Bro i was listening to Taylor swift and ‘don’t blame me’ song reminded me of Rin deadass
✦゜ANSWERED: YEAHHHHH!! IT TOTALLY FITS HIM!! @yourunhingedgirlfriend once made a Ren mood board(?) including that song as well, and it hasn't left my mind since ^^ <3
But yeah!! I still stand by the headcanon that [REDACTED] is in his Reputation era and Ren is in his Lover era ;v; Also, in this 391,490,009 page essay I will be talking about how "Mastermind" and "Hey Stephen (Taylor's Version)" are such Ren/[REDACTED] coded songs, and that the entire Evermore and Folklore albums were the inspiration behind Elanor's charac-
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ok after listening to the english version of the death note musical....... unpopular opinion i think but i actually prefer the japanese version? dont get me wrong, with some of the songs i do think i might like the eng version more but..... idk i like the lyrics of the japanese version a lot more? and obviously i only know them via a translation but i know for a fact that the entire focus of certain songs are different between versions.
like in the english version of the game begins, L is talking about his strategy to track down kira. but in the japanese version, he's more so talking TO kira directly and saying that he's going to take him down from his "god" status to hell. or mortals and fools, which had a wholeee different vibe in the japanese version being called like a cruel dream. and uhhhh am i insane or was rem's song before she dies an entirely different song? cause in english it was like a sort of generic love song that was pretty chill considering the context, while in the japanese version it was this superrr melancholic and striking ballad she sang while floating around misa.
idk but i really do think i prefer the japanese version. but the og english version is good too!!! i really liked hurricane and the way it ends in particular
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I have an ITH question for you! Which version of Nina did you prefer, Mandy or Leslie?
i actually love both, maybe because nina is my favourite character in general, but as a huge fan of stage version & the obc recording i have to say mandy!
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I understand that a lot of different factors influenced the tonal shift of country music post 9/11 toward strong nationalist and misogynistic themes, but as someone who listens to/actually likes a lot of the music from that era, I’m personally blaming Toby Keith. He’s my Ronald Reagan of 2000s country music.
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Fall Out Boy, Hum Hallelujah // Hayley Williams, Dead Horse
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currently alternating between listening to the London cast recording and watching a bootleg of the Broadway version of the American Psycho musical
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"show me a smile and I'll promise not to leave you"
medicine bottle by red house painters, live in santa monica, june 1996 (source)
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