#the first sketch page. and the one where I’m singing karaoke | Explore Tumblr posts and blogs

evebrennan · 3 years ago

Text

not nothing

TIMING: circa two weeks ago LOCATION: The Artesian PARTIES: @deathisanartmetzli & @evebrennan SUMMARY: Metzli and Caoimhe aren’t just two people having drinks, but they both enjoy art, and maybe that’s better. CONTAINS: Alcohol, parental death, emotional abuse, domestic abuse

It was a bad idea. Caoimhe knew it the moment she’d read Artesian and piano player and Arvo Pärt. Any lingering doubts about how completely awful of an idea it was were chased away as she pushed her way through the doors, picking up the soft piano drifting from the back. She considered the initial offer of a karaoke bar, the tossup between beyond-drunk humans singing their hearts out for no other reason than because they loved to sing and no talent whatsoever was still a far better bet than whoever was plucking at keys one room over. At least at a karaoke bar her chances were fifty-fifty.

Her chances were none. But she wasn’t in the habit of denying herself entirely (she’d been there, she’d done that, it did nothing for the strings trailing down the road behind her), and she let herself step fully into the bar. The door clicked shut behind her and Caoimhe tried not to think about it.

Metzli was exactly the kind of hard to find Caoimhe expected of an internet-initiated meet-up, but she managed to catch their eye before too long. “This was a good choice.” She started, because it was. It was, with the piano filling the spaces between conversation. It was, despite the way her stomach twisted in on itself and she thought about it, thought about the way the pianist fumbled only barely on occasion, but she could– “And it’s Kee-va, by the way.”

“Yeah, I would’ve never gotten that right,” Metzli smiled and chuckled warmly at Caoimhe, settling into their seat and enjoying the table the two received. Far enough from the stage to hear each other easily, and close enough to let silence fall between them to listen to the pianist. “It’s a pleasure to meet you in person, Caoimhe. You’re much more beautiful than I could’ve imagined.” Their smile continued, pulling out their charm.

Metzli wore a navy suit, leaving the jacket unbuttoned for a more relaxed look. Accompanied by a black dress shirt and no tie. It gave off a casual energy. Because that’s what this was—a casual meet up with a woman. “My name is pretty straight forward, just mets-lee. Aztec in origin. And yours?” Getting in the VIP lounge was easy, throw in some money and it speaks for you. Thus, the saying, cash is king.

The wine arrived promptly, and the waiter filled their glasses as the two kept their focus on each other.

“Easy, charmer. Just drinks.” Caoimhe reminded, but it was hard to ignore how nice the bar was. She had half a mind to question how they’d gotten them in VIP at all, let alone on such short notice, but the world was full of people with hidden talents. Instead she wrapped a hand around the stem of the wine glass, eyes finding the pianist across the room. The music had shifted to something jazzy and fun and there were no fumbles to be heard. There was an experience to it Caoimhe wondered over for half a second before letting it go.

“It’s Irish.” She finally pulled her eyes away to find Metzli, fingers curling tighter around the glass. The accent was enough of a giveaway, but Caoimhe knew it could be hard to place. There was an edge to it she’d had spent many years trying to iron out, something a little closer to the old forest path leading up to her family’s too-grand home than the home itself. “If the accent doesn’t give it away, all the letters should.”

But she didn’t want to talk about Kenmare, or where her name came from, or how she could practically see her mother’s patient, knowing grin. “You know, I’ve been here for a couple of months now, and hadn’t even considered trying to get in here, yet you’ve managed it in a night.” She wasn’t going to ask them about their origins, but there was a question somewhere in there, regardless. Instead, she twisted the glass between her fingers and grinned, “You sure you’re not wasting it on just drinks?”

Metzli smiled knowingly and teased, “Ah, so you do think I’m charming?” Years of existence had molded them to be confident in their approach with women. With so long to live, striking out wasn’t intimidating. “You know what they say, cash is king,” They began, sipping on their wine and leaning back in their chair. “I don’t normally bribe, but when I came across someone who actually knew who Pärt was, I had to jump at the opportunity.” The answer was blunt and honest, though they did leave out how they needed a distraction from the pain they were feeling. Stuff like that had a way of killing the mood.

“This isn’t a wasted opportunity by any means. Not when someone of your taste is keeping me company,” Metzli’s smile could be heard in their words, nothing masked but completely unveiled. Recent events had crumbled the structure they had built to hide behind, allowing the true effects of loneliness to set into wounds way past simply festering. “Not to mention, the great selection of wine they have. I do have a sort of affinity to the more luxurious things. Coming from nothing can do that to you, I suppose.” An air of surprise took their face for a moment before falling neutral again. Their ramblings took them off guard and it made them a little uneasy.

Shifting in their seat, they hoped to change the focus. “And you? What are you doing accepting dates from total strangers on the internet?”

“Drinks. Drinks with total strangers.” Caoimhe lifted the drink in question, but her smile belied her amusement. They were confident, she could give them that. Getting to know people beyond first names and passing interests hadn’t been something on Caoimhe’s agenda for some time. Connections didn’t lead to anything good. Connections led to anger, clenched fists outside of coffee shops, reasons for Caoimhe to look in her rearview mirror. She didn’t like connections, because connections had to be broken, they always had to be broken, and doing so never felt good.

But Metzli liked Pärt, and they were charming, and they knew a place where someone could actually play the piano.

“There’s a story there, isn’t there?” She set the drink down and leaned on her elbows, ignoring the soft piano in the background in favor of her company. Ignoring her better instincts to run, like she always did (she’d shown up in the first place, and she didn’t want to think about why). She hadn’t ruined White Crest quite yet, and they liked Pärt. “Came from nothing, and now you’re here. You don’t have to tell, but color me curious.”

Metzli scoffed, playfully and a little dramatically. “Oh, don’t worry. I’m not afraid to call this what it is. A date. I’ll say it for the both of us.” They said into their glass, smiling. Caoimhe wasn’t one to get too close to people. That’s what Metzli began to gather. They could relate, uncomfortably so. They had spent their vampiric life alone, not bothering to let anyone behind the several barriers they had built between them and would-be connections. Some could be read like novels, while others like short stories. And nine times out of ten, Metzli chose to be read like the latter. But tonight was possibly the tenth shot and after this Caoimhe may never see them again. So really, what did they have to lose?

“Actually, yes. There is.” Metzli pulled out a small, worn out sketchbook from their pocket, and retrieved the pencil inside of it. Holding it up in a way so that Caoimhe couldn’t see the pages, they began. “I’ll give you the condensed version, and if you want to hear more, you can ask questions.” The pencil glided over the page, a practiced hand moving quickly. “I was born and raised in Jalisco, Mexico. To two parents who fell madly in love and accidentally had me. We were dirt poor, but my parents seemed to make it work for them. Began working when I was about eight years old or so. And by the time I was in my twenties, I had mastered carpentry and was a pretty good ranch hand.” They smiled, looking back and forth from the page and Caoimhe.

“Unfortunately, parents weren’t the kindest, so I took to sketching in the woods on my lowest days. And on one special day, I found myself returning home to find my parents dead.” Brows creased together, but the pencil never stopped moving. “After that, I traveled and traveled until I managed to find myself here, owning my own art gallery, having an actual roof over my head with a cat, and arranging dates with beautiful women that have taste.” With the final detail made, Metzli turned the sketchbook to reveal a portrait of Caoimhe, of a moment of her now frozen in time on paper. “What do you think?”

Shit.

It was so unfortunate the ones to whom Caoimhe found herself most drawn had stories. Her life would be half as complicated, if she wasn’t so damn fascinated. They wrapped themselves in pencil lines or oils or paints, or notes drawn on staff paper. They smiled around songs sung like stories from ages ago, or danced to something they made up on the spot. They had feelings and hopes and dreams. They held a history, some not unlike her own. Their lives had meaning, full of so much creativity, futures stretched endlessly before them where they could choose to pick themselves up or let themselves fail or do both, because no one had sought to come along and take that future from them.

Caoimhe always sought to take it from them.

She watched Metzli with their notebook, their hands hidden behind the cover, but she could imagine the way they moved. She could muse over whether each line meant something, or if it was something that came so naturally to them they didn’t have to think about it. They had an art gallery, and she wondered at how good it was, how much better it could be, if she just–

Metzli was one of those with a story, a past they’d picked themselves up from. Caoimhe listened as she tried not to think too hard about whatever they were sketching. She tried to imagine them, in the woods with a sketchbook, turning an escape into a future. It was admirable. Humans were always so damn admirable. And Caoimhe liked to think she picked her battles well, but the truth was she didn’t pick them at all. She ran, or she gave in.

“That’s beautiful.” It was. Caoimhe hadn’t realized she’d been looking, sitting still and focused long enough for Metzli to capture the moment. And they’d captured it perfectly, somehow, lines confident despite laying their history out on the table for Caoimhe to do with what she wished. “It’s incredible how people can take things that hurt and make something beautiful out of them, despite everything. I’m glad you were able to get something beautiful out of all of it.” She moved closer, tracing a bit around the eyes. This time, she gave in. “How do you do this, the shading?”

The way Caoimhe watched and even seemed to fawn over the sketch brought a smile to Metzli’s face that reached their eyes. White Crest was full of people they were willing to discuss the hardest of memories, even if they were being extremely vague about some pretty crucial details. “Ah, the shading there has to be delicate. You see,” Their hand moved to graze Caoimhe’s cheek softly before pointing back at the drawing. “The shading there is light, so there can’t be as many crosshatches, while here,” This time they pointed at her neck and jawline. “Here, the crosshatches are more in number and closer together because of the definition and starkness of the shadow.” Discussing art was very much Metzli’s element, and teaching it had become second nature due to the classes they held at the gallery.

Caoimhe was a lover of the arts in general, and not just music. It enraptured them, beckoned them toward her to delve into her other interests in the arts. Maybe experience them with her and discover new works of art together. As friends or otherwise. “It’s not that beautiful though. The story—Not the sketch. The sketch is only a fraction as beautiful as the subject. I’m referring to the story. Had to do some dastardly things to get here. But what about you?” Metzli gestured to Caoimhe and then tore the sketch out of their sketchpad to hand over to her. “Do you have an interesting story you can indulge me with?”

Caoimhe knew what touch could do. She spent her life measuring it, calculating who and where and when. Whether it was something casual, or something purposeful. Metzli reached out and Caoimhe reached up, putting her hand between her cheek and theirs, and the brush was light but it meant something. Because they were talking about where to etch and when, about a life spent using art as a way to escape or express themselves or simply be happy, and Caoimhe wanted it. She wanted to know more, to help, to stop the gnawing in her stomach that–

That didn’t stop. It was like a jolt. She’d been expecting another stair and there wasn’t one. Her hand dropped in a movement that was almost too quick to be casual and she pulled in a breath and there was so much to process, she didn’t know where to start. Metzli was more than what they seemed, and Caoimhe let something like disappointment ease into something that felt a little more like excitement. They loved art, and she could watch them love art.

Caoimhe accepted the sketch and swallowed thickly, despite all the questions vying for attention on the tip of her tongue (who were they, what were they), despite the way her stomach still clenched but her lips ticked up in something close to a smile. Despite the fear they’d know. “My story isn’t quite so interesting.”

Eyes moved up and down, analyzing Caoimhe. She had been quick to protect her personal space, and even quicker to pretend like she hadn’t behaved anxiously. Something was at the tip of her tongue. A question, one of many. “You’ve got questions, don’t you?” Metzli asked, smiling and taking the bottle from the table to pour more in each glass. She must’ve felt it, their cold skin. Maybe that was it. Or maybe she didn’t like the attention on her. Or she quite possibly was intrigued by the vampire before her. Only, she didn’t know they were a monster.

TW PARENTAL DEATH “That just makes me think it is interesting.” Metzli sipped on their wine and hummed thoughtfully. Fingers tapped on the table, organizing words into sentences that were coherent and strategic. “But if this is your way of keeping the attention off of you, I’m game. I mean, no one knows more about me, than me. So ask away.” Taking one more drink, they raised a finger, hoping to get another moment. “I will say though, you may just want to hug me by the end of it. It’s quite sad. I mean, not only were my parents murdered, but my whole…town was. There were very few survivors. War can be tough. Especially for the impoverished.” A look akin to despair, a longing painted onto their face, but it was quickly washed away with wine.

“But, if you’re gonna ask me more questions, you have to tell me at least three facts about you. How does that sound?”

Caoimhe hummed, brow furrowing. For the first time since she’d pushed her way through the door, she couldn’t hear the piano. It was Metzli, and a story, and all the questions that still rattled around in her head. They had already volunteered so much (what war, are you okay, why can’t I– ), and despite their offer to ask as many questions as she would like, Caoimhe hesitated. She knew what it felt like to lay herself bare. It wasn’t easy. It wasn’t something one did simply because.

“Only if it’s a hug you want.” She spun her glass on the table idly, picking through her words before she let them out. They’d been very upfront about their cynicism, and while Caoimhe had felt she’d understood some measure of it before, it was nothing compared to understanding the reasoning behind it. It was years too late to apologize for things that had happened long before they met; if it were her, she wouldn’t want pity. She wondered how much emotion Metzli kept hidden behind wine and the thick veneer of charm they’d had in place since she’d slid into the booth next to them. She wondered if they were waiting for the next war. “You don’t owe me your story, but...I’m here if you want to tell it.

“You don’t even have to volunteer it in exchange for mine. My mother is still in Ireland, but I haven’t seen her in years. I’m a runaway who never stopped running.” One, two, and “My family could provide for me anything I needed, they were hardly anything tragic, I just...had a difference in opinion.”

“Are you saying you want to hug me? How cute.” They teased through the longing they felt. Letting this mask, sewn perfectly together and with only a few cracks, slip on. “If I’m being honest though, I don’t know how I’d react. I’ve only ever gotten a handful of hugs. They’re nice. Maybe I’ll be a good hugger someday.” A breathy laugh tickled their lips and the smile continued to brighten toward Caoimhe. Being physical was easy, but the intimacy of a hug peppered their thoughts with unease. Sex was simple. Primal. But hugging was an animal that they had never really had an intention of tackling.

A wry smile pulled at Metzli’s lips, listening intently and doing their best to mock sympathy. Even without a soul, they knew what conversations like these meant, and how to behave through them. They wore many masks, and all they had to do was pick the one that fit the scenario best. “I know a thing or two about running away,” Their finger traced along the rim as each word in their head was selected carefully. “And I know a lot about differences in opinion. That’s why I’m here. So far away from…home.” The word was bitter from a lifetime of pain felt. From miles upon miles ran in order to flee, to find a new life with a new meaning. “That’s why I’ve built my gallery and decided to make a name for myself. Metzli Bernal: Art Curator, not Metzli Bernal: uh—well, actually just, Nothing.”

Lips replaced the finger that played at the rim of the glass, taking a steady drink. The warmth of the incoming buzz helped. Metzli relaxed further into their seat and locked eyes with Caoimhe, “I assume you have more questions? You looked both curious and concerned. What was that about? Never met an artist with such a fun backstory?”

“I’m not. But you know what they say about practice.” Caoimhe teased, working her way around telling them she likely wasn’t the person with whom they should practice. Besides, it was a useless saying. No amount of practice had ever left Caoimhe with any less strings, and she’d been trying since a boy with a French horn had decided she was everything before she’d reached the age of twenty. But Metzli looked so bright for a moment. They looked like the concept wasn’t unwelcome, and Caoimhe swallowed down whatever else she was going to say about it. If the brief touch of their hands was anything to go off of, it wasn’t as though she was going to have anything to worry about, anyway.

“Strangers in a bar we may be, but I can already say you’re not nothing, Metzli Bernal.” She was surprised to find she meant it. There were some people she met for a moment, bar bathrooms and alleys and music rooms long after everyone had gone home for the night. Encounters for her to brush off, or spend the rest of her life trying to escape. There were some people who stuck, but ultimately found themselves as shapes in her rearview mirror. Bridges burned, and Caoimhe made a point not to get to know anyone who lay on the other side well enough to get burned along with them. She didn’t know Metzli, and she wasn’t within any kind of blast range, but she knew they’d be a shape she’d remember.

“You know, there’s another saying, something like art is suffering.” Rather than linger on all the things she’d left in her rearview mirror, or how much she always cared, even when she knew she shouldn’t, Caoimhe grinned and leaned back in her chair, eyes bright. “I met a guitarist once who told me she could only write when her heart was broken. Pretty sure she spent half her life trying to find someone to break it for her. Her ballads were to die for, though. Never been a huge fan of country, but she had me sold. Have you ever considered spurs?”

“That only perfect practice makes perfect.” Metzli responded with a grin as lips met their glass. Piano notes danced in the air, providing a lovely ambience that allured them further towards Caoimhe. “Hugs are more of a third date kind of thing, and you were the one who said this wasn’t a date, so…” A suppressed chuckle broke through and they propped themselves on their elbows to turn their body in their seat. The way her presence met theirs with both subtly and boldness was as refreshing as lemonade on a hot summer’s day. Caoimhe had depth as vast as the ocean and Metzli’s curiosity urged them to swim deeper.

And then she uttered words that struck them harder than anticipated. Not nothing. Metzli bit their lip. Harsh teeth dug into mauve lips, deepening the color. The confidence washed away and let vulnerability show through in the form of softening eyes and creased brows. Blinking quickly, they mustered together as much composure as they could and cleared their throat. “Apologies. I think something got stuck in my throat.”

It was with sheer dumb luck that Caoimhe said something that they could cling to. A new subject, a new distraction. “Actually, I used to use spurs. I was a ranch hand for…for my relatives.” Metzli paused, letting the wave of despair pass through their chest before continuing. “Was pretty good at it too. I especially took care of a horse named Mariposa. Means butterfly in Spanish.”

“Hm, I did say that.” Caoimhe hummed around a smile, spinning her glass slowly against the table top. Her hands were always carefully towards the bottom of the stem. For as much as she’d been playing with it, she’d yet to drink any. It wasn’t a date. If she wouldn’t actually drink the wine, if she never said it, it wouldn’t matter that Metzli had offered up so much of their story to her; their earlier insistence upon it wouldn’t mean a thing. She still meant it, but she wondered how they felt. She wondered how it would feel to say it again.

She wondered how it would feel to lie. To do it so easily, so casually, without it catching in her throat and her stomach twisting in on itself. Caoimhe had always been good at twisting half-truths until someone believed a lie she hadn’t told, but it wasn’t the same. It wasn’t the same as Metzli’s eyes softening, the way they cleared their throat and moved on like Caoimhe hadn’t actually hit on something. She pursed her lips and absorbed their diversion without comment. It was a lie, she wondered about it, but wondering over lies wasn’t for her.

They’d already given her enough truths.

“A ranch hand? An artist, an entrepreneur. Is there anything you haven’t done?”

Caoimhe did well to take whatever was said and turn it around. No words were needed when she did so. Her knack for navigating a conversation was enough. Choosing the right moments to speak, choosing the correct things to respond to. She’d been at this a lot longer than Metzli could have anticipated. It made them worry a little. Worry that they had bit off way more than they could chew by going out with a woman who obviously knew a thing or two about dancing around a subject. But there definitely was no going back now. If they were going to say the truth, they were going to use it to their advantage.

“Live.” A true, and brutally honest answer. Metzli had yet to truly live, and they thought it best to not sugarcoat anything. After all, it seemed to be the one thing that Caoimhe couldn’t fully navigate around. It was like her kryptonite. And the question on the tip of her tongue was something she was holding back. Like she was keeping a secret. A secret similar to the one they kept. A secret of feeding on blood and living forever.

“I have a feeling you relate. But you’re exceptionally good at keeping that side of you undisclosed. Which is fair. That information is reserved for loved ones to hear. But loved ones are dangerous. So better yet, it’s reserved for late nights on your own. For a little punishment when you think you’ve reached too far out.” A pause for a sip and they locked eyes with Caoimhe, smiling softly. “And right now, even just entertaining this date, you’ve reached too far.”

The piano seemed to grow distant, straying deeper into the background as their focus hardened. “I’ve lived a very long time, Caoimhe. I know you’ve got a story, and you don’t have to tell it. But can you do me the courtesy of giving me the biggest question you have? It’s at the top of your tongue.” She felt something different about them, that they were almost sure of. If it was the question they were anticipating, that could only mean one thing: she was otherworldly too.

Caoimhe knew there was more to them. They were stories and a life lived and so, so much more. She’d known the moment her hand had brushed theirs and she didn’t even have to try to practice restraint. A moment of weakness had turned into a knowing Caoimhe wasn’t sure what to do with, yet. She was still toying with letting the knowledge go when they shifted the tone.

The chatter around them fell away to nothing. Her fingers tightened against the stem of the glass until she had to consciously tell herself to let go. It was as though they flipped in a moment, the casual request for a quid pro quo abandoned in favor of a demand, and Caoimhe had never been good at evading direct. Not when her game had been discovered, and the questions posed left little room for movement. Metzli was leaving her very little room for movement.

It made it marginally better that it wasn’t about her. Concern for themselves, Caoimhe could understand. They’d figured out she knew something, somehow, and there was an inherent danger in not knowing exactly what it was Caoimhe thought she knew. They didn’t live in a world forgiving of other, whatever that perceived other might be. “My loved ones are few and far away, and they know what they think my story should be. My punishment is tied to me like strings I already have pulled as far and as taught as I can get them.” She leaned forward, brave even as she considered she shouldn’t be. “And I believe you, that you’ve lived a long life. I’m curious as to how, and for how long. But that was your story, to tell as you wanted.”

Metzli couldn’t help the smile that curved their lips. Their new approach had given them better results than they could have imagined. Caoimhe hid her secrets well. Years upon years of experience taught her well. But Metzli’s curiosity, mixed with their ability to shift conversations, was going to make her say something. She had already said more than she would have obviously liked. Body language be damned, she was nervous. And for once, Metzli wasn’t causing anxiety out of imminent danger, but of pursuit of knowledge and connection.

“I’m much more interested in what your story actually is. Considering you know something about me that everyone overlooks or can’t see,” As they spoke, their hand, a little absentmindedly, slid towards Caoimhe's hand on the table. A part of them craved that touch, to feel that solid connection of someone similar to them in the evasion and artistic regard. But they stopped themselves and let out a shuddered and unnecessary breath. Instead of reaching out fully, they opened their palm towards her, giving her the option.

“Of course, you don’t have to tell me. But…I’ve lived long past a century thanks to that little war that eradicated my people. Thanks to teeth and blood.” Metzli averted their gaze from Caoimhe as they spoke, not only wanting to cover their despair, but to wait for her reaction. “Take that as you wish.”

Thanks to teeth and blood.

It was all the answer Caoimhe needed. She wasn’t surprised, if anything she wondered at their bravery, admitting it in so many words while in a fairly crowded bar. But their booth afforded them a fair amount of privacy, and Metzli didn’t seem like the type to be shy. Their confidence spoke more to their possible centuries of living than anything else had. No, Caoimhe wasn’t shocked.

“Okay.” She absorbed the information with a small nod and a half-smile. Her mother was beyond beautiful by all standards, simply by nature of who and what they were, but Caoimhe knew where to look for the signs of aging. She knew what tired looked like, how centuries of experience could be belied in the tone of her voice. Metzli had been through wars, had been forged in blood, and Caoimhe wondered at long lives and the cost of them. Perhaps they were expecting her to be scared, but Caoimhe found she was only curious, and sad just around the edges. “I’m sorry, for all the life you haven’t been able to live.”

They held out their hand, an obvious invitation, and Caoimhe considered it a moment. There was something to be said for connection. She spoke of her strings like punishment, but she hadn’t said for what, and how. She didn’t talk about what it felt like to stare adoration in the eyes and know none of it was real, not really. They shambled along the roads behind her like marionettes to her puppet master, and not a single one actually wanted to be with her. They wanted their art, they wanted that feeling of absolute inspiration. They were blind to what it cost because she had made them blind to it, and it was that knowledge which each string tugged raw.

Metzli couldn’t be strung up. They couldn’t become another ghost of her past, pressing their faces against her windows and begging for entry. Caoimhe reached out, always so aware of touch and what it could mean, and let the tips of her fingers play across their palm. And nothing. Nothing at all. She rejoiced for the parts of her that were relieved, and wondered at the parts that were just hungry. “You’re a great artist, Metzli. I meant it, when I said you weren’t nothing. You can trust that.” A beat, “I’m a really bad liar.”

“It’s all right. I’ve got plenty of life to live now.” Metzli had spent so long denying themselves connection, while Caoimhe avoided them like a plague. And in a way, the connections probably were just as bad as a virus. Because that virus was her own, and she could do nothing to stop it. Of course, they didn’t know exactly why, but they could see the effects it had on her as a whole. Her personality though, was untouched. It was still there despite all of the barriers it took to get to it. Caoimhe was kind, honest, and even a little playful. She was an artist with a past, just like everyone else.

When her fingers touched their palm, Metzli jumped a little and moved their gaze back to their companion. Eyes glistened with the threat of tears from the topic. The effect of the emotions they were feeling a lot more often. And then Caoihme admitted they could trust what she said. That she was a really bad liar. “Fae?” They asked, already knowing their first answer was correct. “That’s why you didn’t want to touch. I understand now. But you don’t have to worry. You have no effect on me in that regard.” A small smile curved onto their lips and that same hand she had touched, moved towards her cheek. Another attempt, but this time, it was a tender approach. Their thumb caressed her cheek and let it linger for a moment. “That must bring some relief, hm? No te preocupes. Um, don’t worry.” They translated, moving their hand back to their glass.

“Does this mean it’s a date now?” Charm returned to Metzli’s voice and they let out a breathy chuckle. “I’ll keep trying until you tell me to stop. Can’t help wanting to be around someone with an artistic mind.”

“Have some experience with fae, do you?” It wasn’t an answer, but it was as close to one as she was willing to get. There would be time for talk some other time, when they weren’t huddled into a quiet booth in an otherwise crowded bar. Caoimhe thought of art galleries, and spending time with someone who truly enjoyed it, for no other reason than their own genuine love of art. Someone inspired by their own rites, and not because Caoimhe pulled some string inside of them. She thought about Metzli, and how they’d probably only scratched the surface of their own story. Not many wars took centuries; they both had so many blank spaces to fill. They both had so much time to fill them.

Then Metzli touched her cheek, and Caoimhe could see how it would all play out. She’d call it a date, and there would be the expectation of another. They’d spend a late night in an art gallery, or perhaps Caoimhe would take them to Dell’s, she hadn’t been yet. They’d have fun, they’d spill their stories to each other one piece at a time, and the strings would be different this time. They’d be less like anchors and more like balloons, and Caoimhe would think them beautiful (she thought all of them were beautiful). And then she’d leave. And Metzli would look like empty art galleries and quiet bars and another ghost, but this one with frayed strings where they were effectively cut.

But then, that would be true whether she called it a date or not.

“Hm, it’s not just drinks.” It wasn’t, that much was true. “Is there an in between? A ‘this was a lot more than I’d bargained for.’ Or a ‘I’d like to see your gallery, but I’m not going to say second date?’”

“Yeah, I do.” Metzli answered, a little passively. They nodded and finished the rest of their glass before making eye contact with Caoimhe once again. “How about a fun-friend meeting?” Metzli couldn’t help but chuckle and raised their hand once more to her cheek and laid out all the honesty they could. “I don’t get serious about people. It’s safer that way, you know? But that’s not to say I wouldn’t enjoy a little fun with an artistic approach.” Their smile reached their words and soft eyes met with Caoimhe’s.

“We don’t have to call it a date. We don’t have to be anything. Just two ambitious artists that came together and found each other attractive. I’ll show you my gallery and you can show me your music. And in between, we can find some fun to have.” Metzli leaned forward, slowly and carefully. The night would be fun, the night would consist of new experiences. All of them with Caoimhe with them. And with a kiss to Caoimhe’s cheek, they begun a new relationship based on mutual interests, and not definite ties.

#paras #para: deathisanartmetzli #para: not nothing #alcohol tw #parental death tw #emotional abuse tw #domestic abuse tw

5 notes · View notes

dearlazerbunny · 5 years ago

Text

The Ouran HSHC as Art Students Headcanons

Haruhi Fujioka: visual arts

- Sketching is what she started with as a child because it’s the cheapest; all you need is printer paper and a crappy pencil

- Never walked into a proper art store until her uni classes required it: “You want how much for this sketchbook?!??”

- Has access to fancy charcoal pencils and whatnot at school now but secretly still feels more comfortable using cheap drugstore mechanical pencils since that’s what she taught herself to draw with

- She thinks the paint and sculpture students are a bit pretentious, but she can appreciate the ceramics because they have a useful purpose (she takes pottery as an elective).

- Do not even THINK about fucking with this girl’s portfolio, even as a joke. Saying that she guards it with her life is an understatement

- Hidden in a drawer is an unfinished, photorealistic portrait of her mother. Something about it is never quite right; she’s not sure if it’ll ever be truly finished

Tamaki Suoh: literary arts

- Specialises in poetry, particularly romantic poetry, because obviously

- Literally cannot write nonfiction to save his life

- Idolizes the Bard and has multiple, incredibly expensive editions of his complete sonnets. If you pressed him to name a favorite it’d be #19

- Will spend days staring at something simple (a rose, a necklace, etc.) and finally emerge with a poem that is either incredibly poignant and beautiful or laughably bad, no inbetween

- He has a diary full of very personal poems that are only for himself, all written in French

- Despite being a literary arts major, he’s constantly being conscripted by the theatre department to play parts like Romeo and Orsino because he’s just too perfect for it

Kyoya Ootori: instrumental music/performance track

- Here is where I’d put what instrument he specializes in but uh... he literally plays all of them

- I’m not kidding. Hikaru once bet a large sum on money that there was no way Kyoya could play every instrument. He smirkingly threw an ocarina at Kyoya and the bastard just raised an eyebrow then casually played a gorgeous 30 minute rendition of the Song of Storms

- Was playing a Stradivarius at age nine

- Personally, he prefers woodwind instruments the best, followed by strings, piano, and then brass. His conductors have to bribe him to play any sort of brass instrument

- Will disappear for days into a practice room until whatever piece he’s studying is p e r f e c t. If you’re looking for him and he’s not answering his phone, that’s where he is. Will sleep in there so no one steals his room; has passed out in there from dehydration/lack of food and been carted out by medics too many times to count

- Secretly a huge fan of twoset violin

Hikaru Hitachiin: theatre/acting major

- Did you really think this Dramatic Boi(TM) would be anything other than a theatre major

- Despite his IRL demeanor, he’s incredibly serious about his acting. Professors who expect him to be a slacker are consistently surprised by his dedication

- Excels in the classics and absurdist theatre. He can be a little too intense for some of the “slice of life” modern plays

- Could probably pull off a Lear monologue flawlessly at age 12

- Always requests two scripts in any production he’s cast in: one that he can scribble on, rip up, lose pages in, etc. and one that is kept in sheet protectors in perfect condition

- He’ll be cast in a musical here and there. He’s got a decent voice and can carry a tune with a bit of coaching, but he’s got two left feet and therefore is usually put in the back in dance numbers

Kaoru Hitachiin: instrumental music, double major in music performance and music education

- Cello is his main. He was drawn to it as a kid because it’s mellow and calm; a mirror to Hikaru’s spastic tendencies

- I can also seem him liking bassoon for the same reason

- He’s quietly spectacular. You never see him practice, brag about his instrument, etc. but will somehow miraculously show up to every rehearsal with most of their pieces memorized

- Prefers ensemble and orchestral work to solos. Gets a little uncomfortable being the only one solely in the spotlight

- Has STRONG opinions on all the classical composers and one of the few times you’ll see him red-in-the-face shouting is when he’s expressing his extreme hatred for Flight of the Bumblebee

- He’s double majoring in music ed because while he loves performing and wants to work as an instrumentalist for a few years, when he’s done with that scene he’d love nothing more than to have a classroom of his own, teaching six year olds how to hold their bows and leading them through their first rendition of Hot Cross Buns

Mitsukuni Haninozuka: vocal performance

- Ya boy has RANGE. Can go from a gorgeous countertenor to a lovely baritone/high bass.

- His countertenor is his specialty though. Choir conductors across the world will literally fight over the chance to feature him as a soloist or special guest

- Is mostly fluent in just about every language, thanks to the wide variety of languages choir music features. Italian is his favorite, especially the operas

- Always has to stand in the front row of the risers and sometimes on a special-made block so people can see him amongst the other singers. His concert dress always has to be custom made for him as well

- He’s very careful to not abuse his voice, and has eliminated vocal fry in his everyday speech, though it helps that his normal speaking voice is pitched higher naturally

- Though he’d never admit it to his choir peers, he can sing pop and even rap with the best of them, though it’s saved for karaoke nights with his best friends. His favorite things to sing are holiday carols.

Takashi Morinozuka: dance major/ballet track

- He’s been in ballet classes and kendo classes since age four, and refused to give either of them up as he got older

- To him, both ballet and kendo are very similar. They both require strength, grace, and discipline. He attacks the discipline part hard. He’s the epitome of dedicated

- His height and strength makes him a perfect duet partner. All the girls pray they’ll get paired with Mori in partnering class because they know he’ll be a perfect gentleman the whole time and never, ever drop them

- Looks damn good in a pair of tights, and is never self conscious about it

- Keeps a strict athlete friendly diet 90% of the time, but occasionally allows himself a cheat day and will steal a piece of Honey’s cake out of the fridge (because of course they’re dormmates)

- Would definitely be one of the rare guys who practices pointe because A) he finds it a beautiful art form and B) he doesn’t think it’s fair that the women go though the pain of pointe shoes and he not know what it feels like

142 notes · View notes

skiddyabroad · 7 years ago

Text

Post Three: New York City (Part Two)

Hello! I am very sorry if you’ve read my first two posts already - they’re very long and ramble-y. It’s just incredibly hard to say everything we did and how I felt in the moment succinctly and gracefully. Anyway, this post is the next chapter of our journey.

Day Six: Sunday 17 December 2017

We had a relaxed morning and slept in (definitely still needed our beauty sleep after our weekend). Once we were all up and ready, we headed out for the day. We met up with one of Anya’s friends (Hannah, who she met in Boston) who was also in New York, and explored the area near where we were staying. We were really close to the Flat Iron Building which was really cool. Other highlights that we saw: the apartment building used in the TV show ‘Friends’ and the bakery that was in ‘Sex and the City”.

Then I had to split up from the group because I had tickets to see a show called ‘Haunting Renditions: Live with Eliot Glazer’. Eliot Glazer is a comedian, and his sister, Ilana Glazer, is the creator and star of one of my favourite television shows (Broad City), and she was going to be a guest at the show. It was being held in Brooklyn, so I got the subway there and grabbed a burrito before heading in. The show was super funny and it was so awesome seeing Ilana in real life. I couldn’t really get any good pictures but it was amazing nevertheless!

After the show, I met up with the others again. They were in a bar with some more of Anya’s friends from Boston who were also all in New York. We had a couple of drinks and ended up in a karaoke bar! We had a lot of fun singing all sorts of songs, and I even sang The Rose by Bette Midler on the mic!

Day Seven: Monday 18 December 2017

This morning we got up and headed to - surprise, surprise - Rockefeller Centre. At this point, we’d honestly spent most of our time here! Not that I was complaining!! Anyway, we were headed back there because we were booked in for the NBC Studio Tour, which is where we get taken all around the building by an NBC Page and given behind-the-scenes info about how it all runs. It was such an awesome tour, and we got to go back to the SNL studio! At the end of the tour, we got taken to the NBC shop and Lauren and I spent a ridiculous amount of money on merchandise!

After that, we went back to our accommodation to relax and get ready before heading back to Rockefeller! We just couldn’t stay away! This time it was because we had tickets to see a live recording of the show ‘Late Night with Seth Meyers’. It’s a late-night interview show hosted by Seth Meyers (who used to be on Saturday Night Live). I’m a big fan of Seth - he used to co-anchor the Weekend Update desk on SNL with Amy Poehler (which if you’re reading this, you should know is my absolute favourite actress). He’s super funny and his comedy tends to be quite political and smart which I love.

Anyway, once we had gone through security, we got taken to the ‘Peacock Lounge’ to wait until we were seated in the studio. The studio looked smaller than I thought it would be - the TV makes it seem much bigger than it is! It was so exciting seeing it in person. The live band came out first and Fred Armisen was with the band (Fred was also on Saturday Night Live and I’m a big fan of his). He has a television show called Portlandia at the moment, so we were super lucky that he was there and not filming. Then Seth Meyers himself came out and it was so unbelievably cool to see him in person! He has such charisma and really knows how to charm an audience. He explained the process to us all and then we started filming! Honestly, I can’t even remember who the guests were anymore - I didn’t know either of them but one was a country singer and one was a film director. They were cool but I mostly just cared about seeing Seth interviewing and doing his political comedy segment called ‘A Closer Look’.

Before the musical guest could perform, they needed to set up all of the equipment so Seth came into the audience and said he’d answer some questions while we waited. I was super nervous but I also knew I’d kick myself if I didn’t at least raise my hand. AND THEN HE PICKED ME. I asked him what he missed the most about working on Saturday Night Live. He told me that it was the people, and then Fred chimed in and said he missed ‘writing nights’, so then Seth turned back to me and explained all about writing nights at SNL where they’d all stay up until stupid hours in the morning writing sketches (I already knew about writing nights because I’ve read a bunch of ex-SNL cast member’s autobiographies, but it was still cool to hear it from them). The whole time he was answering me, he was making eye contact and answering me directly. Which, like, of course. And I think I managed to remain calm and collected but internally I was freaking out. He was so, so nice and it was just such an awesome experience to get to talk to him. It was the perfect way to end the night!

Day Eight: Tuesday 19 December 2017

Today we met up with Hannah (Anya’s friend) again and headed to Central Park! By this point, I was already kind of sick of all of the concrete and was looking forward to seeing some grass and nature. It was pretty awesome walking through it, but I do have to admit that parks in New Zealand are way more beautiful. But the lakes were iced over which was pretty awesome.

Hannah had to leave after Central Park because she was heading back home to New Zealand. We kept exploring and saw the Guggenheim Museum and The MET. We took a photo on the steps of The MET in honour of Gossip Girl.

Then we split up - Anna and Anya went and saw the MOMA and then Hamilton on Broadway, while Lauren and I went to pick up our New York Passes. After we got them, we used them to get into Madame Tussauds. It was pretty cool walking around taking funny pictures with the wax figures, and some of them were so badly done we couldn’t stop laughing.

We got to a certain part of the Ghostbusters exhibition, and there was this virtual reality Ghostbusters game that you could do. Because Lauren and I are both big fans of the new Ghostbusters movie, we thought we’d give it a shot. We had to put on these fake proton packs and virtual reality goggles. And then we had to move through a series of rooms capturing ghosts by shooting them with our fake proton packs. The virtual reality goggles made it look like a run-down skyscraper in New York and although I knew it was all fake I couldn’t stop yelling at the ghosts. Lauren and I were in hysterics, it was so funny.

Lauren and I grabbed some dinner on the way home and had a relaxing evening watching ‘While You Were Sleeping’ and catching up with our families. Anna and Anya came back absolutely buzzing from the show Hamilton!

Day Nine: Wednesday 20 December 2017

We met another one of Anya’s friends today! Her name was Sophie and she showed us around the West Village and took us to this bagel shop for breakfast. There were so many cream cheese options, genuinely about 40 different ones! During our exploring, we came across one of the old locations for UCB (Upright Citizens Brigade, a theatre company that was started by Amy Poehler) and we were super excited! They’ve moved locations but the signs were still up so we got a quick picture with it:

Then we had to say goodbye to Sophie and rush BACK to Rockefeller. I’m not even joking. We had tickets to see Jimmy Fallon’s monologue rehearsal. Jimmy hosts a late-night show called The Tonight Show with Jimmy Fallon, and he starts every show with a monologue full of jokes about current events. Every day, he does a rehearsal of that monologue to a live audience to gauge what jokes are working well and what aren’t. It was super cool to see the process that he and the writing team go through to get the jokes just right in time for it to be on television.

After that, we grabbed some dinner and then went to the Broadway District for the first time. I LOVE BROADWAY, so this was super exciting for me to see all of the theaters and all of the signs for the shows. I took a bunch of photos, and then we eventually got to the Al Hirschfeld Theatre to see Kinky Boots. I had never seen the show or heard any of the music before, but it was amazing. The two main characters were being played by the original actors who had come back to Broadway, so that was super special. Overall, I loved the show and it was an awesome first Broadway experience.

0 notes