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larrylimericks · 1 month ago

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19Oct24

No matter how mad the word made us, It always held hope — a “hiatus.”

I’m sad for so many reasons — the fundamental sadness of death, and at such a young age; having to process the mortality of someone so extraordinary it seems they should transcend a fate as ordinary as dying; aching for his family and friends; angry that he had to navigate such a cruel world, one that continues to disrespect him in death. Yes, Liam was damaged and in turn damaged others; he had demons to face and amends to make — I like to think he would have, given a chance. His talent was so immense, and there was so much more to come. I believe he would have found a way to redemption, and then had such a beautiful renaissance.

The joy of being a 1D fan has always been policed and mocked. We’ve so frequently been laughed at, dismissed for the intensity of our love for the band. And now, the world wants to do the same with our grief, questioning its legitimacy, trivializing our feelings. But this loss is real. And this grief is valid.

And the grief of losing Liam is compounded by the grief of losing so much else. He wasn’t just a celebrity. They weren’t just a boyband. He was an integral part of an integral part of our formative years — no matter how old we were when we found them. So many of us are the people we are in part because of the people they are. Were. We’ve lost a beloved one, we’ve lost innocence, we’ve lost inspiration, we’ve lost a piece of our foundation.

We’ve lost hope.

It used to frustrate me, in retrospect, that they called it a “hiatus.” It felt dishonest — like a gentle lie to let us down easy. Why couldn’t they just say it was over? That being a boy band has a built-in shelf life, and it was time to explore solo careers. But now I understand the kindness in that word. For hope springs eternal, and it didn’t matter if it never came. All that matters was that it might. And “hiatus” wasn’t just for us; it held their optimism too. Especially Liam’s. It left the door open, even if only a crack, for the possibility of something more.

It’s been a remarkable gift to watch each one find his own path and his own voice. But when they announced a hiatus in 2015, they planted a seed of hope that someday we’d see the unrivaled magic of those boys on stage together again — the greatest team the world has ever seen. Maybe Zayn would join, probably not. Maybe it would’ve been a one-off thing for charity or a special anniversary. Maybe it would be in their 50s when the allure of easy money from a reunion tour was too tempting to resist. But surely, eventually, 1D would reunite in some capacity. I was excited to see how their once frenetic energy and youthful antics would meld with the mature solo artists they’ve become.

That hope sustained us through 18 months and eventually eight years, but now the hiatus is over. I would have happily clowned for every remaining day of my life than know this new certainty brought by the finality of Liam’s death. Maybe, someday, there will be a memorial performance. Maybe we’ll see three or four out of five come together to honor him — and what a poignant testament it will be that Liam was what could bring them together. Or maybe it will never feel right to them to take the stage without him, and that, too, will make all the sense in the world.

I wish I had an uplifting ending for this post. I don’t. I wake up and my first thought is “Liam isn’t here anymore,” and then I go about my day with that relentless realization lurking around the corner of every mundane task I do.

I haven’t been able to listen to their music yet. It’s a cruel trick that the thing that always brought comfort is now a trigger for grief. But I hope that will soon change. That, at some point, I’ll put on WMYB, get choked up at “You’re insecure” and second-guess my readiness. But then jump to History, and find solace in the lyrics that are currently rattling around my brain but aren’t ready to be heard yet: “This is not the end, this is not the end” … “We can live forever.”

❯❯❯❯

#rest in peace liam #liam payne #tw liam's death #trying to process the sad thoughts #don't read if your own sad thoughts are too much atm #i've moved from shock to sorrow and now to denial #none of it feels real #tw death

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ashetherando · 1 year ago

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Disney Adult| FizzOzzie Poly x reader (and separate)

my sorry ass have been looking at Disney World stuff and as a Disney Adult I’m surprised I haven’t made this before! pronouns: They/Them/Theirs

Key words:

(y/n)-Your Name

(l/n)-Last Name

(POLY FIZZOZZIE )

They don’t really care of what you’re into, as long you don’t be stupid or harassing imps/demons they don’t care. They will in fact have a whiplash of Disney merchandise you own at your home with the Minnie/Mickey ears and clothes, PJs, and cups! They will be shitty boyfriends if they shit all over your interest while you don’t. If you’re going to Disney World/Land, you’re their guide! Teach them about Genie Plus, teach them about the Disney World app, cuz they’re helpless without your Disney eyes! Also, let them pick their magic bands there so much designs and their brains cannot handle it! Also, quick thing, give fizz a kid leash. You’ll be walking around in Animal Kingdom with Ozzie planning what he wants to eat, then POOF Fizz somehow learned to park hop and is now at Magic Kingdom at Peter Pans Flight!

💙OZZIE/ASMODEUS💙

Ozzie believes that Disney can be dark, for example Hunchback of Notre Dame, The Black Caldron, and basically he’s more into the Disney Renaissance than the present day movies at the Disney franchise. He will not be surprised when he comes over to your home and you hand him over Disney PJs, he doesn’t care about how much Disney merchandise your house can handle, as long you’re not blowing off all your money for a Disney figure ‘cuz you still need to pay bills and rent! But! When you ask what he wants at Disney World, he asked “coffee” as a joke, but when you came back from your trip and before you clock in “here ya go, Asmodeus!” You said as you held up the bag with the word Joffrey’s printed on it “I wasn’t so sure what you wanted so I kinda just guessed!” He tilted his head to the side as you place the bag on his desk, he opened the bag and see two bags of coffee grounds one is a flavorful coffee ground and the other is just plan coffee grounds “I wasn’t expecting you to get me this” he grabbed a bag and analyzing it “do you not want it?” “No! I want it, I really do need some coffee grounds, I just never thought that Disney have these type of things” “well, it’s a huge company! Of course they’re gonna have coffee!” “That’s fair” he placed the bag down and bring up the flavor on, it’s was obviously bought at the Polynesian resort exclusive. “Thank you, (y/n)”

When you finally convinced him to go with you while being part of the Disney Vacation Club, you have to treat him by bringing him to Food and Wine festival. He’s quite interested by the new wine they give out every year than the food. Keep an eye on him, we don’t know his drink tolerance is, he might get drunk at Epcot!

💚FIZZAROLLI💙

Fizzarolli is a guy to be like “haha! Imagine liking a company for babies” just deal with it, he’s gonna be a prick about your hyper fixations, but he’s doing it for jokes and will let you know about that. He only watches whatever is on TV, if you and him are chilling in your home. Just stream something on Disney Plus, then he’ll watch it with you. Here’s my advice: Have a Disney Marathon and he’ll won’t even notice! I’m kidding he will once it’s 1am and you’re watching Tangled, then he’ll be like “Old Disney is better” then he’ll leave the room. If you’re watching more present Disney movie, he’ll yell it from the hallway “Old Disney is better!” He may be your boyfriend, but he’s such a bad influence on you, when Ozzie is good with money and help you with your impulsive spendings, Fizz encourages you to buy that. You will send him a picture of a new Disney pin collection through text “oh look how cute they are!” “Get it” “fizz, I have rent that is due” “idc, get the pins” “you don’t even know the characters!” “I know the blue fur ball!” “Don’t call stitch a fur ball” “why did you send me this anyways!?” “….the pins will be here on Tuesday next week” “knew it” Disney World will be an episode and a half, homie will be in a different park quicker before you say Supercalifragilisticexpialidocious so please give him a kid leash before he does it again, but convincing him took so long! You have to show him some videos, nothing too intimidating since he’s a Disney Virgin, just simplify your vacation visit, but not for clothing wear, the Greed Ring is hot, and you two will be sweating allot, which means chafing! Biker shorts are your whore! Treat him with any festival and he’ll be happy! If it’s the Food and Wine, he’ll will eat any food or drink any wine, but let’s be happy that you brought him!

#x reader insert #disney world #asmodeus x reader helluva boss #helluva boss #fizzarolli x reader #helluva boss x reader #fizzmodeus #fizzarozzie

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rock-and-roll-hell · 8 months ago

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March 23 1974

KIϟϟ Tour

Academy Of Music - New York City

This early show was first advertised in the final third of January, though initially only with Argent noted. Nazareth cancelled several weeks prior to the show (ads noted such as early as the first week of March), but had appeared in advance print ads, as had Graham Central Station in place of Redbone. KISS wasn't mentioned in ads until Mar. 14. Argent had recently arrived from the U.K. leg of their "Nexus" tour. A second concert was held at the venue starting at midnight with Renaissance, Soft Machine, and Eleventh House (featuring Larry Coryell). - From a local review: "Rock groups do not travel light, and six of them — heavily amplified and some decked out with special equipment — caused jams backstage and delays out front at the Academy of Music on East 14th Street on Saturday night and well into Sunday, thus giving their audience an eight‐hour composite of the state of the art. But if rock groups take their time setting up, rock audiences don't let it bother them. An hour's wait between two performing groups aroused mere sporadic clapping of hands. An 80‐minute delay in the start of the second concert elicited barely any criticism, and the appearance of the final group, Renaissance, at 4:25 a.m. yesterday was greeted with as much enthusiasm as the opener, KISS, at 8:20 p.m. Saturday. All this bears out the theory that a basic‐rock‐music audience sees itself as much an event as what happens on stage. KISS (dressed midway between kabuki players and Spiderman) let loose sirens, fireballs, dry ice fumes, smoke bombs, and as a climax a drummer with full gear ascended 8 feet on a special platform. This was all sound and fury, signifying yet another plastic and empty rock quartet" (New York Times, 3/25/74). From an industry review: "Somehow, even if you personally couldn't get into the glitter of them all, the night did seem to belong to the opening act, Kiss (Casablanca). Take away their frills (and maybe after they receive their due, they will!), and you've got a fine rock band. Right now, their act looks as if it were choreographed by the Temptations, with aid from Alice Cooper's wardrobe mistress and the Hello People's make-up staff. But from their single 'Nothin' to Lose' to their finale 'Black Diamond,' their flash was most definitely backed by more than trash. The crowd loved every shimmering moment, and this was especially evident as you moved back into the cheaper seats (sociologists take note!). This could be the next Grand Funk. Like the Railroad, the quartet might once again prove that across-the-board good press is occasionally irrelevant to the power of rock" (Record World, 4/6/1974).

#Kisstory #1974 #kiss #kiss band #kiss army #ace frehley #peter criss #paul stanley #gene simmons #the spaceman #the catman #the starchild #the demon

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y-rhywbeth2 · 6 months ago

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Lore: Music

Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess. Larian's lore is also a conflicting mess. There's a lot of lore; I don't know everything. You learn to take what you want and leave the rest]

Useful for bards and priests, one assumes. I had to look up so many songs I'd never heard of to have a clue what half the comparisons were...

Musical education in the Realms (plus what the core Colleges (Lore and Valor) translate to in the Realms (where they aren't called that))

Musical vocabulary

Instruments

Music itself, including: operatic, 'symphonic'-ish, renaissance-style, hymns, 70s folk bands, and 70s rock music. [Popular music | Hymns | Opera | Demihuman traditions] (we got music that sounds like Leonard Cohen, Sinéad O'Connor, 70s folk music, 50s folk music, ELO, Genesis...)

Education

The majority of trained musicians, including bards, start off being apprenticed to accomplished bards willing to tutor, and some seek out Bardic Colleges. The exact focus, quality and curriculum varies by the institution.

To be admitted one must have some experience performing, and be able to pass an audition. They will perform before one of the master bards of the college, as well as one 'invisible' listener they're unaware of. Both masters must agree that the candidate is worth teaching or not for admission, if they don't agree further auditions will follow until they do agree on a verdict.

'Low-order' colleges generally concentrate on mastery of pitch, timbre and nuance. Students are taught to sing scales and perfectly duplicate overheard notes and tunes with their voice, as well as memorizing a set of tunes on a range of instruments to familiarise themselves with different keys and methods. The crafting and repair of one form of instrument is also part of the training.

'High-order' colleges offer a wider range of instruments and repertoire, teaching the history behind the music and lyrics, as well as some language tutoring - not necessarily to speak the language, but to be able to sing such songs perfectly.

New students to any college will be taught the basics in classes at first, but very soon will be passed onto a tutor for one-on-one tutoring.

Pretty much all official colleges in the Realms would make you a College of Lore bard in core DnD terms.

What is called The College of Valor does not actually involve colleges, and is found amongst warrior cultures like Orcs or the Illuskan Northmen, Uthgardt and Reghed: skalds - warrior poets, lorekeepers and clan storytellers.

The most prestigious colleges are the College of Fochlucan in Silverymoon, an ancient bardic tradition which I assume from the name is supposed to be from Ffolk tradition (the Moonshaes). This college has close ties to the Harpers, though most members will stress that their mission and activities are separate to avoid being targeted by the Harpers' enemies.

The College of the Herald is also found in Silverymoon and was founded by a Harper in 922 DR to preserve history. The college maintains a strict neutrality towards the conflicts of the world, and its focus is on preservation of history, folklore and legend over music.

The College of New Olamn, once Ollamh, another ancient bardic tradition, is in Waterdeep, established in 1366 by wealthy patrons of the arts.

On a less formal level, priests of Milil are charged with spreading music and teaching as many as possible to play and sing, and followers of EIlistraee are to 'nurture beauty, music, the craft of making musical instruments, and song wherever they find it.'

Vernacular

'Minstrelsy' is a term for live music, not including hymns and holy music. Recorded music does exist, though mostly in the form of spells that exist to capture and play the song back on command. People like to use them for study, meditation, fun, etc. If you don't have access to magic, due to cost or general mistrust of the stuff, the Gondians have invented music boxes. You can also get those jewellery boxes with the spinning dancer that play music when they open.

A 'song' is monophonic performance or piece, consisting pof a single vocalist with no instrumental accompaniment.

'Allsong' is the term for polyphonic pieces; covering vocals with instrumental accompaniment, multiple singers such as choirs, and orchestras.

'Newclang' is recent music that starts playing with or breaking conventions. May be viewed as a brilliant invention or modern pop garbage, depending on your tastes.

'song-cycles': 'extended stories told by ballads being sung in a particular sequence. Most of these are 'later inventions,' concocted by a minstrel or bard stringing together their personal favourites (or tunes that they could perform well, and that were popular with paying audiences) into a story of sorts, and then knitting them together with altered lyrics, additional linking songs, and sometimes short spoken-word orations, into the tale of one hero's life, or a romance, or the reign of a villainous king, or the saga of a fearsome dragon or other predatory monster (and its eventual defeat).'

If the performance is 'wordless' then there are no sung lyrics. There might be vocalisations along with the music, but as per the name, no words.

The concept of sorting music into genres apparently hasn't much occurred to anybody yet; music is music in most people's eyes. Historical music trends are named after popular artists of the time. Still you have lammuer (slow waltzes), whirls (reels) and tonsets (courtly formal dances).

There is no standard agreed upon scale that is used by the whole of the Realms.

Instruments

The instruments most frequently seen in the hands of common minstrels are lutes and harps. Bells, clapping or stamping one's feet, rhythm sticks and a small wooden pipe akin to a penny whistle serve as accompaniment, and for major percussion instruments you have hand drums and 'great drums' (kettle drums).

Ocarinas, kazoos and mouth harps are pretty common.

Yarting: An acoustic guitar, basically, with origins in Amn and Calimshan, but variations exist everywhere.

Songhorn: Recorders

Straele: A violin-like instrument, shaped a bit like a metronome and played cradled in one arm (preferably while sitting).

Great staele: Cellos and basses

Drone: A large, stationary double-reed instrument with a bladder and several mouthpieces, played by multiple musicians and sounding either like the drones of a bagpipe or an organ or synthesizer.

Jassaran: a crude 'keyboard-and-wires' instrument invented in Sembia that sounds something like a harpsichord.

Artang: A dulcimer, though artangs are only plucked or bowed.)

Shawm: A gnomish instrument that's something like an oboe or bassoon in form. There's also a bellows powered variant.

Zulkoon: A Thayan pump organ. Pipe organs also exist.

Tantan: tambourines. Popular with halflings.

Longhorns: flutes

'Birdpipes' or Shalm: pan pipes. Most popular with Lliirans and elves, particularly copper and green elves.

Tocken: carved oval bells set to hang so that they can be lightly struck. Instruments such as this are found in subterranean cultures (Dwarves and goblins, mostly). The sound echoes through the structures.

Glaur: Basically a trumpet (more specifically it sounds like a renaissance instrument called a serpent), shaped something between a cornucopia and a saxophone.

Gloon: Much like a glaur, but lacking in valves and it produces a markedly mournful sound.

'Whistlecanes' or thelarr: The bane of parents. Basically just a cut reed you can whistle with. People like to give them to children, who do as children do and proceed to give everybody ear aches from badly played instruments.

Music

With a note that a lot of the following kind of applies to the Sword Caoast, Heartlands, Cormyr, Dalelands and etc. Different regions of Faerûn have different music. The kind of Thayan music you'd hear in alehouses in East Faerûn, for example, apparently sounds like this. (Songs with such tunes are called 'thaeraeden,' or 'life laments', and the lyrics are often melancholy questions and challenges. Usually break up songs and unrequited love, the usual.)

So, switching out more modern instruments like drumkits and electric guitars, this is the kind of music you'd apparently expect to hear from minstrels, street and tavern performers and etc. This is basically turning on the radio:

Popular ballads and songs sound something like:

These: X, X, X, X,

Stuff like Leonard Cohen. X

1970s folk music, like Steeleye Span and Maddie Prior. Like the Prickle Eye Bush X, X.

Tongue-in-cheek songs like the Irish Ballad are popular with the working class. I feel like that one specifically would be popular with drow and Bhaalspawn, personally.

'Easy listening' being played in the background while you're passing the evening at a tavern sounds like standard Renaissance fare like Packington's Pound and My Thing is My Own.

Dance music would sound something like this: X

The kind of music you're likely to hear at an upper class party is going to be bringing in musicians and possibly orchestras and dancing. Stuff like this: X, X, X, X,

Orchestral music doesn't utilise strings very much, and prefers to use vocalisation in its place. You generally get more stuff like this.

The Opera

Inasfar as I can tell, the opera is exactly what you expect.

The most famous/popular operas include:

'the War of Three Castles:' Featuring a bunch of kings throwing their sons and daughters off to lead armies against each other. Disaster strikes, two princes and a princess are trapped in a tomb in the Underdark and a love triangle ensues. The princess decides fuck that nonsense, she will have both or neither but she's not having this drama, and they work out a polyamorous relationship, and agree that they will go home and have a 'marriage of three crowns' where they all marry each other, even if their fathers may try to stop them or execute them for it. Then they get back up there, discover that their fathers have been killed turning the entire region into a war torn region. They recover what is left, and they get married and unite their kingdoms in peace and like happily ever after.

'Alvaericknar:' The lovable rogue archetype who shares his name with the title bites off more than he can chew trying to rob a lich - who kills him. But he's prepared for that, and due to ensuring that the lich killed him in a spot that would set of several enchantments he manages to come back as undead, and proceeds to continue his hijinks. 'As an undead, he goes right on being a swindling, fun-loving rascal, only now he doesn’t need food or drink or shelter.'

'Downdragon Harr': An evil sorceress turns a princess into a dragon, uses magic to disguise herself as the princess, murders the king and takes over the kingdom. Her first decree is to have every dragon in the kingdom slain (all dragons are played by bassi profundi). A knight with a magic sword wounds the princess in her dragon form, and the enchantment on the blade breaks the spell on her. They fall in love via duet, and then go to the most ancient wyrm in the land (the titular Harr), wake him from his centuries long slumber and use him as their steed to fly off and challenge the sorceress. 'She sees their approach and uses mighty sorcery, that drains the life from most of her courtiers and all of her guards, to slay the dragon as it dives down on the castle—but in death, it slays her, crashing into the castle and crushing her to pulp under its great bulk as it slides to a (dead) stop. (It sings in death, and so does the queen from somewhere under it.) The princess and the knight begin their happy rule, and wedded bliss, atop the carcass of the great dragon.'

One suspects dragons do not care overmuch for this opera.

Hymns:

Religious music is typically plainchant, a form of music that usually consists purely of vocals (typically a solitary singer). There is no set rhythm, as the song consists of singing prayers and religious verse. Sometimes there's the occasional accompaniment from a instrument, such as an organ, or a slow heavy drum beat, in the case of Banite hymns.

They can be more complex: polyphonic hymns involve 'two or more singers or instrumentalists playing independent melodic lines at the same time.'

The hymns of most faiths sound most akin to Gregorian chanting. At its softest and most elaborate, you get something that sounds something like a simplified Enya song.

Elves

Ah yes, the mysterious and magic melodies of the Tel'Quessir...

Which apparently sound a lot like, say, Don't Bring Me Down, Land of Confusion, Domino Medley, Mr Blue Sky...

They also have your Enya and Loreena McKennit type stuff.

Replace the guitar with a harp, maybe throw in a flute, that's elven music. It's rock. Elven instruments are the only instruments thus far capable of sustain. The effects on the vocals can be replicated by elves, who have a strange quirk with their vocal chords where they can produce two notes/sounds at once, distorting their voice in a way that's similar. Some have a genetic quirk that allows them to sort of say 'two things at once.' Generally elves prefer softer singing voices.

Elven musical performances feature galadrae - three dimensional illusions depicting scenes to go along with the song, not dissimilar to what one might see at a modern concert. Generally the theme is the history/story behind the piece.

Common elven folk songs are apparently these: Laeryn's Lament My Love Green And Growing Blood of My Sisters The Moondapple Stag Knights On The Ride Thorn Of Rose Winterwillow [an instrumental] Greenhallow Mantle Stone Fall, Tree Rise The Lady Laughing

Dwarves

Dwarves like drums and metallic percussion for their music, and vocals tend to be plainsong.

Large clanholds with volcanic vents may build giant complex pipe organs.

'...usually dwarves play piano-like personal instruments (strings hit with hammers; hitting things with hammers is the dwarven way). Most such dwarf instruments look more like an accordion (small portable keyboard) and have metal strings.'

Gnomes

Gnomes like drones and oboes (or shawms, I guess). Traditionally, history and lore has been an oral tradition kept by women, so it wouldn't surprise me if some lorekeepers sing it.

Halflings

Halflings are apparently known for their comic, and usually bawdy, operas, which are popular with gnomes and dwarves. Titles include 'Ravalar’s Roister In The Cloister; Yeomen, Bowmen, and The Taming Maiden; The Seven Drunken Swordswingers Of Silverymoon; The Haunted Bedpan; The Laughing Statue Of Beltragar; and The Night Six In-Use Beds Fell Into The Castle Moat.'

Outside of that their music overlaps a lot with human music trends.

Orcs and goblins

Heavy drumbeats, gongs, warhorns and rhythmic shouting/chanting.

Dragonborn

Nothing outside of BG3 that I see, so I'd go with what the game says: throat singing.

#Music on Toril: apparently a grab bag of genres where the 1400s and the 70s collided #'The Prickle Eye Bush' is going to be in my head for a while...#lore stuff #long post

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jellyshark-png · 5 months ago

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MK1xF1 AU – by Shark :3

alright alright it is FINALLY HERE but before we get started in this big ass post, just a few silly disclaimers !!

expect some MAJOR inaccuracies (this is mostly for my diehard f1 fans hello :3),, i am by no means an expert, in fact i got into f1 VERY recently so pls bare with me

lets understand that, from a physique standpoint, tomas and kuai WOULD NOT REALISTICALLY BE IN F1– however we choose to ignore that for the sake of the brainrot teehee

not every character will be included, so pls don't get mad at me if your fav is not in this AU– its a working AU and these are all coming off the top of my head

anyways, enjoy me yapping!

just a few definitions to understand the positions and other terms i'll be using throughout this post :'D

Team Principal – basically owns the team, kind of self explanatory HAHA Race Engineer – these are the people that speak to the drivers while they're racing! now, realistically speaking, every driver gets their own race engineer, but in this case i haven't done that bc,,, well there's only so many characters :') Pit Lead – another self explanatory position, but this is the lead/manager of the pit crew! (is this an actual position ?? idk but we're going with it) Formula Series – so Formula 1 isn't the only race in the series, there's also F2 and F3– these are the races you basically go through before you get into F1! there's other races in the series, but these are the ones i'll focus on. Drive to Survive/DTS – this is a netflix series revolving around F1 and i will say its the most dramatic depiction of the sport + all the fake hate between racers shown ?? and using clips and such out of context ?? yeah you get the picture.

F1 TEAMS

MERCEDES-AMG PETRONAS F1 TEAM

Team Principal : Hanzo Hasashi (i know it says mk1 but shhhh) Race Engineers : Bihan Pit Lead : Syzoth Racers : Kuai Liang and Tomas Vrbada

Mercedes comes up as a long time rival to Oracle Red Bull Racing and Ferrari Scuderia– expecially with such a close bond between the brothers. Bihan started off as the team's strategist before his farther stepped down as race engineer, thus banding the baton to Bihan and making him the youngest race engineer on the grid. Tomas and Kuai are steady but strongly defensive racers, Tomas joining in a bit later in the game starting as a rookie reserve driver for Mercedes in the first half of the previous seasons. Now they fight on together in the world of F1 side by side as a strong unit.

extra! - i remember reading someone's headcanon abt kuai liang being taiwanese,,, so im gonna say bihan and kuai liang are half chinese half taiwanese (chinese dad, taiwanese mom), and so in this case, kuai liang would represent the taiwanese flag while tomas ofc represents the czech republic flag!

FERRARI SCUDERIA F1 TEAM

Team Principal : Jackson "Jax" Briggs Racers : Johnny Cage and Kenshi Takahashi

Before Oracle Red Bull Racing's renaissance in the new generation of F!, Ferrari Scuderia was at the top of their game for years and years. With Johnny and Kenshi being in the sport much longer than the newcomers, it's no denying that they are the winning classics of every race season– many looking forward to their assertion in the races. Johnny drives more aggressively, though with a lighter bounce in his step, a bit of bantering almost while he's racing wheel to wheel. Kenshi, on the other hand, is smooth and sly in the way he overtakes every racer, always sidling just behind a racer's line. Although they've raced for much longer, they still hold true as being one of the big three amongst Mercedes and Red Bull Racing.

extra! - 100000% johnny and kenshi do not work well at first when they become team mates, and people honestly would've preferred them as rivals in opposing teams– but over time they'd put aside their differences and slowly find out that they actually work really well together, despite their opposites in driving style and personality.

ORACLE RED BULL RACING F1 TEAM

Team Principal : Geras Race Engineer : Liu Kang Racers : Raiden and Kung Lao

Oracle Red Bull Racing saw its first golden age with now race engineer Liu Kang, setting the standard for F1 in his time and winning world championship after world championship, dominating each race until his retirement as a racer. Today, Raiden now follows in his footsteps, and alongside him his childhood best friend, Kung Lao. Starting out, they weren't actually in the same team– opting to race against each other in opposing teams to keep their rivalry alive once joining F1. Over time, and after many second driver switches, Kung Lao finally joins Raiden in Oracle Red Bull Racing, making them THE golden boys of this generation's Red Bull racing team– an absolute killer duo to fight against long standing Mercedes and Ferrari.

extra! - irl, red bull is NOTORIOUS for constantly switching out second drivers, and so kung lao would get a lot of flack– and his first year in red bull would not be as great until around the second half of the season :'))

TIMELINE

here, i'll be explaining the timeline of each of the racers' moves throughout the teams– this is going from 2020-2024 (and to preface, whenever i do talk abt mk1xf1 stuff, assume its all taking place in 2024 unless told otherwise). im gonna pray all of this makes sense HAHA

*also there's usually two drivers per team ofc, but i cannot be bothered to do any placeholder drivers for each team, so the second driver can be up to your interpretation!

2020

kuai and kenshi in aston martin (have been since 2019 as well, maybe 2018 i havent fully decided)

johnny has been in RB toro rosso for a year since 2019 (technically speaking its called visa cashapp rb now but like,,,, you guys that name is so awful LMAO)

raiden and tomas enter into their first year in F1 in williams

kung lao enters his first year in haas

TEAMS Aston Martin : kuai liang and kenshi takahashi RB Toro Rosso : johnny cage Haas : kung lao Williams : raiden and tomas vrbada

2021

kuai and kenshi stay in aston martin

johnny stays in toro rosso, and tomas makes the move to toro rosso

raiden moves to mclaren

kung lao stays in haas

TEAMS Aston Martin : kuai liang and kenshi takahashi RB Toro Rosso : johnny cage and tomas vrbada Mclaren : raiden Haas : kung lao

2022

kuai makes the move to oracle red bull racing (BY THIS TIME liu kang is actually still racing, and retires by the end of the 2022 season)

kenshi makes the move to williams, alongside kung lao

tomas and johnny stay in toro rosso

raiden stays in mclaren

TEAMS Oracle RB : kuai liang and liu kang Williams : kenshi takahashi and kung lao RB Toro Rosso : johnny cage and tomas vrbada Mclaren : raiden

2023

raiden moves to oracle RB after liu kang retires, kuai stays in oracle RB

kenshi stays in williams

kung lao moves to RB toro rosso to replace johnny, tomas stays in RB toro rosso

johnny goes to mercedes

TEAMS Oracle RB : kuai liang and raiden RB Toro Rosso : kung lao and tomas vrbada Williams : kenshi takahashi Mercedes : johnny cage

mid 2023 – 2024 (current)

johnny signs into ferrari in the middle of the '23 season

kuai liang signs into mercedes in the middle of the '23 season

kung lao signs into oracle RB, raiden stays in the same team

kenshi then signs into ferrari by the end of the '23 season

tomas signs into mercedes for the '24 season

TEAMS Oracle RB : raiden and kung lao Ferrari Scuderia : johnny cage and kenshi takahashi Mercedes : kuai liang and tomas vrbada

Misc. Stuff :D

this is where it gets super fun bc now i yap EVEN MORE abt the extra shit in this AU

the ages✨ bc i assume everyones curious abt this perhaps HAHA and this is in conjunction with being in the current year 2024 and these are all ranges bc,,,, im indecisive and dont know what age to actually make them

liu kang and geras : late 30s, very early 40s (maybe like,,, 37-41 ??)

hanzo hasashi and jax briggs : early 40s perhaps

kuai liang and johnny cage : late 20s, early 30s (so kuai around 27-29 and johnny 29-32)

kenshi takahashi and bihan : early 30s (maybe a year older than johnny ? like if johnny is perhaps 30 then kenshi would be 31– then bihan is liiike idk 32-33)

kung lao, raiden, and tomas vrbada : early-mid 20s

the rookie trio !!! lets get into it :333

raiden, kung lao, and tomas all entered into F3 around the same time! they moved up in the series and all entered F1 the same time as well (for my F1 fans, think of them as lando, george and alex)

as ages go, raiden is the oldest, then tomas, then kung lao being the youngest of the three :3 and for laughs– tomas 10000% holds it over lao's head that hes older than him (probably only by a few months too HAHA)

this isn't specific to the rookies, but theres a "twitch quartet" (twitch streaming btw) in the irl world of F1 (lando, george, alex and charles), and so in this AU, the twitch quartet would be the rookies + johnny cage bc i think that dynamic is absolutely hilarious HAHA

these three would be considered the new era of F1, whereas kuai, johnny and kenshi are considered the older bunch teehee

liu kang as a racer oooohhhh AUUUUGHFDK

liu kang would've been absolutely ICONIC during his time, think sebastian vettel– that's his kind of notoriety

so when he announced his retirement, it would've absolutely devastated the F1 community, even if you weren't a liu kang or red bull fan, it would still hit you where it hurts

he'd truly set the bar standard for what an F1 driver should be like idc idc

but when he announced his return as a race engineer for the oracle RB team, everyone cheered :3

the controversial era that is 2023-2024 + the hit netflix series Drive to Survive

i know for an absolute FACT that when kuai and tomas signed into mercedes there was a lot and i mean A LOOOOTTT of speculation and hate for them bc of the familial ties

and perhaps a similar issue with johnny joining ferrari bc i headcanon him to have some italian roots (so people would speculate that he had someone in the inside idfk LMAO)

but this would be CAAAANDY for the show Drive to Survive bro it would be HAVOC

speaking of DTS– once kung lao signed into Oracle RB, they 100000% villainized him and even made it seem as though he wanted to take raiden's spotlight as the first driver (which is not the case holy hell HAHA)

but with that, a lot of fans that came from DTS despised kung lao, and probably still do– they just refuse to see that they're literally childhood friends LMAO

some dynamics stuff and jumping between eras and whatnot bro this is getting way too long HAHA

at the beginnings of his F1 career, tomas would be EXTREMELY tense and even tone down his playful personality to come off as more "serious" and professional– but when he joins RB toro rosso with johnny, he aaaaabsolutely helps him out of his shell and proves to him that you don't have to be so serious in the sport. it would just be a lot of pressure on tomas' part to prove himself, esp with being in kuai's shadow :')

and in a similar note, when kung lao joins williams with kenshi, he kinda learns a bit of humility from kenshi and brings down his rowdiness, actually hone it to be a better driver in the long run. AUGHGHKDFJ dude kenshi and johnny as mentors heals my soul idc

kuai and kenshi in aston martin would have been KIIIILLLEERRR they would've put aston martin as actual competitors in the constructor's championship LIIKEKEK so iconic + they'd be the heartbreakers of their time with the two being at their prime and much younger UGH

LAST THING I PROMISE this is just a bunch of extra tidbits if you care to read– and if you've actually made it this far uhhh,,,, congratulations BAHAH

kenshi has sensitive eyes, so he has his helmet visor specifically tinted for that + does wear shades inside and ykw its a godsend the Ferrari is sponsored by Raybans HAHA

to tie to that, johnny just has AT LEAST two extra pairs of glasses on him, and he says its for himself but really its just in case kenshi somehow forgets his own shades somewhere or his own pair broke (ya gotta love them)

raiden and lao's rivalry is IIINNNSSAAANNEEE haters can hate all they want, but their on track fights are so incredible to watch and people think its a miracle that they're still as close as ever

ALSO BRO madam bo would have 10000000% funded their karting career SHES THEIR NUMBER ONE SUPPORTER IDC WHAT ANYONE SAYS !!!!!!! she sponsors them too, is always in whatever commercials they do and theyre your typical cheesy but memorable asian commercials

random but with raiden and kung lao both being chinese, they both represent the chinese flag, and so did liu kang !!! you'd catch them all in cantonese– though unfortunately cannot speak much with kuai since he speaks mandarin HAHA

during their time in williams, lao and kenshi definitely taught each other their own language just a bit, but lao definitely learned most of the "bad" words in japanese LMAOF

johnny italian yes (cmon just look at his nose) ??? and he's fluent case closed– but also its funny to see his onboard videos of him gesturing to other drivers when he's angry

bihan has the same notoriety as toto wolff– he's the one mf everyone simps for and ISN'T AN F1 DRIVER

this has already gone for a long time LMAOKSJDFH but if you have any other questions or would like me to make some comparisons of the actual drivers vs. the characters, my ask box is open !!! anyways thank you for reading this LOOOOONNNGGGG post and i hope to make more mk1xf1 content :'))))

#shark's mk1xf1 AU #mortal kombat 1 #mk1 #mortal kombat #formula 1 #f1 #alternate universe

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unabashedqueenfury · 7 months ago

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Sebastien de Poitiers

|Torrance Coombs |

Louis de Condé

|Sean Teale |

Francis de Valois

|Toby Finn Regbo |

Mary Stuart

|Adelaide Kane|

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dimity-lawn · 1 year ago

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Crowley:

youtube

Specifically this part:

What then is love but mourning? What desire but a self-burning? ‘Til she that hates doth love return Thus will I mourn, thus I will sing. Come away, come away, my darling.

#good omens #good omens 2 #gnu terry pratchett #neil gaiman #good omens 2 spoilers #thought(s) from yours truly #crowley #music #the new world renaissance band #history #16th century

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wolfstarshipping · 1 year ago

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I’m in a reading slump, do you have any good fics that you can recommend me?

Hi, thanks for asking lovely anon! I've thought about this and I have several different approaches on how to answer your ask, so this'll be a longer list, I hope you find something you like!

First category: Texting Fics!

I love text fics because they're usually very fast-paced and easy to read, so I think they might be a good way to combat a reading slump!

You could either go with the iconic Text Talk by merlywhirls (141.250 words), a boarding school AU with a home-schooled, chronically ill Remus, a true classic and the fic that started the whole wolfstar texting fic trend back in the day!

Or, one of my personal favorites from the same era for purely nostalgic reasons, aesthetic: trash boys by Emaly/merlywhirls (89.473 words, everyone is super queer, strong chosen family vibes, with an HIV positive Remus and genderqueer Sirius).

Or if you want a modern text fic classic, there's always Staying Strangers by 3amAndCounting (319.368 words, university AU, this is one of those fics I've reread a couple of times already, just because I love it so much, especially the texting in the beginning).

Snow In June by BrigidFaye (25.561 words) is a magical AU set in the US that also has some texting elements, even though it's not as text-heavy as the fics mentioned above, but the worldbuilding and the setting is wonderful, and lumberjack Remus is everything I ever needed in my life!

Dear Your Holiness by @mollymarymarie (142.264 words) is a priest AU and band AU, with a bit of texting, though this one is also already kind of moving into the next category of fics mentioned below. Obviously the whole catholic priest theme is not going to be for everybody, but if you think you might enjoy that, I highly recommend it, it's so, so good! And if you don't think you'll enjoy the themes of this fic, check out literally any other fic by mollymarymarie, I think at this point I've read almost all of them and enjoyed every single one I read immensely!!

Alright, so now the next category is fics with plots that will get you out of any reading slump:

I've recently become obsessed with @lynxindisguise's fics, so I'd also recommend checking out all of them, but since I've mostly recommended longer fics on this list so far, I'll go with a shorter one: in the dark, there is discovery (11.796 words) is a wonderful pirate AU that you can easily read in one evening, and it has beautiful world building, Remus Lupin as a seamonster and my new favorite trope - there was only one hammock.

Let Me Get What I Want (This Time) by Sierra_Sitruc (69.878 words) is a plot-driven and amazing fix-it-fic, that I keep thinking about even months after I've read it, and that had me stay awake at ungodly hours just because I couldn't put it down and wanted to know how it ended!

The Bent by @ebp-brain (40.257 words) is an incredible fic about queer lives, politics and art, oppression and resistance, so if any of those things sound like something you'd enjoy I highly recommend reading it, I always love earlybloomingparentheses' writing, it's so, so beautiful and powerful!

take me as i am (48.494 words) has one of the most unique settings I've ever read - it features Sirius as an (adorable) sleep demon, who is supposed to give Remus nightmares, and I also love the way this fic depicts various mental illnesses.

In saccharine by moonymoment (26.447 words) Sirius is a ghost haunting Remus's apartment, and this is another one of those fics I keep thinking about because it was just so so good.

full moon twofold by renaissance (12,031 words) is a Gothic-romance style AU and an incredible take on the question "what if Remus never went to Hogwarts?".

And now maybe a few shorter fics:

The first rec in this category is not even a specific fic but just a tumblr account: @wolfstarmicrofic, if you scroll through their blog you'll find lots and lots of really short fics which might just be what you need to get back into reading!

In You, I Count Stars by @wolfpants (1.540 words) is a wonderful hogwarts-era oneshot set in the Astronomy Tower with a pining Sirius.

It's Cold Outside by Remustrash (1.788 words) is a very fluffy and cosy there-was-only-one-bed fic, featuring the most oblivious of all oblivious puppies!

June, and Other Natural Disasters by montparnasse (5.524 words) is a beautifully written fic that made me feel all the feels and has great summer vibes!

Okay and the last category is fics with A+ vibes that'll make you forget all about your reading slump:

The Long Way Home by @hollyivydruzy (177.337 words) is a university AU and the kind of fic I didn't want to ever end, because the characters felt so incredibly real, and it's so easy to get completely immersed and lost in their wonderful, chaotic world and follow along on all their university adventures.

this desperate in love by drowsyanddazed (20.776 words) is a very cute high school AU, and reading it felt like watching a coming of age / teen movie in the best kind of way!

wading in waist-high water by @colgatebluemintygel (82.060 words) is a Great British Bake-Off AU that features Remus as a contestant and and Sirius as a host who's thirsting after Remus, and I just love the whole setting and atmosphere of the fic, as well as the writing! And this fic's Arthur Weasley needs to be protected at all costs, I love him a lot!

A Brief History of Dragons by @eyra (23.488 words) is an incredibly cosy and wonderful modern AU set in Cornwall, I absolutely ADORE Remus in this fic and love the way his and Sirius's relationship slowly develops, this fic has such a special place in my heart.

Alright I think I could keep going and add to this list forever but I'll stop now, let me know if you read any of these, and I hope they'll end your reading slump! x

#wolfstar #wolfstar rec list #remus lupin #sirius black #marauders #rec list #fic rec list #ask #anon #reading slump #also I know this is just me second guessing myself but obviously the fics i put into the great plot category also have A+ vibes #and the fics i put into the vibe category also have great plots etc etc #just wanted that to be said #these are all just great fics and i wanted to make lil categories and this is what my brain came up with yesteday at 3am okay #i love getting fic request asks!! i have about 90 unanswered fic request asks sitting in my inbox #abt 89 of those are from pre 2016 though but i still might answer some of them in the future for the lols

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tarasmithshifts · 10 months ago

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𝐁𝐀𝐍𝐃 & 𝐒𝐈𝐍𝐆𝐄𝐑 𝐃𝐑

ᴀʙᴏᴜᴛ ᴍᴇ ɪɴ ᴛʜɪꜱ ᴅʀ: my name is tara smith, but i'm known as 'azrael'. in 2016 with my friends, kitty and jj formed a band we called 'utopia' and we started on youtube and soundcloud by doing covers, and when we got more popular, we made our first original song. it was called "SOS" (yup it's this one from ABBA but let's pretend yk) and it went viral on soundcloud and very popular on youtube. we got recognision, and it opened the door to music industry.

ᴍʏ ꜰʀɪᴇɴᴅꜱ ɪɴ ᴛʜɪꜱ ᴅʀ: kitty (lily buckley), jj (jack hart), billie eilish, willow smith, conan grey, harry styles and a lot of more!

ꜱ/ᴏ: billie eilish

ᴅɪꜱᴄᴏɢʀᴀᴘʜʏ: we debuted with an ep called "CANNIBAL" as we watched "the show"Hannibal" while writing and it was a huge inspo for this ep. it was also a success, we went on small tour in venues. first in america, then in europe.

⍣ ೋ we went super popular after we released our first single from our first album called "LOST IN OUR PAST" (2019). it was a huge success. album was full of 70s beats, vocals, etc. we were nominated for multiple awards and won all of them. we became one of the most successful artist of the year, and later even in decade. Our tour sold out in few minutes, and so that's how we did our first world tour. we performed at grammys, the biggest festivals like coachella etc. we won grammys for best album, best group, best group performance, best single & song of the year. we weren't ready for this kind of success, critics after all called this album a "renaissance of 70s music" we became pioneers of group music then, we mixed modern pop, 70s & 80s. we did covers of old songs, and on our tour performed with multiple artists, like tears for fears, fleetwood mac (which was crazy!!!!). at the time me and kitty got together.

⍣ ೋ after the success, we had multiple fights in the band, but we were still making music together. I started to make solo music, but only for fun. we got to work with conan grey, and we made a song "killing me" (yupp also this one but let's pretend!!!) in 2021 our bands needed to split up, as jj decided to left.

⍣ ೋ it was a huge case, fans protested, wanted to know what happened, but we decided to stay quiet. everything was clear, jj wanted something else from life. he started to work as a "ghost writer"

⍣ ೋ after band has split up, i called my managment that i want to release solo music. i didn't want to give up on music because of this situation. week after official announcement from band, i posted info about my first single of my solo album "GLOBAL DRUGS"

it was a huge success, i didn't think that i would go on world tour and sing in stadiums again. i brought kitty with me.

some of fans favourites

⍣ ೋ in december 2022 after i finished tour and came back to u.s., my agent called me that he wants to meet me and kitty. we met 2 days later in new york, in a studio we recorded first ep as "utopia". when we came in, first thing we saw was jj talking to some people in the studio. well, we were so back.

⍣ ೋ in march 2023 out of nowhere we dropped our second album called "WE ARE STILL HERE" and people went CRAZYYY. we had no idea how this album is gonna shake the whole internet and critics. it was completely new - it was jazz, 70s, soul, r&b. something that people claimed we didn't fit. but here we are :)))

⍣ ೋ in may 2023 i attended my first ever met gala, and there, in an interview i confirmed that this was the last project of ‘utopia’ for now. i said “we disappeared out of nowhere and left you all without any information. this is something like a goodbye, but we do not confirm that it will last forever. it depends on our feelings.” i also confirmed that i will release music as solo artist and that kitty will join me as a drummer

⍣ ೋ in may 2023 a week after met gala, i showed the world my summer tour, and except the festivals of course, there were 4 stadium concerts, “bonus” ones, only in europe. Paris, Barcelona, Berlin and final one in London. that’s the time when me and kitty broke up, after, as media called it “London accident”. (there will be another post about it, but basically kitty got herself into alcohol and drugs, and during the London show for almost 2 hours we couldn’t find her, and when my team finally found her, she was completely not contacting with the world around her, and it was not the first time.she couldn’t perform and i didn’t want to cancel the show)

⍣ ೋ in september 2023 i started dating harry styles, but only to january 2024 - we realised that we would love be each other besties than lovers 🤭 (bc in this dr he is a little younger and one direction split up later than in cr, his album “Fine Line” was released in 2024, and “Harry’s House” in late 2025)

⍣ ೋ in january 2024 i confirmed my second solo album, that will release 15/03 🫶

⍣ ೋ after release of this album, me and billie were spotted in public, spreading dating rumours, which we confirmed some months later

"ᴏɴᴄᴇ ᴀɢᴀɪɴ, ᴜᴛᴏᴘɪᴀ" - pinterest board

#reality shifting #shifting #desired reality #shifting community #quantum jumping #reality shifter #shifting realities #fame dr #actress #celebrities

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brunettedelulu · 2 months ago

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🎸 The Evolution and Influence of British Rock: A Cultural Phenomenon.

The United Kingdom, a cradle of artistic innovation, has long been at the forefront of cultural revolutions. Among its most profound contributions to global culture is undoubtedly the genre of rock music. From the rebellious rhythms of the 1960s to the experimental sounds of the modern era, British rock has not only shaped the nation's musical landscape but has also wielded considerable influence on international audiences. The history of rock in the UK is a testament to the country’s ability to produce groundbreaking artists who challenge norms, inspire change, and leave an indelible mark on music history.

The Birth of British Rock: A Cultural Shift

While rock music had its roots in American blues and rock 'n' roll, it was in the United Kingdom where it evolved into a cultural phenomenon that would span decades. The 1960s marked the arrival of seminal British bands, most notably The Beatles and The Rolling Stones, whose sounds came to define an era. These groups, among others, drew heavily from American influences but added a uniquely British twist, blending the raw energy of rock with melodic innovations and socially conscious lyrics.

The “British Invasion” of the 1960s, where UK bands became immensely popular in the United States and beyond, marked the globalization of British rock. The Beatles, in particular, revolutionized not only music but also the very fabric of popular culture, setting trends in fashion, politics, and even philosophy. Their 1967 album Sgt. Pepper’s Lonely Hearts Club Band is often regarded as one of the most influential records of all time, pushing the boundaries of what rock music could achieve artistically.

Punk and the 1970s: A New Rebellion

As the optimism of the 1960s faded, the 1970s witnessed the rise of punk rock—a direct, raw, and unapologetic counter-movement that was born in the underground scenes of London. Bands like The Sex Pistols and The Clash eschewed the elaborate production and grandiosity that had characterized rock in the previous decade. Their music was stripped-down, aggressive, and often politically charged, providing a voice for the disillusioned youth of the time. Punk was not merely a genre but a subculture, with its own fashion, attitudes, and ethos of DIY (do-it-yourself) rebellion.

This period demonstrated British rock’s ability to adapt and evolve, reflecting the changing socio-political landscape of the country. The punk movement paved the way for post-punk and new wave bands such as Joy Division, The Cure, and The Smiths, who would dominate the alternative scene throughout the late 1970s and 1980s.

Britpop and the 1990s: A Renaissance of Identity

British rock experienced a significant resurgence in the 1990s with the advent of Britpop, a genre that celebrated British identity and culture. In contrast to the grunge movement that was sweeping across the United States, Britpop was characterized by its upbeat melodies and witty, often introspective lyrics. Leading bands of the era, such as Oasis, and Blur, revitalized the UK’s rock scene, harkening back to the spirit of the 1960s but with a fresh, contemporary twist.

Oasis’ (What’s the Story) Morning Glory?, released in 1995, became a defining record of the decade, selling millions of copies worldwide and cementing the band’s place in rock history. Britpop’s success was a cultural response to the nation’s desire for a reaffirmation of British identity in a rapidly globalizing world, further establishing the UK's dominance in the music industry.

Modern British Rock: Continuing the Legacy

In recent years, British rock has continued to evolve, with artists drawing on a rich history while also pushing boundaries. Bands like Arctic Monkeys and Radiohead have redefined what modern rock can be, blending traditional elements with electronic music, experimental soundscapes, and introspective lyricism. British rock today is as diverse and eclectic as ever, showcasing the genre’s ability to innovate and remain relevant in an ever-changing musical landscape.

Conclusion :

The history of British rock is not merely a chronicle of music; it is a reflection of the nation’s social, political, and cultural transformations. From the British Invasion of the 1960s to the anthems of Britpop in the 1990s, each era of British rock has contributed to a legacy that continues to inspire and influence artists across the globe. As new generations of musicians emerge, British rock remains a powerful force, proof of its enduring appeal and its ability to capture the zeitgeist of the times.

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iwanthermidnightz · 1 year ago

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As Taylor Swift rolled into Los Angeles this week, the frenzy surrounding her record-breaking Eras Tour was already in high gear.

Headlines gushed that she had given $100,000 bonuses to her crew. Politicians asked her to postpone her concerts in solidarity with striking hotel workers. Scalped tickets were going for $3,000 and up. And there were way, way too many friendship bracelets to count.

These days, the center of an otherwise splintered music world can only be Taylor Swift.

The pop superstar’s tour, which is now finishing its initial North American leg with six nights at SoFi Stadium outside Los Angeles, has been a both a business and a cultural juggernaut. Swift’s catalog of generation-defining hits and canny marketing sense have helped her achieve a level of white-hot demand and media saturation not seen since the 1980s heyday of Michael Jackson and Madonna — a dominance that the entertainment business had largely accepted as impossible to replicate in the fragmented 21st century.

“The only thing I can compare it to is the phenomenon of Beatlemania,” said Billy Joel, who attended Swift’s show in Tampa, Fla., with his wife and young daughters.

In a summer of tours by stars like Beyoncé, Bruce Springsteen, Morgan Wallen and Drake, Swift’s stands apart, in numbers and in media noise. Although Swift, 33, and her promoters do not publicly report box-office figures, the trade publication Pollstar estimated that she has been selling about $14 million in tickets each night. By the end of the full world tour, which is booked with 146 stadium dates well into 2024, Swift’s sales could reach $1.4 billion or more — exceeding Elton John’s $939 million for his multiyear farewell tour, the current record-holder.

Swift has now had more No. 1 albums on the Billboard 200 over the course of her career than any other woman, surpassing Barbra Streisand. With the tour lifting Swift’s entire body of work, she has placed 10 albums on that chart this year and is the first living artist since the trumpeter and bandleader Herb Alpert in 1966 to have four titles in the Top 10 at the same time.

“It’s a pretty amazing feat,” Alpert, 88, said in a phone interview. “With the way radio is these days, and the way music is distributed, with streaming, I didn’t think anyone in this era could do it.”

But how did a concert tour become so much more: fodder for gossip columns, the subject of weather reports, a boon for friendship-bracelet beads — the unofficial currency of Swiftie fandom — and the reason nobody could get a hotel room in Cincinnati at the end of June?

“She is the best C.E.O., and best chief marketing officer, in the history of music,” said Nathan Hubbard, a longtime music and ticketing executive who co-hosts a Swift podcast. “She is following people like Bono, Jay-Z and Madonna, who were acutely aware of their brands. But of all of them, Taylor is the first one to be natively online.”

Before Eras, Swift hadn’t been on tour since 2018. And her catalog has grown by seven No. 1 albums since then, fueled in part by three rerecorded “Taylor’s Versions” of her first LPs — a project hailed by Swift’s fans as a crusade to regain control of her music, though it is also an act of revenge after the sale of Swift’s former record label, a move that, she said, “stripped me of my life’s work.”

“Folklore” and “Evermore” expanded her palate into fantastical indie-folk and brought new collaborators into the fold: Aaron Dessner from the band the National and Justin Vernon, a.k.a. Bon Iver, rock-world figures who helped attract new listeners.

The other major tour this year that is enticing fans to book transcontinental flights, and to show up costumed and in rapture, is also by a woman: Beyoncé, 41, whose Renaissance tour is a fantasia of disco and retrofuturism. Like Swift, she is also a trailblazing artist-entrepreneur, maintaining tight control over her career and fostering a rich connection with fans online. Together with Greta Gerwig’s “Barbie,” a critique of the patriarchy told in hot pink, they are signs of powerful women ruling the discourse of pop culture.

But in music, at least, the scale and success of Swift’s tour is without equal. Later this month, after completing 53 shows in the United States, she will kick off an international itinerary of at least 78 more before returning to North America next fall. Beyoncé’s full tour has 56 dates; Springsteen’s, 90. (Recently, Harry Styles wrapped a 173-date tour in arenas and stadiums, grossing about $590 million.)

Outside Arrowhead Stadium in Kansas City, fans posed for selfies and shared their ticketing ordeals. Esmeralda Tinoco and Sami Cytron, 24-year-old former sorority sisters, said they had paid $645 for two seats. A stone’s throw away, Karlee Patrick and Emily DeGruson, both 18 and dressed as a pair in angel/devil costumes after a line in Swift’s “Cruel Summer,” sat “Taylorgating” at the edge of the parking lot; they said they had paid $100 for parking but couldn’t afford tickets.

As Swift’s opening acts finished, the crowd rushed in. Glaser, the comedian, later said that of the eight shows she had been to, her favorites were the ones where she had brought her mother — and converted her to Swiftie fandom.

“Everyone is in love with her,” Glaser said her mom told her after one show in Texas. “Now I get it.”

#simply amazing #she deserves the world #taylor swift #the eras tour

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