid too etc etc.

In order of when I read them:

Princess Floralinda and the Forty-Flight Tower by Tamsyn Muir - Fantasy novella from the author of gideon the ninth that’s a twist on the classic princess trapped in a tower waiting for a prince story. Quite fun. (novella)

The Monster of Elendhaven by Jennifer Giesbrecht - Dark fantasy about revenge and magic. m/m couple but like I said it’s pretty dark and twisted all around so definitely not a happy queer romantic story. My opinion was interesting premise that could have been executed better and probably should have been a full novel to embellish on the world building potential. (novella)

A Memory Called Empire & A Desolation Called Peace - Arkady Martine - Probably tied with murderbot as the best things I read this year. Scifi, f/f couple, wonderfully done exploration of what it means to fall in love with a culture that is destroying your own. More of the many queer anti-imperialist books that have come out recently and certainly some of the best. The second one is a direct continuation of the first. (2 novels)

The Tyrant Baru Cormorant - Seth Dickinson - This is the third in the Baru Cormorant series (The Masquerade) and was my favorite so far. The second and third book were originally one book that got split I believe and the second book didn’t stand alone as well (though was still great), but the third book really made up for that. Dark fantasy world starring a queer woc whose country and culture is destroyed by the imperial forces of that world colonizing and assimilating them. She vows revenge and decides to work her way up within her enemy’s ranks to enact it from within and bring an empire to ruins. Really really fascinating study of so many different aspects of our own world and the systems which enable and allow bigotry and how bigoted and violent narratives are used to control minorities. This is definitely a darker series and I was particularly impressed with some of the commentary on the racism prevalent in non-intersectional feminism as depicted through a fantasy world. Can’t wait for the last one to come out! (3 novels, 1 forthcoming)

The Murderbot Diaries - Martha Wells - There’s six of them--5 novella and a novel--and the first is All Systems Red. Told from the point of view of a self-aware droid/android that is rented out by a corporation to provide protection in a dystopian capitalist hellhole future that isn’t that unlike our current capitalist dystopia but is in space. Muderbot hacked the chip that controlled it and instead of going rogue just wants to be left alone to watch its favorite tv shows. Murderbot is painfully relatable and the books are both funny and poignant. Highly recommended. (5 novellas and a novel).

Winter’s Orbit - Everina Maxwell - This was a m/m romance novel with a scifi backdrop of royal intrigue. Generally I’m more into scifi with a queer relationship in the background than vice versa, so it wasn’t my favorite, BUT I think it was still well written and someone looking for more of the romance angle would enjoy it. Has all your favorite romance tropes in it, especially the yearning. (novel)

The Divine Cities - Robert Jackson Bennett - Three book series. I’m very conflicted about this one. Set in a fantasy world where an enslaved nation overthrew the country enslaving them and now rules over them. It’s a story of what happens after the triumphant victory and within that it’s also a murder mystery tied into the dying magic of the conquered nation. It also has a six foot something naked oily viking man fist fight a cthulhu in a frozen river. The second book was by far my favorite, mostly due to the main character being brilliant. My conflict comes from the fact I don’t feel like the story treated its women and queer characters well. Like it had really great characters but it didn’t do great by them overall. That and the third book didn’t live up to the first two. But still definitely worth a read, can’t stress enough how cool some of the world building was. (3 novels)

Into the Drowning Deep - Mira Grant - This might be the only one on here I disliked. It’s got a doomed boat voyage and creepy underwater terror and monsters and a super diverse cast of characters, but I just didn’t enjoy the writing style. While having a diverse cast is great, there were a lot of moments where it felt like characters were pausing to explain things about themselves that felt like a tumblr post rather than a normal conversation you might have while actively being hunted by monsters. I also bounced off all the characters. But a lot of people seem to have liked it so if you’re into horror and want a book with a f/f main couple then maybe you’ll enjoy it. (novel)

Dead Djinn Universe - P. Djèlí Clark - Around the early 1900′s, a man in Egypt discovers a way to access another world and bring Djinn and mysterious clockwork beings called Angels through. As a result, Egypt tells the British to get fucked and Cairo becomes one of the most powerful cities in the world. So Egypt, magic, djinn, a steampunk-ish vibe, oh and the main character is a butch queer woman who enjoys wearing dapper suits and looking fabulous while she investigates supernatural events. Her girlfriend is also mysterious and badass. And she has a cat. There’s three novella (one of which technically might be considered a short story) and then the first novel. You should absolutely read the novellas first (A Dead Djinn in Cairo, The Angel of Khan el-Khalili, The Haunting of Tram Car 015). Super fun and imaginative series. (3 novellas and a novel, more forthcoming)

River of Teeth & Taste of Marrow - Sarah Gailey - From the book description

“In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan.”

Queer hippo riders!!!! Very much a western but with hippos. Main couple included a non-binary character. Loved the first one. The second one I was more meh about due to one of the characters I was supposed to like having obnoxious man pain that a woman had to take the brunt of the whole time. Also there were less hippos. But queer hippo riders! Definitely read the first one, and they’re both novellas so no reason not to read the second as well. (2 novellas)

A Psalm for the Wild-Built - Becky Chambers - I may be the only person who hasn’t read the long way to a small angry planet at this point, but I did grab her new novella and I loved it. It made me want to go sit out in the woods and feel peaceful. The world it’s set in feels like a peaceful post-apocalypse...or diverted apocalypse maybe. Humans built robots and robots gained sentience, but instead of rebelling they just up and left and went into the wilderness with a promise that the humans wouldn’t follow them.The remaining human society reshaped itself into something new and peaceful. It’s the story of a monk who leaves their habitual monking duties to go be a tea monk and then later wanders into the wilderness and becomes the first human in ages to meet a robot. Very sad there’s no fan art yet. (novella, more forthcoming)

The March North - Graydon Saunders - This was such a weird book that I’m not sure how to explain it. The prose style is hard to get used to and I suspect a lot of people will bounce off it in the first chapter. There’s no third person pronouns used at all and important events get mentioned once in passing and if you blink you’ll miss them. Set on a world where magic is extremely common to the point that rivers sometimes run with blood or fire and the local weeds are something out of a horror movie and most of the world is run by powerful sorcerer dictators, one country banded together (with the help of a few powerful sorcerers who were tired of all the bullshit) to form a free country where powerful sorcerers wouldn’t rule and the small magics of every day folks could be combined to work together. The story revolves around a Captain of the military force on the border who one day has three very powerful sorcerers sent to them by the main government with the hint that just maybe there’s about to be a big invasion (there is) with the implication of take these guys and go deal with this. The world building is extremely complex and very cool...when you can actually understand what the fuck is going on. There is also a murder sheep named Eustace who breathes fire and eats just about everything and is a Very Good Boy and belongs to the most terrifying sorcerer in the world who appears as a little old grandma with knitting. It had one of the most epic badass and wonderfully grotesque battles I’ve ever read. But yeah, it is not what I would call easy reading. Opinions may vary wildly. I did also read the second one (A Succession of Bad Days) in the series which was easier to follow and had a lot more details about the world, but overall I was more meh about it despite some cool aspects. The chapters and chapters of the extreme details of building a house that made up half the novel just weren’t my thing. (novels).

The Space Between Worlds - Micaiah Johnson - In this world parallels universes exist and we’ve discovered how to travel between them, but the catch is you can only go to worlds where the ‘you’ there is already dead. This turns into an uncomfortable look at who would be the people most likely to have died on many worlds and how things like class and race would fit into that and what we would actually use this ability for (if you guessed stealing resources and the stock market you’d be correct). The main character is a queer woc who travels between worlds with the assistance of her handler (another queer woc) who she has the hots for. She accidentally stumbles on a whole lot of mess and conspiracy and gets swept up in that. Really enjoyed it. (novel)

Witchmark - C.L. Polk - Fantasy world reminiscent of Victorian England (I think?) where a young man with magical gifts runs away from his powerful family to avoid being exploited by them. He joins the army and fights in a war and comes home to try and live a quiet life as a doctor, but a murder pulls him into a larger mystery that upturns his life. Also he’s extremely gay and there’s a prevalent m/m romance. This one was a fun-but-not-mind-blowing one for me. (novel, 2 more in the series I haven’t read)

The Priory of the Orange Tree - Samantha Shannon - This was one of those that everyone loved but I couldn’t get into for some reason. I tried twice and only got about halfway through the second time. It’s got dragons and queer ladies and fantasy world and all the things I like, but I wasn’t that invested in the main story (which included the f/f couple) and was more interested in the smaller story about a woman trying to become a dragon rider. There are few things that beat out a lady and her dragon friend story for me and that was the storyline that felt neglected and took a different turn right when we got to the part I’d been waiting for. But, I know a lot of people whose reading opinions I respect who loved it, and if you like epic fantasy with dragons and queens and treachery and pirates and queer characters then I’d say you should definitely give it a try. (novel)

Bonus: I didn’t read these series this year, but if you haven’t read them yet, you should.

Imperial Radch (Ancillary Justice) - Ann Leckie - Spaceship AI stuck in a human body out for revenge for their former captain, but that summary does not come close to doing it justice. Another one examining imperialism and also gender and race.(3 novels)

Kushiel's Legacy Series - Jacqueline Carey - This is two series, six books total, and starts with Kushiel's Dart. Alternate universe Renaissance-y Europe in a fantastical world where sex isn't shameful and sex workers are respected and prized. Lots of political intrigue and mystery. A lot of BDSM and kinky stuff too (the main character is a sexual masochist, oh and also bi!). I first read this series when I was fifteen or sixteen and it definitely made a big impression on me. Same author also wrote the Santa Olivia series which I’d also recommend. (6 novels)

The Locked Tomb (Gideon the Ninth) - Tamsyn Muir - I mean, if you follow me, you know. If you don’t follow me you still probably know. I’d have felt remiss to have left them off though. Lesbian Necormancers in Space. Memes! Skeletons! Biceps! Go read them. (2 novels, 2 forthcoming, 1 short story)

Books On My To Read List:

Fireheart Tiger - Aliette de Bodard

The Order of the Pure Moon Reflected in Water - Zen Cho

Black Sun - Rebecca Roanhorse

This Is How You Lose the TIme War - Amal El-Mohtar and Max Gladstone

Ninefox Gambit - Yoon Ha Lee

Also, if anyone has any recs for scifi/fantasy books starring queer men (not necessarily having to do with a queer relationship) and written by queer men I’d love them. There’s a lot written by women, and some of them are great, but I’d love to read a story about queer men from their own perspective.

[acid-vanir]

Ok, Theory

Ok so in the webcomic Aurora, the “main” character Kendal is an entirely new uncategoriseable entity, a god’s incarnation that survived the god leaving it and developed its own mind and personality. 

Now the god that this happens to is the hero god of the city Vash and, like the Ancient Greek Eros or Nike is named after his domain. So what we know about Vash is that he cut his teeth in this god business by defending his city from and defeating the storm god Tynan, the way he does this is explained here with an in universe telling of the story. What we know is that an alien metal and jewel was worked into an incarnation of Vash at a thematically appropriate moment and became an extremely effective power up, enabling Vash to defeat the hitherto undefeated Tynan. 

Now how this works in the world built magic system of Aurora is really interesting. So in Aurora it appears they're are two (or eight depending on how you count it) fundamental substances of magic, the elements and soul energy, now we know where elemental magic comes from as a central piece of lore in the main storyline so far has been about the ancient war between the elementals and a Void Dragon and how the elementals died defeating this Void Dragon and their bodies meshed together supplying the materials as the world, but the elements still count, and can be persuaded to act, as one body essentially unique to the other elements and so because they belonged to a living entity with a soul can exist in two states, the material element and a sort of potential/soul element held in other materials or channeled by mages to enact elemental effects.

 Now soul energy is something very different and despite the excessive amount of time I've spent explaining the elements, is what we’re focusing on here. Soul  energy is what living things are “made of” being literally the material of souls, now I could be wrong but from I can figure out everything alive contains and in someway uses soul energy, and soul energy has a connection with other soul constructs allowing for an in any capacity uniform group of living things to develop a larger social soul that becomes a god. Vash for instance is a city of people and so through the interaction of their soul energy, construction of early incarnations, and people assigning these incarnations personality or motivations became the hero god the city imagined, as the god itself is made up of the whole cities population who once saw incarnation interpreted them a certain way and influenced some of their aspect. Basically, because the god is their domain how they are viewed by the creatures in their domain effects their personality and most comfortable form. 

So what does this really have to do with Kendal. Well if Vash’s sword was constructed from an alien metal, a solid substance, which issomething almost impossible to make without an elemental, after Vash worked his soul energy into like soul shaper monks do with human prosthetics, which would more than likely work some of this starmetal soul energy into his own soul lattice. Then its likely that Kendal’s soul is made of what little of soul star metal was in the solid material of the meteor. And it’s not just background lore magic systems backing this up.

In the series of pages telling the mythical story of Vash’s Sword we find out that it’s being told through the framing device of the smith god who forged it, to a similar style god to Vash of the Fire influenced race of Ignans. Now while why they're talking and what this incredibly effective smith who uses the arcs and emotional journeys of the wielders of his weapons in his smithing process is doing with a god of fire and fire people directly related to one of our adventuring party is incredibly plot important and personally intriguing, there is something else I wanted to focus on here.

In these panels Tahraim appears to be talking about Dainix, a character Kendal is currently imprisoned with and who are jelling suspiciously well. Now we can see that Tahraim is using his Xanatos gambit forging technique of social engineering to forge out a weapon and fighter for Caliban (probably to fight the fire demon from Dainix’s backstory (who is probably another elemental emissary for Fire (like two other characters currently being heavily associated star metal soul Kendall (I see you Red, with each subsequent layer of brackets I get closer to the truth, witness as my bracketry grows)))) and describing some of the forging fires he’s using fo this weapon (who is probably Dainix, if not definitely)calls one of them “the divine blade”, referring to Vash’s starmetal sword currently held by Kendal, but the blade its self is isnt world shaking, its been around for millennia and everyone is very familiar with its power and prowess as a sword because Vash is an incredibly well known god. But that’s only as a sword, and we know Kendal is world shaking after his discussion with Ilia here where he is told explicitly that the gods fear what he represents but respect the fact that he is an incredibly powerful being with all the strength and ability of a godly incarnation but with no responsibilities of upholding a domain or the limits of staying within they’re domains range. And so the theoretical soul that is Kendal in this incarnation must be made of whatever remainder of star metal soul is left from the solid  star metal in the sword. That had been given the shape and properties of a human/incarnation soul by being weaved into and by Vash and then had the Vash soul ripped apart from they’re shared incarnation leaving the star metal soul to have to develop as its own being in this body

And if all you wanted is proof of this theory you can honestly stop reading here. So far this is dense and a lot and I wanna run through some stuff with this head cannon to nerd out. So if you don't wanna have to read anymore, my argument for this theory is basically through

Kendal being the star metal soul can provide a reason for, guess plot dent instead of plot hole? when Vash takes Kendal to where he is being held by the Collector. The reason this could be a plot dent is that one of the working theories for why Kendal exists can be found in the Sentinels. Essentially building sized stone statues animated by a god semi incarnating in them, its hard to explain so if your interested read here (Also read the comic, it’s really, really good. Like really good. If you get into the extra lore on the website and then scroll through Red’s Aurora Tumblr answers you get to appreciate how truly spectacular her worldbuilding and magic systems are. I mean clearly they’re cohesive and well thought out enough that just off of the magic system you could make a (if I don't say so myself) well reasoned prediction for a major character reveal.) the theory being that because these Sentinels can develop these echoes after being un-possessed by a god over time, the unique way Vash was taken out of his incarnation without dis-corporating it that the body developed a similar echo and is now ambient soul energy drawn into the empty body. However, this wouldn't make sense with Vash taking Kendal to the Collector’s hideaway in his sleep, as if Kendal is made of ambient soul energy he has no actual connection with Vash’s soul and so Vash shouldn't be able to bring him to the crystal he is being held in. But, if Kendal is in fact the star metal soul then he would still have that connection with Vash, as they are the same soul but different parts made of different materials, and so ca operate separately whilst still being so intricately connected.

On one final note, there is one character that already seems to know all this, Tahraim. That Kendal in everyway is the weapon he forged, that they're is a capacity for new elements and therefore different soul energies, that Erin has been possessed by the Void Dragon, and that the Collector has revived life, who has taken Alinua as an emissary, and is using this information not for his own divine or dastardly machinations but on commission. Which is A) a potential threat if Tahraim turns out to be a tad more amoral than he first appears, working as effectively for the next customer instead of esoterically guiding events for the cause of good and B) show cases an incredible mesh of world building and character work with gods being influenced by how their perceived and a god perceived and heralded as an unachievably proficient smith knowing more than any other character or entity we’ve ever seen before and doing exactly what is necessary to forge his commissioned weapons into the most powerful and effective instruments they can be almost only because of how in the magic system some gods are made from ideals and interpretations instead of groups of living things and actually fits the way they are most commonly perceived

[southslates]

a rant about the saturation of zvkka fandom

as a tyzula shipper i get really surprised by how the most popular lgbt/wlw atla ship before the renaissance fell off when it started; to the point where tyzula fandom still exists but it’s much smaller and constantly made fun of for being abusive 

and i think this is in part because of purity culture, where there can’t be nuance in anything and therefore tyzula is abusive and we can’t ship it! but i also think that as @army-of-mai-lovers outlined in this amazing post ty lee and azula aren’t love interests for any of the boys in the show, especially sokka and zuko, so content for them doesn’t need to exist because they simply don’t need to be sidelined. most tyzula content that exists is tyzula centric; not maiko or sukka or kataang or zutara centric, but tyzula centric. it explores ty lee and azula as characters because their chemistry is seen

you can see that most of the popular wlw atla ships in the renaissance are at least partly characterized by their relationship w zvkka, and clearly i have a lot of problems with that fandom, least of them all being the times i’ve been called a homophobe for disliking it. and one really large issue i have with zvkka fandom in general is its saturation of atla content to the point that it’s sidelined into a different au, that so many shippers see zvkka in atla when it just . . . isn’t there. it wasn’t the most popular ship before the renaissance because for fourteen years there just wasn’t . . . anything there. and i don’t know why it’s gotten popular, likely the help of some big name blogs (including the one that came up with homophobic katara) and the fact that fandom has started to really tend towards mlm ships more and more, and honestly good for zvkkas, the ship is cute, but uh

essentially just that even though zvkka has been the largest atla ship with the renaissance, it is not the most popular atla ship and it likely never will be because of that lack of longevity. there’s a lot of issues with misogyny and migratory mlm ships in fandom and i really, really see it here. zvkka fandom =/ atla fandom, atla has always and should always be more than about ships. of course i stick to mainly zutara/tyzula corners of fandom, which are super far removed from zvkka fandom in general for obvious reasons, but it’s almost sad to be entrenched in twitter and general tumblr fandom where people who’ve joined with the renaissance characterize zvkka as such a large feature of atla when atla as a fandom has always been surprisingly great with its characterization of women (atla specifically, ignoring lok etc). i’d never thought that the subtle misogyny would increase in the year 2020? and obviously as a zutara shipper i know that our fandom has had its issues with mai before, i am the last person to deny that, but i think that we are growing past it and trying to be better

one thing that i really hate seeing here is the idea that zvkka shippers “solved the ship war” by making zvkka larger than the kataang/zutara ship war. and i ship both zutara and kataang and one reason i absolutely hate this take is because i am in love with the fact that for fifteen years, whatever side you were on, atla discourse was about katara, what the brown woman in the show deserved. you can’t solve a ship war by shoe-horning her into kataang because that’s easy for your ship, because you’re just throwing away her agency and the entire point of the ship war. i actually pity a lot of people who mainly ship kataang because kataang; a ship between an asian monk and brown woman, which is canonically good representation, which is canon, is being pushed aside and made a sideship for a completely fanon mlm ship

maybe there’s a fetishization aspect in there? like i hate to make broad claims but the amount of zvkka nsfw for one, and then all the incredibly racist tropes i’ve seen there; the infantilization and feminization of zuko and the way sokka is supposed to be a big strong man or something just reeks of racism, especially when written by white people. it just strikes me as mischaracterization and the input of certain characters into boxes, because people don’t want to ship sokka and zuko, they want to ship mlm insert one and two. and i hate this because their dynamic is super interesting, canonically! i’d love to see how sokka with a plan and on-his-feet zuko work together :)

i mean fetishization is kind of prominent in internalized misogyny presenting itself as wanting two men to have sex to exclude women from the narrative, and in the post i mentioned above the op’s point was that atla fandom’s misogyny presents as unique because they don’t hate women, they just treat them like they’re really one-dimensional, and at the end of the day everything must come back to the dynamic between two guys who were intended to be cishet (i headcanon zuko as bi but i’m not stupid, this show is from 2005, it is what it is)

anyway i don’t know where i’m going with this! but i absolutely love atla wlw and i wish that the female characters could be analyzed further in depth than they are, and i’m still at a total loss to why fandom-- made by women, for women, and often queer women-- is willing to maintain so much misogyny in the guise of upholding queer rep in fanon ships with gay men. 

[immaturityofthomasastruc]

IOTA Reviews: Furious Fu

Well, I'm surprised this is here so quickly, but here we are. The first episode of Season 4. While I was on the fence about reviewing it even though it isn't in English (though there’s one in Spanish with English subtitles), but it seems like there are people that want to see me do it anyway, so who am I to let them down? Hopefully, I won't be regretting my decision to go over every episode of this season later on.

Will Marinette's new position as Guardian lead to more storylines other than her suffering? Will the show actually resolve the whole Love Square debacle this season? Why am I asking you all these questions?

Let's dive right into the first (actually sixth because of course it is) episode of Miraculous Ladybug's fourth season, Furious Fu.

We start off with all of the Kwamis under Marinette's care asking to see Former Master by Default Fu, before Marinette reminds them, and by extension, the audience, that he erased his memory during the events of last season, making her the new Guardian. They continue to act like hyperactive children until Marinette finally caves in and carries them in her backpack, although not before they give us one of the most unintentionally creepy images in the entire show.

I apologize in advance for your nightmares tonight.

The only Kwami who stays is the Dog Kwami, Barkk, who looks like she's going to see if Marinette's parents have any wine in the kitchen once she leaves.

Marinette heads down to the train station, where she meets up with Fu and Marianne, a former confidant/old flame who he recently reunited with. It turns out that inbetween Seasons 3 and 4, not only has Fu been living in London with Marianne while taking up painting as a hobby, but they've actually gotten married. So yeah, while Marinette has to deal with the stress of protecting some of the most dangerous artifacts on the planet, Fu's just been chilling in London, oblivious to the fact that he forced a teenage girl to do his job for him. Nothing but the best from this show's wise and lovable “mentor”.

After heading back home, Marinette sees a strange man who has broken into her room and demands to know where she got the Miracle Box from.

This is Master Su-Han, the former Guardians before Fu accidentally killed them all. He's naturally not happy with the “improper” form of the Miracle Box (he's not the only one) and wants to know how Marinette got in in the first place. When she says she got it from Fu...

Yeah... while it isn't as obvious as “Animaestro” and “Felix”, you can kind of tell that this is a “turn the critics into enemies” episode. Even though the criticism towards Master Fu isn't as prevalent as the criticism those episodes were meant to call out, there have been some fans on Tumblr and Reddit who have criticized Fu's actions in the show, calling out his decision to make Marinette a guardian in particular. Likewise, Su-Han is meant to be a strawman to mirror the complaints, and show why they are ridiculous. Though ironically, Su-Han's dialogue and rules also unintentionally highlight how incompetent the Order of the Guardians was, but we'll get to it later.

But because the script says she has to, Marinette defends Fu's decision to make her Guardian. She even refers to Fu being the reason the Guardians were all killed in the first place as a “mistake”.

NO HE DIDN'T! How was what Fu did in any way a sacrifice? When he made Marinette the new Guardian “Miracle Queen”, All Fu really did was make the box float for a bit before it immediately landed back in Chloe's hands. If the box had magically floated over to Ladybug in the process, I'd see why Fu would have done it. It'd still be reckless, but it would be a good way to escape from Hawkmoth and Mayura's trap. Hell, the Kwamis had already refused to let Chloe transform when she had their Miraculous, so there was no real threat there. We don't even know if Hawkmoth knew how to transform with the other Miraculous. So again, I raise the question: How was Fu forcing Ladybug to take his job while he gets to paint in London a heroic sacrifice? How can you even frame that as anything but cowardly?

Su-Han notices a few of the Kwamis are missing, and takes notice of Plagg, who was shown to devastate Paris with a single tap to the ground, being missing in particular. He's even more horrified to see Marinette's earrings, because, get this, Guardians aren't allowed to wear Miraculous.

You're telling me that if someone gets their hands on a Miraculous and goes rogue, the Guardians are supposed to fight them with their bare hands? They don't even explain it by saying something like how the Guardians aren't supposed to be tempted by the power of the Miraculous, we're just supposed to accept that rule as fact. How are you supposed to fight someone with superpowers like illusions, shapeshifting, teleportation, and time travel on your own?

So Su-Han orders the Kwamis back into the Miracle Box (still don't get why they have to listen to him) and lists off some of the rules Marinette broke like he was a Ferengi reading the Rules of Acquisition. He does all of this while voicing several concerns fans have about Marinette being Guardian, but rather than being out of concern or compassion for her, it's condescension.

It's pretty easy to understand Su-Han's side of the story, and if the episode actually acknowledged it, I wouldn't mind. But no, everything he says is automatically supposed to be wrong, because when has anything with a different viewpoint portrayed as a good guy in this show?

Su-Han orders Ladybug to take him to see Cat Noir before demanding they both hand over their Miraculous, and we learn something interesting about the Order of the Guardians.

ARE YOU KIDDING ME!?

Of all the stupid Guardian rules Master Fuckup didn't blindly follow, it's the rule that Miraculous are ONLY SUPPOSED TO GO TO ADULTS!? Why the hell did he even recruit Marinette and Adrien in the first place if Miraculous for adults to use? What did he even see in them? All they did was help him once!

And again, we're supposed to see Su-Han as wrong for doing this. Why can't Ladybug simply tell Su-Han about Hawkmoth and ask for his help before she returns her Miraculous to him? That way, Hawkmoth is defeated, and Su-Han gets the Miraculous back. And it's not like Ladybug doesn't try to talk things out with Su-Han, so you can't say she didn't consider it. Oh wait, that would imply Su-Han is supposed to have a point in his claims.

Though to the show's credit, Su-Han's words do get to Ladybug, causing herself to doubt herself and her ability to stop Hawkmoth, but Cat Noir helps to reassure her, saying he'll only return his Miraculous only if she asks him to. It's a brief moment, but it's nice to see him place his faith in his partner in a platonic way.

Less nice to see is Cat Noir finding out that if Ladybug gives up her position as Guardian, she'll lose her memory like Fu. Except... Cat Noir was there when Miraculous Ladybug failed to restore Fu's memory, so why does he see this as new information? Did he only think it would happen to Fu? Did he lose some of his memory at the end of the last season?

This information is enough for Cat Noir to start a fight with Su-Han, with Ladybug abandoning any attempts at diplomacy by declaring that Cat Noir won't lose his Miraculous. It's a little frustrating to see them engage Su-Han, but again, this is meant to show Cat Noir trying to protect Ladybug so she doesn't lose her memory. This scene still does a good job showcasing the bond the two heroes have. It's far better than anything we got from the New York special.

Su-Han is trained in... Oh God... Mirakung-Fu, which somehow gives him the ability to predict Ladybug and Cat Noir's moves before they make them, comparing it to his rage “adaptating and always finding a way”. Translation: Astruc ripped off something else from Dragon Ball, Ultra Instinct. Ladybug distracts Su-Han and gets the Miracle Box, while Cat Noir gets his staff. After briefly trapping him under some rubble (which I guess doesn't kill him because of his “Mirakung-Fu”), the two heroes escape.

Meanwhile, Shadowmoth, the upgraded form of Hawkmoth that I'll talk about in his debut proper, senses Su-Han's negative emotions and sends out an Akuma after him. Su-Han sees Fu painting in the park, and steals his cane, thinking it's a Guardian's staff he can sue to track down the Miraculous. When the Akuma reaches him, Su-Han uses a technique to repel the Akuma completely. I like this idea. It makes sense that a monk would find a way to mask their emotions and achieve enough of a state of zen to ward off an Akuma. The Akuma instead reaches Fu, turning him into Furious Fu.

I like the design of this Akuma. While I personally thought it could have made for a more interesting fight if he was still short (like Yoda's fight scenes in the prequels), I think it's really clever to incorporate Fu's Hawaiian shirt into what looks like a Chinese gi. Furious Fu's powers are kind of like Evilustrator, only he has to draw down a Chinese character on a talisman before the power takes immediate effect, and lacks the weakness Evilustrator had with his tablet being easily breakable, with the corrupted object, a paintbrush on his ear, being harder to reach.

Ladybug and Cat Noir retreat to the unnamed stadium that the local school has gym class in for some reason, where they're confronted by Su-Han, who in turn, is confronted by Furious Fu. This leads to a three-way fight for the Miracle Box, which they all kick around like a soccer ball. Cat Noir even gets a goal. All around, pretty fun bit, though not for the Kwamis, I guess.

As soon as he sees Furious Fu get the Miracle Ball, Su-Han hides while Ladybug and Cat Noir get beat up by the Akuma. While he does get up eventually, he's still taken out by Furious Fu. Apparently, Su-Han's “Mirakung-Fu” is only useful against Miraculous holders, not supervillains created with the powers of a Miraculous. How the hell does that work? That's like being a trained soldier in the Marine Corps who's terrible at laser tag.

Ladybug uses her Lucky Charm (again, I'll talk about the suit change for its proper debut episode), and gets a pair of wire cutters. She uses them go get a soccer ball from a nearby container while Cat Noir keeps Furious Fu busy. Furious Fu, in turn, uses one of his talismans to predict Ladybug's plan, and manages to immobilize both heroes, but not before Ladybug traps the soccer ball underneath Cat Noir's arm before Furious Fu can use his Cataclysm against him.

How do they stop him? By having Marianne casually walk up to him and break the paintbrush while he's distracted. Honestly, that's a pretty funny payoff. Not “Puppeteer” or “Bakerix” funny, but it's still one of the funnier Akuma defeats I've seen. Another funny joke is Cat Noir using his Cataclysm on a soccer ball before he accidentally uses it on Ladybug and Marianne for their post-victory fist bump.

Later on, after Marinette sees Marianne and Fu off while the latter continues to avoid responsibility, Su-Han apologizes to her, and decides to trust her. He'll still take away the Miracle Box if she screws up, but it's a start to someone Marinette can at least consult Guardian to Guardian.

And honestly? I think this episode is a pretty good start to Season 4. It really feels like the writers are learning from their mistakes in Season 3.

Yes, Marinette is blamed by Su-Han, and while it is frustrating to turn Su-Han into a strawman, unlike other Season 3 episodes where Marinette is blamed, the blame itself is unwarranted, and by the end of the episode, it looks like Su-Han is willing to change, as he apologizes to Fu after he's de-evilized. That's a lot more than I can say for Astruc's other straw characters like Chloe and Felix. Sure, some of Su-Han's concerns are brushed off, but it's still a start.

From what little we saw of him, Cat Noir is also a lot better, really showing the character development promised towards the end of “Miracle Queen”. He's thankfully turned down the flirting, and I can only hope he keeps his promise as the season goes on. I hope we get an episode or two showing his perspective on Ladybug becoming Guardian, and how he feels less like her actual partner now. You know, something that can reinforce their bond as partners.

My biggest complaints from the episode really come from the way Fu is portrayed, and even then, it's only because of events that happen because of what he did last season and how much of a screw-up he is, despite the narrative trying to tell the audience he isn't. Then there's the revelation that Fu's cane has the ability to track down Miraculous. So... we're seriously learning this now? Why didn't Fu use it earlier to look for the two missing Miraculous? He literally has a Miraculous detector! But hopefully, the consequences of Fu's actions won't affect this season too much.

So yeah, I'm actually feeling pretty optimistic about this season so far. Maybe Season 4 won't be that bad after all.

Oh.

Oh no...

[monstersandmaw]

Male orc (Vilugh) x male reader (sfw) - Part Two

Edit which I’m including in all my works after plagiarism and theft has taken place: I do not give my consent for my works to be used, copied, published, or posted anywhere. They are copyrighted and belong to me.

This should have gone up on here yesterday, and has been available on my $5 Patreon tier for a week as the fourth ‘early release’ story on Patreon in July (every Wednesday).

You may recall the first chapter that I posted as an unedited WIP (Tumblr link) a while ago and had lots of encouraging comments about and some interest in seeing more from Vilugh and the prince. So, here it is! Sorry it's a bit late - things have just been nuts here lately. I wanted this to be the final chapter, but... plot happened. So... there'll be more in the future!

Content: continuing on from last time where our scholarly prince with the unfathomably dickish king for a father was told he was going to spend six months with the orcs, we see Vilugh again, meet his sister, and finally, get to the encampment. (tw: brief mention of past death of reader’s older brother, and constantly being compared to him by the aforementioned dickish king...)

Wordcount: exactly 4000. *nice*

Part One

To say that I was furious with my father for only deigning to inform me of my new situation for the next six months would have been an understatement. I knew I wasn’t the ruler-son that he’d envisaged taking over from him, but I had thought that my rather impressive record for strategy and tactics spoke for itself, not to mention that I was responsible for almost single-handedly planning and instigating massive economic reforms that not only refilled the monarchy’s gradually-dwindling coffers but promoted trade and gave our floundering, stagnating economy a huge boot up the backside. And yet, still, I was not enough. I was not my brother.

Fuming, I strode along the corridors from the great hall up to my chambers and nearly flattened a poor serving girl as she left one of the rooms along the way. “I’m sorry,” I said through clenched teeth.

“Highness,” she chirped, dipping into a curtsy and scurrying away before I could explain myself.

My reputation had gone from ‘scholar prince’ to ‘Royal Monk’ by the time I was twenty five, but I was also known for being moody and sullen, with a perpetual scowl on my lean - I thought gaunt - face. No wonder I’d frightened her. As I stared in the speckled mirror in my bedroom, I saw a face and body that would hardly impress the orcs to whom I was about to be packed off like a spare bit of cargo for six months. Why? What what did my father have to gain from sending me to a group of people who, until my teenage years, had been our enemies? They weren’t exactly our best friends now either.

The orcs right across the continent had begun to think about trade with us since Khraxh and her warband had first agreed to peace talks, and while the mountain orcs were still ferociously opposed to any kind of truce or trade talks with the soft, plains- and forest-dwelling humans, Khraxh had clearly seen the advantages that at least a ‘polite understanding’ would have with us. We had the monopoly on iron ore with our goblin-run mines to the east, and due to our superior charcoal burning techniques, we were able to forge steel like almost no one else, save perhaps the goblins themselves.

Goblins, like humans, had a long and turbulent history with orcs. Historically, encounters between the two peoples mostly ended in absolute annihilation of entire goblin communities by the larger and stronger orcs - hence their very slight preference for dealing with humans. It really was only a slight preference, however. Goblins were wary and untrusting of most folks, but it was understandable. They were a skittish, intolerant folk, quick to be offended and even quicker to give it.

Staring into that age-freckled mirror, I saw my lacklustre, pale skin, with no distinguishing features, save perhaps for my mother’s dark eyes and a slightly hooked nose. Where Dannan had been the golden boy of our family - qujite literally with his curly blond hair - I was the proverbial and, of late, the literal, dark horse. Dark hair, dark eyes, dark expression…

Needless to say, I got little sleep that night, which added to the dark shadows beneath those dark eyes. I turned it over and over as I lay amid the fine silk sheets. In the end, I came to the rather unsettling conclusion that my father hoped I wouldn’t survive my time with the orcs so that he could install someone like my cousin Balgrun on the throne after his demise. Not that anyone imagined that a king as tenacious and bitter as my father would ever give up his hold on life; he was simply too stubborn to die, I was sure of it. True, I was useful, but I was not a leader. I honestly crumbled to a trembling, stammering, sweating mess if I had to address the public myself, and I considered more than three people to be an abhorrent crowd. He’d raised me to be the shadow to my brother’s light, and I fulfilled that role too well to be trained to shine in public now.

Gritting my teeth the next morning, I stood on the sweeping steps of the royal castle, awaiting the arrival of the orcs.

The squeal of a war boar from the far side of the castle’s curtain wall announced their presence before the trumpets and shouts did. I drew a deep breath and kept my skinny hands folded behind my back. No need to let them see me shaking. The king emerged from the doors behind me and fixed me with his usual, emotionless glower. “Don’t embarrass me, son,” he muttered under his breath. “They do us great honour by taking you to the heart of their lands for so long a time.”

I raised my eyebrow. My mother had been able to do that, according to Rigmore. The castle steward and she had apparently been good friends, and when I had learned to do it, he had laughed and said I was the picture of my mother. Naturally, I did it around my father whenever I could just to rile him up. “Tell me, father,” I said with carefully controlled coolness in my voice. “What exactly do you hope to achieve out of my royal stay with — what was it you called them yesterday? — oh yes… ‘those beasts’.”

His lip curled and his eye twitched. “You will do well not to repeat that, boy,” he snarled.

I laughed and shook my head. “Out of the two of us, I seem to be the only one who values my hide, father. Fear not though, I have no intention of pissing off my captors.”

“Captors? Guardians, more like. The honour of hosting the son of the most powerful king on this continent will not be lost on them,” he said fervently, grey eyes drifting to the portcullis and main entrance to the bailey behind me.

“Surely you had some mission in mind for me then?”

“Win them over with that naive charm of yours,” he said dismissively, still not looking at me. “You could have charmed your way into the beds of half the nobility of this kingdom, despite your… physique… Fuck them if you have to,” he said in a hiss in my ear, “But I want them in an advantageous trade deal by the end of next spring. Butter them up, win their trust, and we’ll have the brutes in our pockets.”

“And if I don’t manage that?” I asked.

His eyes flashed. “Then you really aren’t of any use to me at all, are you?”

It wasn’t a wholly unexpected answer. The man was always the king before he was my father, but still, I barked out a loud and undignified laugh just as the orcs entered amid a clatter of cloven trotters and squealing war beasts, feeling empty and hollow. “Goddess be merciful,” I cursed. “You just want me out of the way while you wine and dine Balgrun in my absence. Oh yes,” I chuckled back at him over my shoulder, practically skipping down the stairs and strangely looking forward to my six month ‘holiday’ from the backstabbing and conniving of the castle. “I asked around; I know you’re asking my dear little cousin to stay. Perhaps you can show him the ropes in six months, and perhaps the orcs will decide I’m more useful as a toothpick than a diplomat, and you’ll have a reason to go to war with them again, wipe them off the plains, and then nothing will stand in your way between the coast and the mountains.”

And with that, I left him sputtering on the steps, his face a rather nasty puce colour. I’d figured out his alternative plan, and if he thought for a moment I was going to let him have it, he was a dotard.

“Greetings,” I said, addressing Vilugh in the common Trade Tongue. “Regrettably I have not had the chance to learn your language yet, otherwise I would have greeted you in your own tongue.”

The orc swung down from his boar and dropped the reins to the flagstone floor, ground-tying the beast the same way I might have ground-tied my mare. Starling was, to my relief, already saddled and ready for me, standing with her bridle in the hands of a groom and stamping her hoof in anticipation of an outing.

Vilugh was every bit as colossal and imposing as I remembered him from the last time I’d seen him, if not more so. I knew he had to be ten years or so older than me, and if he was thirty five, he was still in his absolute prime. His green-skinned chest was largely bare, save for the leather strap that reached diagonally from one hip to the opposite shoulder, holding up the leather hunting skirt that hugged his hips and hid very little from the imagination. He didn’t have the defined abs of the veiner fighters I’d seen who liked to show off their lean, oiled bodies for the attention of the crowd, but his middle was packed with solid fat and muscle that spoke of the strength of two or three oxen. His thighs could have crushed one of our warhorses to a bloody slurry if he’d fancied trying, and his hands were as big as the buckler shields favoured by fancy duellers in the city. Small for a shield, but very big for a hand.

His eyes were still that unnerving black that I recalled from my youth, and they were every bit as perceptive as I remembered too. He raked his gaze up my slim form, no doubt also cataloguing my physical features and sartorial preferences. That day I had chosen simple buckskin leggings, suitable for long distance riding, and a loose, linen shirt. My hair was tied back in a practical style at the nape of my neck, and across the front of my saddle, I had instructed my servant to tie a leather hunter’s jerkin for when evening drew in and it inevitably got much colder. In my saddlebags I had had simple, comfortable clothing packed, with none of the fripperies and fineries with which a prince might be expected to travel. Orcs were a pragmatic and practical people, and having a whiny prince demanding to stop for wine and grapes halfway there would win me no favours with them.

“We can teach you to speak orcish if you want,” Vilugh said in a voice like a rock slide.

I couldn't help but grin at the chance to learn something else, and nodded. “Thank you. I’d like that. I can’t promise to be any good, but I’ll try.”

To my surprise, Vilugh laughed. “From what I hear, you’re a quick learner, prince. You’ll catch on quick enough I reckon.”

Relief washed through me. The warrior was polite and had a sense of humour. As much as my father’s court frustrated me, I knew where to tread there, and how far I could push and poke before I risked too much. With the orcs, I had no idea yet what might provoke them or amuse them. I also had no idea how they felt about this arrangement, or how my presence among them would be received.

“If you’d like to rest or feed your mounts, and seek the same for yourself, then please make yourselves comfortable, otherwise I’m ready to leave whenever you are.” I left it up to him to decide, and after a quick look at my father, still standing on the castle steps like a lone lion on a rock while hyenas prowled below, Vilugh shot me a look of a different calibre.

“These boar can ride all day without stopping for food or water; three days without rest,” he said in a measured voice, walking at my side and casting my entire body into shadow with his immense height and breadth.

He was testing me, and I didn’t fall for it. “And yet the ride from your mother’s bastion is four days from here,” I replied with the same even tone.

Vilugh’s eyes glittered with amusement. “The piss you people drink for ale should be enough for now.”

It was easy enough for me to take a chance on his sense of humour with my father’s bowmen lining the walls and the honour guard ranged up the stairs nearby. “For you or for the boars?” I quipped, turning away and inviting him to follow me.

Again, the massive - and honestly quite intimidating - orc let out a long, loud belly-laugh of amusement. “Hay will do for the boars just now, though they prefer meat when they can get it.”

“I’ll bear that in mind,” I muttered.

The boars were seen to, and I led Vilugh and the two other orcs who had accompanied him up to meet my father. Neither Vilugh nor his fellow warriors bowed or bent the knee to my father I was pleased to note, and it got my father’s hackles up like a like a bristling tomcat. I almost could have kissed the enormous warrior just for putting my father on the back foot already, but honestly, what did he expect? Did he think the orcs would prostrate themselves before him? They’d hardly done that last time, so I couldn’t imagine he’d be so conceited as to think they’d do it this time.

“Your majesty,” Vilugh said.

“Welcome,” my father said, his tone more tightly-clipped than the box hedge in the castle’s knot garden. “Will you be staying for some refreshments before you return to your people with my son?”

“Just long enough to give the boars a breather,” Vilugh said with easy diplomacy.

The other warriors he’d brought with him were the older, one-armed orc I’d skittered away from as a child, and a female I didn’t recognise but who had the most incredible, blue eyes I’d ever seen. Vilugh must have caught me admiring her in the great hall because he leaned in close and growled without real sting, “Stare too long at my sister and she’ll most likely cut out your eyes, princeling.”

“I was just admiring hers,” I yipped quickly, regretting the rather boyish note to my usually hoarse tenor. “Blue eyes are not so common in these parts, that’s all. I meant no offence by it.”

Seated beside him at the table, she leaned close to her brother and barked something in orcish at him. He looked briefly back at me, and then responded in the same. They conversed for a moment and I sat there with my spine dead-straight and my jaw clenched. When Vilugh turned back to me, he grinned. “Rhana says that if the pretty human princeling wants to stare at her, he can, but he’ll have to answer to her wife when we get back.”

“Far be it from me to come between an orc and her wife,” I chuckled anxiously.

When Vilugh translated, they both laughed and Rhana reached behind her brother and cuffed me on the shoulder hard enough that I was almost sent reeling off my seat and onto the floor, which got another laugh out of them and drew a glare of daggers from my unnerved father. Good. Let him be baffled that I was already getting along with these warriors like soldiers in the barracks. He’d clearly not expected me to have any idea how to behave around them, but while I didn’t spend my spare time in our own guards’ barracks, I observed the way everyone in the castle interacted with each other. It was what I’d been trained to do, after all: notice things and remember them.

All in all, the orcs didn't linger long, and we were on our way within an hour.

The pace of the first few hours of the ride alternated between a brisk walk and trotting, though my mare jogged excitedly for the first hour of that until I finally convinced her that we were in it for the long haul. The grooms kept her fit and well-schooled since I couldn’t step away from the castle regularly enough to do it myself, but by the end of the day, even my indomitable Starling was beginning to flag. I patted her neck and murmured that we’d probably break camp soon, and, sure enough, we did.

Once a small fire was lit, with the dry twigs of plains brush-scrub, and carefully warded in a low pit to stop it spreading across the arid plain, I drew out my rations from my saddlebag and Vilugh shot me a look of mild surprise.

“What?” I asked, nervous that I’d committed some inadvertent transgression by digging in before they’d started eating.

After a moment, the orc heaved himself down onto the ground beside me, long, black plait thwacking against his back at the motion. Then he said almost conspiratorially, “You’re not what I was expecting.”

Unwrapping the bread and hard cheese from their waxed linen wrappings, I frowned. “Just what were you expecting, might I ask?”

He shrugged a massive shoulder and drew out a similarly wrapped parcel - much larger - with dried meat and a hard looking biscuit that I thought would probably crack my own teeth before it broke. “Honestly… going off the last time I saw you, and from what your father said of you in talks with my mother… I thought you’d be a fragile little bird. You’re not.” He looked at me, dark eyes glittering in the fire like polished onyx and added, “You are skinny as a bird, but you’re not weak.”

“How would you know?” I scoffed. “I could be too weak to draw my sword. It could just be strapped to my waist for show…” In fact, it was now unbuckled and lying behind me with my saddle and bags, while Starling was hobbled nearby and looking rather disdainfully at the slim grazing afforded by the scrubland where we’d paused. Finest high-summer hay, it was not.

“You move like a dancer,” he said, and I immediately choked on a breadcrumb.

He had to slap me on the back and offered me a skin of water. I washed the offending clog down and gawped at him. “What would you know about human dancers?” I asked without thinking.

“I’ve travelled to the cities on the coast,” he said. “They dance in the marketplaces on festival days.”

“Oh,” I said. And then my cheeks flushed. “I’m not… You know… those dancers are… uh… paid to do more than dance… shall we say.”

It took Vilugh a moment to catch on, but he seemed embarrassed at his mistake. “I meant no insult by it,” he said. “They’re very beautiful.”

“That they are,” I admitted. My father had tried to entice three of them into bed with me after one evening spent in the company of one of his duchesses, but when I’d shown more interest in her library than her twittering prostitutes, he’d given up. Apparently the finest courtesans in the land weren’t going to make me proper man in his eyes, so it wasn’t worth trying.

Vilugh must have seen my memories swirling across my face, because he didn’t bring it up again, and we ate in a rather awkward silence after that. The orcs drew lots for the watch, and Vilugh drew the first and insisted that as their guest, I should not be expected to deprive myself of sleep. Plus, apparently, the next day’s riding would be harder and he didn’t want me falling out of my saddle when I dozed off. Also orcs’ eyes were more like cats’ eyes in the dark, I discovered, when I looked up and saw Rhana’s glinting at me from across the fire and nearly had a heart attack. She laughed and wished me pleasant dreams.

Taking their well-meaning jibes in my stride, I nodded and bedded down in my humble bedroll. It was the type that hunters used, made of breathable buckskin and lined with fleece to keep off the chill of the plains, and although I’d only spent one or two nights in it in my life, I slept better that night than I had in years, not waking until Vilugh's surprisingly gentle touch at my shoulder stirred me not long after dawn.

Over the course of the next few days, Starling developed a comical rivalry with Rhana’s boar, the two taking every opportunity to bite or scuffle with each other, though it never seemed to get truly vicious enough for either of us to worry about, so we let it play out to our amusement. Perhaps because of that and perhaps because I just simply liked them for their gruff honesty, by the time the wooden palisade walls of the orcish war-band’s permanent stronghold drew into view on a wind-blown hilltop, I felt relatively comfortable with the three orcs who had been sent to fetch me.

The older one with one arm was called Rhakak, and was apparently Vilugh’s cousin. He was taciturn and unflinching, watchful and grim, but not aggressive towards me. I still gave him a wide berth though.

But if I’d thought Rhakak was intimidating, it was nothing to Vilugh's mother.

I remembered her from her visit to the castle, but nothing could quite have prepared me for the sheer presence the matriarch had amongst her own people. She was standing waiting for us as we rode up to the walls of the stronghold, and even though Vilugh had told me that Khraxh wouldn’t hold me to the same etiquette as she would a visiting orc, I still nearly shat my pants in fear when I got off Starling’s back and found her surveying me with a distinctly unimpressed look on her weathered, beautiful face.

She really was beautiful. Her body was honed and muscular, but her movements were sleek and efficient, and in much the way a war galley cuts through the water and bristles with power, so she moved with the dormant power of a life-long warrior. Her long, thick hair had turned grey in the intervening decade since I’d seen her, and she’d lost half a tusk too, but the way the gathered orcs arranged themselves around her reminded me of a wolf and her pack. She commanded absolute obedience in them, and unyielding loyalty. In that moment, I did feel afraid, and suddenly very much not up to the seemingly impossible task I had been set.

With a rather endearing patience, Vilugh had taught me the phrase to speak in orcish upon meeting her, and once I could finally get my tongue around the complex vocal gymnastics of the orcish language, he said I would not be flayed alive for completely embarrassing my tutor.

Thus, upon our first meeting, I nearly sprained my jaw, but I gained perhaps a modicum of respect from the veteran war chief. As the three orcs sent to the castle to fetch me had now bowed, neither did I, but I did incline my head as I spoke. There was no need to act like a prideful brat after all.

If my father was expecting me to make enemies of these people and inadvertently lure them into killing me and sparking a war, then I was bloody well going to do the opposite. I wasn’t a warrior, but I had my mind, and I was damned if I was going to fuck things up and go down in history as the skinny little prince who kicked off the orc-human conflict all over again.

Humble but not meek, studious but not annoyingly curious, polite but not obsequious, opinionated but not obnoxious… I began to feel my way through the stronghold’s hierarchy, and miraculously survived my first week there without insulting anyone.

One week down, twenty three more to go…

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Runeterra Retcons 1: Thresh

This is something that I did today. I plan to make this an on-going series (might even take it to YouTube someday if I get the nerve to share my voice), but for now have it as a tumblr post.))

The world of Runeterra is one of the most interesting and complex fantasy settings in modern gaming; a fictional realm bustling with fantastical beings, characters, and a wide variety of plot points offering near endless potential for story-telling. The story of League of Legends is not, in fact, a singular narrative, but rather a collection of different stories spread out across a variety of fictional countries, continents, and even dimensions.

Runeterra as we know it today wasn’t always like this, however; in 2015 Riot Games opted to effectively reboot the lore of their world to be rid of the more restrictive plot elements like Summoners and the Institute of War to allow themselves more wriggle room to tell the stories they wanted to tell. While the decision to effectively make League of Legends non-canon to its own story was initially controversial, the writers of Riot Games have effectively proven themselves extraordinarily capable of using this newfound freedom to its full potential… For the most part.

With a retconned world came the need to retcon characters; Riot has made a substantial effort in the last few years to reimagine and redefine the backstories of the iconic Champions to make them fit into the new narrative, albeit with mixed results. Let’s face it: no writer is perfect and hindsight is 20/20, so a number of characters throughout the years have been left with less-than-stellar backstories compared to most of the roster.

Welcome to Runeterra Retcons, a series in which I’ll be analyzing some of the more controversial champion bios in the game to pick apart the good, the bad, and the horribly missed opportunities. With all that out of the way, let’s begin, shall we?

Episode 1: Thresh

Thresh is at once both an interesting and a bland character. He’s arguably one of the more iconic characters in the game, to the point where he’s practically become the unofficial mascot for the Shadow Isles. In-spite of this, I’ve long felt that Thresh is one of the most awkward fits into the region; before we can discuss the problems with his current lore, however, we first need to address Thresh’s backstory pre-retcon and see if we can analyze the core of his character.

Insert original lore here

So, we can see the concept behind Thresh’s character pretty easily: he’s a jailor who loves tormenting his charges, so much so that he continues to do so even after death. If you were to describe Thresh in a single word, it would probably be “sadistic.” Unfortunately, the original lore doesn’t give a lot beyond that; not where he’s from, not when he died, not even where his prison was located. The bio itself literally says that no one knows the details, and while that does add a faint air of mystery to the character, it doesn’t do much to tie him into the faction he’s supposed to represent: The Shadow Isles.

With that out of the way, let’s now take a look at Thresh’s new bio and see how Riot decided to change him after the retcon.

Insert new lore here

Alright, so, there’s a lot to unpack here. Perhaps the most notable change is that Thresh went from tormenting people to… Tormenting “living relics.” The relics are offered no further explanation in the lore or given any prior context. There’s just… A mirror with a soul in it. There’s a sentient book hidden down in the vaults. For some reason, the monks of the Isles even decided to stash a living person down there because he infused his body with raw magic. Why? Who was this person? What did he do to end up in chains? If this was a dangerous mage, wouldn’t it be better to build a proper prison for him rather than stuff him in a vault full of powerful, dangerous artifacts?

There are so many mysteries here, but perhaps biggest one is this: why was Thresh changed from a warden of people to a warden of relics? Why did they feel the need to turn him from a jailor who enjoyed tormenting his inmates to a curator that was slowly corrupted by the very magics meant to help him do his job? Well, I believe that’s meant to tie into the change made to the Shadow Isles themselves, or rather, the Blessed Isles.

While we never had much info on what the Isles were like before becoming an undead haven, a lot of the lore suggests that they were effectively a paradise, hence the name “Blessed Isles.” This was a place without war, without starvation, without corruption. Naturally, there would be no criminals in paradise, and so this of course means that to make Thresh a warden of things that are inhuman… At least, this is the thought process one might have until they introduce the mysterious regenerating mage, but I guess he’s meant to be one bad egg amidst the crowd, assuming he even came from the Isles at all. Again, it’s never really elaborated on.

So, while the change does make a degree of sense, it kind of feels… Flat. I mean, a guy who enjoys tormenting prisoners in their cells to hear their screams sounds a lot more terrifying than a guy who just stops his sentences halfway through to spite a book. Also, the fact that his lantern just becomes a seemingly endless vessel for souls because of the Ruination is a little silly; like, I know the Black Mist does all sorts of nonsensical things to matter, but the fact that an ordinary lantern gets turned into a relic arguably far more dangerous than anything Thresh was ever guarding seems kind of backwards, at least in my opinion.

So, how can we change this? How would I, personally, retcon Thresh if given the chance? Well, there are a lot of base elements that I would keep, but also some key components I’d like to alter. I’ve written up a short bio of my own for you all to enjoy, so without further ado…

In an age all but forgotten to history, there existed a realm known as the Blessed Isles. Hidden away from the world by a veil of magical mist, the Isles were a place of peace and prosperity; a land free of war, corruption, plague and misery. This paradise was ruled by an order of sacred monks devoted to learning and enlightenment. It was within this paradise that Thresh was born and raised by a pair of humble farmers, growing up surrounded by nature’s bounty.

Though expected that he might follow in his fathers’ footsteps, Thresh showed an aptitude for learning from an early age. In-particular, Thresh seemed fascinated with matters of philosophy; the nature of the soul, morality, and other complex subjects were frequent on the boy’s mind. This attitude quickly earned Thresh the attention of the brotherhood, who invited him to join their order as soon as he was of age. Thresh agreed without hesitation, leaving the farm behind to study at the Isles’ monastery.

For many years, Thresh studied under the tutelage of the order, distinguishing himself from his peers for his ability to grasp complex philosophical issues. Though acknowledged by his teachers, Thresh was met with looks of envy and scorn from his fellow students; rather than let himself be disheartened, however, Thresh instead took an interest in the root of their envy in scorn. Upon approaching his elders with such questions, Thresh found himself being led to a secret chamber deep beneath the monastery, guarded by powerful wards and runes. It was here that Thresh learned the truth of the Blessed Isles.

Thresh watched as one of his fellow pupils stood surrounded by figured in ominous robes, chanting an ominous spell in unison. Thresh’s teacher explained to him that this was ritual had been used by the order for ages to ensure that the Isles flourished. Evil was present in all humans, and so the only way to ensure it did not corrupt their paradise was to extract it from the soul, and seal it away. As the ritual drew to a close, Thresh saw the essence of all the other student’s hatred, envy, malice and warped desire ripped from his body, and placed into a special lantern made to contain it.

Thresh was intrigued. He approached the lantern without hesitation as the other boy was escorted from the chamber, and to his surprise, he heard voice whispering to him from within. The monks explained that though the evils of humanity could be removed, they could not be truly discarded. They needed to be contained, and more than that, they needed a warden to watch over them. Thresh volunteered in a heartbeat, and the monks smiled, pleased by their pupils’ devotion.

What they did not know, however, was that the whispers in Thresh’s mind had already begun taken root. From that day forward, Thresh vigilantly stood guard over the lantern, watching each successive cleansing as it took place. Each time, the wicked essence in the lantern grew stronger, as did the whispers in Thresh’s mind. He began to dream of enacting twisted torments upon the monks, the other disciples, and even his own parents. Slowly but surely, the brotherhood noticed a change in Thresh’s behavior. Fearing that he himself would be subjected to their cleansing rite, Thresh stole the lantern and fled the monastery.

The monks chased Thresh for days, but their search was brought to an abrupt end when strange ships arrived on the Blessed Isles: something Thresh thought impossible. From the safety of the cliffs, Thresh watched in delight as a soldiers led by a foreign king massacred his fellow monks. Their screams were music to the warden’s ears, and as the chaos spread, Thresh found himself reveling in the suffering of all who fell to the foreigners’ blades. Even at the cost of his own life, Thresh dared to move about the battlefield, searching for survivors left in the king’s wake only that he may snuff out the remnants of their lives himself.

Finally, as the screams of his victims began to subside, Thresh turned his attention to the heart of the Isles. From there, he saw a cloud of pure darkness rushing to meet him, and opened his arms wide to embrace it. In that moment, all the wickedness trapped within Thresh’s lantern was freed, bound to his soul through the power of the Ruination. Thresh emerged a being of pure maliciousness, and his lantern, now empty, would serve as the perfect vessel to enact his twisted fantasies.

Thresh now roams Runeterra as an avatar of sadism, bringing pain and misery to all unfortunate enough to cross his path. He stalks his victims and torments them by slowly stripping them of their sanity, before finally prying their souls from their bodies with his wicked sickle. If you hear the sound of chains in the dead of night, run… Though it may already be far too late.

So, what did you think? Now, it’s at this point I feel I need to clarify something: I’m not trying to bash on Riot’s creative team, nor am I saying that I can definitely make a better version of someone else’s character. Hell, I’m not even really saying that my version of the story is flawless; it would probably need to go through several more rewrites before I’d ever consider publishing it as canon, not that I have the power to do so, of course.

Rather, I wanted to take a closer look at Thresh’s character and how well his current lore represents him. I said earlier that Thresh is at once and interesting and a bland character. I consider him a little bland because you can sum him up in a single word: “sadistic.” He has no goals and no motivation other than to cause pain and suffering. Even the other undead of the Shadow Isles typically have some kind of agenda, even if it’s only to spread the Black Mist’s influence. Thresh doesn’t care about that; he just wants to see you writhe in agony, both before and after death. I’d argue he has more in common in with League’s demons than the other specters of the Isles, but it’s BECAUSE Thresh is undead that he has so much potential for an interesting backstory.

The main points I wanted to emphasize in my rewrite are: expanding on the magics that corrupted Thresh into being so sadistic, giving his lantern some greater significance in the story, and replacing the vault full of otherwise pointless macguffins with something a little more sinister that gives the Blessed Isles a hint of dichotomy. Riot loves adding a little morally grey to all their characters and factions, after-all.

Anyways, what do you all think? Could Thresh’s lore be improved, or do you all like his story the way in currently is? Lemme know down below, and I’ll see you all next time!