#the only representation I can think of in media is of evil insane people doing it 💀

[antiyourwokehomophobia2]

I got to be so real I kind of have mixed feelings about this post, and I'm not as mad rereading it as I was the first time I read it.

On one hand, I kind of agree that doing fucked up things to a fictional character doesn't necessarily mean that you're bad.

If I write a story in which a child is put to death, I'm not suddenly in favor of children dying. The person who wrote "the lottery" isn't in favor of people being stoned to death just because they wrote about it. I write stories all the time where characters are subject to homophobia or racism or general bigotry and I'm obviously not in favor of those things. However, there's a reason some stories that deal with the same subject matter are better received than others. There's a reason that even though "Avatar: the last Airbender" was written by two white men it's not called racist like some other works by white creators that handle POC.

I feel like the idea that how you approach fiction and fictional characters says absolutely nothing about you is insane.

If you watch a piece of media and then you go to write fanfiction about the media and you give all the white characters a good, happy ending but give all of the black characters sad ones where they're beaten to death, I absolutely think that says something about you! If you read/watch media with a fictional child and immediately want to write a story in which that child is raped by one of their parents, I absolutely think that says something about you and your character! The characters might be fictional, but you are not. Your choices do not exist in a vacuum. Why do you want to produce and see media where people of color end up unhappy and/or dead? Why do you want to write a lot of non-con? why do you want to see two siblings fuck?

Even though you didn't do anything to anybody in real life, I have to side eye why you're obsessed with seeing and writing that type of content. If you're writing a rape scene just because you like it (you don't comment on it or anything. In fact, it hardly ever comes up again) then yea, I do think you're probably a bit fucked up.

A white woman who writes all of her black male characters as "big" and "manly" and "dangerous" and "dominant" is absolutely revealing something about herself through her fiction! Maybe the fake black guy isn't being objectified since he's not real, but you can't seriously tell me that the white woman who wrote him has not revealed anything about how she views black men lmao. You can't tell me you'd seriously believe her when she says she's not racist.

I mean this site in particular talks all the time about the way certain groups are portrayed by certain authors. This site will be the first to cancel authors who write marginalized people in an unsavory light. If you think the fiction you consume doesn't matter, then you can never say anything about representation mattering ever again. A black child who only ever sees white characters cannot be influenced by that because fiction doesn't matter, right? You can't cancel an author for being racist. So what if all of their characters of color are portrayed as violent and evil? If what you write doesn't say anything about you, then that author is not racist at all!

I mean, seriously. How many authors have been canceled because they wrote black characters in a way that left the viewers with a bad taste in their mouths? How you choose to treat fictional characters absolutely says something about you!

I understand that fiction is how a lot of people deal with stuff. If something bad happened to you when you were a kid, you might want to see your favorite character go through that and overcome it, but the thing is: I feel like there's a line. I feel like too many of you use past trauma to justify what has honestly just become a paraphilia. Some of you don't read media about SA because you were SA'd and are trying to deal with it; you read it because you have a 'kink' for it. Too many of you hide under "healing" when you genuinely just get off on seeing fucked up things happen to characters. It's no secret that people who have experienced trauma sometimes go on to become abusive and perverse themselves.

The things that you enjoy and dedicate time to absolutely say something about you! Whether you think it says something good or bad doesn't matter, but the idea that it just exists in a vacuum and says absolutely nothing about your character and who you are as a person is quite frankly insane!

Even if you're writing it because you're trying to deal with trauma that happened to you or you're trying to create a safe space for people who have been through fucked up stuff, that says something about your character and who you are as a person. The stories you dedicate your time to reading and writing absolutely reveal who you are. We talk endlessly about the misogyny of male writers in the past and present. If posts like the one linked were true, then it wouldn't matter if a man spent all day writing stories where every single female character of his is treated like shit and assaulted. Media would be entirely unable to be criticized because the fictional characters aren't real and thus how you treat them says nothing. If a man with three daughters wrote a story where a fictional father SA'd all three of his children, that wouldn't be cause for concern at all? It'd say absolutely nothing about him? You wouldn't side eye him? You wouldn't be concerned if a primary school teacher spent all day writing stories where children are molested? You would send your child to a school with a teacher like that and be completely and utterly okay because "the fiction you write and consume says nothing"?

Of course there is nuance, but I don't like the way this post seems to absolve anyone into fucked up fictional stuff of guilt. No, reading and writing fucked up stuff does not *automatically* make you bad, but if you're doing it uncritically and because you get off on it, I'm not gonna pretend that's irrelevant to who you are as a person.

[rotisserory]

Aventurine Is BPD Coded- Some Thoughts

Ahhh welcome back everybody to another installment of 'Rory writes a ridiculously long essay nobody asked for to shine light on characters who exhibit symptoms of borderline personality disorder so that we can learn to recognize symptoms portrayed in media that aren't just 'crazy manipulative abusive ex' and start to treat the disorder with a shred of compassion' !!

A good chunk of you follow me because of my essay I wrote on Reo Mikage from Blue Lock, my beautiful borderline princess, and I am PLEASED to announce that my essay is now the first result when you search 'Reo Mikage BPD' on Google, AND he has since been added to the BPD character database !! Saving the world one baddie at a time, no need to thank me B)

Today, I want to write something out that I've been dying to share. I think Aventurine can be read as a BPD coded character, and I think he would be able to cop a diagnosis should he go see a therapist (which we all know he CLEARLY has not done). I've been puttering around posting this because I've been spending so long on a full, all encompassing analysis of this sick blonde man, but I want to take a quick break and kick my feet over BPD Aventurine, so I invite you to come kick your feet with me!

Some context before I start:

1.) Borderline representation is extremely important to me. I've got the BPD / CPTSD combo meal, so I'm having TWICE the fun !! But seriously though, it's not easy being viewed as crazy and 'bad' all the time. Trauma disorders are rough enough as it is just to live with / overcome, but it's worse when there are books, forums, blogs, shows, ect. dedicated to hating you and talking about how evil you are. So, I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). Fans, characters, and even Aventurine himself refer to him as 'crazy' 'insane' 'unstable' which only further rang my BPD bells because he's not crazy; he's just traumatized!

2.) I’m not a psych, so I obviously can’t diagnose real people, and don’t use any of this to diagnose yourself (I don't need the scandal!) I do, however, have a masters degree in English and structured the basis of my education and published my thesis on mental health, cluster B personality disorders specifically, so I read and research a LOT. I’m confident enough in my knowledge to diagnose anime characters (lol).

3.) If you're somebody who has a weird hangup about borderlines, feel free to either not read this, or do read it and soak up some useful information! Regardless, I know Aventurine fans can have some really wild takes (/neg) , so believe what you want at the end of the day! This is just my interpretation of what's festering in that sad brain of his. You can disagree all you want to, but what we're not going to do is spread hateful stereotypes or perpetuate negative stigmas about BPD! That's cornball behavior and I will call you out for it ^-^

CW for discussion of death, suicide, self injury, and identity disturbances

Anyways, if you ask me, Aventurine has a case of Beautiful Princess Disorder, and I'd like to explain why <3 So, buckle up! This will be another long one.

First, let me define BPD: it's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. Though it's coined as a 'personality disorder', I urge you to look at it as a trauma disorder. People most often develop it when they are repeatedly traumatized during their formative years. It actually overlaps a TON with complex post traumatic stress disorder, which is why a lot of us baddies end up with both! (On that note, you could definitely view Aventurine as CPTSD-coded as well! I'm a stinky kinnie so I'll just say he's both <3) I won't preach too much on why it's so necessary to treat borderline as a traumatic stress disorder (since hopefully I'll be focusing my own personal academic research on that and I could yap for HOURS about it lol).

But when we look at BPD properly, it's evident that the basis of this disorder is that these people didn't have the opportunity to learn and foster proper emotional reactions. Because of the recurring traumatic events, sections of borderline's brains are underdeveloped as a result. They have a smaller amygdala and they have reduced volume in the prefrontal cortex, as well as other differences in brain development. I've heard it described as 'you were forced to learn some behaviors that helped you survive at one point in your life (for example, maybe fervent efforts to avoid abandonment, unstable emotional reactions, self harming tendencies, lying, mirroring, etc.,) but now you need to unlearn them, because they’re no longer helping you.'  They're trauma responses.

Aventurine shows us a perfect example of the kind of shit that would make someone develop BPD: dude grew up in extreme poverty, was constantly told he was special and he was supposed to bring good luck, watched his entire family and race die in front of him when he was literally still just a kid, was kidnapped and sold into slavery, was forced to murder roughly 34 people while everybody watched him like it was a game, probably went through several other fucked up things while he was enslaved, and then killed his slave owner and was promptly sentenced to death for it. That's...a whole lot of ridiculous trauma that would severely impact somebody's ability to mentally grow and develop correctly. The bulk of his childhood/adolescence was spent with no safety, no security, overwhelming guilt, constant fight or flight reactions, learning how to take on other personas to avoid violence or mistreatment – you get the point. He did not have a normal life and it is absolutely probable that he would develop a trauma disorder from the shit he's been through.

So then, what behaviors/signs does somebody need to exhibit to receive a Borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

As with my last post, I'm going to organize this based on the 5 immediate traits I think Aventurine exhibits most (you only need 5 out of 9 to receive a diagnosis, so let me cut to the chase and stop wasting your time w my yapping).

Fear of Abandonment:

Aventurine has a habit of wanting relationships and then pushing them away once they get too close. He also clearly has trauma associated with losing people prematurely.

First of all, let's look at Aventurine's tendency to view relationships as transactional. With the expectation that a friendship, partnership – whatever –  is mutually beneficial, that generally implies both parties will leave satisfied once the 'transaction' is complete. That’s his parting line in the game, actually! “Satisfied with our transaction, I trust?” 

That being said, he's already prepared for people to leave when they're done getting what they want from him. In one trailer (and the game) he refers to himself as "another cog in the machine known as the strategic investment department" and then says, "Your humble servant aventurine at your disposal [...] I can also play the role of ‘friend’ – if needed; Go ahead, use me as you wish, even stab me in the back if you see fit."

This is a very strange thing to say upon first meeting someone LMAO. He's speaking of himself like he's an object, rather than a person. Before the other party even says anything, he's basically saying 'hey btw if you end up disappointing me in some way, i'm already prepared for it!' Establishing relationships with the assumption that the other person will betray you/abandon you/hurt you in some way? Borderline behavior. God forbid somebody does try to break down one of these walls, we'll see Aventurine's second habit to avoid abandonment: pushing people away.

Something people don't necessarily consider is that ‘efforts to avoid abandonment’ doesn't always mean the person is on their knees begging you to not to leave them. It can manifest as someone being very flighty and purposefully cutting ties randomly/pushing people away from them so that nobody is able to abandon them. If you leave first, they can’t leave you, right? This is a very common behavior for borderlines to avoid the pain that comes with being abandoned.

The most notable moment of this, in my opinion, is when Aventurine tries to gaslight himself into thinking that Ratio really did stab him in the back during their ploy against Sunday. As we know, their fighting, bickering, and Ratio's 'betrayal' were all part of Aventurine's plan. When they leave Sunday's office, Ratio immediately asks if he's okay and if he needs help, and Aventurine is very dismissive/a little rude in his response. Ratio is confused because Aventurine is talking as if he wasn't the one who MADE this plan and TOLD Ratio what to do:

Aventurine is basically saying, "Hey babe this is not in the script we talked about! Let's stay on track, remember? You hate me, you betrayed me, and now you're leaving me!" And Ratio is like "Yeah okay but are you good? Because you don't seem good,” but Aventurine's heels are so far in the dirt at this point that he is NOT budging at all. When he's in the Trauma Maze, Future Aventurine grills him on this moment:

I get why this part confused some people; why would Aventurine think this when the plan was his idea in the first place? Because, he subconsciously doesn't want to get too attached to the idea that Ratio might ACTUALLY care about him or want to help him. He's forcing himself to think "no, that's not what he was doing, he was planning on actually ratting me out all along, he was only asking about my wellbeing to get in my head."

However, I think it's evident that Aventurine wants relationships/attention just as much as everybody else does, he just won't let himself have it. To further this idea, I think the lyrics to White Night (the Penacony trailer theme song) are worth looking at (these specifically):

I don't wanna be alone tonightOh, lead me with your altered signThere's no one else left for me to loseHeadin' to the other side, other side

I don't wanna be alone tonightI'll bring you to my best disguise'Cause you don't need, don't need to know the truthLet me rave forever in your life

The song is obviously about Aventurine when you look at the lyrics, but these lines in particular just further my point that this man does NOT like the fact that he's alone. He wants relationships, he wants closeness, but he rejects it at the same time out of fear that he might lose somebody prematurely again and doesn't want to experience being abandoned or being rejected for his personality (his real one or his fake one), which leads me to...

Unstable Self-Image; Struggles With Identity or Sense of Self:

The shift from Kakavasha to Aventurine screwed this guy up REAL bad. A MASSIVE part of Aventurine's character, in my opinion, is his struggle with his identity/sense of self. I mean, he literally had to kill off who he used to be in order to live how he's living now, and he didn't have much of a choice in the matter. Jade sums it up pretty well when Aventurine is sat before her on trial: 

Aventurine joining the IPC comes with the price of...well, becoming 'Aventurine'. Since I'm clocking him with a BPD diagnosis, the identity disturbance would have probably happened before this moment, and I think it did. I'll bet it started festering after that first massive traumatic event where he watched his family die and tried to rationalize how that was possible with his 'good luck' (since that was really the only consistent idea he had about himself), and it probably only got worse when he became fixated on the fact that whoever tf he is, he's only worth 60 copper coins (did the math – that's about $3). That's gotta cause some massive identity issues. He's coined as this ‘good luck charm’, this ‘blessed child’, a ‘beacon of hope for the Avgins’, and somehow, he ended up in the absolute worst situation possible while simultaneously dooming all of the Avgins (obviously not his fault, but he thinks it's his fault).

When Jade tells him to pick a new identity, ironically he picks one that is everything he probably grew to hate after his childhood/adolescence.

Associating with the wealthy? The rich were the people who paid to brand him and enslave him. The IPC? Promised to help the Avgins but disappeared when the Katicans invaded, then came back and kidnapped him to sell him as a slave. Now he's both wealthy and a part of the IPC, and you have to wonder how he truly feels about it. We'll look into that more later. Regardless, he's not really 'free' now, even if he isn't technically owned by a master anymore. He's chained to the IPC because this is life now; this is his identity. Where else would he even go? What else would he do? (Die, perhaps?) It's not like he can go home, or go live a peaceful life out on the countryside somewhere. He made 'Aventurine' his entire life and his entire personality. On that note, I really like this quote from his third character story:

“The aventurine, that symbol of power and of the future, is about to be officially handed to him — Yet it would have no more allure or value in his eyes as soon he obtains it, even though he had sought it by putting his life on the line.

He returns to his office in a daze. The aventurine stone emits a peculiar glow on his desk, seemingly congratulating and mocking him at the same time."Was luck truly on your side when you wrestled with fate?"”

Did he really luck out with this one? Comparatively, of course, this is better than his life as a slave, but he essentially just traded his rusted chains for golden ones. Becoming Aventurine might wind up bringing him a lot more pain than it was worth. 

Also, the outfit he chose? Covered in gold, fur, and jewels, all materials that somebody who knows nothing about being rich would assume rich people wear in excess. It's evident in his tacky taste (sorry honey I love you so much but the hat is just crazy work you look like a pimp) that he doesn't know anything about how to dress himself. And I bully him for being tacky but it makes sense! He dresses exactly how you'd think an out-of-touch billionaire would dress. Back to his sense of identity: it's very important to establish that Aventurine feels guilty about taking on this persona! That's all 'Aventurine' is: a persona. If he were to die tomorrow, the IPC would dust off that stone and give it to another bozo who would end up being the next 'Aventurine'.

While he didn't initially develop this personality subconsciously and it was a 'choice' to start playing this role (not that he had a plethora of alternative options), the perpetuation is damaging him mentally. He does a good job of keeping up the act, obviously. This theme that his entire personality is just one big act is overarching through the entire Penacony quest, but there's one moment in particular I really liked: when Sparkle is being a jerk and he has this offhand comment about how he's so frivolous, vain, and flashy, and how he'd hate to live anywhere where it rained since his outfit is too expensive to get wet.

Then, we have this interaction in the maze: Future Aventurine brings up the memory of him and his big sister playing dead, floating in bloody water to avoid being killed by the Katicans when they attacked. He mentions that it was his father's shirt, the last one his father left behind before dying, and that it was ruined. Aventurine says it wasn't ruined, and he's always kept it. (I wonder if that's the shirt he wore during his time enslaved?) Future Aventurine grills him and asks ‘why keep it? This new person that you are would never wear something so dirty and old. 'Aventurine' wouldn't want that old rag, it's not worth any money. 'Aventurine' would never splash around in murky water like that; he wouldn't need to.’ Nobody is hunting him, now he's the hunter. Future Aventurine makes the snide comment that he bets Aventurine wouldn't even dare to go outside in the rain, let alone do any of the things Kakavasha had to do, since he's so much more elite now. Aventurine, clearly hurt by the implication, says that even after all this time, he's never changed.

Of course, he hasn't. Deep down, no matter how much he tries to trick himself and everybody around him, he's still the same scared, traumatized boy he always has been. His future self chastises him for having an inferiority complex and mentions that with every gamble he makes, he has his left hand shaking in fear behind his back.

But the constant pull to push Kakavasha down and keep up this act that 'Aventurine' is the real him obviously perpetuated the identity disturbance in him and made it a hundred times worse, to the point where (as Future Aventurine points out) the hole he's dug is basically impossible to climb out of.

Because of this, I interpret Aventurine to constantly be struggling with his identity, not knowing who really exists under all the masks he wears, not knowing if he or anybody around him will ever figure it out. I imagine he feels very empty and unfulfilled, since as I mentioned in the abandonment section, he doesn't want to be alone. But the higher he climbs on the social ladder, the further he can separate himself from other people. This is a classic issue borderlines face. We masquerade as something we think the people around us will like, someone WE might like, but it always ends up leaving us feeling more empty than before.

(This is just an added bonus to chew on, but I got stuck on this line when I played through Penacony:)

Do you think once he became Aventurine and got the money and the resources, he researched toys that normal kids play with? Fancy ones like building blocks, stuff that he would have never been exposed to as a kid? Obviously baby Kakavasha would not know wtf building toys looked like, and I'm sure teenage Kakavasha didn't have the opportunity to browse toy catalogs. But, he recognizes the toy even though he says he's never played with them before. Maybe he considered buying it but decided against it, since it doesn't fit his new persona. Kakavasha doesn't exist anymore, so there's no reason to nurture that part of him. Anyways, just wanted to hurt y'all a bit more. Speaking of hurting ourselves:

Impulsive or Self-Damaging Behaviors + Suicidal Behavior or Self Injury:

I'm combining these two because my points kept blending together, so bear with me lol.

Aventurine is known for being incredibly reckless and putting himself in the path of danger over and over again. When discussing how he tricked Sunday with the Cornerstones, Future Aventurine asks:

I want to exaggerate how crazy it is (i can say that i'm also a bpd baddie) that he smashed his Cornerstone. I don't think a Stoneheart has ever done that before. Their stone is what makes them a Stoneheart. Ratio mentions that without it, Aventurine would be back to being nobody. Remember: that's what makes him Aventurine. You know, the persona that required him to kill off his former identity? Their Cornerstones are more important than the Stonehearts’ lives, as stated multiple times. But that's just it: Aventurine doesn't GAF about his life. He doesn't mind putting his life on the line to pull off his plan because he has that deep-rooted desire to punish himself for everything he thinks was his fault. He gets called out for gambling with his life multiple times during Penacony, and while most of the time it's reduced to him just being crazy (cough, bpd) or just having a severe gambling problem. Extremely hot take, but I think he gambles literally as another way to hurt himself. I mean, look at what he says when you ask about his hobbies:

"There's no denying it, my fascination is with the game of chance... be it the exhilarating rush of triumph or the extensive emptiness that follows, both are worth savoring, time and time again."

Being impulsive and risky, betting his life over and over –  it makes him feel alive. He knows the end result will hurt, that he'll have to face that 'extensive emptiness' and the extreme guilt he feels regarding his continued good luck, but he does it anyway.

Speaking of betting, his bets are always 'all or nothing', seemingly every time. Future Aventurine calls him out on always risking everything with every gamble, asking:

"Do you truly believe the greater the risk, the greater the reward?"

Or...do you just not care what happens to you? He doesn't need to risk a lot; he's never lost. He could bet the lowest amount and still win every time, and make a lot of money depending on what everybody else bet. In fact, that would actually be a better strategy in gambling (poker/black jack specifically), because it would insinuate that he's not very confident with his hand and prompt the other players to bet higher, assuming that they'll beat him.

I imagine he gets a shred of dopamine betting everything he has knowing that he'll probably win, but hey, who knows? Then after winning and multiplying everything he has, I imagine that 'extensive emptiness' that he refers to is the feeling of 'oh good, more money. More status. More success. A reminder that no matter what I do, I'm stuck here in this role forever.'

For some reason, he also thinks that taking risks makes him appear more confident and secure. He makes a show of always keeping up the big bets and he boasts about how successful he is, while clutching his hand behind his back thinking 'oh god, is this it? will I finally lose this time?' He brings this up when he's speaking with himself and he says, 'How could a weak person take such daring risks?"

Oh, the delicious irony.

That raises the question, though: if he wants to die so badly, why hasn't he yet? It's not like he had an easy life. He fought very hard to stay alive, so why does he act so recklessly now?

I think at his core, he's scared. Dying is scary. His family is there in the afterlife; would they be disappointed in the person he’s become? At the same time, being alive is exhausting. The constant emotional pain this guy probably deals with every day? It's gotta be heavy.

His behaviors around suicide remind of a classic passively suicidal person with BPD: maybe they don't necessarily want to die, but they're tired. They don't have an active plan, but If something is going to kill them, they're not going to move out of the way.

So, carrying out his Penacony plan makes sense. Of course he’s not completely sure what will happen when Acheron kills him, but because he doesn’t have anything to live for, he’s fine gambling with his life. He makes a show of finally throwing out every last chip, too, no longer clutching them under the table in fear. He was fine with smashing the Aventurine stone because it's not like he was planning on using it after his final show; the little bit of power it had left in it was more than enough.

That being said, we do have to address this little number:

Aventurine attempted several times in Penacony, he admits it flat out. The writers even went sofar as to bold this line specifically! I think this does also go hand-in-hand with him being passively suicidal, since he's pretty sure he'll live when he attempts in the dream, but he's gonna try it SEVERAL times just to be sure. Mentally healthy people wouldn't try it... once, Aventurine!

As if we needed more evidence that Aventurine constantly puts himself in danger, you know I HAVE to mention...the light cone:

n case you haven't read the description for this light cone, let me share it with you:

"You don't believe me?"He (Aventurine) provocatively looks at the man (Ratio) before him, then draws out a revolver, empties its cylinder, and leaves a single shot in the chamber.

"Seems like I'll need to get you up to speed on how I do things if our cooperation were to remain amicable."He pushes the gun into his opponent's hand, spins the cylinder, and points the barrel to his own chest.

He pulls the trigger repeatedly, and the smile on his face remains the same after three empty clicks."Life is a grand gamble, and I'll always be the final victor."

Now what the HELL is this? Mind you, this is the first time Ratio has met this man!!! Imagine you meet your new mission partner for the first time and he puts a revolver in your hand and fires it thrice, then leaves. WHO does that? (...a baddie, perhaps!)

I don't think it's a secret to anybody who has spent a reasonable amount of time around Aventurine that there's something off about him, and that there's a really deep sadness running through him. There's some instances where other characters mention his passive desire to die – A few quick examples I can think of:

The instance in Story IV with Opal:

"Maybe luck won't be on your side this time, and the bill for all your past good fortune will come due [...] But isn't that what you've been longing for?"

Opal implies Aventurine wants to fail on Penacony, which, as we've discussed, is an accurate assumption. Jade says something similar after Aventurine's stunt: when Topaz says the light in his stone went out, Jade replies by saying "he got what he wanted."

Also, I’d like to point out that Ratio must have been anticipating that Aventurine would do something rash, since he wrote that note (doctor's advice) long before he started grilling him after the meeting with Sunday.

It's also worth noting the nod to T.S Eliot's "The Waste Land" (a very long poem about life and death). You get the achievement Sibyl, What Do You Want? after playing through the past of Kakavasha's life, and once you defeat boss Aventurine, you get the achievement She Replied, I Want to Die. I don't think that one needs an explanation, but boy does it hurt! (There's other, smaller nods to him being suicidal, like the Waiting for Godot achievement – Google the story if you're unfamiliar. Not as relevant, but I must mention it bc it makes my english major brain go brrrrr)

Also, overspending/gambling/being loose with money is a very common vice for borderlines to indulge in and harm themselves with. It's also implied that he drinks a decent amount. I counted 6 bottles of SoulGlad in his hotel room just from the angles I could see, and he's shown to be passed out at the bar when Ratio goes to get him before they go on their little date-I mean, mission. Aventurine says 'he must have drank too much', and whether or not that was true is irrelevant since it was a believable enough claim that Ratio bought it.

Borderlines are (usually) self-destructive in some capacity, and while some very annoying people assume it's for attention, it's so much more common for it to be because our inner emotions are just so out of whack. Sometimes, matching the inner pain with outer pain is a way to cope. They might also do it to try and combat-

Constant Feelings of Worthlessness or Sadness:

Probably the most nagging, prevalent feeling Aventurine deals with is the constant feeling of worthlessness. One thing about this man? He hates himself. Like, really hates himself. Take a look at the missions during his maze in Penacony. This one is one of my favorites:

It doesn't get much more on-the-nose than him calling himself a selfish, useless loser. He gets stuck on that word, in particular. Loser.

Aventurine, at his core, views himself as a massive loser. Is that ironic because of how much he wins? Not really. Money and materials are just part of the Aventurine persona. He's 'rich' in stuff, but he's not rich in what he actually wants. I think it's obvious that if he had the option to quadruple his wealth or see his sister again just one more time, we all know what he'd be picking.

The only thing he wants is connection – connection with his mother, his father, his sister, anybody at this point – but he can't have it. His family has been dead for a long while, and as I discussed before, his fear of abandonment and his luck scare him away from forming any other relationships. 

This luck, this destiny to be blessed, leads him to reflect on his life a lot and wonder what the hell the point is. He treats himself like some sort of walking curse, because he's convinced that his luck is bound to hurt other people. Every time he wins, somebody else loses. The luck that keeps him safe destroys everybody else around him. As Future Aventurine puts it:

His luck is "built on the pain of someone" else. This perpetuates the constant feeling of guilt, which in turn, makes him feel worthless. Why is it him that's spared every time?

Then, right before you start his boss fight, Aventurine says,

"The architect's flawed stone, of no value at all."

Some people speculate he's talking to the MC when he says this, but I can't help but assume that he's referring to himself. Even if it was directed at the MC, so much of what Aventurine says in his bluffs and boasts are just digs at himself. He's sort of an expert at hating himself, and what do people who hate themselves do if not project? Especially when you consider the fact that aventurine is actually a really cheap, undesired stone. It's like $3 a caret and mostly only used to rip people off and pose as jade. I really don't think it's a coincidence that his character is based around a stone that is, essentially, worthless.

The way that Aventurine is also prone to giving people ridiculous amounts of money/gifts can be read as a frantic effort to keep relationships going and prevent people from leaving him (relating to my points on both his feelings of worthless and his fear of abandonment). He has a skewed view on relationships, since the only value that's ever been associated with him is monetary value and that of his 'luck', which in every context is spoken of as an asset to benefit people he cares about. His sister told him that his luck was 'the most precious wealth' of the Avgins and Jade sees him as an investment that can bring her more wealth because of his luck, but he views it as a massive burden that ends up wrecking everybody around him. So how does he prove to other people that someone as worthless as him should be allowed a seat at the table? Deep down, he thinks that he's still worth 60 red copper pieces, and he's desperate to show other people that he's worth more than that now – even though he doesn't believe it at his core. With all the money he wins now, he can throw it at people and say 'look, look how much money I'm worth now, you want me around because I can buy you anything you want, that's a useful quality in a friend!'

(I did use the 'seat at the table line' as a nod to what his slave master said to him when they were discussing his worth: "Don't forget your place, slave. You're not qualified to be at the table." Which is, painfully, what Aventurine says when you open up chests! He scoffs and says that "it's hardly enough for a seat at the table." :’) )

There is also, of course, Aventurine's overarching struggle with finding purpose in his life. We see a lot of his existentialism during his trauma maze, but at the end of his trauma maze, Future Aventurine finally stops ripping Aventurine a new one and is vulnerable for a second, saying he doesn't understand what he's ever done wrong to have suffered as much as he has.

Then, when he's in the Nihility and he's speaking to Acheron, making the decision on whether or not he even wants to keep going, he asks her:

As I said, he has this conversation with himself in the maze as well, but here he's actually being vulnerable and speaking to somebody else about it: what's the point in being alive if we're just born to suffer? If nothing else, this solidifies the emotional struggle that Aventurine is constantly having. I also think it furthers the idea that he has this nagging sort of emptiness inside of him which is another BPD trait: the feeling that you're empty at your core, and you're constantly trying to fill it with things (friends, money, substances, whatever) but nothing ever works. You worry if anything will ever make you feel 'whole' again, and pair with the the identity disturbance? You're left with a constant feeling of despair.

Other Points:

These are a few other random thoughts I have, inspired by in-game moments but I'm taking them for my own evil fiendish BPD narrative. Take them with a grain of salt.

I think the stigma he gets around 'being crazy' is really BPD-coded. Separate from the ridiculous discrimination he gets for being an Avgin where people assume he's a liar and wolf in sheep's clothing (which can this man catch a SINGLE break jfc), he also has this reputation of being crazy, insane, manipulative, cunning, and someone you want to avoid, which is more rooted in his reckless gambling habit and status with the IPC. Living with this reputation of being insane and unstable for...lowkey no reason at all? Very BPD coded. I think Aventurine leans into that stigma to keep people a certain distance away, but it also just ends up making him hate himself even more.

Also, his entire mantra is "all or nothing", which always rang my BPD bells as well. There's not a lot of gray area with him, which is a key trait in borderlines as we often display very black-and-white thought patterns.

In Conclusion:

I think Aventurine is a borderline princess <3

No but actually though, Aventurine is extremely smart, witty, funny, generous, and very kind-hearted, and he also happens to have a lot of BPD symptoms :^) I don't think it does any harm to view him as BPD-coded; in fact, I think it's great to associate positive, fan-favorite characters like this with BPD because it helps to humanize us. Borderlines are not violent, crazy maniacs, they're people who have been severely traumatized and developed some unhealthy habits because of it. They deserve love, respect, understanding, and communication, just as everybody else does.

If you actually made it this far, thank you for reading! I hope I was able to shed some light on Aventurine and his Symptoms. And, as I do in all of my BPD posts, here’s your reminder to kiss the borderline baddies in your life and tell them they’re important to you :^) Living with BPD is exhausting and I know I speak for all of us when I say that. We try so hard every day to stay positive and regulated, and though rewarding, it's exhausting and very hard work. Nothing makes us smile more than some recognition that we're trying our best !!

Till next time xoxo (and shout out to @roxirinart for helping me edit this monstrosity mwahhh mwah)

[sleepygremlin11]

The reactions to Miquella as a character is honestly so telling about the broader souls gaming community. I mostly mean on Reddit because I am like 90% straight cis Reddit guys couldn’t analyze a evil character with any sort of benefit of the doubt. TLDR at the bottom because I’m a hoe who loved to ramble…

I’m not gonna pretend that I have a perfect grasp on Elden ring lore, so if anyone notices anything like crazy wrong with this feel free to let me know. But, from what I have seen on YouTube and Reddit people are desperate to make miquella out to be the most evil mf to ever exist in a video game. In all of the analysis I’ve seen of him as a character. People don’t seem to want to acknowledge that he’s probably mentally stunted from his curse. Like be so for real 10-year-olds are the most evil motherfuckers to ever exist, being stuck like that for hundreds of years, would drive anyone to a little bit of mass genocide. People also don’t want to see that he had majority positive intentions, and if you’re looking at it in a way that acknowledges that he’s probably despite his actual age only thinking with the mental capacity of a young child, the sort of black-and-white morality that he used in his campaign is completely fitting for a kid of that age. I think dudes on Reddit just are all not allowed within 60 feet of school so they’ve never interacted with children before, but I think if I asked my cousins that are that age they would solve a corrupt world they would say they would force everyone to be nice if given the opportunity.

Also, please take a second to consider the situation he was raised in before you make judgments on him just being a completely morally black character. Marika is absolutely insane from what we know of her, and wouldn’t you know it? So much of what Miquella does is similar to his mom. But he also leads with intentions to be better than her and a more positive force broadly. anyone who has played Elden Ring can and should tell you that the setting of the game is absolutely grim dark. Most of the characters you meet want you dead and if they don’t want you dead, they will probably end up dying by the end of the game. Even in the games happiest endings, the end is still bittersweet and nothing is really fixed. particularly because that’s just what the souls like genre goes for in it’s messaging.

I don’t want to make baseless accusations of homophobia to an entire group of people and a fandom that is admittedly accepting for websites that tend to be cesspits of homophobia and transphobia. But I feel like despite They being similar intentions and results Rahni does not get as harsh of a reaction as Miquella does. I firmly believe that this is because he is one of the few queer characters that we see in any soul games. It’s of course not great that the one aspect of queer representation is an incest pairing where one of them is getting molested. But I would still categorize him as a queer character. I think with a het pairing people would be more willing to make the relationship seem less predatory, but because it’s a queer relationship and Miquella is admittedly a bad character, people don’t look at their relationship with any sort of nuance. Radahn and Miquella are not the only examples of incest in Elden ring, and I think it’s also very common for stories based on pantheons to have incest. That sure is weird as hell, not a good thing, and it’s weird as fuck in my opinion. But it’s common in these stories. This could just be me being naïve, but I have never seen such a harsh reaction to a couple in media even when discussing other similarly, toxic and abusive pairings within media.

Idk if anyone’s willing to share their thoughts on this, I am more than happy to talk in the comments, so please let me know what you think 🥺

TLDR: Miquella is an evil but well written character and his actions make sense in the story. Fandom should not regard him as harshly as they do. Especially on sites like YouTube and Reddit, which are adorably dominated by straight cis men. I think part of the reason fandom reguards him so harshly in these communities is because he is a canon queer character. It’s also two in the morning right now when I’m writing this so this probably makes no sense and I’ll delete it tomorrow. 





[fnafs-ex-boyfriend]

Why shipping aroace characters is different

So I made a post a while back about my distaste for Vivziepop, the creator of Hazbin Hotel/Helluva Boss. One of the things that I mentioned in that post was that I disliked how callously she treated the shipping of Alastor, her aroace character (note: he is indeed canonically aroace, Vivziepop confirmed that he was ace and an artist on the show clarified that he was aro as well, which seems to be the implication for the character from Vivziepop and her team). I had a few people regard with confusion, asking what the difference was between shipping an aroace character and shipping, say, a straight character in a gay ship. There’s a key difference that I want to cover for my well-meaning allo (not ace or aro) friends. (Note: I definitely have different standards for QPR shipping and friends-with-benefits shipping aro and/or ace characters, but if I see ANY allo people using QPRs without knowledge of how they actually work and use them as an excuse to ship an aro character….i will find you)

The difference that I, an aroace man, have in my mind is that Aroace characters should not be shipped in a traditional way because we have so little representation in the first place. How many gay people have you seen in media? How many bisexuals? How many lesbians? There are numerous examples of these more common sexualities all throughout popular media. One reason why this kind of representation is more popular is mostly due to two factors: One of which is, obviously, that the three listed are more commonly known by the populous, thus are guaranteed to get a better reaction from a widespread audience. The other reason to this is that aro-asexuality has to be represented differently than other orientations. With most orientations, if a creator wants to properly represent their identities, they will put the character in question in a relationship with someone of the same gender as them (Amity from The Owl House or Jackie from Star Versus the Forces of Evil), or they will give the character a chaotic realization-to-coming-out storyline, often tied to a romantic relationship (Nick from Heartstopper). However, with aroace people, you can’t really adhere to this traditional standard, as the entire point of the orientation is a lack of interest in sex or romance. Therefore, they tend to be harder to represent other than giving them a full storyline about their sexuality (Isaac from Heartstopper) or their orientation must be made clear by the creator (Lilith from The Owl House). These factors make aromantic and/or asexual characters quite rare in popular media.

What does this have to do with shipping aro-ace characters? Well, I can name countless well-represented gay, lesbian, and bisexual characters in popular media. But for aroaces, there’s really only a handful. It hurts to not see yourself in media. And, from my perspective, when people ship aroace characters, they’re callously disregarding that fact by ignoring their canon sexuality. Shipping Percy Jackson with Grover or whatever isn’t taking away from straight representation because, well, reread the first half of that sentence. Additionally, never, EVER have I seen people defend people who ship lesbians or gay men with a character of the opposite sex the same way they defend shipping aro-ace characters. Amity x Hunter is a famously reviled ship in the Owl House fandom due to this very fact. What’s the difference between shipping a character who, by definition, isn’t attracted to men, and shipping a character who, by definition, isn’t attracted to anyone?

Anyway, as a media enthusiast, I just wanted to share my thoughts, because this drives me insane when I see things like this. Well-meaning allo shippers, nothing against you, but please try to think about what you’re doing to marginalized communities before doing anything.

Sincerely,

The Number One Annoying Asexual Fandom Guy

[coyotefang1987]

Flower Symbolism in Trigun

Okay so I've been going insane in the last few hours since the new episode of Stampede and I needed to share my very incoherent thoughts.

So here we go: (please excuse my grammar, I'm typing this up in an absolute craze)

Please note, there are major spoilers here

[Plant in context to Trigun will be capitalized btw]

I want to start off by pointing out the whole idea with calling the creatures that Vash and Knives are as 'Plants' and 'seeds' in the first place--that in itself is so much. Not to mention Noman's Land is a desert plant with little to no flora at all.

The idea and symbolism of life and rebirth presented with the idea of plants. Like how flora are usually the first type of lifeform to come back post mass extinction events. How plants are primary producers in the food chain, how life couldn't be sustained without plants giving up oxygen, food, and converting the sunlight into energy/sugar. Despite being giant moth flower humanoid creatures, the Plants in Trigun are doing essentially the same thing. Except they aren't renewable and they might also be sentient.

In addition to that, in media, seeds are usually a representation of hope. And in this case, a seed pod carrying the hope of humanity. I've been likening it to dandelion seeds. I don't think our group of guys were the only space-fairing fleet that was sent out from Earth.

I don't know how much of this symbolism is intentional and how much of it is completely accidental, but boy howdy is it there and am I going to eat it up.

Geraniums!

First off, the most obvious one is geraniums. The flower is very much thrown into our faces. What does it mean?

Okay so there's like 400 types of geraniums out there, they're not like a specific species- and when people say 'geraniums' it usually also includes pelargoniums which are a different genus. But you're not here for me to monologue about flower classification-

Well, operating under the assumption they're using the most common type of red geranium, which, funnily enough is not a geranium but rather a pelargonium. Pelargonium x hortorum. Commonly known as zonal geraniums or garden geraniums. I don’t know if I even need to expand on the idea that Vash and his story (and the Plants in general) are represented by geraniums. If the red coat wasn’t already a giveaway, I think the newest episode definitely makes it very clear. Well, first off I think it's interesting that they’re not ‘true geraniums’ (different genus, same family). Like how Vash and Knives look human but aren’t ‘true humans’.  

(Did you know geraniums can reproduce asexually via their roots by just…sprouting a new plant? It’s called clonality. Anyways yeah, I’m too lazy to expand on it but there it is. You can probably see the connection I'm trying to draw here)

Furthermore, let’s look a little bit into what geraniums represent. So according to the vast knowledge of the interwebs (I will put the links I used at the bottom.) geraniums are “attributed the powers of love, peace, healing, elegance and spirituality. They mostly have desirable symbolizing meanings, including fertility, health, joy, protection, frustrations passing away, and true friendship.” Red geraniums in particular are attributed to protection and ward against evil., spiritual beings and saints. “The geranium flower was a symbol of prosperity in Egypt, longevity in Japan, and immortality in China”. *Stares at Vash and Knives*. Gods…immortality…saints. Alright Nightow, I see you.

Look, I’m not done here. DURING THE VICTORIAN ERA geranium took on a slightly more negative meaning. Envy, deceit, folly, foolishness and stupidity. Although they were also seen “as ‘horticultural bourgeoisie’ and a sign of ‘crudeness and thoughtlessness of taste’. Geranium became a symbol of industrial mass culture.” This was probably unintentional (and if it is intentional, holy fuck.) but the idea that Earth in Trigun was destroyed by the folly of humans because if mass industrialization? Hello???? OKAY.

There’s just so much history with geraniums. I’m STILL not done. Let’s talk a little about geraniums and Christianity, yeah? You know, the thing that Trigun is chock full of symbolism of.

So first off, tradition. (I am not Christian, nor do I know much about Christianity, I just did some research on the topic so feel free to correct me.) I do believe there is a tradition to buy and gift red geranium on Good Friday? (I can’t find a very credible source about this, just some blog posts so idk) And the red is to represent the blood that Jesus sacrificed for the people. How he was beaten and bloodied because of his love for the people. How…he was given a purple cloak that turned dark with blood while he was mocked. 

Sound familiar?

Do we want to talk about Vash’s red coat turning black in the latest episode? Or maybe how traditionally dying Plants are red and healthy ones are blue? But Vash keeps himself covered in red?

Now, here’s an interesting fact. Did you know, wild geraniums look very different from the ones people like to commonly grow in their gardens? This is the spotted cranesbill (Geranium maculatum), the most common wild geranium. Look, maybe I’m stretching it here, but cultivated Plants vs independent Plants, anybody?

Anywho, not the point I was trying to make. Did you know another common wild geranium is called the Saint Robert’s Geranium? Robert’s? While no one really knows who the ‘Saint Robert’ the flower is named after, it has a very fun symbolism. Check this. The seed pod of this flower supposedly looks like the beak of a stork, which had people believe that they could help a couple who wish for children with fertility when used as an amulet and placed under the bed. cough Ep 11 pregnancy scene cough. Apparently, medicinally they’re also used to staunch blood flow from wounds. Despite that, in certain regions, it was seen as an ill-omen plant associated with death because snakes would often hide in its leaves. Snakes? Like…in Adam and Eve? Like as in temptation? As in Knives and Vash?

Okay last bit on geraniums. Just a little on the colors. In episode 11 of Stampede we see the giant plant root monster thing blooming flowers. I have assumed that they are black geraniums, aka Geranium Phaeum 

aka mourning widows. Of course, I could be wildly wrong but the meaning of this is fun so hear me out. While there doesn’t seem to be a direct meaning for black geraniums, we can clearly draw some conclusions on the common name for this flower. Like seriously, mourning widow? They’re also known as dusky cranesbill and black widow. Obviously associated with death (and grief?) and apparently maybe marriage??? Doesn’t help that geraniums can be considered a traditional bridal flower too. I think they’re also associated with melancholy. Anyways, on the other hand, blue blooms usually symbolize calm and peace while purple blooms symbolize royalty, accomplishments and admiration. 

So in context to the blooms we see at the end of ep 11, grieving for the loss of someone (Rem, his memories), rising to his Plant roots (haha get it?) and being ‘at peace’. 

HEY LET'S TALK ABOUT DOGWOOD

So I remember reading somewhere that he’s named after a singer or band or something but– His name is so close to dogwood that I could not pass it up.

Dogwood is a blooming tree that seems to have a representation in Christianity. There’s a legend about the tree and Easter. So apparently, the cross that Jesus was crucified on was made from Dogwood, because of such it was cursed and blessed. Cursed to be small so it can’t be used to make another cross but blessed to bloom beautiful flowers at Easter time.

The flowers of the Dogwood trees always bloom with four petals, like a cross, the center like a crown of thorns. Each tip of the petal is indented like it's been pierced with a nail and discolored like it was stained with blood. So goes the story. 

I think it's interesting that Wolfwood’s name is so likened to this flower/plant and I don’t believe this is unintentional. LIke it’s right there. Cursed by the Eye of Michael to grow too fast, blessed to be strong and hard to kill. Is/bears the cross that brings Vash to Knives in the end. 

Lilies (and other Flowers)

So, I personally think the plants look a lot like lilies. And lilies are commonly attributed to the virgin Mary. They typically represent purity, innocence and rebirth. They are often gifted at mourning flowers as well and are one of the most popular flowers at funerals.

Either that or the blue-eyed Mary flower, which has less meaning attributed to it other than its name.

Anyways, that's all my thoughts for today. Thank you for reading all the way down here if you make it hehe

If people find more flower symbolism or have thoughts please let me know, I want to hear them!!!<3

Geranium history and meaning: https://www.pansymaiden.com/flowers/meaning/geranium/

Geranium and Christianity: http://www.whispersofhismovement.com/2012/04/05/geraniums/

Mourning Widows: https://gardenersapprentice.com/gardeningtips/mourning-widow/

Dogwood story: https://www.plantmegreen.com/blogs/news/easter-and-the-legend-of-the-dogwood-tree#:~:text=According%20to%20the%20story%2C%20it,cursed%20and%20blessed%20the%20tree.

Lily meaning: https://www.townandcountrymag.com/style/home-decor/a39982524/lily-flower-meaning/

[thefandomenchantress]

A new Disventure Camp episode came out today!! I figured now would be a good time to list some of my thoughts. Not only on this episode in particular, but also on Hunter's whole situation.

I mostly liked Ashley this episode, which is good since it was her last, but there's this one point in the episode that bothered me a lot, that being how she blows up at Jake and Ally for not getting along...And then just immediately forgives Jake the next scene when he gets sad?

I don't care if they make up, that's not what I'm getting at, but I really wish Jake would've apologized and said something like: "I'm sorry, Ashley, you're always so supportive and I just keep messing things up. I--I should've blown up at Ally like that-" and then have Ashley forgive him. As it is, I got some severe whiplash by how it seemed like Ashley was having a falling out with Jake and Ally, genuinely being mad at them, only for that to just be forgotten a few minutes later. I understand that Ashley is a forgiving person, but it seems too extreme even for her to just forgive him without him doing anything but complain about Tom being close. That's just what I think, though.

I really liked the rest of the episode, besides that small nitpick. I was worried I wouldn't like Gabby as much if she became evil and a legitimate threat, since I liked her more cartoony demeanor. Luckily, my worry was misplaced, because Gabby is just as silly as ever, even if she is trying to be evil. She literally said she was going to make a costume with a cape and mask to be evil in like she's a Scooby-doo villain or something, I love her so much. Then again, Yul did say she was a "Tumblr girl" so maybe it makes sense that I like her haha. While Gabby is a threat now, the writers don't try to make you take her super seriously, which I appreciated. Non-serious villains are always my favorites.

Sadly, I got Ashley's elimination partially spoiled for me (someone replied to a comment I made on the YouTube trailer for the episode, saying something along the lines of, 'yeah she goes home :)' to someone else in the replies who speculated she would. The downside of your comment becoming popular I guess). But I still liked it and genuinely considered that the person might've been lying when the elimination ceremony started. That was a pretty good subversion of expectations, I really thought Aiden was a goner.

I've never been a big fan of Jake, and while I'm not desperate for him to go home...I'm kind of over him, if I'm being honest. I know he's supposed to be flawed and partially unlikeable, but personally I just can't deal with all his bullshit, it stresses me out. I've never been too invested in TomJake, so all that nonsense this season hasn't been too fun for me, I'll be honest. I understand why people like it, but it's just not for me, I suppose. At this point I'm thankful James got out early, so that at least there's no drama between him and Aiden (yet). Most of the relationships this season are going downhill, haha. Except for Ally and Tess (please bring the polycule back I miss it it's one of the only polycule representations I've ever seen in media PLEASE--).

(Now starting the Hunter section. if you don't want to hear my insane ramblings about him, turn back.)

...I don't know when I'm going to make another post about Disventure Camp so I'm gonna vent about Hunter here, too. He was technically mentioned this episode, so it's totally relevant that I talk about him, right? Right.

Hunter was my favorite in season 2. I honestly don't know why, since he's pretty bland all things considered. Usually, I like the zany characters. I think it was him repeatedly failing to befriend Tess that pulled me in, since I can never resist a...Boyfailure? I think that's the internet term for it.

But this season I was just...NOT into his characterization. And as far as I've seen, I'm in the minority with that opinion, since I've seen a lot of people say they like him more now. The main line of reasoning I've seen is, "He was boring in season 2, and I liked him better in All-Stars because they gave him flaws."

And...I don't agree. I'm fine with them 3-dimentionaliszing his character, I agree that he was pretty flat before in terms of characterization. Actually, I'd love if they gave him some flaws! What if they highlight how bad he is at making connections/alliances with anyone other than Ally and Tess? They kind of do this by making Fiore be on his team and showing how his strategy of "win challenges to stay in the game" completely falls apart when he can't win challenges. And I thought that was all fine and good.

The thing I don't like is how they decided one of his main flaws should be being a not-good boyfriend. Which just doesn't feel right to me? His whole thing in season two was offering emotional support to Ally and Tess, and now they spin it so that he isn't paying proper attention to Ally or what she says, not grabbing her Switch, not listening to her when she talks about her games, etc.. I'm fine with Ally and Hunter having relationship troubles, but...I don't know, I guess I'm just a little mad they took his compassion away. He just seems a lot angrier and more mean-spirited this go around. He's not fun to watch. I think I have a good example to prove what I mean.

In the Secret-revealing episode of season 2, one of Ally's secrets is that she yelled at a group of children until they cried because they were using cheats in a game she was playing, and her excuse for doing so is that she was stressed. The writers bashing Ally aside, Hunter says something like, "Do you always yell at children when you're stressed?" in response, showing that even though he hasn't met those children who were doing something wrong, he doesn't think lashing out at them was okay.

...Meanwhile season 3 Hunter is yelling and lashing out at Fiore, a child, the whole time he's in the game. I know it's not exactly the same, Fiore is a bit of a demon-child, and Hunter was, ironically, stressed, but still. He seems so much more competitive and not as nice as he used to be. Being chill used to be his default, but now it's a sort of aggressiveness that just doesn't mesh with the original Hunter in my mind.

...I recently read that something happened behind the scenes that helped create this change in characterization, but as someone who wasn't aware of that when the first episodes aired and became upset when he was changed, I really would've liked to at least have an in-universe explanation instead of this just happening. Because until I read that information, I thought they changed him just because they thought the audience didn't like him much in season two. In short, I thought it was a needless retcon and became upset when there was no explanation for the change. If the behind-the-scenes stuff was a big enough deal that they wanted to change him like this without in-universe explanation...I might've preferred them just not using him at all. Then again, the season's not over. So I guess it's a little unfair of me to assume anything yet.

Anyways, that's all just my opinion. Feel free to share your thoughts or tell me why you think I'm being too dramatic about Hunter, haha. I feel like I'm one of very few season-two-Hunter enjoyers, so I'm not expecting that to be a super popular take. I'm just mopey that he changed, I guess.

[lakeinstillness]

I see so much ableist content being made and reblogged about tim on tumblr and other websites. stop using his schizophrenia purely for angst and then forgetting it exists outside of that. schizophrenia isnt just the "my dead loved one showed up as an hallucination to talk to me" disorder, yet its a LOT of the content I see, most of which is by people who arent psychotic.

people ignore that hallucinations can take other forms. yes, psychotic people can hallucinate dead loved ones, and it's not the only form of representation that we deserve. every schizospec and psychotic person's experience will be different and not everyone will have the same symptoms. not every schizospec or psychotic person will even have hallucinations as part of their disorder.

we see the insane asylum AUs, the AUs where a character goes ""p*ycho"" or ""insane"" and either starts murdering people or is a poor little tragic pitiable thing where they end up dead at the end. the "psychopath" AUs, and the fan media where masky is violent, evil, or malevolent and tim cant do anything about it.

the content you make where you clearly dont understand schizophrenia, DIDOSDD or any other stigmatized disorder you claim to be representing. where the bare minimum research is done before you start talking about those disorders. countless, countless other examples.

schizophrenic people see your posts. schizospec and psychotic people see the ableism you perpetuate and spread. people with DID/OSDD, disorders that have an increased chance of psychosis but are not the same as schizophrenia, see your posts, and your anti-system ableism. especially in regards to masky and tim.

our symptoms are laughed at and material for #schizoposting or r/fakedisordercringe. if we speak up about ableism then we get people messaging us purposefully triggering and paranoia inducing messages. we're treated like oddities, people ask invasive questions without asking if that's even okay first, and they make assumptions without even knowing anything about us.

if you have depression, anxiety, ADHD, autism, etc - you can still perpetuate ableism. schizospec people, psychotic people, and systems are constantly having to prove our humanity. we shouldnt have to. we shouldnt have to constantly see people refuse to understand our experiences.

Im asking you to educate yourselves. read about the experiences of actual schizophrenic people. understand that hallucinations are only one possible symptom among many others. read actual research for DID/OSDD. please be critical and keep an open eye for ableism against schizospec people, psychotic people, and systems. I implore you to take this post to heart and think critically about what posts and media you interact with and the content you create in the future.

[neoaya]

Hot take!!! (Nuclear tbh)

People are way too shitty to the LW devs, especially Yumeno Rote.

This guy is responsible for every single piece of non-story card character art in the game, that includes units, costumes, alts, expressions, Music Video CGs, etc. Seeing as a new unit is released per week, along with 2/4 event costumes and 2/3 rebirth costumes at the end of the month, this guy is at MINIMUM drawing 8 fully detailed illustrations and backgrounds per month, for three and a half years straight.

The only other gacha to my knowledge that has one artist doing all the character art like this is Limbus Company, which even then has a significantly longer period between new art being added to the game. (I'm aware there are likely a lot more, but most to my knowledge have multiple artists)

So when I see a post criticising Lost Word, what do you think is being criticised 90% of the time?

Is it:

The fact it's a gacha game

Genuine criticism of the game itself and its mechanics or story

Hell, even criticism of the questionable work practice of having one guy do all the game's art

If you guessed 4, "near insignificant nitpick of Rote's art, AUs shown, or a VA (in a game where you can pick from 3 for every character) because it doesn't fit within their headcanon in a game about multiple different universes" you'd be correct!

Don't get me wrong, I have seen the first two plenty of times, but they're always either fair critiques or people who just don't want anything to do with gacha games and don't care which is understandable.

But for 4? The sheer amount of hatred and seething vitriol people express for details most people wouldn't think twice about is insane to me. It never seems to come from a sincere place of disappointment but rather fear to fit in, like "Oh this relates to me, I better lay in to it as much as possible since everyone else shits on it, wouldn't want to give people the impression I'm weird for liking it after all". It just seems depressing to me that people feel the need to act miserable out of peer pressure and not wanting to stray from the popular opinion.

As someone's who played the game since launch at this point I feel more than qualified to tell you it's FAR from perfect, hell I wouldn't even call it all that good. Gameplay fluctuates from playing the game for you to forcing you to have a full understanding of the meta, grinding is a chore, drop rates are far too low, the nature of the game forcing normally evil aligned characters to act more reasonably, and I unironically think the lack of representation and downright bad writing for Aya until now is singlehandedly responsible for making her drop by one place 3 years in a row in the THVote popularity poll.

So why do I still play it after all this time? Because I genuinely just want to see what they do next. I like seeing what new takes on characters they come up with, I like seeing where the story goes, what the next event will be and I love Rote's art and all the other art contributed by the JP community, I even think the Hifuu and RoM section of the story is genuinely good. It's nice to have a constant and reliable stream of Touhou media to read through in-between the wait for actual new games.

Somehow I don't feel that guy in the middle would want to come on livestreams 3 and a half years after launch if he didn't find it fun, same goes for all the artists and doujin circles that have contributed their art and music, especially those with more than one card or song.

If you want anyone to blame, blame GoodSmile for publishing this game and making this the complete extent they're willing to promote it and Touhou as a whole. (Last new character from them was a Reisen nendo from six years ago btw!)

In conclusion, I think LW has objectively done more good for the series than harm. You can not understate the fact that this game is responsible for introducing Touhou to so many new people and giving the spotlight to characters that are otherwise overlooked. Inaccurate character portrayals are rarely an issue when the series embraces differentiating itself from the source material, that's the nature of doujin culture. That and it seems silly to try and gatekeep people who got into the series through Lost Word, telling them they're experincing it wrong only serves to turn them away and I don't blame newcomers when official touhou media is still hard to come across in the west and the three most popular games in the series still don't have a digital release.

As a tangent, I used to have a problem with how Aya was depicted in a lot of fan media, even from people here, but a friend taught me I shouldn't let those alternate interpretations ruin my enjoyment of her and that I shouldn't fault them for seeing her that way. I feel others should be able to learn from that.

(I definitely forgot some stuff but this is ranty enough as is, I just wanted to get it out of my system)

[katindeed]

wow more writing practice this time about my dislike for AI

One thing I’ve had to grapple with during this surgence of AI is that not everyone wants to be an artist or creative. I’ve always just assumed people take other jobs to sustain themselves, but truly many if not most people don’t want to do something creative with their life or leave any sort of lasting impact. Most people just want to enjoy life to the fullest or at the very least just survive. My understanding as art being the ultimate dream is my own experiences clouding my judgment. Despite this art still defines our culture an insane amount along with being a representation of the times. As silly as it is to say stuff like “Seinfeld” reveals us a look into 90s culture just as a more seriously taken art piece like the “Merchant of Venice” can give us a look into the late 1500’s/early 1600’s. Most importantly to me it’s an expression and a look into a part of the human experience. AI is more or less a pattern machine. It takes what it's been fed and finds patterns to make something ““new””. There is no motivation behind what it’s doing. No need to scratch a creative itch or want to share and express one's life. It does what it does because it was told to. With this realization it not only delegitimizes the point of art but also shows that in the end these soul crushing recent events comes not from the AI but still the greed of the richest amongst us (I swear to god if I get one comment about that stupid game)  and the misunderstanding of art by business people. Even if AI art was just as good as a lot of human art, it is not, it still betrays the very core of what art is. Despite what the CEOs of the biggest media companies may think, art is not just entertainment but an important part of the human condition. Of course for the many creatives in every corner of the world but also for everyone in between. More than likely you’ve seen a piece of art that's connected with you. It’s shown a part of you or your experiences that you may have not been able to explain or maybe it’s made you feel for someone in the story evil or good, personal or universal. Isn't that kind of amazing. That us humans’ empathy sense is so strong that even to a character we know isn’t real we can still have an emotional reaction as big as crying or laughing or tensing up or whatever. AI has none of this. It is not a being capable of emotion, free will, or expression. We can not allow these old greed bags to take more from us than they already have. We can not have tech bros decide our culture. We can not have the representation of our culture be made by an emotionless, moralless, and uncreative being incapable of moving things forward. Only by taking the old and rehashing just enough to seem distinct enough. Some may say that humans themselves have no originality but I disagree with our distinct ways of taking old formats and archetypes, then mixing, adapting, and changing the very foundation of the original work. We are not a pattern machine but a remixing artists that take many different ideas and motifs, add a bit of our own likes and experiences and make something wholly distinct from its inspirations. Don't let any billionaire tech bro tell you differently.

[delicrieux]

☆ﾐ 𝚖𝚊𝚔𝚎 𝚢𝚘𝚞 𝚜𝚊𝚢 “𝚘𝚑”

PART 23: PRETTY BOY

emotions run wild when everyone is drunk and hardly coherent. quackity is always loud, but tonight is a full on assault on the senses (the ears, in particular). bretman simps for corpse too much for your liking. rae is happy for once. there’s a confession of love somewhere in there. sister james makes a very good impostor, but that’s old news, the real question is who gave you a knife? a new persona emerges that leaves the roaches quivering in their boots.

─── corpse husband x reader, a lil bit of everyone x reader (because she’s a queen) ─── soc. media + written fiction! ─── word count: a lil over 7k.

author’s note: it’s the way i can’t follow a fucking calendar for me. sorry guys, i swear to god i thought i had one more day before thursday . the idiot award goes to me and i accept it with pride. anyway, i was excited to write this for a while! quackity is in mexico, that’s why he drinks, too. my fic, my rules, he’s too funny not to include. im also working on an extra w dream and mr quack so look forward to that, too! hopefully u like this part ily xx and as always lmk wat u think!!

ultimate masterlist.  ҉  myso masterlist   ҉   previous. ҉   next.

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The outfit for today was picked with care and consideration. Hot, as always- you had forgotten your roots, your hoodie and sweats lay hidden in the bottom of your drawer never to be worn on stream again. You’ve changed. Clout really does that to people. Some viewers, naturally, find your hotness near insulting: how dare you rub your beauty in their faces, and so unabashedly, too?! If only you had a twinge of self-awareness, perhaps you would tone it down. But you don’t, and whether that’s by choice or not is the mystery the whole internet tries to solve (ARMY has been working diligently, and you admire their effort, though in the end their tireless labor brings no tangible results). 

You went from hot to hotter. In all truth, the fires eating away at California can be blamed on you. You carry this burden in stride, in your platform overpriced shoes some girl scammed you on Depop with, in your fishnets, in your skirt, in your corset, in your rings and necklaces and chains. You woke up today and chose violence. Decided your existence will be a plague to the rest of the populace, and meant it (that, maybe, you took inspiration from a certain faceless Youtuber that so happens to be your boyfriend or whatever). You feel powerful. Like you could step on the world and the world would let you. You decide that it’s the way it should always be. 

The smile on your lips informs of nothing good to your quaint, small audience of 40k. You change the lighting in your room from the soft cherry blossom pink to menacing violet. As fitting for a villain.

Perhaps California’s hellish sun has finally purged you of your bubbly, docile nature (arguably, you had never possessed it to begin with); perhaps it’s the forth mimosa you’re mixing as people slowly trickle into the lobby. Who knows?! Not you, definitely. What do all of those boring dead white European philosophers say? Embrace the unknown? Cheers, you’ll drink to that.

In stark contrast to your appearance, your room is a fucking mess. A war-zone of epic anime scale. Everything is scattered, well, everywhere. A perfect representation on what’s going on in your mind, always. You don’t like how people focus on your surroundings-- you’re the main attraction, hello? Are you not enough to sustain them? Must they beg for more?! Totally ungrateful. You shake your head in disappointment, as if a mother scolding her children. 

noooooo! mom pls forgive me i will never ask abt anything ever again T_T

yall looking at the room? lol couldnt be me

feels like im five and my mum just told me i cant eat a pretty rock i found on the pavement:(

You can’t contain your sly grin. Eyes twinkle with a purplish hue, appearing all the more menacing. You tricked them once again, oh how absolutely evil of you. In your blind delight you accidentally spill champagne on your lap.

“-Oop, fuck.” You snort.

why does she sound like goofy 

The scandalous drunk Among Us stream is about to start. You had been eerily silent through the greetings, and those that chose to approach you were met with a cold shoulder and minimal replies. All on purpose, of course. You wish to plant a seed of unease within them, and so far, it’s working. There are questions unanswered, jokes unsaid, Quackity unteased. It breaks your heart, but it must be done. You look into the camera, all vulnerable and devout, as if to say: I’m doing this for you, all for you.

pack it up yandere simulator

idk whats going on but i think im into it?

villain arc villain arc villain aRC VILLAIN ARC

“Hey, guys,” Corpse’s voices rings in your headphones, and not a blink later his astronaut appears in the lobby in a cloud of smoke, “Hi, Y/n.”

More sharp, excited hellos follow after. You merely hum, though give no further reply. As Corpse strays to your side, Charlie steps in in front of him, “BDA access only. You have a permit, bitch?”

“Y/n is being quiet-she’s being quiet, guys!” Quackity helpfully informs, as if the rest failed to notice your cryptic silence, “Don’t be sad Corpse, man, Corpse don’t be-she didn’t say shit to me either.”

“Y/n has decided to not waste her breath on the SDS.” Charlie voices, “And you know what? I actually agree with her for once.”

“SD-what now?” Dream questions.

“The Small Dick Society.” Charlie explains, noting Dream’s whine of protest, “Oh no, don’t give me that shit, weren’t you bitching about not being invited and not belonging to exclusive clubs? Congratulations, you’re finally part of one.”

“Wait!” Quackity interjects, “Am I part of it too?”

“Guess, Sherlock.”

“I’ll drink to that.” Corpse says. You nod to your audience, like he just spoke the God honest truth, and follow in his example. Your tentative sip unexpectedly turns into a greedy gulp, but you’re not complaining. The only slightly coherent thought that rings in your mind is drink tasty.

“Ignore them,” Rae chimes, “Y/n’s probably plotting something and using Charlie as a cover up.”

“I’d never.” The words slip past your lips before you can stop them.

“Well you sure are very quick to deny it.” You can hear her smirking, can hear the proud lilt in her voice, like she caught onto your silly little scheme, like she has you all figured out. Your eyes narrow dangerously. The night behind your window pools dark, with far away city lights glimmering before they, too, seem to dim. 

Your roommate is back on your shitlist. How her name was missed among the rest.

“I’m defending my honor.” You yelp, the playfulness back in your voice along with your sunny smile, “I can’t have my wifey slandering me online. At least do it in private, geez.”

If Rae’s such a good detective, you’ll give her a good chase. Perhaps you’ve been laying it on too thick. Made her too suspicious. She can’t out you yet--not when your plans are so grand, so fun. It would be a waste.

“Why weren’t you saying anything then?” Quackity questions.

“Do I need a reason not wanting to talk to you?” You shoot back. Your friends laugh and he tries to shriek something past their cackle. You lean back into your chair, the tension from Rae’s confrontation finally easing. You wink at the camera and bring a finger to your lips. The roaches swear to secrecy, elated by your wickedness. As appropriate, they spam devil emojis and various renditions of evil hohohos and hehehes. The apple truly does not fall far from the tree. You had raised them well. You raise your glass in solidarity. A few donations fall into your pocket, easily summed up as: make them suffer.

Muting the discord call, you give a single response, “Oh, I intend to.”

i hope this doesn’t awaken something in me

^already too late for me bro

As caught up in wreaking havoc among your viewers as you are, you miss Sykkuno’s entrance, though from what you can tell, Charlie gave a stern warning to back the fuck off to him, too. He’s playing into your plan so beautifully. Truly, you couldn’t do this without him. Back to stalking the chat you go.

Your eyes flicker to the game upon Bretman’s signature drawl and “Hi, daddy.”. You have no time to get offended at Corpse’s sweet “Hi, honey” back, because the next person to join the discord call and the lobby leaves you speechless. You knew, of course, you had been informed of the line-up, but still, you had never expected yourself to be so close to Jomes Chorles himself. You make a weird gesture with your hands, half wave half excited wiggle, as if you’re telling the audience to calm down, when, in fact, it is you that needs calming.

He goes saying his hello’s like doing a public service, name by name, before, lastly, uttering, “Hi, Miss Y/n. Loooove the vids.”

He’s a roach in disguise, who could’ve known?! Your audience is so diverse and unexpected, gosh, you’d shed a tear if the mascara wasn’t so expensive.

“Hi!” You reply with a grin, and it’s genuine this time, a glimmer of your old self, “Hi, I love your videos, too. It’s like, really cool to finally meet you.”

“Oh my God, you too!” Is his enthusiastic reply, “Okay, the energy in the studio today? Love it.”

“Is this all of us?” Quackity asks.

“Sadly.” James says with a note of disappointment.

“HEY!”

“Okay, guys!” Ash chimes, “Let’s do this! Proximity Among Us, round one, go go go!”

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Luck does not shine upon you during the first round- you are stuck as Crew Mate, your life cut short by Bretman who had the audacity to bite your head off. You’re positive Ke$ha wrote her hit single Cannibal about him, and if she didn’t, she definitely had a That’s So Raven moment and predicted it. It’s also insanely suspicious as after you are eliminated he sticks real close to Corpse, feigning innocence (and this is a controversial opinion you do not endorse) better than even you. It wounds your pride, having been picked off so casually, so quickly, and now stuck a ghost you roam the halls of the dying spaceship, lost, confused, heartbroken.

Charlie runs past you, not once even glancing in your direction. “Brother...” You mutter sadly, “Do you not see me here? Do you not feel... the loss of your twin’s heartbeat...?" Damn, these mimosas really are making you emotional. You sniffle and take a sip to calm the storm within you. No rage, just sadness. You are still processing your own tragic demise.

Suddenly, a meeting is called. There’s a horrible red X on your astronaut. You are the only one dead so far, and of course the rest won’t vote out the fucker. How bitterly you sit! With your arms crossed over your chest and your glare sharp enough to cut through glass. Fuck the sad shit, now you’re just angry. At the very least, the second Impostor could’ve given you some company!

“I knew something felt off.” Charlie is first to speak.

“Who the fuck killed Y/n?” Corpse questions, and his voice ignites a whole discussion that lasts much too short. The others skip, having no suspect yet. It’s much too soon to start pointing fingers, but you still feel like they should have at least tried. Pouting, you fix yourself another drink.

“Stop drinking!?” You gasp, exasperated at your chats demands, “I’m dead! What else should I do, the tasks?! Nah, fuck that. I’m done. I’m out. Charlie better employ his fucking detective skills because if the Impostors win, I will literally quit the game--yes I will, no I’m not bullshitting, fucking watch me.”

Thankfully, Bretman was caught venting, and you didn’t have to end the stream prematurely. The second Impostor, your roommate (oh, the betrayal, Rae, how could you?!) was voted out due to Corpse’s suspicion. Victory to the Crew Mates! The game restarts and you find yourself back in the lobby.

“Miss Y/n,” Bretman says, “I am sooo sorry for killing you first, baby. It was just too easy. I couldn’t pass it up.”

Giggling, Quackity chimes, “Sister slaughtered.”

“Oh my God,” James groans, “shut up!”

“Yeah, Y/n.” Charlie speaks, and there’s an accusatory note in his calm voice, “Why the fuck did you allow yourself to be eliminated first? Real noob shit, I expected more of you.”

“HUH?!” You frown, “What’s with the victim blaming?! I literally was doing my task and Bretman snuck up on me. It’s not like I had a weapon to defend myself!”

“You have been avenged,” Corpse states, “and that’s all that matters.”

“Thank you, Corpse!” You say, “At least someone cares.”

“Hey, I helped, too!” Dream pipes up.

“No, you didn’t.” Corpse shoots him down, “I was the only one.”

“You were not--”

“Literally was. Isn’t that right, Sykkuno?”

“Uhhhh-” Sykkuno trails off, “Well, we-we all helped!” You can hear his shy smile, and you just know he’s bobbing his head up and down at this exact moment, “We all helped. Team work!”

“Team work!” The rest echo, save for yourself, Corpse, Charlie, and the two Impostors. Silence speaks more than a thousand words or whatever. You pray to any higher power willing to listen to finally assign you the role of the villain, the one you were born to do. 

Sadly, higher powers must have either shitty customer service or are in need of hearing aids, and you almost scream in frustration when your astronaut appears along with the others, the bold CREW MATE title chipping away at your master plan.

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“Hey, Y/n, hey! Hey, Y/n!” Rae finds you in Cafeteria, where you, metaphorically, are eating your feelings. Not that she needs to know, of course. She sounds chipper, a bit ditsy, and that must mean she’s sufficiently tipsy. You store that information for later, and forget about it as soon as you notice Dream and Sykkuno, like her very own personal bodyguards, trailing after her, “Wanna play a game?!”

“Is this Saw?” You inquire, somewhat lazy. You’d be lying if you said the alcohol wasn’t affecting you, it’s just instead of making you bubbly, it makes you mellow. This was supposed to be fun, you were supposed to terrorize everyone and laugh as they perished by your hand, yet here you are, wallowing in self-pity. The roaches start worrying. The donation jingle chimes.

BEATINGS & SLUTATIONS yns_fishnets donated 5$ mom just wait it out & dont worry youll get your vengeance soon lead them on!!!!

Your fishnets have a point! 

“Saw?--No, no, haa, no it’s a drinking game.” Dream sounds like he has had one too many rounds of this mysterious game, and naturally, you are intrigued.

“Where we drink!” Sykkuno clarifies. Right, well that explains everything! If you had any questions, you surely have none now.

“Okay, so, name a category, and you have to, like, say a word associated with it...Or something along those lines.” You hadn’t even agreed and Rae is explaining the rules already. She knows you too well. It’s both a blessing and a curse, “Can be anything! Okay, Y/n, Y/n, Y/n start!”

“Uhh--” If only your brain computed as fast as she spoke! “Song lyrics! Wait--who drinks?”

“You fail, you drink!” She hurries, “Choke me like you hate me but you love meeeeee. Syk, go, go go!”

“Uhm, ah, I don’t wanna feel like this, uh, fuck?” He laughs--it’s a raspy, embarrassed little sound, “I don’t...wanna look like this? Dream, now you!”

“Wait, we’re singing Corpse’s songs?”

“Any song!” You urge him quickly, “Hurry! Or drink!”

“She say I kill her cat like I'm Luka Magnotta--”

“Hey! That’s cheating! You can’t use my song!” Rae protest.

“That wasn’t in the rules!” He counters.

“Y/n! Time’s running out!” Sykkuno exclaims.

“Oh, uh, will-will the real Slim Shady please stand up!”

NOT EMINEM WHAT THE FUCK

MOOOM WHT THE HELL THIS ISNT 2008 T_T

“Ra-Ra-Rasputin, Russia’s greatest love machine--”

“All...All the other kids with the pumped up kicks better, uhh, run better run, faster...-faster than my gun?”

“Uhh, shit--fucking hell.” Dream laughs, and Rae practically screams at him to keep going, “Alright! Okay! I’m singing--uh, you’re so golden, na na na na?”

“I tell you what a woman loves most,” You chime gleefully, “it’s a man who can slap but can also stroke.”

finally, the mother mother representation we’ve all been waiting for

i aint exactly gay but i aint exactly not gay >:)

the bis won

“I steal a few breeeeaaaths from the woooorld for a minute--”

“Mitski?!” You question, eyes bulging, “Baby, who hurt you?”

Even if you can’t see her, you know she’s waving her arms around and shaking her head, “Not the point! Sykkuno!”

“Uh, I-I, uhm, I don’t--”

“Drinnnnk!” You all chorus. 

“It was a good concert,” You say, “Syk, I’ll drink with you.”

“Thank you, Y/n. That’s very kind of you.” He says softly, with a smile lining his lips. You grin.

“Oh, fine. Everyone, bottoms up!” Rae decides, and no one protest. A moment of silence passes, then, “Well, GG, GG, let’s do some tasks?”

Your enthusiastic Ariana Grande-esque “yuh” is cut short by the second meeting of game two being called. The first one to go had been Ash, voted out during a bathroom break as a joke, and you still feel a bit bad about that. Now, you notice Charlie has been eliminated. A sense of righteousness fills you--while you mourn for your brother from another mother and father and family tree, you feel like this is divine punishment for slandering you before the start of this round. Karma. Nothing much is discussed, and the meeting ends shortly with everyone skipping. 

You spend a good ten minutes wandering around with Dream, who’s mission appears to be convincing you to join his Minecraft server, and really, there was no need for him to try so hard. You failed to provide him with a concrete answer only because it would've been to humiliating to admit that you agreed instantly upon hearing the word Minecraft.

That’s when things get fucking weird. Another meeting is called whilst you’re in the middle of fixing lights, and once the board with the members appears you audibly gasp. There had been 8 living, breathing astronauts rushing around the map, and now only 4 remain. You, Corpse, James, and Alex. 

“What the fuck--what the fuck?!” You screech alarmed, noting Dream being among the perished crew, “I was just with Dream fixing the lights, I was just with him, what the fuck--”

“Okay, no one panic.” James says, “Let’s figure this out. Okay? Okay. Who else is close to Electrical?”

“I’m at Nav.” Quackity says.

“I’m at Cafeteria, but Y/n--” Corpse starts, “kinda weird that Dream died when you were with him?”

“I didn’t fucking kill him, I swear to God, Corpse, why are you accusing me?”

“Don’t be so defensive.” He says smoothly, “I’m just pointing out the obvious. We all have a reason to be sus, no? Considering you were right with him.”

“...It is suspicious.” James agrees, and a part of you dies inside. You understand their hesitance to trust you, but it doesn’t make it any less frustrating!

“Guys, I didn’t kill him, I swear. He invited me to play Minecraft, I wouldn’t do that to him, not after that!”

Corpse merely hums, and it brings no comfort what’s so ever. The situation is spiraling, and not in your favor. Trying to salvage your chances at freedom, you try again, “Wh-James, James, you called the meeting, right?”

“Yeah, I found Rae’s body near Medical.”

“So I couldn’t have killed her and Dream at the same time!” You latch onto that piece of information, hoping it will save you.

“You could’ve vented.” Corpse points out, “Plus, there’s no telling how old the body is.”

“Killing five fucking people? It’s the work of one person, or else the game would have already ended. As it stands, I am no way sober enough to think all of this out.”

A brief silence hangs in the air; your lungs constrict from tension, from spilling words so hotly. You grasp your glass, as if for emphasis, and take a shy sip. It taste sweet, a bit too sweet for your liking. Must be your nerves. You drink again to wash the taste out of your mouth, which, surprisingly, doesn’t work. You whine a little, stomping your feet like a child about to throw a temper tantrum.

“...I believe her.” Quackity says. You breathe out a sigh of relief.

“Alex, thank youuuuuu!” You gush, batting your lashes as if he could somehow see you and that would somehow portray your innocence, “I knew I liked you for a reason!”

He mutes his mic, his spill of words lost to your ears, but chat helpfully informs that he’s screaming because you don’t hate him. 

y/n out here collecting men like pokemon cards

Now all that’s left is to convince the others. You start with the one you know will work, “Corpse,” You address him in your sweetest voice.

“Y/n,” James warns, “don’t you dare--”

“Baby, I didn’t kill anyone, I’m crew mate, you gotta believe me.”

“She's innocent.” Corpse declare, thoroughly convinced.

“Oh my fucking God, you fucking simp!” James laughs, “She’s obviously manipulating you!”

“No, no, she isn’t. She’s innocent, I agree with Quackity. Now, it’s either you or him.”

“Could be you for all we know!” Alex accuses.

“Guys, time’s running out.” You mutter fretfully, noting the seconds tick by from white to red. 

“I’m voting Alex.” Corpse says.

“What?! Fucking traitor! Fine, I’m voting for you.” Alex hisses.

“Ugh, hate agreeing with Quackity, but I’m also voting Corpse. Sorry, hon, nothing personal.” James says. The VOTED icons pop up beside their characters and you panic, pressing your mouse idly but it’s too late, there wasn’t enough time, and you cry as Corpse is thrown into lava. The chat spams F, and it feels like salt on a fresh wound.

In a second you’re back in Cafeteria, shell-shocked and trembling, and Quackity cusses because the Impostor is still among you. His frustration doesn’t last long as you watch in horror as Jams Chortles, beauty guru supreme, murders the only other crew mate in cold blood and all you can do is gape and let his cheerful laughter fill your ears. The screen bleeds red, informing of Impostor victory, the second one being Ash. Looks like you voted her off for the right reason, but little difference did it make.

“Corpse!” You yell past the cacophony of voices, all in varying forms of excitement or anger, beelining for his in-game figure, “Corpse, I’m so sorry, I panicked, I tried pressing the button but I wasn’t quick enough--”

“It’s alright, baby. Don’t worry about it.” He’s so calming, so gentle, you might burst into tears again. What did you do to deserve him? You wish he was with you so you could smother him in a hug. Alas, all you can do now is say “I kith you, mwah!” and rush to the other side of the lobby, as if to hide from such a bold display of affection, even if it was a joke (it wasn’t).

yall say corpse simps for y/n but the reality is y/n simps for corpse harder

queen stop its embarrassing

bhaddies can simp!! i wouldnt but its her choice <3

More deliberations, commentary, and short breaks. Once everyone has returned, the countdown starts. You’re still reeling from the chaos of emotions, the five stages of grief you experienced in 1 second upon Corpse’s unjust demise, that it takes you a moment, a single heartbeat to realize what you’re seeing on screen.

The letters IMPOSTOR hang above your astronaut, with Dream standing just behind you as your newly appointed partner in crime. And suddenly, all the sadness and the tenderness and sympathy vanish with a curt exhale. You slowly turn your head to the chat, muting the Discord call, your soft chuckle of disbelief turning into a full blown laugh.

it’s happening!!!! 

omg omg omg omg

VILLAIN ARC VILLAIN ARC VILLAIN ARC

You slap your palm over your lips, trying to contain your wicked smile, to tone down your broken giggles, “N-No, I can’t laugh yet,” shaking your head softly, you look into the camera, “they’re all going to die.”

pack it up light yagami

this has awoken something in me.

^ same

The crew mates go their own ways, rushing to do their tasks like the diligent little workers they are. How adorable. Their grim fate is still miles away from them. The shit you’ll pull will be for the history books. Much like your outfit, which you picked keeping in mind your newfound thirst for blood, you had devised your plan of action with care and consideration. You had been mulling it over all day, drawing on paper like the absolute madwoman you are; hell, you even made sticky notes on who to go for first and what to say. Sure, being moderately drunk hinders your memory slightly (an understatement of the century), but you got a feel for what you’re going to do. It’s nothing short of evil.

Dream and you don’t exchange words, you merely nod at him-- which he, of course, can’t see-- but your criminal bond enables telepathic communication. You can hear his thoughts, ones that strangely sound like drink drink, drink drink. And really, who are you to refuse such an enticing offer?! As he fucks off to stalk his victims, or play pretend, you take a sip. The cocktail is still sweet, but this time it’s not the icky sweet you had tasted prior. You glance at your sticky notes, ones the roaches can’t see, and nearly spill your drink for the second time today as you jerk.

“Fuck!” You exclaim, shoving your headphones off and spinning in your chair. You hastily stand up, wobble -- the world is pleasantly funny right about now -- and giggle. Stepping past the mountains of abandoned clothes and pillows and blankets and anime plushies, you maneuver your way to your bedside table and yank it open, nearly taking out the whole drawer with you. In the mess of old diaries and bad drawings, pencils, jewelry, and stickers, you fish out something you should not be wielding in your inebriated state.

It’s a knife.

In midst of teenage angst you had ordered it off of Amazon with your mom’s credit card, all the while whining that it’s not a phase, mom, and it’s what all of my cool kid friends with fried hair have, and don’t you want me to fit in, don’t you want your daughter to be happy?! You think it’s about that time, the time of too much uneven eyeliner and black eye shadow, that she took to calling you little raccoon. Trash rabbit was your personal favorite, but she used it sparingly. When you presented your Macy’s outfit, holding up a fucking butterfly knife, to your dad, asking if it was a look, he glanced up from some boring business magazine all boring business dads read and said, with a bright smile might you add, “It’s a something!”.

Oh, how it gleams in the lilac light. You used to do tricks with it, back in eight grade maybe, and--what the fuck? Why did you parents allow you to buy it in the first place? Well, because you’re the only child, the only one important, of course they got it for you and clapped enthusiastically at your performances, because why wouldn’t they? The whining they’d face otherwise would’ve been harder to endure than a whole dance number to Panic! At The Disco’s greatest hits. Broadway looked so fucking shabby in comparison. Your mom said so, so it must be true.

Stumbling back to your extremely confused viewers, you take your seat, feeling a bit more grounded now that you’re not standing on your platform shoes anymore. Putting on your headphones, you grin at the chat that starts swimming, and not from too much drinking either. You do a quick flick of your wrist, one that thankfully doesn’t end in injury, and the sharp tip of the exposed knife points upwards, glimmering. It’s a rainbow colored one, because one, it’s pretty, and two, you weren’t hardcore enough for the jet-black or straight up military ones the other emo kids had. Cute and dangerous, just like you.

So you just sit there, holding it up, looking somewhat sly as the roaches capture this momentous moment with screen-caps. Someone definitely clipped you trudging past the obstacle course to obtain a weapon of mass destruction. You must be already trending on Twitter, though you can’t exactly log on and confirm your suspicions. You just feel like you might be, like you should be, because your audience wouldn’t let this slide. Thankfully, your friends don’t have time to check social media, or you’d be outed in an instant.

“Y/n?” Your roommates voice booms from your headphones, and you perk up with a stupid realization that you completely forgot about Among Us. Stuck at the start, at the lobby where Dream had left you, you see her astronaut waddling to you, “What are you doing here? Wait--Have you not moved from the beginning?” She can barely finish the sentence without giggling. 

You grin, “I was looking for something.”

Your voice is soft, too calm for your usual frantic spill. You gently set the knife down, hand coming to rest on your mouse, fingers idly, slowly, bouncing on the buttons.

“...What were you looking for?” She’s none the wiser, the numerous drinks consumed tonight numbing her sharp mind. She would have noticed. Your eerie composure would’ve given it away in a heartbeat, or at least hinted at something being objectively wrong. But she sounds curious. Poor girl, hasn’t she heard? Curiosity killed the cat.

“A knife.”

“A knife?!” There’s something about her tone that implies a mental clicking, the puzzle pieces falling together, “You have a knife?!”

“Yes.”

“No!”

You think it would only be appropriate that the random sequence of killing animations renders the backstabbing one. You grin, biting your lower lip with a quiet snicker.

i love women

if evil bad...why seggy?

You take your time leaving her there -- in true serial-killer-to-be fashion, you stick around for a bit longer, admiring your handiwork, or more like the chat singing your praises. You joined today with the intent of making an interesting stream. You have no doubt in your mind that now it will be legendary.

You move down the hallway, and you let your imagination wander: you can almost feel the stuffy air of your helmet, can almost hear your loud footsteps echoing in all this hush, can almost see your reflection in the spotless tile floor. It’s not long before your second victim makes an appearance, running circles in Cafeteria. You hear his voice first before you see him, recognizing Alex by his unhinged screech of “Let’s go, let’s go, let’s goooo!” 

“And what’s got you so excited?” How cool and collected you are, gosh, you barely contain the quiver of excitement that threatens to slip out. 

“Y/n!” He exclaims, rushing to your side like a lost puppy--he’s really making this easy for you, he’s not even trying, “You just missed--Oh my fucking God, you just missed James, he-he called me tall, he called me fucking tall! Let’s go, let’s gooooo!”

“Well, you are tall, aren’t you?” You chime sweetly, almost as sweet as the drink that lingers on the tip of your tongue, “Real 6′3 energy, no?”

“Yes, yes, exactly! You get it, you fucking get it--” Once again, his mic goes mute, and you glance at the chat for help.

hard to transcribe what hes saying but hes taking shots and yelling that he loves you good job mom

hey, queen! girl, you have done it again, constantly raising the bar for us all and doing it flawlessly

mom plz dont kill alex hes too cute hes all uwu rn

Oh, how you’re about to break his poor little heart. If you had any good left in you, you’d spare him. You don’t, and you’re not taking requests at the moment, so all you do is smile at your chat and they know. They just do. Hive-mind shit, you’re all two-faced little fuckers.

You giggle, and it sounds a tad fake, “You’re so weird, Alex,” You start, and he’s back in the call, a sound of confusion echoing in your ears, “but I get it, you know. You’re weird. You’re a weirdo. You don’t fit it, and you don’t want to fit in. I mean, really, has anyone even seen you without your stupid hat?”

“...Do--” He sputters, bellowing a laugh, “Do you have that whole fucking monologue memorized?!”

“Is it because you’re bald?”

“I’m not fucking bald!” His giddiness is quickly replaced by anger.

You hum, pretend to think, lastly barking a “Liar.” before you kill him. His scream is cut off, leaving only deafening silence at it’s wake. Unlike with Rae, you don’t stick around. You didn’t appreciate how little he enjoyed your recital.

You run into James near Navigation, most likely on his way to Cafeteria. He ends his song mid-note, and you breathe a sigh of relief, “Finally! Someone! I’ve been looking all over, where the hell is everyone?” You question, blocking his way, lest he accidentally stumbles onto the crime scene and easily pins it on you. You’re not done yet.

“Honestly? No clue. I’m searching for them myself, like, everyone’s scattered. I hope no one died.”

You smile. You tried not to, but you can’t contain it, “Me, too.” You echo the sentiment, urging him to join you, and he does. Too trusting. Everyone in this game is too fucking trusting. You lead him back to Nav, feigning that you have a task here. As you pretend to move the spaceship, you can’t help but ask, “Hey, James?”

“Yeah?”

“What’s your favorite scary movie?”

A beat of silence passes, “Oh no, fuck that, I don’t like this at all.” He states, about to spin on his heel and bolt like he should do, but you’re quicker-- killer instincts and all-- and he’s dead before he makes it out the doorway.

“See, after your No More Lies video, I figured you’d only tell the truth.” Yes, this is the part of the anime where the villain monologues, only the hero in this case is an astronaut cut in half, and not exactly alive to listen to you. You hope James’ ghost sticks around, “Case in point, why the fuck did you tell Quackity he’s tall?” You eye the chat, which’s mostly spamming W and comparing you to Ryo from Devilman Crybaby. “Such a shame...” You murmur, pressing the REPORT button.

“What?! How are so many people dead?!” Ash gasps, her kind voice tinted with fear and confusion. Your three kills, like military stars on an uniform of a distinguished officer, are displayed on the board. Dream appears to be slacking, having yet to take a life.

“Someone’s been real fucking busy.” Charlie observes. It’s true, you have been.

“I found James in Nav, but holy shit--” You begin, exasperated, “--what the fuck, guys, how did we miss this shit? Where is everyone?”

“I’m at Electrical.” Corpse voices.

“And I’m with Corpse.” One sentence is all it takes to figure out your next target: Bretman. Revenge for being killed first in the first goddamn round, and for spending so much time with your boyfriend.

Eep!!! Boyfriend boyfriend boyfriend!!! The word even makes you forget your thirst for blood, that’s how whipped you are. Sadly, it’s time to return to reality, to this grave situation.

“And what have the two of you been conspiring?” You keep your tone level, but that alone is enough to set everyone off. The unease you had planted within them before the game started is starting to bloom. However, if they suspect you, they don’t speak up, not yet.

“Fishnets, mostly.” Corpse says.

only partly a lie he was mostly talking abt u queen <3

corpse simping for y/n is the sweetest thing ever

the times corpse used y/ns name when talking abt y/n: 1. the times he used baby or my baby: infinite

“I’m wearing them right nyoooow.” Bretman drawls.

You hum, “What a coincidence. I am, too.”

“Wait--For real?” That seems to catch Corpse’s attention, because of course it does, you picked them with him in mind, after all.

“No peeping.” You tsk, obviously referring to his tendency to hop onto your stream unprompted. Whether he actually listens to your demands is beyond you, “Peeping means cheating.”

“For the love of fuck all, can we get back to the three dead bodies, please? Because I’m about to have a second coming of Christ moment and taste my consumed, digested beer for the second time.” Charlie interjects.

“I mean, anyone have any ideas who’d do this?” Dream takes hold of the conversation. Quiet, disappointed nos greet him. They have nothing to go on, no clues, not even a subliminal message. With everyone scattered, there is no way of locating the actual bodies and drawing a long red trail leading back to you. 

You’re too good at lying, and Dream is too good of a publicist. People tend to trust his judgement, which is his main asset (besides his calm demeanor of course). When the Among Us gods chose you as Impostor, they made sure you had every advantage. 

“Who-Who do you think it is, Dream?” Ash questions, “I trust you. I do. Just know that.”

“No fucking clue.”

“Y/n?” She tries again.

“Same. I’m a bit worried, though.”

“Let’s, uhhh, let’s skip?” Sykkuno offers. The consensus is to start voting at six. Your new mission is to make sure you dwindle the numbers down drastically before that can happen. You have no qualms about sacrificing Dream in order to meet your goals, either. Absolutely cold blooded.

Back at Cafeteria, there are words exchanged about Quackity’s body just laying there, forgotten. Blame is shifted: how come we didn’t notice sooner? Where’s Rae? And you mindlessly go along with their mourning, not really paying attention. Dream leaves with Charlie and Sykkuno, Corpse requests you stay with him and you sprout fake apologies. Not his time yet. Us girls need to stick together!, you sing, following after Ashley and getting further and further away from him, going deeper and deeper into the labyrinth of the spaceship.

You find yourself in Security with her, her cute astronaut pressed to the cameras, watching the live feed, “Let’s lurk here, okay? Maybe we’ll see something.” If only she saw who was standing behind her. 

“Who do you think is the Impostor?” You ask, standing in the doorway, “Or, more like, who are the Impostors?”

“Honestly?” She ends her word with a little sigh, “I think it might be Corpse and Bretman. I haven’t seen them at all this game.”

You smile, raising your brows, tilting your heard, and you sound so kind, like a dear old friend about to deliver a tender message, “...Have you seen me?”

“SHIT!”

Too late. In one smooth motion she joins the afterlife. You cut the lights, venting mindlessly till you spot Corpse and Bretman panicking in Weapons. Your existence is still a mystery to them.

“Fuck fuck fuck fuck--” Corpse mumbles, “Bretman, don’t you dare fucking kill me right now.”

“I’m not Impostor!”

“Okay, I’ll drink to that.”

They rush out of Weapons, most likely on their way to Electrical, and you trail after them like the Grim Reaper itself, biding your time till you can deliver the killing blow.

“Corpse?!” You call out, mild panic ringing in your voice, “Is that you?”

“Shit, Y/n? Where are you?” He questions. Crew vision is so sad, so small, how can he not see you standing almost right next to him? “Where’s Ash?”

“I dunno,” You say, “when the lights went out I ran. Please don’t kill me.”

“I’d never do that, baby.”

Too easy. They’re all too fucking easy. You bite your lower lip, trying to stop the laugh bubbling in your chest, to stop the lightheaded dizziness that overcomes you with a rush of excitement. 

“Thanks, pretty boy.” You mutter, and it sounds a bit lower than you intended, a bit darker, something sinister lurking underneath cotton candy words. It instantly clicks in Bretman and he makes a noise, something like a whine, and you see him backing away, “I know I can always trust you.” 

Whether Corpse notices the odd shift in tone, he doesn’t show it, “I like it when you call me that.” Is all he says, and you hear the smile in his voice, the appreciation. The trek to Electrical is all but forgotten. You slowly make your way to Bretman, “Where are you? Come here.”

“Just a minute,” You say cheerily, “I just need to kill Bret first.”

“Holy shit.”

“N-” Your victim’s sentence is cut off in a second, and you can’t contain your manic cackle this time, because the screen bleeds red, the words VICTORY splattered on it, depicting yours and Dream’s sneaky astronauts. You’re still laughing as the voices of your fallen friends ring in your ears.

“Y/n, what the fuck, you’re an actual monster.” Dream says, but there’s no actual weight behind his words, each syllable punctured with a laugh.

“I knew the second she asked me about my favorite scary movie that I’d get the chop.” James states.

“Wait, Y/n, did you kill everyone?” Corpse questions.

“She fucking did!” Dream answers for you, “I got Charlie and Sykkuno, and barely at that. What the fuck.”

“I’ve been waiting so fucking long for this.” You admit, giggling, raising you glass, “I toast to you, Dream. My perfect partner in crime.”

“I didn’t really do shit, but cheers.”

Quackity heaves a heavy sigh, “Y/n, Y/n, you don’t actually think I’m weird, right? Right?”

“No, she does.” James chimes.

“WHAT THE FUCK DID I EVER DO TO YOU, DUDE?!”

More commotion, more noise, and you just sit there, buzzed, snickering, reading the chat as the rest agree to play another round. You thank the people who donated that you had accidentally missed among the, you know, murder, reply to a few questions, bow dramatically to the many praises and invisible flowers you receive for such beautiful assassin work. When you look back at the screen, you throw your head back with a maniacal laugh.

Impostor again, only this time it’s with Charlie. Family bonds are often restored when united under a common goal. You’re so happy. So happy. You weren’t done terrorizing your friends yet.

✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼

✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼　 ҉ 　✼

tags (in italics is those i couldn’t tag! make sure all’s ok w your settings!) : @littlebabysandboxburritos​ - @fairywriter-oracle​ - @tsukishimawh0re​ - @ofstarsanddreams​ - @bbecc-a​ - @annshit​ - @leahh19​ - @letsloveimagines​ - @bellomi-clarke​ - @wineandionysus​ - @guiltydols​ - @onephootinfrontoftheother​ - @liamakorn​ - @thirstyfangirl​ - @lilysdaydreams​ - @pan-ini​ - @mxqicshxp​ - @tanchosanke​ - @yoshinorecommends​ - @flightsandfantasy​ - @liljennyx3​ - @bingusmode - @unknown-and-invisible​ - @sinister-sleep​ - @fivedicksinatrenchcoat​ - @mercury–moon - @peterparkerspjsuit​ - @unstableye​ - @simonsbluee​ - @shinyshimaagain​ - @ppopty​ - @siriuslystupid​ - @crapimahuman​ - @ofthedewthesunlight​ - @mythicalamphitrite​ - @artsyally​ - @corpsesimpp​ - @corpsewhitetee​ - @corpse-husbandsimp​ - @hyp-oh-critical​ - @roses-and-grasses​ - @rhyrhy462​ - @sparklylandflaplawyer​ - @charbkgo​ - @airwaveee​ - @creativedogs​ - @kaitlyn2907​ - @loxbbg​ - @afuckingunicornn​ - @fleurmoon​ - @yeolliedokai​

more tags are in the comments bcs tumblr only allows me to tag 50 people max 💙

[mothtarts]

Finally going on that Ghosbur rant I always talk about.

Adding some context to this. I have a lot of mental illnesses and trauma similar to what Wilbur is depicted with and have been going to therapy to get help for it. I am not an expert I am just some dude online who cares to much.

Ghostbur is probably one of my least favorite parts of the dsmp. I always didn’t feel like this tho. Ghostbur was originally cool and I loved him a lot. But that was because he wasn’t a separate entity from Wilbur. Separating Wilbur and Ghostbur was one of the worst choices cc!Wilbur made when creating his character’s story.

Wilbur is an incredibly mentally ill and suicidal character. This is not a secret, he acknowledges it and other people acknowledge it. That on its own is great. His character is actually a great representation (in my experience) on how being mentally ill and not getting the support you need can cause you to spiral into an even worse state. He is also slightly autistic coded. But that’s for a different post.

He was viewed mostly as an unstable villain after his death during New L’manburg. The majority of the audience, characters and probably some steamers viewed him as a psychopath. This is also not cc!Wilbur’s fault. His depictions of mental illness are again, really good. But people hate anyone who does not act like the, societally acceptable, perfect, romanticized version of mentally I’ll people.

Wilbur than introduced Ghostbur.

Ghostbur was originally someone I really liked. But that was because I thought Ghostbur and Wilbur were the same person. Not completely different entities. It could of been such a nuanced and well made depiction of mental illness. Wilbur this destructive and damaged person being super gentle and loving with everyone. He wanted to make people feel better from his past actions.

But then he said that him and Wilbur aren’t the same. Because god forbid we show that mentally ill people can be multi-layered people who can get better. He was loving and kind and adorable and showing this person who’s been demonized by most people to be these things could of helped normalize mental illness and show you can heal from trauma.

“But it’s just Minecraft.” You may be thinking. The Dream smp is currently one of the biggest pieces of media right now. It is hundreds of thousands of fans. Many of them minors. Showing them that someone with mental illness can still be a good, loving person would be a great influence on so many young people who have only really been exposed to media that villainizes it. Because most media poorly depicts people like me.

I also kind of hate how revival has kind of made death worthless now. Dream being the only person who can do it was interesting and it seemed like they were eventually going to get rid it. But now Ranboo might be revived? Death is honestly meaningless now.

Tldr; Ghostbur had a lot of potential to depict mental illness but ended up being completely separate entity, supporting the idea that mentally ill people are all insane and evil.

Again I love the dsmp and Wilbur is one of my favorite characters. But this story is over 2 years old and can have flaws.

[sladewilsonisanantihero]

The Original Intent of Terra and how Deathstroke got the bad end of the stick for it

Okay, Deathstroke Children (Idk what to call you guys because fellow Deathstrokers would end this conversation immediately), I found the time to do this, so let's get to it!

(Note: My original laptop broke with my comics, so I have no images to spare, so it will be sourced. Another note: Many words will be in bold. Partly so that for those reading will not lose track.)

But if tl;dr:

Cold Hard Truth: Everyone from Terra fans to Deathstroke fans needs to stop seeing these characters as real people.

Original Terra wasn't human trafficked or whatever sob story people want to label her with. The CREATORS intended her to be written as Evil without the mental illness and to die for the shock value. They had Raven, The Literal Empath, spell this out in Judas Contract. As for Deathstroke's involvement, he was shoved into her creation story, and Marv Wolfman himself recognized his mistake in doing that.

And for those calling Deathstroke a nazi, Original Terra had nazi-like beliefs where common people should fear and serve them or be killed off just because they're 'special'. Again, BLUNTLY stated in the Judas Contract. So if you're going to call Deathstroke a Pedophile, we'll call OG Terra a Neo-Nazi. (But I highly advice for Deathstroke Fans to not start that kind of war, but I had to say what I had to say.)

Don't get me wrong. (Hopefully all) Deathstroke fans know that their relationship was wrong just like Marv Wolfman, and we do not support pedophiles! But Slade isn't a pedophile! He was never intended to be written as one! It was a mistake made on many levels and should be rewritten like OG Terra's Evil Neo-Nazi-like personality, instead of being thrown into cancel culture.

Also for Deathstroke fans, don't get upset over their content and begin any argument emotionally. Just enjoy whatever good content we can get and support it if you can. Hopefully we'll get our Deathstroke movies and so on!

So I've briefly chatted with one of you over the matter with Terra/Tara Markov and how upsetting it is about how people refer to Slade Wilson as a Pedophile. That is a serious accusation that would make it very uncomfortable to argue about since it can easily make it seem like we justify the actions of pedophiles, and that we are part of pedophile culture that does exist in social media space.

AND WE SHOULDN'T, AND FOR ANTIS READING THIS WE WON'T.

But there was a time when I used to have a blog called friendlyremindersofsladewilson, where I defended Slade and put the blame all on Terra. I was 14 at the time, and looking back at it, I am not proud of it because I realized now as an adult how I defended it for most of the wrong reasons, but still stand with the fact that SLADE IS NOT A PEDOPHILE.

And since this took place when I was so young, it compelled me to write this post because I fear some of you are really young, too, and may end up in this regretful position.

So to make it clear, what Slade had been written to do is a crime, and we should acknowledge it, but not in the way as if it was a crime acted out in real life.

What I mean by that is that there's a clear separation between fiction and reality where one isn't real (Duh!). In this case, it's about the mistakes made between fiction and reality. In reality, mistakes made by the person responsible is on the person. In fiction, mistakes made is dependent on the creator's intent, and sometimes the creators can make mistakes themselves.

Most notably Terra's:

Tara Markov/Terra was created by Marv Wolfman and George Perez.

In Marv Wolfman's literal website, he stated in his online "What the-?" column:

"Which leads to Terra. That was easy. George and I wanted a Titan who betrayed the others. we also wanted to play against every reader conception of who characters are. George and I knew her whole story before we began and we knew she would die. We set the story up with her trying to destroy the Statue of Liberty to show she was the bad girl, but we knew if George drew her as a cute kid everyone would simply assume she would be ‘turned’ from the dark side because that’s the way it was always done which is why that wouldn’t be the way we did it. Tara was insane an stayed that way right until the moment she died. By the way, she IS dead. I don’t know what other writers will do with her – if anything – but if they want to honor the original series they will leave her dead. The Terra from Team Titans was – as stated – some kid the villain kidnapped and physically and mentally altered her into looking and acting like the original. But she was NEVER the real Terra."

And it should also be noted that he stated before this statement that:

"...Only mistake I think I made with him is having him have a physical relationship with the 16 year old Tara Markov. That was wrong."

So Marv Wolfman himself recognizes that what he did was a mistake, but his intent on Terra was never to write a victim.

And quick note: Insanity isn't written as a mental illness here. It's written like how many villains are labeled as insane for having skewed beliefs that deviates from the common good.

Terra truly had some nazi-like beliefs where she BELIEVED that everyone who wasn't 'special' like her and the Teen Titans deserved to be treated like shit because they weren't 'special' like them. She bluntly said it herself in the Judas Contract.

As for George Perez's comment in an interview I found in this website:

"GEORGE: Tara was just a cute little girl, although I based a little bit of that on my wife Carol’s sister, Barbara. A little upturned nose… Barbara does not have the teeth that Tara had. I wanted Tara to be a girl who looked normal. Which also means her death caught everyone even more offguard.

Tara, she was made to be killed; she served her purpose. That was it.

ANDY: You didn ‘t get any attachment to Tara?

GEORGE: No, because I knew we were going to kill her. So I deliberately used all the things to make her as likeable and cute as possible, so people would never believe we were going to kill a sixteen-year-old. And she was a sixteen-year-old sociopath. She was one of our cleverest gimmicks; we deliberately created her in order to lead everyone astray. So we couldn’t build any fondness for her, ’cause we knew full well what her whole motive for existence was. Her existence was basically to keep the stories interesting; we were tossing a curve that no one would have expected.

ANDY: You didn ‘t even love to hate her, huh?

GEORGE: No. I loved handling her, because she was such a good idea. But she was an idea. Not as much a person. She was there to show exactly how much their humanity can be one thing they have to be careful about, the Teen Titans have to be careful about. . . they can be too trusting, or their own weaknesses can be used against them."

Terra was supposed to be a representation of An Evil Betrayal of Trust and That Not All Cute Girls Are Good.

But they took it too far by making her sleep with Deathstroke because they wanted to truly make her look evil by literally sleeping with the enemy. Y'know because this was the 80s, and women having sex was an evil act back then, and that point of view has somewhat or barely improved 40 years later.

Deathstroke was just shoved into this idea, and Marv tried and perhaps failed at trying to undo this mistake with his talk with Beastboy (Tales of the Teen Titans issue #55) and before his confrontation from Wintergreen (Deathstroke (1991); Chapter 35).

So just as I had stated at the top in the tl;dr, it was a mistake made on many levels and should have been rewritten out just as many had done with OG Terra's true personality, and be done with it.

Random person: "He still slept with a 16-year-old."

And it's not that hard to make other heroes and villains do this mistake. Because again, it's all fiction. Deathstroke's fictional. As in Not Real, so we could literally undo the damage by rewriting this mistake. Or make it worse by making Terra the rapist by her using her Earth powers to bind Slade down and force him, and you can't deny that it's plausible. Because she's fictional. Anything can happen. So why didn't Slade tell Beastboy whether he slept with her or not, maybe it was because he really didn't want to but he was forced into it. And that's just something you can't dump on a very emotional man who was trying to kill you a moment ago.

ALL THE POSSIBILITIES BECAUSE IT'S FICITIONAL!

But ANYWAY, I went way too dark there.

Ending on a brighter note: Personally to all Deathstroke fans, please value your mental health, please don't start any arguments that'll compromise it, and continue supporting Deathstroke in whatever way you can!

[nissakii]

Significance of “Madness” in anime

We’ve already established in other posts about significant emotions and concepts in anime or specific media before. The Significance of losing or the one of visuals and metaphors in Haikyuu!! are some of those I would love to mention here, but today we shall delve into a broader topic that goes more along the lines of Makii’s thrilling post about Danganronpa and the Significance of Despair.

Today, our topic of interest is madness.

To ease your mind, in this post we will be talking about the representation of insanity and madness in some anime characters and how that reflects on the story and ourselves as an audience.To make one thing clear, a lot of the times we see overexaggerated versions of unstable characteristics in anime that aren’t realistic.

This is in no way a discussion about actual mental illnesses and not a professional approach to analysing them to our real life standards, but maybe a start to an interesting discussion about how we portray and handle what one may colloquially call “craziness”.

Now that we’ve got that out of the way, let’s start!

Artists, and no matter for example if they write or draw, use their platforms to deliver messages in cryptic ways. As humans, we have the innate ability to look at something and consume the facts through entertainment which makes us crave new media to follow and analyse.

We love to question things instead of just taking them as they are, and that is why most writers out there will play around with the perception of their audience.

You may be familiar with the common question that ghosts through your head as you enjoy the latest episode of your favorite anime.

Why did he do that? Is she a traitor? What makes them think that way?

Although one might always do it consciously, we most definitely analyse whatever media we consume and decide for ourselves if it is important enough to keep in mind for future reference.

What the writer or founder of the anime ultimately wants from the reader is a reaction.

No matter what they intend to do with it, if they enjoy the viewer getting excited or traumatised is not of importance, but a reaction is evidently one of the goals. 

And as strong emotions always evoke an even stronger reaction, anime characters are often very idealized and have ideologies that make them want to do one particular thing.

Be it save the world or destroy it, we focus and look at these characters and root for them if they give us a reason to do so. 

Both sides of good and bad can have deeply rooted admiration drawn out of us, and it sometimes doesn’t even matter because the more interesting part is the lovely grey area in between. 

We need a balance of good and bad to enjoy both.

Empathy makes us viewers want to relate to the characters, and if the author gives us the possibility to learn why someone does something, it gets harder and harder to dislike them. That’s why tragic backstories and flashbacks are such an overused tool in anime, because with the extreme behaviour some characters show they also need equal amounts of redemption.

We attach ourselves emotionally to characters depending on our personal tastes as well.

If someone likes and relates to a strong and independent protagonist who would drop anything for the sake of justice, you will find a lot of resembling characters in shounen for example.

On the other hand, if a darker or more obsessive character manages to take over a special place in a viewer’s heart, putting them on a pedestal gets more and more interesting, because you’re not supposed to.

Contrary to that, characters with insane or dark personality traits are often very popular, again tracing this back to human instinct of emphasising with wronged characters and curiously inspecting the fully deranged ones.

As this isn't something that should be put into vague concepts, we’re instead going to look at examples of characters and entities that are seen as ‘mad’ and how they’re interpreted.

It’s not just about villains being unreasonably immoral in this post, as we look into what madness entails and how it's shown, we also have some examples of corruption to look at.

So of course there are the typical evil-thinking evil-doing villains out there. 

Some of them have an actual backstory to make them more realistic and believable, some others are just pure evil. While they are often called mad for their actions to achieve their goal, the reason why they are put into that light is the stark contrast between the protagonist and the villain.

If the protagonist loves to save people and always has a smile on his face, of course he will differ from his counterpart when he finds out that his methods are a bit more vicious.

The protagonist perceives the villain as insane most of the time, but what does the viewer think?

We seek to look not only at characters that are enjoyable to watch, but also try to find similarities between us and them or draw lines in their behavior to understand them better. As mentioned before, empathy plays a huge role here as well, since whatever happens in anime doesn't have actual repercussions, we can forgive characters more easily. 

For example when they are taken by Insanity as a side effect rather than being insane due to trauma, we often get an 'ally turned traitor' trope through hypnosis or brainwashing, which is just as interesting to look at. 

If a person did something horrible under the influence of something they had no control over, are they still to blame? 

Does Insanity only involve a separate entity that comes from evil, or are we also looking at the gradual descent into darkness when life just isn't the same anymore? 

Insane and with no fear: Soul Eater

A great example of how insanity plays with characters be they good or bad is Soul Eater. 

With a premise that one needs a sound mind and body to inhibit a sound soul, we obviously know that people close to becoming Kishin-eggs will have a rotten soul drenched in bad deeds, but what about the good guys? 

In this instance we have a lot of different types of madness and insanity that touches multiple characters at different times, and by far the most drastic would be the black blood. 

The black blood being a synthesized weapon form of blood that can change form and harden into shape, is a weapon made by Medusa and introduced for the first time with Crona. He was melded together with Ragnarök as a weapon and used the black blood in his proficient fighting style. 

Soul Eater as well as Maka and other characters later come into contact with the black blood, and the consequence of the immense strength that comes with it is debilitating madness. 

As explained in the anime, the madness makes one deny the soul of oneself and others and takes away your fear. Now with no fear present, the person exhibits extremely erratic behavior and is not scared to hurt others or themselves.

This is an insanity that shows how essential a person's fear is, shown by Maka in one of the latest episodes when she fights Asura. The fact that she learned how to accept her own fear and realise that humans need it to survive is why insanity in Soul Eater is merely a concept to differentiate between what is human and what is Kishin. 

A Kishin kills and murders with no fear of anything. 

A human protects and masters one's own fear. 

The power hungry insanity: Hunter x Hunter

In Hunter x Hunter we have a lot of characters that don't exactly fit the norm of human action. 

With people like Chrollo, Illumi and even Chimera Ants there is enough crazy to go around. 

Still, the character we shall delve into to look at a different kind of instability is none other than Hisoka Morow.

Yes, in comparison to black blood madness Hisoka is an actual human being with no known influence outside of his own intellect. The contrary to another weapon or entity making someone insane is being shown in this anime.

Hisoka is just insane. 

We have no means to see if there is anything that might have caused Hisoka to be the way that he is, but what we do know is that his character is almost too nonchalant for his own good. 

His goal is to accumulate power and fight others that he seems worthy, as that is what attracts him. No person is spared if he believes he found a worthy opponent he will make that clear to them and pursue them passionately. 

We could rule that the clown is just eccentric, but with the given information from the anime he definitely had some sort of mental difference next to his peers. Harming himself holds no problem to him, and his behavior is deeply rooted only to suit himself. He has no self-preservation except for when he needs to accomplish something, and he even enters the spiders just to get close to Chrollo. 

Now we see a single person carry themselves throughout a story only to achieve one thing: a good fight. 

After having looked at these two examples of insanity in anime, let's look at how that insanity can be portrayed visually. 

A famous way to show someone's psychosis is the “Kubrick stare”. A directorial technique that got named after the director Stanley Kubrick who used a forward tilt of the head with eyes locked onto the camera to show the actors of his movies at their peak of madness. It became a very popular stylistic device and is used still very often in modern movies.

The character is supposed to look menacing, evil-plotting and absolutely unhinged.

Such devices, if used often enough, automatically invoke the message to the viewer.

If you’ve seen the Kubrick stare once in a psychotic character, you will definitely associate it with the same derangement again.

In anime we have a similar thing, and you might be aware of this already.

Familiar with the ‘eye angle just before a character goes insane’ meme?

It’s a running gag that shows multiple characters such as Asura from Soul Eater, Pain from Naruto, Light from Deathnote and Jason from Tokyo Ghoul in a frame where you can only see their eyes and it somehow looks extremely grotesque as if they were looking into different directions with their eyes.

As much as it is a joke, it is a perfect example of something extremely similar to the Kubrick stare used in anime culture. It goes so far that if any anime watcher would see a new character look like in a frame, one would assume they were about to go crazy.

Even Oikawa Tooru from Haikyuu!! was shown with a Kubrick stare in the last moments of the second Seijoh vs. Karasuno game, when his desire to win overtook him with incredible force.

Without loss there naturally can’t be any wins, and without sadness there will be no joy in laughter.

We need the different depictions of what one might call madness, to fill our stories with nuance that relies on our reality.

Be it an unknown entity, hunger for power, lack of fear or the good old fashioned thrive for world domination.

Madness is just another part of what we call life, and to be honest in healthy doses and for effect why not enjoy it in anime?

Now, do you guys know any other characters or concepts in anime that would be worth mentioning? I would love to see them in the comments! 

Until then, stay sane!

-Nissa

[liquidstar]

i dont even understand the proship shit anymore bc ive seen people use it to mean "i'm a proshipper bc im okay with incest/pedophilia/ect and consume it bc i can" but then people who use it like "i'm a proshipper bc i don't support bashing people for their innocent/totally normal ships, but this doesn't include the nasty stuff" and at this point idk if anyone who uses the word knows what they're saying lmao

its literally just because they learned no manipulate their language and use this weird fictional idea of an evil group of oppressors and harassers to play victim in a way paints themselves as the logical ones, but literally anyone whos taken a step outside of their echochambers would realize how this isnt the case and pro-ship is pretty much synonymous with pedo apologist, and i know this because as a kid on this site ppl in those echochambers would pull their shit on me, ive seen what its like first hand. i know all their stupid arguments and the motivations behind them, the whole victim act is just a way to garner sympathy and look like the rational ones even thought theres a huge fucking asterisks over all the seemingly rational stuff theyre saying.

and you know what, i dont consider myself an anti, because the concept of an anti is literally just this caricature they created to further perpetuate this us-vs-them group mentality, they dont even realize it but theyre using fiction to affect reality through this strawman character they invented. its all ironic as fuck. antis dont exist, stop calling yourself an anti, youre just a normal person against pedophilia just like any other person who goes outside and talks to people in places outside of greasy fandom shipping spaces. i dont even like fandom and i dont care much for shipping lol

they also like to paint this portrait of "the puritans" or whatever, claiming that clearly these people are against dark subjects in media all together and lack nuance. but after reading all the replies on my post i can safely say that the pro-shipping fandom brainrot people are the ones that can only think in terms of black and white, not the other way around like they claim, and thats why they can only conceptualize of the people who disagree with them as being this image of an extreme puritan that they made up in their heads.

what i mean by that is that literally every one of them thought that by comparing two things i must obviously be saying that they are a 1:1 because theres no room for nuance in their minds, and they jump to conclusions based on that, and on top of that most of them use this weird example of "oh so obviously bideo game cause violence !!!" when i never once stated that, but their mentality is so all-or-nothing that they cant differentiate between different examples of dark subject matter depicted in media.

i love dark subject matter in media, you do too, i see your wonder egg icon, you see my utenaposting, and the reason we're able to consume those things critically is because we understand the differences between types of depictions, we understand nuance and representation and its importance, and we dont shove things into one of two categories. media isnt a monolith and we need to look at things on a case by case basis, but they just refuse to do that, because if One thing is bad then that must mean All things are bad. and they dont wanna even acknowledge the possibility of that so instead they jump to the opposite extreme of No things are bad. its insane mental gymnastics to justify their weird fanfics lmao. at least like, gross anime nerdboy perverts know theyre deplorable, like guys thats your cousin, you both wank off to underanged anime characters but at least they dont pretend to be progressive about it. 

[tea-at-221]

The TJLC Debacle: 3 years out from S4 and counting; the copyright mini-theory; so much salt I’m bloated; but in the end, there is peace (I love you Johnlockers)

Ugh, don't even talk to me about Mary.

Don't even talk to me about the way Mofftiss have said they're sick of responding to fans on the subject of Johnlock. Of how they've said they're "not telling anyone else what to think or write about them" (as if they could stop us; as if they even own Sherlock themselves. Do keep reading, because this point becomes much more relevant and in-jokey later on). Don't even mention how they've bitched and whined incessantly because--god forbid--fans got *really really* into their show and emotionally invested.

They're so eager to discount all the beautiful little moments they wrote as accidents. And Arwel, who planted all those props, continually demonstrates that he's on their side (a not-very in-depth-analysis of his Instagram account and the way he interacted with fans towards the beginning of the pandemic showed as much, but I think maybe he’s grown a bit wiser and quieter since at least in terms of Johnlock and all things elephant-related. I don’t know for sure because I stopped looking.)

Anyway--they'd actually prefer for us to celebrate our own intelligence, is I suppose a charitable way of looking at it: our ability to make connections between things in the show; our metas on symbolism; our insightful fanfic; etc., and denounce them as the bad writers that they ultimately are.

More under the cut.

(This post may be of interest to you especially if you came to the fandom a bit later: multiple links to things of relevance/quotes/explanations appear both within and at the end of this entry.)

Because what makes a writer good?

Well, an ability to make people feel an emotional connection to their work, for one. I know this is just my own perspective, but if not for Johnlock, all my emotion about the show would evaporate. There wouldn't be much else there. Other people might get something, but I wouldn’t. Is some of the writing witty and entertaining regardless of any inferred/implied Johnlock? Yeah but, eh, a lot of shows have some good writing and I just don’t give a damn about them.

What makes a writer good?

Not making promises to the reader/viewer that they'll never keep. Plot holes, leading dialogue ("There’s stuff you wanted to say...but didn’t say it.” “Yeah”) never followed through on, puns that are apparently, I suppose, unintentional (e.g. "'Previous' commander?" "I meant 'ex'").

Uh, not writing continual gay jokes that aren't actually pointing toward the inference that people are making them because there's actually something going on there under the surface. (How about just don't make those jokes ever.)

Not being, apparently, oblivious (? questionable) to the queerbaiting they're engaging in *as they’re writing it.*

Acting like their LGBT audience is in the wrong/the bad guy, instead of choosing to remain respectful in the face of dissent. Instead it's just, "we never wrote it that way" / "We never played it that way."

A lot of those other mildly witty shows don’t actually blatantly drag their most passionate fans face-down through the mud the writers themselves created. Imagine that.

I'm not even a fan of Martin Freeman anymore, for the way he handled the whole thing (getting angry, the comments he made about how the fans made Sherlock “not fun anymore”...apparently Martin’s packing up his crayons and going home?)...no offense to anyone who is still a fan of his. I don’t make it a habit to drag him. I do to some degree understand his frustration with having the whole situation taken out on him--he’s just an actor in the show--but I simply wish he’d remained as cool and professional about it as Benedict Cumberbatch instead of pointing at the fans. You’re pointing in the wrong direction, mate.

What also irks me at the end of the day is this: the subsection of people who legitimately responded badly to the TJLC/S4 debacle and went above and beyond to harass the writers and actors/actresses on social media are *few and far between*, but we've been lumped in with them by what feels like...everyone, Martin included. TJLCers/Johnlockers (not the same group, but often treated as such) have been made to look like a bunch of rambunctious, immature, demanding children time and time and again in the wake of S4.

They'd rather, what, suggest John was so in love with Mary? THAT was the relationship they wanted to uphold in that show as so significant and...what, a demonstration of how honorable it is to respect your heterosexual relationship despite, you know...ANYTHING?

Yeah sorry, I don’t believe in that. John’s text-based affair, whether a disappointment for some as to his supposed character, was a very human reaction and I kinda sorta feel like I would have reacted MUCH more strongly than that had I been John. But nope. He stayed with Mary and was *ashamed* of his wandering eye. Ashamed that maybe he wanted to be admired by someone. I can’t think of a scene, off the top of my head, where Mary ever interacted with John without belittling him in some way--if not with words, then with consistently patronizing glances.

The message here is that heterosexuality is not just acceptable, but VALUABLE, however it manifests--but god forbid anyone see a queer subtext. (Why are lgbt+ writers some of the very WORST offenders where this is concerned? And they defend it! Is this childhood nostalgia/Stockholm Syndrome of the very fondest variety or what? Gay angst is all they got if they got anything at all, so it’s still good enough as far as “representation” goes?)

They really want to tell the story of John as so emotionally/mentally fucked up that he surrounds himself with unstable people time and again. They never give any reason *why* he might do that (which they could have done even soooo subtly), or delve into his past--just, apparently it's okay to assume that Sherlock's comment about "she's like that because you chose her" is exactly that.

No. Sherlock and Mary are NOT the same. Not...*remotely*!

Mary is underhanded and evil. She lies. She manipulates. She schemes. Her “love” is based on selfishness, and her assumption that John is a simpleton and hers to mold. She's in it for herself.

Sherlock hides. He prevaricates. He feels. He loves John. He does fucked up things in the name of love, but always for the benefit of those he loves. When he screws up, which he obviously does, it’s painful to us as the audience because we see that it is painful for him when he recognizes and regrets it.

I have never seen Mary regret anything. Those crocodile tears at Christmas? More manipulation. Inconsistent with anything else we were shown about her as a character.

To even think for a SECOND that people could ship Mary and John and mentally condemn John for cheating on Mary AFTER SHE SHOT HIS BEST FRIEND...as if marriage is the be-all-end-all free pass in which every sin must be forgiven until the end of time...as if John broke any covenant with his wife beyond those she broke from the very moment she walked into his life *with an entire fake past.* Is just. Well. It's asking us to accept gaslighting as healthy, loving, normal, *preferable* behavior, so...given the source that message is coming from, it's all a bit meta.

THAT. Is insanity. Maybe Mofftiss are the sociopaths.

How these men could write characters they themselves understand so little (or tell us they understand so little because their emotional maturity has yet to surpass that of the average three-year-old’s), I will never know. I can only imagine that they have absorbed, by osmosis over their lives, real and nuanced human behavior...then churned it back out again in their writing unaware, a bit like psychopaths who teach themselves what "normal" people do so that they can pass as psychologically sound in regular society.

Remember, we *are* talking about men who do these sorts of things:

Moffat says that Sherlock is celibate and that people who claim he's misogynistic when he does things like make Irene Adler imply she's attracted to the detective (even though she's a lesbian) are, ironically, "deeply offensive" (despite lines like "look at us both" in Battersea. We aren't your therapists, Moffat--we don't care what you meant, we care what you said, and what you *said* was clear. *Implying* it does not let you off the hook).

Gatiss has proclaimed that "I find flirting with the homoeroticism in Sherlock much more interesting" than the idea of ever making a show addressing LGBT issues. (That link is to a reddit forum, and I can't find the original interview anymore, but I assure you I had seen the actual article myself ages back and can't find it online again now along with some of the Martin quotes I wanted to link to. And nevermind what Gatiss has done with LGBT shows/issues since--my focus here is on what he has said, versus what he and Moffat have since claimed regarding their queerbaiting.)

Here’s a transcript of this screenshot:

"...many people come up and say they didn't realise." Despite this lack of public awareness, being part of the gay community is clearly important to Gatiss: "The older I get the more I want to give something back. I mean, I keep meaning to do something." When asked if he'd be interested in making a series about gay issues his response was enlightening:

"No, I don't think I'd make a kind of gay programme. It's much more interesting when it's not about a single issue. And equally, I find flirting with the homoeroticism in Sherlock much more interesting. Of course this reflects the grand picture of everyone's strange make-up; there are good gay people and bad gay people. I wouldn't like to make an issue film around the culture of being gay."

Instead Gatiss' interest seems to lie in making a drama where sexuality is, if not mundane, part of the wider framework: "I'd quite like to do something about a quite happy, ordinary gay person who's just incidentally gay. For example, a three-part thriller for ITV where the lead character just happens to be gay; when they finally go home, say 45 minutes in, and they had a same sex partner. That to me would be genuinely progressive. It wouldn't be a three-part gay thriller for ITV. It would be that this character just happened to be gay."

--End article quote.

And instead, who is canonically gay in the series? Well, Irene Adler. The innkeepers at the Cross Keys. And perhaps most notably, the *villains*, because that's a helpful trope: Moriarty and Eurus are, in S4, both implied to be at least bisexual.

Any character should be able to be any sexuality, this is true. But can we have some main characters, the good guys, give some good representation? Can't we start making that the standard, rather than the villains and the background characters? Because so far, that is the exception and not the rule.

Writers need to be aware of the damage they are perpetuating. We are not quite in a world yet where any character should be able to be any sexuality but isn't, yet we have no problem with saying the villain is LGBT+ or looks different/functions differently than much of the viewing audience.

"Male friendship is important and valid, not everything has to be gay"--this is a popular point with casual heterosexual viewers (and, to my chagrin, some of my LGBT+ friends) who don't fully grasp what "queerbaiting" is, often even when it's pointed out to them.

The lens of heterosexuality is real. My first time through watching BBC Sherlock, I didn't see the Johnlock at all. I had to look for it and read about it. When I saw it, the lens was lifted for me, and it changed my life and the way I view things forever (and for the best).

But back to my point about how little Mofftiss seem to understand their own story/most ardent fans, and then on to my other theory: in S4 it must be that they dropped their “psychopaths emulating empathy” act and indulged in their own "insane wish fulfillment" by doing away with all of the meaning, continuity, and sense. Right?

So, here’s the alternate theory. One which is not, please remember, in their defense.

Remember that S4 is what Mofftiss are *happy* to have us believe is what they'd do with these characters, given the chance to do whatever they wanted. I repeat, in Moffat’s own words: “Insane wish fulfillment.”

Okay I get it, this pasta has been over-salted.

Without further delay: MY COPYRIGHT RESEARCH THEORY THAT EVEN I DON'T PUT MUCH STOCK IN AND WHICH DOESN’T MAKE UP FOR THEIR CRUELTY EVEN IF TRUE

Part of me also raises an eyebrow at S4 as perhaps an example of the effect of the Conan Doyle estate on any modern production in the US. While it’s true that all of Sherlock is part of public domain in the UK and has been for quite a long time, Gatiss and Moffat still talk about it being partially under copyright. Specifically, the last 10 stories. I’m supposing that this means that because Sherlock airs internationally, or due to whatever contract the BBC has with the Doyle estate, they are still limited by the copyright as to what they can “publish”.

The Doyle estate is known for being a pain in the ass when it comes to abiding by copyright law as everyone else knows and practices it. They’ve tried to argue, for example (in 2013 and, much more recently, with the advent of Enola Holmes), that because Holmes and Watson were not fully developed as their final selves until the conclusion of all 10 stories still under copyright, then perhaps the characters themselves should still be protected, basically, in full.

It’s true that certain elements of the remaining stories are still under copyright here in the US (Watson had more than one wife--uh huh, we have that to look forward to, Johnlockers; the Garridebs moment is still under copyright--yeah, I’m getting to that too; and Sherlock didn’t care much for dogs til later so that’s not allowed either, fuck off Redbeard), but the estate’s problem in 2013 seemed to be based around a fear that *gasp* some day--if not right now!--anyone could write a Sherlock Holmes story in any way they pleased, changing the characters however they wished to and giving those characters “multiple personalities.”

See the following excerpt from the Estate’s case:

“...at any given point in their fictional lives, the two men's characters depend on the Ten Stories. It is impossible to split the characters into public domain versions and complete versions.”

(Click for full transcript.)

Obviously, by this point, that’s been done in multiple iterations. So I dunno. Their argument was *more* than muddy to begin with--they just grasp at straws to stay in control, it seems.

But okay. Backing up: wasn’t there sort-of a Garridebs moment in S4?!?? you cry. Yep. But imagine this: the Conan Doyle estate taking Mofftiss to court to argue that they depicted the Garridebs moment--a moment still under copyright--in The Final Problem.

Did they, though? Did they really?

The fandom cried out about the ridiculousness--the utter disappointment--of that moment when it was shown. It was not what we would have expected/wanted. We didn’t see John injured, Sherlock reacting with tender outrage to the good doctor’s attacker.

Instead we saw some ludicrous BS that was as bad as the clown with the sword-gun-umbrella. More of that.

I think Martin probably found that it was easy to produce real tears when he thought about how fucking terrible the S4 scripts were.

Ahem. Yet, this all seems very Mofftiss-flavored in terms of humor.

I can all-too-easily imagine them saying, “HA. We’re going to show some of these supposedly copyrighted things--and if they take us to court, they’ll be laughed out of the room.” Could that explain some of the overall S4 fuckery?

Sherlock wasn’t supposed to like dogs til later stories, as previously mentioned-- is that why Redbeard pulled a “Cinderella’s carriage” and transformed into a pumpkin (Victor Trevor)? Hmm. Sigh.

It...doesn’t actually appear that the estate has any qualms about taking laughable stuff to court, I mean...*shrug.* They have the money to do it, and money is the name of the game, because you’ve got to pay for rights (cha-ching sounds).

Yep, it does seem that the estate is open to the copyrighted materials being made reality, but who knows for what price or with what caveats. The BBC isn’t, so far as I’ve ever heard, known for throwing money around. Early Doctor Who would be so much less entertaining if they’d had any sort of budget. (And in fact, more of the older episodes would exist, but apparently the BBC--in part to cut costs--reused some of their tapes.)

My bottom-line bitter is this: Mofftiss do like to amuse themselves. To please themselves and no one else, as they’ve shown time and again. Sure, they could do whatever they wanted with S4...and they did...but they were also cruel about it, and that’s what I’ll never forgive them--OR the BBC--for.

A lot of fans gave up after series 4. I was very nearly one of them. I was angry, like just about every other Johnlocker and/or TJLCer, but I was really truly heartbroken. I couldn’t look at fanfiction. My days were full of bitterness and I keenly felt the lack of the fandom outlet that had become so essential to my mental well-being. I didn't know how to overcome the disparity between TJLC and what the show actually was. I didn't know how to separate the things I loved so much from the shitty writers and the way the BBC handled things with their whole response letter (that atrocious, childish blanket response they sent to everyone who complained about S4, not just the Johnlockers/TJLCers. Related to your complaint or not, if you filed one post-S4, this was the response you got). I still boycott BBC shows/merchandise, just by the way.

I tried to link to the blanket response letter but the link didn’t want to work (it’s an old reddit post; I had difficulty finding a copy of the letter elsewhere though at one point it wasn’t so hard...Google is weird these days y’all...tell me it’s not just me) so here’s a screenshot:

Transcript:

“Thank you for contacting us about “Sherlock”.

The BBC and Hartswood Films have received feedback from some viewers who were disappointed there was not a romantic resolution to the relationship between Sherlcok and John in the finale of the latest season of “Sherlock”.

We are aware that the majority of this feedback uses the same text posted on websites and circulated on social media.

Through four series and thirteen episodes, Sherlock and John have never shown any romantic or sexual interest in each other. Furthermore, whenever the creators of “Sherlock” have been asked by fans if the relationship might develop in that direction, they have always made it clear that it would not.

Sherlock’s writers, cast and producers have long been firm and vocal supporters of LGBT rights.

The BBC does not accept the allegations leveled at “Sherlock” or its writers, and we wholeheartedly support the creative freedom of the writers to develop the story as they see fit.

We will of course register your disappointment.

Thank you for contacting us.

Kind Regards,

BBC Complaints Team

So how about that? *Did* they “register our disappointment”? We can actually check that. The BBC’s website has a monthly summary of complaints received. So what did they receive in January 2017, the month S4 aired?

Huh, what do you know. Sounds like that blanket response was exactly the “fuck you” it came across as.

But the show--the FANDOM--had filled a need in my life, and so I had to own that and make it mine, or just...let something in me die: something that felt like an actual vital organ. I had to decide that these characters mean something to me beyond what anyone else tells me they should. I had to accept my own perceptions as truth, as I do with everything else in my life. I had to overcome the idea of canon as law (BBC Sherlock isn't canon anyway; ACD is canon. BBC Sherlock is, in the end, badly written fanfiction--or--worse?--decent pre-slash fanfiction distorted by consistent lies and the hazing of the LGBT audience, topped with the dumpster fire of S4′s incoherent nonsense).

I had to take the good and throw away the bad, just like anyone else who chose to stay. The good bits of the show...dialogue, yes. Plot points, yes. These awful writers did write some good stuff sometimes.

They just broke all the unspoken rules of what not to do to your audience. And then did and said everything they could not to apologize, and to justify their own failings. Which, in the years since I began shipping queer ships beyond any others, I have unfortunately experienced more than once.

So, my vulnerability has been yeeted into the vacuum of broke-my-trustdom: no one can tell me what things should mean to me. I will decide.

I decide that all of the FUCKING AMAZING writing in the Sherlock fandom is a staple in my life that makes it worth living. And that that's okay. And takes precedence over anything the writers or anyone else associated with the show could ever say or do.

Johnlock can not be taken away. It doesn't belong to them. It never did, even if they brought us to it. It belongs to us. To the group of amazingly creative, brainy, empathetic, resourceful, vibrant, resilient people who make up this fandom.

So thank YOU, all of YOU, for giving me Sherlock, Johnlock, and TJLC.

I am SO SAD for those who never found a way to make peace with this fandom again. Let me just say that I understand that inability entirely.

I am fortunate that I found the ability in myself to cling to the joy (something it has taken my whole life to be able to do). I hope others will who haven’t yet but wish they could.

Let Mofftiss and whoever sides with them stay angry and bitter and vicious, always looking over their shoulders for anyone who dares to whisper about subtext.

I’m proud to be part of what they’re whispering so angrily about.

Thanks for sticking it out if you made it this far. I know this was very self-indulgent and rambly.

Articles of interest:

A Study in Queerbaiting (Or How Sherlock Got it All Wrong) by Marty Greyson

“We never played it like that.” - Martin on Johnlock

Henry Cavill on the Enola Holmes lawsuit

More on that--and by the way Sherlock isn’t allowed to like dogs

The way Sherlock creators told fans Sherlock & John aren’t gay is so rude

Especially for those new to the fandom who may not know the distinction between TJLC and Johnlockers and want to know more about TJLC's evolution/what it is/meta through the years

Moffat's view on asexuality, offensive to me in particular *as* an asexual person (same article where he claims he isn't misogynistic): "If he was asexual, there would be no tension in that, no fun in that – it's someone who abstains who's interesting."

Yet he says Sherlock isn't gay or straight and that he's trying to keep his brain pure which is a "very Victorian attitude"

(Nice historical research there, Moff--actually the Victorians were sex-positive).

Sherlock fans were robbed of the gay ending they deserved

Benedict Cumberbatch has lashed out at his Sherlock co-star Martin Freeman over his negative attitude towards fans

BBC complaints January 2017

Martin Freeman: 'Sherlock is gayest story ever'

From 2016: UNPOPULAR OPINION: "Sherlock" Isn't Sexist or Queerbaiting; It's Actually Trying to Stage a Revolution

Queer-baiting on the BBC's Sherlock: Addressing the Invalidation of Queer Identities through Online Fan Fiction Communities by Cassidy Sheehan

[thehierophage]

Bruno and the Occult Attack of Politicians

Since Lord Dampnut's ascension to the presidency there has been no shortage of witches, sorcerers, and enchanters working to try to bind, curse, or hex him. As a somewhat amusing side effect of this cultural phenomenon we've been able to see David Griffin of the Golden Dawn(R) wax like a tin-foil hat wearing kook decrying this evil and malignant magical warfare against our nation's Holy King. The purpose of this essay is to lay out why these efforts aren't really working. I'm putting this out there not to discourage your magical operations, but to make sure they are more effective.

The primary work I'll be referring to in this discussion is “On Magic” (De Magia) by the great Renaissance thinker and magician, Giordano Bruno. In this work he details the conditions required for establishing the necessary magical bonds whereby a magician would be able to manipulate and control a spirit/spirit-embodied person.

The first two bonds are considered to be comprised of a type of “triple power” which demands the utmost attention before any of the other bonds can be considered. That is, the first two bonds are each composed of three elements a piece which make up their effectiveness as a bond and which must be attended to if any magical operation is to be successful (outside of luck or grace). Here are the first two:

1. The first bond which ties spirits together is general in character and is represented metaphorically by the three-headed Cerberus of Trivia, the doorkeeper of hell. This is the triple power which is needed by one who binds, i.e., by the magician: namely, physics, mathematics and metaphysics. The first is the base; the second is the scale; the third is the summit of the scale. The first explains active and passive principles in general; the second explains times, places and numbers; the third explains universal principles and causes. This is a triple cord which is difficult to break.

2. The second bond is also triple and is needed in the agent, in the action and in the thing on which the agent acts. It consists of faith or credibility, of invocations, of love and of strong emotions in the application of the active to the passive. The role of the soul is to produce changes in the body of the composite, and the role of the body is to change the soul materially. If these bondings do not happen, or especially if they are not present, then no amount of attention or motion or agitation will produce any results. For a magician is most fortunate if many believe in him, and if he commands great persuasion.

So in the first instance, the magician is expected to have an understanding of the nature of the thing being worked upon (physics), an understanding of the symbols being used to create that change (mathematics), and an understanding of the philosophical theories which by necessity must contain the first two (metaphysics), and these three are considered to be the first and most important of magical bonds.

I would venture to say that sorcerers working against the current administration by and large are probably a pretty savvy bunch, or at least sophisticated enough to understand at least one thread of this triple cord (i.e., the “mathematic”). There's also a good number of magicians out there that have a decent understanding of the metaphysics of their given magical systems as well as the sets of correspondences which they use in any given magical operation. Where many may be lacking is in understanding the subject which they wish to change/affect, and this proves to be the lynchpin to the observable failures of the magical operations up to this point. Because unless all three of these cords are being put into use this most critical and primary of bonds will not take.

The second link in establishing the magical link extends its scope to not just the magician, but the magician, the target, and the operation being performed. Bruno says that the knowledge and understanding which is the core of the first bond is not sufficient in and of itself, but requires a real intense passion in the execution of the operation. In fact it requires a type of furore (a la Ficino) or Platonic mania in the magician to produce the necessary non-ordinary consciousness which will allow the magician to summon forth the necessary force for or against the target. What he doesn't mention explicitly until later is that the potency of the invocation must be something that would also move the target to feel that they are a passive recipient of the force being invoked. Simply put, it doesn't matter how passionate your petition is or how adroitly you handle your magical tools – if Lord Dampnut isn't the type of guy who is impressed by or fears such actions, then your ministrations will not produce a strong magical bond.

Bruno says of this later on in the same work chapter on the bondings of spirits:

“For actions actually to occur in the world, three conditions are required: (1) an active power in the agent; (2) a passive power or disposition in a subject or patient, which is an aptitude in it not to resist or to render the action impossible (which reduces to one phrase, namely, the potency of matter); and (3) an appropriate application, which is subject to the circumstances of time, place and other conditions.”

So not only must you 1) know your magical system really well (#3), be super passionate and precise in your working of that system (#1), but the subject/target of your work must not be resistant to being affected by the system or its operator (#2). Obviously it's in this last point that the process unravels.  

Bruno continues: 

“In the absence of these three conditions, all actions are, simply speaking, always blocked. For even if a flute player is perfect, he is blocked by a broken flute, and the application of the former to the latter is useless. Thus, a lack of power in the matter makes an agent impotent and an application unfitting. This is what was meant when we said that an absence of these three conditions, strictly speaking, always blocks an action.

“Closer examination may show that the defect is due to only two, or even only one, of these conditions. But a defect in any one of them should be understood as meaning a defect in all three, as when the flute player and his performance are perfect but the flute is defective, or when the player and the flute are perfect but the performance is interrupted. If the whole meaning of efficient action is taken to consist in the application, then the first condition merges with the third, for the agent is nothing other than the applicator, and to do something is nothing other than to apply something.”

To complicate matters Bruno throws out this interesting tidbit in his list of the types of magical bonds:

“7. The souls of men who are tyrants and rulers, and of those who have acquired some degree of fame and thus have become spirits.”

Now this could refer to the souls of these figures after they've died when they move from being a personality to becoming a principle – a kind of euhemerism where the minutia of the person is stripped away and the image becomes the receptacle and embodiment of  specific values as in the case of patron saints.

Another, more sophisticated reading of this note may entail that the powerful and famous generate their own spirits of themselves which consist of their public image and the conceptions of themselves created and broadcast by the media. If this latter explanation is valid, then any magical work put against a media figure of some notoriety would affect possibly only the fame-generated spectre of the person and not the actual target. Only through continuous chipping away at the public persona would the source of that spirit begin to be affected.

In the case of the current example - their nature as a thin-skinned slave to their own media representation seemingly should assist media-savvy sorcerers in creating hexes which would damage the spirit proxy. This damage would then impact the host generating the spirit.

So what would a successful magical operation against this monster look like? The key here I think would be a two-fold coordination between those assaulting his public image (i.e., the spirit generated by it) and individuals working on the target directly. Both parties would have to be extremely well-trained, polished operators in order to dismantle such a juggernaut.

The first would tactically release imagery and stories meant to lure in those who have fallen under the spell of his spirit while also dismantling the spirit's ability to rally those same people to it by showing the spirit and its host as undesirable, insane, impotent, and working against their ability to enjoy themselves. This has become increasingly difficult to do as audiences have become hypersensitive to absolutely anything that has a whiff of being oppositional to their Fearless Leader. When faced with reasonable questions concerning the spirit's intentions its followers often respond simply by  falling into a paroxysm of anger leveling accusations of unpatriotic behavior until the accuser has been shouted down. As a result these victims rally around a continuously fine-tuned stream of media from sources that provide them material which reinforces their position while also coordinating this spirit's magical force thus amplifying the problem. Frighteningly, one of the only ways to dismantle the power of this spirit's sway over its servants is to show it as being the thing that they hate and positing an even more insane alternative.

The second group of magicians would have to contend with finding and fixing those weak bonds discussed above. But who would turn a man like that into a passive recipient of the magical influence invoked by the magician? The answer, most likely, would be women. His love life has been very public and it would take no talent at all to figure out what his “type” is. A well-trained sorceress could then make him receptive to her charms (perhaps by feeding him her menstrual blood or powdered hair), receive personal effects from him by which to bind him, and be able to use these in conjunction with a burgeoning relationship with the target. Since the subject's natal chart is available and well-known this sorceress would be able to calculate the name of his Wicked Spirit, create specialized invocations triggering his already poorly placed malefics, and/or calculate the Lot of Death or Misfortune to divine when certain actions would need to be executed.

( Donhole by Blacky)

The above scenarios are a description of the type of work that would most likely have to be done to magically bring down a man with that kind of power. Anything less would probably fail or only be successful as a stroke of luck or through grace. I still recommend that magicians continue to do the work they're currently doing though. Not because I feel it will succeed in removing this monster from office, but because it accomplishes a continual regicide within the mind of the operator. There is one throne within the palace of the mind and it should either be filled by you or left conspicuously empty. Sic Semper Tyrannis.