#the ghost of tom joad

[hickorywind]

[micamicster]

Bruce Springsteen's eleventh album THE GHOST OF TOM JOAD as Penguin Classics (series): Rembrandt / Ary Scheffer / Henri Regnault / Jasper Johns / Camille Corot / Antonio Sequi / Jacques Louis David / Frank Webster / Andrew Wyeth / Henry Ossawa Tanner / Andrew Wyeth / Gyula Benczúr

[tenthsfreezeout]

sluttiest bruce springsteen album tournament, round 1 🎸

The Ghost of Tom Joad (1995) vs The Wild, the Innocent and the E Street Shuffle (1973)

Highway 29: “My hand slipped up her skirt / Everything slipped my mind”

🎸🎤🪗🎷🥁🎵🎹🎻

4th of July, Asbury Park (Sandy): “Banging them pleasure machines / Chasing the factory girls under the boardwalk / Where they all promise to unsnap her jeans”

[myimaginaryradio]

The Ghost Of Tom Joad - Rage Against The Machine

[musicandoldmovies]

Bruce Springsteen & Tom Morello - The Ghost of Tom Joad

Happy birthday Tom Morello

[cyarskj1899]

"I want to make a record where I don’t have to play by the rules or have any hit singles": Bruce Springsteen on his acoustic masterpiece The Ghost Of Tom Joad

Inspired by the classic novel The Grapes Of Wrath, The Ghost Of Tom Joad became a staple of Bruce Springsteen’s live shows, and led to The Boss teaming up with RATM’s Tom Morello

Tom Joad, the hero of John Steinbeck’s classic 1939 American novel The Grapes Of Wrath, has had a pretty good life as an apparition, thanks to Bruce Springsteen and some of his friends.

Inspired by the book and John Ford’s 1940 film adaptation, as well as by Woody Guthrie’s The Ballad Of Tom Joad, Springsteen wrote The Ghost Of Tom Joad, a modern-day appropriation of the same Great Depression-era concerns, during the early 90s. 

It became the title track for his stripped-down 1995 acoustic album, and a staple – usually the opening number – for the live shows that supported it. The song was also rocked up, dramatically, two years later by Rage Against the Machine, and in 2014 Springsteen – with Rage guitarist Tom Morello in tow as part of his E Street Band – released yet another version for his latest album, High Hopes.

“I want to make a record where I don’t have to play by the rules… have any hit singles or none of that stuff,” Springsteen said of the Tom Joad album, backstage at an early stop on his solo acoustic tour to support it. “I can make whatever kind of music I want to make. I hadn’t done that in a real long time. I guess I wanted to see if I could do it again.”

Tom Joad was actually the latest in a series of curve balls Springsteen had thrown his audience since Born In The USA. There was the calculated come-down of Tunnel Of Love and the shocking subsequent dismissal of the E Street Band. The group’s reunion for the early 1996 Greatest Hits album was just as surprising, and The Ghost Of Tom Joad was one of the songs he worked on with the band at that time. “It started out as a rock song. But It didn’t feel right, so I set it aside,” Springsteen wrote in 1998 lyric book Songs.

He returned to the Los Angeles area, where he was living at the time, and began work on starker material, “just myself and my guitar”, and the new version of Tom Joad became a linchpin for his next project, a kind of musical sibling to ’82’s Nebraska.

“Once I cut Tom Joad, I had a feeling for the record I wanted to make,” Springsteen said. “It was an acoustic album where I picked up elements of the themes I had worked on in the past and set the stories in the mid-90s.”

That was certainly true of the set’s title track, which chronicled the other side of the Clinton era’s prosperity, using subtle and minimalist instrumentation and a mournful melody to deliver timeless images – ‘Families sleepin’ in their cars in the Southwest / No home, no job, no peace no rest’ – of ordinary Joes, along with migrants and a criminal or two, grasping desperately for an American Dream made elusive by class schisms and corporate greed.

But Springsteen rejected any notions of despair. “There’s always something being revealed – about them, about you. That’s always exciting,” he explained. “Even if the stuff is dark, even if there’s tragedy involved, it’s still exciting. The truth is always hopeful. It’s always inspiring, no matter what it is.”

It wasn’t an easy sell, however; Tom Joad was the first Springsteen album since 1973 to miss the top five, although it did win a Grammy for Best Contemporary Folk Album. “I knew [the album] wouldn’t attract my largest audience,” Springsteen wrote in Songs. “But I was sure the songs on it added up to a reaffirmation of the best of what I do.”

Rage Against The Machine certainly heard the truth of Tom Joad and found in it a firm fit with the group’s own populist, leftist leaning. “I was a huge fan of The Ghost Of Tom Joad,” Morello recalls. “It was my favourite record for a long time. I think I gave the CD to Zack [De La Rocha, Rage’s frontman] for Christmas that year. 

"We were about to set off with U2 on the PopMart tour, and we didn’t have any new material. I suggested that we do a Rage-ified cover of The Ghost Of Tom Joad. I think at first that suggestion was met with some scepticism, but then it came together and sounded great on the tour. The lyrics were certainly not out of context for Rage Against The Machine. And I brought a bulldozer riff or two to it that worked very well.”

It sounded so good that, during the tour, Rage ducked into the studio to record a version of Tom Joad for a CD single accompanying the group’s self-titled 1997 home video. Rage later re-cut it for a version that appeared on their 2001 covers set, Renegades, and later on the No Boundaries: A Benefit For The Kosovar Refugees benefit album. It became Rage’s second-highest charting song.

Morello first performed Tom Joad with Springsteen and the E Street Band in April 2008 in Anaheim, California, when Springsteen surprised the guitarist by asking him to sing some lead vocals as well as play on it. “That was the first time I ever sang with an electric guitar in my hands,” notes Morello.

Springsteen & co had already turned Tom Joad into a powerhouse electric showstopper inspired by the Rage version; when Morello stood in for Steve Van Zandt for Bruce and his band’s 2008 tour of Australia, it was a regular part of the set. It was also a logical inclusion for High Hopes when Springsteen decided to make Morello an integral part of the album.

“[Tom Joad] was the one I felt I really had to hit the nail on the head with,” Morello says. “It’s been such an exciting live moment and a great melding of the two worlds of the E Street Band and my playing on it. I was hopeful that we were going to be able to capture the spark of those live performances and I think, in my humble view, we may have surpassed it. It’s a really great recording of that song."

Gary Graff

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Gary Graff is an award-winning veteran music journalist based in metro Detroit, writing regularly for Billboard, Ultimate Classic Rock, Media News Group, Music Connection, United Stations Radio Networks and others. Graff’s work has also appeared in Rolling Stone, Guitar World, Classic Rock, Revolver, the San Francisco Chronicle, AARP magazine, the Detroit Jewish News, The Forward and others. Graff has co-written and edited books about Bob Seger, Neil Young and Bruce Springsteen. A professional voter for the Grammy Awards and the Rock & Roll Hall of Fame, Graff co-founded the Detroit Music Awards in 1989 and continues as the organisation’s chief producer.

[intotheclash]

Bruce Springsteen-The Ghost of Tom Joad.wmv

Ora, Tom diceva: – Mamma, ovunque ci sia un poliziotto che picchia un ragazzo ovunque un neonato pianga per la fame ovunque ci sia una battaglia contro il sangue e l’odio nell’aria cercami mamma, io sarò là ovunque ci siano uomini che lottano per un posto dove stare o per un lavoro decente o per una mano che li aiuti ovunque ci sia gente che sta lottando per essere libera guarda nei loro occhi, Mamma, e tu vedrai me -.

[krispyweiss]

Song Review: Gasoline Lollipops - “The Ghost of Tom Joad”

Gasoline Lollipops filled out their version of “The Ghost of Tom Joad” with a full-band arrangement that builds from sparse piano and acoustic guitar to plugged-in-with-rhythm-section and reverts back to from whence it began. Frontman Clay Rose, meanwhile, does his best Bruce Springsteen at the mic.

The opposite tack - mirroring Springsteen’s music and singing like Rose - would’ve probably worked out better. For this “Joad” is a weird combo of reinterpretation and wannabe soundalike that falls somewhere between bar band and tribute act.

The third option would’ve been to pick one of the two lanes outlined above - straight mimic or total reconstruction. In either of those cases, the song would have the benefit of not sounding so awkward - as if the Gas Pops couldn’t decide what to do with “The Ghost of Tom Joad.”

Grade card: Gasoline Lollipops - “The Ghost of Tom Joad” - C-

5/13/24

[tramp963]

Bruce Springsteen - The Ghost Of Tom Joad - Acoustic Cover, live in Aosta

[ultra-francesca-mercury]

november 21, 1995

Bruce Springsteen releases The Ghost Of Tom Joad.

[brucespringsteencomments]

[nuggetland]

hey guys can you please watch my kid for a while. he really likes mango but please be careful for he is lactose intolerant

might change some stuff in the future but enjoy for now =)

[futuristicturtlefox]

Rage Against The Machine - The Ghost of Tom Joad (Official HD Video)

[myimaginaryradio]

The Ghost Of Tom Joad - Elvis Costello and Mumford And Sons

[darknessontheedgeoftowndyke]

Fuck I love music