#the hair color most people associate me with
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So, fun fact, the color green is often associated with medicine. When people graduate from medical school their robes are black and green.
Almost all the spells Cedric preforms successfully are spells that would fall under the school of Restoration. Returning Sofia back to herself from a salamander/ lizard? - Counter Curse/ Healing - Restoration Spell. The spell to undo Miss Nettle's stuff at the feast? - Counter Curses/ Potentially a type of Ward? - Restoration Spell. The spell he teaches the kids in "Substitute Cedric?" - Counter Curse/ Another Type of Ward Spell - Restoration Again. The spell to fix Cordelia's hair? - Counter Curse/ Healing. - Restoration spell. The spell to fix the ravine in "In Cedric We Trust?" - Counter Curse - Restoration spell. The spell he uses to defend the family in the finale? - Defensive Ward spell that shuts down Vor's Crystal Soldiers - Restoration spell. The piece de resistance? The spell to extract Sofia from the Amulet? By the nature of it being a spell to extract her, and thus, UNDO a curse, is a Counter Curse or Warding spell and SAY IT WITH ME - A Restoration Spell. What I find fascinating is *every time,* barring maybe once or twice, Cedric tries to do something truly evil. His magic literally turns OFF! Tries to trap baby griffin in a cage? - Nope. Not gonna happen. No matter how calm Cedric might be in that moment.
But, Wormwood is caught in a block of ice? That bird is getting freed no matter how stressed out Cedric is. A physician's first vow to themselves is to "first, do no harm." A Restoration mage would likely feel the same way. The reason Cedric stinks at magic in Season 1 ,and throughout the rest of the series until his redemption, is because he's trying to go against the literal nature of who he is as a person. It's why he's so OP after his reformation, and why, when he's at his best pre-reformation, he's able to perform incredible feats. He's in line with his nature. He's in line with what his magic WANTS to do. Cedric is also one of the most endlessly practical characters in the entire show. So, when people ask him to do things that serve no real purpose apart from showing off? That's not happening either. Because, what's the point? So, this is the long winded way of saying, his favorite color may be purple, but bro-bro's magic is green because if that dude is not a Restoration mage I will eat my Pooh Bear socks.
What is Cedric's favorite color? His wand and robe are purple, but his magic is green.
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I'm dying my hair ginger again guys
#going back to my Roots#im naturally blonde and have gone back to blonde many many times but hilariously ginger is STILL#the hair color most people associate me with#i used to change my hair allll the fucking time until i did a little oopsie#so its been like 8 months since i last changed it??? i think i dyed my hair blonde with blonde streaks in January????#but alas. ginger calls me again#its not even fall i dont even have the halloween excuse#westy's shit
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I think it must be for the lack of going outside of your room on this website that debates about personal presentation and appearance literally never have any material analysis. sorry it's counterrevolutionary to shave my legs or wear makeup or a bra or style my hair in certain ways or "worry" about visible signs of aging but have some of you just never encountered real world situations where those things caused measurable problems dealing with other people, jobs, money, respectability, access to resources, or the ability to influence important situations? this starts happening when you go outside a lot. there's a debate on my dash rn about balding and finasteride in which not a single person has mentioned the potential negative social outcomes of losing your hair and how that can affect socioeconomic status and personal risk. maybe someone doesn't need to be "vain" to care about keeping their hair and consider the risks of medication for it. maybe they've seen how bald people get treated and referred to and made a cost benefit calculation that they can't afford, sometimes literally, to eat that cost, with everything else they've got going on. maybe I wear makeup when I have to go talk to doctors and other gatekeepers because people make assumptions about your class and mental status when you have "bad skin" and "eye bags". maybe a lot of women who wear uncomfortable restrictive bras and shave whatever and buy skin products and do gua sha have already been sharply punished when someone saw leg hair or a mustache or puffy greasy skin or god forbid their nipple through their shirt. not everyone can just say "fuck it, I can afford to eat one more social cost that will measurably impact my ability to get medical treatment or pay rent". sorry this sounds like an economics lecture, that's because it is
if you are about to tell me a long story about how you personally have not been affected by perceptions of your appearance actually so you can conclude it never happens at all, please don't. sometimes you get lucky, that's it. and on this website I think it's less likely that you're lucky and more likely that you're oblivious
#im not addressing weight or race here because im not qualified to speak on it#blog#the economics of the perceived person#i guess#also not addressing visible queerness here because again not qualified#dont yell at me#i stg if someone tries to make this about goth gatekeeping#im WHITE and even still an ongoing theme of my life is total strangers telling me to “just use conditioner” or get a Brazilian blowout#because my hair is curly#which is no joke still considered completely unacceptable in most of white cultuee#probably because its associated with being bipoc#im not saying “oh poor me” about my hair im saying people have literally told me to my face i looked homeless and crazy or drug addicted#and treated me accordingly#because im barely a 3a hair pattern#i can only try to extrapolate from this how actual women of color with natural hair get treated#but i see those women getting shit on for straightening or styling because its “reinforcing patriarchy” or whatever#girl they are not the ones doing the reinforcement
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I desire romantically doing makeup with somebody
#thoughts#oni talks#Oni yearns#like the intimacy of holding their face to readjust and getting close and also the closeness of like making each other over#but also like the mutual service aspect of doing a fun thing for each other where you just take care of each other and also like the pride#like look at my partner and how beautiful they are and also look at how pretty I am that was her work!!#and also like the shared creativity of it like there’s fucking endless options yall can make each other look like anything!#also maybe it’s in part the struggle for me coz I can’t fucking see doing my makeup coz glasses and like the vulnerability of that trust!#In knowing no matter what they do it will be beautiful and also back to the creativity thing#imagine the fucking prompts! like making each other over based on the colors you associate with them or the things they love about you#and sharing that together and like seeing yourself reflected as they see themselves reflected and just!! seeing yourself through their eyes#and also the reverse in the intimacy of showing your partner all the stuff you love and notice about them#and it’s also so like versatile y’all can have stuff on the background yall can just do this as the lead up to like most dates#also the intimacy of taking each others makeup off at the end of the day too! and the looking forward to the next day and like#also the concept of learning the stuff your partner enjoys and being able to look forward to doing that for them!!#also I’m just a sucker for like couple aesthetics! and also maybe I watched too many lesbians couple channels but idk I always wanted to do#those like cute lil challenges that people do with their partner it just seems so fun#also if anyone remembers those images back in the day of like the one where the girl was just on top of the other one doing her makeup or#the one with the girl in her lap! and also I’m a sucker for like photography and just being able to save those moments and highlight them#also you don’t have to just do like face or anything like that date idea a while back where ppl would paint a picture on their partner!!#I’m also a sucker for art prompts and like the concept of the mutual muse where you inspire each other and create together and just aahhh#also you can like sneak kisses and hand holding and stuff during! or have like a comfort show in the back#like there’s OPTIONS! and it just feels so cute! I don’t see makeup ones as much but I have seen like doing your gfs hair and that’s also#just so top tier to me idk. I love designing shit and mutual designing just feels like it would be so much fun#like those craft dates I love but this is like more physical#date ideas#coz like you could just make a whole show of it like you could have a theme night where you watch shows related and just have fun together#idk man I’ve just been in hardcore sapphic yearning mode recently idk why 😭🫠
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Why Aziraphale is completely ridiculous in the Bastille scene (and I love him so much for it)
A while ago I posted a comparison of Aziraphale and Crowley's costumes in the 1793 flashback in Good Omens and I wanted to add these little tidbits. (Because they haunt me.)
I feel like most people know this but IF YOU DON'T, Paris in 1793 is right in the middle of something called La Terreur.
HISTORY LESSON If you didn't learn this in school the French Revolution was when, after years of escalating social tension, a coalition representing the working classes of France revolted against the monarchy, violently overthrew King Louis XVI, and declared France to be a republic.
The new National Convention governing France ruled that King Louis XVI and his wife Marie Antoinette were traitors to the people of France because of how they had spent ridiculous amounts of money on luxuries for themselves while vast numbers of the lower classes were literally starving to death. (keep the bold in mind - wealth and class disparities were one of the key causes of the whole-ass revolution)
In 1793 (year of the flashback) both the King and Queen were executed by guillotine for their crimes.
This kicks of something called The Reign of Terror (La Terreur if you want to be French about it). A multi-year-long period in which the National Convention goes on a bloody witch hunt for any and every member of the middle or upper classes who could even possibly be considered a traitor by those same standards.
If you A) had money or privilege, and B) had ever used your money or privilege to treat yourself, you were getting executed. Over 25,000 people died during the Reign of Terror, half of them by guillotine. In fact, the iconic guillotine was used because it was physically impossible to keep up with the sheer number of people they were executing in Paris every single day.
Some things that could get you killed (actually and completely seriously) during the Reign of Terror:
Implying in any way you were sympathetic to the monarchy
Having a noble title
Having expensive things
Wearing expensive, luxurious clothes (*cough* AZIRAPHALE)
helping or sympathizing with anyone who did any of the above
a working-class person saying you were mean to them once
And then there's this bitch...
I AM NOBILITY PLEASE KILL ME So we have established that Paris in 1793 is in the middle of a frenzied, state-sanctioned bloodbath in which the working classes are massacring everyone even remotely nobility-adjacent. And in the middle of this frenzy, Aziraphale proceeds to roll up in Paris in this outfit:
How will this outfit get him killed? Let me count the ways...
First off- at this point everyone with even the tiniest shred of self- preservation is hiding the fact that they are in any way associated with the monarchy. The wealthy are straight-up abandoning mansions. The middle-class are plastering over decorations to make their house look 'poor'. The only people dressed remotely decent are the guys leading the National Convention and that's just because nobody can stop them. Everyone else is in 24/7 peasant cosplay or else they are covering themselves in cockades and sashes on to show they're pro-Republic.
Aziraphale is basically a giant shiny white sign saying I AM NOBILITY PLEASE KILL ME.
First off the lace jabot and lace cuffs are both associated with the old-school wealthy in the 1790's.
His coat is also decorated in gold braid and silver buttons, which are both marks of wealth and luxury.
He basically looks like he works for Louis XIV - not just rich, but old school rich.
We know it's his natural hair color, but hair powdering (with clay and starch) had been a big trend with the rich all throughout the 18th century to get that clean white venerable look . To someone who doesn't know it's natural, it would very much look like he's wearing hair powder.
He's wearing shades of cream and white, which are very hard to keep clean and clearly states that the wearer is rich and can afford the upkeep necessary to keep an outfit like that stain-free.
He's wearing white knee-breeches and stockings, also called culottes. See above about laundry and how rich you had to be to wear white, but also working-class men wore long pants like this:
A large faction involved in the Revolution were the Sans-Culottes (no-culottes aka we wear long pants LIKE GOOD OLD WORKING MEN). Culottes are specifically associated with everything the revolution hated. That's right - Aziraphale is literally wearing The Fanciest of Fancy Pants in a city where a group called The Men Against Fancy Pants are running around murdering people.
And then there are his shoes.
Oh god his shoes
I could do a whole post about Aziraphale's blessed little white satin pumps and how ridiculous they are.
Actually I might just do that because this is getting so long and I still have to talk about the brioche.
So I can't remember if it's in the script book or if it's from Neil Gaiman's tumblr, but it's apparently canon (?) that Aziraphale was going around in that outfit asking people where he could get crepes and brioche when he was arrested.
The Affair of the Brioches
So... uh... we've all heard the line attributed to Marie Antoinette- how when she was told that her people were starving because there was no bread left in Paris, she famously said...
It's morphed into 'let them eat cake', but the line is first recorded as, "Then let them eat brioches."
While it's unlikely she ever actually said it, the important thing is that... people in 1793 would have thought she said it. It was used as political smear to show how arrogant and out of touch the monarchy was. Marie Antoinette in particular was reviled by the people of France, who thought she was the main cause of their economic problems. That's why she was executed too.
Bread and brioche and the lines between poverty and privilege were a big thing in Revolutionary France. There was a lot of political connotation to what you ate. The French Revolution came about because of decades of suffering among the lower classes of France. It wasn't something that some dudes just decided to do. The people of Paris have been through years of the absolute worst, most oppressive poverty and starvation you can imagine, all while watching the rich throw money around crazy.
So let us recap.
Aziraphale is dressed so ridiculously posh that he looks like a joke parody of a nobleman... and he is bumbling around Paris during the Reign of Terror. Asking people. For brioche. How I imagine everyone looked at him:
It is so astoundingly tone deaf and tactless. He is basically cosplaying as Marie Antoinette and then going around asking the poor for cake.
I just.... Aziraphale. babygirl. no. oh no. You're lucky they even bothered to take you to prison. I am amazed Crowley ever let him live that down.
I have no conclusion other than this. Aziraphale is ridiculous and I love him so much.
YES YOU REALLY SHOULD SIR.
#good omens#aziraphale#good omens meta#good omens costumes#aziraphale's white satin pumps#ineffable husbands
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Reality Shifting and Race Changing Explained: A Deep and Comprehensive Analysis of the Practice through the Perspective of a Person of Color.
Introduction :
Reality shifting, a practice where individuals consciously move their awareness to alternate realities or dimensions, has gained significant popularity and attention. Within this phenomenon, race changing—where shifters assume a different racial identity in their Desired Reality (DR)—has become a particularly contentious topic. Proponents of race changing see it as a way to explore different perspectives, foster empathy, and experience personal growth. However, critics raise concerns about cultural appropriation, identity integrity, and ethical implications. This essay will delve into the shifter's perspective and debunk arguments against race changing in reality shifting, examining the diverse viewpoints and underlying controversies.
Disclaimer : before interacting pls read the entire post carefully if you do not understand a part of it do not hesistate to tell me and i would gladly explain you in more details.
And as the title says im a person of color (POC) so i will give my opinion on the matter. I am lowkey (more high key lol) pissed that i see white people telling and talking about it as if they opinion is law its time you let people directly concerned by the matter speak on a subject that concerns them.
Taglist of people who might be interested in this post that i will update progressively i will also at the end provide a pdf version of the document if this post reaches 100 reactions if it reaches 150 to 200 i will also provide the one against age changing) :
@shiftinghoe @shiftersroom @leydenkilgore @jolynesmom @shiftinginferno @norumis @angelscatastrophe @thanossnap
My Age changing Post for those interested
Masterlist
Part I: The Shifter's Perspective
A-Immersive Nature of Reality Shifting
Reality shifting goes beyond elaborate daydreaming or role-playing. It's a full-fledged immersive experience where individuals become their "Desired Reality" (DR) selves entirely. This deep embodiment isn't just physical; it encompasses cultural, emotional, and even historical elements.
Shifters often perceive themselves with entirely different physical characteristics in their DR. This goes beyond appearance – they feel comfortable and familiar in their new bodies, experiencing unique sensations and abilities tied to their DR race. Imagine an East Asian shifter feeling their epicanthic folds affecting their vision or an Afro-Caribbean shifter experiencing the textures of their hair and the specific needs of their skin.
But it's not just physical. Shifters become integrated members of their DR culture. They might find themselves fluent in the language, complete with cultural nuances and dialects. They possess an intrinsic understanding of traditions and social norms, not just intellectually, but on a lived level. Family histories, community connections, and social networks become as real and meaningful as those in their original reality.
Perhaps the most profound aspect is the emotional and psychological alignment. Shifters report feeling emotions differently based on their DR cultural background. Their worldview, values, and beliefs shift to reflect their new identity, offering unique perspectives. Many even have a full set of memories associated with their DR life, from childhood experiences to major events.
Shifters don't just inhabit a new identity; they become part of a complex historical and societal narrative. They understand the weight of historical events that shaped their DR community and experience firsthand the societal advantages or disadvantages of their DR race. They feel a deep sense of cultural pride alongside the challenges and discrimination that may come with it.
For example, a Japanese shifter might not only speak the language fluently but also understand the intricacies of keigo and feel the emotional weight of concepts like "gaman" or "uchi-soto." They could have memories of local festivals, the excitement of catching goldfish, or the solemnity of a New Year's visit.
Similarly, a Latinx shifter might effortlessly switch between languages, understand the cultural significance of quinceañeras, and feel a deep connection to their abuela's traditions. They could have vivid memories of family gatherings filled with traditional foods, laughter-filled conversations, and the warmth of close family bonds.
This immersive experience allows shifters to see the world through a completely different lens, gaining insights otherwise impossible. In their DR, their new identity isn't a costume – it's as authentic and valid as their original self. This creates a profound sense of belonging and allows them to explore different aspects of identity in a meaningful way. This depth of experience is what proponents of race changing in reality shifting often highlight as a potential benefit.
B-Personal Growth and Empathy Development
Reality shifting, particularly when it involves changing race, offers a powerful pathway for personal growth and empathy development. Proponents believe this to be one of its most valuable benefits. Here's a breakdown of its potential:
Expanded Perspective: Shifters inhabit a different racial identity, gaining visceral, firsthand experiences. Imagine a Black shifter feeling the sting of racism, or an Asian shifter navigating the pressures of the "model minority" stereotype. This fosters a deeper understanding of racial dynamics beyond textbook knowledge.
Cultural Competence: Shifters become immersed in a new cultural context, enhancing their cultural competence. They gain insights into cultural nuances, values, communication styles, and nonverbal cues. For instance, a shifter embodying a Middle Eastern identity might understand the significance of hospitality, appreciating the cultural roots of seemingly excessive generosity.
Challenging Biases: The immersive nature of shifting exposes personal biases. Shifters confront and work through unconscious biases and stereotypes that may seem harmless from the outside, but feel hurtful or limiting from a different perspective. This uncomfortable process can be ultimately transformative.
Emotional Intelligence: Experiencing life through a different racial lens boosts emotional intelligence. Shifters develop empathy for the struggles and joys specific to different races, better understand emotional cues across cultures, and gain enhanced self-awareness through reflecting on their reactions in their new identity.
Social Justice Awareness: Shifters often report a heightened commitment to social justice and equity. Experiencing discrimination firsthand motivates them to become allies in their original reality. Understanding privilege (or lack thereof) associated with different races fosters nuanced discussions about systemic inequality.
Personal Identity Exploration: Race changing in shifting can prompt deep reflection on personal identity. Shifters might question aspects of their original identity, explore their cultural heritage and family history, and gain a greater appreciation for the fluidity and constructed nature of racial categories.
Linguistic and Cognitive Benefits: Shifters who become fluent in new languages experience cognitive benefits like enhanced cognitive flexibility from thinking in different linguistic frameworks and improved problem-solving skills as they navigate cultural and linguistic differences.
Artistic and Creative Inspiration: The rich experiences gained through race changing can serve as a wellspring of artistic and creative inspiration. Writers might create more authentic characters, while visual artists gain new perspectives on color, form, and cultural symbolism.
Professional Development: Insights gained through race changing can translate into professional growth. Shifters develop a stronger ability to work in diverse teams, enhance their cross-cultural communication and negotiation skills, and gain a deeper understanding that can be valuable in multicultural environments.
Healing and Trauma Processing: In some cases, embodying different racial identities has helped shifters process personal or intergenerational trauma. For instance, a shifter with a family history of racial oppression might find healing in embodying an identity free from that specific trauma. Conversely, embodying an identity that has experienced historical trauma might help shifters connect with and process their own unrelated traumatic experiences.
Part II: Debunking Arguments Against Race Changing
A-Cultural Appropriation
One of the primary arguments against race changing in reality shifting is that it constitutes cultural appropriation. This issue is complex and sensitive, requiring careful consideration.
Cultural appropriation involves adopting elements from one culture by members of another, often without a full understanding or respect for the original culture. This practice is typically characterized by a power imbalance, where the appropriating group holds more social, political, or economic power than the culture being appropriated. It also involves a lack of attribution, where the source of cultural elements is not acknowledged, leading to stereotyping and commodification of cultural symbols, often out of context and for profit.
Applying this argument to reality shifting, critics assert that when individuals assume a different racial identity in their desired reality (DR), they may trivialize the lived experiences of that racial group. They argue that such individuals might cherry-pick enjoyable aspects of the culture while avoiding its challenges and potentially reinforcing stereotypes or misconceptions about the culture.
However, several counterarguments challenge this perspective. Many shifters approach race changing with the intention of understanding and empathizing with different racial identities, rather than exploiting them. The immersive nature of shifting often involves a deep engagement with the culture, as opposed to the superficial adoption of isolated elements.
Moreover, cultural appropriation typically involves a dominant culture taking from a marginalized one, but in shifting, this power dynamic isn’t present. Shifters embody the new identity fully, integrating their experiences into the fabric of the DR, which can make their engagement more authentic.
Unlike typical cases of cultural appropriation, shifters often report experiencing both the positive and negative aspects of their new racial identity, including potential discrimination and societal challenges. This level of immersion extends far beyond wearing traditional clothing or using cultural symbols, as it involves a comprehensive engagement with the culture's values, traditions, and worldview.
Reality shifting is a personal and introspective practice, usually conducted privately or in small groups, rather than as a public display that might perpetuate stereotypes or commercialize the culture. This personal and nuanced approach differentiates it from more harmful forms of cultural appropriation seen in popular culture or commercial contexts.
Despite these counterarguments, there are still ethical concerns to consider. The ability to "opt out" of a racial identity at will is a privilege not available to those who live that identity full-time. There is also a risk of oversimplification or misrepresentation, even with the best intentions. The personal nature of shifting does not negate the potential for internalized stereotypes or biases to influence the experience.
Instead of viewing race changing in shifting as clear-cut cultural appropriation, it might be more accurate to see it as a complex form of cultural engagement. This practice has the potential for both positive outcomes, such as increased empathy and understanding, and negative outcomes, like reinforcing stereotypes or trivializing experiences. It requires careful reflection and ethical consideration from practitioners and might be evaluated on a case-by-case basis, considering the shifter's intent, approach, and outcomes.
The argument that race changing in reality shifting constitutes cultural appropriation could be seen as a false analogy fallacy, inaccurately equating the personal, immersive, and often respectful experience of shifting with the exploitative and superficial nature of cultural appropriation as traditionally understood. Some proponents suggest that, when conducted respectfully and thoughtfully, race changing in shifting could be seen as a form of cultural exchange rather than appropriation. This perspective posits that the immersive nature of shifting fosters genuine understanding and appreciation, with shifters often feeling a responsibility to respect and honor the cultures they embody. The insights gained can contribute to more meaningful cross-cultural dialogue and understanding in the shifter's original reality.
In conclusion, while the argument against race changing in reality shifting raises important ethical considerations, the issue is more nuanced than it might initially appear. The deeply personal and immersive nature of shifting, coupled with the often sincere intent of practitioners to gain understanding and empathy, sets it apart from more straightforward cases of cultural appropriation. Nevertheless, it remains crucial for shifters to approach the practice with respect, self-reflection, and a willingness to grapple with its complex ethical implications.
B-Fetishization
Another significant criticism of race changing in reality shifting is that it may lead to or represent a form of racial fetishization. This concern is both sensitive and complex, and warrants a thorough examination.
Racial fetishization involves reducing individuals to stereotypical racial characteristics, objectifying people based on their race or ethnicity, and exoticizing racial features or cultural elements. Often, though not always, it includes a sexual component. Critics argue that race changing in shifting might encourage shifters to focus on stereotypical or exoticized aspects of a race, leading to a superficial engagement with racial identity that is more fantasy than reality. This practice could potentially reinforce harmful stereotypes or racial preferences.
However, several counterarguments challenge this perspective. Many shifters who engage in race changing are not primarily motivated by sexual desire or attraction to stereotypical racial attributes. Their goal is often to understand and embody the full spectrum of experiences associated with a different racial identity, rather than to indulge in fantasy or stereotypes. The immersive nature of reality shifting encourages shifters to deeply engage with and appreciate the culture they are exploring. This process frequently fosters empathy and understanding, rather than objectification, as shifters report experiencing both positive and negative aspects of their new racial identity, extending beyond surface-level engagement.
Additionally, many shifters approach race changing as a means of personal growth, aiming to challenge their own biases and expand their worldview. This experience often leads to increased cultural sensitivity and awareness, rather than reinforcing stereotypes. In their desired reality (DR), shifters often experience a fully realized and complex identity that includes family histories, cultural practices, societal challenges, and individual personality traits, going far beyond mere racial characteristics.
Despite these counterarguments, it is important to acknowledge potential risks. Shifters might unknowingly bring racial stereotypes or biases into their DR experiences. There is also a risk of focusing on more "appealing" aspects of a racial identity while downplaying its challenges or complexities. The ability to "try on" different racial identities at will is a privilege that could lead to a form of racial tourism if not approached thoughtfully.
From a psychological standpoint, the experience of race changing in shifting could be seen as a form of identity exploration rather than fetishization. It serves as an exercise in perspective-taking and empathy development and provides an opportunity to confront and work through internalized racial biases.
Culturally, it is worth considering whether race changing practices in shifting might lead to more nuanced representations of diverse racial identities in media and art, foster more open dialogue about race and identity in society, or risk oversimplifying complex racial issues.
Ethically, shifters should be encouraged to reflect critically on their motivations and experiences, seek diverse perspectives and real-world knowledge about the races they embody in their DR, and be mindful of the line between appreciation and fetishization. The argument that race changing in reality shifting constitutes fetishization could be seen as a straw man fallacy, as it misrepresents the shifters' intentions and the nature of their experiences, reducing a complex and often empathetic practice to a simplistic and objectifying one.
Some proponents argue that race changing in shifting could help deconstruct harmful racial categories by highlighting the constructed nature of race, encouraging people to see beyond racial stereotypes, and fostering a more fluid understanding of identity. Comparing this practice to other activities, such as actors portraying characters of different races, virtual reality experiences designed to foster racial empathy, or imagining oneself in someone else’s shoes through literature or film, reveals that race changing in shifting may differ fundamentally from these practices in its approach and intent.
In conclusion, while the criticism of fetishization raises important concerns about the potential risks of race changing in reality shifting, a closer examination reveals a more nuanced picture. The deeply personal and often transformative nature of these experiences, combined with the typical intent of fostering understanding and empathy, sets it apart from more straightforward cases of racial fetishization. Nevertheless, it is essential for shifters to approach the practice with self-awareness, respect, and a commitment to genuine cultural engagement rather than superficial or stereotypical representations.
C-Race Changing is Racist
The argument that race changing in reality shifting is fundamentally racist is a serious allegation that requires careful examination. This perspective is based on several concerns: it may trivialize the real struggles and discrimination faced by racial minorities, allow individuals to "play" at being another race without encountering the associated societal challenges, perpetuate the idea that race is something that can be donned or discarded at will, and reinforce the notion that race is merely about physical characteristics or stereotypical behaviors. This criticism often stems from worries about cultural insensitivity, fears of minimizing systemic racism, and the historical context of racist practices such as blackface and yellowface.
However, this argument can be contested on multiple grounds. Firstly, many shifters engage in race changing not to mock or belittle other races but to gain a deeper understanding and empathy for those experiences. The immersive nature of shifting often results in increased awareness of racial issues and a stronger commitment to anti-racism in the shifter's original reality. Furthermore, shifters in their desired reality (DR) often experience life as an integrated part of the culture they embody, including facing discrimination and navigating societal challenges associated with that racial identity. This depth of experience goes beyond superficial engagement.
Additionally, race changing can lead to significant personal transformation. Many shifters report profound growth, challenging their own biases and increasing their cultural competence. These experiences foster a deep sense of connection and solidarity with different racial groups. Race changing could also be viewed as an immersive form of education about racial experiences, potentially offering more impactful learning than traditional methods.
Despite these counterarguments, it is crucial to acknowledge potential issues. Shifters have the privilege of opting out of their new racial identity and returning to their original reality, a luxury not available to those who face racism daily. There is also a risk of oversimplifying complex racial experiences into simplified narratives. Without proper reflection, shifters might misuse or misrepresent aspects of the racial identities they embody.
To address these concerns, shifters engaging in race changing should approach the practice with humility and a willingness to learn. Complementing their shifting experiences with real-world education about racial issues and using insights gained to actively combat racism in their original reality can help mitigate potential problems. Critical reflection on their experiences and motivations is also essential.
From a psychological perspective, race changing in shifting can be seen as a form of perspective-taking, which has been shown to reduce prejudice, an exercise in empathy development, and a way to confront and work through unconscious racial biases. Sociologically, it is worth considering whether widespread engagement in race changing might lead to increased racial empathy, contribute to a more nuanced understanding of race as a social construct, or challenge existing racial categories.
A comparative analysis with other practices such as diversity training programs, role-playing exercises in anti-racism workshops, and the concept of "passing" in racial identity reveals that race changing in shifting might differ fundamentally in its approach and intent. The argument that race changing is inherently racist may be seen as a hasty generalization fallacy, drawing broad conclusions based on limited understandings of shifters' experiences and motivations.
Some proponents argue that, when approached thoughtfully, race changing in shifting could be an antiracist practice by fostering a deeper understanding of diverse racial experiences, motivating action against racism in the shifter’s original reality, and challenging fixed racial categories. Considering how race changing intersects with other aspects of identity, such as gender, class, or sexuality, further complicates the discussion and could lead to a more nuanced understanding of intersectional identities.
In conclusion, while the argument that race changing in reality shifting is inherently racist raises important ethical concerns, a closer examination suggests a more complex picture. The potential for increased empathy, understanding, and antiracist action indicates that, when approached thoughtfully and ethically, race changing in shifting might contribute to combating racism rather than perpetuating it.
Part III: Community Dynamics :
A. Shiftok Culture and Hypocrisy
The community of shifters on platforms like Shiftok has become a significant space for discussing and sharing experiences related to reality shifting. However, this community is often marked by striking inconsistencies in its attitudes and practices, particularly when it comes to race changing. These inconsistencies reveal underlying biases and a selective application of ethical standards within the community.
One of the most glaring examples of this hypocrisy is the community's disparate treatment of shifts involving fictional races versus real-world racial identities. Users enthusiastically support and celebrate shifts into races from popular fiction, such as elves from "Lord of the Rings" or Veela from "Harry Potter." These shifts often involve adopting stereotypical characteristics of these races, such as ethereal beauty or magical abilities, without any criticism. Similarly, shifts into anime characters, even when these characters are explicitly Japanese or of other Asian ethnicities, are widely accepted and applauded.
In stark contrast, when a user mentions shifting to experience life as a different real-world race - for example, a white person shifting to be Black, or an Asian person shifting to be Latino - they often face harsh criticism and accusations of racism or cultural appropriation. This double standard extends to cultural practices as well. Users might criticize someone for shifting to experience a traditional Japanese tea ceremony as a Japanese person, calling it appropriation. However, they remain silent when shifters adopt fantastical versions of cultural practices, such as magical rituals in The Vampire Diaries Universe, which are often based on real-world cultural elements such as Hoodoo and Voodoo.
The inconsistency becomes even more apparent when considering shifts into races that face oppression or discrimination in their fictional universes. Shifting to be a Na'vi from "Avatar," who face colonization and violence from humans, or becoming a vampire who must hide from hunters and deal with societal prejudice, are widely accepted and even romanticized. These shifts often involve experiencing fictional forms of racism or oppression, yet they don't receive the same scrutiny as shifts involving real-world racial experiences.
This romanticization of struggle is particularly problematic. Users might enthusiastically describe the thrill of being a hunted vampire or the nobility of fighting against oppression as a Na'vi, while simultaneously criticizing those who wish to explore real-world experiences of discrimination through shifting. This glamorization of fictional oppression trivializes real-world struggles and reveals a lack of critical thinking about the implications of different types of identity shifts.
The community's acceptance of shifts into historical periods further highlights this hypocrisy. Shifting to experience life in different historical eras, which inevitably involves a change in cultural context, is generally supported. For instance, shifting to be a noble in Victorian England is rarely questioned, while shifting to be a person of color in modern-day America might be condemned. This inconsistency reveals a troubling bias in how the community views and values different cultural and racial experiences.
Perhaps the most striking example of this double standard is the widespread acceptance of shifting to become a Na'vi from the movie "Avatar." This shift involves taking on a completely different racial identity, often with spiritual and cultural elements inspired by real-world Indigenous cultures. Yet, this is rarely criticized, while shifting to be an actual Indigenous person would likely face significant backlash.
These inconsistencies in the Shiftok community undermine the credibility of criticisms against race changing and point to a need for more consistent and reflective ethical standards within the shifting community. They reveal that many users are more comfortable with the idea of exploring different identities and experiences of oppression when they're framed as "fictional," even though the immersive nature of shifting means these experiences are just as real to the shifter as any "real-world" shift would be.
This hypocrisy not only stifles meaningful dialogue about race and identity within the context of shifting but also reflects broader societal discomfort with addressing real-world racial issues. It highlights the need for the shifting community to engage in more nuanced, thoughtful discussions about the ethics of identity exploration, the nature of reality in shifting, and the responsibilities that come with experiencing different racial and cultural perspectives.
B. Judgmental Attitudes and Ignorance
The shifting community, particularly on platforms like Shiftok, often displays a complex web of judgmental attitudes and ignorance about the nuances of shifting practices. This creates a challenging environment for shifters exploring different identities, especially when it comes to race changing. (in this part and all the other parts of this essay, “real world”=CR aka this reality ik they are no such thing as the “real world” but for the sake of the argument i employed that term).
Many users within the community are quick to condemn those who shift into different racial identities, particularly when these involve real-world races. This rush to judgment often stems from a superficial understanding of shifting practices and a lack of empathy for the motivations behind such explorations. Harsh comments, gatekeeping behaviors, and in extreme cases, online harassment, have become unfortunately common responses to shifters who engage in race changing.
However, this judgmental attitude is starkly contrasted by the community's acceptance and even celebration of shifts into fictional races or non-human identities. This inconsistency reveals a deep-seated ignorance about the nature of shifting and its implications. Users often justify their acceptance of shifts into fictional races like Elves or vampires from various mythologies by arguing that since these races are fictional, they're somehow "safer" or less problematic to explore. This reasoning, however, fundamentally misunderstands the core principle of shifting: that all realities, whether based on fiction or the "real world," are equally real and valid from the perspective of the shifter.
This ignorance leads to a troubling double standard. Shifters who explore the experiences of fictional races facing discrimination - like the Na'vi battling colonization or werewolves hiding from hunters - are often met with enthusiasm. The community readily engages with these narratives of struggle and oppression when framed in a fictional context. Yet, when shifters attempt to explore real-world experiences of racial discrimination, they face harsh criticism and accusations of appropriation or fetishization.
This attitude demonstrates a lack of critical thinking about the ethical implications of different types of shifts. The community fails to recognize that from the perspective of shifting theory, the distinction between "fictional" and "real-world" races becomes arbitrary. The experiences of discrimination, cultural immersion, and identity exploration are just as real and impactful for a shifter whether they're embodying a Na'vi or shifting into a different human race.
Moreover, this ignorance extends to a misunderstanding of the depth and complexity of shifting experiences. Many critics within the community underestimate how fully shifters can embody and experience a different identity, regardless of whether it's fictional or based on a real-world race. They often fail to grasp the profound impact these experiences can have on a shifter's perspective, empathy, and personal growth.
The judgmental attitudes and ignorance prevalent in the community have serious consequences. They stifle open and honest discussions about race and identity within the shifting context. Shifters who feel judged may withdraw from the community or hide their experiences, limiting opportunities for collective learning and growth. The hostile environment can discourage exploration of different identities, potentially limiting the personal growth and empathy development that shifting can facilitate.
Furthermore, this environment of judgment and ignorance often leads to the mischaracterization of shifting experiences. Complex and nuanced explorations of identity are frequently oversimplified or dismissed. The potential benefits of respectful identity exploration through shifting are overlooked, while stereotypes about shifting and shifters are reinforced.
To address these issues, there's a clear need for more education within the community about the nuances and complexities of shifting experiences. Promoting a deeper understanding of the psychological and experiential aspects of shifting could foster more empathy and less judgment. Creating spaces for open, non-judgmental discussions about controversial shifting practices could help combat ignorance and promote a more nuanced understanding of the ethical implications of different types of shifts.
By confronting these judgmental attitudes and areas of ignorance, the shifting community has the opportunity to create a more inclusive, understanding, and supportive environment. This could not only improve the experiences of individual shifters but also contribute to more nuanced and productive discussions about identity, race, and the ethics of shifting practices. Ultimately, addressing these issues is crucial for the growth and maturation of the shifting community as a whole.
C-Understanding Morality and Multiracial Identity in Shifting
The concept of infinite realities in shifting brings about profound implications for our understanding of morality and identity, particularly when it comes to race. Each Desired Reality (DR) has its own unique set of morals and cultural norms, presenting a challenge when applying Original Reality (OR) ethics to these varied experiences. This moral relativism in shifting creates a complex landscape where what is considered ethically acceptable in one reality may not hold the same value in another.
The shifting community's approach to fictional races inadvertently highlights this moral complexity. Many shifters enthusiastically embrace identities like Na'vi from "Avatar" or vampires from various mythologies, often without the same level of ethical scrutiny applied to shifts involving CR races. This discrepancy reveals a fundamental misunderstanding of the nature of shifting itself. If we accept the core principle that all realities are equally real and valid, then the distinction between "fictional" and "real-world" races becomes very blurry to a point where said distinction vanishes since what is fictional in this reality is 100% real in that DR.
This paradox becomes even more apparent when we consider that many of these fictional races face discrimination, oppression, or complex social challenges within their realities. Shifters who take on these identities are, in essence, experiencing forms of racism or societal prejudice, yet these experiences are often romanticized or seen as less problematic than explorations of real-world racial discrimination. The Na'vi fighting against human colonization or Mutants from the X-men hiding from societal persecution are, within the context of shifting, as real and significant as any historical or contemporary struggle against oppression.
The romanticization of these fictional races raises its own set of moral questions. For instance, the glorification/romanticisation of vampire culture in shifting could be seen as problematic on multiple levels. It potentially trivializes issues of consent and power imbalances, and could even be construed as a form of necrophilia, given the undead nature of vampires (vampires are dead not alive ergo necrophilia in a way. This argument that I use is to further emphasize the hypocrisy of the shifting community since yall wanna talk about fetishization and romanticisation). This level of ethical scrutiny is rarely applied to fictional race shifts, despite the community's readiness to criticize CR race changing on similar grounds.
For multiracial shifters, this moral landscape becomes even more complex. A multiracial individual might choose to shift to embody only one aspect of their racial heritage in their DR, reflecting their sense of connection and belonging to that part of their identity. This choice doesn't negate their other racial identities but rather reflects the fluid and personal nature of racial identity itself. However, the community's inconsistent approach to race in shifting can create additional challenges for these individuals. They may find themselves navigating not only their own complex identities but also the arbitrary distinctions and judgments imposed by the community.
The multiracial shifting experience underscores the limitations of rigid racial categorizations and highlights the need for a more nuanced understanding of race and identity within the shifting community. It challenges shifters to consider how their experiences across different realities might inform and expand their understanding of racial identity in their OR.
Moreover, the moral relativism inherent in shifting raises questions about the nature of ethical growth through these experiences. If a shifter encounters and adapts to vastly different moral frameworks across their DRs, how does this impact their core ethical beliefs? This moral fluidity could lead to a more nuanced and empathetic worldview, but it also risks ethical inconsistency or moral relativism taken to an extreme.
In conclusion, the intersection of morality and racial identity in shifting presents a rich area for exploration and discussion. It challenges our understanding of ethics, identity, and the nature of reality itself. By engaging with these complex ideas, the shifting community has the opportunity to foster more nuanced, empathetic, and inclusive approaches to race and identity. However, this requires a willingness to apply consistent ethical standards across all forms of shifting, whether they involve "real" or "fictional" races, and a commitment to deeper reflection on the moral implications of these profound experiences.
Conclusion :
Ultimately, we can argue that race changing in reality shifting isn't inherently problematic and can, in fact, be a powerful tool for personal and societal growth. The ability to experience life from diverse racial perspectives has the potential to challenge deeply ingrained biases, foster genuine empathy, and contribute to more nuanced discussions about race and identity in our society.
However, we must tread carefully to ensure that these practices do not veer into appropriation or fetishization. This requires:
Approaching race changing with respect, humility, and a genuine desire to learn.
Engaging in thorough self-reflection before, during, and after shifting experiences.
Complementing shifting experiences with real-world education about racial issues and histories.
Being mindful of the privilege inherent in being able to "opt out" of a racial identity.
Using insights gained from shifting to actively combat racism and promote understanding in one's original reality.
Fostering open, honest dialogues within the shifting community about ethics and best practices.
Developing clear community guidelines that address the complexities of race changing.
By maintaining this careful balance, race changing in reality shifting can serve as a unique and valuable tool for promoting intercultural understanding, challenging racial prejudices, and fostering a more empathetic and inclusive society. As with any powerful tool, its value lies not in the practice itself, but in how we choose to use it. With thoughtful consideration and ethical guidance, race changing in shifting has the potential to contribute positively to our ongoing dialogues about race, identity, and human experience.
#reality shifting#shiftblr#shifting#desired reality#shifting community#shifting realities#shifters#reality shift#reality shifter
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*sigh* Featurism...
So, I woke up to this shit on the Twit app and I've only hit on this issue before, but today I'm digging in. Colorism is something that is not addressed often enough, but intersected within that and even more rarely spoken about, is the issue of featurism. The young actress above just got cast as Juliet in the latest big staged prestige production of Romeo and Juliet, opposite Tom Holland. And as usual the blue-checks, everybody else including "black", and even Black regulars are all-in on the cruelty.
...But I want to breakdown a nuance that is too often skipped over when this happens. The two people named with her, give away the featurism game, here; a particularly nasty form of often internalized racism. I guarantee if the young actress looked like this?
She'd definitely still get racist attacks, but the particularly nasty shit I'm seeing attacking her looks wouldn't come. In fact, I could see some people thinking they are defending her with "but she's pretty!" or more specific... "obviously she's mixed" comments. -Something pretty much every Black woman with features that don't align with a narrow perception of blackness hear often (and we'll get to why I specified women in a minute). And don't get it twisted...
These aren't exclusively nor standard white features either (see: the many ethnic features w/in white ethnic groups that also get hit to a lesser and non-racialized degree such as large "hook" and/or Romanesque noses for example, which is definitely about anti-semitism, anti-Romani sentiment, and other disparaged/discriminated against ethnic minorities in Europe) and yes, blue eyes are naturally occurring within non-mixed and dark-skinned Black people due to a mutation called Waardenburg syndrome. But there is a REASON why fetishizing even certain ethnic features within the African continental diaspora has been a thing for a long time...i.e. "the dopest Ethiopian" from the Tribe Called Quest lyric is pictured as this:
and this:
and not this:
...despite them all being Ethiopians of various tribal ethnicities.
A wide-nose, a tighter curl, coil, or zig-zag pattern of hair, fuller lips and often, but not always (because I've given examples above where features "mitigate" skin color) darker skin. Zendaya is grouped with Tracey and Francesca Amewudah-Rivers, despite being both lighter in skin color and having a Black parent and a white parent because her nose isn't what has become the standard surgical look...that too many celebs have. This includes the ones who got so-called "ethnic" work or just a slight 'refinement'. No, her nose is born w/it, made for that good African air, as I call it. Nostrils prominent, nose bridge wide:
I went make-up free as well, because even make-up practices these days, go for that narrowing highlight technique i.e. just below it's subtle.
Sza is a an example of it taken to extremes, even with the Hollywood standard "ethnic" refinement she did get.
The thing is... I don't blame or attack her for that. Because you see above that is just a taste of what happens. Lil' Kim was relentlessly bullied by the men in her life for her ethnic features for her whole life...and that is why she is off-limits to this day for me when it comes to all the work she's had done.
...And this is where I explain why I specified men being mostly exempt. It's because "Blackness" including all the physical features associated with it, is by default masculinized. ...Which is why Idris Elba is considered one of the most handsome men in the world, w/o the caveats that even Lupita Nyong'o often gets. Nobody calls Samuel L. Jackson ugly. He is even idolized and fetishized by a specifically white male gaze for how culturally "Black" he is perceived to be for all the wrong reasons, his signature "motherfucka" for example (and I could go off on a whole other tangent here, but digressing). All this to say... Featurism sucks. It's not talked about enough. Blackness in all variations is Beautiful. Tracy Chapman looking as young she does?? Hell, mark it down to both her dark skin (a natural UV protector) and not messing with her given features (and being a lesbian, men will age you. lol -I got jokes-):
P.S. THANK GOODNESS for Tems and her rising prominence as a beauty as well:
P.P.S. Even Jay-Z the billionaire rapper has had the comments over the years about his lips and nose, hence that lyric in Beyonce's Formation.
#featurism#I only just scratched the surface#but man this shit needed to be scratched#colorism#racism#meta#tom holland#romeo and juliet#tracy chapman#lil kim#tems#jay z#sza#zendaya#francesca amewudah-rivers#francesca amewudah rivers
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NEW HEADCANON IDEAS:
— Wonderland has an aerial flow of letters: Okay, I know it sounds crazy, but think with me, when Red's invitation to Auradon Prep goes to Wonderland, it flies thanks to Fairy G's magic, and in many glassheart/charminghearts fanfics (I don't know what to call them anymore) Red writes letters to Chloe and to Bridget (the good one), and I always wondered how they got to these people, and this is the answer, they fly! In fact, the aerial system of letters works similar to that of airplanes in our world, their magic allows them to know where to go, and what to avoid. Letters that fly/have magic are only those written by people who are in Wonderland and by Wonderlandians out of Wonderland, or by magic users (such as the Fairy Godmother, who use magic to carry the letter). Letters use Rabbit Holes to get to Wonderland faster if they come from Auradon.
— The Royal Family of Hearts's hair colors are changeable according to age: I think one of everyone's biggest questions about the film was how Bridget's hair changed from pink to red. Well, my idea of this is, Bridget's hair turned red as she grew up because it's in her family lineage, it's a trait that skips generations, most people in the family of Hearts are born with red hair, but some, carrying traits from their older ancestors, are born with pink or white hair, and as they age, it turns red. This trait skipped Bridget's mother's generation, and it skipped Red's generation. If Red has children, one of them will probably have pink hair, and as they grow up, their hair will turn red. An example I took from this wasn't only Bridget herself, but also Mirana (I LOVE HER SO MUCH!), the White Queen, from Alice in Wonderland movie, her hair was blonde when she was little, and turned pink when she grew up, and when she became an adult, it finally turned white.
— Birthmarks of the Royal Family: This hc was created originally by @chadtheroyalidiot, that was wonderful idea. People from the royal family of Wonderland, or the royalty there itself, have a heart-shaped birthmark, for me, Bridget's birthmark is a pink heart and is on her left thigh, and Red's is a red heart and is on the front left part of her waist.
— Curly or straight? Hair types linked to feelings: Again about hair! Everyone knows that Bridget changed from water to wine (or rather, from sugar to salt) after Uliana's prank, and that includes her hair, which was full of waves and became straight. Since I don't like the idea that Bridget wakes up early every morning to straighten her hair, I had a better idea. Have you ever heard about MLP, you know, Pinkie Pie? So, I have an idea that when people in the family of Hearts are experiencing intense bad feelings, such as hurt, hate, hopelessness or sadness, their hair becomes straight. And when they feel intense good feelings, like joy, hope, happiness, love and delight, their hair gets wavy and also curly. "Oh, but in the movie nothing happened to Red's hair", but it happened to me. Yeah, that's it :)
— Characteristics required for a full royal name: I'm basing this on a post by @c-rose2081, I was inspired by and thought about this. A full name for the royal family of the Hearts there must be exactly three names, one of them highlighting exaltedness and loftiness, one related to immortality, mostly, or something like unfading, non-forgetfulness, and the latter being associated with strength, as it means 'warrior' or something look like that. It's an ancient tradition in the family that continues to the present days; the children of the current ruler, especially the heir, must have a name that commands respect and even a little fear in their subjects.
— Emotional influence on colors: I see this in a fanfic, the autor is @/Watcher (RomanticallyApocalyptic)! The royal family is all kind of crazy, we know, they're the royalty of Wonderland, of course they'd be crazy, but they have certain magics that are influenced by emotions (just like half the shit in this family), one of them is color changing; A very specific example, which was from this fanfic I read, is Red, Red can't stop thinking about Chloe, and because of that, all of her drawings, even if she paints them with the strongest red, end up in a shade of blue. An example of this could be Bridget when she was young, like, she couldn't stop thinking about Ella (because, please, everyone knows!), and her treats all came out blue, no matter how much pink food coloring or pink ingredients she used. It has to be a specific color that reminds the person of what they like, and it has to be something that the other person does regularly. A random example: a person, a Hearts, has the habit of writing, poems, texts, letters, anything, and they can't stop thinking about a person who has as a registered color, Idk, yellow; so, like, the ink in that person's pen turns yellow.
— Princess Red's name: Okay, I know Red's name is Red, but, I just can't accept that someone like Bridget, always so creative and theatrical about so many things, bad things, would just name her daughter "Red". It doesn't make sense to me. She used to create recipes when she was younger, and even as an adult, she continued to be very creative about things (like a coup). Anyway, to me, Red's name is Redell, Princess Redell (Idk what other two names to give her yet) Hearts I. Redell means "Red Meadow" (I read somewhere that it also means "wolf counsel" and "red clearing"), and, in my hc, Red Meadow is the name of the battlefield where the War of the Roses (I think was first mentioned in the book "Descendants: Beyond the Isle of the Lost", I read in the wiki) took place. Even today, the grass and earth there are red and people say that you can still smell blood in the air. I can totally imagine Bridget naming her daughter after such a bloody memory. When Red grew old enough to understand the meaning of her name, she started calling herself just 'Red', and she even had a fight with her mother, one of the first times she defied her mother.
— The Tradition of Beheading: Everyone knows the Queen of Hearts' catchphrase, "Off with their heads!", like, when I saw the Alice in Wonderland movie for the first time, I spent a week repeating it. Anyway, let's get to my idea; beheading, as ugly as this form of execution may be, is actually a very old tradition in the royal family, it can't just be stopped since it's something that's part of the aristocracy of Wonderland, and it's been rooted for ages in the bloodlines of the royal family and the Wonderlandians. Like, just like prison is the most common form of punishment for a crime in our world, in Wonderland, it's very common for rulers to sentence people to beheading, in fact, generally most people who commit crimes in Wonderland have at least three chances to redeem themselves before being sent to beheading, Bridget's reign was much more extreme and violent than the normal.
(if you use it, just give me credit, please 😁)
#descendants rise of red#descendants: the rise of red#descendants the rise of red#the rise of red#rise of red#disney descendants#descendants#descendants 4#descendants red#red descendants#red of hearts#princess red#bridget of hearts#descendants bridget#descendants queen of hearts#queen of hearts#queen of hearts descendants#bridget descendants#descendants headcanons#chloe charming#princess chloe charming#chloe descendants#cinderella descendants#descendants chloe#descendants ella#ella descendants#glassheart#redcharming#glassrose#charminghearts
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Part 5
Warnings: Sex (inappropriate use of scythes), murder, blood play, the usual
Your breath caught in your throat and he looked at you expectantly. You were still shocked that he had spoken at all. Were you imagining it?
"K-Kamazo."
He buried his face in your hair and groaned, "Good girl."
You shivered at the praise. You had done well to take care of him and remain by his side instead of taking the opportunity to flee. The reward was finally getting to hear his voice. That's how you associated it anyway.
The man, Kamazo, continued to knead the fleshier parts of you, your thigh, your hip, your breasts. He tried to knead your stomach, too, but there wasn't much there yet. He seemed to let out a semi-disappointed huff before nuzzling back into your neck. Whenever you were snuggled up to him, he tended to rest his hand on your stomach. Sometimes he rested his head on your tummy, also. You thought maybe he had a bit of a thing for tummies, and other soft parts. His snores gradually manifested as you lay with him. You felt more comfortable if he fell asleep first, nervous about what he might do while you slept.
The next day, Kamazo decided it was best to move again. The next place was basically the same deal as the previous, obviously used as a brothel by most. Kamazo didn't like to go out in the daytime, preferring to move by night. You didn't really know who or what he was hiding from. Someone was helping him hide, as he seemed to have a special relationship with some of the inn owners, never having to pay them. They probably worked for the same people that the man did. You were still unclear on what he actually did when he left you alone, other than kill people. Was he killing people because he had to in order to do his job or was that his job? Was it for fun?
For the next few days, you were, again, remanded to the room. Again, with nothing to do. He hadn't spoken again either. The next time he tried to leave, you tugged on his sleeve ever so lightly, staring up at him with pleading eyes. It felt strange to talk to him when he didn't speak, so you had kept silent. Kamazo paused, considering you. He moved to the side, allowing you to go through the doorway first. You honestly didn't expect him to concede that easily. As you walked out of the inn, lecherous gazes followed. You startled slightly as Kamazo put a possessive hand on your shoulder. It was enough to stop most, but one particularly drunk man paid it no mind, walking right up to you.
"Who do you belong to, little whore? I wouldn't mind a turn next, if you wouldn't mind telling me who owns you. Just like I like them, scrawny and pathetic looking," the man said, reaching out to touch your hair.
Kamazo grabbed the man's wrist faster than you could see, narrowing his eyes in disgust. "This one... is mine."
"I take it you're her master, eh? How much? I can pay well. I can even take her off your hands for good."
You heard a splintering crack and the man was brought to his knees screaming in pain.
Kamazo released the man's wrist, now broken and bruised. "Only mine." His eyes slid to yours, as if to say "Isn't that right?".
You subtly nodded as your cheeks heated up, completely flustered by his words. You avoided looking at the injured man, likely to vomit if you stared at his twisted, deformed wrist any longer. Kamazo continued to guide you along with his hand on your shoulder. No one else bothered you after that. His grip loosened little by little as you walked on, hand eventually falling to his side. You were distracted by all the lights, sounds, and smells of the city. You didn't properly get to experience it the last time you were there. Every so often you lingered around one of the food stalls, trying to imagine what these curious looking foods would taste like. Sometimes you paused to look at some of the things vendors were selling, dazzled by the brilliant colors and skillful creation of the little knick knacks. You suddenly remembered that Kamazo probably had a job to do and you were holding him up. Your eyes searched for him in a panic, afraid you might be angering him by holding him up. But when your eyes found him, he was simply watching you, lazily walking along. You realized he was following you, no longer leading you anywhere in particular.
Heat rushed to your cheeks again, embarrassed that you were so interested in these stupid little things. He probably thought you were pathetic, just like the man from earlier had said. A grown adult woman shouldn't be intrigued by something so childish. You had never seen anything like them and were amazed that someone had made these intricate crafts and sculptures. Bashfully, you returned to Kamazo's side. He hadn't done or said anything, yet you still felt guilty for straying, especially since you should be on your best behavior for being allowed out. You didn't want to mess it up, or he might not let you tag along again. Your eyes flicked up at him periodically, discreetly trying to see if there was any annoyance on his face. On the last glance, your eyes accidentally locked with his, and you quickly looked away.
The man, Kamazo, paused at one of the stalls and handed you some kind of meat on a stick. At first, you took dainty bites, but the hunger took over and you were ripping big chunks out of it soon enough. It was delicious. How long had you been missing out on how good food could really be? You walked and ate, noticing you were headed away from the center of town, out towards one of the neighboring offshoots. Kamazo guided you once again, steering you towards one of the alleys. What was he doing? Maybe he only let you come because his plan was to kill you. He sensed your unease and gave you a single reassuring pat on the shoulder he held. He led you to a random barrel, one of many in the alley. Unceremoniously, he lifted the lid, picked you up, and plopped you into it. Kamazo grabbed your hand and put something into it. Then he brought his finger to his lips and nodded to the thing in your hand. Your eyebrows knit together in confusion. Cautiously, you looked at the thing in your hand.
It was a small, light object. An acorn? Not quite. It didn't have a stem, but it did have a tail. It was wooden, painted gray and pink. It was... a mouse? It was a tiny, wooden mouse. You looked at Kamazo, who repeated the gesture, and shut the lid gently, leaving you in darkness. You strained to look through a crack in the wooden barrel, but he was already gone. You held the tiny figurine in the palm of your hand. He wanted you to be quiet as a mouse, that much was clear. But what brought tears to your eyes was the fact that no one had ever paid that much attention to you. When you had stopped to peer at the various things stalls had to offer, this particular figure had caught your attention. It was the smallest figure on the table, hidden by so many other bigger, brighter ones. Maybe you felt a kindred spirit in it, but you had been drawn to it. Kamazo must have been watching you. He wasn't only watching you, though. He was paying attention to everything you did. And even if it was out of suspicion or wariness, it still made you feel special, not even special, just human. Where everyone up to this point in your life saw you as dirt, he saw you as human.
Kamazo was gone for a long time. You dozed on and off while you waited for him, readjusting your position in the cramped barrel periodically, the little wooden mouse tucked safely away in your clothing. You were startled awake by being lifted out of the barrel and thrown over the shoulder of the man. He was a little rough in his handling of you. He smelled like sweat and blood, and it was clear why. His clothes were damp and stained. At first you thought his wound reopened, but it was fine. It wasn't his own blood that was splattered across him. His breathing was heavy but not in a way that suggested exhaustion.
Kamazo brought you to a seemingly abandoned portion of town. He was rough in setting you down, practically vaulting you from his shoulder. Buildings were in disrepair and not a soul was present in the streets. You looked around and back at him, confused about why you were there. He had a scythe in each hand and his grip was shifting on them both. You could see dark red stains coating hm even in the moon light. His expression made you uneasy. There was a hunger behind it, something that wasn't really him, something darker. You were right. Maybe he was really leading you out here to kill you. But why would he when he fed you and gave you a gift? You didn't understand. You were questioning whether you thought he would really hurt you or not when you felt a sting on your cheek. He hadn't moved, or at least you didn't see it. Your fingers touched your cheek and pulled away covered in scarlet blood. Your heartbeat pounded and flew into your throat and your legs felt like they were frozen. He could have decapitated you if he wanted to, or spilled your guts into the dirt, but he hadn't. He wanted to play with his prey.
He took a step toward you and you bolted in the opposite direction, heading towards one of the buildings, thinking you could hide. You couldn't even feel your legs moving. Your body was running on autopilot, pulling from survival instinct. He wasn't chasing you yet, but you heard his eerie laugh echo louder and louder, and heard the metallic drag of his scythes against each other. Why now? Why now was he choosing to hurt you? You didn't have time to think about it. All you thought about was getting somewhere safe. You ran around the back of a building, away from his line of sight, and went inside a different one. Quickly, you searched for a refuge, and found one in a small closet. You put your hand over your mouth to silence your loud breathing.
You thought, perhaps naively, that he was warming up to you, or possibly the other way around. You were wrong for not running away sooner. You were shaking with fear. Your mouth ran dry and tears wouldn't even show themselves, for fear of being caught. There was the slightest creak of wood. That was the only sound you heard before the door in front of you splintered to pieces. Without thinking, you dove under him, through his legs, and ran as fast as you could. This time you could hear him behind you. He seemed to get within grabbing distance and then lag, toying with you. At any second he could grab you, but it never came. You kept running and running, never far enough ahead of him to run into a new hiding spot. You could feel the wind from his blades right behind you. If you slowed down, he would render you into ribbons. Your throat and lungs burned with exertion. Finally, you turned down an alley and had just enough time to see an open window to dive through. You thought you had escaped when a hand closed around your ankle, jerking you back into the alleyway. On the way out, you hit your head firmly on the side of the window, dazing you.
Your body went limp and your head swam. You were being maneuvered like a doll into place, bent over an old crate. After all the running, you were too tired to put up much of a fight. You doubted you would even have the energy to walk. A cool, metal line was pressed into the back of your neck, the dull edge of Kamazo's scythe. The chilled wind hit your backside as fabric was pushed up onto your lower back. Your entire body tensed as Kamazo's hand groped your ass. It sounded sick, yet you were glad it was him and not some other stranger.
Kamazo spit on your bared pussy. Something cylindrical was pressed into your folds. It was cool and smooth. Kamazo's hand grabbed your hip and pulled you against it, rubbing your clit against its firm surface as it slid between your lips. You soon realized it was his other scythe. It was braced between his shoulder and the crate while your weight kept it in place. His other scythe was still being threatening pressed against the back of your neck so that you would stay still. You heard his heavy breaths as he continued to drag your folds over the shaft of his weapon. Its pressure against your clit was unrelenting. Your body was reacting naturally to the sensations. You felt the handle become slicker as you were forcefully ground against it. The pressure in your lower stomach was building shamefully quickly. The friction felt unbelievably good, especially since you had been worked up a few days back and never met your release. You whined and squirmed, unwilling to give in like this, even if your body wanted to. Your head was clearing and although you were out of physical fight, you still had some mental fight left, or you thought you did.
Kamazo laughed behind you, the signature laugh of the cursed fruit. He stilled your hips, creating that same disappointing feeling you had when you were left unfinished before. Before you realized you were doing it, you were moving your hips on your own, desperate to get that friction back. How sad that you gave in that quickly, reduced to an animal in heat. If he was going to kill you anyway, what would be the harm in getting yourself off one more time? Right? Did you hit your head that hard? Was it only lust? Kamazo sucked in a breath and groaned as he watched you. Even if he had planned on killing you, how could he not want to keep such a cute, weak, compliant thing?
He helped you out, pushing the shaft harder against you and supporting your hips. Once he felt the rhythm you had worked into, he helped you move as well. Your whimpers were tired and weak. The feeling of the scythe's handle sliding against you was driving you wild. Your cunt clenched onto nothing as it begged to be filled. Maybe you would beg for that, too. You were kidding yourself if you claimed to have dignity. You turned your head as much as you could so you could look a him, hoping your eyes were enough to tell him what you wanted. You couldn't say it out loud.
Kamazo leaned down, drawing his tongue across the wound he made on your cheek. He licked the blood slowly from your skin, growling an approval. The scythe against the back of your neck disappeared and was replaced with his hand gripping it. His tongue continued up your cheek to your ear and sucked at the lobe. His breath tickled the skin of your neck, giving you goosebumps. Another laugh from him made you shiver. It was uncomfortable hearing it that closely, and yet it was turning you on. Maybe you liked the danger, or maybe it was the power he had over you. Either way, the was a fire burning in your core and you were close to releasing it.
His grip tightened around your neck briefly before sliding to your hair and pulling it to the side, forcing your head to turn further so that he could see your face. Your gaze was completely locked on to his. You couldn't look away from him. It was hard to visualize him fully from this angle, but you could see the way he looked down at you, like you were his prize, his toy. He didn't look at you like you were nothing. He looked at you like a possession. He owned you. It was clear now if it wasn't before. If he wanted to play these games with you, you would let him, no, you would happily play along, just to be looked at like you were something.
The sounds that escaped your mouth grew louder even through your exhaustion, to the point where Kamazo covered your mouth with his hand. All your squealing was muffled by his massive hand that reeked of blood. You were so close to the edge, he could probably feel the muscles of your legs twitch as he supported your hips. Grinding against the pole of his scythe while he watched you wantonly chase after your release was humiliating, yet it finally pushed you to your climax. Kamazo removed his hand to hear you cry out and you couldn't help but whine his name when your eyes rolled back. Waves of pleasure and tingling warmth flooded your body from your core to your fingertips. Your entire body went limp as you gave in to the orgasm.
You were only vaguely aware of Kamazo shifting behind you, too overwhelmed with the aftershocks of your orgasm to care what he was doing. Now there was something else cylindrical sliding between your folds, but it was his own shaft this time and not his weapon's. You expected that he might warm you up with his fingers, but he had other thoughts. His tip pressed into your entrance, making your toes curl in anticipation. You started to regret your eagerness and haste to have him inside you when he pressed further inside. You were plenty wet and willing from cumming, yet his size was larger than anything you had had before and there was a burning stretch to emphasize that. You squirmed and mewled at the discomfort, prompting Kamazo to push two fingers into your mouth as a gag. Your hands were clenched into fists. He pushed further inside, letting his own moans fall from his lips. You could feel him barely restrain his instinct to thrust right away, pulling out just a little bit only to sink back in.
You were stuffed full as he bottomed out. There were only a few seconds spent letting you accommodate to his size, which you were grateful for, though you could have used a minute or two longer. Stuffing your mouth with his fingers was swiftly forgotten as he grabbed your hips with both hands in a bruising grip and roughly fucked into you. He fucked you fast and hard, clearly having lost any patience he had watching you cum on his scythe. It stung at first and quickly converted into pleasure as his cock bullied places you didn't even know you had. He was lost focusing on his own release, yet he was inadvertently pushing you towards another of your own. Every pump of his hips was tightening the coil in your abdomen again and you found yourself meeting his hips with your own.
"P-please. More," you pleaded, so close to another climax.
Kamazo answered with a laugh, though it was interrupted by pants and grunts.
A string of curses fell from your mouth, nearing your end. "I'm- I'm-."
The sentence couldn't be finished, cut off by your moans as you came. This time your cunt had something to clench down on, pulling moans from Kamazo also. Your walls fluttered around him and the inside of your thighs became wet, however it was unclear whose fluids they were wet with because as you came, Kamazo shot his own load inside you. His hips stuttered and his balls tightened, body folding over yours in the throes of his own climax. He had meant to finish on your back, the grip of your pussy being too irresistible to contend with, and instead painted your walls with his seed.
He rested his forehead against your back while he caught his breath, his hands rubbing your hips to soothe where he had no doubt left bruises. The comforting gesture was unexpected to say the least, especially since you assumed he was just going to kill you afterward anyway. Several minutes went by with only the sound of panting taking up the night. Kamazo laughed and pulled out, straightening out his clothing. Then he did the same for you and helped you to your feet, catching you as your knees buckled. Your legs were shaking from the combination of running and holding you up against the crate for so long. He gave you a moment to steady yourself. You tried walking a few steps without much success. Your legs were like jelly, your cunt was a little sore, and you were trying not to let all the cum run down your legs.
Without protest from you, Kamazo scooped you up bridal style and headed in the direction of the inn. Your eyes held a lot of questions as you gazed at him. That dark look had disappeared from his face. You still weren't sure what he planned for you. Every time you thought he would kill you, he didn't, and every time you thought he might have a soft spot, he did something frightening. Kamazo glanced down at you and ran his thumb over your cheek. He acted like he was going to lick it off, but put it to your lips instead. It had a smear of your blood on it. Shyly, you flicked your tongue out and cleaned it from his thumb, eyes averting from his own.
"I'm not going to kill you."
Your eyebrows furrowed together. It was unsettling how perceptive he was, like he knew what you were thinking. To your disappointment, he did not offer any elaboration.
After several minutes you worked up enough courage to ask, "Why?"
Kamazo didn't answer, though he let out another laugh, one that sounded sad.
Next
Tag List: @nocturnalrorobin @h0n3y-l3m0n05 @tremendoushorsepatrolgoth @fendifendi @eustasscapitankid @iggy5055 @hannahbarberra162 @mapachito
#one piece#massacre soldier killer#x reader#killer x reader#massacre soldier killer x reader#hitokiri kamazo#hitokiri kamazo x reader#kamazo#kamazo x reader
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An over-analysis of the Yerin Ha as Sophie Baek announcement video
Because I literally can't be chill about the official announcement and love being delusional, here's me reading into everything!
Fitting for our first shot being of Yerin walking and stepping into her role as leading lady
Very similar to how we will see Sophie entering the masquerade ball
The silver shoe is a direct reference to The Lady in Silver and also feels very Cinderella
I've already seen people complain about the nails and chill. Clearly this is not Yerin in costume as Sophie. I think production has heard the criticism loud and clear about the s3 styling; there is a whole new makeup and wardrobe team for s4 (which is good in sense that it'll be different from past seasons but also that they're getting a team that knows how to do make up on Yerin. I've had my make up done in western styles and it just does not suit my face and features.)
ANYWAYS my point are the rings :)
We see two silver rings that represent Yerin playing essentially two different characters (The Lady in Silver & Sophie Baek), but long story short it's really just one person
Yerin looks through clothes and stops at a silver dress and gloves; representing the one she will wear to the ball (But obviously not this one in the video)
She also holds the gloves themselves as they are the object that Benedict uses the find her and is the catalyst to aofag pt 2 in the book.
The glove part is also one of my most favorite moment of the ball bc 👀
Just like Benedict, we don't fully see her face at first
A reference to the mystery of Sophie/LIS and our long awaited anticipation of seeing her on screen
As we finally get to see Yerin's face, we see she's in pink
Now as an individual who's degree made her take color theory I love color symbolism
Pink is a delicate color with white but it also has the boldness and power of red
It's a color that's feminine, romantic, and tender
Pink also is associated with healing
I love that they chose to introduce us to Sophie/Yerin in pink because the color represents everything Sophie is and what's important about her character
Lastly I noticed this sparkly beading on her sweater that's hidden under Yerin's hair...
This could be another nod hinting that Sophie is the Lady in Silver
One thing I observed is a good amount of people did not know who Sophie was.
This announcement was made because filming will be starting this month and the paps will for sure be there, but also it's for fans who've been waiting years for sophie (book fans mostly)
The caption to this video only list Yerin as Sophie
Fans who go in with no prior knowledge do not know Sophie = Lady in Silver and I think the show is making a point on keeping it a mystery even though we'll probably know she is the LIS in ep 1
Welcome Yerin Ha and Sophie Baek 🤍
You are already so loved and thank you for representing us Asian girlies xx
#I’m actually so crazy#we love Yerin!#Sophie baek we love you#bridgerton#benedict bridgerton#sophie beckett#Sophie baek#Yerin ha#bridgerton analysis#would you believe me if I said my old roommate made fun of me for reading into things in movies
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HAPPY BIRTHDAY HAVE SOME BOOPS
can i request either either fma or prince zagreus?
a continuation of 1 2
Roy has pleasant small talk with the Xerxian ambassador, who he does genuinely like most days, and Maes is right there and close enough to do some sort of physical damage when the ambassador says, "Not that I don't enjoy these talks, but your loan is waiting outside."
"Yes," he says to the woman who's probably old enough to be his grandmother and who it wouldn't be inappropriate for him to snap at in any circumstance, "of course."
He's not sure what he was expecting, exactly, from the king's personal slave. Someone around the king's age, who'd served him his entire life, someone Roy could have missed seeing on his few visits to the king.
Most Xerxes citizens have their trademark distinctive yellow eyes and hair, although there's enough trade with Xing that it's not unusual to see black or brown these days.
For the first time, Roy understands the stories that spoke of the people of Xerxes being formed from gold.
The man is probably a decade younger than Roy, back straight and shoulders wide. He's on the shorter side for Xerxes, but he'd be considered tall in Xing. His hair is long and in a ponytail down his back, the warmest golden color he's ever seen someone have. His eyes are the same, not the pale yellow he associates with Xerces, but a rich gold that seems all the brighter against his tan skin. He's wearing a red sleeveless robe that goes to his knees with baggy red pants underneath, the robe and slippers embroidered in gold. He has gold armbands and earrings and a chain that disappears beneath his robe, almost too opulent for his station but he supposes belonging to the king comes with it's own advantages.
"Fuhrer Mustang," the ambassador says, jerking him back to reality. He mustn't have been gawking too obviously if Maes hadn't hit him for it, but that might be because he was too busy being the same. "This is King Pakor's personal slave, Van Edris."
Edris bows, hands clasped in front of him rather than on his thighs like they would in Xing or at his sides as they do in Amestris. "It's a pleasure to meet you, Fuhrer. I look forward to our time together," he says in Xingese with a better accent than Roy has himself.
"Yes," he says, then clears his throat. "Yes, thank you. Me too. As well, I mean, I'm also looking forward to it."
It's a small mercy that Maes doesn't speak Xingese, but he can't even focus on that with the way Edris's eyes are crinkled with amusement, his lips twitching up on the sides in a way that's almost a smile.
He never should have agreed to this.
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Seonghwa (Ateez) x male!reader
Burying the Hatchet
request ~*+ - masterlist ~*+ - part 1 of ??
summary: Though rival mob bosses separating their territories by north and south, m!reader and Seonghwa frequently bump into each other at socialite events. With tension building up in m!reader’s half of the city, he needs decide whether or not to confide in his connections for support.
( overview: mafiaboss!seonghwa, mafiaboss!reader, both socialites and well known, reader controls the south, seonghwa controls north, associates/goons = mob members, Ricky (zb1) feature because he’s very mob coded, reader is lowkey tsundere, established non-romantic relationship w/ eachother, reader inherits wealth, the park family = seonghwa’s mob group )
( warnings: mentions of plausible violence (guns/fighting), blood, injuries (scrapes/bruises/cuts), hostile personalities, mentions of psychotic/psychopathic behavior, threats, cursing )
emoji code:
🌿 ( long story/series )
-🧸 ( very light fluff )
🫧 ( pieces of angst here and there )
🪐 ( mafia / mob AU )
☁️ ( stands for y/n )
likes, comments, & reblogs r appreciated ˚ʚ♡ɞ˚
Chatter echoed through a ballroom bustling of attires fit for only the most affluent. If it were up to him, ☁️ would be perched on the mezzanine, people watching until the gala had concluded. Instead, he walked into room preparing a flashy smile to anyone who would have the misfortune of catching his gaze.
“Can I take your jacket for you, sir?”
As ☁️ awaited the host of the gala’s presence, a teenage boy wearing a tuxedo approached him. The boy flinched slightly as ☁️ turned in his direction, ☁️ assuming he was just someone who worked there.
“No- I’ll keep it, thank you. Could you tell me where Ricky is, though?” ☁️ asked, turning his attention back to the crowd of people in the distance.
Though the two were the same age (early 20s), Ricky had made a name for himself apart from his parents- unlike ☁️. The man had the city’s media in a chokehold, with news of his whereabouts and appearances circling weekly. In contrast, ☁️ had inherited his parent’s wealth and “business” after their passing. The public also kept a close eye on him, but for reasons less alluring.
“Last I’ve seen he was on the other side of the room beside the DJ. Here’s your pamphlet.”
“Thank you.” ☁️ replied, him then taking the paper and watching the boy scurry away. He sighed as he flipped through the pages, reading carefully over the guest list and seating arrangements.
‘What the hell is Seonghwa doing here?’ ☁️ muttered to himself before taking a few steps toward the crowd. Recognizing a familiar face slip out of the mass and approach him with a smile, he quickly placed the pamphlet into his suit jacket as he walked.
“☁️, how have you been?” Ricky called out, waving to the man as the two closed the distance in between them. It was then that the two embraced, holding each other for a moment more. ☁️ noticed Ricky’s navy blue suit had a velvet look to it, him feeling the texture as he held onto the man’s forearms.
“I’ve been great, how about you? And what happened to the blonde?” ☁️ responded, smiling and then pointing to Ricky’s hair. The last time that he had seen Ricky, the man had bleached his hair a platinum silver. Now, his raven-black hair was slicked back, with a few strands falling onto his forehead.
“I’ve been better, and my roots grew out so I just dyed it back to a natural color. But listen, before you leave tonight, I’d like to speak to you. In the meantime, you need to do your rounds.”
☁️ huffed, knowing that this meant he had to greet everyone.
“We’ll be fast.” Ricky assured, once again grabbing the man’s arm and escorting him through the crowd.
☁️ smiled, introduced himself, shook hands, and kissed cheeks more times than he remembered that night. Following a conversation with a couple, Ricky led ☁️ out of the crowd, the two now standing for a moment.
“We done?” ☁️ asked, exhaling.
“One more. You aren’t going to like it, but please be respectful. I don’t want my gala to become a war-zone.”
“Is it Seonghwa?”
“Yes. But-“
“Why the hell did you invite him?”
“I do business with him just as I do with you. I’m prompting neutrality.”
“Understandable. But why do I gotta go over to him?”
“Because you two aren’t going to mean-mug each other all night like you did last year. That caused problems, did it not?” Ricky led ☁️ to his table, the two sitting beside one another.
“I don’t even have my guys with me tonight.” ☁️ argued, though he knew was simply delaying the inevitable.
“Neither does he. It’s invitation only this time.” Ricky’s tone was calm and fresh, though firm. ☁️ didn’t want to push his buttons, ultimately deciding to get it over with.
“Alright, let’s go.” ☁️ straightened his tie and stood up, Ricky following.
“Last I saw him he was standing beside the DJ’s stage. Let’s walk behind it.” Ricky said, motioning ☁️ to follow him.
The two tiptoed around the DJ’s elevated setup, emerging on the other side of the room after carefully stepping over wires and boxes.
“There he is. Behave, please.” Ricky whispered after leaning into ☁️.
“Always.” ☁️ muttered back before noticing that Seonghwa had three of his goons around him. The man leaned his back against a column and looked around the ballroom. He wore a bold outfit- a shiny gold top (that exposed some of his cleavage) with a brown fur coat and grey dress pants. His hair was in an up-do with strands hanging in front of his eyes, and silver chains dangled from his neck. ☁️ thought that Seonghwa was insanely hot, especially in this outfit, but would never vocally admit it.
“You said invitation only, Ricky.” ☁️ muttered through his teeth.
“It was... Let’s just make this quick.”
As the two approached Seonghwa, two of his goons noticed and walked over to his side.
“Seonghwa. I’m sure you remember ☁️.” Ricky chirped, hiding his nervousness very well. ☁️ and Seonghwa stared at each other for a few seconds before ☁️ forced a smile and held out his hand.
“I’m sure you’re well.” ☁️ remarked dully, watching as Seonghwa took his hand and squeezed. It took everything in ☁️ not to call him an asshole, but Ricky was luckily there to mediate.
“I am. It seems like you’re here alone tonight.. what a shame.” Seonghwa replied in his usual deep voice, ☁️ watching the man look him up and down.
“I’m here to donate to a charity, not intimidate socialites with my goons.” ☁️ kept a straight face, but wanted to laugh in Seonghwa’s face. “And you look rediculous.” ☁️ whispered after leaning into Seonghwa, only taking a step back when Ricky grabbed his arm and muttered a ‘Jeez.’ Seonghwa sneered and looked around in response, licking his teeth as he nodded in amusement. ☁️ could tell he was already ticked off.
“I’ll see you later tonight, yeah?” Seonghwa nodded his up as he spoke, patting ☁️ on the arm and nodding to Ricking before departing to his table with his goons.
“You couldn’t have made that any worse.” Ricky whined, furrowing his eyebrows as he looked at ☁️.
“Somebody has to humble him.”
“I don’t want any bad blood here, ☁️.”
“I said that I understood. If he can’t take criticism then maybe he shouldn’t be The North’s premier mob boss.”
“Well Southside’s premier mob boss seems to not know how to behave.”
“I was-“ ☁️ paused. “Well… He’ll be fine.”
“Right.. I’ve been meaning to talk to him so I’m going to do that now. The service should begin in the next few minutes. Make some friends while you’re here, you need them.” Ricky said before he began walking away. ☁️ gasped teasingly, the two smiling to each other as the distance in-between them grew.
—
His footsteps tapping up the staircase’s crimson-colored carpet, ☁️ was on the hunt for someone specific. He stepped onto the mezzanine and walked over to the beige railing, him then leaning against it. Scouring over the many faces on the dance floor and sitting at tables, ☁️ found that Seonghwa was nowhere in sight despite having seen him before the service had begun. Assuming that the man had left early, ☁️ frowned and turn around.
“Whatcha doin’?” Seonghwa asked, leaning against the wall a few feet in front of ☁️. The man’s goons weren’t next to him, but ☁️ could see them on the other ends of the mezzanine through the corner of his eye.
“I was looking for you. Have a minute?”
Seonghwa raised an eyebrow and walked over to ☁️, standing beside him.
“Make it quick.” He muttered, looking down at the people below.
“I received this letter a few days ago. I wanted to ask if you knew anything about it.” ☁️ pulled an envelope out of his jacket pocket and handed it to Seonghwa.
“People still write letters?” Seonghwa said with a scowl, pulling a piece of paper out of the envelope.
“So is it safe to assume that you weren’t the one to send it?”
Seonghwa took another minute to analyze the letter.
“No.. not my style... Whoever did hates you, though.” Seonghwa whispered, handing the piece of paper and envelope back to ☁️. “What’s the red stuff at the bottom? Don’t tell me it’s blood.”
“It is. Instead of signing a name, the blood is suppose to be the signature. That’s what I think, anyway.”
“Wow.. you really pissed someone off. Did you figure out whose blood it is?”
“Mine.”
Seonghwa laughed and turned to ☁️.
“So someone wrote a letter threatening you, somehow got ahold of your blood and smeared it onto the paper, and then mailed it to you?” Seonghwa shook his head with a smile. “Good luck, really. You need it.”
“I thought that you’d be more helpful. That’s all I needed, though. Have a good night.” ☁️ said, turning to walk away. Seonghwa quickly gripped his shoulder and stopped the man in his tracks. ☁️ to looked over his shoulder somewhat menacingly.
“Do you need help? Seriously.” Seonghwa’s unserious smile quickly turned into an expressionless display of concern, as he slightly leaned into ☁️.
“Never will I need your help. Stay on your side and I’ll be fine.” ☁️ quipped, brushing Seonghwa’s hand off of his shoulder and stepping away. He stopped upon hearing Seonghwa continue.
“I hate you.. but don’t die, please.”
“The hell are you talking about?” ☁️ snapped, looking over his shoulder again.
“That’s psychotic behavior, ☁️. You can’t just have one of your guys find and take care of ‘em.”
“Why not?”
“This isn’t just some guy on the street.”
“No shit.” ☁️ rolled his eyes. “I have to go, Seonghwa.”
Seonghwa remained silent, watching as ☁️ strolled back down the staircase.
“How the hell did they know it was there?” ☁️ walked up the stone walkway to his home, with two of his associates following beside him. The mansion had been broken into, with a suitcase full of hard drives having been taken from ☁️’s chambers.
“Respectfully sir, we suspect a mole in the group. After the passing of your parents, the associates haven’t necessarily been well-monitored.” The older man beside ☁️ replied, opening a door for him as the three arrived to the entrance.
“Please get in touch with the gentleman who set the security systems up.” ☁️ paused as he stepped inside. “Actually, I’ll just do it. You two should go home for the night.”
“But sir, we really think someone should stay with you until everything’s resolved.” The second associate replied, following ☁️ as he unbuttoned his suit jacket in the spacious living room. The room glowed in orange and yellow hues from the lit fireplace. ☁️ sighed and turned to his two henchmen, a sense of nervousness trickling down his spine. He wondered if he could trust them, but also wondered if there truly was an outsider out to get him as Seonghwa suggested.
“I’ll take care of myself and this.. situation. Please, go home.”
“At least let me contact the programmer. I’ll get him here as soon as I can.”
“Thank you. I’ll see you both tomorrow.”
1 week later
“Two events in a row? This must be a record.”
☁️ felt a tap on his shoulder and turned around. Seonghwa smirked, looking ☁️ up and down. “I didn’t think you’d come.”
“Wasn’t sure why you invited me.” ☁️ replied, crossing your arms.
“Oh, here I thought that you wanted to support charities..”
“You held a gala one week after Ricky and invited me on short notice.”
“Seems that I did. So?”
☁️ exhaled. “Thanks but I should go.”
“Wait.” Seonghwa held his hand out to stop the man. “I heard things weren’t going well on your side of the city. You sure you don’t need help?”
☁️ looked around the crowd of people surrounding him. This ballroom was smaller than the previous gala’s, but just as loud. ☁️ leaned into Seonghwa, who reacted by leaning forward as well.
“If I find out that you’re playing me again, it won’t end up for you.” ☁️ murmured into Seonghwa’s ear. Seonghwa leaned back up, with a seemingly offended expression.
“Are you accusing me of what’s going on?”
“No, simply warning you- just in case. I need to go.”
“☁️.”
☁️ turned around and slid past people to get out of the crowd.
“☁️!!”
☁️ froze as the room went silent. Everyone turned to Seonghwa as ☁️ slowly turned around to glance back at the man. An awkward silence filled the air for a few seconds, with Seonghwa not taking his eyes off of ☁️. After the chatter picked back up, ☁️ continued out of the room, leaving an abandoned Seonghwa alone on the dance floor.
☁️ walked through the hallways and toward the glass double doors, waving down a bellman as he did so.
-
A few photographers stood behind red ropes, clicking their cameras immediately after ☁️ began descending quickly down the white staircase. A few began shouting out to him.
“Hey, ☁️! What’re you doing in The North?”
“Have you and the Park family finally made amends?”
“You look great tonight, ☁️!”
☁️ smiled and waved as a bellman pulled to the curb with his grey sports car, getting out as soon as ☁️ reached the sidewalk. The bellman handed the keys to the man as the two walked past each other, ☁️ then jumping into the drivers seat.
“Hey, Mr. ☁️. The programmer was able to stop in today.”
“That’s great, has everything been recovered?” ☁️ responded as he walked into his home, an associate beside him.
“He said he needed a password.”
“To the computer? Why didn’t you call or text me? Is he available tomorrow?”
“He’s still here, just using the bathroom. I’ll tell him you’ve arrived after you put your password in.”
☁️ looked over to the associate after hanging his suit jacket up.
“It’s midnight.”
“It’s the only time he could come this week.”
☁️ raised an eyebrow and walked to his chambers past the living quarters and down the hall. After his shoes tapped echoed through the hallway, he leaned into the double doors, pushing them open. The lamp on his desk was already turned on at the other end of the room. ☁️ also noticed that the associate was still behind him, him turning to the man before walking inside of the room. He was suspicious at this point, hearing more voices in the living quarters.
“Why don’t you go let the programmer know that I’m back. Please tell the other associates that they’re good to go, as well. I don’t need anybody here right now.”
“You want us to leave you alone with the programmer? What if he tries to-“
“That’s an order. I’ll see you tomorrow.” ☁️ narrowed his eyes, allowing his voice to become slightly belligerent.
The associate sneered and nodded, turning around and walking toward the living quarters. ☁️ sighed and closed the chamber doors behind him, walking toward the desk in front of the large stain-glass window. Bookshelves covered the left and right walls, and though the room wasn’t huge, the ceiling was very high up.
☁️ walked around the other side of the desk, sitting down and tapping the computer’s keyboard to turn the device on. He didn’t put his password in, choosing to wait for the programmer to arrive. Another thirty seconds passed before the oldest associate opened the room’s doors, walking in.
“☁️. Do you have a moment?”
“Where’s the programmer?”
“I think he’s still talking to the other associates. I think we should speak in the meantime.” The associate called out, standing at the door.
“Come.”
The associate strolled slowly over to the side of ☁️’s desk.
“What did you want to talk about.” ☁️ asked, giving the man his attention.
“You know, your father and I were extremely close. He entrusted me to do everything beside him.”
“Yes, I remember.” ☁️ nodded, tilting his head to the side.
“He also hated the Park family with every fiber of his being. And I know that you’ve been going out of your way to attend Seonghwa’s galas.”
“To support his charity and rebuild my family’s reputation. Yes.”
“Do you think that your father would’ve wanted this? To knock down the legacy that he has built?”
“Excuse me?” ☁️ snickered. He felt his body become tense, and his tone dull.
“I just think that with you as the head of this.. well, what used to be a mob group, you’ve dug our reputation into ground.”
☁️ felt his body heat up, making him stand up and grab the associate by the collar. The associate responded by pulling a gun out from his back pocket and pointing it at ☁️’s head. ☁️ exhaled and let go of the man’s collar, putting his hands to his sides.
“You need to give this up, ☁️. It’s in your best interest. Your father wouldn’t want this.”
“And his inability to be harmonious with other people is what got him killed.”
“Put your password into the computer so I can put this gun down.” The associate muttered, tapping the gun against ☁️’s head.
“No.”
“Please don’t make me do this.”
☁️ laughed.
“You’re not gonna have the password if you do ‘this.’”
“Don’t mock me.”
“Don’t be an idiot, then.” ☁️ laughed again, pausing before quickly shuffling to the side and knocking the gun out of the man’s hand. The gun landed on the desk and slid across it, falling off on the other side. ☁️ leaped over the desk and grabbed the gun before the man could snatch it, ☁️ then kicking his knee out while still on the ground. The associate quickly stood up and ran toward ☁️ as he got on one a knee. With a loud bang, ☁️ shot the pistol, hitting the associate in the leg. The man fell to the ground and clutched his knee.
“Fuck.” ☁️ muttered under his breath, putting the gun on safety mode and into his pocket. He grabbed his computer from the desk and threw it through the stained-glass window, shattering it. The door then slammed open, with a bunch of ☁️’s members running in. After seeing the older associate on the ground, the group whipped their guns out and pointed them at ☁️. The man was already halfway out of the window at this point, him having jumped through the hole and falling into the bushes below. With scrapes and bruises along his body, ☁️ rolled out of the bush and secured the laptop beside him- though he presumed it broken. He shot up and ran alongside the mansion’s side, hopping over the iron fencing as soon as he reached the front of the building. ☁️ considered taking one of his cars, but quickly realized that the keys were still inside.
Continuing to run through the forest, he eventually emerged into the city after a few minutes. ☁️ noticed a university campus in front of him as he wandered, him power walking through it and waving a taxi down. He ran to its side and jumped in, him recognizing the driver as he did so. The two stared at each other through the rear view mirror before the driver smiled.
“Oh, right- you’re ☁️. I worked a lot with your father.”
☁️ froze with his hand on the car’s handle, preparing to run out.
“Your family has helped mine out a lot. But anyway, where to?”
“Can you just drive, please?” ☁️ asked nervously, his hand still on the handle.
“Sure thing.”
The two drove in silence for a minute before the driver pulled up to a red light.
“You alright? You look pretty disheveled there, chief.”
“Yes, just some work issues.”
The driver chuckled. “Your dad had the same problem. I’d always wait a block or two away after he handled business, and he’d come running over with ripped clothing and red fists.” He paused. “I’m a bit relieved that the whole mob business thing is dying, though. I hope you don’t mind me saying that.”
☁️ pondered his words, repeating them in his head before responding. “..Yeah, I’m relieved as well. Can I bother you to drop me off in The North?”
“Oh, sure. I heard that you buried the hatchet with the Park family. That true?”
“I think that’s what I’m going to do now.”
“I see. Is there somewhere specific in the North?”
“Do you know where that gala was held today?”
“Oh yeah, I’ll have you there in a few.”
“Thanks.”
-
“Well, it’s an honor to help you through this last hurrah. I hope it goes well.”
“Thank you sir. How much do I owe you?”
“You don’t look like you have anything on you, respectfully. Just get me back next time you see me.”
☁️ nodded and slowly turned around toward the large building in front of him. There were no photographers, no red ropes, and no people wandering around at this point. With his computer under his arm, he began up the steps.
Upon walking through the glass doors, a receptionist was packing her belongings in a large purse.
“Oh, Mr. ☁️. Are you looking for the gala’s after party?” She asked as the man approached her desk.
“Ah- yes, I am. Can you tell me where it is?”
“It’s down the hallway to your left, the last door down. Also.. you’re bleeding a bit..”
☁️ looked down to where she pointed, seeing small patches of red stain through his white button-up shirt.
“Oh.. yeah, it’s just part of the outfit. Thank you though.”
“Oh, ok.. Have a goodnight.”
“You as well.”
☁️ continued down the dark hallway, stopping in front of a frosted glass door with loud music playing behind it. Streaks of blue, pink, and white flashed across the glass as he pushed the door open. The room was pretty big, with confetti and balloons spread across the floor. A group of around a hundred people danced in front of a smaller DJ booth, with a few wallflowers conversing amongst each other with glasses in their hands. ☁️ walked over to a table full of champagne glasses, grabbing one and sitting in the nearest seat against the wall. He plopped down, leaning his head against the wall and chugging the glass. He looked around, though couldn’t see Seonghwa from where he was. It didn’t help that the room was somewhat dim, with pink lights illuminating half of the room from behind the DJ. Spotlights also casted quick flashes on the dance floor, them occasionally dancing across ☁️’s body as he sat.
Choosing to calm down before searching for Seonghwa, he opened his computer and tapped the keyboard. Surprisingly, it survived the seven foot fall and still worked- the only flaw being a few cracks in the top corner of the screen and a few missing buttons on the keyboard. ☁️ sighed and placed the computer on his lap, him then closing his eyes. 
-
“Psst. Hey, sleepy head.”
☁️ heard someone whisper from beside him, making him jump. He opened his eyes and looked to his left, seeing Seonghwa sitting beside him. He clutched his computer and looked around, seeing that everyone was preparing to leave the party. The music had stopped, and a few workers were vacuuming the carpet. Seonghwa’s face was barely visible in the dim, pink lighting, though his voice was softer than ☁️ had recalled. “So, you came back..?”
“…I think I need your help.” ☁️ hummed.
Seonghwa smirked. “I won’t rub it in your face even though I wanna. Do you need a place to stay?”
☁️ nodded, standing up as Seonghwa did. Seonghwa placed a hand on ☁️’s back, guiding him to the exit. The flashing lights turned into white spotlights that illuminated the exit at this point.
The two followed the crowd out of the room and down the hallway. As they walked out of the glass doors, ☁️ recognized the cars lined up on the sidewalk, with multiple bellman awaiting the guests at the bottom of the stairs.
“We’re all the way in the front.” Seonghwa stated, walking down the staircase with ☁️ and turning right down the sidewalk. A bellman approached the two, handing Seonghwa a pair of keys. He unlocked the red sports car and removed his hand off of ☁️’s back, hurrying in front of the man to open the vehicle door for him. ☁️ rolled his eyes and attempted to hide a smile as Seonghwa gestured him inside. As he sat down, ☁️ covered the patches of red along his top with his arms and hands. Seonghwa shut the door and ran to the other side, him hopping in and hurrying to start the car. After a few seconds, the two were speeding through empty city streets.
“Have you ever been to this part of The North?” Seonghwa asked with a tender tone, turning to ☁️ as he pulled into a lofty condo complex’s garage.
“This is my city. Of course I have.”
“Our city.” Seonghwa retorted.
☁️ smiled at the answer, opening his door after Seonghwa had parked on the highest level.
“We’ll have to take the elevator to the lobby, and then we’ll take a different one to my place.” Seonghwa stated from the other side of the car. ☁️ waited for Seonghwa to lead the way, but upon standing beside ☁️, the man froze.
“What the hell happened?! You’re bleeding.”
“I know.” ☁️ sighed, him having forgotten to cover the red stains.
“You’re explaining everything once we get inside.”
“Ok.”
Seonghwa linked his arm with ☁️’s, ☁️ speculating that Seonghwa thought he was too badly injured to walk by himself, which elicited the act.
The two quickly reached the elevator and stepped inside. With mirrors along the walls, a gold accent lined the corners of the elevator. Seonghwa leaned forward to press a button, and the two were soon moving up.
“Are you tired?”
“Extremely.” ☁️ replied monotonously.
“I could tell by your tone. You can take my bed and I’ll sleep in my guest room.”
“You don’t have to do that. I’ll take the guest room.”
“No. You can take the bigger bed.”
☁️ was too tired to argue back, instead choosing to lean against the mirror as the elevator continued. After a few more seconds, the door buzzed and the two walked through. The lobby’s lights were dim and the spacious room was empty. The men walked across the marble floor to another elevator, Seonghwa pressing the button again though the elevator doors opened immediately. The two walked through, and Seonghwa pressed the button of the highest number- 16.
“You’re on the highest floor?”
“Yes. It’s a penthouse with lots of windows , you’ll like it.”
The two stood silent for a few minutes until the elevator buzzed again, the men stepping out into a small walkway. Taking a few steps forward, Seonghwa flipped a switch, which turned on a small lamp above the two of them. He then pulled out his keychain, picking out a key and twisting it into the black door.
“After you.” Seonghwa said, gesturing ☁️ forward. Seonghwa’s penthouse was full of monotonous colors and exotic furniture- definitely a reflection of his personality. Small lamps lit the space as the two walked into the living room area. Large windows sat on each side of the walls, with the moon peering down from the large skylight above.
“I do like it.” ☁️ murmured as he moved his arm away from Seonghwa’s. Seonghwa simply smiled in response.
“Let me show you to the room.”
“Show me the guest room.”
“No.”
☁️ rolled his eyes, following Seonghwa down the end of the hallway. He switched his lamp light on, it illuminating the large bedroom. The walls, bedsheets, and furniture were all visually-pleasing shades of grey. The windows on the right side of the room touched both the floor and ceiling, stretching across most of the wall to reveal a beautiful view of the city. To the left, a door led into another room.
“Just sit on the bed. I’ll get you some new clothes and medical stuff.” Seonghwa instructed, walking into the bathroom. ☁️ walked to the bed and sat, him waiting for the man to come back out. After a minute, Seonghwa walked toward ☁️ with a small bottle, cotton balls, along with a roll of bandages and placed it beside ☁️. He then trudged over to the wardrobe across from his bed, opening it and throwing a pair of green and blue pajama pants with a white tee onto the bed.
“Those are old so they should fit you. Do you want me to get out while you change?”
“I don’t care, just turn around.” ☁️ replied taking off his pants and unbuttoning his top as Seonghwa faced his wardrobe. He threw the man’s pants on but put the tee around his neck, exposing some of his stomach and arms.
“Okay.”
Seonghwa turned around and sat on the bed. ☁️ pushed the shirt away from his arm for Seonghwa to clean.
“So, you gonna tell me what happened?”
“My associates tried to overthrow me and take over my company’s accounts. They said I wasn’t being a mob boss.”
“Is that where the letter was from?”
“I think they’ve been planning this for a few months now. They probably got ahold of my blood after your guys tried to take over my company’s building. Your goons show no mercy.” ☁️ chuckled, but Seonghwa frowned.
“I didn’t initiate that, by the way. That was my father, and we’ve.. talked about it.”
“It hasn’t happened again, so I don’t care.”
After a few seconds of silence, Seonghwa continued disinfecting, and then wrapping ☁️’s arm.
“So what specifically happened?” Seonghwa asked.
“Well, I got home from the gala. I was told someone was coming in to help me retrieve missing data from drives that were stolen after Ricky’s gala last week. I’m pretty sure they lied, and one of my guys cocked a gun at me and told me to unlock my computer so they could use the drives they stole. I didn’t do it obviously, and I ended up shooting him. The gun probably fell out of my pants when I jumped out of the window and ran into the city.”
“You jumped out of a window?” Seonghwa furrowed his eyebrows, seemingly worried. He wrapped the bandage around ☁️’s arm and clipped it so that it stood in place. ☁️ lifted his pant leg up to expose another cut, him then scooting back on the bed to put the cut beside where Seonghwa sat.
“Do you mind?” ☁️ asked, looking over to Seonghwa.
“Not at all.” He replied, preparing another cotton ball to use.
“And.. yeah, I kinda did. It was only six or seven feet and I landed in a bush. So it was fine. I used this to smash the glass.” ☁️ said, pointing to the computer that he placed beside him. “That’s why it’s fucked up.”
“I have another that you can use.” Seonghwa said as he applied alcohol to the cuts.
“I have important filled on there. I don’t know what I’m going to do just yet.”
The two remained quiet again until Seonghwa finished wrapping the wounds.
“Alright, you should be good.” He stated, grabbing the used cotton swabs and walking into the bathroom with them. ☁️ grabbed the alcohol bottle and roll of bandages, carrying them back into the bathroom for Seonghwa.
“It’s 2:30 in the morning. You should rest.” Seonghwa said, watching ☁️ sit back down on the bed, Seonghwa then walking to the lamp.
“Before you go-“ ☁️ blurted out, stopping Seonghwa.
“Hm?”
“Why’re you helping me?”
“What do you mean?”
“You know what I mean. Why’re you doing this for me?”
“Because I like you, despite the “conversations” we’ve had in the past. And we’re not like our parents.”
☁️ nodded.
“Sleep well.” Seonghwa called out, turning the light off.
“Wait-“
Seonghwa turned the light back on, exhaling. “Yes?”
“Sleep in your bed.”
“I already told you I’m sleeping in the guest room.”
“I don’t want you to.”
“Then move over.”
☁️ scooted back toward the wall with the windows so that Seonghwa could sit in front of him. Seonghwa leaned over to turn the lamp off before pulling the covers over the two of them.
“I’m glad you’re okay. I worried about you a lot.” Seonghwa muttered, him then turning his body to face ☁️.
“Shouldn’t have.” ☁️ murmured in response.
“Well, I did.”
☁️ smiled. “Well, thanks for worrying.”
Seonghwa smiled back, grabbing ☁️’s hand from under the blanket. “Do you mind?”
“No.” ☁️ hummed before turning his body around. He scooted his body back to lie against Seonghwa’s. Grabbing the man’s hand and pulling it over his waist, then two now laid together a spooning position.
“Goodnight, ☁️.” Seonghwa whispered.
“Goodnight.”
a/n: genuinely can’t tell if my stories are good anymore 😄 hope u enjoyed tho! alsoooo gonna be a part 2- just to follow up and see how the reader and seonghwa build a relationship together while the reader is still under the other mob’s protection. def gonna be more fluff and character development in that one!! there can be ❄️ if u guys want it bad enough lol
likes, comments, & reblogs r appreciated ˚ʚ♡ɞ˚
#seungrem#x male reader#kpop x male reader#kpop x reader#kpop x y/n#x male y/n#request#request answered#ateez fanfic#ateez fic#ateez x male reader#ateez mafia au#ateez au#ateez angst#ateez fluff#ateez x reader#seonghwa x male reader#seonghwa x reader#seonghwa x y/n#seonghwa angst#seonghwa fluff#seonghwa fanfic#seonghwa fic#kpop angst#kpop fluff#kpop fanfic#mafia au#park seonghwa x reader#park seonghwa x y/n#mafiaromance
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𝐖𝐀𝐓𝐄𝐑 𝐋𝐈𝐋𝐘 — 𝐠𝐢𝐲𝐮 𝐭𝐨𝐦𝐢𝐨𝐤𝐚
giyu and water lilies have much in common; ft. self conscious giyu! 📝 gn! reader. little hurt to comfort, mostly fluff. didn’t proofread, umm didn’t like the execution for this… for the vitamin u event!
word count : 800+
𝙉𝙊𝙒 𝙋𝙇𝘼𝙔𝙄𝙉𝙂 . . . 𝘚𝘗𝘈𝘊𝘌 𝘚𝘖𝘕𝘎 (𝘚𝘗𝘌𝘋 𝘜𝘗) — 𝘉𝘌𝘈𝘊𝘏 𝘏𝘖𝘜𝘚𝘌
water lilies are known to symbolize many things. they can also be associated with the person you love most in so many aspects.
resurrection. water lilies shut themselves at night only to open up again in the morning, and some people believe in the symbolism of resurrection because of the flowers emerging from the murky waters of their home into the light of the rays of the sun.
it reminds you of your closest friend, giyu, in the way that he had happiness before—the innocence of being a child, so distant from any bad thing that could affect his reality only to be crushed completely at the death of his best friend. that happiness, though never in its old form, came back when he met you, resurrected from within after so many years of denying it. his happiness, in a way, had resurrected. different, but the same warm feeling nonetheless.
“…you spend so much time with me.”
you pick at another weak flower, putting its petals precariously in his hair. you save the stronger flowers as a whole to put securely on top of his head. giyu holds his own water lily, red in color. he doesn’t do anything with it, though. he just holds it in his hands, resting them on his thighs.
“is that a bad thing?” you question.
“not necessarily,” he responds, “i just think you could spend your days doing something more… productive…than spending time with me of all people.”
“what brought this on?” you glance at him, seeing his eyes staring at the water, the flower, anywhere but you. he was beautiful.
beauty. there’s something about the way those flowers rest in the places they live; simply floating on pond surfaces with their petals stuck together like a living community living near other groups of communities, with their multiple colors characterized as different symbolisms and the calmness they seem to exude.
giyu’s pretty, handsome—any praiseworthy words complimenting his looks. but it’s not all about that, is it? his personality’s certainly unique than that of his fellow comrades. albeit rather stuck in the past, he’s quite the worrywart for people he cares about, even if at first he can be a bit mean and forlorn (although, before you’d met him, the “forlorn” part could’ve been pretty accurate…). he’s kind, gentle, and calm—beauty rarely found outside and inside a person, even if he can rarely notice it himself.
“someone told me to stop wasting your time. i’m beginning to think they’re right,” giyu places the flower in his hands into the water, watching as the wind carries it away from him as petals fly from his hair to the surface in tow.
“who told you that?” you ask, surprised at the disinterested look on his face. you expected much, but after all this time… maybe you’d hoped that he’d be a little more interested in wanting your interactions to not end.
“it doesn’t mat—”
“giyu.”
he stays silent for a hot few seconds before admitting, his eyes semi-closing as he opens his mouth a few times before managing to speak. “it…it was just a feeling. mixed with some comments i’ve heard from the other hashiras.”
you don’t push on the matter of who said what further, instead opting to be nearer on the matter of keeping his hopes alive that you want to be with him.
“do you want our meetings to stop?”
he sighs. “…no. of course not.” you both watch as the red water lily from before bumps into him, his hands reluctantly reaching to lift it up again.
“that’s good,” you exhale in relief, “then i’m free to continue spending time with you—not wasting it, there’s a difference—without anyone stopping me.”
your conclusion made him think that what he’d just proposed was silly. you both sat for a few minutes in silence, you looking for something as giyu sat staring at the water lily in his palms.
he snapped out of his trance when he felt you put a flower on his head, hearing you softly laugh as you tucked and moved his hair this way and that to hold it in place.
“…i love you.” he murmured.
enlightenment.
you froze once you processed those words, giyu wincing and his eyes widening once he registered what he’d uttered.
it can mean understanding. whether that be understanding the many meanings and symbolisms from one of july’s flowers to understanding the people around you.
you slowly smiled, moving your hands from the delicate flower to his shoulders, kneeling in order to hug him and whisper, “i love you too,” to him.
it reminds you of giyu in the way that you spent awhile to recognize his pains of what had happened to him and how those horrors had trailed and haunted him to his adulthood. how you deciphered his emotions through his stoic shield of protection. how you took the time to really understand him, to get to this point.
he carefully guided your head to face him, his lips ineptly finding yours as you helped him through the process, the red water lily set next to him as he embraced you fully.
red water lilies symbolize pure love. it’s just another reason why these particular flowers remind you so much of the person you loved most.
overluvsick | please do not repost, translate, and/or claim my works as yours !!
#demon slayer#kimetsu no yaiba#kny#demon slayer imagines#fluff#kny x reader#kny imagines#small hurt to comfort#giyuu tomioka x reader#giyu tomioka#giyuu#kny giyuu#giyuu tomioka#giyuu x reader#demon slayer giyuu#kimetsu giyuu#giyu x reader#giyu tomioka x reader#kimetsu no yaiba x reader#demon slayer x reader#hashiras#hashira x reader#kny giyu#hugging#kissing#summer event#tomioka x reader#tomioka#kny tomioka
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INTRODUCING THE MOST MANIPULATIVE KING IN HISTORY , MAGNIFICO!!! 🎇🎇🎇🎇(I hate him but he deserves a redesign lol).
For those who see this post for the first time, I introduce myself, Hi :D! I'm Aled and this is a collaboration with @ animación , author of the rewrite of Wish that is on her profile (read it, the story it's soooo good) and I am in charge of drawing the redesigns of her story.
Now, coming back to the main thing, I will show how we got to this result :)
FACIAL FEATURES AND HAIR:
-Honestly, I never thought that getting used to drawing Magnifico would be so difficult lmao, how in most of my procedures to make the designs, I start with sketches and studying the structure of the character's face, this was a little difficult because I'm not that I'm used to drawing people over 20, but with a few practices I was able to figure out how to draw him :D
(I also did digital internships, but I didn't save most of them because I forgot lmao)
COLOR PALETTE:
-Don't think that I chose a palette of yellow and gold colors just because I thought it was pretty (well, that's also another reason), what happened is that when I was searching through conceptual arts, I found some designs by Magnifico where They used a blue and yellow color palette
I did a quick search and found this:
-Tell me this doesn't remind you of Magnifico, then yes, that's why I chose a yellow color palette, also adding a golden tone to give it a royal vibe.
-I also applied this in the design of Queen Amaya, in the publication of her design I explained why I added details of a dark blue color in her costume and Magnifico's costumes
ATTIRE:
-From the beginning I always wanted to modify Magnifico's cape by adding a rose as a brooch, and searching through the conceptual arts I found quite a few interesting models, so it can be said that I combined everything I liked and that's how I got the cape for Magnifico, Also adding other details that occurred to me.
-The author sent me several ideas for Magnifico (thank you by the way :D), one of them was associating Magnifico with the sun, I really liked the idea and that is why there are so many symbols of the sun in his suit, plus these It reminded me how in so many cultures the Sun is worshiped, just as the kingdom of roses worships Magnifico, there are also other reasons why the sun fits with Magnifico but I already mentioned that in the publication of Amaya's redesign.
-The truth is, I only drew the other details improvised, this time I just got carried away, but hey! The outfit didn't look bad at all :)
-Another important part of Magnifico's costume is the "M" on his badge, but in fact it is not an M 😅, it is the sign of Scorpio ♏, this idea was from Anny Mation
-So yeah, I had to add the Scorpio symbol yes or yes, at first I thought about adding it to the back of the cape but I wasn't convinced by the idea, but then I thought: "Wait, why don't I add the sign on the gold plate ? that would look elegant."
FINAL COMMENTS:
-I'm proud of how this turned out, I feel like it does justice to a villain that commemorates 100 years of Disney :)
-Also, I think that those who have already seen the other redesigns know which character is next, right 👀✨? For Aster, I don't know how long it will take me to draw him, since the boy is literally a walking animation studio lmao.
That would be all for now, until next time :D!
#sketch#art#artists on tumblr#artwork#disney#disney wish#drawing#digital art#illustration#my art#magnifico wish#king magnifico wish#king magnifico#magnifico#wish magnifico#magnifico x amaya#wish disney#wish 2023#redesign#wish reimagined#wish rewrite#wish movie#wish#disney movies#disney animation#disney fanart#wish star#asha#queen amaya#redesing
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how do you feel about march eridan?
Ok disclaimer before I get into it, trolls wearing dresses = great and fantastic; in fact, given that the gender differences in troll culture are so much less significant, ALL the male trolls should own some femme-ass clothes, even if it's as simple as just having a skirt version of their pants, and it's a little lame that we didn't get that.
That said, March Eridan specifically kind of annoys me because it has 0 basis in canon (aside from some shoutouts in things like ministrife sprites) but has taken over Eridan discussions so wholly that it's become widely accepted as part of his character that he's really into femme stuff when the opposite is true, and he's got some pretty major characterization tied up in the fact that he does lean so masc, and what specific type of masc he tends to present as.
So first of all, Eridan dresses up to emulate Dualscar, and this is very obvious and straightforward; if you've read the big essay I have pinned to my blog, you know that this is all a part of his basic "I have to be a big bad sea dweller or Something Bad Will Happen" suite of issues.
Thus, we can ALSO assume that the choices he made that aren't made to emulate Dualscar are reflective of his ACTUAL taste in clothing. For example, blue pants instead of purple and black - I believe that this is because Eridan likes to dress up in the blood colors of his dates; he wears a lot of blue because he's hatedating Vriska (and never quite seems to get 100% over her), and we also see this in the rings on his fingers - half of which are fuchsia, for Feferi.
So that leaves us with the glasses, shoes, and scarf. And we know why he dresses like that! It's because he's a hipster. (The scarf has an added benefit of being associated with harry potter-style wizards).
CCG: PAST YOU, PRESENT YOU, FUTURE YOU CCG: AND ABOVE ALL, UGLY SCARFNECKED DOUCHEBAG HIPSTER YOU CCG: WAIT I FORGOT, ALL OF THE YOUS ARE THAT YOU
And very specifically, a masc hipster from the era - the glasses and the ugly-ass shoes are dead giveaways. The slicked-back hair is reminiscent of that fashion style, too. He is also a douchebag. This too is important. He draws from character archetypes of the time that were generally agreed upon to be the most punchable people in existence; his introduction calls him "KIND OF A TOOL" and he consistently acts according to that. Like, I mean, just LOOK at those shades. Those are not the shades of somebody you want to be trapped in a conversation with.
A fairly accurate Eridan fashion board would look something like this:
And, like, it kind of matters that he dresses like this specific breed of pretentious male douchebag; on a meta level, that's the impression he's supposed to give the audience, and on a diegetic level, he CHOOSES to look like this because he has these kinds of interests, but is relegating them to secondary accessories.
We never hear him talk about liking hipster shit; we have to hear it from Karkat and glean it from his design. This is because, as I've talked about before, he actively distances himself from things that make him happy, things that he'd enjoy. The constant push-pull between his ACTUAL interests, and the ones he thinks he has to have because he's supposed to be a big nasty sea dweller, is a huge part of his characterization - for example, the way he keeps claiming that magic and wizards are fake and shitty, but has no less than 6 wizard statues in his respiteblock alone, and cared about his crappy wands enough to bring them onto the meteor.
So that's one of my other issues with March Eridan and the general fanon that he'd be really into femme clothes (and, by extension, fashion) - he wouldn't be forthcoming about it, even if it was true. He has a deep sense of shame and insecurity surrounding what few interests he actually has, because they feel stupid, ridiculous, and frivolous, next to the intense anxiety he has about playing the role society gave him. He's got a very strong sense of duty that makes it very difficult for him to relax and actually enjoy something. Which, you know, probably feeds into his hipster-ness - a movement often defined more by what it doesn't approve of than what it does.
Canon Eridan, when he has a choice of what to wear, overwhelmingly chooses masculine clothing with hipster connotations. And this matters, it's part of his characterization, it says something about him, the same way that it's important that Karkat dresses very simply and baggily (we all know how many insecurities Karkat has about his body) or that Sollux's bifurcation is shown in his clothes. So please please please don't misunderstand my dislike of March Eridan as me saying I don't want him in dresses; I purely dislike it because it's usually SUCH a misread of his character.
And to prove it, here's my other gripe with March Eridan stuff: all the dresses shown in the not-canon "official" artworks don't even flatter his bodytype. Why do his custom mannequins in Pesterquest have CURVES when his Pesterquest sprite doesn't?????
Please, I'm begging you, there are guides for dressing this body type, and even historical fashions that deliberately try to emulate this body type, please if you're going to dress him femme and HC that he enjoys fashion, please put him in clothes that flatter him please
I think Eridan should own some femme clothes, because on Alternia, there are very few differences between the genders, he's rich enough to afford it, and he clearly has more of an interest in fashion in general - but I think the fact that he has a clear canon preference for masculine styles is significant, and I'm really annoying, so it kind of does bothers me that this is a controversial opinion. That being said, I don't want to tell people what they Should and Should Not do, because that's lame. Who cares. He's a fictional character, let people draw him in dresses. Would be very happy if this post causes people to draw him in different styles of dresses though :pray:
#I'm not going to tag this#because also people playing around with putting Eridan in dresses is 100% harmless#and i'm not going to ruin the fun by going But The Canon Says -#i'm just really really really annoying about canon and i kind of assume people follow me for that reason#but please dont let my annoyingness hamper your fun#if you enjoy putting eridan in dresses then by all means keep doing it#peace and love and rise above
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Roses
- short fluffy blurb on all the times Coryo gave you roses -
♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡
The first time Coriolanus got you roses was when you were both 13.
You'd been going to the academy together and inevitably grown a bit close over the years. It was your birthday that day, and while everyone else gave extravagant gifts that their families could afford, all Coriolanus could give was a simple plain white rose. He was nervous, a bit ashamed that he couldn't give anything more to his best friend.
But, to his surprise, you were ecstatic. He still fondly remembers the way your eyes lit up and you threw your arms around his neck. With your face buried in his chest, a lasting impression was etched in Coriolanus's memory, marking the inception of deeper thoughts about your connection. That was the first day he started thinking about you.
The second time Coriolanus gave you roses was on your first unofficial date.
He showed up outside your window in the evening as the sun just set. He asked you to sneak out with him and with an anxious heart, you agreed. You didn't know where he was taking you, but that didn't matter. You trusted him.
"Coryo, where are we?" You giggled, his hands covering your eyes with the few steps you took. You could hear the chirping of crickets and a distant muttering of people.
"Just a few more seconds... now! Open your eyes," he grinned, observing the fascination on your face as the night sky burst into a kaleidoscope of colors. However, he personally found the way the hues painted your skin more beautiful than any firework display.
"By the way, I grabbed some flowers from my grandma'am's garden. I hope you like them," Coriolanus awkwardly reveals, pulling out two roses from his coat. Bandages adorned his fingers, evidence of the thorns that pricked him during the collection. You stood in silence, your hair tousled by the breeze, caught in the moment with a racing heart, appreciating the heartfelt gesture.
"Y/n?" he asked, a hint of confusion and concern in his voice, wondering why your silence lingered. Did he come off as weird? Was he overdoing it?
Following the whispers of your heart, you closed the gap between you two.
The third time he gave you roses was on your 2 year anniversary.
You woke up bright and early to bouquet of roses sitting in front of your door with a little handwritten note. You smiled, smelling the scent. It was so similar to his own. At this point, you associated the two with each other. Roses are Coriolanus Snow. And Coriolanus snow is Roses.
"Sorry I can't be there to greet you this morning, my love. I have to get back to the academy for mentoring, but I plan to take you out to dinner this evening. Wear the dress Tigris made for you.
XX Coryo"
The most recent time he gave you roses was when he asked you to marry him.
It was cliche. Petals scattered the path leading to a willow tree, and he somehow rounded up white doves to flutter around. As he knelt down on one knee, a single rose emerged from his coat, its fragrance mingling with the air. In his grasp, a stunning diamond ring glistened. With bated breath, he spoke those timeless four words that carry the weight of an eternity.
"Will you marry me?"
#coriolanus snow#coriolanus x reader#the hunger games#coryo snow#coriolanus x you#the ballad of songbirds and snakes#tbosbas#coriolanus snow x reader#coriolanus snow x you#x reader#fluff#blurb
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