#the partition
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ayowotsdis · 1 year ago
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This from a narrative of a South Asian.
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daddyjackfrost · 2 years ago
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i’m writing a short story based during the partition of india and pakistan (1947) and it is so dark my god
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hairmetal666 · 11 months ago
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Eddie thought inviting Steve to the Grammys would be fine, cool, no big deal. And it should be, but Steve is walking out of the suite's bedroom wearing a burgundy tuxedo that fits him like a fucking glove. His shirt is unbuttoned just enough to let chest hair peak out, and Eddie thinks he might faint.
He's always been attracted to Steve, of course, but never let it go further than that. Like, sure, Steve was hot as fuck, and sure he was the best guy Eddie had ever met, and sometimes, yeah, he did have to force away thoughts of Steve when he jerked off, and in other circumstances he'd totally be head over heels. Just, Steve is straight, the straightest, a fucking arrow.
Eddie tears his eyes from Steve's body. "You look great, man." He slaps Steve's back. Keeping it cool; keeping it so cool.
"Psh," Steve says. "Have you looked in a mirror? Oh my god." His eyes are saucer wide as they travel down Eddie's body.
"Is it too much?" Eddie crosses his arms over his bare chest.
"Are you kidding? You're--fuck, man. You look good as hell."
He's wearing a silky burgundy shirt, open to show off the necklaces around his throat, his tattoos, the silver in his nipples. His pants are leather, tight, sitting low on his hips and putting the cut of his pelvic bone on full display. They have a lace-up closure that comes dangerously close to showing pube.
Heat rushes to his face at the compliment. "It's--you know. Hazard of the job."
"Yeah, hazard, sure. Guess it's a hard life having hot dudes literally throwing themselves at you."
Eddie barks out a laugh. "That's a vast exaggeration."
"Is it?"
He blushes harder. "You're my date tonight, Steve."
"My point exactly."
His manager and publicist usher them out the door before he can ask what the hell that meant.
---
The ride is giddy and playful, Steve popping champagne to celebrate Eddie's nomination for Song of the Year, even though there's no chance in hell he wins.
Steve is happy. His face is bright with joy, eyes shining, laugh loud and infectious. He's gorgeous, knows it, will be an absolute menace on the red carpet. He's been with Eddie to parties and stuff before, doesn't have any anxiety in front of the camera and isn't obsessed with musicians like Eddie is, unafraid to meet them.
Or so Eddie thought.
Because now they're standing at the edge of the red carpet, Steve very nearly trembling next to him.
"Harrington?"
"That's--That's Madonna." Steve points to her. "We're not even ten feet away from Madonna." He gulps. "Eddie. Madonna."
Steve has met famous people before with Eddie. Ozzy, briefly, Janet Jackson, Dave Grohl, James Hetfield, and he'd always been fine. Barely batted an eye. But get him within reaching distance of Madonna and he falls apart.
Eddie doesn't think about it, grabs Steve's hand, twines their fingers together. "Okay?"
The smile Steve throws him, grateful and a little embarrassed, stabs straight through his heart. He calms as they make it up the carpet, but he doesn't drop Eddie's hand, even when they pause for pictures. In fact, he leans into it, drapes his arm around Eddie's shoulders, or around his waist, seeming to thrive the closer they are. Eddie feels this dangerous pull to indulge in it, to let himself believe it means something, and he doesn't quite have it in him to turn it off.
By the time they reach their seats, Steve is relaxed back to his normal charming and handsome self, doesn't bat an eye as Eddie introduces him around.
The show passes quickly with all the performances and Steve whispering jokes in his ear. It's the best time he's ever had at an award show, like he should have been bringing Steve along this whole time. He's so distracted that he's not really ready when Paula Abdul comes out to announce Song of the Year.
His name is read off as a nominee and Steve grabs his hand, squeezes tight. Eddie's heart flips in his chest. He's not paying attention when Paula opens the envelope, too focused on Steve's strong hand holding his. He hears her say, "And the Grammy goes to--" and everything goes fuzzy.
Steve is saying, "oh my god, oh my god, Eddie. Get up, get up."
And his fucking song is playing and everyone is cheering, a couple people slap his back, and oh shit, oh shit, he fucking won. He stands, Steve with him. He thinks they're going to hug, that's what you do in these situations, but Steve is kissing him. Not on the cheek and not a quick peck, but lip-to-lip, soft and sweet.
Steve just kissed him and he has to get on stage and give a speech. He has no idea what he says because Steve just kissed him. On the lips. On purpose. His ears are ringing and words tumble out of his mouth, thinks he says, "couldn't have done it without you, Stevie," before tripping over his feet to get backstage.
Interviews, photographs, congratulations all help him settle. He's still buzzing with the win, but aware enough now to think the kiss had to be an accident. They've been friends for nearly a decade and Steve never seemed interested in men generally or Eddie specifically.
It takes a while to finish up the backstage business, but when he makes it to his seat, Steve just beams at him. He doesn't mention the kiss, which makes Eddie think he's overreacting. It wasn't a big deal. Sure, he could still feel Steve's lips, warm and soft, against his own, but it didn't mean anything. He's just too in his big gay feelings to be objective.
They don't get a chance to really talk until they're back in the limo and on their way to the after-party.
"You won," Steve says.
"I won." Eddie smiles. "Crazy."
"You deserved it."
He shrugs. "I don't know about that."
"Doesn't matter. You did." Steve fidgets with the cuff of his jacket. "About earlier, um. The kiss. I--"
Eddie feels his face heating, heart kicking up. It was nothing, he knows, and Steve shouldn't have to-- "It was an accident. It's okay. I know you don't--it was the heat of the moment and--I know you're not--you don't--"
Steve blinks a lot, emotions flashing across his face faster than Eddie can categorize.
"What if I do?" Steve asks. His voice is too soft, eyes locked on the cuff link he's fiddling with.
"You--what?"
"What if I did mean it?"
"You're straight."
Steve goes pink. "I'm really not."
"Steve?" He shrieks. "Since when?"
"Um. Since you invited me to this?"
"What the fuck?" Eddie shoves him. "What the fuck, man?"
"I know, I know!" Steve pulls his hand through his hair. "You invited me and I freaked out and I didn't know why, and Robin made the saddest little face at me. Said, 'oh, dingus, you didn't know?' How the fuck was I supposed to know!"
"I think you wanting to fuck me should've been a pretty good indication!"
"I thought that happened to everyone!"
"It doesn't!"
"That's what Robin said!"
They're both yelling.
"Jesus christ. Jesus christ," Eddie keeps repeating.
"Look, I get it if you don't want me too, dude. I know that's not how it works, but I've been pretty crazy about you without realizing it for a while now, so--"
He doesn't mean to, he really doesn't, but he laughs. Like, super loud. Like a donkey bray.
"Okay, can the driver let me out? Like, can I go? I can't--"
"Wait, wait, sweetheart." Steve's gotten up, like he's about to knock on the partition, but Eddie grabs his wrist. "Of course I want you back, you idiot, oh my god."
"Oh." Steve's ears are pink. "Oh. Well. That's good."
Eddie huffs. "Just good? I won a Grammy and the guy I've been pining over for years wants me back. I'm having the night of my life."
"Shut-up." Steve's smile is so big, his eyes so bright.
He raises an eyebrow. "Make me," he says in his lowest register, but he's truly not prepared for it when Steve clambers over to him and lowers himself to straddle Eddie's hips.
"Holy shit," Eddie whispers. "Holy shit, Steve."
He give a wry little smile, eyes locked on Eddie's mouth. "Baby, can I kiss you?"
"Yes." Eddie clears his throat. "Yes, please, do that. Yeah."
Only, he doesn't. He's straddling Eddie, they're so close their breath mingles, and Steve's eyes flicker between Eddie's mouth and his eyes, lips so close to touching but not.
"C'mon, asshole," Eddie says.
"I knew you'd be a brat." He whispers. He wraps his hands into Eddie's hair. "Been dying to do this."
And then they're kissing. They're kissing and it steals all of Eddie's breath and his thoughts, and it's new but it's also like they've been kissing forever, like their lips and tongue know each other, like coming home.
He whines, high-pitched and breathy, and Steve laughs, kisses him deeper, moves closer, and Eddie feels how hard Steve is, the persistent pulse of him. And shit Eddie's close, on the brink just from this, from nothing, oh my god.
Steve's hands drift down Eddie's torso, mapping his chest and his stomach, coming to rest at the laces of his pants. "These have been driving me insane," Steve breaks the kiss to say. "Been thinking about undoing them all night."
"Fuck, sweetheart, you can't say shit like that," Eddie groans.
"Why not?"
"Because--because," Eddie sputters but then Steve's lips are on his neck and he's rolling his hips for friction.
Steve's fingers find the laces again, trace against them. Eddie's legs fall open, arching into the touch. "We're going to be so late," he murmurs as Steve's fingers get to work.
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cococaffeinated · 1 year ago
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🎪A lil continuation of sorts!🎪
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Thus, started Jax's "if the gods allowed me to live one more day, I'm gonna make it everyone's problem" coping mechanism! /hj This is just a silly lil headcanon, by the way, in case that needs to be restated~
I drew a lil cameo of the other already-abstracted-folk to put a vague stamp to this period in time, which explains why Kinger here is a lil more "put together".
I just wanted to play around with the silly idea that maybe Kinger and Gangle were the first two people to ground Jax into his new normal. There's no real theory/justification behind this hc, I just love this trio so much and I noticed that a lot of Jax's frames have him between the two and thought that was pretty sweet~!
┏━✦❘༻༺❘✦━━┓ The first part's here 🎪 ┗━✦❘༻༺❘✦━━┛
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ivysangel · 8 months ago
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everyone always talks about jason/dick having pictures of you but what about you having pictures of them?? if i could do it you best believe i'd have a million pictures of jason's tits on my phone!!
-partition anon
let me take this opportunity to share what kind of nudes i think jason would take bc i've got some ideas:
okay first off, low-hanging towel selfies taken from below. you know those really thotty pics men take with their v-line showing, happy trail peeking out, and abs on display? i think he takes those when he's fresh out the shower, and there are still water droplets on his skin, and he doesn't even have to flex because his abs are just that defined. not necessarily a nude, but definitely screams "slut me out"
jerk off vids but specifically him smearing his precum all over his cock. he's got a half boner, and he's stroking it real slow, rubbing his thumb over the tip to get his dick wet. he keeps them short and sweet, lets out one low, gravelly "fuck." and then ends the vid
nut videos, but these only happen when he's in a super rare mood, and you have to practically beg him to send them. but he likes to get his cum on the camera on the moment, and he always regrets it later, but it's definitely hot in the moment
he frequently sends boner in sweats nudes because it's what the people (me) want and also because they're simple and get the point across. he's horny, and there's a log in his pants that needs attention, preferably from you
you know when gym bros on tiktok grab their pecs and squeeze them, i think he does that. and it started as a joke at first, literally just something he'd send when he was working out or getting dressed and then he realized it turned you on, which turns him on, so it ended up being categorized in the same family as dick pics and cumshot vids
also lastly, compression shirt pics also taken from a low angle just for shits and giggles.
bonus: dick sticking out of tactical pants pic!!! hand gripping the base, drops of cum on the tip. and he just sends it and goes awol bc he’s on patrol with a boner and can’t think of you and getting work done at the same time 🙏
edit: just realized you also mentioned dick i’ll just make a follow up post
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heritageposts · 1 year ago
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The Ethnic Cleansing of Palestine, by Ilan Pappé (2006, p. 72)
The rhetoric from Israel and their defenders really hasn't changed one bit, has it? Months and months of terrorizing Palestinian villages, and the moment they retaliate, it must be because the Arabs are violent Nazis set to exterminate the oh-so-peaceful Zionist settlers for no other reason than them being Jewish
And what were the Zionists settlers - with Ben-Gurion's explicit approval - doing at the time?
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Pappé (2006, p. 58)
Similarly, in the villages:
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Pappé (2006, p. 57)
Still the same playbook, 75+ years later...
Also, it's important to understand that these violent attacks against Palestinian cities and villages - and there were many more in the winter of 47/48 than the examples included here - were part of a larger, deliberate operation meant to 'drive out' (i.e. ethnically cleanse) the Native population of Palestine. It didn't matter if the Palestinians were just quietly living their life in the countryside; if they were not Jewish, they would had to go. And if the Zionists could not find a pretext for retaliation, they would make one.
In the aftermath of the UN partition, this operation of ethnic cleansing - without 'pretext' - was not only openly discussed, but approved of, by Ben-Gurion and the rest of the Zionist leadership:
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Pappé (2006, p. 64)
What we're seeing today in Gaza - with the collective punishment of 2 million Palestinians - is the continuation of this very same Zionist program of ethnic cleansing that Israel was founded on.
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bixels · 8 months ago
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I just saw one of your fave games is What remains of Edith Finch and I’m so happy! I feel like its a lesser known game but i loved playing through it. I’m so happy to know more than just my small friend group know about this game!
Sorry this isn’t a question. Also want to say that you’re art is amazing and the development of the designs is so interesting to see. Also the way you draw intimate scenes have so much emotion to them. I love the Aj and rarity kissing comic so much, you can just feel their love for each other ;w;
Thank you so much!
I highly, highly, highly recommend What Remains of Edith Finch to anyone interested in narrative game experiences/"walking simulators." It's one of those games that was handcrafted with nothing but love. Every room you explore is just... real. The way the light flows in and makes the colors of the living room, the kitchen, the bedrooms glow. Playing the game is like walking through your childhood home as an adult and seeing how the dust clings to everything you once touched. Also genius-level gameplay mechanics, ones that can make you completely empathetic with the character you're embodying or feel completely complacent in their tragedy. It's really not fair to call it a walking simulator because it's so much more and so much smarter than that.Everyone talks about the fish one.
The theme of death and memory and storytelling and the burden of invisible trauma and self-fulfilling prophecies is so affecting too. The ending made me cry.
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eretzyisrael · 9 months ago
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thequeeninyellowlace · 9 months ago
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Would you like to see what is likely the oldest existing house on Earth?
Here it is:
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It’s called the Knap of Howar, and I am in love with it. It’s in Orkney, Scotland, and it’s over 5,000 years old. It was preserved by the soil around it. The name “Knap of Howar” is absolutely fantastic, and it has a fireplace, shelves, and a bed, and may have had a front porch, because humans are always basically humans no matter how much time may pass.
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ayowotsdis · 9 months ago
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Me personally, I do NOT believe in a two state solution. I am neither Jewish or Palestinian but I DO come from a country that was part of a two state resolution done by the British and trust me, there's a lot of problems with it. And Palestinian land should belong to PALESTINIANS.
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arch-official · 5 months ago
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Hot take: Arch Linux isn't inherently unstable, YOUR install of Arch is unstable because you installed it at 1:00 and didn't understand what you were doing when you installed it.
If you take the time to Read The Fucking Friendly Manuel (scary concept I know) and understand what you are doing Arch is just as stable as other Oses such as Debian or Fedora.
If you build a house by yourself and it collapses, it's not because houses are inherently unstable, it's because you built it and didn't check to see if you built it correctly.
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tanuki-kimono · 9 months ago
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Dazzling antique furisode (probably a bridal one, or kakeshita), with busy and colorful goshodoki (all season flowers and ancient Heian court items). The hina-ningyo (dolls) are so cute!
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aromanticduck · 1 year ago
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*As in 'friendship that goes back the longest', not the friend who is the oldest. The friendship has to be ongoing to this day - don't count someone you no longer speak to.
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junglejim4322 · 2 days ago
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South Asian history is fukked in general and also incomprehensible to someone who isn’t familiar w it but then also sometimes people who aren’t south asian and are TOO familiar with it are just straight up fascists that get into bizarro eugenics phrenology type of shit. I live in hell
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mehilaiselokuva · 8 days ago
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generally i do like how finnish makes use of grammatical cases (learning about locative cases as a native english speaker blew my mind tbh, why dont we have that?!?!?!) and its been fairly easy learning how to apply them, but for some reason i just still cant wrap my head around partitive case (i.e. when and when not to use it)
Hi!
Partitive is a difficult one for sure. There are a few places where it kind of makes sense to use it at all times:
When the noun is part of an action where (currently) there is/cannot be a result. For example: I am watering the flowers = "Kastelen kukkia" VS I water the flowers = "Kastelen kukat", the focus shifts. "Tanssin tanssia" (I dance a dance (I am currently doing it, might not finish it)) VS "Tanssin tanssin" (I dance this dance (a set dance which I will surely finish))
When there is a word expressing quantity: (works a bit like English, you wouldn't say "many the flowers" (paljon kukat), you would say "many flowers" (paljon kukkia), as in you aren't specifying the flowers and in general there are many of them) (Keep in mind that if you are asking for a price with "Paljonko ... on/ovat?", you do not use the partitive. "Paljonko (nämä) kukat ovat?" = How much are (these) flowers?
In existential sentences, for example "there are flowers in the garden" (puutarhassa on kukkia), where it's a general statement that there exist some quantity of flowers in the garden VS "the flowers are in the garden" (kukat ovat puutarhassa) where the flowers are known and there is a known quantity of them. Similarly, when you are asking if something is somewhere, you can use the partitive: "Onko puutarhassa kukkia?" (Are there flowers in the garden?) and "Ovatko kukat puutarhassa?" (Are THE flowers in the garden?"
When something is fully something or the whole thing/area is something: "Kukat ovat punaisia" (The flowers are red) VS "Kukat ovat punaiset" (These specific flowers that I am referencing are red). If you want to put "Kukat" into partitive, you must turn the sentence existential; "Punaisia kukkia on olemassa" (Red flowers (in general) exist) "Tässä on punaisia kukkia" (Here are some red flowers)
As a predicative: "Olemme kukkia (We are flowers) VS "Olemme kukat" (We are THE flowers (which you are referencing right now))
Then there are some things that you just have to remember:
When referencing a way in which something is done: "hiljaa" (quietly)
When referencing a relation between entities: "Kosketin kukan lehteä" (I touched the leaf of the flower), "Otin kukkaa kädestä" (I grabbed the hand of the flower) (Compare this to the first entry on this list)
After a preposition: "Keskellä kukkaa" (In the middle of the flower) "Keskellä kukkia" (In the middle of the flowers). You could also use the genitive and say "Kukan keskellä" and "Kukkien keskellä", but you would need to flip the word order accordingly.
In some sayings and other irregular stuff (of course)
The Finnish Wikipedia article also mentions that "the place expressions kaukaa, kauempaa, ulkoa, kotoa, vastapäätä are sometimes read as partitive, but from a linguistic-historical point of view they are a remnant of the Uralic proto-language separative." which of course caught my eye.
Another thing you should know with kukka:
"Onko sinulla kukkia?" - do you have flowers?
"Onko sinulla kukka?" - do you have a flower?
"Onko kukka sinulla?" - do you possess the flower (which I am referencing)
BUT:
"Onko sinulla kukkaa?" - do you have a flower (at all)? OR "do you have [green product which I think I shouldn't mention here] ?"
If someone asks you the latter out on the street, you can now answer accordingly to your possession of said green substance!
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eretzyisrael · 8 months ago
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Source
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