#the fragments of kylin

[movielosophy]

The Fragments of Kylin | Wow

[dramavenue]

The Fragments of Kylin (2024)

— ep. 15

[dangermousie]

They randomly dropped ALL of the eps of The Fragments of Kylin and it looks low budget but angsty in the best way. He's a demon hunter she's a demon.

Started ep 1 and like so far!

[effulgentpoet]

endless list of favorites

念念人间玉 THE FRAGMENTS OF KYLIN (2024)

You are indeed full of riddles. But just like you trust me, I think I should trust you, too.

[blkgirlsinthefuture]

Black Girls Don’t Have to be Strong All of the Time

TW // rape

Legendborn is the first fantasy novel I’ve read in a while. I was never particularly drawn to the genre because it never felt relevant to my life. That feels like an oxymoron because fantasy isn’t meant to be realistic, but any good fictional world is rooted in some form of reality and subsequently becomes successful based on how well audiences resonate and relate. Even with all of the mystical and medieval wonder that fills Legendborn’s world, what sticks out to me is how rooted the story is in Bree’s emotions. After reading the first part, I couldn’t stop thinking that though I’m tired of seeing black girls hurting, Bree’s grief actually feels necessary. 

Black female characters experiencing grief is nothing new. With the amount of black female suffering on display, we actually see it quite a lot. But for some reason, the way Tracy Deonn presents it doesn’t feel like she’s trying to capitalize on black women’s trauma through Bree. Yes the book centers around her mother’s death, yes she experiences a myriad of microaggressions and alienating comments, yes she endures some pretty significant physical and mental strain, but it doesn’t feel exploitative.

Listening to Tracy Deonn discuss Legendborn on the Dreaming in the Dark podcast clarified the value of Bree’s emotional process and why I appreciate it. Black women and girls are oftentimes put in perilous situations for the sole purpose of showcasing their strength. The expectation that black girls must be strong all of the time is both exhausting and dangerous. Tracy Deonn’s goal isn't to fix Bree; she is allowed to simultaneously navigate the brokenness caused by her mother’s death and still be magical and limitless. It’s important that black girls know we don’t have to put a cap on our emotions in the name of strength – we can feel everything and remain worthy and capable. In Bree’s case, she’s not only capable but extremely powerful. 

I recently watched Michaela Coel’s show I May Destroy You, and the fragmented grief the main character undergoes parallels Bree’s experience. Arabella, the protagonist, is raped in episode one. The show follows how she processes this as a young black woman. While the situations are different, there are strong similarities between Bree and Arabella. They both experience intense memory loss related to the central incident, their pain shows up at seemingly random times, they have to learn how to process while simultaneously navigating their predominantly white spaces, etc. But the true connection is that Bree and Arabella are both black women/girls who aren’t fixed by the end. Arabella has come to terms with her rape by the end of the series, but she has in no way fully recovered. The rage and sadness she’s felt in the previous episodes remain, she’s simply channeled these emotions into something that brings her significant comfort, success, and influence. While I don’t know how Legendborn ends yet, it’s clear from the podcast that Tracy Deonn wanted a similar fate for Bree. 

Stories like Legendborn are incredibly important. We see “black girl strength” weaponized in very real ways, an example being its presence in medical racism for both physical and mental health services. All this does is perpetuate a cycle of society preventing black women and girls from taking adequate time to process their emotions which exacerbates any present trauma or grief. It may be a cliché, but black girls need to know that it’s okay to not be okay. That’s definitely a lesson I had to learn, and we need it taught through various stories and media sources. 

– Kylin Adams

References

Legendborn, Tracy Deonn

“Claiming Legends & Legacies,” Dreaming in the Dark, Bezi Yohannes and Ravynn K. Stringfield 

I May Destroy You, Michaela Coel

[cindy893]

Equestrian Helmets Market SWOT Analysis by Emerging Growth Factors from 2020-2026 | Troxel, UVEX, KEP

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Key players of the Global Equestrian Helmets Market-

Troxel

UVEX

KEP

GPA

Samshield

Charles Owen

One K

Ovation

IRH Helmet

KASK

Tipperary

Horka

LAS

CASCO

Kylin

Types is divided into:

Show Helmet

Basic Helmet

Skull Helmet

Applications is divided into:

Men

Women

Children

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[yuexuan]

(via https://www.youtube.com/watch?v=BuGTxpgSUvA)

吉光片羽 Singular

作詞 Lyricist：擇荇 作曲 Composer：宇恆 編曲/電吉他 Arrangement/Electric guitar：Tureleon 和聲 Harmony：Braska 混音 Mixer：杜凌雲 聽，逆風朔雪而聽，Listen, listen while facing against the snow and wind 是你凜冽呼吸，Is this the sound of your harsh breathing 還只是幻境銅鈴？Or is it but the illusion of the bronze bell? 靜，你於畫���沉靜，Silence, you remained silent within the portrait 那一幀驚鴻照影，That fleeting silhuoutte 令什麼甦醒？What would it awaken? 我踏碎沿路的骸骨，I stepped on a path filled with bones 願羚羊掛角，無跡可逐①， Wishing that everything was inexplicable 而這頁默示錄②，草蛇灰線千里而伏③，Yet this page of the Sacred Record, holds hints and signs of the future 會開啟，滄海的遺珠④。And it will reveal the crucial One 讓我獨自承受，洶湧暗流，覆滅我須臾，Let me bear this alone, all the conflicts and dissensions, that doth destroyed me 剎那翻捲黃沙，帶我去哪裡？Where will that brief moment of sandstorm bring me? 讓我隻身俯瞰，冰峰雲端，佛光掠天際，Let me glance below at the frozen peaks and cloud gatherings. A sacred light darts across the horizon 某一瞬，垂垂老矣等到你，And in that moment, I am willing to wait for you till I grow old 不死之軀。⑤Even if you have an undying body 夢，海市蜃樓的夢，Dream, the illusory dream 幻想烈焰晴空，Fantasizing about blazing flames and clear skies 你我該如何重逢。How should you and I reunite? 紅，毒蛇吐信的紅，Red, the red tinge of a flickering snake tongue 戈壁中暗影憧憧，The writhing shadows on the Gobi wall 誰無聲無踪？Who is it that disappeared without a trace? 我拍掉手中的塵土，I swept away the dust on my hand 任虎穴龍潭，孤膽而入，No matter if there are traps, I would still brave it alone 走不出的墟墓，剩你寥寥數言託付, I would not have walked out of this dessicated tomb had it not been for the brief words that you entrust upon me, 指引我，逃離這禁錮。Thus guiding me to escape from this imprisonment

讓我獨自承受，洶湧暗流，覆滅我須臾，Let me bear this alone, all the conflicts and dissensions, that doth destroyed me 剎那翻捲黃沙，帶我去哪裡？Where will that brief moment of sandstorm bring me? 讓我隻身俯瞰，冰峰雲端，佛光掠天際，Let me glance below at the frozen peaks and cloud gatherings. A sacred light darts across the horizon 某一瞬，垂垂老矣等到你，And in that moment, I am willing to wait for you till I grow old 不死之軀。Even if you have an undying body 走不出的墟墓，剩你寥寥數言託付, I would not have walked out of this dessicated tomb had it not been for the brief words that you entrust upon me, 指引我，逃離這禁錮。Thus guiding me to escape from this imprisonment 待我替你身陷，甘泉死海，殘陽照煉獄，Regardless of time or geography, let me take your place in this quagmire 此刻萬籟俱寂，死神在壓抑。Even the gods of death held their breath in this moment of silence

待我孤身浪跡，天外廟宇，鴻飛冥冥去，Let me wander alone, far and wide, avoiding disasters

驀然間，讀懂你那句唇語。Then suddenly, I understood the silent words you formed with your mouth 我等你默坐數清，夜盡水枯，穿石有幾滴，I will wait for you, even if it takes a long time

仍做終極世界，殘存的血裔，As the remaining piece

我要回到此地，翻手天命玄機都悖逆，I wanted to return here, even if it means going against destiny 握住這，遺失的吉光片羽⑥——舉世無匹。In order to hold onto this piece of rarity --- it is truly singular.

Notes:

①“羚羊挂角，无迹可寻”: Legend has it that antelopes avoid ambush at night through sleeping with their horns in the tree, thus suspending them aboveground. Later on this phrase is used in literature as referring to a situation that is inexplicable or hard to rationalize. (Source)

② 默示錄 = The Book of Revelation or the Apocalypse

③ “草蛇灰線千里而伏” : Referring to how events and objects can leave behind subtle traces that could be followed

④ 沧海遗珠: Describing an overlooked talent (Source) 

⑤ It was unclear whether this refers to Kylin Zhang having immortality or whether it connects to the previous text that WuXie is willing to wait for Kylin Zhang even if it means attaining an undying body for himself

⑥ 吉光片羽: The feathers of JiGuang. JiGuang is a mythical beast, and so this idiom refers to a fragment of a highly treasured relic,or something that is truly rare and singular (Source) 

[architectnews]

XU JI Seafood Restaurant, Hunan

XU JI Seafood Restaurant, Changsha, Hunan Commercial Interior Project, Chinese Architecture Images

XU JI Seafood Restaurant, Hunan

14 June 2021

XU JI Seafood Restaurant

Architects: Daxiang Design Studio

Location: Changsha, Hunan, China

photo © Chuan He

This is a land of illusion, where morning and moonlight are intertwined. There is no water in the air but fish can swim in the forest and the mist lingers there. You cannot find it whether it’s in a dense forest or a deep ocean.

photo © Chuan He

The generation of design is by no means from nothing. It may reproduce the vivid story of a certain period, or reflect the spiritual thoughts. And here the dining space with ‘mysterious jungle’ as the core of the landscaping comes into being.

photo © Chuan He

The guests enter the XU JI Seafood Restaurant from the 4th floor of W Hotel, where the light suddenly dimmed and the space begins. The star spotlights come out from the ‘bottom of the tree’. The blue light floats in the distance, and the big fish swims there, like a dream and yet not. Guests will follow the light to enter, from the ‘jungle’ to the ‘deep ocean’, gradually into the mysterious realm.

Fragmented construction When reaching the central area, the light floats which is from the giant curved LED screen on the top and dyes the surroundings. Guests can see the whole picture of the restaurant here.

In the use of formal language, the designer adopts fragmented and de-symbolized strategies but maintains the continuity of the overall spatial sequence. By operating the structures and materials in the space, and intervening in the layout of the furnishings, the designer creates multiple montage spaces with different sizes and states but connected each other.

The golden wine house which is inspired by the tea room combines classical and modern styles, covering functions such as reception and tasting. The dense forest wraps the golden area and becomes a self-evident way that symbolizes the process of meditation.

This is a kind of commemoration of oriental aesthetics. Its implicit inner quality is revealed through modern context where takes the space as a medium to establish the relationship between time and space and forms a narrative space.

left photo © Haha Lu and right photo © Daxiang

Pine shadow in the pond, fish on the tree Baozhang Sun, the magistrate of Henan in Qing Dynasty, said ‘Fishes swim across the pine shadows in the pond like they’re on the tree. Horses gallop on the scholar tree shadows on the ground like they’re on the branches.’, which has been taken as the metaphor of the light reflection and direct transmission.

Here, the use of the mirror does not make the space excessively lose its subjectivity, but instead makes the client’s somatosensory consciousness and visual perception fully respected, concealed, spanned, linked, and felt secretive beauty.

The restaurant dining hall uses highly reflective materials, and the reflected scenery invisibly enriches the level of space and visually expands the space. The frame-like mirror surface breaks the heaviness of the solid wall. Guests can enjoy the scene through the mirror that big fishes swim among the mountains in the LED screen, which can be taken as the response to the theme of the mysterious realm.

photo © Chuan He

Scholar shadow paves on the ground, the horse stands on the branch

Walking inward again, there is a tea tasting area in the box, where the dinners can take a short break before and after the meal. Upon opening the sliding door, the dining table is set with wine and delicacies. Diners can enjoy the feast while looking at the scenery outside the window here.

In the lounge next to the other large box, the L-shaped sofa relies on the original space, and the light and warm color diffuse from its bottom.

photo © Chuan He

There are decorative paintings of silk scarves on the walls. Differentiated themes will match different types of boxes with varied needs. This is a quiet and private space where diners can choose to meditate quietly after the banquet.

Taking the central island as the center of the restaurant, and bar counter function as the response to current lifestyle. This western-style expression has incorporated the Chinese rhythm, were hoping the East and the West can communicate.

The guests in this restaurant are not balanced and unified. The ‘Mysterious Realm’ is like a constant stream of people, walking among which likes a ‘rich’ adventure.

photos © Chuan He

XU JI Seafood Restaurant in Changsha in Hunan – Building Information

Masterplanner and Architect: DA XIANG Design Studi

Project name: XU JI Seafood Restaurant (Land Kylin) Project area: 13,519 sq.ft. Project duration: May 2020 to January 2021 Design team: Jianyu Jiang, Shui Li, Yue Qin, Yue Yu, Weiwen Shi Furnishing design: Ting Lou, Qingyun Xia Material design: Yongliang Liu Project address: Changsha, Hunan province, China

About DA XIANG Design Studio DA XIANG Design Studio started in Hangzhou in 1999, the team focuses on the design of boutique restaurants, hotels, and cultural buildings in the aesthetic context of Linquan, and also the practice and research of furnishings design. DA XIANG has committed to the expression of space artistic conception under the background of Oriental culture, emphasizing the integration of space and environment and advocating the balance between space aesthetics and commercial.

Design philosophy: Inspired by Linquan, and learn from nature, return to inner peace and tranquility.

photos © Chuan He

Project photographer: Chuan He, Haha Lu

Hunan OCT Caoqiao Cultural Commercial Street images / information received 140621

Location: Hunan Province, China

Architecture in China

Chinese Architecture Designs – chronological list

Chinese Architect – Design Practice Listings

Beijing Architecture Walking Tours

Chinese Architectural Designs

World Horticultural Expo Theme Pavilion Design: UNStudio image © architects World Horticultural Expo Theme Pavilion in China

Lucky Knot Pedestrian Bridge, Changsha, Hunan Province, China Design: NEXT architects image courtesy of architects Lucky Knot Pedestrian Bridge in China

Chinese Architecture

Danjiang Bridge Competition Design: Zaha Hadid Architects with Leonhardt, Andrä und Partner image : MIR Danjiang Bridge Design

Aedas Architects

Chinese Buildings

Tianjin Bridge Culture Museum in China

Comments / photos for the XU JI Seafood Restaurant, Hunan – Hunan Province Crossing page welcome

Website: China

The post XU JI Seafood Restaurant, Hunan appeared first on e-architect.

[researchkraft19]

Equestrian Helmets Market 2020 Analysis, Demand and Players to 2027

The market study on the global market for Equestrian Helmets examines current and historical values and provides projections based on accumulated database. The report examines both key regional and domestic markets to provide a conclusive analysis about the developments in the Equestrian Helmets market over the forecast period.

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The Global Equestrian Helmets market report provides a systematic picture of the sector by way of study, synthesis, and summary of info originated from different sources. The experts have provided the various sides of the sector with a particular goal on identifying the major manipulators of the sector. The Global Equestrian Helmets market report correspondingly comprises a detailed market & vendor landscape aside from a SWOT analysis of the major players.

Global Equestrian Helmets Market Fragmentation as follows:

Fragmentation by Type Analysis

Show Helmet

Basic Helmet

Skull Helmet

Fragmentation by Application Analysis

Men

Women

Children

Fragmentation by Company Analysis

Troxel, UVEX, KEP, GPA, Samshield, Charles Owen, One K, Ovation, IRH Helmet, KASK, Tipperary, Horka, LAS, CASCO, Kylin

Global Equestrian Helmets Market Regional analysis includes::

North America

Europe

China

Japan

Southeast Asia

India

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The Global interest for Equestrian Helmets Market is gauge to report solid improvement driven by utilization in major developing markets. Area astute government strategy, advertise condition, serious scene, present patterns in the market, mechanical development, up and coming advances and the specialized advancement in related industry are immensely significant elements affecting the development of the market. Since more development open doors are relied upon to come up between 2020 to 2027 contrasted with a couple of years prior, it implies the fast pace of progress and is protected to state that the Equestrian Helmets market improvement status and future pattern is required to be promising over the world.

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[movielosophy]

The Fragments of Kylin | Busy.

[dramavenue]

The Fragments of Kylin (2024)

— ep. 15

[movielosophy]

The Fragments of Kylin | But you look so good.

[movielosophy]

The Fragments of Kylin | Wait for me!