#the mass post editor shows each and every one of your posts in bulks only categorised by the month and year they were made
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regrets
ps. the problem described above has been solved 👍 more problems in the tags hehe
current level of boredom while being mildly poorly (=not poorly enough to just lie down doing nothing but poorly enough to not have the energy to do anything thought-consuming): tagging all my shippy asks/posts ✨💅
ps. if anyone knows how to use the mass post editor to actually mass-edit tags in a convenient way I'd appreciate the help 🙏 like, idk if it's even possible to find all the posts I have tagged as x and edit the tags of all those posts at once? 🤔 so far I only know you can find tagged posts on your own blog by adding /tagged/x at the end of your url and then editing the tags manually one post at a time 🥲
#imagine if the mass post editor was like the archive view 😭#where you can easily find certain posts with certain tags#how convenient it would be for tag editing purposes but nooooooo#the mass post editor shows each and every one of your posts in bulks only categorised by the month and year they were made#like. thanks but you could not have made this feature less useless if you tried#e.g. imagine you want to edit the tags of the asks you've answered#how am i supposed to find all my answered tags in the mass post editor huh??#even in the archive view i can only find ask posts in general (asks i've answered as well as asks i've reblogged from other blogs)#so i guess i'll just cry and be jealous of all the people who have been more consistent and organised with their tagging system :(#you all are superhumans to me lol pls tell me your secrets 😩#anywayyyyy i am so so tired and snotty ugh i HATE being sick even though i'm in a relatively good condition
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Hi! What are yours views on the recently released billboard article about bts? I assumed that people agreed on the fact that its was extremely disappointing and disrespectful towards bts but there are many ‘army’ blogs who are still defending that article
From anon: What do you think of the new Billboard article about the boys? 😓
I’ll be honest, I had a bit of a debate with myself if I want to post something about the article or not, if I want to draw more attention to it (like there’s literally anyone left who hasn’t heard about or read it), and if I want to get mad all over again. Since you’re reading this, we all know what conclusion I arrived at.
Usually I try to at least somewhat organize my answers to not jump around or angrily rant, but wow, I don’t know if I’ll be able to get that done this time so please bear with me this once. I’d also usually add direct copy+paste quotes and/or screenshots but I truly don’t want to give this article any clicks, or give that “journalist” and his writing even more direct attention, so this answer will have to do without them, I’m sorry. I’m sure you’ve all read the article, or at least seen parts of it, so you’ll know what I’m talking about in each instance.
You know, in all of this, besides the obvious awful aspects of it all, I also feel bad for the staff (not the Billboard journalist and the editors) involved in this, like for example the photographer who went in and took gorgeous pictures of the members, did his best working with them, only for said pictures to be forever attached to this dumpster fire. And the members who spent so much time during that photoshoot to get only the best results and yet, what does it even matter in the end. As well as the fact that they took time out of their busy schedules to meet the journalist, to answer whatever questions he had, to just end up having to read all...THAT.
As some pointed out, it is though very telling that none of the HYBE/BHM/BTS twt accounts have retweeted the Billboard twts with links to the article. That already basically tells you everything you need to know, as in, that the article isn’t worth our time and our braincells needed to read it.
After so many years I think most of us have come to expect basically nothing from interviews with literally any US publication, but especially magazines like The Hollywood Reporter (remember that mess?) and Billboard, and, well, the bar was in hell and yet they still managed to deliver a result that was, I think, one of or the worst article I’ve ever read on BTS. Especially since large parts of the article weren’t even about them? For a cover story about BTS, what’s up with the lack of interview, the minimal amount of quotes from their answers, the summarization of their supposed words, and the large focus on a “controversy” basically cooked up by haters on stan twt? And the “journalist”, who has shown in older twts that he has a negative bias toward BTS and ARMY, even taking direct quotes from stan twt accounts for western artists to illustrate his point, instead of, I don’t know, legit sources? Showing numbers or anything that would show credibility and a solid foundation for said argument? But instead it’s gossip and malicious accusation based on “I don’t like that this band is successful instead of my fave so I will accuse them of cheating while I ignore all the cheating my own fave partakes in”.
More below the cut:
Of course we were, once again, served the narrative that ARMY are just a bunch of manipulated teens which, let’s like talk about that for a second because there are a lot of layers to this and the further you look, the worse it looks for people like this journalist and everyone else like him openly shading ARMY.
Let’s suppose ARMY really somehow were millions of girls ages 12 to 18 (who somehow have access to enough money to raise funds for music and also match BTS’ $1 million donation and spend money on so many different charity projects every year) and these journalists, most of them men usually above the age of 30, go around and basically belittle and “hate” on them. Do we see the problem here? The fact that in this case grown adults openly, in publications they are paid to write for, bully teenagers and kids simply because they don’t agree with the musician said teens and kids have decided to be a fan of and support. And because they are girls instead of soccer loving boys, as counter example.
A truly weird hill to be willing to d*e on just to make some kind of (negative) point if you ask me.
Then of course there’s the whole thing that Mr. Journalist decided to go in with a narrative in mind and seriously sit down opposite Namjoon and basically ask him “hey, listen, what do you think about your crazy TEENAGE fans buying your music (truly the audacity, how dare they) and that they are cheating and manipulating the system? Like that’s not right, right?”. Bless Namjoon and his genius brain for being able to keep his cool and shut down that man with his amazing answer shifting the blame right back onto Billboard and how, if they don’t like people playing by the rules that they themselves have created, maybe they should look at their own system and reevaluate it instead of turning against and point a finger at BTS who, as Namjoon said himself, are simply an easy target because they are foreigners, because they sing in a language that isn’t English, and because they are Asian. And really, is there anything the US music industry hates more than foreigners, POC at that, being successful, or even more successful, than their industry supported artists? Don’t think so.
Also can we talk about how strange the argument of “bulk/mass buying” is when ARMY never goes over the limits Billboard themselves have set up, being four copies of a given song. If they truly were against people “bulk/mass buying” you’d think they would lower the number to one copy per person and that’s it, right, the way iTunes does it. And yet, they did not. Because “bulk/mass buying” is okay, just not when it’s ARMY and Bangtan.
Billboard: Buying multiple copies of the same song is bad and makes no sense. You’re cheating.
Also Billboard: Here, buy EIGHT copies of the same magazine, with the exact same contents but different covers, for $170+ in this neat little bundle.
Make it make sense, will you? Or at least be less obvious with what you’re doing.
It’s a problem when it’s done in a way that doesn’t benefit them, and the greater US music industry and their shady system, but when it does benefit them, it’s totally chill, easy, no problem? It’s so obvious, dumb, and kind of makes me want to laugh but also scream and/or knock my head against my table because it’s just so bizarre yet it’s treated like this all makes sense and is completely normal. And the sad thing is, it is normal. We, or BTS as umbrella term, are a problem because we get things done, we get achievements and #1s and numbers without giving in to payola, paid playlisting, bundles when they were still a thing, and without everything else the US labels do to push their artists into basically false fame.
And that, ladies and gentlemen and nonbinary friends, is where the issue lies.
While talking about all of this among ourselves (as in ARMY at large) across sns, as well as taking into account some pondering by journalists questioning the intentions of the article, a thought arose and, now that I think about it, it sounds just too obvious and yet here we are. Voting season for the Grammys is coming up sometime soon-ish, and Billboard is one of the major publications that the voting members look at and read when considering who to give their vote to. Now imagine you’re a voting member who until this point had a positive, or at least neutral, opinion on BTS but on Monday you sit down and read this article? Would you still want to vote for an artist being accused of “chart manipulation” and supposedly claiming they didn’t actually want to do music in English but were forced into it despite originally saying something else?
No, right?
And that’s the point.
This is nothing but a glorified smear campaign against Bangtan across lots, and I mean lots, of publications who picked up the narrative that this article presented and ran with it. The US music industry sees their success and feels threatened because they are showing that when you have true, organic success and a loyal fan following you don’t need any of the paid for tricks to achieve things, you don’t need payola, don’t need paid for playlisting on streaming websites, and don’t need US industry backing. You can do it all on your own, therefore these exploitative systems and institutions don’t make any money off of you which is obviously unacceptable. Even more so when you could actually win, or at least again be nominated, for what is regarded as the supposedly most prestigious music award, aka the Grammys. So, since they know they can’t get rid of ARMY, can’t discourage us from supporting BTS, they go for their image and reputation instead. And that’s what this article tried to achieve. Show that, wow, in the end all the “dark side of K-Pop” stories were true all along because even poor, poor BTS are puppets of their evil agency after all, are forced into things, and are used to manipulate their gullible teenage fans into throwing money at them and manipulating the charts.
How come we’re the only ones who see just how f*cked up all of this is? And the few journalists who are on our side?
Lastly, can we talk about just how weird the use of and the quotes themselves from the members were? Most felt not only out of place, out of context, but also so weirdly out of character some ARMY have started to question how much of their “quoted words” are actually theirs and how much might be, essentially, fabricated/twisted to fit the desired narrative the journalist had from the get go. I know a certain crowd, you know which one I mean, jumped onto what was said about the english songs but also especially the final quote from Seokjin at the end of the article that essentially boiled down to “we were so annoyed and overworked we said screw everything, especially our agency, and now we only trust each other” or something to that effect. Am I the only one who thinks that quote sounded nothing like something Seokjin would say? Yes, he’s said cheeky things in the past, he’s also said bold things, like his entire speech against sajaegi back in 2019, but each time he was polite and stuck to his manners while doing so, yet this? I don’t know, something about it just feels very off. Or JKs quote about how he sacrificed more than just his youth to be who he is now. While we know that is true, after all he became a trainee at a very young age and spent the better part of his teenage years as idol on stage, but has he ever spoken about that negatively? In such a manner?
Someone suggested that interviewers should publish transcripts of the original Korean answers and questions that BTS were asked in order to offer some transparency and also for us to know that what they are quoted saying are actually things they did say. I know that’s very unlikely to ever happen, just wishful thinking on my/our part, especially when a hit piece article is attached to it, but in moments like this, it really would be very helpful. For us, but also to add credibility to such articles and the context in which said quotes are used.
Now, for the ‘ARMYs’ who defended this article, to be honest, I’d very much question how much of an ARMY someone is when they can go and read this article and agree with it. How? I get that for some the things in this article played right into their manti agenda, but mantis aren’t ARMY. And the crowd who decided to, instead of blaming the journalist for the narrative he tried to push with all its negative implications, blamed HYBE/BHM instead? Are you serious? That isn’t how journalism works, or at least it shouldn’t be. HYBE/BHM can’t just go in and say “we don’t like this article, change it”, that’s not how freedom of press works, and also, do you realize how weird it is that you are blaming an Asian agency for a hit piece published by a western publication?
What was interesting though was that, as example, the online merch store Cokodive made a statement on their IG page in which they said the following:
So even they, who could’ve directly benefited from selling the magazine, decided that it wouldn’t be right because that article is a travesty. It’s a small thing in the grand scheme of things, yet it shows that it isn’t just ARMY who are being “sensitive little snowflakes who can’t take criticism” but also others outside the fandom who also see the disrespect within the article and its blatant negativity and lack objectivity.
Personally I saved the pictures but I refuse to give views directly to Billboard when it comes to the “Things you didn’t know about BTS” video as well as the behind the scenes clips of the members regardless of how beautiful they are. And I refuse to give their website and this article any more clicks than I already gave them while reading the article in the first place.
You can be critical of an artists success, you can wonder how they, specifically, managed to become as successful as they did, but what you can’t do is completely ignore shady practices of other artists while attacking those who don’t partake in any of them simply because they manage to fill stadiums and get #1s without those practices. At the end of the day, just like Forbes once said that BTS don’t need the Grammys but the Grammys need BTS, in the same way BTS don’t need Billboard and their shady articles and twts, but Billboard needs BTS for clicks and views and therefore revenue.
As longtime ARMY it also saddens me having watched Bangtan become more and more disillusioned with the US market, as well as ARMY going through the same thing. Then again, like Namjoon said in the article, it isn’t their goal to become mainstream in the US, all they want is to have a big tour and that’s it. Nothing more.
As twt says: this article should’ve just stayed in the drafts.
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Mass Music Measurements Survey Form
A freeCodeCampChallenge
Gaining Speed
This marks my second freeCodeCamp challenge. As I mentioned in my after action report from the first FCC challenge (tribute page), it took some time to finally gain traction and fully complete that project. That was a problem with (one) unnecessary complexity of design and (two) a lack of planning (before I began to code.) It was my assumption that if I laced the project with many working parts, I would learn much, much faster; also, that by getting right to the code, I could pick up the syntax, semantics and general knack for writing (code) in less time. And wow, I was very incorrect in thinking so.
As a response to my previous poor start (with my tribute page,) this time I was better able to address some lessons which had only occurred to me when halfway through the last project. So this time, I really dialed in the importance of streamlining my initial paperwork designs, learning how to more proficiently use Figma and some of its tools, how to better approach icon design with Photoshop and vastly improve my entire workflow. This provided (not only) an easier build, but also a more efficient angle by which I was empowered to catch more lessons along the way.
In the next few paragraphs, I will detail just which specific advantages I picked up in terms of HTML5, CSS3 and JavaScript capability. In addition, I will move through some of the tactics I employed to help me finish this challenge with much more confidence than the last.
Planning Stages
When I set out to hand-write the marked goals (set down by FCC’s challenge,) I do find it tedious. The thing is, I am copying (in my own words) precisely what the challenge is demanding of me. Let me elaborate…
With every line, I am telling myself that I really do not need to do this. I mean, I can pretty easily peer over at the other browser window (when necessary) and see exactly what my marching orders are. Though albeit true, there are a couple of key differences in (one) reading from FCC and (two) writing/reading my own notes.
As I write out every expected step of my project, I can build an image immediately for how I would like my creation to take shape. This falls in line with the visual aspects and design, the color scheme, the functionality of each element and the code itself. It is a powerful method to which I will pay better respect going forward. (I already have plenty of ideas on how to implement more potent procedures — like larger drafting paper, (which will allow for a greater landscape on my pages, maybe using a tablet for notation and perhaps a few voice recordings along the way)). Now, I may be getting ahead of myself! Back to the plans..
And so writing out the objectives is terrific for lots of reasons, but moving to the drawn design itself — this may be the most crucial bit yet. Here’s the deal. When I physically drew the (expected) survey form, I may have well completed the whole project. So what does that mean?
I took so much liberty in imagining what the design should resemble. More specifically, I let my mind wander and allowed thoughts to spill out onto the legal pad before me. This (in combination with my understanding of how everything needed be expressed in code) let me structure my rough draft with such a degree that the next step made the actual coding like an exercise in copy and paste. I’ll expound…
I was drawing parts which were effectively elements of HTML. This was followed by some (more precise) markings of pseudo-code (which amounted to about all of the HTML I required to code for the whole challenge.) So, when I say the planning has proved to be useful, this would be an undestatement. This attention to planning has made it possible for me to avoid the ‘nuts and bolts’ in my code editor. Now, this advancement is massive, because the saved time and effort was a testement to why I was then able to better learn more intricate detail when coding. And now let’s get to those lessons and the code at large.
Within Earshot of Paper and Pencil
My goal is not to elaborate on the use of specific technologies, but more-so the process itself. however, I will briefly touch on Figma and Photoshop…
Using Figma helped me focus on each element and understand how they more literally fit together in the puzzle. I was able to name every piece such that it would show me what my HTML element should be in code and how each need be named. Also, I took those separate entities and grouped them such that I could postion everything exactly as I wished. My next goal with Figma will be to utilize the ‘component’ feature and truly unroll some strong functionality of the software.
Regarding Photoshop, I made a logo for my survey and spun it into a favicon with relative ease. In an attempt to create animations and advertisements for my affiliate site, I have better come to understand Photoshop’s effectiveness. Thereby, building my icon was fairly straightforward. I simply pieced it together with a couple of layers and exported the PNG. I still want to be able to employ SVGs for this application; but until now, I haven’t perfected the craft. I will leave that for the coming FCC challenge. Onward!
Coding the Beast
The first topic to address here is quite obvious for me… SUITE TESTING.
When I began coding this project, I wrote my HTML boilerplate and immediately tied in the FCC testing script so I could begin verifying my code at every turn. I’ll elaborate…
I ran into a few issues with debugging throughout my last project; those were problems which resulted in code errors piling up on me simultaneously. And, while an error (for which you don’t know the remedy) is frustrating…several of those errors (all at once) becomes infuriating. Luckily, I ran into a great solution. Unit testing.
By instantiating the FCC test suite before I began coding the bulk of my project, I was then gifted the opportunity of verifying each of the sixteen goal posts.
In more detail, nearly no problems snuck up on me while coding the breadth of this project because I was adamant on addressing them in real time (as they appeared). What a true life-saver...
Input Text (element, attribute)
I found it repetitive and annoying at first, when the 10th goal of this challenge asked me to give both the input and label elements their own respective and corresponding ids. This was because I (very simply) did not understand the request. Along with that, I definitely didn’t understand why it was being asked (to begin with.)
That said, I now realize that the goal was to identify the label for the text field, in addition to the field itself. In understanding this distinction, I have now been able to find value in this very feature.
By giving ids to both my labels and input texts, I was then able to style each distinctly and find them with more ease (while peering though my HTML.) Now here’s real solid tip which I will not soon forget.
Don’t Pick More Than One Option!
So, I was writing the code for my radio buttons and what happened next is certainly a rookie mistake. When I navigated to my browser (in order to test the options,) I found that EVERY one of my buttons was clickable. And this, for obvious reasons, is not ideal.
This solution was super easy. All I needed to do was unify (or make each value the same for) the input-radio buttons. After I placed cloned values for each radio button, only one option could then be chosen. Success!
Nitpick the Name and Ids
This is something which should possibly be glossed over. But, when working with various input fields, I was asked to employ many names and ids for each.
While I’m not entirely certain (even now) whether there is a standard for which comes first, I have come to realize that name attributes should possibly supercede id attributes.
Using Visual Studio Code, it seems to like placing names before ids. And in a real life estimation, using name over id seems to be old-fashioned, but admirable.
More seriously, I understand in code, name will be less subjective (while more actionable) and ids will more far more particular and prone to alteration.
Dropdown
I was in a position to use dropdown boxes twice in this project. The problem I came across was that my options continued to begin with the default option as selectable. While I learned the solution quickly and with ease, I believe it should be recorded as vital.
When inserting a placeholder option in a dropdown box, in order to keep it from being a clickable entity, you have to style it as such.
I called the id of the option in my CSS sheet and set its display as none. That easy.
Pseudo Class and Element Selectors
Very little of my experience with this challenge dealt with pseudo class or pseudo element selectors. But, I will cover (in short) what I did learn (with these topics in mind.)
Using a pseudo element selector is the best (or maybe only) way to call an attribute from an HTML element and style with CSS.
This is how I was able to change the appearance of my placeholder text in each input-text.
I know pseudo class selectors are the way to alter elements (in a certain state) like ‘hover’ or ‘before’, but I haven’t used them enough to expand this monologue. That said, I’ll press on…
Attribute Selectors
In confluence with my previous words, I may have provided a misnomer to exactly what was being modified with pseudo-elements. But, I digress (and hopefully you see what I mean).
Using attribute selectors is quite different from other selectors, because you will be placing true brackets in as your selector which house your attribute, followed by an equal sign and a set of quotations (housing your value.)
Looks like this [attribute=“value”]. And that’s that!
Media Queries
While I employed media queries for this project, I have yet to fully grasp exactly how to use them (in reference to appropriation and context.) Therefore, I will not go into detail; but, only mention that I used them to alter my CTA button across pixel-widths. Also, I realized that setting a new media query works better when starting with the immediate values from your last screen size.
A Bit of JavaScript
The big task I pushed for in this project was this: change the client-side font family for a text area as the user types. And by big, I mean, it took me about as long as the rest of the whole challenge to learn this functionality with JavaScript. That said, I now understand much better how JS semantics are employed. And, that’s pretty priceless…
For this goal, I inserted a script with an event listener. First, I started with DOMContentLoaded, which allows for firing without the images or styling need be loaded.
The next bit lets my document be called by its (element) id.
Then, it states that my id will be triggered by any input (via an eventListener) and will force my later instantiated function.
The function declared will let the charCode number equal a string which will be console.log(ed) out as my target.value (of Nunito, sans-serif) with proper style.fontFamily.
Conclusion
Attempting to wrap this project up in a nice bow is difficult, as I have onboarded a great deal of information (from one simple survey page.) After completing this task, I am left with a split-brain. While I have learned so much from something, seemingly straightforward, now I am thrilled to make it to the next project and take on those new expectations.
I suppose my takeaway is that I should fine-tune my HTML and CSS understanding and seriously crack open all that is JavaScript. All which, can wait until tomorrow. Cheers!
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How to Build Muscle - The No Nonsense Guide To Fast Muscle Building
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Use Design to Elevate Your Content Marketing
Use Design to Elevate Your Content Marketing written by Guest Post read more at Duct Tape Marketing
You have defined your audience personas, created an editorial calendar and spent hours researching and writing the perfect content for your customers. Now you’re ready to crush it with your content marketing, right? Not quite.
Content marketing is getting increasingly competitive and noisy. In a 2015 survey by the Content Marketing Institute, 77% of marketers reported using content marketing for their strategy. 76% planned to increase their content production in 2016. With so much content fighting for the attention of your audience, marketers need more than just good writing to set themselves apart.
As you plan your content marketing strategy, consider using design and visual storytelling to differentiate your content from the competition.
Why design?
Rather than explain why the visual element of content marketing is so important, let’s try the show, don’t tell method with an infographic:
We are a visual culture. People respond better to visual content and even process information more efficiently when presented in a visual way. With so many performance advantages, it’s clear how design can elevate written content.
With the convincing out of the way, let’s talk about specific ways to introduce design and visual storytelling into your content marketing strategy.
The golden ratio of images
We all know that blog posts need images but are you using enough?
One of the best ways to increase the reach of your content is with the right amount of images. BuzzSumo did the math for us, and found that the right amount of images is one every 75-100 words:
“In a study of over one million articles, BuzzSumo looked at how many blog posts with images were shared. Then they looked at how many images, per how many words, got the best results. What they found was articles with an image once every 75-100 words got double the amount of shares of articles with fewer images.”
Finding images can be tough, especially when you’re adding them every 75-100 words. For some tips on finding good images for your content, check out Pamela Wilson’s guest post on the topic.
Create relevant images
When adding images to your content, you may want to consider creating custom-designed images for your post rather than adding stock photography or memes. An often quoted statistic is that content with relevant images gets 94% more views than content without relevant images, meaning relevance is just as important as quantity when measuring the effectiveness of blog imagery.
If you are considering developing new imagery for your content, it can be helpful to write the content before approaching a designer. A good designer should be able to use the content to quickly understand your design needs and provide relevant, original imagery for your blog. Crowdsourced design from a service like crowdSPRING is especially helpful for projects like this because you can see how your blog post inspires the designs of many different creatives and pick the style most suited to you and your audience.
Visual storytelling though infographics
Infographics are a popular form of content marketing because they take the substance of a good blog post or case study and compress the content into something significantly more shareable. Social media tool Mass Planner reports that infographics are liked and shared 3 times more than any other content on social media.
I have written about how successful an infographic can be for businesses, but don’t just take my word for it. Neil Patel, co- founder of KISSmetrics and Quick Sprout, used infographics on the KISSmetrics blog to generate over 2.5 million visitors in 2010 and continues to believe in the power of infographics.
“I can say with conviction that infographic publishing has been one of my most powerful marketing strategies.”– Neil Patel, QuickSprout Founder
Though you can create entirely original content, one of the most efficient ways to start using infographics for your content marketing strategy is to repurpose existing blog posts. Many companies have repurposed their best blog posts into infographics with great success. Buffer turned them “How to Create a Social Media Marketing Strategy From Scratch” post into an infographic during their “no new content” month (more on that here) and continues to use portions the infographic for their email courses.
With the content already outlined in the existing blog post, the bulk of the work is in the hands of your designer who can immediately get to work on communicating the information visually.
Increase shares with social media images
Not every post can be turned into an infographic. For a similar boost in shareability, you can create social media images to promote your content. After reviewing the engagement habits of their entire user base, Buffer reported that tweets with images received 150% more retweets than tweets without images.
Reposting the same featured image from your blog post with a link to your content can get old for your audience, fast. To avoid this, you can create a series of distinct social-only images for each one of your blog posts. These unique images will allow you to re-share your content multiple times without the fear of repetition for your audience. As a bonus, the variety of images will help you test kind of imagery your audience is most receptive to.
Some effective forms of original social media images are quotes, how-to���s, and screen grabs. Each of these can benefit your audience in different ways and depend on the content of your blog:
Quotes: Twitter reports that tweets with quotes get a 19% boost in retweets, so why not sneak a quote from your post into an image?
Visual step-by-steps: If your post is a guide, consider illustrating the steps in a step-by-step image. This gives the audience an overview of what to expect in the post while encouraging them to dive deeper by clicking the link.
Screengrabs: A screengrab of the blog post itself allows you to display content from the post in a different format and offers a “sneak peek” into the best part of a post.
Most social media images can be created with online image editors and a little design know-how. Canva and Pablo are two favorites among marketers. If your eye for design is lacking, consider using a professional designer to make sure your social media images reflect the same quality as your written content.
Start sharing
Enhanced with good design and visual storytelling, your content is now ready to be shared. We’ve already discussed how visuals improve the performance of the content on Twitter and Facebook, but there is one last advantage to adding good design to your content strategy: more distribution channels.
Platforms like Tumblr and Pinterest are visual-centric, and your newly created visual elements can now be shared on those platforms to allow you to connect with an entirely new audience for the first time.
When sharing your content, remember to take a look at how different visual assets perform to help prioritize your visual content marketing efforts in the future. Social metrics like shares and link clicks and web metrics like new visitors will give you a better idea of what visuals contributed the most value to your content strategy.
Consistent use of good design and visual storytelling will differentiate your content, help you communicate more efficiently, and ultimately put your content in front of more potential customers. It is a crucial element of an effective content strategy that cannot be ignored by marketers.
About the Author
Nick Bowersox is the Marketing Manager at crowdSPRING, the world’s #1 marketplace for logos, graphic design, and naming. Buyers who need professional design pick a category, name their price and tell creatives what they need. Once posted, creatives submit actual work and buyers select their favorite from an average of 100+ entries per project. crowdSPRING has helped tens of thousands of small businesses meet their creative needs. You can read more of Nick’s work on the crowdSPRING Blog and follow crowdSPRING on social @crowdspring.
from Duct Tape Marketing https://www.ducttapemarketing.com/design-for-content-marketing/
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