#the girl i like the most to do our photography starts at $2200
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why is the photographer the single biggest wedding cost we've got so far
#the venues were looking at are gonna run us around $1600#the dress im looking at is under a grand#were not out here looking for super expensive rings either#the girl i like the most to do our photography starts at $2200#and like i am so willing to pay her that and more since were getting everything else so much cheaper but like#i dont think. thats how it normally shakes out#wedding posting#text
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My dad’s shoe store in the 50’s
Main Street during our 2019 Car Show weekend Ptotography by Dp Photography
It’s Friday, the end of the week. The world is spinning around us with reports of strife, bad news and so on and so forth, and if you don’t know what so on and so forth means, look it up. Yes, that might be a little snarky. I had someone tell me once I don’t write enough snark. On another note, I am plunking this out with one finger because I have an injury on my right-hand ring finger and though it is a small handicap to deal with, it does hamper my words. I downloaded a new speech to text program but I haven’t mastered it yet, maybe I never will, the one plunk method takes more time.
Now that you have an idea about the attitude you might get the direction this post is going.
In my latest mystery, #ASmallTownCanBe #Murder, I write not only a murder mystery but about the nuances of small towns. I live in a small town. I have been a small-town girl all of my life but there are some changes that make me sad. Communities in rural areas have to fight for their identity and survive with ambiance and coziness in a world sacrificed to ideas of people in offices far away that have no idea adding us to their growing number of generic businesses is not only bad for the survival of the community but for their own bottom line as well. When you become a number in the line your identity ceases to exist. At that point, even the line may disappear. When we don’t seem as profitable as the big city we are like the baby thrown out with the bathwater, and as residents, we have to fight harder for our mainstreets to survive.
We do survive in my community. We reinvent ourselves, pick up the pieces and move on. What brought about these thoughts is a couple of recent experiences. A few weeks ago an editorial in a Twin Cities newspaper mentioned that Mike Bloomberg, the presidential candidate, visited a farm outside of our community. The writer lamented that Bloomberg should have taken the time to stop in town and visit with the rest of us to get a good picture of the joys and struggles of rural America’s main streets. It mentioned what we had lost in the past years. The writer had a good point as we have lost to the changing worldly ambitions of businesses. I took a small issue with it because I felt we also gained so much and are alive and well, moving forward.
This past week I had experience with a corporation that has been contracted to pick up garbage in our city. That is the other thing that brought this column on. You see I wanted to discontinue their service in favor of a local business. A year ago when I called to cancel they lowered their rate so I stayed. In the meantime, I found a neighbor that was paying almost $30.00 higher than what I was paying. Their service kept going up and they didn’t know if they called and complained their bill might be lowered. It was then I realized none of us are probably paying the same amount for the same service. This year my bill went up and I decided to go local and not with the service the city contracts with. My surprise was how much it was going to cost me to discontinue that service and have them pick up my container. However, I wouldn’t have known this until I got the bill as it was not readily given to me in a dollar amount until I asked. It was almost as much, save for a $2.00 difference, as my three-month bill. This shouldn’t have surprised me as many of the big corporations such as cable and telephone charge you a disconnect charge, This is how I knew I grew up in the small-town world when hidden charges were not part of the small-town landscape.
It goes farther than that. A nationwide chain came into town and our dry-goods store closed. One of our banks that were in our community as long as I can remember was sold to a larger bank. The old bank employed many people and the new bank cut most of the staff, and if we need support we have to call another state. A larger chain bought our hometown’s bustling drug store that was also a gift shop and had the original old fashioned soda fountain still serving treats. The drug store hours have been cut so much that the working person cannot get in there with those hours. And the soda fountain is shut down along with the gift department greatly minimized. It is no longer about the consumer. We used to have more than one gas station. An Iowa chain came in, bought land, bought the other stations and closed them down. Those are only a few of the changes that happened when big businesses try to change the landscape of a small town. They haven’t looked into the faces of their consumers because we are a number on their chart instead of a face that is familiar.
Now that is the bad news of my rant. I and I imagine you, get tired of sitting on the phone to get service. I think we get discouraged because we feel we are not heard. I am telling you if you want to be heard, shop in a small community at a locally owned business. You will be heard. You will experience what customer service really is.
In my community when we needed a new school we built one. Our meat processing plant closed down. Our city worked hard to get a new one in place and it has provided employment and good wages. You will find it hard to get a parking place downtown on Tuesdays, Wednesdays, and Thursdays as our local thrift shop entice people in town and out of town to shop. They might take time to visit one of our locally owned eating places or the coffeehouse or take in a movie at our theater. The library is always busy with readers, speakers and different project days and evenings. Moving on down the street our locally owned hardware store has reasonable prices and the flowers at our locally owned flower shop will make you ooh and ah.
Our liquor store is building new. Our new industrial park is starting to fill up and our craft and quilt store is in the process of moving to a bigger building. You can have your choice of different denominations of churches and if you need to pick up a gift the local funeral home also has a room of unique items by local artisans. Locally owned for generations, there is no better place to let them take care of the loved one you have lost. There is so much more to our community with a grocery, beauty shops, newspaper, exercise facilities, depot museum, veteran’s memorial, parks. golf course and a swimming pool along with senior care facilities and senior housing, trucking firms, plumbing, electrical businesses, car repair and I could go on. Yes, we have more. And yes, we still have another locally run bank. And our local window company can make your house warmer with the right windows.
The best part of a small town is its people. They care about each other. The business owners care about their customers. We don’t give up, we regroup and move on. Did I mention we are a community somewhere around 2200 people? It is not the numbers it is the heart of the community. When one hurts we all hurt. It is what makes a community unique.
Large corporations don’t understand that our bottom line is people and that is what makes a business in a small community a success. We have to tolerate the changing business climate in the larger world. We don’t have a choice with some things. I will admit to ordering online, usually things I can’t get in town but it isn’t the same.
My long rant is done. I might also add we have our local utility too and that too is a blessing. We know them and they know us. The same can be said for our local emergency services such as fire and ambulance. And for the garbage company that seems to be playing with our heads and finances — I wish I would have known your garbage bin was such an expensive object I would have painted it gold to match its value.
If anyone knows Mike Bloomberg, tell him to come back and see a successful, small community. We are the heart of America. He missed out but don’t you. Come for a day. come for a season, we will give you a reason to come back.
P.S. We have building lots available if you want to stay for a lifetime.
Julie Seedorf is a former columnist and now is an author of eleven cozy mysteries. To find out more about her books visit julieseedorf.com
I’m On A Rant! It's Friday, the end of the week. The world is spinning around us with reports of strife, bad news and so on and so forth, and if you don't know what so on and so forth means, look it up.
#am writing#Author Julie Seedorf#blogging#building lots available#community cares#Customer service#i love small towns#main street usa#Mike Bloomberg#Minnesota#minnesota girl#minnesota nice#promote small towms#Small Town#small town businesses#Small Town Newspapers#sprinklednotes blog#Wells Depot Muserum#Wells Minnesota
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The 80s Cruise Omnibus: The Like, OMG, Totally Awesome Recap.
This is a part of our full coverage of the 2018 80s Cruise. Read more about the floating music festival here.
Guitar picks are the holy grail for many concertgoers, but Robin Legat was able to score one recently from Lou Gramm guitarist, Michael Staertow, under the oddest of circumstances. The 43-year-old fitness trainer from Los Angeles didn’t have to scramble over chairs for the keepsake, she got it by wearing bumble bee colored spandex and gifting Staerlow something very unexpected.
The Legats (center) as Stryper.
Legat was part of a foursome dressed like the 80s Christian rock band, Stryper, as a part of “Glam Rock” night on The 80s Cruise. The 2200 passengers on board the Celebrity Summit were encouraged to wear costumes for each of the six theme nights. Legat and her husband, Michael, rarely disappointed. They were clad from head to toe in spandex and scarves and passed out little keychain bibles throughout the night.
As she tells it, during Gramm’s performance, “our entire group was sitting together in the sixth row. (Staertow) and I made eye contact, and he mouthed ‘Stryper?’ to me.” She nodded and when she ran into him later that night, gifted him one of the bibles. He gave her several of the coveted picks in return.
So goes life on board The 80s Cruise. Every year, Entertainment Cruise Productions (ECP) brings together fans from all over the world to celebrate the music and pop culture of their youth. The 2018 Cruise took place from March 17-24th and featured bands with one thing in common – their music is synonymous with the decade that blinded us with science and took our breath away.
The lineup consisted of Gramm, Loverboy, Mike + the Mechanics, The Tubes, Billy Ocean, Berlin, Thomas Dolby, Katrina (of Katrina and the Waves), Tommy Heath (of Tommy Tutone), and cruise host, Rick Springfield. This was the first time ECP has booked a big-name act to anchor various events throughout the week with Springfield playing extra shows and introducing various events.
Guests were thrilled with the concerts they saw during the week. Maryland native Dave August had a clear favorite saying, “Lou Gramm was the runaway winner. (His) voice was spectacular (and) the crowd was pumped.” Legat offered a simple explanation for Gramm’s popularity amongst guests. “90 minutes of nonstop hits and he didn’t even get to everything!”
Deane Draper wore a spot on Quay Lewd costume on the 80s Cruise. Photo by Chuck Coverly
It was hard for some people to pick one favorite show. Betsey Fellwock, from Tulsa, OK, couldn’t decide, so she listed her favorites, “Loverboy, Lou Gramm, Billy Ocean, Tommy Tutone,” Tim Kelley insisted, “I’ll give two answers” before explaining that Lou Gramm had the best overall performance, but stagemanship went to The Tubes. The Asheville office manager added, “Berlin sounds better than they did in the 80s.” Steven Sciglimpaglia of Stamford, CT liked Thomas Dolby, Berlin, and The Tubes.
Sciglimpaglia appreciated the sheer weirdness of The Tubes, but they scandalized a few passengers who weren’t sure what to make of their unconventional stage show. Most passengers only knew of them from their MTV-friendly videos, “She’s a Beauty” and “Talk to Ya Later.” It came as a surprise when, near the end of the show, lead singer Fee Waybill changed into glam rocker Quay Lewd and starting drinking from a giant bottle of what looked like scotch shoved into the crotch of his silver spandex pants. John Clark from Dallas enjoyed the spectacle saying, “The Tubes should do a comedy act! They crack me up!”
The Tubes brand of humor seemed to appeal to a certain type of music fan, but Leskanich had pretty much everyone giggling during a question and answer session with Terri Nunn of Berlin and Jenna O’Gara of Jessie’s Girl. The “Walking on Sunshine” singer infused each reply with deadpan humor, often mocking the ridiculousness of the situation. When she was performing, each show felt like individual episodes of “Storytellers.” Like Berlin in 2017, Leskanich may not have been familiar to most outside of her one big hit, but she quickly endured herself to passengers, making her one of the favorite acts of the week.
Berlin’s second stint on board proved to be as successful as the first with passengers flocking to various events hosted by the band. A wine tasting with lead singer Terri Nunn sold out well in advance of the sailing and a group Q&A was standing room only. Drummer Christopher Olivas emceed two wildly popular poolside dance parties under his alias, DJ Christopher J. Longtime fans were thrilled to have John Crawford and David Diamond, both of whom founded the band with Nunn, perform in both main stage shows.
Bryan Do as “Long Duk Dong”. Photo by TuKe Photography
For Claudine Edwards of Plano, TX, just being able to see Berlin again felt like a miracle. Edwards discovered she had stage IV breast cancer following a car accident last October. A bleak prognosis made the 2018 Cruise seem like an impossibility. When radiation treatments made her incapable of eating and her hair falling out in clumps, she turned to an old favorite to help her cope. Berlin’s “Hideaway”, from Count Three and Pray, assured her it was okay to, “cry away there’s no harm.” She said, “I cried a lot and listed a lot to that song about hiding away.”
She found out she was in remission a month before sailing. Still in pain, she and her husband, Jason, arrived in Ft. Lauderdale thrilled to see friends and excited about heading back to the 80s. Each day made her feel more like her old self and she got the chance to tell John Crawford how much his song had meant to her. She said afterwards that the Cruise made her feel better for the first time since her diagnosis. She felt that, “the 80s and all of my friends lifted me up, made me stronger!”
Edwards’ opportunity to speak to Crawford highlighted one of the many things that made the Cruise so special to guests. Being able to interact with their idols through organized events was exciting, but it was the casual conversations that happened around the ship that passengers savored most. Mina Credeur from Spring, TX. said her favorite moment was hanging out in the martini bar with the two lead singers from Mike + the Mechanics, Andrew Roachford and Tim Howar.
Mike + the Mechanics were on board as a part of a small American tour to support their latest album, Let Me Fly. The last time the band was out on tour was three years ago with no plans to tour again this year, fans were lucky to catch them. They were on board for a short time, but their 90-minute set was excellent, thanks largely to Credeur’s drinking companions.
Big name acts were the obvious draw for passengers, but there wasn’t a shortage of other talent on board. Crowds were excited to see their favorite cover bands, Jessie’s Girl and Trial by Fire, back for another year. Jessie’s Girl had their own fan club that refused to miss any shows. Trial by Fire had a bigger presence this year after a very successful debut on the 2017 sailing. The two bands complimented each other with Trial by Fire providing a more traditional rock vibe while Jessie’s Girl attacked the top 40 with style and flair.
Things got a little weird on St. Patrick’s Day. Gus and Wendy Molony on The 80s Cruise.
Jessie’s Girl’s shows featured dozens of costume changes, but they couldn’t compare with the 80s cosplay going on each night. Passengers spent all year planning what they would wear for each theme and the results were pretty incredible. The entire ship was clad in green for the St. Patrick’s Day departure with Aqua Net and lamé ruling Prom. The amount of spandex roaming around for the Glam Rock theme was almost intimidating, but the one evening that brought out the most elaborate costumes was Pop Icon night.
Passageways were quiet in the late afternoon as guests returned to the cabins to transform into a variety of different pop culture icons. Soon the hallways were filled with rock stars, movie characters, and all sorts of odd 80s references. Weird Al, ZZ Top, and David Lee Roth wandered by the martini bar while Jason Vorhees and Elvira looked through the previous day’s pictures in the Photo Gallery. King Tut had a crew that followed him around all night walking like Egyptians. There were at least two sets of Blue Brothers and more Ghostbusters than you could shake a gallon of ectoplasm at. Two human-sized Smurfs sat in the balcony while Terri Nunn sang “Highway to Hell” to a Yip Yip.
The costumes caused more than a few laugh out loud moments for the musicians on board. Mike Reno of Loverboy smiled and pointed at several clones wearing his trademark headband during one show, but Bryan Do’s “Long Duk Dong” costume forced him to stop singing to take a moment and stop laughing. Do had not only nailed the outfit from Sixteen Candles, but included a blow up “sexy American girlfriend” that he carried around all night on a set of disembodied handlebars.
Mike Reno tries to silence Jay Lewis on the 80s Cruise.
Reno had a great week on board the Summit. Not only did Loverboy put on two energetic shows on the main stage, but the singer also jumped in on several performances with other artists throughout the week. Jay Lewis from Kiawah, SC was having so much fun singing along to Loverboy’s set that Reno had to walk over and Lewis’s mouth with his hand.
Loverboy wasn’t the only act Lewis found himself singing with during the week. Rick Springfield held a microphone out to him during, “Don’t Talk to Strangers,” and was a part of a crew invited up on stage to sing with Heath. He and his friends wore t-shirts that spelled out the title of Tommy Tutone’s 1981 hit, “867-5309.” After spending so much time singing along with celebrities, Lewis joked, “If I knew they expected me to also perform I would have never quit taking those piano lessons from Sister Mary Francis when I was nine.”
Heath did several solo shows during the week in addition to jamming with Jessie’s Girl and Rick Springfield during their performances. When he wasn’t on stage, the singer spent his time socializing with guests and posing for a ton of selfies. But despite patiently standing for one picture after another, the award for “Most Selfies of the Week” went to Springfield.
Springfield was the main draw for the hundreds of passengers who booked through his fan club before the last Cruise left port. Their enthusiasm was contagious, but it could also be exhausting to other guests who struggled to get into venues. As Legat explained, it was frustrating “not being able to get remotely close at any of the Rick Springfield piano bar shows because people would hold seats for hours!”
Rick Springfield gets this a lot. Shelley Meier and Rick Springfield on the 80s Cruise.
Springfield himself was affable and engaging, despite the chaos that seemed to surround him. During the main stage shows, he leapt into the audience while performing 1983’s “Human Touch”. He climbed over chairs and stopped for selfies as he traveled up and down the center section.
The “famous-person selfie” ruled the day during Billy Ocean’s concerts as well. The singer hopped on board in Jamaica for two flawless sets during which he would routinely reach down to shake hands and take pictures. He left the cruise immediately after the second show, much to the dismay of Ziva Gottesman. The San Diego native was hoping for either a meet and greet or Q&A with Ocean lamenting, “some artists aren’t on the ship long enough to do either which is a shame.”
Question and answer sessions were popular with guests, but the most surprising turned out to be the one that featured Thomas Dolby. He was familiar as the musician behind one of the instantly recognizable “She Blinded Me With Science,” but the audience for his Q&A discovered the 1982 single was just one small accomplishments in a career that has included the creation of a groundbreaking software company, directing an award-winning documentary short, and revolutionize electronic music. As if all of that wasn’t enough, Dolby explained to the crowd that his latest job is as the head of the Music for New Media program at Johns Hopkins University.
Dolby’s two sets in the 400-seat Revelations lounge at the top of the ship were amazing, despite many guests having to miss the last two songs of each. The biggest complaint with the Cruise was the conflicts caused by poor scheduling. Fellwock hated “having to leave shows to get the 9 p.m. concert.” She wasn’t alone. Dolby and Leskanich played all of their shows in Revelations with either 7:45 or 9 p.m. start times, which always conflicted with the main stage shows. The timing meant passengers never had a chance to see a full show in Revelations.
Dave August had a whole week of David Lee Roth costumes on the 80s Cruise. Photo by Chuck Coverly
It was infuriating having to choose, particularly for Michelle Tower whose two favorite acts were Dolby and Leskanich. Like everyone else holding cards for the late show, the IT Director from Cincinnati never got to hear “Walking on Sunshine” or “She Blinded Me With Science” because those were the songs at the end of the setlists. Guests had to be in the Celebrity Theater by 9 p.m. or lose their seats and have to take whatever was available in the back of the third tier.
But despite the aggravation of having to miss shows and activities due to scheduling conflicts, just about everyone said the 80s Cruises were the best vacations they had ever taken. Some passengers cited the bands as the best part of the week, some loved the decorations and feeling like they had actually traveled back in time, but for most, it was something they could never find on another vacation.
Sometimes you should meet your heroes. John Crawford and Claudine Edwards on the 80s Cruise
The bands and costumes were what initially sold the cabins, but the what brought people back after the 2016 and 2017 sailings – and will bring even more back next year – were the people that traveled back to the 80s with them. Time and time again, people said the single best thing about the Cruise was, as Amanda Olivas put it, “All of the friends we have made in the past two years!” Texan Kathy Machacek agreed that it was “the friendliness of the other guests” that made the planning and expense worthwhile. Curtis Wayne Lanclos summed it up saying, “enjoying 80s culture together is what makes it all more enjoyable!”
Olivas, Machacek, and Lanclos will be joining Edwards on the 2019 Cruise. “Yes, I will be back,” she said. “Cancer didn’t take me in 2010 and it certainly isn’t going to take me now. I have the 80s to live out again each year with our amazing friends!”
LJ Moskowitz is a photographer and writer based out of New Jersey specializing in concert, product and fine art photography. She is a member of the National Press Photographers Association (NPPA) and Professional Photographers of America (PPA). You can find her at Shutterchick Photography, Facebook, Instagram and Twitter.
All photos appearing on this page are the property of LJ Moskowitz. They are protected by U.S. Copyright Laws and are not to be downloaded or reproduced in any way without the written permission of LJ Moskowitz. Copyright 2018 LJ Moskowitz. All Rights Reserved.
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