#the one thing the MCU could do which might get me to sit through another movie would be hobgoblin arc Ned

[oliveroctavius]

leftover from the topic of domestic abuse and the Hobgoblin storyline: Ned Leeds was kind of subject to a similar situational villainization, but because he was kind of presented as just a completely normal man beforehand and was offed so dramatically soon after that nobody's defending him from editorial. There was so little anyone considered worth "saving" I feel that now that's kind of become his defining plot beat

[cjsinkythoughts]

In Need of a Breath

Pairing: Bucky Barnes x Avenger!Reader

Word Count: 4007

Warnings: !FATWS SPOILERS!, Cursing, Zemo, Feelings, Another PTSD Flashback

A/N: So…Part 4 is going to have a couple parts to it. Maybe even three. I didn’t even make it half way through the episode on this one, mainly because I really wanted to fit in the Reader’s backstory and I wanted her and Sam to have a heart-to-heart again. I’m suuuuper tired, so I probably won’t be posting the next part for another few hours (it’s 5 am right now and I haven’t slept), BUT it’s my day off work and I won’t be doing anything I planned because my grandmother had a stroke a couple days ago so plans have changed and I’m staying in to help her, meaning I’ll mostly be writing all day. 

This Part is kind of a mix between off-screen and shot-by-shots, but it’s mostly off screen/what’s going on inside Reader’s head.

I’m really excited about future parts and the characters that are being introduced! I will say that after these parts, I will be doing one shots of previous MCU movies with the Reader, due to the information that is being given about the Reader now. You kind of see more of how she was affected/how she affected the previous MCU movies and what she was doing during that time.

Like always, this hasn’t been beta’d, again it’s SUPER early in the morning, and I’m really tired, so please excuse any mistakes! I hope you guys enjoy this part! Stay tuned for more to come later today!

FATWS MASTERLIST

cjsinkythoughts MASTERLIST

!SPOILERS UNDER CUT!

“You know…I’m really starting to regret saying yes to this.” You huffed out, craning your neck and squinting your eyes against the sun as you stare at the facility in front of you, hating the skin-crawling feeling of being back.

“Would you relax? Whenever you’re nervous, I get nervous, and I don’t wanna be nervous about this.” Sam shifted his weight from one foot to the other.

“Do either of you have a better plan?” Bucky grumbled, crossing his arms.

Gnawing on your lips, you finally take the lead and breathe out, “alright. Let’s go then.” You could feel the hesitance from your - what were they? Partners? Coworkers? Teammates? - the fellas before they started after you.

There was a sick twist in your gut as you entered the building, going through the lobby and security.

You had been there.

You had been there when Zemo impersonated Bucky. You had been there when Zemo unleashed the Winter Soldier at the Joint Counter Terrorist Centre Building in Berlin. You had been there during the battle at the airport. You had been there when Zemo turned Tony and Steve against each other in Siberia. You had been there when Zemo tore the Avengers from the inside out. Your family. The only family you’d ever known.

But you’d always been good about pushing your personal feelings aside for the sake of the mission. It’s what you’d been born to do. All you ever knew.

“Hey. Doll. You hear me?”

“Hmm. What?” You looked up from the ground to look into those enchanting blue oceans Bucky had for eyes, staring worriedly down at you, eyebrows pinched and forehead creased.

“I’m going in alone.” You frowned, opening your mouth to argue, but he shook his head. “Sam already agreed-”

“I didn’t necessarily agree-”

“You’re an Avenger, sweetheart.” Bucky tilted his head, speaking softly, those eyes of his worried. Worried for you. It made your stomach flip. “And you were there in Siberia, and that almost makes it worse. Especially considering you went after him. Just…just let me do this, okay?”

You cracked your knuckles nervously as you thought. It was a terrible idea. But it was an idea. And it was all they had. “Okay.” You finally relented, shrugging as your hands hit your thighs and slid up to your hips. “But don’t do anything stupid.”

“Steve took all that with him.”

Knowing about their little inside joke, you scoffed. “Sure he did. Go before I change my mind.”

You watched him walk down the hallway, hands fidgeting with excess nerves. “I think you’re the only one he actually seeks approval from.”

“Good thing I’m so lenient then, huh?” You joked, turning to Sam with a strained smile. Your smile slipped at the curious expression on Sam’s face, his eyes darting to each of your features. “What?”

“Are you doing okay?”

You groaned, throwing your head back. You thought you got out of talking about your feelings back in Baltimore. “Oh my God, Sam-”

“I’m serious. You…you just don’t seem like yourself.”

You shook your head, looking down the hall to where Bucky disappeared before turning back to him. It was weird to have a self that people recognized. Your whole life you’d been searching for it and when you finally found it…everything went to shit. “Honestly, Sammy, the only time I’ve ever felt like myself was with the team. Zemo took that away from me and now we’re here, practically begging him for help.”

Sam hummed, leaning against the wall. “Have you thought of taking a break?”

“What?”

“A break.” At your bewildered look, he rolled his eyes. “Cher, this time last year most of us were dead. This time a few months ago you found out about Wanda. This time last week you were out looking for her. Maybe you should just stop and take a breather.”

Shoving your hands in your pocket and looking at the floor, you couldn’t help but snort at his advice. “I haven’t taken a breather since I was eighteen.”

He clicked his tongue. “That’s my point. FBI academy as soon as you graduated. SHIELD recruit by 21, undercover operations leader by 24? Slow down. You’re in your thirties. Next thing you know, you’re gonna be ninety something, lying on your deathbed, wishing you had stopped to smell the roses.”

“If I live to be ninety, shoot me.” He chuckled in amusement. “I’m so fucking serious, Sam. I will not be put in an old folks home to play Bingo and be pushed around in a wheelchair. It ain’t happening.”

“I’ll see what I can do.” There was that infectious smile, which you unconsciously grinned back at. “Y/N…I’m serious. You’ve been in and out of missions since you were a teenager. What’s the shortest undercover operation you’ve done?”

“I dunno.”

He gave you an unimpressed look. “Yeah you do.”

Licking your lips, you turned away and shrugged. “A couple months. Seven weeks and three days, to be precise. September to October in 2012.”

“And the longest?”

“August 2007 to May 2009. Twenty one months.” 

Letting out a puff of air through his nose, Sam pushed himself off the wall and caught your chin between his fingers to make you look at him. “That’s nearly two years under cover. And I’m sure you went right back under after-”

“I was sitting at a desk for four months doing paperwork on it.” You defended yourself.

He shook his head, brows knitting together, lips drawn down. “You say that as if four months is enough time.”

“It doesn’t matter anymore, Sammy. I’m out. I’ve been out since Ultron and Sokovia. I haven’t been under in almost a decade-”

“A decade half the world was dead for half of-”

“I wasn’t!”

“I never said you were.” Sam sighed, closing his eyes for a moment. You were always amazed at his ability to keep his emotions in check. To stay cool under pressure. Sometimes you forgot how experienced he was with dealing with other people’s trauma. It was no wonder why Steve thought he’d be good for Bucky. “Listen. All I’m saying is once this is done…don’t go diving back into searching for Wanda. Don’t go running to the kid every time he calls - and I know you’ve been doing that-”

“It’s just been homework and stuff-”

“Y/N.” You stopped, biting your lip at the stern look he gave you. “Go home. Order take out. Binge watch TV. Go for a jog through the park. Actually meet your neighbors. Go grocery shopping. Just…live. If only for a couple weeks. Don’t worry about anyone else. Don’t pick up the phone, don’t drop everything because someone needs you. You need you.”

“I-I…” You shook your head, looking at him, sincerely apologetic. “I can’t. I wish I could. But I can’t. I’ve never had one normal day in my life. I’ve never had someone to care for, never had someone to care for me. I can’t let people I’ve come to…I can’t let them think I don’t care. I don’t even know where I’d go.”

“Whaddya mean?”

You winced, not thrilled for his reaction to your next statement. “I, uh, I sold my apartment in D.C.”

He gaped at you in complete disbelief. “You got it in December!”

“I know, I know. I liked it. I really did, but…I dunno. Nomadic life has always suited me better. It’s what I grew up with.”

He took a breath, making you cringe again. You don’t think you’ve ever legitimately gotten on his nerves like this before. “Have you ever thought that, instead of going with the flow and jumping place to place, putting down roots might actually help?” He cut you off before you could say anything, holding up a finger to stop you from talking. “I can’t imagine going from foster home to foster home like you did. I can’t imagine not having a home for as long as you can remember. Louisiana’s my home. Always has, always will be. But I understand your life has been anything but stable. And maybe, just maybe, that’s why you need some stability.”

You clenched your jaw, crossing your arms. “The Avengers were my stability. Steve was my stability.”

“Because you loved him.”

“I’m not doing this with you again.” You turned to walk down to the lobby to wait for Bucky there, but Sam caught your arm.

“You were in love with him! It’s okay! You two were super close! No one would blame you! Why won’t you just admit it? I’m trying to understand! Why won’t you-”

You tugged your arm away, finally snapping at him. “Because he could never be mine, Wilson! Is that what you wanna hear?!” Sam took a step back at your exclamation. You closed your eyes, swallowing the lump in your throat and pushing down the tears. “He could preach all he wanted about moving forwards, Sammy, but we all knew he was stuck in the past. He visited the museum every Thursday because her interview showed in his exhibit on Thursdays. He carried around that broken compass because her picture was in it.” You looked back up at him sadly, shrugging. “And I get it; it’s hard to move past your first love. I get it because…that’s what he was to me.”

There was a silence that blanketed the hallway, before he spoke up hesitantly. “What about Bucky?”

“I thought - I thought I was projecting my feelings for Steve onto him because I knew Steve couldn’t ever…”

Sam raised an eyebrow. “You thought? What do you think now?”

You cleared your throat. “I’m still figuring that one out.”

“If you ever need to talk, I’ll be here.”

You chuckled, nodding slightly towards him. “Back atcha. Don’t think I haven’t noticed you not being yourself lately, either.”

“It’s…a tough topic.”

You nodded in understanding. “Just know that I’ll support every decision you make as long as you think it’s the right one. Because I trust you. Steve trusted you. It’s all we can do to try to do what’s right. That’s what makes you a good man, Sammy. He gave you that shield for a reason, and if you think what you did was right…I’ll stand by it.”

The two of you stared at each other for a moment, calming down in each other’s presences and taking comfort knowing you’d be there for each other through thick and thin. “Thank you, cher.”

“Of course, Sammy. Now let’s go see what’s taking the old grump so long.”

He laughed at that, nodding in agreement, taking your offered hand and squeezing it as you made your way down the hall.

****************

“What?”

Bucky eyed you as you spluttered, coughing on the water you were drinking. “Please don’t choke, doll.”

“Break him out of jail?!” You repeated his words and blinked at him, absolutely baffled by his plan. “Oh my God.” You groaned as Bucky and Sam started arguing, moving your flashlight around the room. “Where the hell are we?” There was no response as they kept going back and forth.

“Zemo’s gonna mess with our minds! Especially yours! No offense.”

“Heelllloooo!” You tried again. “Where the hell are we?!”

Bucky turned on the lights, giving Sam a look. “Offense.” Glancing at you he quirked an eyebrow. “Stop worrying your pretty lil’ head, sweetheart. You trust me, dontcha?” Your breath hitched at his words. You quickly recovered, huffing and pouting - although you’d deny ever pouting - and crossing your arms. You stood between the guys like that, eyes darting to whoever was speaking, waiting for them to stop so you could actually think.

“Look. Let me just walk you through a hypothetical. Can I walk you through a hypothetical?”

You and Sam exchanged glances. “What did you do?”

“I…didn’t do…anything.” Bucky shrugged.

“How is it that you, one of the most deadliest assassins basically ever, are one of the worst liars I know.” You tilted your head at him, an eyebrow quirking up in confusion.

“Shush it you. Just, okay. The weakest point in any system isn’t the software, the hardware, it’s the meatware. The human element.”

The more you listened to Bucky’s “hypothetical”, the stronger the gut feeling telling you this was a terrible terrible idea got. You brought your hands up to your head, eyes wide as he spoke.

“I don’t like how casual you’re bein’ about this. This is unnatural.”

You couldn’t help but agree with Sam’s words, your head falling back and your eyes closing. “Sweet Jesus. Listen, God, I know we don’t talk much these days, but please, please don’t let this not be a hypothetical. I’m fucking begging you.”

A noise to your right made your head snap over. “Oh hell to the fucking no!” You shook your head as Zemo himself walked in, wearing a prison guards uniform. “Uh-uh! No way! Bucky, this was not part of the plan!”

“What did you do?!”

“We need him!”

“You’re going back to prison.”

“If I may-”

All three of you faced him, simultaneously shouting, “no!”

You held your face in your hands as your head dropped, shaking back and forth, your eyes squeezing shut, tuning them out for just a minute to think. Bucky had a point. The enemy of my enemy is my friend and all that, and the Avengers were technically disbanded, which was Zemo’s whole objective in the first place, but…God. You were good at compartmentalizing, but not that much. You were willing to put your feelings aside for the mission so Bucky could talk to him. Not for you to work with him. But he had connections, you knew he did, and he had information…

“Doll?” You looked up, Bucky anxiously licking his lips as he met your gaze. “I need you to say something.”

You looked to Sam, who shrugged, gesturing to Zemo. “What do you think?”

What did you think? What did you think?! You thought that it was the worst idea in the history of ideas and you should turn back and find another way! But…you knew this was the fastest, probably most reliable way to get information that you needed.

Dammit, since when were you the deciding factor?

You sucked in a breath, looking over Sam’s shoulder at Zemo, who lifted his hand in greeting. You raised your eyes to the ceiling, pointing your finger accusingly. “This is why we stopped talking.” Gaze dropping to the still waiting fellas, you gnawed on your lip, before hissing out, “ffffine…” Running a hand through your hair, you threw your hands up as you shrugged. “Fine. Okay. Fine.”

“Okay.” Sam nodded, taking charge again.

You couldn’t believe this was happening. Except, that was a lie. You could. You’d seen weirder. You’d experienced the impossible. Lived through the unbelievable. This…this was completely imaginable.

Which is why, with a lot of hesitation and very little confidence in this plan, you followed Zemo through the auto shop you were in until you reached a large room with a ton of different old cars.

Bucky’s hand found yours as Zemo explained what the plan was, rather vaguely, in your opinion, but at least he was explaining. Point for him. Not that it would make up for the level of distrust you held for him, but it was something.

You looked up at him, giving him a puzzling frown. He usually only grabbed your hand in front of other people when he was feeling anxious. Which, yeah, he had a right to be anxious right now, but it wasn’t the right kind. The type of anxiety caused by large crowds and loud noises, ones that startled him and threw him into a defensive mode.

But the look on his face made you squeeze his hand in reassurance. He was pouting, staring at you although he did something wrong - a puppy that tore up a pillow - and all you wanted to do was give him a hug.

“You’re mad at me.” He mumbled as the four of you headed out with Zemo in the lead.

“No I’m not.”

“Yeah you are. 

“Bucky, I’m not mad.”

“Listen, if I had a better idea I wouldn’t-”

You brought your linked hands up to your lips, pressing a gentle kiss to his gloved knuckles. “I’m not mad.” You repeated more firmly. “It’s just…a lot for me, right now.”

“Why? What’s going on?”

“Nothing’s going on, Buck, I-I just…” You thought about your and Sam’s earlier conversation and suddenly understood what he meant. “I need to breathe for a second.”

His features twisted into ones of uncertainty, eyes squinting as you stepped outside. “Do you…do you wanna leave?”

You shook your head, tugging his arm to stop him and grabbing the sunglasses on his collar, slipping them over his eyes. “No. I just need some time to think. Hopefully the plane ride to wherever the hell we’re going will give me that.”

“Are you sure?”

“Yes, James. I’m sure.”

He lowered the glasses on his nose to scan you over the frames, before nodding and sliding them back up. “Okay. You ready for this, then?”

“No.” You breathed, turning back to where Zemo and Sam were still walking. “Let’s do this.”

*****************

Climbing onto the private jet, you raised an eyebrow at Sam, who shrugged, giving you a bemused expression. A Baron…huh…who knew? You feel like you should’ve, yet there you were.

You sat besides Bucky, across from Zemo, crossing your legs and leaning back while staring at him through narrowed eyes.

His butler seemed nice, which made you even more suspicious. You obviously didn’t know as much about Zemo as you wanted to. It was a habit you picked up after years of undercover work; once the mission was complete, that was that. There was no looking back on it. No sitting on it. It was over and you moved onto the next one. It was a bad habit in cases like this.

The moment you spotted the notebook over Zemo’s book you knew something was going to happen, yet you still flinched when Bucky lunged at him, grabbing his throat. You leaned back in your seat again, steadying your now racing heartbeat. You decided you were too tense, trying to relax your muscles as Bucky sat back down in his seat.

“I’ve seen that book. It was Steve’s when he came out of the ice. I told him about Trouble Man. He wrote it in that book.” Sam seemed so proud of himself that something he recommended was written in Steve’s little book and it made you smile.

You remembered that; Steve and you were supposed to meet up for coffee after his run, but Fury called him in so you rescheduled it for when he got back. He asked you about Marvin Gaye. For your opinion. You told him to check it out and make his own.

You remembered asking him about that little notebook of his, and he just shrugged you off telling you about his list. He would read items off to you, but he never let you read the book yourself. You never found out why, and you supposed you never would now. The thought made an ache behind your ribs that you’d come to familiarize yourself with appear.

You smiled a little more as Zemo and Sam told Bucky how awesome Marvin Gaye was. “C’mon, baby. Back me up.”

Chuckling, you looked at Bucky. “They’re not wrong. But,” you quickly added before Bucky could whine at you, facing Sam again. “Neither is Buck. I mean, c’mon. You can’t find music like the 40’s anymore. Ella Fitzgerald, Louis Armstrong, Benny Goodman, Fred Astaire. Ol’ Blue Eyes himself.”

“Thank you.” Bucky grinned at Sam, who rolled his eyes.

“Okay, okay. But, I mean, c’mon! Everybody loves Marvin Gaye.”

“I like Marvin Gaye.”

“Steve adored Marvin Gaye.”

Your face fell as Zemo started talking about Steve and icons and Red Skull, your mind once again slipping away from reality.

~

“Kids love you.” You giggled as you finally made it out of his exhibit. You’d wanted to show it to him since he moved to D.C., and you’d finally got an opportunity after coming back from being undercover for ten weeks. “You’re their hero, you know.”

“Yeah, well, I’m just trying to do what’s right.”

You nudged him, scoffing at his answer. “You’re too humble. You’re a national icon, you know.”

Steve shrugged, looking around the museum at the planes surrounding them. “I never wanted to be.”

“Why not? Everyone loves you.”

“I’m sure not everyone loves me.” He rolled his eyes. “And…I just wanted to help. To fight. Protect my country and the people I cared about. I-I didn’t ask for…all that.” He waved behind his shoulder where his exhibit was getting smaller with each step they took away. “People were dying. Bullies were winning.”

You shook your head, spinning and walking backwards besides him to face him. “Sure, but you did that. And you became someone people could look up to in the process.”

He narrowed his eyes at you before asking, “why do you do what you do?”

“...because I’m good at it?”

“Honey.” He gave you a look. “Answer the question.”

You hummed in thought. “Because I couldn’t stand by, knowing there would be orphaned kids if I didn’t help any way I could.”

“Alright. Why do you do it in the dark?”

“Whaddya mean?”

He shrugged. “Why don’t you come out and take credit for all the lives you’ve saved?”

“Because that’s not why I do it. I don’t want that attention. I just want to know I’ve helped people. I’ve kept them safe.”

He gave you a soft smile. “I just wanted to beat the bully. I never wanted to be a dancing monkey, too.” You looked at him in a new light then, understanding where he was coming from. “Watch out, honey!” He grabbed you and pulled you aside before you could crash into a wall, arms wrapped firmly around your waist. He gave you that charming smile of his. “Wouldn’t want you hurting that pretty lil’ head of yours, now would we?”

~

“Y/N!”

You snapped back into the conversation, moving your eyes from the window to Bucky, who tilted his head, eyebrows pinched and eyes narrowed. “Sorry. So, Madripoor. That’s a fun place.”

You ignored the side eyed glances Bucky and Sam exchanged, Sam turning to you curiously. “You’ve been?”

“Once. Back in 2010 for a few months”

Zemo raised his eyebrows. “You’re lucky to have gotten out.”

You shrugged nonchalantly. “Lucky, maybe. Skills were a part of it, too, though.”

“Good.” Zemo nodded. “Because we’re going undercover…and if we blow it. We’re dead.”

You breathed out, shaking your memory away and getting your head back into the game. Because like the man you were severely wary of in front of you said, if you blew this, you were dead. And, sure, you didn’t want to live until ninety, but you weren’t even half way there yet. So dammit if you were going to die soon.

“Hey.” You looked over at Bucky’s murmur, his head tilting as he grabbed your hand and pulled you from your seat closer to him. “Are you okay?”

“Yeah. I’m fine. Are you okay? You know you’re going to have to be-”

“I know.” He nodded. You watched his Adam’s Apple bob as he swallowed thickly. “I’ll be fine. Just…tell me right now if you need to step out for this one.”

You gave him a smile that you knew he didn’t buy, just by the slight narrowing of his eye, his lips pressing together. “No. No, I’m good for this. If you think I’m gonna let you two idiots go into Madripoor with him - alone - oil that cyborg brain of yours, because there’s no way.”

He squeezed your hand, eyes still filled with uncertainty. “Are you sure?”

“If there’s even a slight possibility that I can protect you, then yeah. I’m sure, Buckaroo.”

[idy-ll-ique]

They Always Do.

Pairing: Sebastian Stan x F!Reader

Genre: Fluff, Angst

Warnings: insecurity

Requested: Nope

Summary: "you're not worried? he seems to be spending a lot of time with her..." "no" "why not?" "because i braced myself for this months ago. they leave, they always do. it's nothing new"

Author's Note: Hiya peeps! The first part of this fic is fluff, angst in the middle, fluff again at the end. Nothing too extreme, just a little one-shot. Enjoy!

---

"Sebastian, Y/N, so glad you made it!" Susan Downey smiled warmly at the couple. "Of course, we couldn't miss the 56th birthday of the one and only Iron Man," Sebastian chuckled, walking into the house with his girlfriend. He put his arm around Y/N, observing the place. "Guys! Hello!" they heard.

"Mr Downey," Y/N greeted politely, turning to smile at the birthday boy. "You must be the girlfriend," he grinned, pulling her into a bear hug. "Yep, that's me." Then he turned to Sebastian, frowning. "Why didn't you introduce her to everyone sooner?" Y/N laughed as Sebastian rubbed the back of his neck, shrugging.

"Don't ask me, she was the one too chicken to meet you!" Sebastian defended himself, narrowing his eyes at his girlfriend. She snorted as Robert let go of her, returning to Sebastian's side. "I guess that's on me," she sighed dramatically, making both men laugh. "Well, enjoy yourselves! Have a drink, have fun!"

With that, he walked away. Sebastian noticed a server holding up a tray of drinks and called him over. He handed a glass to Y/N and took one for himself, taking a sip. "Thanks for bringing me over, honey," Y/N smiled and he turned to her, scoffing. "You're my girlfriend! God knows they were dying to meet you," he laughed, giving her a kiss on the forehead.

With that they went around the place, talking to new people, old friends and making new acquaintances. Y/N had a lot of fun meeting Sebastian's co-stars, and especially loved Elizabeth Olsen. Y/N was a huge Marvel fan and one of her favorite works of the MCU was WandaVision. Y/N had fangirled a bit, not gonna lie.

Like that passed an hour. After her feet started hurting, Sebastian decided it was time for the woman to sit down, have a drink and chill out. "Okay doll, here's a glass of champagne, if you need anything at all, don't hesitate to call me, okay? I'm going there, with Chris and Anthony. I love you." She smiled when he gave her a quick kiss.

"I love you too, and don't worry, I'll find you easy. This place isn't that big."

"I heard that!"

Laughing at her antics, Sebastian gave his girlfriend one more loving kiss before prancing out of the room in search of his best friends, Chris Evans and Anthony Mackie. Y/N relaxed on the comfortable couch with a sigh, sipping on her drink. It all began a year ago, very cheesily, might I add.

Y/N was at her favourite coffee shop when he had walked in. Immediately, fans had him surrounded, but she didn't go over to him. She stayed seated, looking at him, wishing she could go over but she knew how stressful fan interactions were for celebrities. Sebastian had, unfortunately, caught her eye and she had turned beet red, burying her face in her laptop.

He had found her absolutely winsome and after the crowd around him had dissipated, he had wandered over to her table and introduced himself. She was flustered around him, which made him tingly inside. And he had blurted out, "Wanna meet here next Saturday at 7?" They kept their promise and that's how they started dating.

A year ago.

That was a healthy amount of time.

Right?

Y/N couldn't help but have her doubts. All her previous relationships were pathetic failures, where the guy usually got bored of her within 3 months. But now, she had braced herself for rejection (which she knew deep down wasn't coming but it pays to be careful). "Hey."

Startled, she turned to see a kinda young, kinda drunk woman sitting next to her, looking up at her with doe eyes. "Hi," Y/N smiled back politely. "You're— you're the woman!" She had started slurring her words, which made Y/N frown a bit. "I'm… what?" she blinked. "The girl! Who came over with Sebastian Stan, you're his girlfriend!" The woman laughed loudly.

A few heads turned towards them but quickly looked away when they realized that the girl was drunk. "Yep, that's me. Why?" Y/N was now amused. As they talked, she didn't notice Sebastian walking into the room. He had come back to ask Y/N something but had paused in his tracks when he saw her frowning at the young, drunk woman.

Then he inched closer, unabashedly eavesdropping on her conversation. "Yep, saw him spending a lot of time with Ms Lizzie Olsen. If he was mine, girl, I would take that man home and show him who truly belongs to him, if you know what I mean," the girl winked and a sad smile bloomed on Y/N's face. "They're good friends, of course they're gonna spend time together."

Sebastian smiled at her answer. He knew she was different, she didn't get easily jealous and he liked that, since it reduced the number of arguments they had by a lot. His jealousy? Well, that's a story for another time… "You don't mind? He seems to be spending a lot of time with her…" the drunk woman frowned at Y/N.

Well, she was drunk, she wouldn't remember this night anyway, so maybe… it would be good to get some things off her chest.

"No."

"Why not?"

"Because I braced myself for this months ago. They leave, they always do. It's nothing new," Y/N admitted, swirling the champagne that was swimming in her half-full glass. Sebastian's heart shattered into a million pieces at her words. Before the words were even completely out of her mouth, tears had started stinging in his eyes.

"Y/N?" Startled yet again, Y/N turned to see Sebastian smiling at her. "Seb! Hi, thought you were with your friends!" she grinned at him. "I— uh— something came up, we need to go," he spoke quietly, fidgeting with his hands. Y/N's brows furrowed but she got up, collecting her coat and her purse.

"Can we at least say Happy Birthday to Robert?"

"Yeah, yeah of course." Sebastian managed a weak smile when she gave him a kiss on the cheek, going off to find Robert and Susan. She told them something urgent came up and they allowed the couple to leave. "Seb, let's go!" He followed her out of the house, meekly trailing behind her, the words she said ringing in his ears.

They leave, they always do. It's nothing new.

How had this woman, practically a Goddess, had such bad experiences that she was forced to think that way? He was never going to leave her, having found the perfect woman at last. He got into the driver's seat of his car, and the car ride home was quiet. Y/N was getting anxious. What happened to him? Did something happen at the party?

Once they were home, Sebastian couldn't help himself. "S—" Y/N yelped when he crushed her to his body, hugging her tightly. He took both of them to their shared bedroom, sat down on the edge of the bed, pulled her on his lap and buried his face in her chest, breaking down. "Seb, honey, what's wrong?" Y/N cooed, getting insanely paranoid.

The crying didn't stop for 15 minutes. Y/N, in a futile attempt to get him to stop, was running a hand through his hair, whispering sweet nothings in his ear, holding him close. When he took in a shuddering breath, he pulled away and finally looked Y/N in her eyes. "Now are you going to tell me what happened?" she smiled gently.

He took her hand, pressing a kiss to her wrist. "I'm sorry," he croaked out and Y/N frowned. "Sorry for what?" He shook his head, burying his face back in his safe haven. Except, Y/N wasn't having any of that. She pulled him away and dropped a soft kiss to his forehead. "Tell me what happened."

He took in another shaky breath.

"I… I heard you."

"Heard me?" Y/N blinked. "Yes. You were… you were talking to that girl on the couch and she was— she was talking about how I seem to be spending a lot of time with Lizzie and you— you said you didn't mind but she kept on insisting and you said they leave. they always do. I'm not going to leave you, Y/N, I promise. You're one of the best things that has ever happened to me and I'm not letting you go."

Oh.

"Seb," Y/N whispered, her own eyes now filled to the brim with tears. "Don't cry," he chuckled with a watery voice, wiping her tears off. "It's just— all my relationships before you… the guys were assholes. They always left 2-3 months in. I— I wasn't taking any chances with you, you know… plus, you're kind of a famous guy and you can get so many better women—"

He didn't want to hear it. Better than Y/N? Impossible. He pressed his lips to her, immediately deepening the kiss when she reciprocated. "I promise you, I cannot do any better than you." Y/N smiled shyly at his words and his heart filled with happiness. "Let's go to sleep."

Both of them tired from the crying, they got undressed without trying any funny business. Y/N put on her usual pair of shorts and one of Sebastian's huge t-shirts, getting into the bed where a boxer-clad Sebastian already lay. He pulled her into his arms and she rested her head on his chest, draping an arm around his taut abdomen.

"Comfy?"

"Yeah, you?"

"Yeah. Goodnight, doll, I love you."

"I love you too, Seb. Goodnight."

"...Never gonna leave you."

"Not a chance."

---

A/N: Thanks for reading! Leave a like if you liked it!

[nightowlwriting]

summary: steve is acting weird. avoiding you, being snippy and mean, leaving the room when you enter. all you want is your boyfriend back, but all he wants is to pretend you don't exist. when he's almost hurt on a mission, you do what you're made to do.

word count: 11k

reader specifics: no race/gender/sexuality/body type mentioned, no pronouns for reader used, powered!reader, insecure!reader

warnings: steve is mean to the reader in the beginning, heavy angst, hurt/comfort, canon-level violence, brief ptsd symptoms, slight description of blood, brief mention of racism in the '30s & '40s

brief mentions of: reader's parents being toxic, homelessness, past accidents, ableism in the past & present

note: this one hurt me lmfao. idk why this went the way it did but i'm not mad at it // also i am a queer, trans, disabled american. i have fundamental disagreements with things that marvel/the mcu as it stands for and some of the more nuanced things that you might not notice unless you're looking for it. this will take place in my writing because i cannot separate myself from the lens in which i consume/create content.

title credit: lil nas x

mobile masterlist - request - support my work? - ao3

Falling in love with Steve Rogers went against every instinct you had. You knew that he was going to hurt you from the first moment your lips touched his. Sure - he’s clever, righteous, courteous… You can’t forget he’s also drop-dead gorgeous because every trashy gossip magazine in a three-state radius of New York doesn’t let you forget. Neither does the sight of him waking up in your bed every morning. (Well, actually, maybe that would remind you if he was still fucking doing that.)

But lately, you’ve had to rely on the fucking tabloids to catch a glimpse of your super-hero boyfriend. The university class you had picked up on a whim at the end of the summer - Life & Times of the ‘30s and ‘40s - avoids any mention of Steve Rogers and the Howling Commandos. Not that your classmates do because, Christ on a bike, those magazines manage to catch pictures of you and Steve in moments that you don’t even remember. Plus, you’re an Avenger too. It’s bound to catch some attention when you waltz into a college classroom.

You’re sure if you were an undergrad trying to fill a gen-ed requirement and were sitting next to someone who could kill you without blinking but also dating Captain Rogers you’d be a little distracted too. You try not to blame your classmates too much, but they do make it hard to concentrate with their -really dating Captain America?- and -wonder if I could get an autograph- whispers. None of that matters because you’re learning, really studying, in between missions and missing Steve and believing that maybe the gossip reporters are right.

Maybe he’s forgotten about you.

You grit your teeth and push the thought away. It does you no good right now, while you’re training with Peter. He’s working his way up to bona fide missions and, because you’re the only one on the team who has experience with real-life teenagers outside of saving their lives, it’s up to you to get him to the level that he needs to be. Plus, the mission where he’s going to get his gills wet is just you, Tony, Steve, Nat, and Bucky. You’d much rather be the one to train him because you won’t traumatize him.

Right now, though, you’re just kicking his ass to try and get rid of some of the tension in your body. You feel a little bad about it, but when you started as his mentor you told him point-blank that you’d never go easy on him. That meant if you were having a bad day he either needed to up his game or he’d have a bad day too. It appears he’s taken that to heart as he struggles to dodge the hits you’re throwing his way. He lunges out of the way when you try to land a right hook but practically walks into the leg sweep that sends him crashing to the ground.

“Awe,” Peter groans, letting his guard down. You take the momentary lapse of focus to grab him by the collar of the hoodie he’s wearing and haul him to his feet, jerking one fist back to cold-clock him but he beats you to it. You hear the sound of your nose cracking before you feel it but then the pain rushes you all at once. You’ve had worse but coming from Peter, the move surprises you. You don’t yell out but he does when you push him away from you and call the fight off. Peter practically yelps your name, hands up by his head as he watches you bend at the waist, both hands over where your nose is absolutely gushing blood. “I am so sorry, I just reacted-!”

“It’s fine, Pete,” You shake your head and stand straight again, the blood beginning to leak through your fingers, “Just go get me a towel, okay?” Peter practically trips over his feet to get something for your nose and as you track him on his way into the locker rooms, you see Steve, Bucky, and Nat. The latter are looking your way, eyebrows raised like they’re asking you if you’re okay. Steve hasn’t even broken stride in his conversation so you wave them off with a bloody hand. Peter’s back in a flash, pressing a wet towel into your grasp and snapping you out of your self-pity party. “It was a good hit,” You compliment as you wipe your face off, “I just wasn’t expecting it. Prob’ly wouldn't have landed it if I had.”

He wrings his hands, shifting from foot to foot. “I’m sorry-”

“It’s a good thing, Peter, means you’re getting better.” You deadpan, checking to see if your nose has stopped bleeding yet, “I don’t think you actually broke it, but I’ll go down to medical to check later.” You do your best to clean up your hands with the wet towel, but it’s so soaked with your blood that it mostly just smears it around. You grimace and shake your head. “Well, I should go now before our sparring match ends up looking like I murdered you.”

“I’ll go with,” He offers, “I’m the one who broke your nose.” You let Peter walk you down to medical even though you were originally going to refuse. Perhaps petty, but it was the way that Steve didn’t even look your way as you left that made you let the teenager walk you the two floors to where you’d be able to clean yourself up. He hums in the elevator and you know that he wants to ask you something - it’s the way he holds his mouth when he’s prying for information or keeping a secret that tips you off. Finally, just before the elevator opens, you sigh and turn to him.

“What, Peter?” He grins but then it falls when he has to skitter after you down the hall. Maybe that’s why it falls - the question he asks next nearly sends you to your ass.

“Is everything okay with you and Captain Rogers?” He easily catches up to you when you stop in your tracks, ignoring that you’re still bleeding a little bit down your face and you might be dripping blood everywhere from where it’s run down your arms.

“What?” You do your best to look confused like everything is fine, but Peter is perceptive. He may fumble around and be pretty awkward, but those are really just teenager things that he’ll hopefully outgrow. You should have known that when someone caught onto how bad things are on your end, it would be Peter. (You wonder if Nat or Bucky has brought it up with Steve, considering he’s spent more time with them in the past week than he’s seen you in the past month.) “We’re fine.” Your words are stilted as you begin walking to the medical wing much faster than before.

“I just thought I’d ask, well, because I’ve sort of noticed… Something just seems off, you know? Like, you two used to spend a lot of time together, and maybe it’s the recon mission coming up, but I was just thinking that you two really barely look at each other even when you’re in the same -”

“Peter!” You say his name much louder than either of you expected and both of you jump. “Peter,” You say softer, looking at the glass door to the medical wing instead of him, “Just leave it, okay? It’s nothing you have to worry about, kid.” Peter ducks around to open the door, forcing you to look at him. “He’s just focused on his stuff and I’m focused on getting you whipped into shape for this mission. We only have two days.” Once you’re inside and surrounded by the medical crew Tony keeps on staff, he thankfully drops it. You love Peter, you do, but it’s a lot like having a little brother. You can only love them so much before you want to fucking strangle them. Eventually, as the doctor checks to make sure he hasn’t broken your nose, you have to order him away to go study or something. “I’ll join you later,” You promise him as the doctor prods at your tender flesh, “I have an essay due soon.”

That’s another thing that’s been bugging you that Peter surely picked up on. Nearly everybody knew you were taking a course at the local community college, but nobody knew what it was about. You’d wanted to keep it a secret until you told Steve, but the day you had registered he’d flown out for a two-week mission without telling you or saying goodbye. After that, you decided it didn’t really matter if anyone knew what class you were taking, and keeping it a secret sort of spiraled from there. If they wanted to know they could look it up. Maybe it was petty, but you just wanted the class to be over and done with so you could forget that you really only picked it up so you relate to your boyfriend more.

If you can even call Steve your boyfriend anymore. You’re not so sure where you stand and, honestly, you’re really close to giving up on the relationship as a whole but you can’t do that. Before you were dating, you were friends, and Steve… He never gave up on you. Not once. How could you repay him by giving up on your relationship? The one that you thought was The One? Even if it hurts, even if you’re unsure more than sure these days, how could you? Somewhere, though, you know you deserve better. You don’t deserve the sinking, dark feeling that lingers in your gut for most of your days now or the way that you second-guess every move you make - even in the field. It’s dangerous but you can’t do anything to fix it.

You’re too scared. You know that eventually, it will happen, he’ll break up with you, but you’d like to put that day off for as long as possible. To relish in the love he once had for you, how pure and powerful it was. You’re sure that you’ll never experience anything like that again.

Hell, you might never fall in love again.

Those thoughts don’t do anything to help you, though, so you try not to have them. You get clearance from the doctor and get cleaned up as much as you can without taking a full body shower. The idea to go back to your room and take one crosses your mind but you know that Steve’s probably done training, probably heading back for his own shower, and you don’t want to open that can of worms. Instead, you go to the common room and drop into the couch between Peter and Tony. They’re talking about something something science something something, but you pull your stack of books and notebooks out from the shelf underneath the coffee table and continue outlining your essay from where you left off. The assignment was focused on how the end of WW1 changed American life and then how life changed leading up to and during WW2 but that had hit a little too close to home for you, so you’re writing about the racial tension and overall racism of the times. Tony and Peter keep talking over your back and then you hear footsteps heading toward the common room.

You barely look up when they enter - Nat and Bucky - because it’s fine. It’s normal. They’re just two of Steve’s best friends, that’s all, nothing to be jumpy about. You don’t even register that emotional pain that hits when you realize that, yeah, you’re not one of his best friends anymore. You doubt you’re even considered a friend in his book.

You groan and lean back into the couch, bringing your study materials with you. Peter glances over, skimming over your page and a half of shorthand, and gags. “Jesus, can you write like a normal person?”

“Oh, sorry,” You say lazily, not looking up as you continue to scribble in your incomprehensible code, “I do forget that some of us had privacy at home.” You lift your lips just a little bit to let Peter know you’re kidding, looking up at him through your lashes as you slouch next to him. He looks red in the face. “Besides, once you have to start doing mission reports you’ll be begging me to learn my shorthand and use my stenography machine.”

“I keep telling you that I can update that ol’ thing,” Tony draws your attention. For the first time, you realize that Nat and Bucky are on the loveseat looking at you expectantly. Steve is standing in the corner over their shoulder reading a book from the bookshelf in front of him. His back is tense and he looks like he’s not reading, just listening. You force your eyes back to Tony on your right and shake your head.

“No, because then you’d know my shorthand and it makes me too happy to see you spend hours trying to decipher it.” His eyes wander to your essay again, trying to find any patterns that he can use to figure out what the hell you’re writing on anything ever. He’s opening his mouth to make a smart-ass remark that will no doubt lift some of the weight off of your shoulders when another voice speaks up.

“Wow,” Steve doesn’t even look at you even as he says your name sardonically, “Way to be a team player.” Your mind comes to a screeching halt, trying to figure out what the fuck he’s playing at. Even Bucky and Nat look surprised at the cold way he spoke to you, Tony and Peter both gasping from your side. You can’t say anything, throat tight and burning with tears as you stare at your boyfriend with raised eyebrows. What do you say to that? How do you respond? You know it wasn’t a joke because he’s not laughing, not smiling, not even looking up from that fucking book in his hands. You can’t tell if you’re more hurt or embarrassed, but either way, you don’t want to stick around for someone to get the nerve to say something.

Instead of replying, you slam your textbooks shut and bundle everything into your arms. You doubt Steve even notices that you’re making such a hasty retreat but if he does, he doesn’t say a fucking thing. You feel like you’re in high school - practically running through an empty hallway with your notebooks and textbooks pressed to your chest, trying not to cry. It’s ridiculous. You’re a trained assassin, you’re an Avenger, you are strong and powerful and yet… And yet. You’ve given so much of your heart and soul to Steve Rogers that he can knock you down eight pegs without even trying. Without even looking at you. You can’t wait to go on this fucking recon mission, where you can put all of your focus on making sure Peter is doing okay and gathering the intel. Where you can stop thinking about how easily Steve Rogers seems to be pushing you to the side.

You spend the next two days writing your essay, ignoring almost everyone, and working on your essay. On the day of the recon mission, you’re running out the door for your eight a.m lecture, printed essay in hand, and reminding Tony that he promised to pick you up on campus after class for the mission.

You’re lucky that you went, too. You hadn’t counted on the professor making everyone stand up and tell the class the subject of their essays - didn’t realize that it would be twenty-five percent of the grade on the paper. You’ll never understand college professors and the weird shit they do, but the class is informative and entertaining. He goes around the room, starting on the opposite side of you, so you’ll be last. Great.

Several students did their papers on the propaganda of the time, one student was brave and did her essay on the ethical dilemma of the super-soldier serum and eugenics, and most of the other students focused on pop culture and how it changed. When your professor looks at you it’s almost like he’s expecting you to have done nothing but fawn over Steve and Bucky, considering you know them personally. He looks surprised when you clear your throat, stand and say: “I focused on the casual and institutional racism that faced non-white Americans at the time.” You almost preen when he looks impressed and then the shame fills you. It’s just… You want Steve to be proud of you. You want him to congratulate you on going back to school, even if it’s just for one class. You want him to be happy and surprised that he was the inspiration for taking the class.

Though, lately, the class has been more for you than for him. You like learning new things, pushing the boundaries of assignments, making people uncomfortable with the truth of the times you’re studying as told to you by two people who lived it. It’s nice. Normal.

Everyone needs a little bit of normal.

But, honestly, normal is fucking boring. By the time your class is over and you’re handing in your essay it’s like ants are crawling over your skin. A combination of nerves from the upcoming mission, a head full of fog from whatever is happening with Steve, and a little bit of fear at the thought of taking Peter into the field has you bolting for the door the moment your essay is taken from you. You’d worn your tac-suit underneath a pair of baggy sweats and a loose hoodie, so you don’t even bother slowing down as you head toward the car that Tony has waiting for you. He’s in the front seat, grinning at you from underneath his aviators and Peter is driving.

You slip into the backseat without thinking or looking at who’s there, tossing your bag in the back and peeling your hoodie off. “God, Tone, we’re goin’ to die before we even get to the mission with Petey driving.” You toss your hoodie back to join your bag and finally see who’s sitting next to you.

Of course, it’s Steve. He’s looking at you - but not really. He’s looking through you, like he can’t stand that you’re both crammed in the backseat of Tony’s electric car. His gaze catches you and holds you in place. Everything around you goes cold and fuzzy, making you miss Peter’s indignant complaining that he has his license so he should be able to drive… And then Steve scoffs and looks out his window, ignoring you. It stings but you have a job to do. You make some witty retort back to Peter, but it falls flat as you struggle out of your sweats. This is what life is, you think. Relationships aren’t meant to be forever - you learned that at a young age.

Until your accident at fifteen, you had watched your parents run out of helium, their relationship expanding and cooling in arguments, in days spent not talking, in trips to your grandparents without the other, in passive-aggressive computer searches for divorce attorneys left open for anyone to see. Then, after you were trapped between those machines - after you spent hour after agonizing hour with electricity pressing between your atoms, being torn apart and rebuilt as a young god - after that day you watched them expand against each other before the neutron core of their relationship collapsed on itself and the resulting supernova sent you to the streets. But then Fury found you. Then Tony, then Nat, then Steve.

Your parents exploded out from each other and the shockwaves ruined your life. At least now, your relationship with Steve is ending silently. There’s no explosion, no collapse, no rapid expansion to take over your cosmos. Your relationship with Steve is simply approaching the event horizon, where it will hang in the air until one of you takes the final step and you both become frozen, two collapsing objects on opposite sides of the universe. Maybe that’s what you already are. You feel so far away from him in the back of Tony’s car - like he’s eons and light-years away from you - and you feel so cold. Frozen, down to the bone. It makes you stiff in your replies to Tony and Peter, slow on the uptake when the car pulls up to the quinjet, nearing stasis and unable to respond when Nat asks if you’re okay.

Finally, you turn to look at her, nodding. “Fine,” You clear your throat, “Been a rough day.” You do your best to smile at her, but your face feels heavy. Your chest feels cold and tight, making you worry about your performance on the upcoming mission. When Peter shakes his head next to you, discreetly telling Nat not to press, you’re focused on Steve and the electricity humming in the most base part of your body.

He scoffs and rolls his eyes. You turn away and force yourself to smile, throwing a weak and numb arm over Peter’s shoulders. “Are you ready for this, Pete?” You jostle him back and forth, leading him toward the sitting area behind the cockpit. “Gonna get your ass kicked?”

“Please,” He shoves you off, nervously laughing, “Not with the skills you’ve taught me.” He mimics throwing webs, making hissing noises under his breath, and you bark out a laugh, shaking your head.

“You’re payin’ my medical bills when I have to save your ass, Spidey.” You shake your head and strap in next to the wall, Peter taking the seat to your right. Tony, from the aisle across from you, points a thick finger your way.

“You don’t pay medical bills anymore,” He waggles his finger, “So you’ll just have to make him do your homework for a week.”

“Mister Stark!”

“He’ll have to earn shorthand to do your essays,” Nat chimes in from between Bucky and Steve, who are both doing their best to not look at you - or anyone really. “You willing to share that with him?”

You lean back in your seat and jab at Peter with your elbow. “Hell no, so I guess Spider-Boy better do his best.” The arachnid in question grumbles, crossing his arms and slouching in his seat.

“No pressure, right?” He complains, “Not like I’m already nervous or anything.”

“You’ll do fine, kid,” Bucky pipes up, drawing your eyes back to Steve, “It’s goin’ to be a cakewalk.”

“Don’t jinx it, Barnes,” You warn half-heartedly, tucking in on yourself, “We need this to be easy.” From the look on his face - everyone’s face, really - you know that they heard you loud and clear when you were really saying I need this to be easy.

After an uneasy laugh from Bucky, a claustrophobic silence settles over you all as the jet begins to take off. You’re in for an hour ride and plan to spend it going over battle plans with Peter when harsh whispering catches your ear. It’s Bucky and Steve nearly crushing Nat between them until she gets up and sits across from Peter, rolling her eyes. Still, you try your best to run him through the actions you both had planned - the names, the setups you needed to execute them, everything. If something happens to Peter, you’ll never forgive yourself.

And then, cutting through your soft promptings to Peter and his equally soft replies, Bucky’s voice. “Leave it, Steve. Until after this mission.” Even Tony looks up from his tablet, curiosity piqued. Their faces are both red, set hard and angry at each other and your stomach drops. What the hell is going on that Steve ‘Till The End Of The Line Rogers is fighting with Bucky You And Me, Pal Barnes? You must shift, or lean too far into Steve’s eyesight, because for the first time in what feels like years he is looking directly at you - and seeing you, too. It makes your pulse jump and, almost instinctively, you want to reach out and ground yourself on the rubber of the seat underneath you.

You don’t get the chance, though, because Steve speaks. “No, why should I? This is clearly affecting the team.” He’s still looking - glaring - at you like you’ve done something wrong. “What’s the point of waiting? I’ve been waiting to talk about this.”

“Bo, I don’t think this is the time,” Bucky looks over his shoulder at you, then, and you know what’s coming. You know that it’s time, that Steve is about to break up with you in front of your teammates. Your friends. Your family. You steel yourself for the anguish you’re about to feel and then jerk your chin out, hardening your resolve.

“Buck, it’s fine. If Steve wants to address something, he can.”

Natasha says your name, a low warning over the hum of the quinjet. “I think he should wait.”

“Well, I’m not goin’ to wait!” Steve unbuckles himself and stands, “I have tried waiting, and look at where that has gotten me.” He puts his hands on his hips and puffs out a breath. You unbuckle and stand, too, unsure of where this is going. “You need to,” He holds one hand out, pointing at you while his voice shakes. You notice his hand is shaking, too, but fractionally. If you didn’t know Steve as well as you do you may have never noticed it. “You need to get it together.”

“I need to get it together?” You question, eyebrows nearly hitting the ceiling with how fast they shoot up. You’re not totally sure you’ve heard him right because what do you have to get together? The broken shards of your relationship? The information and research for your final paper? The awful way you’ve let yourself be treated for what seems like forever?

“You heard me,” Steve says, at the same time Bucky leans his head back and groans deep in his chest. “What? Someone had to say it.”

“We should wait for this,” Nat speaks up again, but lifelessly. She knows now that you and Steve are both on the warpath, neither of you are going to stop. (That’s also why the two of you work together as a couple so well. Very rarely are you both so worked up about something that you can’t back down, so the other is always there to meet you halfway and get you back to earth.)

“No, no, no,” You say, near hysterically, “No, he wants to do this now? Before a mission? Instead of the fuckin’ weeks we had to hash whatever crawled up his ass and died out? Be my guest. He’s already dragged everyone into this by treating me like a pariah.” You’re not sneering, but your teeth are gritted so tightly together you can hear them scraping and feel a tension headache beginning to bloom in your temples. Bucky looks… Almost incredulous at your statement. Like putting the blame on Steve is a dick move or something.

“Oh, so I’m the bad guy here?” Steve is curling his lip, glaring at you. There’s something behind his eyes, but he’s buried it so deep that you can’t reach it and figure out what it is. “I’m the bad guy, right. Right, right, right.” He scoffs, shakes his head, and then he’s running his fingers through his hair like he really can’t believe what you’re saying to him.

“Well, what else am I supposed to think?” You throw your hands out to the side and let them slap back down on your thighs. “You ignore me, you make me feel like shit, you talk down to me like I’m some insignificant foot soldier. How else am I supposed to take that, Steve?”

“Oh, I don’t know, maybe ask me what’s wrong? Maybe ask me why I’m acting like this, instead of ignoring all of your problems like a child?” He mirrors your moments, but the sound his hands make when they hit the outside of his suit is more powerful than yours. Fueled by anger, you think. Anger and whatever the hell was in the serum Erskine pumped into Steve.

“Ask you?” You repeat, near-hysterical, “Ask you? Oh yeah, let me get right on that. Hey, Mister Rogers? Mister Captain America? Mister Ignores-His-Partner-For-God-Knows-Why? Hey, just why are you doin’ that?” You’re surprised that you’ve said something so snotty, but you don’t back down. (Steve looks surprised, too, and Bucky has stood up next to his friend like he’s about to start berating you as well. At least he looks more cautious about it, like he’s not totally sure that this fight should be happening.)

The more surprising part of your fight is how fast it’s shut down. Tony and Nat stand at the same time and exchange a glance like they’ve surprised each other. “That’s enough,” Tony starts.

Nat cuts him off. “I don’t care if you fight this one out instead of talking, but if you do it before this recon mission you two are going to blow it. Do you understand me?” She looks dangerous, the sharp edge of a knife spiraling through the air. You force yourself to look away from her, from Tony, from Bucky, from Steve. She’s right. You know she’s right - especially on this mission. Peter is there, going to be in real danger even though there’s not supposed to be one Hydra agent in a four-mile radius. You have to clear your mind and focus on protecting him.

Steve seems to think the same thing because he stands down. When you watch him collapse in on himself, Bucky’s arms around his shoulders, into the little quinjet seats your everything aches. Heart, lungs, eyes - everything. Even though you don’t know what’s going on, what could have possibly happened to make your relationship sink this quickly and out of the blue, you still love him. He’s still The One for you. You still want to be the one to comfort him and make him feel whole when he’s struggling.

But you can’t. You can’t and it kills you.

The heat of battle makes a lot of things fade into the background. Important things like why the fuck are there Hydra agents here? and Steve is going to break up with you when you get back on the jet and Tony swore on the fucking limited edition AC/DC vintage tour poster he has in his office that this would be an easy in/easy out information mission. None of that matters, though, because you’re in deep shit. There are seventeen of them, all primed to the teeth with weapons made to take your team down permanently.

You’re practically glued to Peter, calling out commands and plans for him to initiate. It’s when all of your plans fall through that you take a hit from a heavy fist on purpose, hitting the ground hard. “Plan F, Spidey, Plan F!” You cover the instruction with a groan and then you’re back on your feet, working your way toward him.

“Plan F?” Tony says, somewhere above you in his suit. Your comms crackle ominously as another heat-seeking grenade is launched, interfering with the radio waves your tech relies on. You don’t worry about it, because you know Tony is on it. He’s your eyes in the sky.

Peter is the one who answers his question, watching your close hand-to-hand tilt out of your favor briefly. “Plan Fuck It, Mister Stark.” He grunts as he webs up a Hydra agent, jerking him away from where he was about to slip a knife up and under Natasha’s kevlar. You finally drop the guy in front of you, ignoring Steve’s disappointed Language! and toss one of your knives toward Nat for her to use. Tony is still laughing in your ear, wheezing as he drops down and snags the rifle from one of the snipers and then takes back off.

What your little protégé failed to mention about Plan F is that it’s not just chaos, but controlled chaos. You let loose, letting a soft current cover every inch of your skin as Peter switches to his conductive webbing and takes special care to not web any of his allies. Except for you - if you’re in the way and he catches you in a web it doesn’t matter because you’re you, alive with electricity that drops the men that get caught in the web, too. You rip out of the webs and turn the current off when one of your teammates gets too close.

More Hydra agents are pouring out of the woods, topping out their numbers around twenty-five. That’s twenty-five too many in your opinion, especially when you can see Peter getting tired, his anxiety spiking, his moves having more and more hesitation behind them. You need to get this over with quickly, but you don’t have the options to do that. Steve, Bucky, and Nat are really the heavy-hitters - you, Pete, and Tony are the only ones without serums despite all of your individual abilities. Desperately you reach out for a web that’s still connected to Peter’s arms, pulling him out of the way of a baton that’s about to come down on the back of his neck.

The baton the agent is wielding glints in the coming dusk, freezing you as Peter scrambles past you with a quick apology. You’ve seen that before - seen it, felt it, know it like the back of your hand. There’s no way that you could ever forget that weapon. The man stumbles when his hit doesn’t connect but then rights himself and searches for a new target.

A long, black baton that splits into two prongs at the end is heavy in his hand. Electricity crackles between the bulbs at the end, flashing in the setting sun and your memories. The man only has one, but if it was hooked up to a machine, spinning. If there were four, five, six. If you were pinned between them, screaming in the pain as they rewrote your DNA… You’ve only felt it once, but you’ll never forget it.

And now, you’ll taste it again. On purpose this time. The man holding the stun baton is going for Steve’s back - his strong back, the one that protects people, the one that holds the weight of the world, the one that lays in your bed, the one you see whipping out of rooms as you’re entering just so that he doesn’t have to look at you - and you can’t let that happen. It only takes ten amps to kill a regular human, but you know those things are cranked up to twenty minimum. You don’t want to see how many amps of current it will take to stop Steve’s heart. You’re between the baton and Steve before you can think about what you’re doing or what comes next, the hard bulbs settling unyielding into your side and cranking out maximum power for maximum damage as soon as the current is connected and able to flow from one bulb to the other.

The pain hits you and your throat catches on it. It burns through your body, setting everything on fire - your chest hurts as your heart protests the electrons and then your powers kick in, sweeping them into your very atoms and cells. You’re a live wire now, ears humming and body thrumming with power you’ve only dreamed of. It hurts, and it burns, and you feel tears rising in your eyes because you’re back there - back begging for death or for life or for God and god at the same time - but then it’s over. The man sees that you’re not seizing up, not dropping dead in front of him, and he takes three steps back.

It’s not far enough.

You’ve only felt like this once before - right after you were unhooked from the machine that changed your life and brought you to your new family. You remember how you looked when you were put in front of a mirror with all of the pent up electricity circling your body - how your eyes were filled to the brim and dripping with bright and blue electricity, the way it was jumping across your body, how you didn’t need to breathe because your body was fully saturated with pure, unadulterated power. You wonder if you look like that now and assume you do because you can see the bright blue reflecting in the terrified eyes of the Hydra agent.

Your suit, unlike everyone else’s, is not grounded. It’s metal, metal, metal. You’re made to conduct, born for it, and the earth beneath you comes alive with bright white as you release all of the energy, the power, surges down and out. You’re practiced. You can reach out and feel the synapses and neurons of every human being in the clearing, know exactly where your teammates are standing, and know exactly how to target everything but them and the pitiful amount of electricity their brains carry. You grin, something truly feral and unhinged, and you can see the fear in the Hydra agent. Then, you let go.

You know that everyone is going to be pissed. (Maybe not everyone.) You’re not built for this, not made to take down nearly twenty fucking people at once. As you let go, you feel what they feel. The seizing muscles, the stopping of their hearts, the inside of their bodies crisping against their bones. At that moment, that delicious moment, you see the universe.

You become God. You become everything - your mother and your father and God and god and anyone else who’s watching your life from the ether. You become the judge, jury, and executioner of souls that you don’t know from Adam. You become lightning, and thunder, and exposed nerves of the cosmos at the same time. The world bends to your will and you relish in it, taking that power in your fist and wielding it to protect the man you’ll love for the rest of your life and the family that you’ve made. You will stop at nothing to end this, even if it means turning yourself inside out to do it.

You damn near do turn yourself inside out too, but that doesn’t matter, does it? The blood spilling from your ears, nose, and eyes feels like heaven. It’s hot, and thick, and it’s proof of the power that your body holds. You’re a temple and a sanctuary, a war-room and a bunker, a field of flowers and a sun-dry desert. It does not matter if Steve doesn’t love you at that moment, because you are love and hate wrapped into one package. You are everything and nothing, spread thin at the beginning and the end of time.

And then none of that is true. You are just… You. Standing in a clearing, surrounded by twenty-something dead Hydra agents and your terrified, terrified family. It hurts to breathe and you can taste blood in your mouth, but that’s an afterthought. Steve is still standing behind you, but he is alive. That is what matters.

This is what love is, you think.

Pain and pleasure.

Even if he leaves you, you will always love him.

Pain and pleasure.

You’re weak at the knees when he finally turns to see you - and you’re a sight. Struggling to stand, fingertips blackened with soot but not burnt, blood pouring from your nose, ears, eyes… You look like death, but you feel like life. Someone says something behind you - Peter, maybe? Or maybe Tony, in your comms? - but you don’t hear it. Everything tunnels out, your weak knees finally collapsing as you keel backward.

Steve bears down upon you almost immediately. You’re halfway to unconsciousness when he wraps you up in his arms, keeping you from falling in with the pile of bodies around you. He’s saying your name, harsh and soft and then in a voice like he’s ordering you to wake up. You loll about as he drops you down onto a patch of clear grass, hands searching your body for wounds. When he skims over your side, where the baton has burnt through your suit and your flesh, you surge back toward being able to have cohesive thoughts. The pain brings you back, hands wrapping around Steve’s arm and calling out his name. “Steve! Fuck, that hurts!”

“Honey,” He breathes, “Fuck, we have to get you back to the jet.” His jaw ticks, hair dirty and loose from its normal style. “Why’d you do that?” Steve doesn’t wait for an answer from you, ordering Peter to web something up to carry you over your protests.

“I’m fine,” You argue, only slurring slightly, “I feel fine.” But you’re going to let Nat and Bucky load you up on the webbed stretcher anyway because it’s the first time Steve has cared for you in a long time. You want to relish in this moment, the way that he didn't say your name but called you honey.

Well, and because Natasha slides a thumb across her neck over Steve’s shoulder in a silent threat.

You groan when Bucky accidentally grabs your calf where there is an absolutely awful stab wound, but you wave off his apology. “How could you have known?” To be honest, you hadn’t even known it was there until his Vibranium hand was slipping against it and sending shockwaves of pain through you. Peter is next to you the whole time that you’re being carried back to the jet - Tony staying back to begin scanning the bodies of the Hydra agents for the information you need and any other information they may be carrying. The poor kid is nearly at a breakdown, so you reach out to him and shake his arm when his fingers twine with yours. “Chill out, kid, I don’t know how you got it into your head that this is your fault, but it sure isn’t.” He sniffles, but hands back with Steve as Bucky and Nat get you situated in the small medical room of the jet. They transfer you and then make to leave, only Bucky hesitating near the door.

“Stevie’s goin’ to be here soon and… I don’t know what made you do what you did but you have’t explain it to him. He’s bendin’ over backwards to figure it out, and we don’t have’a clue. Came out’a nowhere.” He looks at you for another moment before shaking his head and stepping out of the room. Your head is spinning, partially from what Bucky just said and partially from the pain and stimulus of electricity. You wait there, then, because this is it. This is the event horizon. You wait there, eyes closed, until you hear footsteps approach the med room, and then the door slowly opens. Steve says your name, holding all the finality and weight of an atomic bomb. You don’t open your eyes until he swings a chair next to the stretcher and lays a hand on your calf.

“You don’t have to do this,” You finally say, pushing yourself up onto your elbows to watch him. “I know that you don’t want to.” Steve only scoffs and begins to wash the stab wound using a packet of soap and a water bottle. You say his name twice before he looks at you, something between hate and hurt curdling into a glaze over his eyes that stops you in your tracks.

“Just let me do this. It is the least that you can do.” His words are painful and stilted, like it’s taking force to push them past his teeth. You lay back down and close your eyes, content to just feel the pain of Steve beginning to stitch you up and then dress the wound before you feel the pain of Steve leaving you like you knew he always would. (Falling in love with Steve Rogers went against every instinct you had. You knew that he was going to hurt you from the first moment your lips touched his.)

When he’s done he sits back and puts his elbows on his knees, head in his hands. He heaves a heavy sigh and then shakes it off, “I’ll dress your burn, and then we’ll talk.” And normally, yes, you would agree but this is too important. You want to get it over with so you can lick your wounds metaphorically and dress them literally - and then you want to go home, you want to pack your bags, and you want to disappear and remake your life somewhere else.

Some far-off place where everyone you know won’t take one look at your face and know that you’re still painfully, deeply in love with Steve Rogers, end of your semester be damned. Family you’ve made be damned. You can’t sit around and be in love with him like a neon sign on a dark highway while it’s painfully clear that he hasn’t had a sign on his highway in a long time.

So instead of agreeing, you swing your legs over the stretcher and swallow your flinch when the burn pulls tight. Steve opens his mouth to argue but you give him a tight-lipped shake of your head and his jaw snaps shut. “No,” You say, voice not giving in to the emotion swirling in your chest. “I have let this go on long enough.”

It’s the wrong thing to say because Steve fucking scoffs again and looks away from you. “One day was long enough.” He says, cutting straight to your core. Okay, ouch. You take a deep breath and shake your head to try and bite back the tears that are inevitably rising in your eyes. If one day was long enough for him to realize he doesn’t want to be with you, why did he let it go on for nearly a full year? Why did he spend so long leading you on, pulling you by a thread before garroting your heart with it? What was the point?

“If you want to leave me, just say that,” You reply harshly, standing and wobbling away from him. He just watches you go, watches the way you struggle past the lead weights your muscles have become, the way you’re starting to feel the stab wound on your leg, the way the skin on your burn is beginning to blister and only just now losing its heat. He just watches you, where the Steve that loved you once upon a time might have helped. You turn your back on him, hands on your hips so that you can hide the way that you’re crying and your hands are shaking.

“If I want to leave you? If?” He says. You hear the scrape of his chair as he stands, “I think after what you’ve done, it’s not an if, sweetheart.” The way he says it tastes like iron. Steve never calls you sweetheart like he never calls you by your name. It’s always honey, lover, dovie. You don’t turn to face him because you’re struggling to keep yourself above water. “I spent so long thinkin’, wonderin’, askin’ myself - God damnit, will you look at me?” You turn slowly, not because you’ve never heard Steve speak like that but because his voice is desperate and raw. When you turn, you’re not sure what to expect. Maybe him, standing in front of you, broad-shouldered and disappointed like in those PSA’s he had to film once. Maybe he’d be angry, hands clenched at his sides and eyes narrowed like he gets in meetings when he doesn’t agree with something but he’s out-voted. But you never expect to see him crying, lip wobbling, folded in on himself like a young boy instead of the strong, invincible man you’ve come to love.

He looks so different.

It hits you, then, that you’re not looking at Steve Rogers. Not really. He's not Steve Rogers, not Captain America, not even Captain Rogers. You see him as he was - before America spat it’s untruths all over him and injected him with a serum that changed who he was, is, will be. He’s not the able-bodied man that you know, not strong and unreachable, not the heartthrob that overshadows the team during press events. He’s not America’s Darling, not really. Not where it counts.

You’re looking at Stevie Rogers. Stevie Rogers who, for all intents and purposes, was supposed to die before he made it out of toddlerhood or soon thereafter. Stevie Rogers who the doctors said wasn’t supposed to survive. Stevie Rogers who grew up sickly, rattling painful breaths and never playing ball with the neighborhood boys. Who couldn’t walk until middle school when he got his braces off. Who never had a partner because Bucky, strong and handsome and tall Bucky, was always deemed the better option. Who believed in his country so much that he tried to sneak into the second world war, subjected himself to a painful medical procedure so that he could change his very DNA to be what the world wanted him to be.

Captain Steve Rogers. Captain America. Strong, blond, patriotic, resilient.

You’re sure that if men don’t want to go to therapy now, in the modern age, they certainly didn’t want to go in the ‘40s. So where did that leave Steve, your Steve, standing in front of you and looking small, and broken, and sad, and alone? Did they expect him to take his new, taller, working body and run with it? Did they not think about how he would lose a part of himself in the process? How did they expect him to go from disabled to abled without some disconnect?

You think about the You That You Were Before and the You That You Are Now, and how you lost a part of yourself when the accident gave you your powers and how you’d lose yourself if someone figured out a way to take them away. You Before formed your identity around being normal - living in a shitty home with shitty parents, sure, but normal - and You Now form your identity around your powers, your team, your job, your love. If you lost those things, what did you have left? Who would you be?

When Steve lost his identity and became everything that America wanted everyone to think that America was, what did he have left? Sure, he could tell himself that he represents America - strong and patriotic and just - but it must have conflicted with everything he knew about himself before that. You know that disabled people now know that American society is unjust, unfit for them with abled people not willing to make room to allow them to thrive. You can only imagine what it was really like for Steve in the ‘20s and ‘30s and ‘40s. What he had to do just to survive. (Medical experimentation, you remind yourself. Did they know it wouldn’t kill him? Did they know his body wouldn’t rip itself apart with the new sinewy muscle they were packing on? Did they care? Or was he just a body they saw as broken? A project to fix? To turn him into something more like them and call it patriotism?)

You shake your head at him, still filled with despair, and try to figure out what he’s talking about. “Stevie,” You start, pet name easily replacing what you had been calling him because it’s not fair to shoe-horn him into a body that doesn’t feel like his own. You wonder if he still expects the bone-grinding pain that he used to tell you would happen when it rains. He raises a hand, a strong and family hand, shaking his head.

“I just need to know why I wasn’t enough for you,” Steve looks sad, slouching in on himself like he’s expecting to get his ass handed to him in another alleyway and hope Bucky is there to save him. “I need to know why you wouldn’t just break up with me if you wanted to see other people so badly.” You suck in a shocked breath because, okay, that’s not what you were expecting. Between that and the paradigm shift you’ve had on how Steve must view his identity, body, and self, you’re stunned. Steve continues like he doesn’t even register that you look shocked and pale and now you’re crying because he thinks you’re cheating on him? “And I get it. I get it. You have no idea how much I understand. If I were you, I wouldn’t want me either, okay?”

You cut him off there because what the actual God damn fuck is he talking about? “No, Stevie, I’m not cheating on you.” You shake your head again and this, your statement, lights a fire in him. He still looks like Stevie rather than Steve, but there’s anger there. You imagine that’s what it might have looked like moments before he got himself in trouble back before he was serumed. “I’m not.”

“Oh, yeah?” He challenges, jaw ticking and chin jerking up, “Oh, yeah? You can’t lie to me. I know, okay? The act is up, it’s over, I know, okay? You can stop pretending.”

“Steve, I do not fucking know what you’re talking about but I”m not cheating on you!” You raise your voice, not really angry but more out of necessity. You need to get it out of his head that he is anything less than everything you want - that you could possibly love anyone more than you love him.

“I wanted to clarify something for you,” Steve says like he’s reading an old script from when he was just a beefy, red/white/blue stage prop for the American military, “I am excited to meet with you, but there are some rules. Do not talk about Captain Steve Rogers. I don’t want to hear about him,” As he continues to recite something that has clearly hurt him, you go lax. You know exactly what’s happened - your fists unclench, your jaw drops a little bit, and it feels like someone has gutted you, “I think it is wise to keep work and pleasure separate, and it’s a rule I will enforce heavily. I look forward to seeing you again.” He’s sneering at the end, tears falling down his ruddy cheeks.

“Steve,” You try again, but he cuts you off.

“Am I just work for you?” His voice is shaking more than you thought possible, and so are his hands. You’ve never seen Steve so off-kilter, so thrown, and it breaks your heart that yes, technically, you’re the cause of this. Before this, before this horrible misunderstanding, your relationship with Steve was the paragon of trust so neither of you cared if the other read emails or texts. You remember the email - the email from your fucking college professor - because it had made you so angry that he’d referred to your relationship with Steve as something as simple and base as just pleasure - like you could even put words to the galaxy of a relationship you had with Steve - that you’d gone to the gym to work off some of that irritation. You hadn’t wanted to take it out on anyone accidentally. When you came back from the gym, Steve was gone on that two-week mission that he’d left on without saying goodbye.

Oh, God. You feel sick to your stomach as the paradigm of the way that Steve’s been treating you shifts violently to the left. You have to physically hold yourself up and try to speak past the lump in your throat. Steve looks… Brokenly smug. Like he knows he’s right, but he’d rather gnaw his own legs off than be right.

“No,” You croak, “No, Steve, you’ve got it all wrong.” You want to reach for him, but it feels like the room is closing in on you. You’re second-guessing everything now - especially what you’ve just said. How many people said the exact same thing to him pre-serum because they said something meant for Bucky to him? How many times did he hear that when he was getting a new diagnosis, hoping for the best? How many times had his own mother said it to him when he told her something someone had said, fresh-faced and not yet used to the way that abled people sometimes treated disabled people? You think you might be sick. “That email was from my professor, Steve. I’m not cheating on you, I’d never.” He laughs darkly and sits back down in his chair, head in his hands again. You try to gather the strength to move toward him when you see his shoulders shaking, a telltale sign that he’s crying.

“A professor,” He says with a watery laugh, “Right.”

Finally, you realize that he needs you, needs to know you love him, that you’d do anything for him. You can iron out the kinks later - figure out why he didn’t want to come to talk to you past the original hurt, why he treated you so coldly, why he didn’t trust that you wouldn’t do this to him - but now, you need to show him that you’re here. That you choose him. That you’ll always choose him.

You make your way to him and set a shaking hand on his shoulder. For a brief second you think he’s going to shake you off but then Steve’s hand shoots up and latches onto where your hand is resting, dipping his head to press against your arm. “Stevie, please,” You say, unsure of what you’re asking him to do, “I picked up a class, just one, and it’s… I picked it up for you, it’s about the ‘30s and ‘40s and…” He looks up at you and he looks so broken - face ruddy and wet with tears, lip wobbling, chest heaving as he tries to not sob. His brows are knit and he looks confused, “I just wanted to be able to understand you better. You had to leave so much of yourself at the door when you joined the Avengers, had to leave so much of yourself in the ice… In Erskine’s lab… Stevie, I just wanted you to be able to be you when you’re with me. I wanted to know the you that you were before you became Captain America.” Your voice is shaking, knees knocking together, and honestly? You feel like you might blackout.

“What?” He rasps, “What?”

“He sent that email because too many kids signed up for his class thinking that they’d be able to look at pictures of you and Buck for a semester. Emailed me directly because he knows we’re…” You choke on your words, shaking your head because you’re not even sure there’s a we anymore, “Because he knows I’m on the team. Didn’t want me walking in and making his class about just a few years in the ‘30s and ‘40s rather than the culture of the time.” You don’t know how else to explain it to him, but Steve isn’t saying anything - practically isn’t moving or breathing- so you continue to try and explain what’s really happening as best as you can, “And - and that email made me so angry because he singled me out, didn’t email anyone else about it, and I left to try and work some of that out; I didn’t want to take it out on you, or let it spoil - let it spoil… But when I came back from the gym, you were gone. You were gone for two weeks and I didn’t know why.” You’re crying harder now and pretty sure that within the next sixty seconds you’re going to collapse if you don’t sit down.

Steve shakes his head, still looking like he doesn’t understand. “What?” He says for a third time, “A class? A college class?”

“I just wanted to feel closer to you,” You confess, “Just wanted to understand a fraction of your life without making you do the heavy liftin’ and teachin’ me. Shouldn’t have’t do that,” You’re sobbing, barely biting out your words as you realize that something you’ve done to strengthen your relationship with Steve has destroyed it, “Shouldn’t have to explain a whole different time just to feel loved, Stevie. Should be able to be with someone who understands without you havin’ to explain.” You’re not sure you can say Peggy’s name out loud, and you hope he understands what you’re saying without making you actually say it, “Should’a been able to have love with someone who knew, and I know I’m nothin’ compared to what you should’a had, but I want to be. I want to be in the same ballpark instead’a watchin’ from the stands.” You wipe your face with your free hand and look away from Steve when he stands in front of you. You don’t want to see the look on his face - what he’s thinking about what you’ve said.

He says your name and you glance at him, but his expression stops him in your tracks. Where Steve looked broken and hurt and fuming with anger to hide the anguish, now he looks stricken. You shake your head, “No, no. I didn’t say that to make you feel guilty-”

“You think that I care about whether or not you can understand the ‘40s?” He cuts you off, hands moving to curl around your biceps, “You think that I care whether or not you can relate to a time in history when you weren’t even thought of?”

“Of course I love you. I love you more than anything in this world, but you shouldn’t have to not care, Steve,” You argue, shaking your head, “That’s what I’m trying to say. You should be with someone who understands without explanation. I just wanted to give that to you - didn’t know that this would happen.”

“I should be with someone who loves me,” He argues back, “If you love me, that’s all that matters. My past be damned.”

“But your past is you!” You try to pull away from Steve, but he anchors you there. You’re dizzy from being so close to him after this long, but also because of how many different twists this situation has taken. You can barely keep up with how bad your communication with Steve has become - barely keep up with how you need to fix it, or how to fix it. “Your past is you,” You repeat when you realize that Steve isn’t going to let you go. “And you shouldn’t have to give that up so that someone will love you.”

“But you love me,” He says desperately, ducking his head so that he’s nearly nose to nose with you, “You love me, right?”

“More than anything,” You say, closing your eyes and relishing in the feeling of being so close to Steve, “I love you more than I’ve ever loved anyone. I don’t care about what anyone else thinks, or anyone else. I’ll even stop goin’ to class if you want me to - Steve, I just can’t do this anymore. Can’t do this thing where you don’t talk to me about what’s botherin’ you.” You’re choking up, barely whispering, but you know he hears you. YOu can feel his warm breath on your face, “Nearly fuckin’ killed me.”

“I thought it was goin’ to be easier,” He breathes, nose bumping yours, “When you eventually decided to leave me for him. Thought I was savin’ myself some trouble.” You can practically taste his tears as they fall again, “Buck and Nat tried to tell me that you weren’t - that you wouldn’t - but I just couldn’t believe them.”

When you open your eyes, his are closed. This close to him you can see the soft freckles that are blooming over his eyelids, his soft eyelashes kissing his cheekbones. You can feel him breathing, feel him nearly pressed against you in a way that feels hauntingly nostalgic and terrifyingly fleeting; like you’ll be able to feel his warmth for years to come, but he’s about to disappear. “That’s okay,” You finally whisper, “It’s okay that you didn’t believe them. That you thought what you thought. It’s okay.” He shakes his head against yours, opening his mouth to protest, but you refuse to let him feel guilty about feeling this way - you have plenty of time to sit him down and talk to him candidly about the way he acted because of these feelings, anyway. “If I would have been in your place I’m not sure I would have believed them.”

“I treated you so badly…” He shifts and wraps his arms around you. It’s almost immediate - you relax into his arms and wind yours around his waist, keeping him pulled against you as he presses his face into your neck and you press your cheek against his chest. “So awfully.”

“We’ll talk about that, okay? But later. Right now you just need to know that I love you, Steve. I love you more than I can tell you - more than I can express.” You want to kiss him, but you can’t. Can’t kiss him, you need to wait for him to kiss you, for him to close that gap and show you that he still loves you like you love him. “We’ll have to have a talk, a long and hard conversation about this, Stevie, but for now… For now, I’m just content to be with you, okay? MIssed you so much.”

He sighs, nose pressing against yours again. “Missed you too, dovie. Missed you more than I can even say,” His voice breaks as his lips brush yours. Your relationship is not without its flaws and problems - Steve’s actions when he thought you were cheating on him are proof of that and, well, the fact that you didn’t realize what was happening, why it was happening, or a large part of your boyfriend’s psychological makeup having an impact on your relationship while it went unknown by you… There is a lot of work for the two of you to do, a lot of work to do, a lot of communication to be done… But you’d do it all for Steve, over and over again.

When he presses forward and presses his lips gently to yours, you know that he’ll do it all for you, over and over again, too.

[a-simple-imagine]

When Worlds collide - Chapter 2

synopsis: there isn’t much for a spider-person to do when they’re told to sit tight and wait

pairing: MCU!natasha romanoff x fem!reader

words: 1k

A/N - it’s that time of year where i post the stories i rejected. let’s begin my annual end of the year fanfic dump 2021. none of the stories have been edited btw, they’re basically just initial ideas.

i simply loathe this story despite how highly requested another part was. i actually have multiple other parts too, i just don’t like the direction this whole thing take. might rewrite the whole thing but probably won’t. 

PREV //

The avenger's facility had never felt less like home than it did right now. After Tony had caught you showing off, he had given you a very stern talking to; it probably wasn't as bad as the one he'd given Natasha but you still didn't appreciate it. You missed the tower. You missed the team; the other team.

"I knew I'd find you up here,"

You don't even need to look to know it's Natasha. She had a very distinct voice that you knew all too well plus there weren't too many other girls who hung out at the Avengers compound. She takes up a space beside you; mimicking you by letting her legs dangle over the edge.

"Hey," You mumble out as you finally glance towards her, offering up a small delicate smile.

"What you doing up here?"

"Do you think Tony is gonna come back soon?"

"Stark? Sure, eventually."

"I just think maybe he's forgotten about me."

"I doubt that,"

"I think I've established that this isn't my reality."

"What does that even mean?" She asks.

"Do you believe in multiverses?"

"Sure... why not?"

"In this reality, your Spider-Man isn't me. Your captain America is Steve Rogers. Vision exists. But in mine, I'm Spider-Man. Peggy Carter is Captain America. Pietro is still alive. Vision isn't even a concept. Different realities so similar and yet so different."

"Not saying your crazy or whatever but what makes you think you're not just insane?"

"maybe I am," who was to say. none of this made any sense. a sad sigh leaves your lips as you stare down at the world below. nothing but grass and the driveway up.

"When Tony comes back I think you should tell him. He could probably help."

"With being stuck here?"

"Yeah," she nods. "Do you wanna come with me today? I figured you must be bored locked away here so I thought we could do a little patrolling?"

"Really?" Interest peaked. "Isn't that a little below your pay grade?"

"Definitely," she chuckles. "But you'll be the one doing all the work Spider-Man. Plus if I stay locked up here having to watch you much long I'm gonna go insane."

"Alright let's go." You stand up and walk over the edge of the building. Natasha looks over.

"You could have just walked down the normal way,"

"Where's the fun in that?" You yell back.

"well now you've got to wait for me," Natasha replies. She made a good point. You walk back up and grab her with one arm. "Put your arms around my neck, legs around my waist and I'll lower us down."

She does as instructed. And you were painfully aware of how close she was. You attached your web to the edge of the building before jumping off for dramatic effect landing against the building with both feet, knees bet. Natasha's grip tightened. And you basically just hung the rest of the way down. It was pretty quick. over in a flash.

"You okay?" Natasha nods, unwrapping herself from you. "Then lets go."

You drive into the city. Eyeing the busy streets and dirty roads practically wishing someone would do something bad or illegal.

"Can I get out of the car?" You ask. Natasha seems hesitant but gives you the okay. You tap the spider against your chest before getting out the car. Stretching a little before deciding to have a little fun. You shoot a line of web at the nearest building before zooming to it. Then jumped of and began swinging through the city. It had felt like forever since you had last done this. Running along the side of buildings. Swigging through the city. You missed it.

"As much as a trust you which is not a lot. I'm supposed to be watching you and I can't do that if you're swinging around like mad." You sigh at the message.

"Pull over," you instruct her. She does so. You jump down landing beside the car, you knock on the window which rolls down to reveal her smirking face.

"And what can I do for you Spider-Man?"

"Get out of the car."

"Why?"

"You can't watch me while in it so..."

She steps out of the vehicle. "I'm gonna give you the full spider-man experience. Hold on to me."

Resuming the position from earlier she attaches herself to you and you put an arm around her for support.

"Ready?"

"I guess so."

"Great," You fire up again. Starting off slow. "Hold on tight because I don't have the best record when it comes to catching people-"

"What-" she yelled loudly in your ear.

"I'm kidding- mostly."

You continue to swing coming to a stop on top a tall building.

"Hey,' ai was so finicky. "any chance you can do a scan to see what's going on in the city?"

"I can scan the immediate area with the sensors in your suit but I cannot connect to the satellites. They are on a different network."

"You can't hack them?"

"Possibly. But It'd take some time."

"No it's cool. We'll just keep an eye out."

"I can monitor police radio if you like?"

"Perfect. Thanks." You plop down on the edge of the building. Looking over the small park where kids played and dogs ran. Natasha sat next to you.

"I think I'm starting to see the appeal of this whole Spider-Man thing,"

"Please stop calling me that."

"What would you prefer?"

"my name"

"As your superhero name?"

"Oh... I don't know. spider-woman, araneae... shadow-spider Maybe?"

"araneae... latin for spider, right? a little old fashioned. shadow-spider is simple and matches your colour scheme,” she nods like she has some kind of say in the matter. “what made you wanna become a spider-person?"

"What do you mean? I got bit by a radioactive spider and-"

"I mean that's how you got your powers but what possessed you to become a hero?"

"funnily enough, it was tony."

"Seems you two are quite close in your... universe?"

"You could say that." You offer a soft smile. "He's important to me. Don't know what I'd do without him."

A silence comes between you. "Should we head back?"

"Sure. Doesn't seem like anything is happening around here. You swing back to the car and head home. Entering the facility you're awkward about it. You don't like being here, it's weird. Different to your home.

"Why don't you go talk to some of the others?"

"I don't know them." You shrug.

"You don't know me either."

"Yeah but you made the effort to talk to me. I'm shy I can't talk to them. I miss Pietro."

[diamondcitydarlin]

do you think you'll watch any of Loki s2, write any meta about your thoughts?

I'd like to say probably not, but knowing me and my brain it's also possible I might despite my better judgement. The thing is -and it's 10 years too late- but I'm just getting kinda tired of writing and reading long, thoughtful essays on subject material the creators of which don't care even 1/4th about as much. Most of the education we've gotten in the US anyway in regards to critically evaluating art and media leans heavily towards this; we're taught to always assume every piece of art and media has a bottomless depth of insight bestowed upon it by the creator(s) that we must parse through to discover their genius treasures hidden cleverly within the text (ex. "the curtains are blue because the author wants to allude to depression"). We're told that every piece of art/media/literature etc is more of a detective's puzzle than anything else and anyone creating mainstream art is in on the game.

While I think it's absolutely true that every piece of art has a bottomless depth of potential in it, I think we were sold a lie in being led to believe that any and every creator cares at all about that, let alone is helping to construct some genius meta web for us to unravel (particularly capitalist, mainstream creators that are beholden to execs). I think because of this we also, historically, have fallen easily into believing that IF the creator IS doing this, they're constructing something for our appeal (a subtextual queer pairing for instance). We never consider the much more likely outcome (as has been proven time and time again) that the creator is constructing something solely for himself and others like him and doesn't give a single shit about what marginalized people might want to see in subtext or context or otherwise (but lord knows a suit is going to push them to do the safe amount of queerbait for views and investors)

As it stands at this point, I'm indisputably in love with Owen and Tom's dynamic and the very few things they're able to think up that make it into the text. I love the idea of what Mobius and Loki could be together if the MCU hadn't become a completely hollowed out capitalist husk spitting out garbage for profit as fast as it possibly can. I love what the fandom has come up with in the interim because everyone within is SO talented and cares so much more about these characters than the people being paid to write them. I can absolutely go read a fanfic or a comic and get far more satisfaction and food-for-thought than I would trying to sit through yet another churned out pile of MCU garbage that ultimately means nothing, because no one involved has or was allowed to have any heart in the work. I feel like I've been shown SO MANY times that I'm not only wasting my own time doing this, I'm wasting the time of others by helping to convince them a text without depth actually might have it intentionally.

So. I'd like to say absolutely not. I'd like to say I will not have anything to do with this 2nd season as much as I might want to, because they already made it clear in the first season (and the resulting messy, completely unprofessional interviews etc) that this show is not for me, so if I go wandering into this next season with some dumbass expectations or hope for things that absolutely are not going to happen that's on me. I also am not keen to support a show that has been OVERTLY stubborn about depicting genderfluidity in an accurate or responsible way, has repeatedly employed TERF ideologies into their plots, with multiple people on cast and crew being open TERFS, despite making sure the show was advertised as a queer-appealing piece that would explore Loki's gender identity. They are absolutely trying everything they can to take queer peoples' money and time without giving them anything substantial in return, and it's not the first or I daresay the last show to do it. I'm tired of being a fool to these narratives tbh.

However, again, my problem is that I love Tom and Owen together and immediately melted when I saw them in the s2 BTS pics. I don't know how I'll realistically talk myself out of watching any of their scenes together at least in the next season, even though I know the MCU is never going to write them to be what they could be. Let's just be honest about that now. It's never going to happen in canon, I'm sorry- and even if it did it would probably suck and all the Lokius fanfics you've ever read are leagues better than what the MCU would do to them even if they deigned to make them official. We need to stop kidding ourselves because the end result is just feeding a corporation accolades and money they don't deserve, while creators trying to make actual, heartfelt representation get ignored. (....now if I'm wrong someday feel free to bully me on anon or whatever lmao)

AND THIS ISN'T TO SAY WE SHOULDN'T HAVE A FANDOM. This isn't to say we shouldn't create our OWN versions!! This isn't to say we shouldn't love the POTENTIAL of the pairing and keep exploring what that could be, I don't want to be misunderstood here! I think it's just a matter of being comfortable enough to move away from that need for canon affirmation, which is something that while not impossible or unprecedented, is difficult sometimes for fandoms to do as we've historically seen canon as the ultimate authority, rather than a sandbox of things we can just grab what we like from to play with and ignore/nuke the rest lmao. It's about embracing the derivative for what it is.

I might end up writing some meta about s2, probably something that expands on a look Mobius gives Loki or something equally insignificant that I blow up and turn into my own thing, but that's if I can get access to Lokius scenes etc. Either way I will not be watching this show in completion on my own or paying the Disney+ sub to watch

[redspiderling]

MCU Breakdown: Black Widow, Part 1

I can’t believe this is happening 😭

First of all, congratulations to all of you who’ve been here all these years. We got it. We begged for years, and it’s finally here.

For once I wasn't dreading revisiting this film to write down what I got from it. I felt more like I might not do it justice. This film is so special to me, but here it is, the MCU Breakdown of Black Widow, part 1 (of who knows how many).

I remember back when I started running this blog and talking about a hypothetical Black Widow movie that had never been announced, always "yeah, we would be happy to do it, maybe, someday in the future", and arguing that it would be important for women and girls, no matter its content. I'm so glad we got it like this. So, so glad.

The rest under the cut.

Let's start with some technical details. The film has a lot of setups and callbacks, nothing is done in chance. For example, I love how the light, and the sounds we hear when we first, and last, see Natasha in the film, are the same. We greet her in bright -birds cheeping- morning light, while she's riding her bike home, to her family

and we leave her in bright -birds cheeping- morning light, while she's riding her bike home, to her family (I'm using the term family very liberally here in reference to the Avengers for the sake of the movie, bear with me, you know how I feel about those dudes).

It's signifying new beginnings, each time, not endings. Notice how, what we see is natural light, which makes this scene pop out, and look more real because the light is coming from the sun, and isn’t artificially made on VFX software. You will notice the stark differences in colours and lighting when the emotions and the atmosphere change in this film, because there is a visual language being employed here, the director has a story to say, and she uses all the tools she has to tell it. The light is exactly the same in those 2 scenes, because Cate wants us to make that connection, even if we make it unconsciously.

Natasha is placed in such a positive way, both at the start and the end of the film. There's this discussion about how "real" their little family was, but it was the characters that muddled up that image. The reality of their lives in Ohio is presented in a happy way, that had deep rivers under the surface, for sure. This wasn't accidental, for a lot of reasons.

First of all, if you take it the literal way, they were spies, and had to present themselves as normal. If you take it the allegorical way, any girl could fall victim to trafficking, and if you take it the character way, both Scarlett and Cate wanted to showcase that Natasha is human. They also wanted to give her something that wasn't always dripping with pain and sadness. They were both parts of her life, yes, but there was also joy, and light, and once upon a time she had been a kid, playing with her sister.

Also, and this has been mentioned before but it bears repeating: I love the actress they chose for young Natasha, and I love how they presented her character. She's allowed to be a young teenage girl. She's not sexualised. She's at that gangly stage between childhood and adulthood, and there's nothing sexual about it, no provocative clothing, no excessive makeup. She's a kid.

Plus, I know Cate said the actress already had her hair dyed blue and they just decided to let her have it, but I think it works well for Natasha's character. That small act of defiance, even that early on, against the system that wanted to break her. Also, the film gives us such great character moments, because they let the camera roll and don't rush through scenes, look at Natasha looking at Melina comforting Yelena. We can see the pain, the fear, where she knows that this isn't going to last, and wonders about what will become of them once their lives begin to unravel.

We also get to see the joy on her face, the wonder of discovering the world, how often do you get to see Marvel characters do this, just live in the moment?

Bioluminescence: the production and emission of light by a living organism. Or how Natasha is a bright light, that shines from within. Not my words, Cate Shortland's words. I felt it when I was watching this scene, but it was lovely to have it verified in one of her interviews. I wish I could meet her, and tell her that everything she wanted to put on screen came through, incandescent and crystal clear. Fireflies are a symbol for Natasha, as a bright light that shines from within, and never dies.

Small details that I love, the magnet on the fridge: Don't forget, above a picture of Natasha. LIKE WE EVER COULD, CATE.

We have another setup here, where the family gathers up to have dinner together. Even the sitting arrangement is the same as later on in the film.

Notice also how both young, and adult version of Natasha, communicate so well with Melina, just with their eyes. It doesn't necessary show a deep history between them, but it does show a bone deep level of understanding. Not just of their current circumstance, but of their future, and of what it will do to them. Melina knows what's coming and she's says it "I'm sorry", but they're both resigned to their fate, Melina because she doesn't see a way out, and Natasha because, well, here she's a kid, and therefore is powerless.

The dynamics between Yelena and Alexei is so different. Yelena is young and doesn't understand, so they're speaking about completely different things. "I don't have my shoes" is what she says, and it's heartbreaking in its innocence, as Alexei is loading his gun and reading himself for battle. We can still see that he's not indifferent to her, telling her she can have "fruit loops in the car". He's not a monster, he just doesn't have a choice (or at least, he thinks he doesn't).

Also, notice how the camera angles are employed here: Natasha and Melina look each other eye to eye, Yelena looks up to Alexei, Alexei looks down on her, there is an imbalance of power and understanding in the second set of images, and the camera tells us that.

Melina doesn't let Natasha take the photo album. For one thing, it's certain that Natasha wouldn't be able to keep it. For another, Melina wanted the memories, and probably didn't want anyone else to realise/think that they cared about their little family unit.

There's just a lot of thought that's been put in the details of the script, to show us their bond, their attempts to hide it, to show the characters' personality in everything around them (notice the plants that are ever present in Melina's home, in Ohio and later in Saint Petersburg). She might seem cold, she has been through a lot, but she cares. And that care has brought her pain. And we have to see that pain, because we get the quiet moments like this one, where she stands alone in an empty home knowing that part of her life is over, never to return.

The mission, is the last thing Melina asks about. The last thing Alexei mentions, the last thing either of them cares about. First, she refused to accept that they had completed the mission and were now hunted, then she accepted it and they loaded their family in the car, and then she asked about the leaked files.

Also, notice how that shot is framed. Both images silhouetted by the light because it’s the moment and the prop smack down in the middle of the frame that’s important, now what they’re going through, emotionally, they’re not themselves in that moment, they’re nameless, tools of the trade, expendable in front of that tiny floppy disk.

Yelena is singing while the rest are plunging in despair, but still humour her and play her song.

I found this shot a bit... Jarring. I get it that for American audiences this would show that they're actually leaving "home" behind, but for the rest of us... Eeeh, I'll give it a pass because it is an American production and this is just something to be expected. I mean, Yelena's song was American Pie. We get it, you still love America, just because you're making a film about Russian spies doesn't mean you're a commie Marvel, it's ok.

But in any case, the setup for the action scene here was excellent. Happy, familiar music playing, car is on the main road, car goes off the main road familiar music gets toned down and eventually completely lost in the darkness.

Yelena knows what to do, we see it, so that we know that this 6 year old girl who holds her stuffed animal and walks barefoot has practiced for this moment.

By the way, Natasha did take another item with her along with the photobooth pictures (it also looks like a photo album with Disney princesses on it), it didn't survive the trip. We are informed of this for a very specific reason: Melina didn’t ask Natasha not to take the photo album out of malice, or just because she wanted to keep it for herself. She knew it wouldn’t survive the trip in Natasha’s hands. We also get a close shot of the image strip (and we get it again, during the credits), because it will be important, later on.

Bet y'all also forgot you were watching a superhero movie until this happened? That wasn't accidental, they wanted us to see them as normal people, this is the moment when that ends.

Natasha saved her family, even though she was a terrified kid.

I know that they did the huge titles thing to connect this film to Civil War but... Listen, Civil War needed the huge titles because that script and the way that movie was directed was a complete disaster. We needed to know where the characters were each time with huge ass title because there was NO OTHER WAY TO TELL. Between complete lack of a timeline, and the fact that you couldn't even tell what time of the day it was due to the horrible lighting, you definitely couldn't tell what the location was because it was irrelevant to the plot like, 90% of the time. Not to mention the title cards in Civil War were usually followed by dimly lit grey corridors so, yeah, give us a title so we know at least where they are, generally.

This film. Didn't Need That. For the most part anyway, there are 2 locations where the titles worked. First one was Ohio, the other I'll reveal later.

But here. Guys, they're Russian spies escaping from the US on a small plane... Where else would they go if not to Cuba?!?! This is the Black Widow movie paying for the sins of Civil War, in a small way in this instance.

Yelena tells Melina that pain only makes you stronger, Natasha cries, and they setup my heartbreak for later.

Natasha protecting Yelena, terrified, and staring men down the barrel of her gun anyway. Such a badass and heartbreaking callback.

Notice how this scene makes us look at how men view this. There's an allegory here as well, but I'll address what's actually happening in the film:

Dreykov notices Natasha's natural instinct to protect herself and her sister, and all he sees is something he can use. A tool for violence, instead of sex, in this case. But the implication is there. Not a person, or a terrified girl, just an object to be used by men.

So glad that piece of shit got blown up and never mentioned again. Any man looking for exposition on Dreykov to feel the "loss" when the villain is gone: Fuck you. Go get some therapy.

Moving on from that piece of shit, difference between Melina and Alexei: Melina apologised. Alexei lied, but he also tried to give them hope. We can see the devastation, because the soldiers never thought of them as girls like he did, and didn't blink before drugging them and taking them away.

Yet another setup, of Natasha and Yelena, drugged and powerless as they are taken away. Because it wasn't enough that they were kids, they took away all their choices, and rendered them unconscious.

What can I possibly say about this credits scene.

It's very real, probably the realest minutes in the entire MCU, and it's merciless. They don't try to sugar-coat what's happening, and there are no jokes to diffuse the drama. These are girls being trafficked from all over the world. I don't know about you but I felt the switch from true parallel to real life traffic victims like this shot that looks like footage from Interpol

to Red Room victims as being a clear shift, and I was actually grateful for it. Because here I could put my back against the fact that the red room wasn't real, otherwise I would have broken down before the credit sequence even ended.

It was a stroke of genius to create an introduction to this entire world like that. We rarely see credit sequences anymore and it's a shame, because when they're well done they tell stories in and of themselves, and this is one of the best I've seen.

Even the villain is set up here. He's pointing at girls and saying "that one, and her", like he's picking pigs for slaughter. How much more setup than that do you need, to want to murder that man dead? Not any more, that was enough.

Nobody speak to me I’m crying.

Subtle, but there. Trafficking (and traffickers) exists because it IS being tolerated by governments around the world.

Unnecessary title aside, who else says Natasha looks at herself in the mirror hear and repeats "pain only makes you stronger", as she's being hunted away from yet another family.

Then she's saying it again because it bears repeating and Natasha has been through A Lot these past few years. I love how unfiltered our first image of her is. After all she's been through, we basically see her stripped of all her tricks in a moment where she’s alone with herself and her thoughts(something we later learn she tries not to do much), and she's just a woman having a tiny breakdown in a semi-public bathroom. Again, human.

This is where I will leave you for this first part. Hey, I got through the intro, I count that as a win given just how long this breakdown has already been. If you’ve gotten this far, thank you for reading, come yell at me in my inbox whenever, see you for the next one xo

[ynscrazylife]

Hey I was wondering if you can do a Bucky x reader

The reader has powers like Wanda but stronger but can you make them also gender neutral if that’s okay. Im not looking for anything specific for the plot but can u put some angst and fluff.

Sure!

Fighting A Losing Battle

Summary: S.W.O.R.D. has called Y/N in to stop Wanda Maximoff and their boyfriend Bucky insists on accompanying them.

Since gender neutral was requested, I won’t write this with any specific gender and you can imagine it to fit your gender!

Permanent Taglist: @stephanieromanoff

MCU Taglist: @procrastinatingsapphictrash @okkulta @sarahp-stan

Request to be on a taglist (or multiple) HERE!

“I don't like this,” Y/N muttered as they reread the email from Tyler Hayward for the umpteenth time, their boyfriend Bucky sitting next to them, his metal arm around their shoulders, and his fingers playing with their hair.

Because Y/N had similar powers to Wanda in that they both had energy blasts and their powers connected to the mind, Hayward wanted Y/N to come in and essentially take down Wanda because Y/N’s energy blasts were stronger than Wanda’s. However Y/N wasn’t fond of fighting their friend. 

“Neither do I,” Bucky agreed. “Which is why I’m coming with you.” 

Y/N smiled, leaning their head against Bucky’s shoulder. They knew they couldn’t talk Bucky out of this and wasn’t sure if they wanted to. 

“I can’t help but think that if I had been there for Wanda more after Vision-” Y/N started to say, feeling the tears starting to form. God, ever since the Avengers brought everyone back - Y/N and Bucky included - all Y/N had felt like they were doing was crying. First for Natasha, then Vision, and now Wanda. 

“Don’t do that to yourself, doll. You tried to reach out and be there for Wanda and there was only so much you could do,” he said, hugging them close. 

Y/N sighed, nodding. “I just- I don't get why she would do this to all those people,” they said, eyes flickering back to the email detailing in a harsh tone what exactly had happened to Westview and Captain Rambeau.

“Grief does unimaginable things to people - especially those with Wanda’s abilities. She probably didn’t mean what she did, and you’re gonna go make her realize that,” Bucky told them comfortingly, pressing a kiss to their forehead. 

Y/N rubbed their face with their hand, a million questions about their current situation running through their head. Hopefully they could fix it. 

--------------------------------------------

As Y/N and Bucky walked into the S.W.O.R.D. base, they entered right as Captain Rambeau and Hayward were in a heated argument, and the couple paused to listen to what they were saying. As Y/N listened, they found themself starting to agree with Rambeau. Hayward didn’t just want Y/N to take down Wanda, he wanted Y/N to . . . to . . . they couldn’t imagine it, and Y/N didn’t want to hurt their former teammate and friend. 

As Hayward began to get ready for another argument, Y/N made their presence known. They stepped forward, towards Rambeau and Hayward. “If you want me to cooperate with this investigation, know that I will first try to talk to Wanda and then I might fight her if it is necessary. Nothing more,” they said. 

Hayward frowned, turning to look at Y/N, then at Rambeau and Bucky and finally at the other S.W.O.R.D agents nodding who were nodding in agreement with Y/N. “Fine,” he hissed with venom. “Don’t come crying when your way fails and you end up dead.” Bucky would’ve went after him as he walked off had Y/N not grabbed his arm and squeezed his hand in a comforting manner. 

--------------------------------------------

When Y/N entered Westview, they were able to retain their memories due to their own powers, but their communication with S.W.O.R.D. (and Bucky) was lost. Thankfully it wasn’t that painful to enter Westview and Y/N was able to shake it off, but now they had to find Westview. 

As they walked and looking around, they tried to blend in. Everyone walking around town looked normal, but knowing that they were not, and that there was some kind of underlying darkness in the fake cherry facade sparked some fear inside them. Finally, Y/N reached Wanda and Vision’s house and knocked on the door, a bit hesitantly.

When Vision opened the door, Y/N almost choked on air as they tried to stifle the gasp that threatened to escape their lips. Y/N quickly recovered and smiled at the robot. “Hello, I’m looking for Wanda Maximoff. Is she home?” 

Vision nodded and directed them inside, telling them they could sit on the couch while he called for Wanda and then went into the other room. 

When Wanda came down the stairs and saw Y/N, her smile instantly turned into a frown and she stilled. Y/N saw this and calmly stood up. “Wanda-” 

“Did they send you?” Wanda cut them off in an off-putting calm tone, titling her head to the side as she slowly walked down the rest of the stairs. 

Y/N didn’t answer that. “I”m here to help you, Wanda,” they said. 

Wanda’s eyes briefly flashed red before she composed herself. “There is nothing you could do to help me. I have Vision and I have the perfect life,” she said, monotone. 

Y/N shook their head in argument. “You're a hero, Wanda! You don’t want to keep hurting all these innocent people. Besides, you’re not coping with Vision’s death in a healthy way.”

“He’s NOT dead!” The redhead cried, advancing towards Y/N, hands beginning to glow red, making Y/N still. 

“I’m your-” Y/N tried to say, but again Wanda cut them off. 

“DO NOT SAY FRIEND!” 

The outburst made them both silent and, glancing at Wanda’s hands, Y/N conjured their own powers, their hands now glowing silver. “My energy blasts are stronger than yours - please, don’t make me fight you. We can talk,” Y/N tried once last time, slowly moving back. 

Wanda smirked. “Your energy blasts may be stronger, but you cannot protect me from your mind,” she said, sending an energy blast at Y/N. 

Instinctively, Y/N went to block Wanda’s powers with their own. Wanda used this to her advantage and let one of her hands continue sending the energy blasts. Immediately, Y/N started to easily overpower her and before Y/N could finish that, Wanda used her free hand to send a different energy blast their way (which Y/N didn’t notice because they were too preoccupied with Wanda’s previous energy blasts), and it soon hit Y/N’s forehead and entered their mind, making them falter.

Y/N fell to their needs without realizing it and slowly stopped fighting Wanda, being overtaken by the memories flashes throughout their mind. First they saw the love of their life disappearing. 

“Bucky? What - your hand! What’s happening to you?” 

“Don’t worry about it, love.” 

“You’re disappearing! BUCKY!” 

Y/N remembered how they screamed and how they tried to hold onto Bucky, they remembered how painful it was, having to watch him die.

“NOOOOOOOOHHH! BUCKY? BUCKY!”

 They remembered moments after they Bucky disappeared they cried because they had lost, and then recalled how scared they were when they saw their foot disappear, and then their hand, and soon their entire body.

“We l-lost. GODDAMNIT WE LOST! BUCKY . . . no. No please. PLEASE YOU TOOK HIM WHY DO YOU HAVE TO TAKE ME TOO? - PLEASE DON’T-”

Y/N gasped and when she blinked, the memory was over. They glanced up at Wanda in tears, feeling weakened, and suddenly Wanda blasted them through the wall and towards the barrier. Y/N tried to use their powers to stop Wanda and it started to delay her until Y/N saw another memory. They screamed as they were forced to relive it and felt the pain from Wanda’s powers, and their screams got choked by sobs when they hit the barrier, which was much more painful now that they were leaving Westview from when they had entered.

--------------------------------------------

As soon as Bucky saw his partner blasted back into the outside world, heard their screams, and then saw them hit the ground with a sickening thump, he ignored the orders Hayward was yelling out and ran as fast as his legs could carry him. When he reached Y/N, he noticed that they were half-conscious. 

“Bucky . . . You’re alive,” Y/N said tiredly.  

Bucky had no time to be confused over what they meant and scooped them up in his arms, cursing under his breath when they passed out. He then headed straight for his car, not trusting S.W.O.R.D. to help Y/N with what Wanda’s magic did when they didn’t know how to handle her, and went to Sam’s place. Sam would help, right? He had patched up Steve and Nat in 2014, after-all.

--------------------------------------------

About an hour later when Sam had helped Bucky patch Y/N up, Bucky laid Y/N in Sam’s guest bedroom and took to sitting at their bedside, looking at them. Despite being unconscious, they were peaceful, and Bucky took Y/N’s hand in his metal one, smiling sadly. 

All he could think about was whatever could have happened? Y/N was stronger than Wanda, why didn’t they win? And then . . . when Y/N had said that Bucky was alive . . . did Wanda make Y/N think that he was dead? That very thought made Bucky tense up, anger flaring through him at the redhead for hurting Y/N and doing whatever else he had done. 

However, when the soldier looked back at his partner, all that anger melted away. Just looking at them calmed him, because he was reassured that they were safe and that they were okay. Bucky thought and then pressed a kiss to Y/N’s forehead. Now it was just time to wait for them to wake up.

[hufflepuffhollander]

off limits: tom holland one-shot

a/n | this is my submission for @chloecreatesfictions’ 1k writing challenge! i’ve never done the “brother’s best friend” trope and i def got a little too excited and carried away! real talk, this might be the cutest thing i’ve ever written

summary | as harrison osterfield’s younger sister, you’d always just seen his best friend tom as an annoying older brother. until, one day, you didn’t.

cw | tom x osterfield!reader. contains language, alcohol, recreational use of weeeed, teenage angst, sexual tension, fluff n’ stuff. 5k words.

For as long as you could remember, Tom Holland had been a stitch in your side that you could never get rid of.

Growing up as your older brother’s best friend, he was always at your house when you were children— and his favorite pastime when Harrison was boring him was to break into your room and mess with you, stealing your toys or running his hands across the piano keys when you were trying to practice in peace. No matter how many locks you put on your door just to keep Tom out, he was always able to pick them.

As you all got older, he grew to annoy you in a different way, blasting loud, grungy music through Harrison’s bedroom walls late at night or eating things out of the fridge that clearly had your name on them. Once he’d started to garner some attention as an actor, his ego skyrocketed, and somehow he became an even bigger nuisance. He dragged Harrison away from you and took him all over the world while you had to sit idly by and love your brother from a distance.

When Tom would come over now, he would talk of nothing but hollywood parties and getting drunk with the biggest a-listers when he knew you were listening. He would ignore you when he breezed past you in the hallway, and even had the audacity to go into your bedroom when you were out and smoke a blunt on your bed so your whole room smelled like a music festival when you got home; and worst of all, it was your weed.

It was sufficient to say you were Tom Holland’s least enthusiastic fan. And it was rather unfortunate, because you were a big stan of the MCU—and secretly loved getting high and watching and re-watching the spider-man movies the most. Okay, don’t make that face. They have a good storyline.

It was a regular Friday night, you were aimlessly scrolling through your phone while Harrison and Tom were getting ready to go pub hopping. Harrison always invited you, but you never took him up on his offer because you knew how flirty you got with alcohol in your system and wouldn’t dare feel that way around Tom. He was notorious for taking anything nice you said about him and rubbing it in your face for at least a week after. 

“You know you secretly love me, babe.”

You hated when he called you babe, and he knew it. But since you’d both grown up, time had done you both a favor, and there was always an air of something you couldn’t quite place your finger on whenever you interacted...the pet name just made it more interesting.

“Hey, y/n, are you sure you don’t want to come out with us?” Harrison yelled from outside your bedroom door, and you peeked your head out to respond.

“Nah, it’s fine, Haz, go have fun. I have enough uni work to keep me busy.”

“It’s a Friday night, nerd.”

You stuck your tongue out at him and smiled. “Sorry I’m not a budding alcoholic like you, big bro.”

He laughed, blew you a kiss, and he and Tom were off.

Only about an hour later, you decided to take a break from studying and light up a joint, turning on your go-to movie for background noise- but were snapped out of your vibey trance when you heard the front door swing open, and your brother’s loud, drunk voice.

“W-why are we h-home, you div,” he slurred, as his heavy footsteps start to climb the stairs. After a long moment, you heard him collapse on his bed through your thin walls, still stammering out his words. “Thomas, I promise you, I am fineeee...”

“Mate, you’re sloshed. Go to bed.”

You decided to leave them be. This was a typical occurrence- one of the boys went too hard too early, and the other had to babysit until they made it home to pass out cold, usually on the bed, or the couch, or on a good day, the floor.

A few minutes passed while you hotboxed your room, feeling amazingly relaxed, until you saw your doorknob wriggling out of the corner of your eye. Your door was locked, so you ignored it. But the knob kept twisting and falling back in place, making the whole frame shake. After a long while of witnessing a ghost try to make its way into your room, you watched your lock turn slowly and click out of place, the door creaking opened to reveal Tom, swatting at the air when a cloud of smoke greeted him.

You snapped your laptop closed before he could hear his own voice flowing out of your speakers. “Tom, for the last time, stop picking my fucking lock!” You beamed your nearest pillow at him—which he caught before it struck him—and he threw it back, hitting you square in the face. Of course.

He flashed a cocky smile. “Why? It’s so easy.”

You rolled your eyes. “I’m serious! I could’ve been naked or something!”

He just stood in the doorframe, giving you a once-over in your thin cotton t-shirt and yoga pants, and kept that smug expression locked on his face. 

“Ew, Tom, you’re disgusting. Get out.”

He decidedly did not get out, instead closing the door behind him and hopping up next to you on your bed, the divot in your mattress leaving your bodies pressed much too close together. You were met with a strong whiff of his cologne and the gin he must’ve been drinking earlier. “I’ll take that,” he muttered as he lifted your joint out of your fingers and took a puff, sucking his breath in as his lungs filled. 

Your stomach filled with a dull fire and you narrowed your eyes. “Do you mind?”

He turned to face you and blew a big puff of smoke directly into your face, the notorious smirk making its reappearance. “Not at all, thanks for asking though.”

You groaned aloud. “What are you doing in here?” he took another draw and handed you back what was rightfully yours, smoke dissipating from his mouth as he spoke.

“Haz is pissed and I’m bored.”

You relit the bud and inhaled for a long while, figuring you’d need to be pretty intoxicated to not smack him in the face if he tried to talk again. “Well, go be bored somewhere else. I was busy.”

He cocked an eyebrow at you and reached across your lap for your computer. “Doing what?” 

Oh shit. “Dude, can you not-?!” you yelped, but he had swiped it too quickly out of your grasp, and opened it up to find himself paused on your screen. You laid back on your bed so he couldn’t see your cheeks now flushed with embarrassment and grabbed your lighter from your nightstand. It was going to be a long evening.

He leaned himself over to catch your eye and had the stupidest, most prideful look plastered across his face. “Gotcha.”

You punched him in the arm as he erupted into laughter—but the anger inside you had been dulled by the weed and replaced with a childlike silliness—and you started to giggle, too. You looked up into his eyes, pupils now wildly dilated and tinted red around the edges.

“Shut up, Tom, you’re high,” you said in between chuckles.

“Yeah? Well so are you!”

You poked fun at each other for a while, suddenly in a mutually fantastic mood. You knew in the back of your mind that none of this would be happening if you hadn’t gotten stoned together, but you enjoyed the warm company anyway. 

“Well, you gotta finish it, don’t you?” he said, settling back down and fixating the computer on his lap so you could both see it.

“You really want to watch your own movie?”

“Doll, it’s my favorite thing to do.” he smiled at you.

“God, you’re the worst.” you felt some butterflies make an entrance in your chest that had never been there before.

He pressed play and cozied up on your bed, lying back against the wall with his arm lazily draped behind you. You pulled a blanket up onto your lap and had really no choice but to lean on him for support, neither of you admitting out loud that you were full on cuddling and not angry about it.

“Hey, aren’t you gonna share?” he whined, pulling at the corner of your blanket.

“Get your own,” you responded, internally high-fiving yourself for finally getting the chance to sass him back. Sure, you had your head comfortably resting on his shoulder, but that didn’t mean you were suddenly friends.

You let the movie play, the two of you blowing through the joint until it was a dwindling nub. The scene where Peter has his big kiss with MJ started, and you stifled a snigger as their lips met on the screen.

Tom had clear offense laced through his words. “What’s so funny?”

“Nothing,” you shrugged.

He sat up to look at you, eyebrows knit together in an angry pout. “Tell me.”

“I just...feel bad for Zendaya, that’s all.” you covered your mouth to keep from laughing, and his eyes rolled so far back into his head you were sure they’d be stuck that way forever.

“You’re such a brat,” he started, his ego finding its old place back in his voice. “I’m an amazing kisser. She told me herself.”

You looked away from him, taking a heavy exhale. “Yeah, whatever, dude.”

He sat even more upright and paused the movie, taking hold of your shoulder to make you turn to him. “What, you don’t believe me?”

You realized then how physically close you had gotten, as you could feel the syllables of his words in his breath hitting your face. He was doing that thing boys do, when they’re thinking about kissing you but don’t- their stares going back and forth between your lips and your eyes in a not so subtle way. It freaked you out to see him that close and personal, and you whispered back exactly what you knew would irk him the most.

“Nope.”

He moved his face impossibly closer to yours, and you felt his soft lips lightly brush over your own. You weren’t sure if this was real, or just a high hallucination, but you didn’t move away. This was entirely uncharted territory.

“Tooommmm!” you heard Harrison yell out from the other side of the wall. “Where are yooouuu?! I’m so thirsty!” Tom immediately jerked his head away from you and shook himself out of the moment. You brought your hand up to your cheek and shuddered at how hot it had become- your own body was betraying you.

“God, he’s gonna be the death of me,” Tom said, shoving himself off the bed and walking out of your room, glancing back at you for a moment and then closing the door behind him. Just like that, he was gone, and you were left trapped in your own psyche wondering what the hell had just happened.

Over the course of the next week, things has become exponentially weirder between you and Tom. He seemed to be spending much more time at your house than he normally did, even sleeping a few nights there instead of driving the five minutes back to be in his own bed. One unsuspecting morning, you knocked on your bathroom door, annoyed that it had been shut for such a long time. 

“Haz, if you use up all the hot water again, I’m gonna kill you,” you said in between knocks. You were taken by surprise when it swung open, steam billowing out into the cool air.

“Whoops,” you heard a voice say, immediately realizing it wasn’t your brother. You took a step backward to see Tom emerge, wearing nothing but a towel loosely wrapped around his waist. His hair was damp and clinging to his forehead, and he looked like some glowing magazine model. 

“Uh, sorry,” you stammered, accidentally inhaling the yummy smell of his soap and shampoo emanating off of his skin.

He noticed you eyeing him and a sly grin appeared as he rolled his bottom lip under his teeth. “Shower’s all yours, babe,” he said, bumping your shoulder with his own as he walked away. You were stuck in place and didn’t see him glancing back at you as he wandered down the hallway. 

Another day after that, Tom and Harrison were looking for a certain record to play, but it was nowhere to be found. “It might be in y/n’s room,” Harrison said, sitting back in his lounge chair. “Wanna go grab it?”

Tom coughed. “Why do I have to get it?”

“Because I’m comfortable.”

Tom felt a mix of annoyance and nerves in his chest as he walked the short distance down the hallway to your room where the door was already cracked open. He invited himself in—excitement faltering a little when he saw you weren’t in your usual spot on your bed—and started to sift through your bookshelves.

You had been in the bathroom getting dressed after your shower, but realized you left your shirt in your closet- and seeing that Harrison’s bedroom door was still shut, you figured it was safe to run across the landing into your room without anyone seeing you. In just a bra and spandex shorts that left little to the imagination, you swiftly made your way across the hall and walked through your door that was still open a crack to see Tom kneeled down as he shuffled through your record collection.

He heard your small gasp when you entered to find him, and swiveled around to you standing only a few feet away from him in the least amount of clothing he’d ever seen on you. He abruptly stood up but didn’t move, eyes sparkling as they rolled down your body.

“What the fuck! Why are you always in my room?!” You were too shocked to think about finding something to cover yourself with, and put your hands over your face, trying not to die of embarrassment. Tom remained glued to his place on your carpet, clearly at a loss for words.

“Tom, can you leave please-”

“Right, yeah, okay, uh, bye-” he hurried out of your room, swinging the door almost shut but leaving just a crack so he could speak into it.

“...I like your shorts.”

“TOM!”

He chuckled and closed the door, and you slumped against the wall, still holding your head in your hands. What was this sudden hold he had over you? And why did you love the way that he was staring at you?

That night, you had a big paper to complete, and you were perched in your bed typing away as it got dark. In between two songs on your playlist, you heard the familiar jiggle of a doorknob. Looking up over your screen, you watched as the metal turned in its socket, and heard a soft “crushed it” as the lock undid itself. Your door opened steadily and slowly, a familiar face peeking in at you.

“Hi.”

“Oh sweet jesus,” you mumbled.

“You busy?”

“Clearly.”

“Cool.” Tom let himself into your room, shutting the door behind him and sauntering over to your bed, sitting down next to you, bouncing like a little kid and singing his words. “Whatcha doooin’?”

“Homework,” you said, continuing to type and trying your best to ignore the way the sound of his voice was waking up something electric inside of you. He leaned into your body to peer at your computer screen, pretending to be interested in whatever you were writing about. His elbow got in the way of your hands, and you had to stop typing.

“Thomas, is there something I can help you with?”

“Haz is asleep,” he said, resting his head on your shoulder like it hadn’t been a week since your almost-kiss and you hadn’t been actively avoiding bringing it up.

You felt jittery. “And?”

He gently pushed your hands away from the keyboard and closed your laptop shut, giving you a sheepish smile. “Wanna get high?”

Honestly, you did.

You turned on your lamp and turned off the overhead light, put on that record he finally found, lighting a candle and then another hand-rolled blunt. This time, Tom sat upright with you perpendicular to him, your legs swung over his lap. When he made a joke, he’d give your leg a little squeeze- and whether it was purposeful or not, you were filled with schoolgirl nerves every time it happened.

All the angsty barriers built up over years of a sibling-like rivalry had come down between the two of you as you smoked together; you suddenly found all of his bad jokes funny, and he couldn’t peel his eyes away from the cute way you scrunched your nose when you laughed. Every time you exchanged the blunt, you couldn’t help but think about how his lips had just been on it a moment before yours. The night came and went, and you ended up falling asleep wrapped in his arms as he dozed off with his chin pressed to your forehead.

You both woke up at the same time in the dead of night, unsure of how late it had gotten. Still nestled into each other, you exchanged sleepy glances and no words, taking a moment to realize the position you had put yourselves in. 

Tom grazed your jawline with the back of his hand and lifted up your chin with his thumb. You let your eyes flutter shut and he kissed you in the dark for one long, everlasting moment. He pulled back from you hesitantly, leaving you breathless. Did that really just happen?

“We...we can’t,” he whispered, his words tinged with sadness.

Your heart broke for him just hearing his voice. “Why not?”

“You’re my best friend’s little sister, y/n.”

“And you’re my brother’s best friend. So what?” you were almost upset with yourself for being so vulnerable; so visibly pining after him.

“So, you’re off limits,” he said, resting his forehead against yours. 

“Says who?” 

That prompted Tom to meet your gaze again, and this time you took initiative, moving your face to his and taking his bottom lip in between yours. He took a sharp inhale as you kissed him and seemed to let all inhibition go as he put his arms around your back and pressed you into him hard, all of his pent up feelings for you suddenly flowing out of him. He kissed you in a needy, desperate kind of way, and you loved every second of it. You ran your fingers through his hair, traced his jawline, using your hands to feel every bit of him that you couldn’t before. The strangest part of it all was how natural it felt- like you had been practicing for this very moment all your lives. 

Your record had stopped spinning a while ago, the room now filled with just the breathy noises of your kisses, your contented hums and his tiny mews when you bit his lips. You were both still barely lucid, and after countless minutes of nothing but innocent kisses, you were on the brink of falling asleep again, serotonin whisking you away into dreams. Tom sighed into you, and clasped his hand around yours.

“I have to go.”

“What? Why?” you felt your heart preeminently sink in your chest; like you should’ve known this was too good to last.

“I don’t want him to wake up and find us here,” he trailed off, staring down at your intertwined fingers fiddling together.

“So that’s it?” you tried to swallow back the sudden upwell of feelings inside you.

“No, no...” his eyes filled with some type of emotional strain you’d never seen. “I- I don’t want this to be it. But I don’t want things to get...messy.”

Unfortunately, you couldn’t blame him, because you understood.

“Can you come back tomorrow night?” you whispered, very not ready to let his spot next to you grow cold.

“I don’t know...”

You looked up at him doe-eyed, cooing. “Please?”

He nodded, looking away from you before he completely caved and stayed there forever. “I’ll come back.”

He pressed one last kiss onto your lips and slowly got up, reluctantly letting go of your hand as he left your room. “Goodnight, babe.”

Hearing him call you babe, finally free of demeaning sarcasm, made your heart soar. 

“Goodnight, Tom.”

The door shut and you were left alone, the stillness of your room sticking out in sharp contrast with how quickly your heart was racing.

For the next few nights, Tom spent the evenings at your house with Harrison, waiting until he fell asleep to make his way next door to you. You’d smoke together, watch his movies—and in heated moments got a little handsy—but you never went past kissing, though you both desperately wanted to. It was too risky having your brother right next door; and you knew all too well how paper thin your walls were. But in those secretive hours after solar midnight, just being able to exist next to Tom and letting him hold you, you were the happiest you could ever remember being. The second night he left your room to let you sleep, he placed a light kiss on your forehead after he stood up that made the whole thing feel a little too...real.

The next day, you walked into the kitchen and found Harrison at the fridge. You were in a great mood for obvious reasons but couldn’t let it show. “Hey, got any fun plans today?”

He turned around after shoving a handful of grapes in his mouth. “Nope, got some admin stuff to do and gonna turn in early.”

“Oh, Tom isn’t coming over?”

“No, I told him to take a night off. He’s been smothering me, y’know?” he laughed and ate a few more grapes, but then turned to you, confused. “Since when do you care if he’s coming over?”

You swallowed, unsure of what to say. “Just want to know if I need to stay out of the way,” you faked a laugh and blinked hard, hoping he wasn’t paying too much attention to your facial expressions.

“Uh, alright then. You two are always so fuckin’ weird around each other.” He seemed to feel that was a good way to end your exchange and walked out of the kitchen, throwing a grape at you.

You rolled your eyes at your brother, but then felt the sadness bubble up upon registering that you weren’t going to see Tom tonight. But really, how long did you think you could keep this up? The feelings you were developing for him scared you, you didn’t know what to make of them; all you knew was that your days suddenly seemed much grayer without him.

Nighttime came around, and you couldn’t sleep, so you did the unthinkable and sent Tom a text. Your thumb shook as you hit send, knowing that there was now tangible evidence of the connection you’d developed, that it wasn’t just some invention of your mind.

hey, are you awake?

T: yeah, can’t sleep. you?

obviously, i just texted you.

T: shut it.

A minute passed...

T: got room for one more over there?

You smiled like an idiot at your phone.

maybe.

Less than 10 minutes later, you heard the familiar wriggle of your doorknob. You don’t know why you even bothered locking it anymore.

“Hey you,” he whispered, carefully shutting the door behind him.

“Tom, you know you could’ve just knocked and I would’ve let you in- you don’t have to keep picking the lock.”

“Old habits die hard.”

You chuckled and stood up to greet him at your door as he unexpectedly wrapped you in an amazingly tight hug. He rested his chin on top of your head and started to sway your bodies back and forth. You laid your head on his chest and said hello to his heartbeat.

“I can’t believe I’m saying this, but it was almost hard to fall asleep without you,” he murmured, placing another one of those domestic kisses on your scalp.

“Well, now you don’t have to.” you smiled. He waddled you backwards to your bed and you sat down as your legs hit the bedframe, prompting Tom to fall onto you as you giggled into his body that was now covering your face.

“Okay, goodniiight,” he said, refusing to move. You poked at his sides making him jump, and he grabbed your waist and rolled you on top of him. You instinctively leaned down so your lips could clash together in the way you were so used to, trying hard to not confess that you’d completely fallen in love with him when you finally had the breath to speak. He pushed your hair to cascade to one side of his face, and nuzzled your nose with his own, closing his eyes and humming with a smile. “Mmm.”

“Hmm?”

“Just happy.”

You rested your sleepy head on his warm chest, and fell into a deep sleep, letting the steady drumming in his chest be a metronome to breathe to.

~

“Oh, shit. Shit shit shit.”

You woke up abruptly, the bright light of day blinding you as you tried to open your eyes to the string of expletives you’d just heard come from a familiar voice. Once you’d opened them, though, you wish you had kept them shut so you hadn’t seen who had spoken.

“Harrison?!”

He was standing in your room, peering at you with hands half covering his eyes when you realized that there was a sleeping Tom underneath you.

Your brother paced in a circle and exhaled loudly. “Tell me I’m not seeing what I’m seeing.”

You nudged Tom awake with your elbow and immediately rolled off of him, trying to hide the very obvious fact that you had slept together all night. You never let him stay the full night for this exact reason, but he had been so ridiculously happy holding you in his arms that he forgot to set an alarm to wake him at the crack of dawn and leave. You sat up straight in your bed, twisting your hair in your hands, bracing yourself for the inevitable tirade.

Tom picked his head up to see Harrison standing there with his arms crossed, and flopped his head back on the pillow. “Fuck. Hey, mate.” He tried to play it off like this was the most normal thing that could happen on a Thursday morning.

“Is this why you’re always such bumbling fools around one another? You’ve been, what, fucking each other when I’m not around?” Harrison looked like he wanted to throw up at the thought.

“Haz, no, it’s not like that,” you said, but he didn’t seem convinced. “It’s just been smoking together and cuddling, really, that’s it,” you were torn between wanting to console your brother and admitting to both him and Tom that this was more to you than that. But Tom already knew that, because it was for him, too.

Tom looked like a deer in headlights. “I’m so sorry, dude-”

Harrison walked out of the room, and the two of you were left sitting in your bed, worry filling your eyes. Only a moment later, your brother reappeared in the doorway.

“Look, you idiots, I don’t care that you’re snuggling off the clock—you’re my two favorite people in the world, and to see you together, honestly, it’s about damn time,” he started, making both your and Tom’s jaws fall slightly agape. You exchanged a knowing look. Wait, is he not mad? Wait, about damn time??

“But I wish you would’ve told me so we could all hang out together. I don’t appreciate the sneaking around.” 

You cocked your head at him, sending him a loving gaze for always just wanting what’s best for you. 

“I’m just mad you aren’t including me in your hotbox sessions, really.” He laughed and ran his hands through his hair, pulling his face back to make a wild expression.

All three of you started to chuckle out of sheer awkwardness and relief.

“Come here.” Harrison held his hands out and you both gave a mutual aww as you ran into your brother’s arms, squeezing him tight.

“I love you, big bro.”

“I know. Now I’m gonna get out of here before you start kissing in front of me, or worse,” he moaned, swiftly exiting your room. “This is gonna be the grossest thing I’ve ever seen...” you heard him say to himself as he left.

You turned to Tom, still shocked at how well that had gone considering what he was assuming would happen. You swallowed the butterflies that you’d welcomed as friends and stepped back to him still sitting on the bed, putting your arms around his neck.

“And you,” you started, swinging your legs over his lap to straddle him. “I have to confess something.”

Tom placed his hands back on your hips where they rightfully belonged and smiled at you. “I’m listening.”

“I don’t mind you calling me babe anymore.” you grinned at his face drop, obviously assuming that you were going to say something else.

“Oh, and why’s that?” he prodded.

You looked up and off to the side as you squeezed his shoulders. “Maybe because I’m just a tad bit in love with you,” you trailed off, stiff as a board at what he could possibly say next.

“Well, babe,” he put emphasis on the pet name, “That’s a relief, because I was worried I might be the only one falling here.”

You grabbed his face and kissed him, kneading his soft cheeks under your thumbs, whispering exactly what you knew would get him the most.

“Nope.”

[insanityclause]

SPOILER ALERT: This article contains details of the first five episodes of Disney+’s Loki, & maybe the finale. Maybe.

EXCLUSIVE: “I have learned, at this point, having said goodbye to the character more than twice, two and a half times maybe, to make no assumptions,” says Loki’s Tom Hiddleston as the hours tick away to the finale of the Disney+ series drops early on Wednesday morning. “We’ll see where the ride goes now,” the Marvel alum adds.

As always with almost any project from the Kevin Feige run studio, that ride could continue, at least in some form or another. Certainly, the June 9 ‘Glorious Purpose’ premiere of the Michael Waldron penned and Kate Herron directed Loki proved to be the Disney+ and the MCU’s biggest small screen success so far. Also with any Marvel project, past Emmy winner Hiddleston was elusive on what could be coming next, be it in the Loki finale, another season or another appearance in the movies as the MCU shifts into its next phrase.

One thing is clear, after a decade playing the God of Mischief, Hiddleston still has a lot of Loki on the brain, in the best way.Leading towards the finale, I chatted with a UK-based Hiddleston about returning to play Loki and the search for who or what controls the seemingly all knowing, all powerful Time Variance Authority. The Night Manager star also spoke about filming during the coronavirus pandemic, working with Owen Wilson, Gugu Mbatha-Raw, Wunmi Mosaku, Richard E. Grant, and Sophia Di Martino, who portrays variant and soulmate Sylvie, and his upcoming AppleTV+ series The Essex Serpent with Claire Danes.

DEADLINE: There’s a great line in this season’s penultimate episode where your Loki and Sylvie are stunned at watch Richard E. Grant’s Classic Loki recreate Asgard to distract Alioth and you say “I think we’re stronger than we realize.” There seems to be a great resonance in the line that there’s a whole lot of Loki coming in the finale and probably more …

HIDDLESTON: I suppose it resonates with the theme that we all wanted to highlight about purpose and about meaning. Loki’s someone who’s probably been deluded by the idea that he’s burdened with glorious purpose, and that perhaps that purpose has been revealed to be fraudulent or meaningless, and maybe his self-image or the role that he has condemned himself to play is redundant.

His experiences through this story have shown him that there are actually more opportunities available to him, and you know, it speaks to this idea, like, can we change? Can we evolve, and in that evolution, is there room to grow? You know, so, I think the stronger than we realize I think is Loki finally understanding that, really, by caring for other people, that maybe there’s power in that, and I found that very touching, and the whole thing is an extraordinary dream.

DEADLINE: Speaking of an extraordinary dream, you have been playing Loki for a decade now, since the first Thor movie, We know you are going to do some voice work in the animated What If…? series, but how has it been having this series directly centering on him, in all his variants, so to speak?

HIDDLESTON: You know Dominic, I have enjoyed it so much, because I felt it was a gift and a privilege to be invited to come and sit at the table and think about what the show might be. Also, I suppose so many of the things that I’ve discovered about Loki as a character in the comics and a character in the Norse myths, in the canon, aspects that I’ve always thought were interesting, and understandably, there hasn’t been time or space in the movies to explore them.

DEADLINE: In terms of who he is?

HIDDLESTON: Those aspects of him have been externalized and embedded into this new story about identity itself and about integrating the disparate fragment of the many selves that he is or perhaps the many selves that we are. You know, we contain multitudes. Loki certainly contains multitudes. We have met many of those multitudes, including Alligator Loki (laughs).

DEADLINE: Sounds like you’re not done with those multitudes yet. From your POV, from conversations with Kevin (Feige) is there more that you see for the character as the MCU heads into its next stages?

HIDDLESTON: Well, I certainly don’t have Kevin’s brain or encyclopedic knowledge or capacity for invention. I’ve been on the ride for a while, and it’s been the most extraordinary journey, and to have lived through different iterations, different phases of the MCU, and I’m so grateful that I’m still here, and it’s been amazing to watch. I feel that the MCU is even more expansive, is even braver, more inclusive than it’s ever been.

DEADLINE: How so?

HIDDLESTON: I think the stories are getting really exciting. Not that they weren’t before, but I think they understand that the investment of the audience is very deep, and they don’t take it for granted for a second. So, yeah, I suppose the perspective I have on how Loki might affect the ongoing course of the MCU is this idea of the multiverse. People have already understood it when Miss Minutes is introducing Loki to the TVA. She talks about the multiverse and the war and that the sacred timeline, which is reality as we know it.

DEADLINE: It opens up the aperture certainly for new stories from all opportunities, doesn’t it?

HIDDLESTON: It raises questions of, well, maybe there are other parallel or alternate universes. Maybe there are other realities, and the possibilities there are endless. I feel that at the end of episode five, Loki and Sylvie are close to discovering the answers to the questions that they have of who is behind the TVA and that, somehow, this will provoke even more curiosity about…

DEADLINE: …Because in the Marvel Universe, answering one set of questions always leads to another set of questions, in many ways.

HIDDLESTON: Right. Yeah. Yeah, and I know that there are lots of, you know, interesting titles of movies that’ve been announced, which kind of hint at where it might be going.

DEADLINE: One of those that hasn’t been officially announced, but is rumored is a Season 2 for Loki, in gear under the temporary title of Architect on call sheets and the like …

HIDDLESTON: Well, yes, maybe, as I say, all the kind of multiple alternate realities are …it’s taken me 10 years to get a handle on this sort of mono timeline. The idea that this might be a multiverse is actually beyond my knowledge of physics.

DEADLINE: Well, I doubt that, but let me ask, and no spoilers for the finale or further, but if Kevin, Marvel, Disney asked you to do more Loki, are you game?

HIDDLESTON: (laughs) I have learned, at this point, having said goodbye to the character more than twice, two and a half times maybe, to make no assumptions. So, I’m also aware that I’m only playing him because of the audience, really. So, it’s not up to me. But I do love playing him, and every time, I seem to find new, interesting things about him. So, yeah, I’m a temporary passenger on Loki’s journey, but we’ll see. We’ll see where the ride goes now.

DEADLINE: On the ride, as the finale looms, there’s a ton of fan speculation out there and so much that people have hooked on to from the show. So, as the man at the center of it, what was your favorite part of Loki the series?

HIDDLESTON: That there was meaning in the making of it.That we crossed the finish line in the middle of a global pandemic and could create something, and more than ever, I felt really grateful for being able to do this job. I think in this there are some of those questions that we were all asking ourselves in the last 18 months in the show, you know, what do our lives mean?📷I love taking Loki in new directions. I love the contributions of my fellow actors, of Owen Wilson and Sophia Di Martino and Richard E. Grant and Gugu Mbatha-Raw, and Wunmi Masaku, they all brought so much to the table, and I’ll always remember that. You know, I’ll always remember just being in Atlanta with all of them and making our bonkers show. Yeah.

DEADLINE: Making your bonkers show in Atlanta as the world, as America was still in the heat of the pandemic. What was that like, because you were in production and then everything stopped and then you came back, right?

HIDDLESTON: I mean, people have used this word a lot, but it really was unprecedented. I think we did six weeks of filming before the hiatus, and then the production was suspended for four or five months, and we came back. At first, it was unfamiliar because we had to make adjustments, but the thing I remember most of all, quite honestly, is the diligence and resilience and spirit of our cast and crew.

DEADLINE: Really?

HIDDLESTON: Yes, and it remains extremely special for me, this project, for that reason.For me, it just demonstrated the character of these amazing people. It took a huge amount of planning and care and looking after each other. By that, I mean, being in the bubble. So, for many of us, the only other human beings we saw, really, were each other. So, we came to work, and we became a team, and the circumstances fostered this extraordinary team spirit, and so the memory of making it is really my incredible and deep respect and affection for my fellow filmmakers. People like Trish Stanard, our line producer. Richard Graves, our first AD. Kristina Peterson, our second AD. Autumn Durald, DP. Kevin Wright, our supervising producer, and so many others making sure everyone could stay safe and look after each other.It’s really…I find it…it’s very moving, and it’s remarkable, and I just want to salute them all because I couldn’t have done any of it without them.

DEADLINE: In that vein, you have just come off filming The Essex Serpent with Claire Danes for AppleTV+. Very different from Loki, and yet also a tale of what is real and who we are. Is that what attracted you to it on some level?

HIDDLESTON: I read it and immediately connected to it. Read the screenplay, the adaptation. It’s based on a novel by Sarah Perry, which was published in 2016 and is set at the end of the 19th century. It’s an extraordinary story about uncertainty and about our deepest fears and how sometimes our fears can distort our imaginings and how our minds can lie to us. About how we have to guard against that, and Perry sets it in this extraordinary time with a beautiful leading character of Cora Seaborne, played by Claire. Anna Symon adopted it.

There’s this community on the east coast of England who believe that an ancient beast has been awakened by an earthquake and that it’s dislodged all these fossils. But perhaps, it has also dislodged this ancient underwater monster, which has been used to explain certain unusual phenomena. This was in the era when Darwin had just been published a few decades before and people are starting to think, this Charles Darwin, he’s onto something. Still, fear spreads very quickly, and it’s a very fascinating time where science and faith are in conflict.

DEADLINE: When you describe it like that it sounds very Loki indeed.

HIDDLESTON: Maybe the themes are very Loki. Maybe that’s where they join up, but I’m playing a 19th century vicar who is trying to contain his community. You feel very destabilized by all these rumors. So, yeah, to go from Loki to a vicar was definitely new, a new territory.

DEADLINE: Literally and figuratively?

HIDDLESTON: Well, it’s my first significant time in Essex, where we filmed, which I feel embarrassed about. I’ve been to Essex before, but I’ve never been to the very, very eastern, most eastern coast of Essex. It’s the Blackwater Estuary, which then feeds into the River Thames, and it’s a very ancient part of England. It’s so marshy, it’s where in Great Expectations, that’s where Pip meets Magwitch for the first time. It’s all foggy and muddy and marshy and quite atmospheric and a perfect place to set a story about of uncertainty and fear and gothic romance. Clio Barnard directed it, and working with her has been amazing.

DEADLINE: You know, it occurs to me that of all the main Marvel characters, Loki has been such a constant, yet so ethereal in so many ways too. Is it jarring for you to jump back into the role with all the uncertainty it brings?

HIDDLESTON: You know, I’ve always seen it as sort of an extraordinary and surprising constant in my life for a decade. But, I don’t take it for granted because I don’t often…you know, it may end. It has actually ended, and those endings have been conclusive. I really thought a couple of years ago, after I made Avengers: Infinity War, you know, we all know what happens in that scene, and I thought, that’s it.I thought it’s over, and I was really proud to have been part of it. I was grateful for my time, but I thought that, my work would go off in a different direction. So, the idea that I got to come back and have another go was a complete delight, it truly was.

[siswritesyanderes]

Hi! I’m curious: if you had to be the obsession of one yandere from each of your favorite fandoms, who would you choose and why?

Oh, that’s such a good question! I hope I don’t forget any fandoms. (Every time a question like this comes up, I forget all of my interests, lol.) I’m going to go ahead and include a lot of fandoms in this post, regardless of how much I like the thing itself. (I’m clarifying this because you said “favorite fandoms” and these aren’t necessarily my favorites, lol.) Boy, here’s hoping I don’t learn anything about myself, answering this question. Okay, in no particular order:

Harry Potter:

Okay, I’m thinking Newt or Tom Riddle. Newt is really good at caretaking, he’s soft-spoken, and I know from Les Mis that Eddie Redmayne is able to sing (which, in my mind, means Newt can and he’d sing lullabies). Meanwhile, Tom is powerful and, pre-Horcruxes, not too bad-tempered. He’s got followers, which is good for many reasons; he’s not sadistic like Bellatrix; on the whole, he’s a fairly balanced yandere with a surprising number of benefits.

Or Fred and George; they’re prodigies at what they do (They’re pretty much inventors); they’d be self-aware and fun as yanderes; and also they’re canonically kind of ruthless. Yeah, I think I’m settling on Fred and George for this one.

Twilight: 

By the metric of appearance, Seth or Caius. But if I’m taking everything into consideration, maybe Demetri? His power has great yandere potential that would only backfire on me if I’d already escaped, which I probably wouldn’t manage anyway, since I’m a human. He’s high enough in the Volturi that I’d be safe from most everything, but not one of the main three, which is good because I think being Caius or Marcus’s mate would invite a lot of scrutiny from Aro (and he killed Didyme), and being Aro’s might invite sassiness from Caius; just generally, I wouldn’t want to get in on whatever bond they have unless it was a poly thing where they all cared about me. Also, I’d rather avoid Aro’s power if possible, though I suppose having him be yandere for me would be like empirical evidence that even my entire history of thoughts is attractive, which would boost my ego to an absurd degree. You know what, maybe Aro. 

Then there’s also Benjamin, who has a chill personality, awesome power (especially since fire is the thing that kills vampires; being able to control it is like extra immortality on top of the existing immortality), and the innate freedom of not being a part of the Volturi. Yet, if he were to be recruited by the Volturi, you know he’d be as high-ranking as Demetri, if not higher. Again, safety. Demetri, Benjamin, or Aro, on the vampire side. (No Cullens, since they’ve actively provoked the Volturi and I don’t trust their ability to keep me safe. If Cullens were on the table, though, Jasper and Alice.)

Wolf-wise, I feel like Leah would be a really considerate and protective yandere, and since she’s the fastest of the wolves, I think she could get me out of most danger. Maybe Jared, since the only things I know about him are that he has a sense of humor and he can be SUPER manipulative (Like, that “Lee-lee” thing from Breaking Dawn was ruthless.), and that’s a valuable skill in a yandere’s tool belt. But ultimately I guess I would have to choose Jacob, since any of them would be physically unable to disobey him, even under yandere circumstances, so there’s no guarantee they would protect me no matter how much they wanted to. (Also I wouldn’t have to go through the turning process, if I’m with a wolf instead of a vampire.)

Final answer, Aro, Benjamin, or Jacob.

The Hunger Games:

Boy, I would say Snow, because I know he would pull strings for me and give gifts and stuff, but I also feel like he’d be kind of a selfish yandere. Like, he’d be kind when it’s convenient, but he’d ultimately be looking out for his own happiness. I love Finnick, but I feel like yandere traits for him would manifest too selflessly; like, I’d be worried about Finnick, as a yandere. Johanna “There’s no one left I love” Mason would be fiercely protective, but not worryingly selfless. She’d be clingy and spirited and probably beat some people up over me.

Divergent: 

Definitely Peter! He stabbed a guy in the eye in canon! He’s got an intersection of creepy and pragmatic going on, kind of like a human version of Jasper from Twilight, but without the racial baggage. I get that a lot of people thirst after Eric, and Eric definitely has more power than Peter, but his personality doesn’t interest me.

Percy Jackson:

Percy or Leo. Powers and personalities are perfect for yandere. Nico and Will, if they’re bi; I’m not caught up on Trials of Apollo, so I’m not sure.

WAIT, maybe Reyna?? The confidence, the metal dogs...Yeah, Reyna is awesome, too.

Descendants: 

Harry, Uma, and Gil as a unit. Just all three of them at once. They’re pirates, they’re already so steamy and intense about their relationships in canon (or Harry and Uma are, at least), and they’re all very attractive. If I had to choose one, I think Uma. Or Ben, since he’s a really nice guy with a strong moral compass, at least in the first movie (meaning a yandere interpretation of him would most likely become extreme in his morals, rather than corrupt), and he’s the king.

Detroit Become Human:

(I’m literally only making this a category because I find it unbelievable that any yandere Markus is characterized as, like, a rough and dominant yandere.) Markus was a caretaking android for an old man; he would be very loving, understanding, and supportive. His revolutionary energy is not turned against his loved ones. Nothing in canon suggests he would ever be rough with someone he loves. (Connor, meanwhile, is an android cop who is rough with his friends in canon, but lots of fan works characterize him as soft. Puzzling. Maybe uncomfortable, from a racial standpoint, since Markus is a man of color.) 

Also, Ralph is the absolute perfect mix of well-meaning and delusional and intense. Ralph is perfect as a yandere. Why isn’t there more yandere Ralph?? I love Ralph.

And also Jerry, because he’s cheerful and there’s a lot of him. Just a thousand of this one guy, all in love with one person? Yandere gold.

Undertale:

Sans. Or Asgore. Let’s move on. 😅

Legacy of Orïsha:

Roën. Easy. Another pirate, with emotional intelligence and a sense of humor! Self-aware but with a loose moral compass. I love him.

Avatar: The Last Airbender:

Having thought it through, either Jet or Mai; Jet is a charming yet hot-headed rebel, and we’ve already seen what it’s like when he’s like when he takes his ideals to an extreme. He would absolutely flood a town for his loved one, which, now that I’m saying it, shouldn’t be phrased like a desired outcome, but we’re talking yandere here, so it’s fine. 

Mai, meanwhile, would seem dry and casual while also doing the most. She would be satisfied with just sitting in silence, which is chill. And given her wealth, she might ‘gilded cage’ me. Then again, she’s not very forthcoming with praise or positivity in general.

Actually, yeah, just Jet.

MCU:

Listen, I really dislike Wanda in canon, but Wanda and Vision would be the best yanderes. Their powers, Wanda’s tendency to not take responsibility for her actions, there’s a lot there. And, like, she’s generally nice to people she cares about (and Vision is a Mjolnir-lifting sweetheart); she’s pretty much exactly right to be a yandere.

Maybe Nebula, since I want to give Nebula a hug and let her win at tic tac toe or something. She would fire the very biggest guns at anyone who made themself a threat to me, but one-on-one she’s so soft and frank and I love her.

(I want to say M’Baku because Winston Duke seems so lovely, but M’Baku the character seems too strict; we’ve never seen him with a loved one.)

Dandelion: Wishes Brought to You:

Jieun, in his good end, or Jisoo, in his bad end. Look, my friend got me into this game in high school; don’t look at me. Jieun is smart, psychic, very chill, and a king. Jisoo is practically the opposite. Both work very well as yanderes.

[utterlyinevitable]

Hi! I really like your fics! Especially 'The Conference'. I have a fic request: Ethan x MC revealed to only the gang - not the whole hospital. It's totally fine if you don't do it! Thanks for considering my request! 💞

Sorry for taking a million years to get to this. Also sorry that it’s trash ♥

Telling Friends

Paring: Dr. Ethan Ramsey x F!MC (Dr. Rebecca Lao) Rating: T+ Summary: It’s sometime after the toxin incident and Becca tells her roommates about her budding relationship. Though one of them has some issues with it... Trope: Fluff, People Find Out About Them; Platonic Gang 

________________________________________

Becca walked carefully into her apartment, immediately greeted by the sweet aroma of chocolate chip muffins and the sight of two of her roommates on their hideous, thrifted yellow couch that makes this place a home.

“Oh, good. You’re all here,” She sighed with a contented smile as she kicked off her shoes.

“Think we should be more shocked you’re here,” Jackie retorted, barely looking up from her phone.

Normally Becca would roll her eyes or respond with something snarky, but not today. Today the roommates had something to talk about; all of which revolved around why she’s barely been home lately.  

“Where’ve you been?” Elijah added, the whites of his teeth sparkling in the midday sunshine peering through the window.

“And in yesterday’s clothes,” Jackie followed up. 

“That’s what I wanted to talk about.” 

Becca dropped her bag and coat by the door before bounding across the room to take her place on the sofa between her two friends. 

“There’s something you guys should know. And I need you to keep it secret.” She glared pointedly at Jackie. 

“Did you pull a heist without us?”  

Elijah added, “Yeah because if so, no, I will never forgive you.” 

“No. I would never. It’s just…” Becca trailed, moving to settle further into the cushions. She took a deep readying breath. Exhaled. And continued; “Really sensitive and important, and I don’t want to do anything to screw it up. But I also don’t want to keep sneaking around…” 

“Are you back with Raf?” Jackie questioned with a raised eyebrow. “Since he kind of imploded his life for you?” 

After the incident, Rafael Aviero broke things off with his childhood sweetheart because of the lingering feelings he still harbored for her. Now he wasn’t moving away, he didn’t have Sora, and he didn’t have... 

“Um… no,” Becca responded, looking down at the cushion. 

Before her guilt could set in fully, the room erupted in a high-pitched, delighted squeal. 

“Oh my god!” Sienna rounded the kitchen island quickly, her battered hands clasping around the wooden spoon, “Really!?” 

“What?” Jackie asked at the same time Elijah questioned, “What’re we missing?” 

The two girls locked eyes and Becca made the slightest of confirming motions. 

Becca took a deep inhale, eyes never leaving Sienna’s. The absolute delight in her best friend’s dark eyes were giving her all the courage she needed. “I’ve been spending a lot of time at Ethan’s. We’ve been dating for a while.” 

“Since when?” 

“The memorial, basically.” 

“Shit,” Jackie lamented. “I’m happy for you, Bec. But damn” - a coy smirk appeared on her lips - “No wonder that guy’s been friendlier than usual.” 

“Finally!” Elijah exclaimed in a rush of air, like it was a breath he’s been holding in for far too long. All three pairs of eyes were on him. “Sienna and I caught Dr. Ramsey leaving the morning after her hearing.” 

Jackie’s jaw dropped past the floor and into the basement. 

The rest of the gang brought her up to speed on how that ended up happening and how no one knew Ramsey slept over, and of course the unfortunate ending to that tale.  

“How’s that going to work?” 

“Strictly professional at the hospital.” Becca affirmed the sentiment with a flippant wave of her hands and the smallest of smiles. “Nothing’s going to change.” 

“Except for how soft he is around you.” 

“He’s not soft on me. If anything he’s harsher with me because of our relationship.” 

The roommates talked more about the logistics of her relationship and how often Ethan will be staying over. Jackie set some ground rules for that, to which Becca rolled her eyes and agreed they would never ever have sex anywhere other than her bedroom when in the apartment. 

When the conversation waned Becca asked; 

“I was thinking about inviting him to Thanksgiving. Unless that’d be weird?” 

Elijah chuckled, “It’ll definitely be weird.”

Sienna waved him off and grabbed her friend’s hand, giving it a gentle squeeze. “We’d be happy to have him, Becca.” 

The two girls shared a moment. It wasn’t a question that Sienna was overjoyed at Becca’s happiness - this was everything they’ve been dreaming about happening since early intern year. Though there was something quite bittersweet - Becca got a second chance with Ethan, while Sienna will never know what could have been. In their tightened grip neither could forget Danny. 

Becca’s lips parted, about to whisper condolences and affirmations that things are going to get better. But Elijah spoke first;  

“Getting to know Dr. Ramsey will be a real treat. Think he’d be down to watch the MCU in succession?”

As she turned towards him a broad smile took over Becca’s features. “As long as there’s scotch I’m sure he’ll be fine.” 

“I can’t believe you’ve been sneaking around with him.” Jackie lamented once more.  

“What’s Dr. Ramsey even like outside the hospital? He doesn’t seem like fun.” 

“Ethan’s a lot -” 

Aurora emerged, cutting Becca off with a disbelieving, “You’re dating Dr. Ramsey?”  

Something in her new friend’s tone threw Becca off kilter. So much so she threw up walls as quick and high as could be, ready to defend defend defend. She was afraid of her friends not taking to the news and Aurora’s tone really confirmed Becca’s worst fears. 

“Uh, yeah,” was all she could respond. 

“Gross. I’m happy for you but... gross. Are we forgetting he dated my aunt for years?” 

“Oh shit. Yeah,” Elijah muttered from the sidelines.  

Quickly Becca added, “They were never serious.” 

She was going to say ‘in love’ but thought better of it. She loves him dearly and knows he feels the same way, but they haven’t said it yet. The first time she uses that word next to his name it should be to him and him alone.  

The retort was swift and icy, “Are you?” 

Aurora didn’t anticipate the answer, she knew her friend and thought this was just another one of her impulses. Becca had a tendency to bounce from interest to interest, heart to heart; and after everything that’s happened recently maybe she’s just finding comfort in the man who kept her alive. 

Both sets of deep coffee-colored eyes met, both Aurora and Becca’s features schooled so stoic and unwavering in their position. A simple “Yes” dancing off Becca’s tongue. The word accompanied by the splendid thought that Ethan Ramsey was hers. 

Aurora Emery didn’t miss the tug of a smile tugging at the corners of Becca’s mouth.  

“Fine,” she conceded. “I’ll support you, but this is weird as fuck.”

***

Later that evening Aurora was in her room, sitting on her bed with a textbook in her lap. A knock sounded from her ajar door, and not a few seconds later Becca’s head peeked through the crack.  

“Hey, can we talk?” 

Aurora shut the book. “I think we need to.” 

She shifted on the bed to make room at the foot among all her papers. 

Once settled, sitting cross-legged, Becca broke the small flits of tension. “I’m sorry this is weird for you.” 

“Thanks.” Aurora forced a small, reassuring smile. “I’m sorry about the outburst. I don’t know enough about your relationship to comment.” 

“I don’t know enough about their relationship,” Becca admitted shyly. She fiddled with her hands in her lap. “Ethan doesn’t really talk about it. Just that he appreciates and respects the fuck out of Dr. Emery.” 

“Aunt Harper didn’t talk about it either. All I know is what I’ve overheard and saw. They go way back - I remember them together before I got into med school.” 

They let that sink in for a moment. Becca chewed on her lip as she mindfully ran through the semi-apparent timeline. “So this is weird,” she stated. 

“Really weird,” Aurora agreed with a chortle.   

Some more time passed by on a pause. The two amicably working through this oddity in their lives. Both their thoughts taking them in many directions. Though Becca’s moving further and further into territory she knew Ethan never wanted to wander back through. 

“Was he around a lot?” she finally asked in the smallest of voices. 

If Aurora picked up on her friend’s insecurity she didn’t make it apparent.  

“Sometimes,” she began. “He’d spend some holidays and milestones with the family. I don’t think he ever enjoyed it. A bunch of doctors eating and drinking all the time, everyone knows how much he hates spending time with colleagues.” Aurora tried to brush the last remark off as a joke to lighten the mood. 

She could see the ghost of a smile hanging on Becca’s lips.  

“He went for her.” It wasn’t a question  

Aurora simply nodded. 

“He’s a good guy,” Becca sighed. She looked up at Aurora with the most lovestruck look the young Emery has ever encountered. Right then and there she knew that this certainly was not one of her friend’s whims. It was, and had, the power of a whole new universe. 

“What the two of you see in him I’ll never know,” Aurora scoffed in feigned mockery. 

Becca was just about to comment - to say just how much of a different man Ethan was to Dr. Ramsey - when Aurora added; 

“But you shouldn’t worry about me, you should probably talk to Bryce.” 

Becca’s eyes went wide and her jaw stiffened. 

If anyone was going to address the other blatantly obvious elephant in the friend group, Aurora realized, it had to be her. Might as well kill two birds with one stone whilst they buried the hatchet. 

“We all know you’ve been hooking up for a while.” 

If words could kill Aurora was certain she just decapitated Becca. The poor girl went stark and ghostly. It was as if she hadn’t even considered telling her booty call she’s seeing someone else. 

Aurora trailed, “I don’t know exactly what went down but...” 

Neither wanted her to break Bryce Lahela’s heart.   

___________________

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Ethan:

@udishaman  @binny1985  @honeyandsunfl0wers @wingedhairstylemusicweasel @ohchoices  @dulceghernandez @blossomanarchy  @stygianflood  @caseyvalentineramsey @openheartthot @senseofduties  @tsrookie  @kalogh @aworldoffandoms  @takemyopenheart  @casey-v @ethanramseylover @a-crepusculo @randomperson111  @lilypills @anntoldst0ries @nix-grey  @aishaaaaaaah @estellaelysian @mysticaurathings @mayarambles

[queen-susans-revenge]

a meme, thank you @klaproos for thinking of me!

favorite color: I went into it a little bit more here but it's basically burnt sienna with a bronzy shimmer, like so

currently reading: Haley Campbell, All the Living and the Dead, mostly because Neil Gaiman recommended it. I don't read a lot of nonfiction but like everybody else I have been thinking a lot about death in the past couple years, so it's very interesting.

last song: okay I just fired up Spotify and here's what it was in the middle of last time I closed it. This is not even a great remix, I like the original much better, but I do listen to a lot of Grimes. In fact this came up because I was in the middle of the complete Grimes collection on Spotify, which I often put on loop when I just need music in the background.

I am in a perpetual state of "oh girl no" over Grimes but I completely love her music. I just wish there was more focus on her art and process as opposed to her personal mess, and I think the treatment she gets is sexist because dudes are allowed to be wild self-indulgent freaks who are still taken seriously as artists. Grimes is a wild self-indulgent freak who should still be taken seriously as an artist.

last tv show: The Netflix series Cyberpunk: Edgerunners. I do not watch a lot of anime, but I love the art style on this one. All the colors, mmm. I'm about halfway through the series.

Cyberpunk in general is an easy sell for me. Take me to neon reflecting in rainy streets while hovercars go by overhead and cyborgs sit around slurping from bowls at noodle stands, and you don't even have to buy me dinner. I'm already a slut for it.

That said, there's a tension in a lot of cyberpunk, a retro fixation within a genre that ostensibly depicts the future but is rapidly being outpaced by the present. A weirdly large element of it is nostalgia for the 80s and 90s, and there's some social attitudes from those decades that get pulled in wholesale along with the aesthetic. Sex workers get murdered a lot. Depictions of racial minorities skew towards the cringe. There's a moral simplicity to the noir landscapes it tends to build: the heroes might be "edgy" but they're pitted against monsters so grotesque that there's never really any question about where right and wrong lie. Violence is cathartic and solves a lot of problems.

There's a trans critic, El Sandifer, who has written a couple of very insightful pieces of criticism, both on the cyberpunk genre in general and on the Cyberpunk 2077 world in particular. I love her observation that "cyberpunk is still a living genre; a successful prediction of the future that continues to be made long after it’s come true." And I think her conclusion—that the genre badly needs a queerer perspective—is the right one.

This series does not have a queer perspective. But what it does have is mirrorshades and samurai on motorbikes, and some really beautiful action sequences that unfold in supersaturated neon colors. So I'm in.

last movie: Thor: Love and Thunder. Iunno, it was all right. I didn't want my money back or anything. In terms of MCU movie rankings I would put it somewhere solidly mid. Better than Doctor Strange in the Multiverse of Madness I guess.

I think we're all kind of burned out on Marvel content, right? The last MCU thing I can think of that felt fresh or compelling was the Ms. Marvel series and even that is already fading into forgetability. Can I get more of Yelena and new energy-flavor Hawkeye? I liked them a lot.

sweet/savory/spicy: savory.

currently working on: I'm now more than 100k words into the space pirate novel and probably have another 20k or 30k to go. It will be a long book but it is all one book (I was wondering earlier if I should split it up, which I kind of wanted to because it would mean I could start shopping around the first part, but unfortunately I think the answer is that I really do have to write the whole thing first.)

And the chapter I just finished was like, the most fun to write in the whole book. It was a sex scene followed by some pillow talk. Now I have to do corporate intrigue and hacker stuff, which is much harder to make interesting. It's part of why I'm watching cyberpunk shows, to get inspired.

tagging everybody! Anybody who wants to! I get anxious about tagging people both from the point of view of possibly annoying someone, and from the point of view of possibly making someone else feel overlooked, so as usual I will take the coward's way out on this one.

[sunflowergirl522]

That’s Peter Part 3

Pairing: Peter Maximoff x Reader

Summary: You’ve been able to hop realities your whole life, running away to your favorite one with your favorite people when the blip happens. You come back to visit Jimmy to find out everyone came back and then get some bad news. When you go to find your boyfriend Peter you find out that he’s been snatched into a different reality.

Warnings: Language, grief

Word Count: 1331

Masterlist Previous Part

When you opened your eyes again and Wanda let everyone go back to what they were doing, Peter was gone. You had walked around the neighborhood as children and their families shuffled home trying to see if you could spot him in the crowd. You don’t even see him when you spot Wanda escorting her boys home or when you follow them hoping to be led to where Peter’s been staying. When you come up empty handed you decide to find somewhere to spend the night. Luckily there was an empty house up the block from Wanda’s.

In the morning you take another lap around the block before spying into the windows of Wanda’s house to see if Peter went home. All you see though are things seemingly glitching out which was weird but you brush it off as a problem for after you find Peter. That’s when an idea hits you that maybe he’ll be on the tv again at the SWORD headquarters. You teleport there just to find yourself still in the hex and in a circus? Wanda must have extended the barrier when she used her magic last night. You’ve gotta find Darcy.

You run through the circus trying to avoid any of the clowns to prevent anyone talking to you. You hear someone yelling at people you assume are running away and run immediately to the source. You make it in time to see Darcy and Vision run into a funnel cake truck.

“Darcy!” Vision seems to shut the door before either of them would be able to hear you. “Damn it, gotta be fast.” You crack your fingers and roll your neck before teleporting into the van just as they drive away. You cheer a bit once you’re inside causing the two of them to jump. But you can’t help it, teleporting into a moving vehicle is tough, you have to time it all perfectly and it’s just too much work. So getting inside before they moved was something worth cheering over in your book.

“Jesus Christ Y/n! What are you doing here? I thought you were trying to get Peter.”

“Who is this?”

“Oh, hi I’m Y/n.” You hold out your hand for him to shake.

“I’m-”

“Vision, I know, I’m a big fan of you and your wife.” You beam at him before turning to Darcy. “I was looking for Peter but he disappeared last night. I haven’t been able to find him since, thought I’d have luck locating him with some help from the show. But now I see what Wanda’s magic act was for last night.”

“Well, you’re just in time to help me answer all of Visions questions. Take it away man.”

“Are my children safe?”

“That I don’t know.”

“Oh, I just came from your house, they seemed fine.”

“Good, what about that imposter Pietro?”

“Y/n you wanna take this one?”

“Pietro is my boyfriend Peter. Long story short he technically is Pietro just from a different reality. He has the same powers and he had a twin but well, it was reversed there. She was the twin that died.”

“Okay. Who was I before Westview and what are the Avengers?” You let Darcy explain that to him and sit in silence picking at your nails, a nervous habit you’ve picked up. If Peter were here he’d grab you hands to stop you and place kisses to each finger tip while telling you to be nicer to yourself. But what if you couldn’t find Peter now? Where could he have gone? “So, Wanda killed me?” Vision's voice breaks you out of your thoughts.

“It’s not that simple, you asked her to do it.”

“Why would I have done that?”

“To save the universe, well half of it.”

“Did it work?”

“It did until the bad guy rewound time and killed you himself. There’s a few extra steps but to sum it up-”

“I came back and died again.”

“And she had to watch.” It’s quiet for a bit while Vision takes in the new information and you start to feel overwhelmed with the topic of death that seems to wrap around you. Your mind gets brought back to your dad and how he’s gone and suddenly it feels like the atmosphere in the truck is trying to suffocate you. 

“I gotta go.” You force out before teleporting back to Wanda’s street. Immediately you’re greeted with Wanda holding Monica up in the sky with her magic. Monica’s trying to tell Wanda that Pietro wasn’t them and you sigh. Of course everywhere you go there’s talk of him but you can’t find him. What else were you expecting this is just like when the two of you first met. You gasp as Monica has a superhero landing. Why didn’t she tell you that she had powers too?

“I lost the person closest to me too. The worst thing I can think of has already happened to me and I can’t change it. I can’t undo it. I can’t control this pain anymore. And I don’t think I want to, because it’s my truth.” Monica's words hit you like a truck and you start to tear up. You need to find Peter soon otherwise you might just lose your mind. All you want is to confide in him and have him tell you that it’s all gonna be okay. When one of Wanda’s neighbors takes her away you run up to Monica.

“Monica! What’re you doing here? Is Jimmy okay?”

“I had to tell Wanda about what Hayward has planned for Vision. Jimmy’s fine, he's with my guys. Did you get brought in with Darcy?”

“No I came in on my own, I was just with Darcy though. She’s fine, she’s with Vision right now coming here.”

“We’ve gotta get Wanda to listen to reason.”

“Yeah, okay let’s go.” The two of you follow behind the two women to the neighbors house. 

“Let’s split up and find a way in.” You nod at Monica and go one way around the house while she goes the other way. You don’t have any luck though and as you’re rounding a corner you spot Peter next to Monica.

“Snoopers gonna snoop.” Monica jumps and turns to look at him and before he can do anything with the hand he raised you show up in front of him and grab his wrist. His eyes go wide at you popping out of a portal in front of him and he seems to freeze in shock.

“Peter, what the hell are you wearing? It’s awful. And what is that, a puka shell necklace?” You reach out to touch it but he grabs your wrist to stop you.

“Don’t touch that sweetheart.” 

“Alright.” You shrug and rip your hand from his strong grip and bring it to your side. This is definitely not your Peter. “Just wondering though,” behind your back you create a small portal and stick your hand through it appearing beside Peter’s head, “what happens if I do this?” You rip the necklace off of his neck and bring your hand back to your body ready to defend yourself if need be.

“God what’s been going on?” Peter looks around him confused until he notices you in front of him for what seems to be the first time even though the two of you were just interacting. “Y/n? What are you doing here baby? It’s dangerous.”

“Yeah well, I’m saving your ass apparently. Must’ve been under some sort of mind control.”You dangle the necklace in front of him before tossing it to the side.

“How’d you know?” Monica steps up to be next to you rather than behind you.

“Peter would never wear a fucking puka shell necklace or hold my wrist that tight anywhere other than in bed.” You shrug at her and turn back to Peter. “Seriously though, what are you wearing? You look like a stoner frat guy babe.”

That’s Peter taglist: @ellaenchanted91​

Peter Taglist: @amourtentiaa​ @simpforquicksilver​ @quickparkers​ @loveyou3000-mcu​ @elaineygrace​

[alirhi]

Loki ranting

Okay. I had this thought in my head of like just compiling links of all the Loki shit I've posted/reblogged so far so that when I get into a conversation about the show and how it fucking disgusted me, I can just be like "here. here's this masterlist post, go read all this shit. This is my entire argument, and not only mine, but a lot of stuff posted by people far more intelligent and level-headed and eloquent than I am, whom I happen to agree with." Because the alternative is constantly getting fired up all over again, and that is exhausting.

BUT! I'm stupid and don't know how tumblr works. Apparently I can't just be like "give me all the Loki-tagged shit I've got" I can only search all the Loki-tagged shit on all of tumblr. And I'm not scrolling back through all of my posts. I talk too fucking much for that shit 😂

So, I'll try to remember all of my grievances with how the MCU has treated Loki, and all of the excellent posts made by other, equally upset fans, and put it all together here under this nice, neat little cut for everyone else's sanity and scrolling convenience...

For people who actually read my shit fairly regularly - bless you, you crazy, patient people. I love you! - this is going to be a lot of repetition of shit you've already read. Probably at least twice. I'm passionate and I have a terrible memory lol. Sorry.

Anyway, first, for those who don't know me and haven't been following my explosions of rage for the past couple of months, some quick background: I do not read comic books, so Loki's Marvel comic canon means nothing to me. I know almost nothing about it. The reason I'm so in love with the character in the MCU is because I am an eclectic witch and the deity I've actively loved and worshiped the longest in my life (literally for as long as I can remember) is Loki. So when he was mentioned in The Mask, I squeed. When they named Matt Damon's character after him in Dogma, I cheered.

When Thor came out in 2011, I just about died from happiness. I was hungry for any representation of this underappreciated god, no matter what it was. I didn't even bitch about how underpowered he was, because at least he was there. But I'm getting slightly ahead of myself.

I can hear anyone reading this going "Why Loki? Isn't he, like, evil? Like basically the Norse version of The Devil?" Because I heard all this shit irl all the fucking time. And no. So let me give you a quick rundown of who Loki actually is.

Loki is a Trickster God. He's often referred to as the God of Mischief. He is not and never was evil, simply chaotic and hedonistic. Loki Laufeyjarson was the son of Laufey (that's mama; they changed her to a man for some reason in the movie) and Fárbauti. Right from the start, from his name, we get a sign of how Loki goes against traditional norms of the time, because in Norse culture, families were patrilineal, and surnames were "son/daughter of father" (which would have made him Loki Fárbautitason), not the mother. But Loki's surname is matrilineal. Feminist icon woo! lol

Though he's a Jotunn, Loki is counted among the Gods (Aesir) in Norse tradition. Depending on his mood, he is alternately helpful or disruptive to the other Gods. I'm not gonna sit and teach a whole text class on him lol but I'll use my favorite example of Misunderstood Loki - the conception of Sleipnir!

So, get this shit. This is also part of why I DO NOT follow Odin and never fucking will (a very small part, but still part of the reason). So, the other Norse Gods are petty motherfuckers, and they wanted some shit built but didn't want to pay the dude doing the building. So they were like "okay, if you can get it done in X amount of time, we'll pay you, but if you can't manage it NO MATTER WHAT, this whole thing is free." And they made sure he had NO help, nothing but him, his materials, and his Very Good Horsey. And this guy and his horse were fucking BAMFs. So it was looking like he was definitely gonna get it done in time, and Odin was like "nah, fuck that shit. I'm cheap." and so he sent Loki to distract the work horse. Loki transformed into a mare and lured the horse away, got fucked, got pregnant, gave birth to the 8-legged (for some reason) horse Sleipnir. Odin rides Loki's son into battle. Um. Kay.

So Loki helped Odin be a petty mf, and Odin got himself a new pet out of the deal.

Oh, also, because he's smart af and a shapeshifter and a master magician and genderfluid, Loki "fails" to fit the super fucking toxic and narrow Norse/Aesir view of "a real man". He prefers intelligence and manipulation to solve problems rather than violence, he's not afraid to behave like a clown if it gets shit done, and that grosses the Aesir out, so they constantly ridicule him for being "less than a man".

Loki is the God of the outcast and the misunderstood. The marginalized people from all walks of life. He is the God of the LGBT community. In modern terms, he's pansexual, polyamorous (married to Sigyn and they are deeply in love, but boy gets around and I've never seen any indication that Sigyn gives a shit) and genderfluid.

Okay. Focus, Ali. This is part of why I usually post multiple rants instead of one big long one XD The longer I ramble, the more I get sidetracked and forget the original point.

So. Loki's awesome, and being a Trickster, is powerful as all fucking hell. There's not much he can't do.

And now we come to Thor (the movie, not the deity). Loki's there! 24-year-old Ali is spazzing! All is right with the world!

Oh lord, they've actually done him justice?! Amazing! He's complex and nuanced and emotional, just like the real Loki! I loved this movie. Loved. It. The climactic thing with trying to blow up Jotunheim never really made much sense to me until someone made an excellent point the other day about Loki being raised in a racist society that was racist against his own race, he just didn't know it yet, poor child. Baby Thor was never corrected when he pledged to commit mass genocide, so Baby Loki probably absorbed the lesson then that Jotunns=evil and killing them all will win his father's love. Anyway, 2011 Loki was a beautiful, heartbreaking portrayal of the God I've loved all my life and spent 24 years longing to see depicted on the big screen.

Then The Avengers happened. And I saw another Loki very close to Norse mythology - mainly, how he's treated. In the beginning of the movie, he's sick, exhausted, and in pain. He can hardly stand, he stumbles and needs help when he walks. He was very obviously tortured, and the sickly blue light of the scepter's control is in his eyes. That gets less and less pronounced as the movie goes on, showing Loki working his way free of it, but in the beginning, he's a mess. Because he was tortured and used by Thanos. Marvel directly confirmed this, and that he was under the scepter's/Mind Stone's control. Loki's actions are not his own in The Avengers. He's under both threat and Thanos' direct control. The movie actually shows The Other directly threatening him to keep him on task, because this is not Loki's plan. It is not what he wants. He's being used and villainized... Just like in real life. It hurt to see this done to him, but the accuracy was too beautiful to ignore.

Thor: The Dark World comes out. I've heard people complain that this movie is the weak link in the Thor trilogy. I disagree. I think that's Ragnarok, for a bunch of reasons, but we'll get there. (And for the record, I loved Ragnarok, too. It was a funny movie. Infinity War and the Disney+ series are the only portrayals of Loki in the MCU that I truly fucking hated.) Anyway, good, fun movie. Had its faults, as all movies do, but it still followed Loki's real-life arc in a way. How? By having Loki dragged back to Asgard in chains and imprisoned underground. Again, not super happy that this happened to my love, and having to see it on screen was painful, but at least in the MCU he's not chained to a rock with venom dripping on his face for eternity, so there's that. (poor Sigyn. how tired do her arms get, holding up that bowl? best wife ever, amirite?)

In TDW, we're shown Loki's love for Frigga, who favored him and taught him magic as a child. We see his bravado; his attempts to mask his true feelings, especially grief. We see him slowly coming back to himself after the events of The Avengers, and slowly mending his relationship with his brother. He accepts that Odin will likely never love him, but Thor just might, because they were close when they were young. "I didn't do it for him." No, no my sweet, you did it for your brother, and a little out of guilt for what happened to your mother.

At the end, Loki fakes his death and escapes, taking the throne, and I have mixed feelings about this. Not the writer's choices here; I love that completely! A natural progression in Loki's story. But my joy is tainted by how closely they're following the Eddas now. Because Loki's escape from his prison heralds the beginning of Ragnarok. And Loki will die in Ragnarok. I don't want to see that play out in front of my face. I won't be able to handle the grief (spoiler alert! IW broke me. I almost walked out of the theater. Loki's death was legitimately fucking traumatic for me. I don't even care how pathetic that is. That grief was real, it was intense, and I still shake and cry when I think about it.)

Marvel announces that Thor 3 will be called Ragnarok. The internet treats this as a shocking revelation. I roll my eyes and mumble "duh" to myself and move on XD

Then they say Ragnarok will be a buddy comedy. I throw up a little in my mouth and no longer want to live on this planet. If they're going to make something called Ragnarok, could they at least treat it with even a fraction of the respect they've shown these characters thusfar? Jfc. I mean, I'll see it anyway, because I'm a whore for Tom Hiddleston lol. But come on, people!

I hated that they made Hel the long-lost older sister and Fenrir her fucking pet/attack dog. Those are my favorites of Loki's children! Hel is such an incredible badass that the early Christians named their dimension of eternal torture after her! They were terrified of her, to the point of naming the place that terrified them most after her. That's awesome! And Fenrir's just the best. I love wolves. Those two details, and Odin's retcon of "we're not Gods! ...lol, except your sister. she's totally a Goddess. and def gonna kill literally everything, so... good luck! byyyeeeee" pissed me off royally.

The rest was great. I genuinely liked this movie. Still do. And they finally used The Immigrant Song! That was pretty cool. If they'd thrown in Bring the Hammer Down and Thunderstruck, I might've called this movie perfect. XD

I wasn't totally in love with their portrayal of Loki in Ragnarok. Yes, the falling for 30 minutes line was funny, as was "I have to get off this planet" and "YES! That's how it feels!" And "Get Help" was funny as hell. But also, like... There is no way Loki would have been the dumb one in that first encounter with Hela. Also, he can teleport and project copies of himself and shit, so... He would not have been that desperate to go straight back to Asgard and bring her right along with them. Loki's not stupid. But whatever. Movie's gotta movie.

What I did love was seeing the slow mending of his relationship with Thor continuing, and the badass fighting on the bridge. I also loved that, like Real Loki, Movie Loki helped when help was needed, was quick and clever, and while he was carrying out the main plan, he was also planning ahead and grabbing the Tesseract. Yes, that drew Thanos right to them, but that's a whole other thing. Loki never would have left that thing on Asgard to be destroyed or lost.

And now Infinity War. Hooooly fucking shit. You know what? No. I'm not going into this. He was killed, years of character growth were erased forever, my heart fucking shattered. The end.

Endgame. IW hurt me so bad I didn't see Endgame until this year. I actually watched Civil War first (for context: I had actively avoided all Cap movies until this year because I fucking hate Steve Rogers. I find him insufferable. Did not realize what I was denying myself until I watched CW and finally saw the charms of Bucky. When he appeared in IW, I was so lost. XD I was like "...who dis? Murder Jesus?" also I just... didn't care. I was numb by then from crying through most of the movie over Loki)

So, anyway. Endgame. Loki picks up the Tesseract in alternate 2012, escapes, fans go "yay! he didn't actually die!" I go "yes he fucking did. Five years of his life, gone. Five years of growth and change, erased. Loki is dead. This will not be the same."

I was more right than I could have predicted. Now we come to the point of this rant. Sorry it took so long, but you were warned lol.

The Loki series makes me so angry I actually get sick to my stomach. It was fucking TRASH. When I praised Marvel for following Norse mythology so faithfully earlier? Yeah. I DID NOT MEAN TREAT HIM THE WAY THE OTHER GODS DID. I did not mean paint him as a pitiful clown, a joke, a caricature of who he truly was, with his pain and suffering played for LAUGHS.

This is supposed to be 2012 Loki, newly freed from Thanos' control. The Loki we saw in the beginning of TDW - snarky, exhausted, nihilistic. The Loki who rolled his eyes and said "get on with it" expecting to be killed.

The bumbling clown flipping on a dime from posturing to calling himself weak is not 2012 Loki. That is not ANY Loki. That is Tom Hiddleston in a black wig doing what he's told by a shitty writer who had no fucking idea what he was doing and was salty about his (bad) original script (for something totally fucking unrelated) getting killed.

In Episode 1, Loki is mocked, imprisoned, stripped against his will, tormented, belittled, and given a flippant summary of all the trauma Actual MCU Loki suffered that this one skipped out on, with no context, no acknowledgement of the trauma he's already lived quite fucking recently, and with the narrative twisted to not only erase all the abuse he's suffered, but to make it all his fault. And this is supposed to make him want to help these people?

And worse, IT FUCKING WORKS. WHAT?! I CAN'T- FUCKING WHAT?! Remember when I said LOKI IS NOT FUCKING STUPID?! So why is he STUPID?

Episode 2, he's a child. Mentally, this Loki is a fucking child. Now we've erased all the growth and development of his entire adult life. He's dopey, impatient, impulsive, desperate for a pat on the back and actually shows it. Yes, abused and neglected children crave the positive attention we never received, and we often grow up to be a bit emotionally stunted. But not all of us, and not Loki. Not as we've seen him EVER in the rest of the MCU. Playful and a bit callous at times? Absolutely! But not a big dumb fucking puppy.

Episode 3, a ray of hope, despite Sylvie! (I hate Sylvie) Loki casually admits he's pan/bi; labels never come up, but he admits to being with both men and women! He sings! Not really relevant to whether I approve of his portrayal or not lol but Tom has a beautiful voice, Norwegian ("Asgardian" lol) is a gorgeous, entrancing language, and I could watch that one bit on loop for eternity and never get bored. And then, finally, we see a glimpse - a glimpse - of Loki's power! He stops a falling building and pushes it right back up! Are we finally getting to see what he can really do? Will the next episode bring us Loki in all his glory?

Nope. 4 and 5 we see him mocked and pushed around and utterly irrelevant. Again. We see tiny reflections of what he could maybe theoretically do in other random Loki variants, but the "main" (lawl. main. it was the Sylvie and Mobius show. Loki was never the main anything.) Loki? Nothing. He wears his heart on his sleeve for no reason, bonds with the man who imprisoned, taunted, and gaslit him, is killed, and continues to be a moron and a joke. Always the clown. Always the dumb one. The one with the bad ideas. The inferior Loki.

Don't even get me started on that finale. I can't. This already took so much out of me. Fuck Marvel. Fuck this fucking show. I just... I'm done.

[an-optimist-prime]

When the sun came up you were looking at me

A Sambucky/WinterFalcon ficlet

Summary:  Right now it’s two in the morning, and Bucky is laying on Sam’s couch, and he’s pretty sure that he’s in love with him. - Or, Bucky realises that his one-sided feelings for Sam aren’t so one-sided. Set after TFATWS Season 1.

Word Count: 1350

Rating/Warnings: T, N/A

AO3 Link

*

See, the thing is, Bucky had truly believed that Steve had been it for him.

Not that Steve had ever felt that way back. It had always been one sided, and honestly, Bucky was just fine with that. Honestly. Because even if Steve didn’t love him back, he still loved him, as a friend, and really, what more could he ask for?

Who else would care for him, anyway? Bucky knows he’s not worthy of it, not after everything he’s done. But even then, he’d always thought that he and Steve were best friends. It was something he had taken for a given.

But then Steve went back to the past, and Bucky once again lost everything. Without a word of warning, Steve had left, leaving him behind in a foreign future he’s only now just beginning to understand. No help, no guidance, just a few words uttered between them as he passed the shield onto Sam and that was it.

And if Bucky’s being honest? It hurt. There’s no other word for it. Hydra’s many forms of torture had nothing on the pain Steve’s abrupt departure left him with.

But he’s fine, really. Well, certainly not at the time, or for a long time after. But Steve deserved to be happy, more than anyone else, and Bucky was never going to deny him that. It’s just that he wishes, sometimes, that he had been enough to make Steve stay. Maybe then he wouldn’t feel so lost all the time. Like he doesn’t fit.

No, that’s not correct. Not anymore. He had wished, past tense.

Because today was different. After today, he actually feels like he might be okay.

The cookout had been nothing short of fantastic. To be there, in public, surrounded by people who were neither fearful nor furious at his presence. People who weren’t trying to control or manipulate him. He’d even been comfortable enough to have his left arm on display, and received nothing but curious looks from some of the adults and adoration from all of the kids. It was all so easy, and all so good, that it makes Bucky think that there might be a home for him at the end of the road, after all.

Maybe.

The only strange thing about the whole night was the fact that Sam spent a fair amount of his time just staring at him, when he thought Bucky wasn’t looking.

And therein lies the problem. Because for so long, Bucky has been lost and alone. He’s been haunted and hunted. Never safe and never free.

And then Sam Wilson came into his life, and that really threw a spanner in the works. Because right now it’s two in the morning, and Bucky is laying on Sam’s couch, and he’s pretty sure that he’s in love with him.

And, he’ll be honest, Bucky didn’t even like him at first. Hell, the first time he met, he’d tried to kill Sam. And yes, he was brainwashed at the time, and yes, that wasn’t his fault, but still. The guilt lingers, and the point remains. They didn’t get along.

Well, until they did. At some point on their mission, something had shifted, and now, they were at the very least friends.

In hindsight though, Bucky supposed it probably shouldn’t have been a shock. There’s been something building between them for a while now. Something that had started rough and tense in the beginning, but had transformed into something far more gentle and familiar.

No, Bucky’s not pretty sure he’s in love with Sam Wilson. He’s one hundred percent goddamned certain he’s in love with him.

And really, how could he not love Sam? He’s a blessing - kind and loyal and brave and so many other things. He’s the only person worthy of holding that shield other than Steve.

And at that thought, Bucky can’t help but laugh a little under his breath. Even he can see the humour in the fact that he’s fallen for Captain America twice. Because honestly? That’s what’s happened here. There’s no point denying it. Bucky even knows the moment it happened.

He distinctly remembers looking up when Sam had just saved the armoured truck with the hostages, looking downright angelic with the wings, and just knowing, oh, this again.

He’ll keep a better lid on it this time, he swears. Sam is his friend, possibly his only true friend at the moment. It’s just that, much like Steve, Sam’s shown no inclination that he feels anything more than that. Which is fine. Truly. Bucky refuses to ruin the one good thing he has going for him at the moment.

So, he lays on Sam’s couch at two in the morning, staring at the ceiling, and wondering how long he’ll get to have this before it’s taken away from him too. He knows he shouldn’t think like that, but old habits die hard.

Bucky’s only stirred from his thoughts when the object of them speaks.

“Can’t sleep?” Sam asks quietly, catching Bucky by surprise. How long has he been there, just standing in the doorway?

Bucky immediately sits up so there’s room on the couch for Sam as well. Sam takes the spot next to him, and Bucky instinctively moves closer to him. He’s always pulled into his orbit.

In the moonlight of the room, Sam looks absolutely gorgeous, and it steals his breath a bit.

“Yeah,” Bucky eventually manages to say. “Just thinking about some stuff. You?”

“Yeah, something like that,” Sam admits. “You got something on your mind?”

It’s asked with gentle concern. Sam knows when to push and when to ease up on something, and Bucky is always grateful for it. Just another reason he loves him.

“Nothing bad,” Bucky replies, trying to distract himself from the fact that he wants to lean across and kiss him. “The opposite, actually.”

“Well, that must be a nice change. Do you want to talk about it?”

There’s something about Sam that makes Bucky want to confess everything, to tell him just how he feels. But not yet. “Maybe someday.”

Sam stares at him for a moment, as if searching for something. “I find that honesty is always a good policy.”

It takes Bucky a moment to find the words. “I wouldn’t want to overstay my welcome.”

“Bucky, you’re all always welcome here. I need you to know that,” After a moment, Sam continues. “Do you really need to go back to New York?”

“No.” Bucky replies, honestly. Because really, his only mission at the moment is to stay as close to Sam as he wants him to be.

Sam’s next words are barely more than a whisper. “Then stay.”

And that’s when it hits Bucky - that maybe, just maybe, it’s not all one-sided this time. And huh, that’s a revelation.

It all clicks into place - the not so casual touches, the intense stares, the lingering moments. It steals his breath away, because he never thought he’d have this.

“Oh.” Bucky says, completely floored.

“Yeah, oh,” Sam sasses back, but he’s smiling. “I was wondering when you’d get it.”

Everything that had been simmering under his skin suddenly surges to the surface. He’s not sure which one of them moves first, crossing the distance between them.

It’s a tender, tentative thing, their first kiss. More like a brush of lips. And yet it’s everything, like home and the promise of more, not far down the line.

After a moment they break apart, breathless. Bucky leans against Sam, their foreheads touching. It’s almost a miracle, how, after everything they’ve both been through, they’ve managed to find each other, been able to find this, here and now.

It’s so much, it might be too much. To have something like this, something perfect, after so long, it’s overwhelming. But Sam is there, gently tracing soothing patterns into the skin of his arm, grounding him. God, he really is perfect, and he’s his.

“Stay.” Sam repeats, his voice barely more than a whisper, and Bucky nods.

He’d do whatever Sam asked of him, honestly. Because finally, in this moment, with Sam Wilson, Bucky feels like he’s home.

*

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