#the last house on the left 1972

[cinemaobscura]

The Last House on the Left (1972) dir. Wes Craven

[dyouknowwhatimean-archive]

the last house on the left (1972) dir. wes craven

[fanofspooky]

[blackcatfilmprod]

Hi Guys,

Today Boys 'n' Ghouls Film Review Podcast reviews The Last House on the Left here. https://www.youtube.com/watch?v=Dc1_MA18gCM via YouTube

[schlock-luster-video]

On March 23, 2005, The Last House on the Left was released on DVD in Sweden.

[crazyworldofemmamarie]

Day 21 of Rammstein's Countdown to Halloween

The Last House on the Left (1972, dir. Wes Craven)

Plot: On her 18th birthday, Mari and her friend set out on an adventure and while trying to acquire some narcotics for the night, they are tangled up with a bunch of criminal convicts who put both girls through hell and back. However, unknown to the convicts, the girls family quickly seek them out.

Okay, where do I really begin with this one. It's honestly one of my favourite films out there which is pretty messed up to say given the fact that it's a 70s arthouse film that includes murder, kidnapping and even r*pe, but I sometimes feel those little details about it cover up what ho honestly makes this film great.

I honestly think this film is very ahead of its time, I mean the subject matter alone is enough said, but it is fair to mention that the bisexuality representation is wild. I even find Mari and her friend, Phyllis are very homoroctic towards each other, it's interesting for sure.

Another thing to point out is that fact at the convicts consists of two men and one woman, Sadie who I find the film focuses on especially. She's a character who was not only ahead of her time but also a great representation of her time, strangely enough. Besides style, Sadie is sort of a twisted idea of feminism in a weird sort of way. To be fair, she was probably quite a concept, especially to Western audiences as being part of the r*pe and torture.

Going back to my earlier point on feminism, though this is in anyway, not what I mean feminism is. I am more so speaking from a standpoint where Sadie is able to stand her ground and get respected by the others. And again, with the concept of her being one of the 'bad' guys, it really sets a pace for woman in horror. It's empowering to me.

And actually, I find this a very empowering and hopeful film. For multiple reasons: one with sadie, two : the two girls are really realistic and relatable and I enjoy how they are written in a way where they are comfortable speaking about their bodies and sexuality, not only with each other but at one point with family, I admire how natural the film sees it cause it is natural. Also with the whole revenge aspect to it, it's hopeful to me to see the love ones getting revenge on the bad guys , I really appreciate the girls getting justice served for them and the girls aren't completely helpless either. It's poetic.

Really, everyone is such a great representation of their time. The hippie dream had died and now, everyone is trying to recoup. The 70s from what I see was a darker time, especially for those first five years, so I can imagine everyone just spit out and saying what ever they want, the violence and be stuck upholding certain ideals between beliefs. In other words, this film bleeds 70s like I'm not gonna lie to you.

The story is perfect. A twist at every turn and honestly the idea of a revenge horror involving parents or someone avenging a love one is a rare occurrence and zi honestly enjoy when I see it.

I am absolutely in love with the fashion and aesthetic of the film. The Cinematography is so so beautiful. Every detail is well thought out.

Like most Craven films, the tonal shifts between absolute horror and comedy is always perfectly balanced and when it comes to this film it really works. You'll see what I mean if ya watch it.

The musical score really works into those shifts and as a huge David Hess fan, I am in LOVE with this movies soundtrack. The songs are just so good and catchy, especially the main theme: Road Leads to Nowhere/Wait for the Rain. I actually own a copy of soundtrack haha.

One final thing, I really enjoy how not everyone in this film is good, some aren't bad, but no one (not including the victims) is good and everyone has to face a moral dilemma at some point. This creates a complex universe and I am a slut for those.

I honestly really recommend this film both as an enjoyable watch and study and if you ever find the time, look up the song/or movies soundtrack or even anything from David Hess (sometimes including the Hess Brothers) you will not regret it! (I like to think)

[classicfilmpunk]

The Last House on the Left (1972)

[classichorrorblog]

The Last House On The Left (1972)

[framesdump]

The Last House on the Left (Wes Craven, 1972)

[feeding-the-coffins]

[leo-and-me]

KRUG DO YOU KNOW THAT THIS FOOLING AROUND ISNT GETTING US OUT OF THE STATE

[fanofspooky]

365 horror movies day 232:

The Last House On The Left (1972)

“How'd you like me to put my boot up your ass... sideways?”

[abs0luteb4stard]

W A T C H I N G

[schlock-luster-video]

On March 7, 1975, The Last House on the Left debuted in Denmark.