#the look on Michael's face though

[ingravinoveritas]

I’m not sure, but it reminds me an awful lot of this...

Aziraphale Of The Day: what are these sneaky pair up to? 🤔👀

[tommyshelbysdimples]

[mikesbasementbeets]

mike wheeler in stranger things 2 + girls, girls, girls

[goosewizard]

so tubbo loses an eye in the execution right we all agree on this. how long do u think it took him to pop an eye of ender in there.

[nadiajustbe]

In some 80's AU where there is no magic and no spells, instead of curing rheumatism and giving fields just because the woman he likes wanted to, Howell would remember the smallest details, like Sophie's favorite color on exceptionally dark rainy days, which she mentioned once in the middle of an argument, throwing them out completely randomly as if they were the most common information in the world

Michael: How do you know that?

Howl, shrugging his shoulders: She mentioned it.

[lighthouseas]

full disclosure. in the world of tsad, josephine elizabeth mouse wheeler (a.k.a. mike's porch cat) is NOT cute by any means. mike thinks she is, but she's actually like. yk those raggedy ass dishcloths? yeah imagine that as her fur and then she also only has one eye. see also: this cat has been living under a muddy porch for the better part of a year. this girl REEKS. mike loves her though. she is his little creachur.

[the-acid-pear]

Why did my cooking dream get hijacked by my brain making a William Afton oc and au what was that about.

[hislittleraincloud]

🤔

[normalbrothers]

that jumpscare in s5 where polly gets eaten out by the pilot and the moment he pops into screen you think for a very startling second that it's michael 😌

[crumbleclub]

So sorry for the confusions. For them their middle aged but like in the 40-50s. And their not fused their married tho

they haven't changed much.

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[oreo-creampie]

“𝐚 𝐩𝐫𝐞𝐭𝐭𝐲 𝐬𝐥𝐮𝐭 𝐢𝐧 𝐜𝐡𝐚𝐢𝐧𝐬 𝐭𝐚𝐤𝐞𝐬 𝐬𝐢𝐱 𝐛𝐢𝐠 𝐜𝐨𝐜𝐤𝐬 𝐢𝐧 𝐚𝐧𝐲 𝐡𝐨𝐥𝐞 𝐭𝐡𝐞𝐲 𝐰𝐚𝐧𝐧𝐚 𝐟𝐮𝐜𝐤”

𝐡𝐚𝐩𝐩𝐲 𝐤𝐢𝐧𝐤𝐭𝐨𝐛𝐞𝐫! - Ghostface gangbang (with one Michael Myers mask)

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: celebrity!reader, guards! Toji, Sukuna, Choso, Satoru, Suguru and Kento, reader has healing abilities, knife kink/light cutting, no blood since reader heals, light bondage with chains, ghost face with one Michael Myers mask gangbang, you have tits for this, titty fucking, face/pussy slapping, pain kink, praise/degradation, pain kink, fingering/anal fingering, ass eating, face fucking/cock sucking, handjob, pussy slapping, toys, double/triple penetration, anal, hair pulling, spitting, spitting water in your mouth, cum swallowing, creampie, choking

𝐥𝐞𝐧𝐠𝐭𝐡: 14 minutes - 4k (of mostly nasty smut)

Oreo: this has reminded me why gangbangs are my favorite

Your phone lights up with a text, your Mom sent you a link. Opening it brings you to a page with a bright bold red header where it proclaims ‘Single for 1 year?! She can’t seem to get a date and goes to dinner alone!’

You scroll to see the attached picture of you surrounded with by your guards. “Oh! There is a trashy tabloid going around talking about my dating life. Apparently I was alone last night cause all six of you don’t count!”

Toji shrugs a large shoulder, “Who cares if it looks like you’re single, they don't need to know the truth.” The end of his blunt casts a red glow on Toji’s handsome face.

You sigh and click on the appearing text bubble, “My Mom is caring otherwise she wouldn’t have sent me to link to it. Along with; I won’t judge your choices, though I am worried about you not pursuing a relationship. Are they just not for you or did something happen?” A large warm body presses you against the cold glass railing of the balcony. Warm large hands squeeze your hips.

You look up into Sukuna’s face, your head resting against his chest. “What are you gonna tell her?” Toji nudges Sukuna’s arm to get him to take the fat blunt.

Looking out at the city below. “I’m sure as hell not saying that I’m fucking all of the personal guards they hired for me and that y’all cock-block any dating opportunities that come my way.”

He grabs your hair yanking your back holding the blunt to your lips. He sneers, “We do plenty of sharing between each other. Who else could you need.” Sukuna pulls the blunt away, and you blow a large puffs of smoke into the night’s sky.

Toji adds on, “‘Side we all cuddle you, take you out on dates, we switch out who sleeps in the bed with you. You had six different valentines.” He leans against the glass railing. Tugging on your robe’s ribbon causing it to fall open.

Satoru announces, “Oo someone tweeted what if she is fucking one of the guards. She close, but it isn’t just one, you’re too much of a cock hungry whore for only one.” Leaning up against the glass on the other side of you Satoru joins Toji in fondling your soft breasts. Swirling his soft thumb over your nipple, getting it hard.

You’ve been waiting all day to be sandwiched in between your guards. With one pressing their hard cock into your lower back while two play with your tits. You slowly inhale the harsh smoke from the blunt that Sukuna holds to your lips.

Suguru looks at Satoru’s phone then lightly hits Satoru’s shoulder.“You should unlike it they’re gonna think it’s you, that choice is up to her, if she decides to make it.” Taking the short blunt from Sukuna to puff on.

Satoru rolls his eyes before removing his like, “Ok ok.” Sukuna roughly smacks your ass and steps away for Satoru to sweep you off your feet.

You think about it aloud, “If they got a screenshot of that then my actions with all you are going to be heavily analyzed.” Spreading your fingers out on his chest, looking up at him as he carries you to the sex room. “Especially with you, going out the two of us is gonna be seen differently, tea channels are gonna have a field day.”

Satoru smiles, “Don’t act like you don’t enjoy seeing some of the shipping content out there.” A few of your fans had created some fanart of your guards and you. Which you saved to your phone.

He points out, “This will only give them a little fuel for their ships.” He kisses the top of your head and you’re wondering if you should play into it a little.

You admit, “Is is a bit fun to see. And who could blame me, especially with how unprofessional three of you were from the start, my pussy didn’t stand a chance.”

You dig your painted nails into Satoru’s chest, leaving bright pink lines. “It’s mostly your fault, you were the first one.”

Satoru teases you, “The way you were practicing drooling over me after I unbuttoned my shirt a little too cool off had me wanting to put your pretty mouth to use and I’ll do it again.” You bite his chest, his hold doesn’t waver but his pace does as he moans.

Sukuna walks past and pushes the door open, “Let’s go ahead n’ tie her up with some chains.” When Satoru carries you throug.

Kento and Choso have a ghost face mask on. Are they all going to be wearing one? Your pussy hopes they do.

Satoru drops you on the bed, straightening you out on your back, folding your legs by your side. Kneeling at the edge of the bed to kiss your wet cunt. Gliding his tongue in, you slip your hands into his soft white hair.

Suguru walks up, mask on and with the Michael Myers one in hand. Which Satoru pulls away to grab when Suguru nudges him with it. “Happy early Halloween, it’s close enough right? I figured why not do something a little seasonal.” He climbs onto the bed and yanks you into the middle by your hair.

Kento gets on the bed next to you, his hard cock swinging, you love how he’s so heavy he hangs. His voice is soothing, “What do you think about this?”

You gently grab Kento’s thick cock swirling your thumb on his cockhead. “I wanna be gangfucked till the sun rises or I pass out.” You kiss the freckle close to his pre-cum dripping slit you adore.

Satoru praises, “‘Course you do beautiful, we are gonna fuck your pretty ass stupid.” Satoru straddles your neck and part of your face. When you look down all you see are his balls.

He squeezes your fat, soft tits together with his cock in between. “Pour some lube on her tits for me Choso.” His balls are so close to your face. Lifting your head up to lick and suck on Satoru’s nuts.

Choso joins you on the bed whilst reminding you. “You’re safe word is melons remember to say yellow if you need us to slow down, and red for a break.” He grabs your hand, pouring lube into your palm. Then guiding your hand to his cock for you to stroke.

You hold your other hand out for some lube to jerk Kento off. Choso then squirts a generous amount onto your breasts. It slowly drips until Satoru smears it with slow strokes of his cock.

Satoru groans, “I want to cover her in cum, her beautiful face, soft tits, squishy thighs and her gorgeous cunt.” Slowly fucking your beautiful soft breasts. Whilst enjoying your warm mouth on his soft balls.

Jerking Choso and Kento off, swirling your hand slowly along their cocks. Swiping your thumb over their heads and keeping your pace steady.

Sukuna groans, “I’m fuckin her beautiful, sofa ass into a gapping mess. Seeing her in that skin tight gown all night, I know y’all know what I’m talking about.” Two different hands spread your legs apart, one rougher than the other. “Makin’ her ass look like a delicious peach.”

Arching your hips down from the sudden intense vibrations from toy on your clit. Laying your head back on the bed with a loud moan. Another hand presses on your stomach keeping you still.

Your thighs tremble, and your cunt quivers when you feel a wet tongue swirl around your tight asshole. “Nnnn! Plug your cum inside my ass when you’re done.” Moaning as he quickly pushing his tongue in to you. Both of your holes clench as you feel two small, smooth warm metal balls of Sukuna’s tongue piercing.

Satoru ruts his hips faster, gliding his long cock between your soft fat breasts. Squishing them together with his large hands, his groans are loud and breathy.

You love hearing all of them groan, moan, and whines as they enjoy themselves. If they weren't there you could masturbate listening recording to the sounds they make when they cum.

Whining, “It’s too much!” The pressure is intense, you’re unable to pull your hips away they follow your clit with the toy.

You can hear the jiggle of chains as the bed dips with someone’s weight.

“But I just started, how could it be too much already?” The condescension dripping from Suguru’s tone has your cheeks burning. “Besides isn't this what you wanted?” Suguru slowly swirls the toy increasing the pressure till it borders on painful.

Toji says, “Go ahead n’ tie the chains around her tits and neck.” Satoru smothers you with his balls by sitting on your face. Wrapping your breasts by coiling the chains around them once. Then moving back wrap it around your throat. He tugs on both ends squeezing your neck and tits.

Kento grabs your wrists, using your hand to get themselves off. Kento’s guides your hand slower, as he massages your breasts. His gentle touch is always a wonderful contrast to how rough the other’s get.

“I can't believe I'm getting off on this, I've become a dirty old pervert for your beautiful tits and soft pussy.” It made Kento’s cock rock hard seeing the chain wrapping around your tits, squishing the plump fat, whilst restricting some blood flow. You had corrupted him.

Choso groans, “Your hand feels so soft on my cock.” Grabbing your fist to keep it still so he can fuck your hand. Gently rubbing your hard nipple with his thumb,

Satoru pulls the chains again strangling your cry and pulling your body taunt. Your hands pause as you try to focus on not squeezing Choso and Kento.

“Don’t yank on her too hard, the chains are already harsh.” Kento drags a finger along the chain wrapped around your breast, feeling the soft fat spilling over.

Satoru eases up, but keeps the chain tight around your throat. Smacking his long, pale cock on your face whilst you suffocate. Rubbing his cock head along your lips, his pre-cum tastes so sweet. Opening your mouth, Satoru glides his cock in quickly.

Choso grabs the chain from Satoru’s hand, “Deep breaths.” He waits for you to catch your breath. Peeling up his mask to softly kiss you, sliding his tongue past your lips when you moan.

Satoru groans stroking his cock next next to your face. “The camera is recording what a whore you are. We are going to show you tomorrow, have you ride a dildo, and play with your asshole while you watch it. How does that sound?”

Choso lifts his head, holding his cock near your face. “Can you deep throat my fat cock with your pretty mouth?” You kiss his cockhead before softly licking up the mess up pre-cum. Then taking him deep into your mouth with a loud groan. Fondling his large balls with one hand.

Satoru jerk his fist faster watching you suck Choso off. “You’re such a good lil’ cock sucker. Are you getting off having Choso’s fat cock in your mouth while Sukuna eats your ass.” You groan to respond, closing your watery eyes.

You switch in between licking and sucking on one cock to pay attention to the other. Resting your tired hand on the bed, before giving up on moving your head too. As Choso and Satoru turn your head from side to side, taking turns fucking your mouth.

Kento slides your hand off his cock to rub himself against your plump, soft breast. “I’ll give you a massage after being a good girl for us tonight.” Nudging your fat with his fat cock head, smearing pre-cum on you.

Kento guides your hand back to his cock. “Before we take the chains off I want to take a picture of you laying here looking sexy covered and dripping cum. I can’t get enough of seeing you looking fucked out.” It’s one of the main reasons he got hooked on joining in on the planned gangbangs Satoru would get the other’s in on.

Two thick fingers into your dripping wet cunt with a soft squelch. “Look at this, she’s already soaking wet, you’re a depraved whore say it.” Toji’s deep voice is unmistakable. Your soaking wet pussy quivering around his thick fingers as the pressure and pleasure build in tandem.

Satoru nudges your cheek, smearing some pre-cum on it. Choso glides his cock out with a loud pop. “I’m a depraved whore, I love being a dirty slut please use me to help you cum.” Turning your head taking Satoru’s cock. He smacks your lips then sets a quick and merciless pace, gagging you with his long, veiny dick.

Suguru rubs your clit a little faster, easing up on the intense pressure. Working with Toji to get you off while Sukuna enjoys himself with your ass. Holding out three fingers prompting Choso to grab the near by bottle of lube to pour some onto them.

Your ass stretches for three thick probing fingers that can reach deeper than his tongue can. Scissoring his fingers apart rough, pumping them quickly, making your body slightly bounce.

You’re getting off on how six muscular masked men are entertaining themselves with your ass, cunt, clit, tits, hands and mouth. You’re hoping they trap a mixture of their cum inside you with a plug.

Toji points out, “I think she’s gonna cum n’ so fucking quickly. I don't think she should cum yet. No reason why other than fuck her.” Suguru lifts the vibrator off your clit as Toji glides his fingers out.

Sukuna keeps playing with your ass, it’s enough that you can taste that sweet peaking orasgamic high of cumming.

Sukuna mocks you, “You’re a dirty slut, look at that! The bitch kind of came anyway.” some creamy cum drip from your small quivering hole he sneers, “Looks like you only ruined it for her.” He pinches your sensitive clit making your hips jerk back. Stuffing some of your slick into your ass with each pump of is thick fingers.

Toji states, “She deserve it for being a filthy whore.” Someone smacks your cunt, once, twice, you stop counting after the fourth. Trembling you have to fight the urge to twist your hips away as your cunt stings.

Choso croons, “Are they being mean to your pretty cunt?” He leans down “She was good and took all those hits we should let her cum.” Satoru pulls his Michael Myers mask up to spit on your face.

Suguru holds the pulsing toy to your stinging, throbbing clit. The sweet pleasure easing some of the stinging pain. You focus on each quick circling motion of the toy eager to cum.

You’re begging them, “I wanna cum! Please lemme cum! I wanna make a mess!” Whining as the three thick fingers in your ass glide out.

A pulsing thin toy nudges your wet hole, which easily gives for the toy. It’s size getting thicker the more you take. Till you reach a thick knot that won’t slide in easily. Causing him to have to use a little more force.

Arching your hips, your eyes sting with tears as your ass throbs from taking the thick knot. “I hope that fuckin’ hurt dumb lil slut, I wanna see and hear you crying! Your ass looks so hot taking all of it. I wonder,” he tugs on the toy’s short stumpy handle. The knot isn’t budging, tugging on your ass, too thick to slip out like his fingers did.

Your thighs are burning as they tremble. A large hand on your stomach keeps you from moving too much. They are all working in together to keep you from getting away.” Choso straddles your neck fills your mouth with his cock. Abandoning the chain leash as he grabs your hair and fucks your throat.

You can’t tell who wraps your hand around their thick cock but you don’t care. You too drunk off the overstimulation to focus on moving your hand. So they jerk them off, swirling your fist, swiping your thumb over their cock head. They’re so warm and heavy in your palm, you want them inside any of your wet holes.

Your moans creating pleasurable vibrations that make him messily rut his hips. “Nnnn when she moans goddamm, I wanna cum in her mouth.” He fucks your moan faster, gagging you when he gives you all of his cock. Choso is so much thicker than Satoru, making it harder to deep throat him.

Satoru suggests, “Let’s play a game she has to guess whose fucking her from the back. Then she can cum.” Choso glides his cock out, Kento let’s your hand go, Suguru lifts the toy off your clit causing you to whine.

Choso carefully gets you on all fours, then orders you, “Keep your eyes forward you can suck Kento and I’s cocks but don't cheat by peaking.” He moves over for Kento to kneel beside him. Just having their large cocks in your face shouldn’t turn you on so much but it does. You feel like such a dirty, cock hungry slut.

Holding both cocks, moaning as you give Kento attention. Closing your eyes and enjoying feeling his thick cock slide along your tongue. His head nudging your throat, going deeper till you’ve taken every inch.

You hold your head still letting Kento enjoy the wet, tight warmth of your throat. As it squeezes him, your body softly jerking as you gag.

Kento moans, “Nnnn fuck me that feels so gooood when you take me just like that. You’re so beautiful, nnn,” bobbing your head, quickly taking Kento’s fat cock. “wrapping you pretty lips, hhhhn sucking me off like you need my cum.” Gliding him out with a loud pop and kissing beneath Kento’s cockhead.

A cockhead too fat to be Satoru’s lines up with your cunt. Your thoughts linger in between Toji and Suguru when you don’t feel Sukuna’s piercing beneath the large cock head.

Kento slowly rocks his hips, slowly fucking your wet mouth. Causing spit to drip down your chin which smears onto his balls when they brush against.

A cold knife drags along your cheek, causing you to tense up then squirm. The cut heals seconds after he creates it. One, two three and fuck! You’re so full of someone’s thick, veiny cock.

You’re sandwich in between Kento, Choso and one of your guards. The thought of that is getting you. toy for them to fuck until their balls are empty.

Clenching the fat cock whilst listening for a single groan or any vocal indication of who is fucking you. As they slide the knife across the bottom of your back.

If they would groan once you would know if it’s Toji or Suguru. You focus on the way their fucking you to try and decide between the two. It’s hard to focus for too long, whoever it is hitting your soaking wet pussy in a perfect, eye rolling, toe curling and pussy clenching angle.

He grabs the short handle of the toy vibrating in your ass. The thick knot slides in and out of you a little easier after your asshole got used to it.

Slowly glide the blade along your thigh and stuffing the toy in deep, the vibrations pulsing stronger than before. He made it intense, you swear you can feel it in your cunt.

Smacking your cheek with a large hand, the strike is to quick for you to get a good judge off whose hand it is.

Kento’s pace is getting sloppy, as he ruts into your mouth a little faster. His broad shoulder curling in as he trembles. His tight tensing up as he bites his bottom lip. Thick warm cum spurts into your mouth, he tastes so sweet, it’s so thick and creamy on your tongue.

Stuffing his cum into your throat with a messy thrust then gliding his cock out. “Thank you darling, l needed that.” Choso moves over as Kento leans down, grabbing your throat. His thick fingers pressing the chains into your neck as he lifts you up to kiss your forehead.

You can’t glance behind you in time before Choso stops you from breaking the rule. As Kento gets off the bed slowly pulling off the mask, and taking a seat to watch.

You whine, “Not fair, moan once! Say anything!” You bounce back, pressing your ass and thighs flush against him. The thighs pressing against your’s are thick, with muscles too hard to be Suguru. He is incredibly well built, but Toji’s muscles are something else.

The muscles of his arms, thighs and abs had a harsh rigidness the other didn’t. His body feels like a greek statue that’s has life breathed into it. With a waist that feels too damn slutty.

You whine, “Toji!” He grabs a handful of your ass and the roughness of his hand lets you know you’re right. Your body roughly rocks forward with his next harsh thrusts.

Toji groans, his deep voice sounds so damn good when he’s getting off. It’s a smooth, deep sound that is the cherry on top.

You’re squirting on Toji’s far veiny cock. “Fuck! Fuck! Fuck! The toy vibrating in her ass fuck I can feel it. Fuck it’s like her pussy is a vibrating toy clenching me. So fuckin’ wet!” He pumps the in your ass in time with thrusts, his strength keeps the toy’s knot from catching.

His fat cock twitches slightly, and the pulse in his veins feels like he’s throbbing inside you. “Nnnn I want someone to fuck his cum into me. Please lemme cum on your thick cock too.”

Sukuna declares in confusion, “Was that cheating?!”

Satoru defense your case, “We only said she couldn’t look back, using her body to feel up Toji isn’t against the rules. Meaning our chain bound slut gets to cum on our cocks tonight.”

“You’re going to bully her anyway.” You glance over at Suguru, a blunt between his lips, and his dark hair pulled back. With a few locks of his bangs framing his handsome face.

He winks, snuffs out the blunt and pulls his mask on. “Let’s switch.” Toji slowly glides his cock out smacking your cum dripping cunt with the flat of the knife.

Toji groans, “Her slutty lil’ cunt looks so good dripping my cum.” He dips his head down and glides his tongue in. “What a messy pussy squirting on me like that.” He stretches your hole apart to see how his white cum looks against the pink insides of your pussy. Before walking off, the blunt that Suguru ashed out on his mind. Passing the knife to Sukuna.

Choso grabs the chain leash and says, “Wrists behind your back.” He carefully binds your wrists, making your bsck softly arch, pushing your bound breasts forward.

Sukuna roughly yanks the toy out of your ass. Replacing it with a different one, the wildly vibrating model made after his cock. He orders, “Sit up, let Choso get underneath you so he can use your pretty cunt to get himself off whilst I double stuff your ass.”

Sukuna smacks your ass, grabbing the long chain between your neck and shoulders. Yanking you upright before you can move for yourself.

Choso leans back on his heals, thighs spread apart letting his heavy cock hang in between. “I want her to myself when y'all are done.” He gets off the bed and takes the blunt Toji passes.

You ask Choso, “What are you planning for me handsome?”Watching him jerk his cock slowly. His cock with it’s far head, upward curve and two puffy veins is pussy watering. Especially when he slides his hand down and his heavy, long cock start to droop. He’s perfect cock is so heavy, long, and thick.

You’re folding at the sight Choso with his ghost face mask on, his broad muscular chest, hard abs, and thick, pale tattooed arm. Choso looks good manspreading, his thighs are perfect to ride.

Sukuna stuffed ass with his fat cock makes it nearly impossible to listen to Choso explain, “You want some ghostface roleplay, how can I tell your pretty self no? I'm going to chase you around then pin you down and fuck you at knife point for a happy early Halloween.”

You look up at Sukuna’s masked face when he loudly moans, “You’re right, fuck n’ I thought she was like a toy before hand. But this, her vibrating double stuffed ass clenching my cock is gonna make me cum too quickly.”

Suguru climbs into the bed laying down and holding his cock up. “Let me feel our slutty mama’s pretty whore pussy on my fat cock. Sukuna holds a knife to your throa, taking the moment to himself to roughly fuck your ass.

Suguru strokes his cock, watching as the tears slip down your cheeks. Your pussy is dripping Toji’s cum as Sukuna pounds your ass. “She looks so hot when she’s helpless.”

Sukuna grunts, “It’s not enough, I wanna break her, fuck her ass till she can't move..” Sukuna digs the knife’s tip into your throat, blood slowly trickles down before he eases up.

Satoru chimes, “Tell me whose cum taste better, Kento’s or mine!” Whilst joining Sukuna, Suguru and you on the bed.

Kento passes Satoru a water bottle, his cock already half hard. “Since you like spitting so much you can spit some water into her mouth first.“

Sukuna encourages, “Fuckin cry you stupid sexy lil brat!” He slides the knife across your throat, over your shoulder and down your side. He drags the knife in a swirl over your cheek, your healing keeping up with as fast as he can cut. The stinging like the cut is fleeting, reigniting when he smacks your cheek with the large knife.

Sukuna drops the knife to folds your legs by your sides. Stopping with his cock balls deep and the toy still vibrating inside you. He makes you take Suguru’s thick cock in your sore sensitive cunt quickly.

The combination of their cocks and the toy stretching the skin between both holes taunt. They aren't moving and you’re already on the verge of overtimulation. Suguru slides his soft hand up your stomach towards your breasts.

You look down at Suguru, you can't get over how hot they look in their mask. “I want all six of you to stage a break in and then use me wearing these mask for the festive Halloween season is over.”

Suguru croons, “You’re such a dirty slut for us. You want it even rougher and nastier don't you?” You’re squirming on Sukuna’s and Suguru’s fat cocks. Rubbing Sukuna’s cock piercing inside your ass.

Suguru strokes your clit with his thumb. You’re still so sensitive from squirting on Toji’s cock. Both holes quiver clenching Suguru and Sukuna large cocks.

Sukuna lets both of your legs go, grabbing the near by knife. Gliding it along the harsh chains leaving imprints on your soft breast. Dragging it up the supple curve, Sukuna presses the tip into your sensitive nipple making you squirm.

Satoru drinks some water, squishes both cheeks with one large hand then spits water into your open mouth. The second you swallow it and open your mouth for more Sukuna yanks your head back.

“Hurry and pour it in her mouth.” His rough thrusts are slowly picking up pace. He can't wait any longer, your soft wet ass is clenching his cock begging him to fuck you.

Sukuna’s cock is wonderfully punishing. Stretching and slamming into you with toe curling, body quivering strength. You love how Sukuna fucks you like a toy.

Satoru pours water into your mouth, some of it trickles down your chin and neck as you do your best chug. Whilst Sukuna drags the sharp blade along your soft nipple. You choke and before you can regain your breath Sukuna is shoving over Suguru and Satoru is stuffing his cock in your open mouth.

Spit drips down your chin as he roughly fucks your throat. Gagging you and crooning “Aw she’s crying how fuckin’ hot, look up at me.” You do your best to look up at Satoru’s white mask, his bright blue eyes not covered by black fabric.

You get glimpses of a feral, hungry and playful looking in his piercing blue eyes. You would beg for him to keep fucking you till his balls can't make anymore cum if it wasn't for his cock in your mouth.

It feels so good to have three handsome masked men roughly fucking you. You’re their cum and cock hungry slut. It’s the only thought going through you head.

The wooden frame of the bed groan in protest as they roughly fuck their hard, throbbing cocks into you. Suguru’s fondles your sore breasts, squeezing your side gently. Whilst mercilessly fucking up your sensitive squelching pussy.

You’re quickly losing the ability to think. Why should you anyway when all you need to be is their cock drunk whore.

Suguru brings up, “Let’s place bets on long she can last before the six of us are too much for her. After Choso we can pass her down the line until her slutty ass n’ cunt can’t handle anymore cock n’ cum.”

Oreo’s m.list

[bebethsas]

@foundtherightwords I know right?? it's the darndest thing-- I swear, these photos look like they could have been taken last October/ November, it's astounding.

seriously, you could have held up any of those pics against something like this:

and I never would have known that they were taken 7 years apart.

Joseph Quinn as Jamie - Kin (2017)

part 2

[mostlysignssomeportents]

Happy Public Domain Day 2025 to all who celebrate

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

In 1976, Congress set fire to the country's libraries; in 1998, they did it again. Today, in 2024, the flames have died down, and out of the ashes a new public domain is growing. Happy Public Domain Day 2025 to all who celebrate!

For most of US history, copyright was something you had to ask for. To copyright a work, you'd send a copy to the Library of Congress and they'd issue you a copyright. Not only did that let you display a copyright mark on your work – so people would know they weren't allowed to copy it without your permission – but if anyone wanted to figure out who to ask in order to get permission to copy or adapt a work, they could just go look up the paperwork at the LoC.

In 1976, Congress amended the Copyright Act to eliminate the "formality" of copyright registration. Now, all creative works of human authorship were copyrighted "at the moment of fixation" – the instant you drew, typed, wrote, filmed, or recorded them. From a toddler's nursery-school finger-painting to a graffiti mural on a subway car, every creative act suddenly became an article of property.

But whose property? That was on you to figure out, before you could copy, publish, perform, or preserve the work, because without registration, permissions had to start with a scavenger hunt for the person who could grant it. Congress simultaneously enacted a massive expansion of property rights, while abolishing the title registry that spelled out who owned what. As though this wasn't enough, Congress reached back in time and plopped an extra 20 years' onto the copyrights of existing works, even ones whose authors were unknown and unlocatable.

For the next 20 years, creative workers, archivists, educators and fans struggled in the face of this regime of unknowable property rights. After decades of well-documented problems, Congress acted again: they made it worse.

In 1998, Congress passed the Sonny Bono Copyright Act, AKA the Mickey Mouse Preservation Act, AKA the Copyright Term Extension Act. The 1998 Act tacked another 20 years onto copyright terms, but not just for works that were still in copyright. At the insistence of Disney, Congress actually yanked works out of the public domain – works that had been anthologized, adapted and re-issued – and put them back into copyright for two more decades. Copyright stretched to the century-plus "life plus 70 years" term. Nothing entered the public domain for the next 20 years.

So many of my comrades in the fight for the public domain were certain that this would happen again in 2018. In 2010, e-book inventor and Project Gutenberg founder Michael S Hart and I got into a friendly email argument because he was positive that in 2018, Congress would set fire to the public domain again. When I insisted that there was no way this could happen given the public bitterness over the 1998 Act, he told me I was being naive, but said he hoped that I was right.

Michael didn't live to see it, but in 2019, the public domain opened again. It was an incredible day:

https://archive.org/details/ClosingKeynoteForGrandReopeningOfThePublicDomainCoryDoctorowAtInternetArchive

No one has done a better job of chronicling the fortunes of our fragile, beautiful, bounteous public domain than Jennifer Jenkins and James Boyle of Duke University's Center for the Study of the Public Domain. Every year from 2010-2019, Boyle and Jenkins chronicled the works that weren't entering the public domain because of the 1998 Act, making sure we knew what had been stolen from our cultural commons. In so many cases, these works disappeared before their copyrights expired, for example, the majority of silent films are lost forever.

Then, in 2019, Jenkins and Boyle got to start cataloging the works that were entering the public domain, most of them from 1923 (copyright is complicated, so not everything that entered the public domain in 2019 was from that year):

https://web.law.duke.edu/cspd/publicdomainday/2019/

Every year since, they've celebrated a new bumper crop. Last year, we got Mickey Mouse!

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

In addition to numerous other works – by Woolf, Hemingway, Doyle, Christie, Proust, Hesse, Milne, DuBois, Frost, Chaplin, Escher, and more:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Now, 2024 was a fantastic year for the public domain, but – as you'll see in the 2025 edition of the Public Domain Day post – 2025 is even better:

https://web.law.duke.edu/cspd/publicdomainday/2025/

So what's entering the public domain this year? Well, for one thing, there's more of the stuff from last year, which makes sense: if Hemingway's first books entered the PD last year, then this year, we'll the books he wrote next (and this will continue every year until we catch up with Hemingway's tragic death).

There are some big hits from our returning champions, like Woolf's To the Lighthouse and A Farewell to Arms from Hemingway. Jenkins and Boyle call particular attention to one book: Faulkner's The Sound and the Fury, its title taken from a public domain work by Shakespeare. As they write, Faulkner spoke eloquently about the nature of posterity and culture:

[Humanity] is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance…The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The main attraction on last year's Public Domain Day was the entry of Steamboat Willie – the first Mickey Mouse cartoon – into the public domain. This year, we're getting a dozen new Mickey cartoons, including the first Mickey talkie:

https://en.wikipedia.org/wiki/Mickey_Mouse_(film_series)#1929

Those 12 shorts represent a kind of creative explosion for the Disney Studios. Those early Mickey cartoons were, each and every one, a hybrid of new copyrighted works and the public domain. The backbone of each Mickey short was a beloved, public domain song, with Mickey's motion synched to the beat (animators came to call this "mickey mousing"). In 1929, there was a huge crop of public domain music that anyone could use this way:

Blue Danube, Pop Goes the Weasel, Yankee Doodle, Here We Go Round the Mulberry Bush, Ach Du Lieber Augustin, Listen to the Mocking Bird, A-Hunting We Will Go, Dixie, The Girl I Left Behind Me, a tune known as the snake charmer song, Coming Thru the Rye, Mary Had a Little Lamb, Auld Lang Syne, Aloha ‘Oe, Turkey in the Straw, My Bonnie Lies Over the Ocean, Habanera and Toreador Song from Carmen, Lizst’s Hungarian Rhapsody No. 2, and Goodnight, Ladies.

These were recent compositions, songs that were written and popularized in the lifetimes of the parents and grandparents who took their kids to the movies to see Mickey shorts like "The Barn Dance," "The Opry House" and "The Jazz Fool." The ability to plunder this music at will was key to the success of Mickey Mouse and Disney. Think of all the Mickeys and Disneys we've lost by locking up the public domain for the past half-century!

This year, we're getting some outstanding new old music for our public domain. The complexities of copyright terms mean that compositions from 1929 are entering the public domain, but we're only getting recordings from 1924. 1924's outstanding recordings include:

George Gershwin performing Rhapsody in Blue, Jelly Roll Morton playing Shreveport Stomp, and an early recording from contralto and civil rights icon Marian Anderson, who is famous for her 1939 performance to an integrated audience of over 75,000 people at the Lincoln Memorial. Anderson’s 1924 recording is of the spiritual Nobody Knows the Trouble I’ve Seen.

While the compositions include Singin' in the Rain, Ain't Misbehavin', An American in Paris, Bolero, (What Did I Do to Be So) Black and Blue, Tiptoe Through the Tulips, Happy Days Are Here Again, What Is This Thing Called, Love?, Am I Blue? and many, many more.

On the art front, we're getting Salvador Dali's earliest surrealist masterpieces, like Illumined Pleasures, The Accommodations of Desire, and The Great Masturbator. Dali's contemporaries are not so lucky: after a century, the early history of the works of Magritte are so muddy that it's impossible to say whether they are in or out of copyright.

But there's plenty of art with clearer provenance that we can welcome into the public domain this year, most notably, Popeye and Tintin. As the first Popeye and Tintin comics go PD, so too do those characters.

The idea that a fictional character can have a copyright separate from the stories they appear in is relatively new, and it's weird and very stupid. Courts have found that the Batmobile is a copyrightable character (Batman won't enter the public domain until 2035).

Copyright for characters is such a muddy, gross, weird idea. The clearest example of how stupid this gets comes from Sherlock Holmes, whose canon spans many years. The Doyle estate – a rent-seeking copyright troll – claimed that Holmes wouldn't enter the public domain until every Holmes story was in the public domain (that's this year, incidentally!).

This didn't fly, so their next gambit was to claim copyright over those aspects of Holmes's character that were developed later in the stories. For example, they claimed that Holmes didn't show compassion until the later stories, and, on that basis, sued the creators of the Enola Holmes TV show for depicting a gender-swapped Sherlock who wasn't a total dick:

https://www.theguardian.com/books/2020/dec/22/lawsuit-copyright-warmer-sherlock-holmes-dismissed-enola-holmes

As the Enola lawyers pointed out in their briefs, this was tantamount to a copyright over emotions: "Copyright law does not allow the ownership of generic concepts like warmth, kindness, empathy, or respect, even as expressed by a public domain character – which, of course, belongs to the public, not plaintiff."

When Mickey entered the public domain last year, Jenkins did an excellent deep dive into which aspects of Mickey's character and design emerged when:

https://web.law.duke.edu/cspd/mickey/

Jenkins uses this year's entry of Tintin and Popeye into the public domain to further explore the subject of proprietary characters.

Even though copyright extends to characters, it only covers the "copyrightable" parts of those characters. As the Enola lawyers wrote, the generic character traits (their age, emotional vibe, etc) are not protected. Neither is anything "trivial" or "minuscule" – for example, if a cartoonist makes a minor alteration to the way a character's pupils or eyes are drawn, that's a minor detail, not a copyrightable element.

The biggest impediment to using public domain characters isn't copyright, it's trademark. Trademark is very different from copyright: foundationally, trademark is the right to protect your customers from being deceived by your competitors. Coke can use trademark to stop Pepsi from selling its sugary drinks in Coke cans – not because it owns the word "Coke" or the Coke logo, but because it has been deputized to protect Coke drinkers from being tricked into buying not-Coke, thinking that they're getting the true Black Waters of American Imperialism.

Companies claim trademarks over cartoon characters all the time, and license those trademarks on food, clothing, toys, and more (remember Popeye candy cigarettes?).

Indeed, Hearst Holdings claims a trademark over Popeye in many traditional categories, like cartoons, amusement parks, ads and clothes. They're also in the midst of applying for a Popeye NFT trademark (lol).

Does that mean you can't use Popeye in any of those ways? Nope! All you need to do is prominently mention that your use of Popeye is unofficial, not associated with Hearst, and dispel any chance of confusion. A unanimous Supreme Court decision (in Dastar) affirm your right to do so. You can also use Popeye in the title of your unauthorized Popeye comic, thanks to a case called Rogers v Grimaldi.

This all applies to Tintin, too – a big deal, given that Tintin is managed by a notorious copyright bully who delights in cruelly terrorizing fan artists. Tintin is joined in the public domain by Buck Rogers, another old-timey character whose owners are scumbag rent-seekers.

Congress buried the public domain alive in 1976, and dumped a load of gravel over its grave in 1998, but miraculously, we've managed to exhume the PD, and it has been revived and is showing signs of rude health.

2024 saw the blockbuster film adaptation of Wicked, based on the public domain Oz books. It also saw the publication of James, a celebrated retelling of Twain's Huck Finn from the perspective of Huck's enslaved sidekick.

This is completely normal. It's how art was made since time immemorial. The 40 year experiment in life without a public domain is at an end, and not a minute too soon.

You can piece together a complete-as-possible list of 2025's public domain (including the Marx Brothers' Cocoanuts, Disney's Skeleton Dance, and Del Ruth's Gold Diggers of Broadway) here:

https://onlinebooks.library.upenn.edu/cce/

[rindreamery]

to be loved is to be seen.

the little things that the blue lock men do for you as their way of saying, "i love you." featuring: itoshi rin, itoshi sae, michael kaiser, oliver aiku ─ content: fluff

note. spreading down bad bllk men agenda 🫦 finals is this week, so that means i will not be able to write at all for 3-4 days, so i just wanted to pop this out rlly quickly (event fics will be written as soon as i wrap up this sem, PROMISE)

itoshi rin picks out the things you don't like in your food.

not that he’d ever admit it out loud, but rin has a folder in his notes app about you— things you like, things you dislike, and every little thing you’ve mentioned to him in passing. he wants to know every little detail about you, to write it down and memorize it until the knowledge becomes stuck in the back of his head. to the point that it becomes like common sense to him (if there were ever a pop quiz on facts about you, he would pass with flying colors.) at the end of every date, or every time he hangs out with you, he’ll update his notes with another little thing he’d learned. you will never catch him admitting it out loud, but it definitely shows in how he treats you.

there is one thing he’d memorized about you, by now, though. it’s written in bold, italicized, and underlined in his notes: you hate mushrooms. 

rin catches himself looking at the ingredients of certain meals whenever the two of you would eat at a new restaurant, or order food from an unfamiliar place. it’s not that he’s necessarily a picky eater because, frankly, he really doesn’t care. but he wants you to enjoy it, he wants you to be able to eat without stressing about having to pick it out. his eyes are always scanning through the print, actively checking if mushrooms are one of the ingredients listed. 

but, there are times when the ingredients aren’t listed, and there are times when you end up ordering something with mushrooms in it. 

he may be dense in certain aspects, but it’s hard for him to miss the disappointed look on your face. the way your expression falls ever so slightly, and your smile falters for half a second. before you could dig in, before you could even put yourself through five minutes of digging through the food— he’s swiftly grabbing it from you. 

truthfully, he does it without thinking. he’s acting on his thoughts before he could even process what he’s doing. rin tries to fight the blush that threatens to form on his cheeks, the way the heat crawls up his neck and to his face at the realization of what he’d done, and he fails. but he’s committed to the act now, and he’s not going to give it back to you until he’s done what he needed to do.

he tries to ignore the somewhat perplexed look on your face, and the way you watch him closely as his fingers make quick work of moving the mushrooms from your plate to his. (he tries to sneak in some of your favorite food from his plate to yours, but he’s not slick, and you definitely notice.)

“here,” he says, pushing the plate closer to you after a few minutes. “you can eat it now.”

he sees you glance at the plate, and then back up at him— he looks away as you beam at him with a grateful smile, trying to ignore his ever-increasing heart rate. 

itoshi sae remembers the small details about your routine.

it is almost guaranteed that sae will wake up before you do. his alarm is set to go off at the crack of dawn, right as the sun starts to peek through the horizon, and he's starting his day while you're still in deep sleep. there’s a set routine that he follows, to a tee: wake up (and then contemplate staying in bed, just to cuddle with you a little longer), stretch, do morning yoga, and then go on a jog. it’s something he’d been doing for years, and he has never gone out of his way to add anything new to his routine— that is, until one morning. 

at first, it started with a random thought. as he was getting ready to leave the house, to go for his morning jog, he had unsystematically decided to set out your favorite mug and go-to morning snack. 

sae didn’t think it would be that significant to you, and he, initially, had no plans of doing it again. he simply had extra time to spare, and he knew that making your morning drink was always the first part to your routine, so he decided to get the first step out of the way for you.

truly, he wasn’t planning to make a habit out of this. but then, you told him, “that was a sweet way to start off my morning,” with that sleepy, morning smile of yours. he tries to not pay attention to the way his heart softens at the sight, and the realization that that had made him happy. yet now, he does it every time.

from then on, his alarm was always set to go off two minutes earlier. it’s rewarding, in his opinion, to come home to you— sitting at the dining table, messy hair and still in your pajamas, eyes half-lidded from sleep, with a smile on your face as you take a sip from the mug. and then you greet him with a thank you and a kiss, without fail, even when he tries to lightly guide you away because he’s sweaty.

it never works, because he folds the second you tell him, “g’morning. i missed you.” and he finds himself adding another part to his schedule. 

before sae’s even aware of it, much of his daily habits had been molded to fit with yours. 

on days where he’s far from home, in another country, he finds that his morning just never feels right without you. it feels weird not having to set out your favorite mug, and it feels even weirder not having you there to smother him in kisses. his routine had always determined his mood, and without you, he’s extra sour. 

“i miss you,” he ends up texting you. (that, too, becomes part of his routine when he’s far from you.)

michael kaiser has all your subtle behaviors memorized.

if kaiser were to be asked to name one annoying habit of yours, it would be the fact that you, sometimes, say things that contradict how you truly feel. he calls you pesky, he tells you that he’ll take your word for it and not read too deeply into whatever you’re saying— but, in a way, he’s contradicting himself too by saying that. he’ll always read into it; he’ll always analyze you, gaze narrowed, and watching for every subtle sign in your body language. he knows you, all too well. 

but there’s one thing you always say, one contradictory statement that you always make, that he’d memorized at this point. “it’s okay, i’m not cold,” even when you visibly are.

it irks him to no end. he doesn’t understand why you would say that even when there are goosebumps scattered all over your skin, when you have your arms wrapped around yourself, and you’re visibly trembling. he can practically see the bones under your skin, rattling, making some comical, cartoony noise in his head. you know that he can see you, and yet, you still lie to him.

and, at times, he does this on purpose— he puts the air conditioning in the car on full blast, all vents pointed at you, just to see how far you’re willing to go. and every time, it’s always the same, with the same answer.

kaiser isn’t completely cruel, however. he’s tucked one of his spare hoodies (your favorite, actually) into the backseat, existing purely for your use. first, he’ll scoff at you, roll his eyes, and let you suffer for a few more minutes. but eventually, the guilt will catch up to him, and he’ll constantly be glancing at you through his periphery, shaking and looking absolutely miserable in your seat.

he’ll think to himself for a second, as if contemplating whether he’ll actually help you out (he always does, he does not want you to actually suffer). and then, he’ll internally sigh, before speaking up. “stupid,” he mutters under his breath. “i have a spare hoodie in the back, take it.”

it’s almost laughable, the way you quickly turn your body around to reach for the backseat, visibly seeking warmth. he sees the look of pure joy in your eyes when you realize that it’s your favorite, and he smiles to himself.

“you’re the best,” you always tell him, as you pull the fabric over your head, and he's content. 

he doesn’t say anything, he doesn’t reprimand you— he lets you do this, every single time.

oliver aiku is always willing to listen to you ramble.

it doesn’t matter if aiku’s had an exceptionally long day, it doesn’t matter if he feels as if he’s on the verge of succumbing to sleep— he will always make time for you. he will never pass up a chance to call you, to listen to you talk about whatever you want, whenever you want. you could talk for hours, going on and on about something that he doesn’t quite understand, and not a single complaint will slip past his lips. then again, he thinks to himself, why would he complain? hearing your voice is the best part of any day, good or bad. and every night, he finds himself waiting by his phone, waiting for your contact to appear on his screen.

he finds no shame at the speed in which he accepts your call, which is immediately, nor does he try to mask the anticipation in his voice.

and if he were to look into a mirror at that exact moment, he would also see the lovesick smile that had started to tug on the corners of his lips. you can’t see him, but he’s sure you can hear it in his voice. the way it softens, the way it loses its rough edges and lightens up ever so slightly, when he greets you. you probably know he’s grinning from ear-to-ear. (he doesn’t think he is, but when it comes to you, he’s completely transparent.)

it doesn’t take long before you’re divulging into another one of your endless tangents. but aiku’s attention remains undivided, only for you. he sits on the other side of the phone, silently, only responding when you want him to. it doesn’t matter if his own thoughts are clouded with exhaustion, his mind racing with the weight of the day—when you call, everything else fades into nothingness.

“did you know that venus is an evening star for 263 days out of the year?” he can hear the excitement in your voice, he can practically see the sparkle in your eyes, even without seeing you. it’s been three hours, and he’s sure that he should’ve been in bed one hour ago. but you’re still as energetic as ever, so he fights the way his body craves for sleep. he locks his jaw, and bites back a yawn, and listens. “and then, the fact that it disappears from the sky for 50 days, before returning as a morning star?”

there’s silence on your end, and aiku takes that as his cue to talk. “no,” he responds, and there’s an amused lilt in his tone. “i didn’t, actually. you should tell me more.” and you do. 

one look at the clock to his side tells him that, at this point, he won’t be getting enough sleep. he’s sure he’s going to be exhausted when he wakes up in the morning— though, he doesn’t really care, and he’s sure he won’t regret it. he’ll let you ramble about the stars for as long as you want, even when the stars themselves start to fade into the morning sky. 

© rindreamery, 2024

[ingravinoveritas]

It also gets me that in three out of four of these, he's talking to/about David, and looks so soft and happy while doing it...

There's something so powerful about Michael with his Azira hair in regular clothing