#the music slaps and the existential dread speaks to me
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The mirror scene got to me, not gonna lie
#the amazing digital circus#tadc pomni#tadc#asil and art#the music slaps and the existential dread speaks to me#I'm really intrigued where they're going with this
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27. Lies
Henry learns that giving Sammy knowledge of his past betrayals at Bendy’s hands wasn’t the best way to get him to join his party as the prophet has a mental breakdown/existential crisis that Malice kinda wishes she could un-trigger. (Set in an AU where Henry remembers the past loops and uses it to his advantage, but isn’t good at it. May or may not be tied to the FIFE AU.)
Sammy was quiet ever since it was saved, when it wasn’t zoning out or talking to the ink itself, Sammy was rambling under its breath and when Henry tried to figure out what it was saying, he realized that aside from the phrase “He lied, he always lied…” the former musician wasn’t speaking English, which while Henry didn’t mind, made it really hard for him to eavesdrop on the Prophet to figure out what was going on with it.
It was mildly concerning and the animator almost considered leaving Sammy behind in the safehouse for its own good, but the cartoon wolf using his typewriter, assured the animator that the former musician just needed some time to adjust to what it had learned from him.
Henry could agree with that, he wouldn’t know how he’d take it if he learned from a time-traveling (from its point of view) animator that his god would and already has betrayed him countless times and that he and his flock would be doomed to die at the time traveler’s hands because of that betrayal.
---
The addition of Sammy shadowing him didn’t change much of the story from Henry’s perspective; Malice’s introduction, reuniting with Buddy Boris, the first elevator ride, the room filled with corpses (Well, he saw Sammy walk ON the ink instead of using the path and he commented on it, but it didn’t really affect the story that much), Susie’s slip, Malice’s favor monologue…
In fact, Sammy seemed like he was intentionally trying to not acknowledge Malice and Henry swore that other than the occasional disgust-filled glare she made at the ink figure, the twisted angel didn’t even acknowledge Sammy’s existence, and with that mask of his (and his lack of facial features), it was hard to tell what the prophet was thinking about the situation.
“Ready to help run some errands, Sammy?” Henry asked the prophet, hoping to prompt a response.
The former music director nodded but didn’t say anything.
“My machines are hungry.” Malice called out from the speaker system. “Gather them some spare parts!”
Henry handed the Prophet the pipe as he took the wrench for himself.
“There are so few rules to our world now.” She whispered into the system. “So little truths.”
“Wherever they were I can’t find them..” Sammy muttered under his breath.
“But there’s one rule we all know and respect down here. Beware the Ink Demon. Stay out in the open too long, and he will find you.” She taunted. “For if you see him. You’d better hide. If you don’t” She chuckled. “Well, I enjoyed our date.”
Aside from a noticeable lack of searchers attacking him, the animator didn’t notice many changes from the usual script, until they returned to the elevator with the gears in hand.
“Sammy said I had talent.” Malice stated with a much more noticeable amount of venom in her tone than usual. “He was always a good liar.”
“I was... always a good… Liar…” the Prophet parroted loudly enough for the other three to hear him. “Always… a good… Liar… A-always... a... good... ...Liar...”
Henry backed away as he heard the prophet start to laugh. It started out as something that he couldn’t tell if it was crying or laughing, and then broke into full-on unrestrained crazed cackling.
“ALWAYS A GOOD LIAR! HE LIES, HE ALWAYS LIES, HE ALWAYS HAD LIED! THAT’S IT! I’VE FIGURED IT OUT! IT ALL MAKES SENSE NOW! IT’S LIES! ALL OF IT IS FILTHY, DISGUSTING, LIES!”
Malice stopped the elevator before it reached her floor as she’d rather not have the mad maestro anywhere near her, especially when he was like... ...this...
Henry hesitantly approached the musician and gently tapped him on the shoulder.
“Sammy? What are you talking about?”
“I’M... I’M A LIVING PILE OF LIES! I’M NOT REALLY SAMMY! I NEVER WAS... ...I... I NEVER EVEN WAS HIM IN THE FIRST PLACE!”
The now apostate Prophet’s voice flowed with mixed emotions, soul-crushing despair and maddening euphoria being the loudest in them as the creature’s once smooth and calm voice grew more and more distorted and frantic.
“THE INK DEMON CAN’T FREE ME FROM THE INK, NOT EVEN IF HE WANTED TO, I WAS BORN FROM IT! I’M JUST A LYING INK BLOT THAT WAS STUPID ENOUGH TO BELIEVE THE LIES THAT I WAS FED, TO BELIEVE THAT I WAS SOMEONE BEFORE THE INK, SOMEONE WHO MIGHT NOT HAVE EVER EXISTED IN THE FIRST PLACE, AND EVEN WORSE, I HAD CARRIED THOSE LIES ON AND SPREAD THEM TO OTHERS LIKE A DISEASE! I HAD GIVEN THEM HOPE, FAITH, BELIEF, AND THEY WERE ALL LIES ALL ALONG!”
Boris cowered in the corner in the way he did whenever he saw the Ink Demon approach while Henry debated trying to slap sense into him. But surprisingly, “Malice” was the first to speak up.
“Sammy, no...” That soft voice tried to argue with the mad maestro, “You know that’s not true...”
“Not True?” The Prophet cackled again. “Not true? Then go ahead and grind the very universe down to it’s finest dust of all of it’s building blocks! Grind it down to it’s first ingredients used to create it and tell me which ones are hope and faith. And while your at it, why not tell me which ones are love and justice as well? They’re just lies, gentle, sweet lies we sooth ourselves with to keep from descending to the abyss...”
“Listen to yourself! That’s not right You’re not right!”
“Oh, Spare me your own falsehoods, Angel!” The Prophet spat venomously. “If you can even be capable of that. YOU. ARE. NOT. SUSIE. Just like me, you’re a figure made of nothing but cold, fetid ink and LIES. You’re not even a half-decent imitation of her! Neither of you two are!”
The venom in his tone leaked out to be replaced with some sort of bittersweet nostalgia.
“The Susie that I... The Susie that... Sammy knew was the strongest woman he had ever known, sure, she was a naive person, seeing good where it never was... Seeing good in me... but she was a compassionate and driven person who would not hesitate to stand up for what was right! A person who had even managed to make me- make him feel like he could be a good person, maybe even believe that he was a good person for a little bit... While you... I don’t even want to grace you with a description...”
The angel fell silent and the elevator started up again, the animator and wolf dreaded seeing how the two would behave when they met up face to face once more.
#Bendy and the Ink Machine#Henry Stein#sammy lawrence#susie campbell#Malice Angel#fanfic#ink demonth#tw mental breakdown#tw existential crisis
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D-2 | Agust D
So yeah, this is the thing that started it all. One of my friends wanted to know what my thoughts were on this album since we both like him, and so I ended up writing them all out in this half organized mostly chaotic mess kind of way. I hope you enjoy! I’ve modified the review from the initial version for better readability.
Note: those songs with asterisks are among my favourite songs on that album, and a double asterisk means it is my top favourite from the album. Songs are rated out of 10 and are affected by how much I enjoyed each aspect (vocal delivery, rap delivery, composition/instrumentation, concept delivery through music, vibes). For this reason, the ratings are 100% biased and aren’t meant to be an objective reflection of the artistry that goes into a song, simply my thoughts, likes, and dislikes.
...
In comparison to AGUST D, I feel like Yoongi has really come into his own sound with this mixtape! AGUST D was rough and unpolished in what I feel was a good move considering the topics he was discussing, the time in which he was writing (before they’d really taken off, particularly in Korea), and the head space he was in (it’s hard to believe that it really came out in like... 2016). But this new mixtape has elements of his polished style. It’s still very much an angry Yoongi mixtape, but you can really feel the ways in which he’s grown as a person and as an artist.
Moonlight (저 달): This song I really like the vibe of, like that groovy kind of surreal feeling of sitting on your bed in the dark at 3 am and listening to this song like oof. The lyrics really hit you in the face a bit. I’ve always appreciated how honest he is in his music, and how he uses it to release his thoughts and worries and “speak his truth” I guess, and I think he does that really well here. Like “change is necessary for everyone, how we change might be our karma (purpose?)” or “I wrote verse 1 fucking fast, but verse 2 won’t write itself no matter how hard I rack my brain”???? as a writer in theory. yeah. I felt that so hard jfksjflsjflk. I really think this is a brilliant way to open his mixtape. 8.5/10.
*Daechwita (대취타): This song is so fun, and so AGUST D. I get so hype for this song!!! It is absolutely 100% necessary that I head bang to this song every time I listen to it. It’s on my playlist for songs I listen to if I need to write action/fight scenes now. I automatically hear it in the background as part of the soundtrack when I think out daydreams with fight scenes, it’s just that badass, what a vibe. 9/10.
What Do You Think? (어떻게 생각해): This song is literally so catchy. It’s a pretty standard diss track in terms of the lyrics for him, but my favourite part of this song is definitely the beat. (side note: I don’t listen to the old version because I don’t think it was right to put Jim Jones on there, but apparently that wasn’t even Yoongi who put it on in the first place? Or idk there are so many conflicting bits of info idk what’s correct or misinformation. Either way, not good.) 7.5/10.
Strange (이상하지 않은가) (ft. RM): UGH the lyrics to this song holy sjflsjlfjslfjlsfjlsfjl. This song is just an unfortunate laundry list of everything millennials and genz’s are lowkey (or highkey really, let’s be real) fucking depressed about, and that’s that on that. 8/10 for reminding me about my existential dread and distaste for capitalism but like, in a way that slaps.
*28 (점점 어른이 되나봐) (ft. Niihwa): His vocals in this one are subtle but so nice, and I love the groove in this one too. It kinda reminds me of Hold Me Tight a little, actually. The lyrics in this one are also like sjflsjflsjfljsfjslfjslf. This is literally everything I have an existential crisis about at like 4 am on bad nights. How did he see into my fucking skull what the fuck. I think this is definitely one of my favourite songs on the album. 9.5/10
Burn It (ft. MAX): I love the guitarline in the background of the chorus. The lyrics of this one are cool (him and his fire motifs lol), and this one really makes me think of courage (and that kermit meme where you face your inner darkness jfsljflsjfljflsf). I don’t like this song as much as the other ones in terms of the actual melody and the thumpy beat kinda thing, because I’ve never been into big loud thumpy kind of songs, but I do like the lyrics so it’s kinda at 5/10 points, because it evens itself out.
**People (사람): My favourite song on this mixtape I jfsjflsjfldsjfsjldfjslf. I knew from the moment I heard this song that it would be my favourite and I was correct. The tune, the groove and beat, his vocals, the lyrics. “Who said that humans are the animals of wisdom? To my eyes, it’s obvious that they are the animals of regret” ???Fuck????AH?? And “Living a life in the world, there’s nothing that lasts forever. Everything is just a happening that passes by” like UFCkslfklskf how fucking dare he understand and console me like this. Anyways. 10/10 for making me feel emotions (or maybe in spite of me feeling emotions? I haven’t decided yet.)
Honsool (혼술): This one sounds really weird in a really cool way and really ties in well to that whole dreamy kind of feel that Yoongi is so good at. The lyrics to this one too. My gosh. Like “we just endure through the day, I guess”? Jslfjlsjfsljfls. Felt that. 7.5/10
*Interlude - Set Me Free: I really like this song, especially the melody and Yoongi’s vocals. When I first heard it I thought “it’s so surreal and dreamlike, like rising out of a dream but feeling off and unsettled about it, or coming out of a bad bout of depression to face the unfortunate consequences.” Then I read the lyrics and was like “ah yes, so I was correct”. This song is like Internal Conflict and Depression: The Musical ksldksldkls. Overall, just cool vibes. 9/10.
*Dear My Friend (어땠을까) (ft. Kim Jongwan): This song is so cute and also so sad at the same time. I really like the melody (particularly the piano bit at the end) and the song itself is highly relatable. I can tell why he decided to put this one last, it’s really a different mood than the rest of the music on the album, but leaves you feeling more hopeful? 9/10.
And so ends my thoughts on D-2. Yoongi is one of my biases for BTS largely because of his writing and music so yeah, here’s way too many words of me appreciating his genius and art.
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Steve x Reader
The satin sheets were cold against my skin as I gazed at the empty spot beside me. My breathing shallow and my eyes swollen from the crying I had been doing the past hour at the reality that I was living in. My fingertips traced the imprint that still seems to stay on the pillow that his head used to lie on every night, his blue eyes gazing at me tenderly as his lips told me they loved me. All that was left of those moments was that imprint that i never dared to fix, clinging onto the last memory I had of our love together. Of our life together. I wracked my brain for an answer to the looming question that haunted my brain. What do I do now?
It all happened so fast. The fight had began over something so small, but quickly grew to something bigger than ourselves. Our insecurities became our worst enemies and it was like we were letting our demons dictate how our relationship went.
“She was just a friend y/n! You know that!” He yelled out. I simply shook my head, my brain not accepting it.
“Sharon is not just a friend Steve and you know that. You both KISSED when you were on the run, that’s not what FRIENDS do. She is constantly trying to take you away from me and you are either blind to it or want it to happen. Which one is it?!” I seethed.
Shaking his head he replied, “I’ve already talked to you about that y/n. We kissed but it meant nothing. You know why me and Sharon are close. I’m not going to push her away just because you’re insecure about it.” Silence.
“She is constantly touching you, taking your time away from me, and making me feel not included in anything we do. I’m a part of the avengers too Steve but she constantly goes out of her way to make me feel unwelcome in MY OWN HOME, with MY OWN FRIENDS AND BOYFRIEND.” I sob.
It was like a switch went off and he yelled back, “Well maybe she’s trying to show you don’t belong! Maybe everyone likes her better than you! What do you want me to tell you, y/n ?!”
What sound does a heart make when it breaks? Nothing. Because when someone’s heart breaks they become the definition of emptiness. All that’s left is a gaping hole the size of Texas in the middle of your chest.
A strangled sob erupts from my slightly parted lips, and tears are now flowing freely. His eyes flash with realization of what was said and soon he was made up of nothing but guilt. He had crossed a line that I never believed he could.
“Y/n...baby...I didn’t-“ I didn’t let him finish, my feet taking me to the door of his room and yanking the door open and slamming it closed behind me. I turned to make my way down the hall , only to come face to face with Sharon. Looking her in the eyes I hissed, “I hope you have had fun destroying our relationship for your entertainment, because you won. I didn’t know caniving bitch was his type but have at it, I’m out. I’m done.” Grabbing at my neck I ripped the necklace I had on that held his dog tags off and placed them in her hand. “Give them back to him or wear them I don’t give a shit. Just do me a favor and keep your faces out of my life. If I see you again it is hands on sight.” I quickly walked off and ran into the nearest elevator, not wanting to hear anything out of her malicious mouth. I just wanted to get out. Get back to my room and wallow in my heartbreak, but a red headed witch stopped me in my path.
“Y/n, are you alright? I couldn’t help but overhear...” Wanda asked hesitantly. I nodded but didn’t open my mouth, too afraid to burst into more tears in the middle of the hallway. Her eyes went to my neck and immediately saw that tags gone. Her arms immediately brought me in for a hug that I didn’t know I needed and the dam broke.
“I’m so sorry y/n. You shouldn’t have to go through this.” I hold her tighter and reply, “it hurts so much Wanda...so much.”
I don’t know how long we stood there but it was enough that my tears began to dry and i was able to somewhat collect myself. We pull apart and she brushed my (y/h/c) hair from my face and gives me a gentle smile. “Why don’t you go and sleep, rest. Whatever you need to do to help yourself, do it. Okay? Its important you take care of yourself okay?” I nod and give her one last hug before confining myself to my room, not planning on coming out anytime soon.
It’s been a solid week since I have been anywhere other than the kitchen and my room. F.R.I.D.A.Y. Had my room under mandatory constant lockdown so only I, Wanda, or Natasha could come in. Steve hadn’t tried to come by , and as much as I didn’t want him ...it still hurt that he hadn’t tried. It was two weeks later that I decided I needed to get back into the gym. I quickly threw on a sports bra and a pair of workout pants before slipping on my running shoes and heading down to the training room. Luckily it was empty, so believe me when I say I took advantage. With my headphones in and playing some hype music, I took on the punching bag. A few minutes later I hear a quiet , “need a sparring partner?” I jump, turning to find Bucky standing with a small gym towel over his right shoulder and gym bag in hand. I was unsure, but only because he was Steve’s best friend. But then again, he was my teammate too, who was I to make our friendship uncomfortable because of it? But Steve’s words haunted my brain since they left my brain.
“Maybe everyone likes her better than you!”
“Uh, yeah sure!”
We quickly fell into a rhythm, neither trying to take each other down just yet. This was more like feeling each other out. A way of communication.
“I’m sorry.” Punch.
Dodge. “About what?” A swift kick.
Dodge, quick return. “You know what. Steve.”
Duck, jab. “Oh. It’s okay.”
With that he stops completely, sweat covering our skin.
“No, y/n it’s not okay.” I nod and the words he said that night flooded my brain again and I found the question leaving my lips before i could catch it.
“Do you guys really like her better Bucky? I’ve been too afraid to ask anybody else but it’s been bugging me...” I ask timidly. Almost afraid of his answer.
He frowns and replies, “who the heck told you that, doll?”
I sigh. “Steve.”
His eyes became angry. “I’m going to beat that kid up, so help me god.” He lets out an angry breath but begins again, “y/n, in no world will any of us think Sharon is better or prefer her. Ever. You’re our girl. I’m sure Steve said that because he was angry but that’s not a good excuse and it was uncalled for.” I nodded but stayed silent until I felt his hand hold mine.
“You’re family y/n.” My heart felt like it was going to burst with how much love I was feeling. I smiled softly and brought him in for a hug.
“Thank you Bucky. So much.”
The next few days passed slowly, my days consisting of the gym, eating, and binging Netflix with my new found confidant Bucky. It was nice having him around, almost like having Steve...but not him.
“Have you thought about talking to him, doll?” He asked. I hummed in response, debating his question.
I shrug, “yes and no. I know I need to, but the hurt part of me is petty and wants to be away from him. Plus, I did leave him with Sharon and I know she probably pounced as soon as I walked away.” Bucky rolls his eyes and groans. That’s one other thing we had in common, our dislike for the ever annoying Sharon Carter.
“She is an absolute nuisance, y/n. I don’t know how we have put up with her this long. I am hell bent on telling fury to return her to shield already, doll. I really am.” I laugh and slap his chest playfully. It was nice to feel normal again, laughing and not feeling existential dread. Letting out a deep sigh I reply, “fine, I’ll go talk to him later tonight okay? After dinner.” He nods and grabs my hands in his, physically doing his best to make me feel secure.
“Holler at me and I’ll come running okay? Anything you need. I’m sure Nat feels the same, she’s been seething since it all happened...and don’t even make me speak on Wanda. That woman is another force when it comes to you.” I smile warmly at the thought of Wanda being so protective of me, it was nice. Maybe it was because we both had a rough beginning, and having people not exactly accept our powers easily was another possible reason. She was the scarlet witch and I was storm trooper. Corny name, I know, but I could control the weather and Tony had come up with the nickname. Nobody liked that I could create a storm when I was angry, and no one liked how she could manipulate their heads. It always felt like we were lost sisters.
“Family protects family.” I mumble with a smile, for which he returns. Letting me know that yes, I was indeed part of the family and there was no getting rid of me.
I didn’t look at him once during dinner, and I didn’t say a word as I slowly chewed my food. Looking up from my plate I made eye contact with Tony, who sat across from me. His eyes flashed to his right, back to me, then back to his right. I let my eyes find their mark, an empty chair at the end of the table. Right by Steve. Where Sharon would sit. Where she should be sitting. My eyes find Tony again and I shrug, it wasn’t my business to know where that bitch was. I grip my glass and lift it to my lips, letting the wine fall onto my tongue and down my throat, warming my insides as it went down.
The atmosphere was so thick I don’t think Thor’s storm breaker could even dent it. Placing my glass back on the table I clear my throat to catch attention. “I’m going to head to bed after I wash my dishes. Goodnight guys, love you.” The team all mutter goodnights and sweet I love yous as I go wash my dishes...well except for Steve.
“Hey.” I jump, my dish falling from my grasp and into the sink, shattering on impact.
“Fuck!” Seeing Steve’s face go red I quickly apologize, “Sorry! Language I know.” I reach into the sink to grab the broken pieces and throw them into the trash. All while managing to slice my hand.
I wince as the glass cuts me and hurriedly cover it with paper towels to stop the bleeding. His eyes widen and he reaches for me to help.
“I’m so sorry for startling you. Let me help.” He uncovers the cut and takes my right hand to lead me back to the sink and run it under cold water. Silence fills the kitchen, so quiet you could hear a pin drop as he shut off the water.
Biting his lip he sighed. I lost count on how many times he opened his mouth to speak but nothing came out. The struggle was evident on his face, making me laugh. “Just say what you came to say Steve.”
“Right.” He rubs his face in frustration and pushes his hair back before finally meeting my eyes.
“I’m sorry y/n. I’m sorry I said what i said. I didn’t mean it, I never would have wanted to make you feel like you didn’t belong I was just very upset. I made a lot of wrong moves and prioritized someone else over the love of my life.” I frown at his words.
“You always said Peggy was the love of your life.” I said with questioning tone. His fingers brush my hair back from my face and cup my chin softly.
“Y/F/N Y/L/N , you are without a doubt the love of my life. Peggy is my past, you are my future and forever.”
Pulling away from his grasp I scoff and reply, “Well what about Sharon then?”
“I told her to go back to sheild offices. I gave her the wrong impression and she mistook my intentions. That’s why she wasn’t at dinner tonight. She’s 100% out of the picture, never again.”
Contemplating his words, I stood there in silence and let it all sink in. As my thoughts run around in my head, one suddenly comes to the forefront.
I gasp, “I gave her your dog tags!” He smiles and reaches into his pocket before pulling out the necklace that once adorned my neck. He steps to be behind me and places the necklace back on my neck and clasps it closed. His lips kissed my shoulder as he whispered, “please never take those off again.” Tears gather in my eyes as everything that has happened the past few weeks comes to mind.
“You hurt me Stevie. You hurt me so bad.” A tear falls down my cheek and I can see his eyes fill up as well.
He sniffles. “I know baby. I’m so sorry. I can’t ever take back what happened, but I can make up for it and love you the best I can. I need you back, please baby. Please y/n.” My right hand goes to caress his cheek and I lay my forehead against his. Tears are flowing down both our faces.
“I love you so much Steve. Please don’t hurt me again. I won’t be able to take it.” He lets out a laugh.
“Oh thank god baby, thank you so much. I love you. God, I love you.” His lips are on mine and suddenly it’s as if the planets are aligned, the puzzle pieces put together, and the sun had risen. This was my person; this was my love. My hand fell from his face as we pulled apart, my eyes grazing his face.
“Oh no Steve!” He frowns at me and looks at me with concern. “What?”
I laugh, “you have my blood on your face!” He chucked and wiped at his face before wrapping his arm Arounf my waist.
“Come on sweetheart let’s go get you stitched up.” I giggle and follow his lead.
“ I love you Steve.” He grins and just the sight of it lets me know that this is it. No more hurt, no more doubts. This is my person, I am his and we are going to make it through every mission and every fight. He is home, he is salvation, he is everything. As I am to him.
“I love you too, y/n. Always.”
#steve rogers x y/n#steve rodgers fic#steve rogers imagine#steve rodgers imagine#steve rogers#steve rodgers x reader#james buchanan barnes#bucky barnes imagine#bucky barnes#bucky barnes x reader#marvel fic#marvel imagine#marvel fanfiction#marvel#marvel fanfic#tony stark
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how to never stop being totally not okay: a guide to emotional repression for idiots in love with other idiots (by dirk strider)
alternatively titled: baby, are you existential dread? cuz you make me deeply uncomfortable in ways i don’t care to think about (the john egbert life story)
Summary: How Dirk Strider stole a car, learned to drive, and got a boyfriend (in that order).
(a late birthday dirkjohn road trip fic for my friend lou @vanillacorpse @centercharter! happy birthday, lou!)
1. When he asks you whether you stole it, say no.
“Please tell me you did not steal that,” says John.
“Why does that matter.”
“Because it matters! And because when Terezi asks me about it later, I need plausible deniability. Tell me you did not steal this vehicle.”
“I . . . did not steal this vehicle.”
“Okay. Now, are you saying that because it’s true or because I told you to?”
“What happened to plausible deniability?”
“Never mind.”
From behind the wheel of a glossy, scarlet, brand spanking new Maserati, Dirk Strider says, “Look, are you coming or not?”
From the front porch of his house, dressed in pajamas and sandals, and holding a duffle bag slung over one shoulder, John Egbert says, “Yeah, I’m coming.”
At four o’clock in the morning, the neighborhood is quiet and dark. The trees rustle in a gentle breeze. A cat prowls along the sidewalk, its first and second eyes a luminous yellow, its third and fourth a vivid green. Down the street, a light is on in Jane’s kitchen, and through the curtains, someone is moving around. Maybe it’s her dad, downstairs for a nightcap. Or maybe it’s Jane. She’s taken up late night baking recently. The last time Dirk checked, the melatonin was working, though, so it’s probably her dad, after all.
You’re a god, now, technically,” John gripes. He slams the door shut with a force that has Dirk opening his mouth to complain about treating the car better, until he remembers that he stole this thing off the display room floor an hour ago, and also that he doesn’t really give a rat’s ass what happens to it. “You can just make infinite money. Or alchemize a car. Or ask them for it, they’d probably give it to you. Why do you need to steal.”
John has this habit, Dirk’s noticed, of asking questions that aren’t questions, questions that are more an opportunity for the other person to prove John wrong than honest inquiries about things John doesn’t know. For example, this one.
“You’re also a god,” Dirk points out. “You live in an apartment the size of my garage. Why not buy a castle? Why not build one?”
“That’s not even, like, slightly the same thing, dude.”
“How so.”
“For one thing, I don’t -- you know what, no. It’s too early for this. Start driving before I change my mind.”
“If you don’t want to come,” Dirk begins uncertainly, and John groans.
“Drive.”
“Okay.”
It started with a midnight text.
Dirk doesn’t exactly know why John hangs out with him. He doesn’t. It makes sense for John to hang out with Roxy, because of . . . shenanigans in their past that nobody really talks about. And with Jake and Jane, well, they’re literally genetic family, so they probably have a lot of shit to talk about. And of course he’d keep in touch with his friends from his session. That doesn’t require an explanation. But there’s not much that Dirk has to offer John, except a whole fistful of absolutely no personal connection. Their first conversation took place in the aftermath of a dying universe, except Dirk doesn’t remember that. So their first conversation was . . . hours after the Game, Dirk guesses. Or maybe earlier than that. He doesn’t remember their first words. It was probably something inane along the lines of “Sup, bro,” or “Nice one.” Dirk probably said something stupid. John probably gave him a weird look and then left him alone. Statistically speaking, that would be how it went.
But somewhere along the line neither of them knowing each other turned into an advantage instead of a reason to avoid each other. Sometimes, when half of your social circle was related to you and the other half had dated you or one of your relatives in the recent past, it was refreshing to hang out a total fucking stranger, for a change.
So when John said, “I need to get out of this fucking town,” what Dirk said was not “Sounds rough, I’ll text Jade,” but instead, “I can get us a car by Friday.”
And instead of saying, “Um, okay, that’s kind of weird, I was just talking about a hypothetical,” John said, “Sweet. Come by my place as soon as you have it,” because he’s the kind of guy that says things like that. Dirk wishes he were the kind of guy who said things like that.
Granted, John does look a little bit like Jake, which is weird sometimes. He looks enough like Jake that Dirk has commented on it, once, in one of his habitual fits of saying dumb shit without thinking about, which that happen to him, sometimes, because his life is hell and existence is suffering. But John, after blinking in surprise, only laughed. “Haha, that’s kind of weird,” he said. “Didn’t you guys used to date?”
“Um,” said Dirk.
“Yeah,” said Dirk.
“I mean, kind of,” said Dirk.
“We broke up,” said Dirk.
“Whack,” John had said indifferently, and returned to ruthlessly beating Dirk’s ass in Mario Kart.
And because Dirk doesn’t know how to have nice things without fucking them irrevocably, he may or may not be a little bit in love with the guy. So he’s got that going for him.
John’s house is in what would be called northern California, if things like the United States government still existed, and if any of the people who created and shaped the global civilization had ever been to California. Upon Dave’s request, every principality and township in the continental U.S. had been subtitled Striderville, with various numerical identifiers to differentiate them. Austin was Striderville No. 1. New York was Striderville No. 7. Minneapolis was Striderville No. 666, for reasons that were unclear to everyone except Dave Strider, who when asked would only grimly profess, “It knows what it fucking did.”
Sacramento (Striderville No. 148) fades in their rearview as they soar across the freeway. Dirk, who has been getting this far on intuitive knowledge and gumption, takes the opportunity to admit, “I don’t actually know how to drive.”
It takes a moment for this fact to register.
“What do you mean,” John says slowly, “you don’t know how to drive?”
“It means what it means. I never learned.”
“What the fuck do you mean you never learned how to drive.”
“I mean that I grew up in the middle of the fucking ocean, Egbert, where was I supposed to get a car?”
“You’re driving right now!”
“Yeah, I mean, the operating part isn’t hard. It’s the lane stuff that makes it all complicated. Like, when to turn and shit. Actually, I think I memorized an old Texas driver’s ed manual once. Does that count?”
“No!”
“No need to get worked up about it,” Dirk mutters.
“Oh, my God,” John says, face in his hands. “I’m going to die. I’m going to die and it’s going to be because of you.”
“That’s a little dramatic.”
“It’s really not.”
“Have we crashed yet?”
“Let me drive,” John orders. “Pull over.”
Dirk really should let John drive. It’s the responsible choice. It’s the reasonable choice. It’s the choice that anybody with a lick of common sense to scrap together in their entire body would make.
Obviously, Dirk says, “No.”
“Do you even know what a stop sign is?”
“No, but if I employ a little bit of deductive reasoning, I bet I have a great guess.”
“What’s the first thing you do at a four-way?”
“Make sure everyone’s got a safeword.”
“Dirk, shut up, Jesus Christ. I bet you’ve never even had sex,” John says irritably, as they sail over the city limits.
Trying desperately not to actually sound wounded, Dirk says, “That’s a little below the belt, don’t you think.”
“How would you know? You’ve never gotten below the belt, have you?”
“That doesn’t even make sense.”
“It does if you’re not a virgin.”
“I’m not -- this conversation is ridiculous.”
“Virgin says what?”
“You’re bullying me. I’m being bullied, right now, by my own friend.”
“I get what Jane means,” John says, thoughtfully. “This really is therapeutic.”
“What? Making fun of me?”
“Yeah,” he says placidly. “Really good for the blood pressure. Hey, do you mind if I take a nap real quick?”
Dirk does a double take. “What happened to me not driving?” he asks suspiciously.
“Eh,” John says, waving it off, tipping his head back against the headrest and closing his eyes. “Don’t worry about it. You’re doing fine.”
“Wait. Do you know how to drive?”
A tiny smile tugs at one corner of John’s mouth.
“Your session started when you were thirteen,” Dirk exclaims. “You wouldn’t have had time to learn.”
“Mm-hmm.”
“You didn’t even care about it, did you.” The accusation is flat.
“Mmmmmmmmmmmmmmno.”
“You were just fucking with me.”
“Uh-huh.”
Dirk considers this.
“You’re a jackass.”
“Yep,” John says happily, and tosses his feet up on the dash.
2. Don’t let him pick the music.
“I get to pick the music,” John decides, apropos of nothing, around 6:30, when they’re in the middle of southern California (Striderville No. 83-195). The sun is just dawning behind them, a blinding pinprick of white against the asphalt in the rearview. It casts sharp rays of orange light through the back windshield, lighting their faces in warm colors, bathing the cab in yellow and the road in front of them in shadows that seem to stretch on for miles.
“What? No, you don’t. I’m the driver. Driver picks the music.”
“Driver has to keep his hands on the steering wheel. Driver can’t stop me.”
“I’ll pull this car over, so help me God.”
“No, you won’t,” John says cheerfully, reaching for the radio.
“Wait,” says Dirk, panicking. “Don’t --”
“WHEN I WAS A YOUNG MAN--”
John wheezes.
“--MY FATHER TOOK ME INTO THE CITY, TO SEE A MARCHING BAND--”
“Listen,” Dirk says, speeding up. “Listen, right, okay, listen, it was in the car when I stole it--”
“HE SAID, ‘SON, WHEN YOU GROW UP, WILL YOU BE--”
John hoots. He shrieks. He cackles, slapping the dashboard of the car like he wants to beat the dust out of it.
“It’s a good record, okay, fuck, I mean, like, it’s not the worst thing--”
“THE SAVIOR OF THE BROKEN, THE BEATEN, AND THE DAMNED?”
“I’m texting Roxy,” says John, wrestling his phone out of his bag. This terrifies Dirk so badly that he actually takes a hand off the wheel to make a mad grab for it, and the car swerves, careening towards the shoulder.
“HE SAID, ‘WILL YOU DEFEAT THEM?’”
“You can’t do that,” Dirk says, his tone hovering two octaves above where it should be. “Listen, she doesn’t need to know about this--”
“Roxy would murder me if she found out about this and realized I hadn’t told her, dude, are you kidding me? Look, it’s an ethical obligation, if anything--”
“YOUR DEMONS? AND ALL THE NONBELIEVERS? THE PLANS THAT THEY HAVE MADE?”
“John,” Dirk says. “John. John. Listen to me, John.”
The shutter of the Apple camera closing, artificial and tinny, ricochets throughout the car like gunfire.
There is a long moment of silence, then, where the only sound is Gerard Way’s indecipherable howling.
“BECAUSE SOMEDAY, I’LL LEAVE YOU, A PHANTOM TO LEAD YOU IN THE SUMMER, TO JOIN THE BLACK PARADE.”
John and Dirk regard each other frostily.
“Give it to me,” Dirk orders, vaulting over the seat divider, and John yells, seizing the steering wheel: “DUDE, THE ROAD,” while also holding the phone as far away from Dirk’s grasp as his considerable armspan can possibly reach.
The car cuts a wild path across the interstate, zigzagging freely between the four lanes as if the lane dividers were more suggestions than rules, at one point almost turning a complete 180 and cruising back the way it came. Black skid marks sear the road under the tires when John wedges himself far enough into the driver’s seat to slam on the brake, and Dirk tries to take advantage of the opportunity to grip John’s wrist and pry his fingers off the phone.
“This is for your own good,” John grits out. “Roxy -- has the right -- to know --”
“Egbert, so help me God.”
“That’s also me, dumbass, and I’m not helping you--”
“I’ll give you anything you want.”
John pauses, the car slowing to a cool forty miles per hour, and says, “Anything?”
From where he sits, perched on the divider between seats like a gangly bird of prey, clinging to John’s outstretched hand like a kitten dangling over a waterfall, Dirk vows, “Anything.”
John grins, and lets go of the phone.
Dirk shuffles into the passenger’s seat, rolls down the window, and flings the offending device out into the street.
“Aw, man,” John complains, watching it bounce and roll away in the mirror. “I had a lot of music on that thing.”
“I’ll buy you another phone. I’ll buy you ten phones.”
“What the fuck am I gonna do with ten phones?”
“I dunno, dude, they’re your phones.”
John shakes his head. “Anyway,” he said. “You said anything.”
The man hasn’t stopped grinning since Dirk agreed. It is a truly unsettling sight.
“I don’t kiss. Aside from that--”
“Oh, man, literally fuck OFF--”
Dirk turns off the radio, which had metamorphosed into the song’s iconic caterwaul of guitars. “A deal’s a deal. What do you want from me?”
John says, “Can you read that exit sign for me?”
Dirk looks up and squints.
“You can take the dumb glasses off. That might help.”
Dirk does not, and so he doesn’t read what the exit sign says until John is steering them steadfastly towards it.
“No,” he says.
“You said anything.”
“I take it back. You know what, you can use my phone to text Roxy yourself. Strike me down for my arrogance. Smite me. Ruin me. Post nudes on my Facebook account. I don’t even have nudes. I’ll take some so you can post them. Just put my ass on blast. Or do you want to decapitate me? That’s very in, nowadays.”
John cackles, again.
The Maserati sails under the exit sign for the Wet N’ Wild Slippery Funtimes Happy Place Water Park, and Dirk Strider, neither for the first time nor the last, contemplates climbing out the window.
3. Do not, under any circumstances whatsoever, go to the waterpark.
Dirk is hot, wet, and covered in skin-tight clothing, and none of it in the fun way. He views this series of information to be a remarkably concise way of summating his life.
John strolls ahead. The bastard is barely wet. Somehow, the water always seemed to avoid him, migrating away from his form as if swayed from its course by his own ineffable good temper, and when he did get dunked, he could summon a gust of wind to dry himself off with all the effort it took to snap his fingers.
The Heir of Breath is such a useful classpect that sometimes it makes Dirk want to scream. Of course it would be Egbert who got the powers that served some fruitful day-to-day purpose.
He floats along instead of walking, like John, because unlike John, Dirk doesn’t derive pleasure from doing things the boring and painful way. Dirk spends most of his time off the ground, actually, even if it’s only by a few inches. It saves him the effort of having to walk.
“You look like a drowned cat,” John says, not unsympathetically.
“You’ve never fucking seen a drowned cat.”
“How do you know? I’ve seen a lot of shit. Maybe a drowned cat was part of it.”
“You know,” Dirk suggests, “if you really feel that bad, you could help me out. By doing things like . . . oh, I don’t know. Drying me off.”
“There were towels at the store,” John says innocently. “You could’ve -- hey, whoa, whoa. You gonna just climb into your luxury sports vehicle like that?”
Dirk, sopping wet and dripping onto the pavement, stops with his handle on the car door and gives John a dead-eyed stare.
“Just saying,” John says, raising his hands. “That’s leather upholstery. You get that wet, it’s gonna stink.”
“John,” Dirk says very quietly. “If you want me to dry off. You could summon the wind. To do exactly that.”
John presses his lips together tightly, brow furrowed in thought. “Hmm,” he said. “You know, I could do that, couldn’t I?”
“Yes.” Dirk resists the urge to vault over the hood of the car and throttle the man he is currently in love with. “You could.”
John summons a small tornado in the palm of his hand. “It’s really just so convenient,” he says blandly. “Don’t you think, Dirk?”
“It certainly would be,” Dirk says, grinding his teeth.
“Of course, I’d only ever do it with your permission. I wouldn’t use my powers on anybody without their consent, first.”
“Consider this,” Dirk grits out, “my full and enthusiastic consent.”
“Really?” John arches an eyebrow. “You’d just let me do that, Dirk? Wow. That’s a lot of trust you have in me. I appreciate it.”
“Yeah, yeah. Just dry me off, asshole.”
John leans on the hood of the Maserati, arms folded, one ankle balanced on his knee. He grins, flashing thirty-two glossy white teeth, and the breeze stirs his hair just so, tousling it with a rakish charm. When Dirk looks at him, something twists in his chest. It feels hot and uncomfortable, and he doesn’t not like it, exactly.
Then he gets whisked into the air by a gust of wind, wrenched up like a ragdoll on the breeze.
As he soars through the air, one brief, fury-infused thought flashes through Dirk Strider’s mind:
He knows what he’s doing, the little shit.
Then this thought is swallowed by Dirk remembering that he can fly, and catching himself before he faceplants into solid concrete. Getting uppercut by the manifestation of the wind itself is bad enough. Eating shit in front of the guy you’re going on a roadtrip across America to impress would add insult to injury, really.
He staggers to his feet and trudges back to where John stands, bent over on his knees, still heaving with his last paroxysms of laughter.
“Granted unthinkable fucking cosmic powers,” Dirk seethes, “uses them like this. Oh, sure, that’s a great way to spend your time. Not like there’s anything more useful you could be doing with them. I’m sure that’s what you got them for. Tossing me around like a limp sack of nickels, that’s the real reason you got to be a fucking airbender.”
“Heh,” John says, straightening up, “yeah. I’m pretty great.”
But the smile he offers is smaller than it could be, and the laugh has gone out of his eyes, and Dirk is struck with a sudden pang of regret. This is chased by a needle-sharp jolt of self-hatred, because he knows what he did, and if he’d thought for half a fucking second before he spoke, he wouldn’t have said it.
They don’t talk about the Game.
4. Don’t think about the past.
Four months after Sburb ended, half of their friends still woke up screaming.
The other half didn’t, but that was because they hardly fucking spoke at all in the first place. Jade once went for a whole week without saying a word out loud to another human being. Jake fucked off into the woods for almost a month and didn’t take his phone with him, leaving everybody to wonder whether or not he’d wound up dead at the bottom of a waterfall somewhere until he came back. Roxy started coding again, but intensely, obsessively, staying up until ugly hours of the morning staring at lines upon lines of unforgiving binary, surrounded by empty cans of Redbull and wearing bags under her eyes. The Lalondes mourned lost mothers and walked quickly past bars, and Dave still couldn’t look Dirk in the eye without flinching, and they were all of them a little uncomfortable with each other, a little too aware of how like much everyone resembled some lost parent or dead guardian. Jane had her dad, but Dirk knew it wasn’t the same. There were some things so painful it became an act of trauma to speak it out loud.
Dirk remembers a lot of things, from that initial period of settlement, when they were learning how to be people instead of gods.
He remembers Jane turning up on his doorstep with a sleeping bag and a pillow, exhausted, tear tracks under her eyes, asking to sleep over because she couldn’t spend another night in the same house where she’d lived under threat of attack for thirteen years and six months. He remembers getting her settled on the couch in his living room, awkwardly trying to make her take the bed, and her refusing stubbornly because she “didn’t want to inconvenience him any more than she already had.” He remembers having a panic attack and locking himself in the bathroom before calling Roxy, demanding answers, demanding her to tell him what to do, how to deal with this, why anybody thought he was the person to go to for help--
He remembers Roxy turning up half an hour later with her own sleeping bag, and Jake in tow. Jake and Dirk hadn’t spoken in God knows how long, then, but it didn’t matter, because Jane was crying in a sleeping bag on his couch and that meant not a single other fact in the whole fucking world mattered one goddamn whit.
Dirk wonders who John went to, when he woke up screaming. If he woke up screaming.
He remembers that John doesn’t just come from a different universe than everyone else in the world, than Dirk and his friends. John comes from a different timeline. John’s friends have had two years, from their perspective, to learn how to be without him.
If Dirk were a braver person, he’d ask what that felt like.
If Dirk were a much braver person, he’d ask whether it felt good.
Instead, Dirk says, “Do you want to get food?”
John says, “Yeah, that’d be okay, I guess.”
It’s the closest any of them get to an epilogue.
5. Do NOT ask whether or not your midnight McDonald’s run is a date. (But if you do, like, be cool about it.)
They roll up to the McDonald’s around 11:30. Dirk is all for getting drive-thru and hitting the freeway again, but John wants to stretch his legs. They’ve been driving for close to eight hours, at this point, and nothing about the road is even remotely familiar. Dirk’s stopped keeping track of which turns they take, which exits, which back roads. They’re trying to get lost, and they’re well on their way.
John gets three hamburgers and eats two without stopping for breath. Dirk orders a carton of fries and a vanilla milkshake, which John makes fun of him for, but Dirk had accepted this eventuality beforehand.
The red leather of the booth they sit in is sticky, and there are stains on the table. Dirk counts the number of health code violations to distract himself from wondering whether or not this qualifies as a date, because it doesn’t, probably, and even if it did, that didn’t make it mean anything, or at least that didn’t make it mean anything to John. When he finishes health code violations, he starts on the ceiling tiles.
John steals one of his fries, and he’s a millisecond too late to bat his hand away.
“You should get something else,” John says, through a mouthful of fry. “You get crabby when you’re hungry.”
“I’m always crabby.”
“Then fuckin’ eat something, dude, that’s what I’m saying.”
Dirk nudges his glasses up his nose and takes a sip of milkshake. “I don’t require anything else,” he says, instead of answering.
“Whatever,” John mutters under his breath, in a way that makes clear how weird he finds this response, and redirects his attention to his third burger.
Dirk fidgets with his straw. The grease has pooled at the bottom of his french fry carton. It glistens under the fluorescents. John’s hair is lanky from not having been washed in two days, and there’s a smudge on the lense of one of his glasses. Dirk watches him stuff a third of a burger in his mouth.
“Hey, so,” says Dirk, before the part of his brain in charge of not saying astonishingly embarrassing shit catches up to his mouth. “Is this, like, a date?”
John pauses, chews, and then swallows.
“Um,” he says. “Do you want it to be a date?”
Dirk panics. This is the worst possible thing that John could have said. Not only is it not an answer, but it is the kind of non-answer which lobs the ball directly into Dirk’s court, making Dirk the one in charge of making the first move, and oh, this is awful. This is really, incredibly, exquisitely bad.
“I don’t know.”
John lifts an eyebrow. “You don’t know?”
“I meant -- yeah,” Dirk says weakly.
“Wait, so you do?”
“Do what?”
“Want this to be a date.”
“What did I say?”
“Are you really this bad at this,” John says, grinning, “or do you have to, like, try?”
“Hey, fuck off,” Dirk says, overwhelmed by relief at the change of subject. “Between the two of us, only one has actually dated.”
“You don’t know that,” John says, offended. “For all you know, I was hooking up with Dave sprite twenty-four sev, on that ship.”
“Davesprite has higher standards than that.”
“But you don’t?”
“John, we’ve established that mocking my taste is low-hanging fruit, in terms of comedy,” Dirk says. “It’s like writing a film school dissertation on Paul Blart: Mall Cop. I mean, you could, but where’s the sophistication? Where’s the talent?”
“Heh,” John chuckles. “Low-hanging fruit.”
“Oh, I get it. It’s funny because I’m gay.”
“So am I, asshole. I get to make that joke.”
“Oh, I don’t dispute that you get to. I’m baffled that you want to, however.”
“Screw you, I’m hilarious.”
“It is apparent in every element of your personality that you enjoyed Nic Cage movies as a child.”
“And it’s apparent in every element of yours that your favorite book is Fight Club. Your point?”
Dirk splutters, “I don’t know what you’re talking about. I don’t even know what a Fight Club is.”
“Please. I bet you creamed your jeans when you read the part about glycerin.” John takes another bite of his hamburger, smug.
“I don’t have to take this from the guy who uses the phrase ‘cream your jeans’ in casual conversation.”
“I am almost one hundred per cent certain that you have said worse.”
Throughout the course of the conversation, the restaurant has been gradually growing quieter. Not that there are a lot of people there in the first place, of course, but the two or three other groups making midnight junk food runs have fallen into a lull, and the quiet bickering from Dirk and John’s table carries easily. As Dirk gives the room a glance, he notices that the trolls at the table next to them have become completely silent, and they’re both staring.
“Hey,” says the troll to the left, a short greenblood with corkscrew horns. Their eyes grow wide as they lean closer to get a better look. “Hey -- hey, aren’t you John Egbert?”
John stiffens. It’s barely noticeable. He keeps his eyes on his tray.
“Nah,” he says, forcefully bright. “Just got one of those faces, I guess.”
“No, you are,” says the troll, with an aura of revelation. “Hey, Niroxi, look! It’s John Egbert!”
“Hey, back off,” Dirk warns them, but they’re already getting up, craning their necks to try and get a gander at John’s darkening face.
“Are you -- holy shit, I can’t believe this -- what are you doing here?”
“Still don’t know what you’re talking about,” John says, voice strained.
“Are you here to check up on the government? We thought you’d gone off the map! Are Dave and Rose with you? Oh, shit, is Karkat here?”
“Jade says fuck you, too,” Dirk mumbles, and John shoots him a wry look.
“That would be so cool, if Karkat was here! Are he and Dave still a thing? I heard that Dave was dating Jane now, is that true?”
“No,” Dirk exclaims, repulsed. “What on earth--”
Niroxi groans. “You’re being so cringey,” she tells her friend, plaintively. Then, to John, almost shy: “But, like, for real? Are they here, though?”
John struggles to muster a smile. “Nah,” he says. “Just me and Dirk.”
“Dirk?” Her eyes flit to Dirk, who chafes under the attention. She brightens. “Oh,” she says. “Is Jake here, too?”
Dirk’s stomach takes a swan dive deep enough to bury it in the earth’s molten core.
“Nope,” he manages. “Nah, he, uh. I don’t know where Jake is.”
“Really? Told you,” Niroxi tells her friend matter-of-factly.
“You didn’t tell me shit. They’re on a break, it doesn’t--”
“Yeah? Like you’d know. You get your information from the Alternian Weekly.”
“It’s a good site!”
“The Alternian Weekly predicted that Kanaya and Rose would get divorced.”
“And the jury’s still out on that! Didn’t you see the photos? Rose wasn’t wearing her wedding ring at Target last week.”
“You can’t see her hand in the photo, that doesn’t mean anything--”
“And Kanaya and Terezi have been pretty chummy, lately, don’t you think?”
“Like Terezi would ever be into someone that wasn’t John,” Niroxi says, rolling her eyes, and John cringes. Dirk wonders how Terezi would react to that, if she were here. She’d probably laugh. Then she’d punch them.
Dirk isn’t great at doing either. So he does what he can.
“Come on,” Dirk says, standing up.
John tries to ignore the frenzied whispering of the table next to them. “You haven’t finished,” he says, in the carefully moderated tone of someone just barely keeping a lid on their shit.
“I have unless I want to be shitting water tomorrow. Come on.”
“You are literally so fucking gross,” John says gratefully, shoving back his chair.
They’re walking when they leave the McDonald’s. By the time the Maserati is in view, they’re runnin.
Dirk guns the engine as they leave, putting a family of goggling carapacians in their rearview.
6. Keep driving, and don’t talk about it.
They make it two towns over without saying a word. John picks the music, but after two songs, he turns it off, perhaps more comfortable with silence than the obnoxious country-pop blend that local radio stations seem to prefer.
Dirk, meanwhile, wages war with himself.
If it were Dirk, he wouldn’t want to talk about it.
On the other hand, it’s not Dirk, and John might want to talk about it.
On the other other hand, it would be excruciatingly awkward to talk about it, and being drop-kicked into that nuanced kind of social entanglement might actually kill Dirk on the spot. His heart would go into cardiac arrest and he’d die at the wheel. And then who would be driving the car? Nobody, that’s who. He’d die a Heroic Death, trying to get John Egbert to open up about his fucking feelings.
On the other other other hand, Dirk’s been informed that talking about things is healthier than not talking about it. So there’s that.
On the fourth other hand, Dirk’s not really familiar with the general concept of a healthy coping mechanism, and if John asked him for advice, he would have exactly jack shit to offer.
As it turns out, this debate is meaningless, because it’s John who speaks first.
“I was kind of immature back there,” he says, scratching the back of his head. “Sorry.”
“What?” Dirk stares ahead owlishly.
“Immature,” John repeats. “I shouldn’t have bailed like that. They were just kids.”
They soar past twin rows of wheat fields. A small town appears on the horizon.
“We’re just kids,” Dirk says, attempting to sound reasonable.
John snorts.
The town grows closer. It unveils the silhouettes of wide, boxy warehouses and tall, peeling billboards.
“We are,” Dirk says, frowning.
“Uh-huh,” John says. “Okay.”
“Why do you think we’re not?”
“I hate to break it to you, my guy, but whatever you think passes for ‘regular kid,’ we ain’t it.”
“I don’t mean that we’re perfectly normal,” Dirk argues, uncertain of why his voice is rising all of a sudden, “but we’re still . . . you don’t have to take that kind of treatment.”
“Yeah, I do,” John said, and his voice is centuries old. His voice has cracks, crumbling pillars, smooth facets weathered silken by time. His voice is age itself. His voice is the ghost of a dead universe, and it echoes, hollow as the cavity of an open grave.
“You don’t,” Dirk says, and his voice is small, petulant.
“I’m their god. I can’t just tell them to fuck off.”
“Sure you can,” Dirk says sharply. “It’s easy. It goes like this: ‘I’m on a date. Fuck off.’”
“I’m not going to be a dick to them.”
“They were being dicks to you.”
“They’re kids,” John cries. “How do you not -- I made their universe! Me and Jade and Rose and -- what the fuck am I supposed to do?”
“Not let them walk all over you!”
“I’m not -- I don’t --”
“You deserve to get to be normal,” Dirk insisted, and he’s never sure of anything in his life, except for this. Except for the lone, simple, absolutely unshakeable fact that John get to be a kid, if he wants. He doesn’t even know why he’s so angry about it, but he is. “You are. You sure as fuck didn’t get to be, back in -- back when you were younger. But now--”
“Yeah,” John says bitingly. “Normal. Yeah, sure, Dirk.”
“Normal enough.”
“Normal enough? What the fuck does that mean? Normal enough.”
“Even underneath all the Game bullshit.”
It’s the first time either of them have mentioned it. Ever, in Dirk’s case.
Dirk says, “You still get to be normal.”
Because Dirk can’t be. Dirk can’t and won’t and will never be normal, not with how his brain works, not with what he’s seen. Dirk was born in a dead world, a world underwater, and he was raised to survive in a universe that doesn’t exist anymore, and everything about him reflects that fact. There’s no hope, for him. He can’t be the person this universe expects him to be, the person who could live in this universe, and that’s fine. Dirk’s made his peace with that.
But John can be. And it makes Dirk unfathomably fucking angry, to think that maybe, after all, he can’t. Maybe the one of them -- the only one who could, the only one who might, after everything that happened, be capable; the one who wasn’t dating an alien or raised by an alien empress or or fused with a primordial deity in the form of a dog -- couldn’t have a normal life, after all. Maybe none of them got to go back. Maybe all of them were out of place.
That was the bitch about winning, in retrospect. It wasn’t game over. It was a new game.
“Pull over,” John says suddenly.
The briskness of this command startles Dirk, makes him swerve. “What,” he says. “No. Why?”
“Do it.”
“Why?”
“Do it.”
Dirk hangs a left in the nearest intersection and pulls them into a sparsely populated parking lot, sitting beside a giant vacated warehouse. The street is empty. The only cars there are old, probably out of use, maybe even abandoned.
John takes deep breaths.
“Normal,” he says acidly.
“Yeah.” Dirk says it stoutly, emphatically. “You know. Normal.”
John lifts his hands, and every car in the parking lot rises into the air.
The sound of two dozen vehicles groaning and clattering off the ground, in conjunction with the shriek of the gale necessary to lift them, deafens. It choruses. It howls. The cars rise and hover at ten feet, most of them, with the lighter ones drifting higher and the heavier sitting at seven or eight feet each. The wind tears through the flypaper and rubbish littering the parking lot, tossing it up in small cyclones of whirling trash. It makes the trees writhe. It shakes the Maserati, but doesn’t touch it, doesn’t lift it; they sit in the eye of the storm.
Above, storm clouds start to circle and congeal. The wispy tufts of cirrus that had been drifting over the horizon blacken as if someone tipped over an inkpot in a bed of cotton. Flickers of lightning fork down to the east.
The lines of John’s muscles are rigid. A tic in his jaw is the only sign this is costing him any effort at all.
After a minute, the storm starts to calm. The cars lower gradually to the ground, settling gently in the same places they were. The wind quiets, and then Dirk can hear himself think again. John lowers his hands, hesitant, and then puts them in his lap.
But in a way, it’s much worse, now, with everything still. There’s room for the silence to move in again.
Dirk says, “Shit’s up and fucked, huh.”
John laughs wetly. “Shit’s up and fucked,” he confirms.
“I mean,” Dirk says, “you get to pull that kind of wizardly fuckery at the drop of the hat, and here I am over here, fuckin’ Prince of Heart bullshit. What am I supposed to do? Therapize you to fuckin’ death? Fuckin’ Captain Planet-ass bullshit. ‘Heart.’ Jade gets to play pinball with planets, Dave’s over here Groundhog Daying it every time he fucks up, who the fuck even knows what Jake can do, it sure as fuck ain’t Jake, and Roxy can just make shit. Make it! I mean, fuck the Law of Conservation of Matter, am I right? Let’s let her just magick stuff out of thin fuckin’ -- oh, the blond one? Oh, oh, that one? Yeah, toss him, fuckin’, uhhhhh, I dunno, what’s left -- Heart. Prince of Heart, yeah that sounds good. The one that destroys shit, that’s cool, right? What can he do? Shit, man, like, feel really bad about himself, probably? Be depressed? Yeah, that works, great. Cool. We’ve got Witch of Space, Knight of Time, Page of Hope, Heir of Breath, and Depression Man. Dope. Now there’s a lineup I can get behind. Put a ‘case closed’ stamp on that motherfucker, we’re ready to run a session.”
John cracks a smile.
“Gimme a goddamn refund,” Dirk huffs, “that’s all I gotta say. You see how that troll chick didn’t even fucking recognize me? I am the fucking -- I’m not even important enough to get recognized at a McDonald’s. You know that if Roxy had seen that, she’d have eviscerated me on the spot. ‘Prince of Heart.’ Eat my ass, Jesus Christ.”
John giggles. It’s kind of stifled by the lump in his throat.
They look at each other.
John reaches across the armrest and gently punches him in the shoulder. By John’s standards, it’s practically a caress.
In a movie, this would be the part where Dirk kissed him, and John would kiss him back, and everything would be okay.
But Dirk doesn’t kiss him. Instead, he looks out the driver’s window, so that when John cries, he can do it in privacy.
By and by, John clears his throat and scrubs a hand across his face. “Um,” he says. “So I think I broke some guy’s Chevy. We should probably get going.”
“Yeah.” Dirk shifts the car into drive, and the engine thrums. “Where to?”
“I dunno. You wanna head east?”
“That’s fine with me.”
“I heard there was some cool tourist shit out -- hey,” says John, squinting across the street. “Is that an arcade?”
7. Get him the shitty bunny rabbit.
John breaks the lock on the arcade with ease. It’s abandoned, with white sheets tossed over most of the bulky, box-shaped consoles and dust lining the whole place in a thin film, but when Dirk steals some tokens from behind the counter and slots one into the nearest machine, the lights fire up just fine. They fuck around for a little bit with Dance Dance Revolution -- John beats Dirk eight games to one, and that one was when Dirk dared him to do all the moves with one foot -- and then burn tokens on Donkey Kong and Pac-Man. John has to teach Dirk how to play Frogger. Dirk is so bad at it that John wonders aloud whether Dirk actually derives some sick pleasure from killing frogs. John skunks Dirk blind at skee ball, but then Dirk gets him back by climbing up and removing the grate over the holes, and then they spend the rest of the hour lobbing skee balls overhand at the target without much regard for the score.
After an hour or two, they get bored of this, and pass a claw grab machine holding a pile of decaying plushes. Atop the pile sits an abomination in the form of a rabbit. The thing looks like what would happen if you asked someone who’d never seen a rabbit before to design one, except the only reference you gave them was the transcript of a Looney Tunes cartoon. The bulbous, uncanny-valley proportions of the head emphasize the oblong pear shape of the body, and the tail is a limp tuft of stringy cotton. The ears are tattered and the fur on them is clumped and tufted. The animal itself is a weird shade of bluish grey that probably came from using cheap dye for the fur. Beady black eyes glint from either side of a button nose, imbued with a legitimately chilling malevolence.
“That is the ugliest piece of shit bunny I have ever seen in my life,” John breathes, his nose against the glass. “I need it.”
Dirk wanders over, his hands in his pockets. “They’re rigged, you know,” he says. “The machines. You can’t win them.”
“Dude. Dude. Look at me. Look at me, though? I don’t care. I need it.”
“We can buy you a bunny rabbit, if you want one.”
“No, you misunderstand. I don’t want any rabbit. I want that rabbit. Specifically.”
“. . . Okay.”
John wastes somewhere between forty and fifty tokens trying to get the claw machine to give him the bunny. He gets close to success several times, often getting so far as to actually grab the bunny within the prongs of the thing’s obstinately clumsy claw, before it slips out in the millisecond before being deposited in the box. Dirk watches John cycle through the five stages of grief not once, not twice, but every single time this happens, and then watches John recover and try again with unflagging determination. It would be endearing if it were not also making Dirk feel slightly deranged, just watching it.
Finally, John runs out of tokens, and steps back from the machine with a mournful look. “It’s hopeless,” he said.
“Oh, no. If only there were someone who could have told you that.”
“It’s not my fault! I got so close!”
“I know.”
“Guess I’ll just have to do without it,” John mutters. He hangs his head with exaggerated despair. “No bunny rabbit for me.”
He ruins the effect by sneaking a glance up at Dirk.
Dirk heaves a long, put-upon sigh, and draws a token out of his pocket.
“Yes!” John pumps the air, giving Dirk space to assume control of the joystick. “Oh, man, if you nail this, I’ll owe you forever. I’ll even stop making fun of your tattoo. Actually, I take that back. I’ll stop making fun of your hair. Tattoo’s still fair game.”
“The longer you keep talking, the less likely I am to try.”
John ignores this. “You gotta wait for the right moment,” he advises. “It likes to stall sometimes, so you have to jigger it to work. And the joystick is sticky in the lower right corner, so you can’t use it. But aside from that, you should be okay.”
Dirk slips the token into the slot. It chugs for a moment, waiting, and then the screen brightens, the claw stirring.
John is right about the stalling and the sticky patch on the control pad. Dirk wastes three tries on the damn thing before getting aggravated.
“Cool,” he says thinly. “Cool cool cool. Hey, Egbert, do you have any particular qualms about how you get the damn rabbit?”
“Uh,” says John, “no?”
“Good.”
Dirk decaptchalogues Lil Seb into the palm of his hand. The small robot’s red eyes glaze as he boots up.
“You see that rabbit?” he asks it.
Lil Seb directs his attention to the glass, and nods. If he is offended by this obvious caricature of one of his kin, he does not show it. That’s the great part about Lil Seb. He’s a chill motherfucker.
“Get it for me,” Dirk orders, and then slides Lil Seb through the flap at the bottom machine, into the pickup trough where prizes fall for collection.
John lifts his eyebrows. “I think that’s cheating,” he says, but he doesn’t sound upset about it.
Lil Seb climbs up the chute into the main prize pit easily, scaling the mountain of plushies like a man on a mission to the peak of goddamn Everest. He seizes the ugly rabbit by the ears and hauls it down with him, leaping neatly into the prize chute and tumbling back into the trough with a clatter. Dirk reaches in and pulls out both bunnies, captchaloguing the metal one and keeping the much sought-after abomination.
“There,” he says, with more satisfaction than he’s proud of.
He holds out the prize.John beams at him like he’s offering John the damn Genesis Frog, face warm, eyes sparkling. Dirk’s fingers dig into the bunny, frozen, and his breath stalls a little bit.
“Hey! What are you doing?”
They both turn. A burly, balding man stands in the door of the arcade, a ring of keys in his hand, frozen in the act of opening the door.
A katana falls out of Dirk’s sylladex, on instinct.
“I’m gonna call the police,” the owner snarls, but before he can continue, John lets out a long groan, squares his shoulders, and with a snap of his wrist, flings two thousand newtons of raw windspeed directly into the owner’s face.
The sudden gale inside the arcade sends the man sailing out the door, flying backwards until he tumbles to a halt a hundred feet from the building. He’s still moving when he hits the ground, stirring, but clearly incapacitated. The Breeze tears the inside of the room apart, sending papers scattering in a flurry of white and lifting the dust into tiny whorls. Wind rakes through Dirk’s hair and ruffles his clothes. Blue lights snap and spark over John’s frame, especially his fist, and even as the tiny storm is calming, his eyes have a vivid, uncanny brightness.
They’re not human eyes. Not anymore.
Dirk looks down at the bunny in his hands. He wonders if he could pull the man’s soul out, if he tried. His powers aren’t the kind of thing you can do on a whim.
“C’mon,” John says. “Let’s get out of here.”
When they leave the arcade, the man is still struggling to pick himself up off the street. He shouts after them when he notices them going:
“What the fuck are you?”
Out of spite, John flicks his fingers at him. The wind blast shoots a nearby trash bin clear off its foundations and hurtling directly at the owner. Whatever the man’s next words were going to be are muffled by the sound of him taking a full trash can straight to the mouth.
“Hot,” says Dirk, and John snorts.
They make it out of range of the arcade. The Mississippi runs alongside the town, its thunderous rush dwarfing the sounds of the city and the road the nearer they draw to it. As they’re walking away, Dirk hands the bunny to John.
“Here,” he says, holding out the tiny plush. “This is for you.”
“Thanks,” says John, sounding almost genuinely surprised, and then lifts it high above his head, reenacting the Lion King. “I’m going to call him Liv Tyler.”
“Isn’t Liv a girl’s name.”
“Open your mind, Dirk, jeez. We live in the twenty-fifth century.”
“Just saying.”
“Just saying what?”
“You already have a kid called Liv Tyler. Gonna give your son a complex, using the same name twice.”
“I take it back. His name is Dirk Strider The Killjoy, Who Hates Fun And Also Happiness.”
“Junior.”
“Junior,” John agrees, and tosses an arm around Dirk’s shoulders. “Thanks.”
They wander down to the river, where the sandy bank is littered with old beer bottles and plastic wrappers and the remnants of picnics past. In between the reeds, they find a hollow where the grass has been flattened and sit down in it. The evening slips into twilight peacefully, drawing long shadows on the grass, and the trees form black inkstains against the ochre sky. The river turns the color of fire, reflecting the horizon.
John says, “This is kind of, like, beautiful and shit, dude.”
Dirk says, “Did you know that the sky is that color because of air pollution?”
“Yeah, I did. Do you have any other slogans from Hot Topic to share with the class?”
“I don’t know what Hot Topic is.”
“That is honestly more tragic than, like, literally any other part of our lives.”
Dirk finds a piece of copper wire in the rubbish on the bank and starts twisting it into knots. John lies back on his hands, the bunny perched safely in his lap, and sighs with contentment.
“It was really cool when you wasted that guy,” Dirk says, for lack of anything better.
“Yeah? Thanks, man. Guy was being a dick.”
“Agreed. To be fair, we were trespassing.”
“Trespassing shrespassing,” John snorts. “This whole universe comes from some frog Jade found in her backyard. Everything in it is her property, technically, and so also my property, by genetics, technically.”
“You are the legal genius this generation needs. Somewhere, Terezi is weeping tears of joy.”
“You think I don’t know? I didn’t play the Ace Attorney series seventeen times for nothing.”
“Oh, man. I had no idea I was sitting next to an Ace Attorney master.”
“I know. It’s overwhelming. You can take a minute, if you need it.”
“You really are brains, brawn, and beauty of this relationship, Egbert,” Dirk deadpans. “Such a great burden for one man to bear.”
“Yeah, well, someone has to pull your weight, don’t they?”
Dirk bites down on a smile.
John leans over, close enough that Dirk’s breath fogs the lenses of his glasses, sealing a coat of white over those enormous, ridiculous, ocean blue eyes. John isn’t touching Dirk, but he’s not touching him in a way that almost feels like touching, in how obvious it is, in how it makes clear that they could be touching, if Dirk tried, if John tried, if either of them tried.
They’re breathing the same air, sharing the oxygen that lives in the half-inch of space between their lips, when Dirk says, “Wait,” and John pulls back, his expression all twisted up and fearful like he thinks he’s gotten everything about this wrong, and Dirk panics a little bit.
“It’s not you,” he says (shouts). “It’s just -- it’s not -- I don’t not want -- I don’t -- I do, but I can’t just -- and not --”
“Dirk --”
“I wish I wasn’t like this,” Dirk says (whispers). “I wish I wasn’t fucking like this.”
John’s expression clears. “It’s okay,” he says gently. “We don’t have to, uh. If you don’t . . .”
“I do want to.”
John tilts his head. “Um,” he says. “Okay.”
He wants an explanation, of course he does, and the thing is that Dirk wants to give it to him. He really, really wants to give it to him. But he can’t.
John seems to realize this, because he scoots back, putting a good foot of space between them. With John farther away, it’s easier for Dirk to focus. It’s easier for him to think.
He opens his mouth, and he waits for the words to come.
8. When he tries to kiss you, tell him about your ex.
“Do you ever feel,” starts Dirk, and stops.
“Maybe I just,” starts Dirk, and stops.
“Sometimes,” starts Dirk, and stops.
The river flows past, wide and deep and fast enough to kill you before you realized you were drowning. Dirk lived on a tower with an ocean beneath his bedroom window and on some days he’d sit on the ledge, his feet eighty meters from oblivion, his face against the wind, thinking about what would happen if he leaned forward and let go. Sometimes it would take hours to convince himself he’d even hit the water -- that he wouldn’t just drift up into the sky, like a piece of flypaper borne on the back of the wind, and find another world waiting for him beyond the ceiling of stars.
“I have a hole,” he says.
John smirks. Dirk ignores him.
“It’s a hole in -- in the thing that keeps you together. Whatever that is. The thing that Roxy and Jane and Jake all have. I don’t know what you call it. It’s the thing that keeps the parts of a person together. Take Roxy, for example. Roxy doesn’t have to worry about whether or not whatever she does is going to be in character for Roxy, because Roxy’s the one who’s doing it. She doesn’t have to worry about whether or not she’s acting like a person, because she already knows she’s a person, so whatever she does is something a person would do. Or Jane, she -- Jane doesn’t have to think about why she’s doing something. Jane just does things because she does them. She doesn’t worry about doing something because she’s manipulated herself into doing it, or because she’s manipulated someone else into manipulating her into doing it, or because an elaborate configuration of circumstances conspired to create the specific conditions under which she would do it. She just fucking does it. And Jake -- Jake just does shit, too, he doesn’t need a rhyme or reason for it, he’s just him. They’re all people. They’ve got personalities and ideas and thoughts and they’re people, regular people, and they’re not perfect people, sure, but they’re people. And each one of them is held together by something. They’ve got a set of things that they believe in, or things that they are, or things that they do, and those things are them. I don’t . . . have that.
“I’ve got a hole in the thing that holds me together. And sometimes, I’ll just be doing shit, and I’ll think about that hole. And I’ll think about how much of me is just shit I do because other people like it when I do it, or because I think doing it will make other people like me, or because I’ve tricked myself into thinking I like it when I really don’t, assuming that I’m capable of liking anything at all. And when I was dating Jake, that was all I could think about, all the time, even when it was good, assuming it was ever fucking good for either of us -- ‘what if this isn’t real, what if you’ve dreamed this all up because you think you’re supposed to have a boyfriend, what if you don’t like him at all, what if he doesn’t like you, what if you’ve made yourself the kind of person Jake English likes instead of whatever the fuck you actually are.’ And when I think about you, I get the same kind of worries, like -- what if I like you so much I started being the kind of person I thought you’d like? What if the only reason you like me is because I tried so hard to be liked? I’d say that I was worried you didn’t like the real me, but that isn’t it. I don’t think the ‘real me’ exists, really. That’s the problem.
“So I guess what I’m saying is I’m not a person. Sometimes I act like a person and talk like a person and think like a person, but I’ve got a hole in the thing that’s supposed to hold people together, and I can’t sew it back up again. I’m not who you think I am. I’m a copy of a person that’s really good at making other people think it’s real.”
The river runs by, and he wants to be like the water. He wants to keep going and going and going, without cause or expectation of pause, until he hits something bigger than he is, and gets absorbed into it. Dirk has never wanted anything so much as not to exist -- not to die, but not to exist. It’s a quieter thing.
John says, “You are really kind of dumb, dude.”
Dirk’s neck hurts from how fast his head snaps around. “What?”
“I mean,” John amends, “that sucks, but you’re not, like, the only person who ever felt like they were faking it. And no offense, but you couldn’t manipulate your way out of a paper bag. I don’t think I like you because you’ve pulled some nefarious supervillain kind of shit, you know?”
“That’s not what I meant,” Dirk says, frustrated.
“No, yeah, I get what you meant. And I wanna make it obvious that, like, I don’t . . . not care? I do. It’s shitty, and it sounds like you could use some good counseling. But dude, I’m not looking for your hand in marriage, here. I just wanna eat chips and watch shitty movies and make out sometimes, and also maybe do more than that, if you’re into it. Or not, if you’re not into it. Cards on the table, I didn’t actually think I’d get this far.” John laughs a little. “The fact that you get so worked up about being like . . . the real you, or whatever? It makes me think I probably know exactly who you are after all.”
“Which is what?” Dirk can barely breathe.
“An idiot,” John says, with conviction. “But an idiot that I want to make out with, so I guess that makes me even more of an idiot, really.”
“Who’s more the fool,” Dirk quips, still dazed. “The fool, or the fool who wants to do butt stuff with him?”
“Oh my God, shut up. I’m never kissing you, actually. Ever.”
“That’s not true,” Dirk counters, with a feeble spark of confidence. “You said you wanted to make out with me.”
“That was before you talked about sex as ‘butt stuff.’ I’m taking it back. R.I.P., my libido. You had a good run, old buddy.”
“What’s wrong with butt stuff?”
“Stop saying that! Stop saying butt stuff!”
“Does it bother you?”
“Yes! I -- you are literally so aggravating.”
“You like it,” Dirk says, hazarding a guess.
“Asshole,” John grumbles. “You owe me, like, five makeouts for that alone.”
“I can do that,” Dirk agrees, now thoroughly bemused. Absolutely nothing in this conversation has gone the way he thought it would. He’s not unhappy about it.
“Five makeouts and my pick of movies.”
“Six makeouts, and I’ll drive the rest of the way.”
“Fine. But no more SBAHJ.”
“Shake on it,” Dirk says stoically, offering his hand.
John rolls his eyes and says, “Nerd,” before leaning in to kiss him.
This time, Dirk doesn’t pull away. The river runs by, and he doesn’t want to be anything but the creature living in Dirk Strider’s skin, anything but the person that John Egbert is kissing. It’s a new feeling. He likes it. He thinks he could live like this for a while.
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a guide to my first four five six music shuffles because im bored and I can't sleep and nobody knows me here so I feel much better about talking and also this is my blog so I'll do what I want
I can't select a readmore on tumblr mobile so this is your excuse to scroll really fast for a minute????
no hell - cloud cult: this is what you listen to when you're crying about being human for the the 50th time this week and it HELPS. it's a little weird at points but it feels like everything you've wanted someone to say to you - the right things to say. it's holding your mistakes in your chest and being alright with it
the great affair is to move - forgive durden: WONDERLAND IS SUCH A GOOD ALBUM AND NOBOOOODY EVER TALKS ABOUT IT EVER AND IT MAKES ME SO MAD BC FORGIVE DURDEN HAS SUCH GREAT RYTHMN (RYTHM?) IN GENERAL AND IT REALLY SHINES THROUGH WITH WONDERLAND - anyways this is another existential dread song but tinged with such saturated hope that it hurts and this song especially is really great to listen to on winter walks towards sunset. if this was cue the sun or for a dreamer, nights the only time of day I'd have way more to say but tbh I'm just so attached to this song for Personal Reasons which is code for "I leaned out the windowframe at 12:30 AM and looked up at all the gleaming stars while this song played in the background and never forgot about it" which is more than enough for it being the weakest song on a strong album for me
memory machine - dismemberment plan: I'll be honest- I cheated on this one cause I just really wanted to listen to it ... emergency n I is such a good album and honestly imo I think I discovered it at the perfect time in my life. if you're reading this - give it a listen. it's like an album for life changes wrapped up in a REALLY really good melody. I'll be the first to say I don't know music words but it's ... fresh to listen to. there's a new beat for every song and it NEVER gets old. PLS listen to it I can't describe how many feelings this song and what do you want me to say and the album as a whole give me and it's genuinely just fun to listen to
also this song, specially, reminds me of the psiioniic, so there's... that... >_>
a private understanding - protomartyr: another existential dread song. like, insane fucking existential dread. this is depression music in the best way possible - it's strong and poetic and it hurts and it's about capitalism and (imo) hopelessness in the system of it so maybe that's a bonus for you? it was for me ... protomartyr in general is so so good. it's heavier than most of the other music on this list but it rips to the core of your heart and idk just listen to relatives in descent and tell me what you think. but not night blooming cereus because im way too attached to that song
oceanographer's choice - the mountain goats: OH MAN. I don't know why this song about loving someone you hate (or really this album about loving someone and hating them) has become my breakdown song but... here we are. Tallahassee makes me fuckin lose it in general but I associate this song specifically with making a self portrait of me as an explosion which might carry over for you. it's really high tempo which contrasts like half of Tallahassee in a really neat way and it feels like self loathing but in an active way which is really fun (?????)
the most beautiful bitter fruit - la dispute: la dispute as band is something I was much more attached to as a younger person but they still slap hard. and also this song in general made me gay. not REALLY but it feels like it did. it's about honesty thru physicality and sex n I feel like that can speak really deeply to gay n trans people to which I am both and also it goes mad hard so. there's that
anyways tata I'm getting tired again so goodnight. I might do more of this just because it's fun and I like clogging up people's dashboards and also none of TMBG's songs came up and that makes me feel bad SO. see ya
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