#the films do Feel very different and I Am Dragon is less focused on just The Princess as a character‚ it is true

[falderaletcetera]

The Princess (hulu/disney) and Damsel (netflix) (seriously can we start using more original names already) are absolutely in the same genre of "princesses put in princessy situations and acting in very unprincesslike ways", which I love, but I'd argue I Am Dragon/On – drakón fits the bill too.

a little less obviously. but without spoiling anything, neither the characters nor the genre expect her to be so selfish and resourceful, and (okay this is a spoiler) I personally felt the rug pulled out from under me when she was entirely willing to kill someone who'd just saved her life.

it's about the moment the story shifts from a tragic fairy tale with a passive princess to the princess turning around and saving herself, even if she has to hurt people along the way, even if she has to be everything the archetypal princess isn't. that shift is less stark and less tidy in I Am Dragon, but it's there.

[aesfocus]

aes' video game gif making tutorial 2024 Part 1

Using your own footage. While everything regarding photoshop can be applied to nearly all media, apart from long form videos(5+mins) and videos not in mp4 format; I am still focusing on walking you through making your own footage look as nice as possible.

Needed:

A game and potentially mods for said game

Camera tools for various games (optional)

OBS

Photoshop

My gif making actions so you too can be fast

This tutorial simply opens your recorded footage in photoshop, no other screen cap software is required. Lets fucking go!

[Part 2]

INTRO: From Skyrim to Destiny, recording your own footage of various games is the best method of making your own gifs.

The reason for this is myriad; 

+ less artifacting vs YT vids, as seen below

+ you’ll have more control over the content + you can have personal characters + you can alter the settings of the game to be better for gif making purposes

While this tutorial does walk you through most of the steps it is light on exactly/why I use various adjustment layers for coloring, mostly because tumblr began to block my images/links. Other folks have tutorials but I can make one if its something people want.

But the real purpose of this tutorial is to cut the time it take to make gifs down by just opening your file vs. screencaping and so on.

1. Select your game and edit game settings for gif making.

Because we are using OBS, and recording the screen and not the game itself(more on this later), what game you are playing matters little. 

Other paid programs like FRAPS still work, as do some free programs like Afterburner/RivaTuner, but when it comes to multiplayer, some may be caught by various anti-cheats and shut down. (ESO will not launch if afterburn is already open, for example). OBS has simply been my go to for around seven years.

Settings.

Please feel free to play around with your game settings to find what works, you may even play a game on different settings from what you record footage under. I do not play with DOF settings on in games but do record with them on.

Dropping your screen-size from and being able to turn on ultra vs medium settings may make your gifs look much better as another example. 

+ At least 30FPS, try to avoid stuttering, lower the settings if needed. + Avoid crushing of blacks or blown out whites, especially when giffing POC! Adjust brightness and gamma as needed, HDR isn't your friend here. + While dark nights maybe more realistic and challenging for you, it often produces a dark gif in which nothing can be seen. + Turn off motion blur and film grain, these both add needless file size and look off when scaled down in photoshop. If you want grain add some after. + 720p is about as low for footage as you want to go unless making gifs for very old games. Work with what you have with old games. + Using mods and things like reshade can make your game shine.

Example time; ENB only on top, heavily modded on bottom, no adjustments were made in photoshop.

Modding can really alter a game. 

Skyrim is very famous for it, but everything from Mass Effect to Pathfinder: Wrath of the Righteous have visual mods! They can make your footage stand out immensely, they can make your FPS drop, or even make it better. 

Please be respectful of mod authors. As someone who made them in the past, we are not content farms, we are just folks with a fun hobby like gif making!

I highly suggest any mod that removes screen blur, vignette and film grain!

2. Camera Tools (optional)

So you have your game, now it's time to learn what camera tools exist, if any, for your game. Many games like Rogue Trader and Dragon Age, have free camera mods. Some games like Bethesda games and some Mass Effects, have built in, or partially built in fly cams.

I used to back in the day before DA:O had camera tools back myself into a corner and swing the over-the-shoulder camera around to get gifs, so you have to work with what you have.

If you want to go the paid route there are plenty of camera mods available from assassin’s creed games to BG3. These are generally of better quality and work smoothly, but check around for reviews before you dish out your hard earned money!

Each of these tools will have different commands that you will have to learn. 

3. Obtain OBS & set it up

Why OBS?

It's free, it uses very little of your computer's resources. OBS also allows you to switch between screen recording, what I always use, and recording a specific program. Many other recording programs will not record some very old games, some can't record specific games.

Add to that, some hardware recording software will not record shadows or can get light values wrong and you are fighting a battle game after game. So I just go for what's free and works consistently.

I've only known one person for whom OBS failed to work, and that I think was a version issue. 

Install OBS, and then make a specific scene all the way on the left;

You can rename this or duplicate it if you also intend to stream(right clicking scene will bring up the menu to do so), I don't use OBS when streaming so I leave this as is.

Right click on the source and ensure it is set as Display Capture. Because some, especially older games, won't work with Game Capture you are going to record the screen. Double click Display Capture if you have multiple screens(I have 2) and select which you want to record!

Next we need to go into settings, over there on the right under Controls. Once in settings, go down to Video and keep the base and output values whatever your actual display size is. I have a 1440 display so it's set to 1440, if you are running 720 make sure it's 720 and so forth.

Ensure 30fps is chosen. Anything more is overkill, for both photoshop and your rig!

Next go to Hotkeys. This will be different if you are using OBS to stream as well, but because I am not, I cleared everything but the recording hotkeys and I assigned them to scroll lock. This is because I've yet to encounter any game or mod that uses the key for anything. Use what makes sense for you, however.

Finally make your way to Output, this is important. Ignore streaming, look at Recording.

+ Pick a folder you want to save in + pick indistinguishable quality, large file size. + Pick MP4+ which encoder you use is up to your system! This is the one that made sense for me and my system. There are tons of videos on YT that go over each encoder. Also here https://obsproject.com/kb/audio-video-formats-guide is the official guide. We need to be able to open the file in photoshop so I tend to lean toward H.264.

3. Test OBS and your game footage together!

Go into your game, record a menu!

If you see something weird here, like your game footage not actually recording, troubleshoot!

With your recording you shouldn't see any stretching.

Now go into game and for 3-5 seconds record you playing, if something isn't recording well, again, troubleshoot. OBS takes a small amount of resources but for older rigs you may need to adjust settings in either game or OBS to get better recordings.

Once you are comfortable, it's time to go wild!

4. Record your gif footage.

+ 5 second clips are best for scenery gifs, + anything from 2-10 seconds can be used for a character talking + anything more than 10 seconds? You'll hit tumblr's limits instantly and will need to make multiple gifs. Which isn't a big deal, but do make note of it as it is much harder for older rigs to open a 5 min 1440p recording than 10 seconds. Depending on the rig it may not even open, so try and make several recordings rather than one long one.

5. Photoshop set up if you pirated an older version

If your gifs look weirdly stretched, check pixel ratio! If your photoshop is legit, or you know that it isn't stretching your gifs wildly you can skip this step.

I don't care how you obtain photoshop, but photoshop has had the ability to open MP4 videos for nearly 15 years. You do not need to, and I do not encourage you to use any screencapping software. That's great for long-form videos, but my computer 12 years ago could open a 5min music video fine and it was a potato.

Often photoshop 'portable' aka pirated photoshop comes with some wild settings, namely, pixel ratio changes. Please check this first;

And look at what default is actually set at, if your gifs always look stretched oddly when uploaded to tumblr.

It should be 1:1.

Then look at,

Again set it to square! Newer photoshop, and non-pirated versions often will let you look at other aspect ratios but won't save weirdly. so 2:1 will still save to 1:1, this hasn’t always been the case with cracked photoshop, especially the version from around 2014.

6. Open

Either drag in all your videos, or just... file → open.

This is why you saved as 5 seconds and MP4, so you didn't need any extra steps!

++Please be aware that older/weaker rigs and laptops can struggle, and if you are seeing crazy hot temps and such its an issue. Seeing Photoshop pause to open/play an action is normal but not chugging. I tell you this so you remember to dust your case and give your hardware some love, fiddle with settings and if this straight up doesn't work with your version of photoshop it might not be for you.

7. Crop your videos

Once you have your video/s open, select the crop tool. (it should be right here in the default setup. or Simply press C on newer Photoshops)

Step 1-  in the far left box you want to select Width by Height and then type what size you want to crop to. Height Matters little but Width does matter.

Here are tumblr’s current 2024 sizes again!

10mb is the max, anything more will have a new compression algorithm applied to make it under 10mb.

Please look at the sizes closely. I'll give you an example! Lets say you make your widest gif 1000 pixels, a common wrong size.

I could only fit 20 frames in this bad boy, and its squished, despite the saving compression used, tumblr eats the quality to make it pixelated/artifact-filled.

Compare that to this, 66frames

Slightly different cropping but you get the point.

Same thing with using 540px in the 268px spot.

Compare it to the gifs below which is a 4.83mb 133 frame image in the 268 spot. see how it's less pixelated?

Now back to that Image. Lets talk about... Step 2. Select a range from within the image, try to avoid going to the edges, otherwise you get a 1 pixel wide transparent line. It's hard to see on some blogs, and so obvious on others. Mobile users won't likely see it, but it does take a slight amount more file size as well.

This is what I mean.

Step 3. Time is money, friend. And by this I mean I am going to provide you with the means to skip a TON of steps in the gif making process and just use my action, I'm even going to help you figure out how to fix it when it fails. For the low price of free. If you want the how to, I can break down what all the action is doing, but I haven't even thought about these steps in about 8 years or so.

PART 2 THIS WAY

(because tumblr hates more than 30 images)

[interact-if]

Final Day of our Asian and Pacific Islander Heritage Month Featured Author Interviews, continuing with Ze Hai Lu!

Ze Hai Lu, one of authors of Chronicles of Tal’Dun: The Remainder

(VN)

This is a story of two magi, Vyn and Ilar, who find themselves trapped in a collapsing tower with their only hope for salvation being a difficult ritual. Or at least that is what Ilar tells you. The thing is - you don’t remember anything, and Ilar’s story makes less and less sense the closer you are to the ritual. Are they hiding things to protect you from the bitter truth, or are they deceiving you for some more nefarious reason?

Guide Vyn’s actions to death and beyond and uncover Ilar’s truth. Are they your colleague, lover or something completely different? Read between the lines of what they are telling you, explore your surroundings for clues and use hands-on deduction to break the viscious circle and set them free.

Read more about Chronicles of Tal’Dun: The Remainder here. Play the Game on Steam or Itch. Tags: Fantasy, Mystery.

[INTERVIEW TRANSCRIPT UNDER THE CUT!]

Q1. Hello! Could you tell us a little bit about to yourself and your project?

Chronicles of Tal'dun: The Remainder is a dark fantasy mystery game. I made it because I really wished that more games existed that focused on story, characters, mystery and surprises. My partner and I made it together, we learned how to write, produce music, script, and design in the process of making this game

I was a game artist for several years before this. I've always played casually with building stories and worlds, but never made a complete project until now.

I used to feel like I wasn't ready to create a compelling story, and was waiting until I became ready to start creating one, but making the Remainder has taught me that I'm ready when I decide I am.

Q2. What inspired your current project?

Games: Dark Souls, Hades, Dragon Age

Writers: Lois McMaster Bujold, Joe Abercrombie, Robert Anton Wilson

Film: Miyazaki

Q3. Do you pull from your own identity for inspiration? How has that been reflected in your work?

I've moved every few years for most of my life, from several provinces in China, to Canada, to Germany, to America, to Croatia. I shifted through many worldviews, atheism, agnosticism, buddhism, christianity, agnosticism, sufism, liberalism, conservatism, anarchism, and more. I played with changing my body and my mind, and I never settled on one thing and said 'I am this'. I guess you could say I had a fluid identity. I think that's why the Remainder's story has a lot to do with change, and its characters are very diverse and weird. They're non-binary, they're non human, they anything but normal. Normal is a concept, an illusion. 

I've also dabbled in a few different spiritual practices and philosophies, and had a number of mind-altering experiences. A near-death experience, heroic doses of psychedelics, ayahuasca ceremonies, and deep meditative states. I borrow liberally from these to enrich the world and the story. The most inspiring one to me is Buddhism and its marks are all over the world and culture.

Q4. What are you most excited about your project?

I really enjoy the fact that since only two people work on the game, and we have no obligations to investors or publishers, we're free to experiment on many unconventional mechanics, subjedt matters, and storytelling techniques. We ended up with a story unlike any other I've read.

Q5. What has your experience writing an IF and with the IF community been like?

We didn’t know what to expect at first, but we're positively surprised at how helpful and friendly people have been. 

Q6. What changes in the IF community would you like to see?

We're relatively new to the community but we either got very lucky or the community is just very supportive and nice. We have no complaints at all.

Q7. What piece of advice would you give to fellow creators?

I've heard a few people express a desire to write a story but struggle with some sort of inhibitions that stop them from doing so. I hope they will give it a shot in spite of these fears. Even if it doesn't turn out perfectly at first, improvements will come. So long as you put down one word after another, you'll get better. There is no perfect, but all you need is good enough.

Not everyone will like your work, not everyone will care, but that's OK, the world is so big and filled with so many people that you will find those who will love it, and they will make it worthwhile. 

[badass-at-fandoming]

Just Little Malkavian Things ~

Malkavians these days can do nothing but de-conceptualize, Dement, eat hot chip, and lie.

Since people seemed to enjoy the #JustLittleVentrueThings VTMB adventure, here's a matching Malkavian one. Though I'm gonna be real with ya here, I had less fun D:

I finally figured out why I have such trouble wrapping my head around depictions of Malkavians in VTM media. Books, Storytellers, and fans say it's like having a mental illness and being linked to a massive group chat. But, listen, I've lived around and with mental illness all my life. I've been in massive group chats. Being Malkavian ain't like that.

It IS like being an early-twenties English major in the midst of an existential crisis, over-worked and cross-faded outta your skull and watching horror movies to Cope(TM)

So it's like drugs. It's like you had too much weed and too much wine and are let loose on Los Angeles. Which. My friends and I have and we, coincidentally, also "fought" a stop sign. The Malkavian PC never really seemed like a character to me: she's like a collection of cliches and dude-bros doing blunts while watching slasher movies. I named her Liotta after the Psychic Shop owner, and I'm sad Liotta didn't really get to be a person.

I wasn't surprised by any of the dialog. It's a pattern. Alliteration, allusion, animal joke. Alliteration, allusion, animal joke. It lost its charm.

Often, I didn't know what the FUCK I was saying. Which is the Malkavian Experience(TM), according to Rosa.

Anyway

Nonsense time

Most characters have an extra paragraph of dialog to Acknowledge That You Are A Malkavian. Some get an extra conversation branch. For example, there's lots of new Bertie dialog and he was all impressed Liotta knows about Gehenna and Thin-bloods <3. The Anarchs characters, especially Skelter, get a lot more. Skelter, Ash, and Liotta totally vibe.

If you sneak around the Santa Monica drug house, they talk about Mercurio?? Hello?? Mercurio, you bent Masquerade by not getting beat up real good.

Zero pretense about Voerman. Yes, I have DID; yes, I am making it your problem.

When Liotta talked to Beckett, he said the DID was "something to look forward to." Goddamnit, Beckett. That's not how the Bane or mental illness works! >:-(

I've never sneaked before!!! Did you know that the Tong AND the American gang downtown have fakes in their suitcases??? Like, Full On, "it's just stuffed with newspapers, brah." They were going to kill each other over newspapers. For some reason the Tong brought the REAL suitcase along too, but I'm so past having VTM make any sort of sense. It's fine.

Accidentally pissed off Nines. I meant farmer (affectionate) and Nines thought I meant farmer (derogatory). :(

The Dementation powers are (a) pretty purple loop-de-loops, (b) not as effective as Dominate (reaaaallyyy missed a good AOE attack), and (c) oddly enough, gave more compassionate dialog choices. I mean. In the pen-and-paper version, Dementation isn't conflict-focused, so the devs had to jigger it to use as attacks. But I was touched when Liotta made Hannah believe she was Paul, so Hannah got to say goodbye. Making Samantha believe Liotta was a pet turtle was funny and spared her the pain of her friend vanishing a second time. Heather thinks her entire experience was a dream and returns to her life, more or less unscathed.

Boris?? Asked Liotta to kill Venus for him???? DUDE, WHAT. I didn't know he could counter-offer!! What happens if you take up his offer? Who controls Confession? Does it close down??

Pro Tip: don't trust the pale woman in a cowboy stripper outfit who comes out of your vent and tells you everything's fine.

I went through an ENTIRE Ventrue playthrough without puking and Liotta ate one (1) unhoused person and blew chunks. I didn't realize Diseased Blood was a threat. What happens if you skip the Plague-bearer quest? Should you just never chomp on the Downtown unhoused community?

Strauss called Liotta "young one" and I was like, sir. You're not Beckett, you can't trick me.

A rat dances in the Downtown sewers and tells Liotta that the grass is greener in someone else's asshole.

And also will take you places.

Do you know what it's like for a Capri Sun to suddenly start speaking and offer taxi services.

LaCroix: how did Bach find me??? also LaCroix: [names his company after himself] [lives in Ventrue Tower]

Liotta told Beckett that Kindred are a joke and I got extra EXP for being so sneaky.

DMP produced snuff films even before Andrei???!!!! I thought all the blood was from the lil geo-dudes.

Liotta agreed with Andrei that Caine is here and boot-scooting around in his lil Angst Mobile. :D

As bad as Liotta was in group fights, she repeatedly made bosses cower and stand quietly while she beat them to death. Andrei had a full on lay-on-the-floor temper tantrum in his war form and Liotta just. Smacked him until he exploded. She didn't even take damage!

Imalia's computer password is ALSO "cleopatra." Just like Tawni's! Dual reference to the Embrace type

IDK why I never asked this before, but, um, who does Mitnick share the bunk bed with? Barabus..?

I went back to the Empire Hotel Penthouse suite to fetch the educational book and the Russian mob dudes were still there?? Hello, sirs, your leader is dead. You can leave now.

Liotta heard the real thoughts of the Red Dragon hostess...and also some debate about the Dark Father's presence in LA, heehee.

I thought it was fun that one of the "take me away, Cabbie!" taxi replies mentioned riding in a car like father and child. :D

"Why is the Mandarin giggling at me" is a sentence that came out of my face.

With the different dialog options, sometimes it's impossible to be polite to NPCs. For example: Liotta could only call VV "dolly/doll/toy doll" instead of her preferred names; the Chinatown gun seller felt frightened, thinking we were Police or Immigration.

Some great fourth wall breaks in the dialog: "I don't want to get involved either, but tell that to whoever is playing me!" to Beckett after the Giovanni Mansion.

"You can't spell success without whatever the hell my name is."

"If I cannot win with effort, I will cheat my way to victory. I am gone." Funnily enough, this was my first run where I didn't hack in to boost stats.

"I just want it to end. I feel like I've been playing forever."

Some nice wider lore references: "I devour knowledge like the great worm devours the corpse of society" could refer to how Salout, in tapeworm form, is devouring Tremere's body and destabilizing the Clan and/or Kindred night society.

"They should have a channel devoted to you in my head" to Beckett. In his Diary, Beckett witnesses Malkavians devouring Malkav and may or may not join the Cobweb (PS check out this great fanfic where he does).

This made me stare into space for a minute and question my life choices. During the Sabbat massacre, Liotta didn't snack on any of the blood doll ghouls (ya know, the ones with the eyes gouged out). She had such high Inspection + Finance that she had $4k in her wallet and could buy blood. I wanted to test a rumor that if you don't feed on the blood dolls, you get extra EXP. You do. BUT anywAY, right before the Tremere miniboss, Liotta was sword-fighting some goons and the blood doll...attacked him for her? Like. He moved on his own. When the goon was dead, the blood doll asked if Liotta was all right. This might have been a glitch but...the horrific implications that those men are still conscious, still willful, still feeling. ACK. I hope they got out the next morning.

RIP Ming Xiao. Flamethrower right to the tiddies.

I stole @ryttu3k's idea and noclipped through the werewolf section. Liotta still killed the Garou, but I didn't want the stress.

Caine is very Caine. "Don't you get it? We've already been judged!"

Liotta went Anarch because what little backstory I came up for her was she considered Smiling Jack her sire. Nines complimented her ability to murder.

Sheriff got sooooo dizzy that he fell over right onto Liotta's sword 27 times.

Dancing werewolf ending! Seemed fitting. :D

[headofhelios]

Ok I am a single follower but I like hannibal tv but would enjoy ur movie thoughts I like some of the books too and have been meaning to get around to the movies 😳😳

OKAY I'M EDITING A READMORE ONTO THIS LOL I REALIZED THATS SOMETHING I CAN DO! so now my incredibly waaayyy too long answer abt my thoughts on 2002 will is under there. apologies bc this is less "movie thoughts" and more "2002 movie will thoughts" but well thats how the chips fell

GOD okay sooo for the record i am reading the red dragon book and am like 7 or 8 chapters in and full transparency im not like. enjoying it lol. the book pisses me off with its misogyny (all the women in it are either dead or it feels like you're supposed to think theyre Selfish Bitches or theyre just there for like. bizarre and uncomfortable sexual moments like the guys talking abt that woman in the elevator, or that one part of mrs. leeds diary which is like. i guess could be there to Show Her Humanity or whatever but 1. there are more ways to do that 2. the book doesnt seem particularly concerned with her humanity considering she's barely even given a first name and so far the novel hasnt seemed to disapprove of how will thinks of her as a possession of her husband) and its inconsistency with will's most important character trait or whatever (he's so intensely, extremely empathetic towards EVERYONE, even serial killers, which makes him really good at finding them! and he can never turn this off, to the point where every time he has a conversation with someone, he ends up mimicking the way they talk, even if he tries to stop! but also he never empathizes with the victims or HIS OWN FUCKING WIFE? HELLO? so it really feels less like "extremely strong empathy for everyone that he cant control" and more like "he can empathize with serial killers extremely well and also other people if we want to Make A Point in one scene instead of letting the point show through the whole book") BUT UHHH ANYWAY. MOVIE THOUGHTS. THE MOVIE THOUGHTS YOU ASKED FOR COMING RIGHT UP!

okay this is what i am worried will either 1. draw annoying tv will graham stans to my blog like flies or 2. end with me being hanged in the town square BUT. it must be said. i prefer 2002 red dragon will graham to tv will graham. and quite frankly? so far? i think 2002 red dragon will graham is better than book will graham. i cannot lie.

my reasoning: because 2002 will actually empathizes with more people than serial killers and his boss! y'know! like you'd assume someone with constant extreme empathy would! the difference between the first scene with molly in the book vs in the movie are SO striking to me now that i've read that part of the novel. in the novel he seems very... rough, i guess, and like he doesnt care about molly's worries. he doesnt seem to see things from her perspective, which especially feels like a kick to the gut because MOLLY! SEES! THINGS! FROM! HIS! PERSPECTIVE!!! she literally empathizes with him more than he does with her! what the fuck! MEANWHILE in the movie, he does seem to care about her. his assurances that he wont get too involved seem like assurances rather than him trying to get her off his back. he hugs her and tells her he loves her and i actually believe that yeah, he loves her, he knows she's worried about him, and he wants to comfort her and ease her worries. and the victims! AGAIN such a stark difference to me! in the book, will is like... uncomfortable empathizing w the red dragon, of course, but he doesnt seem to empathize with the victims all that much, ESPECIALLY not the women. he doesnt care about them. he sees them as possessions belonging to their husbands and its so fucking gross. despite already suspecting that the red dragon chooses families based on the women, he decides to waste time focusing on the husbands as a way of "asking permission to look at [their wives]." what the fuck? meanwhile in the film, he feels for the victims so much that he can barely even say that the kids were shot in bed! when he watches the tapes, he focuses on the women! because that's his fucking job!!! and we see him empathizing with them! wow!!

siiigh okay im gonna stop talking abt the book vs the movie now bc again im only like 8 chapters or so deep. but now we come to tv will vs. 2002 will, which is admittedly gonna be more subjective and part of that it bc i cant remember a whole lot of specifics from the show bc my memory is Very Bad. but anyway

let's get the shallow stuff out of the way. yes i prefer ed norton's face to hugh dancy's. call hugh dancy "gender" or whatever have your fun i support you and your right to call any blood covered man a gender but by god is that not even REMOTELY my experience. next shallow thing to get out of the way: ed norton's line delivery is like music to my FUCKING ears compared to hugh dancy's i am so sorry. like the jokes about will shaking like a damp chihuahua before taking 5 minutes to stutter out "he's killing them....... On Purpose, jack." are funny and all but christ i had SUCH a hard time watching the show bc of that im not lying. literally hearing 2002 will just say "he's not keeping them. he's eating them." nice and quick, matter of factly is better than well im actually gonna end that sentence there but you get the idea. like YESSS you little blonde bitch get to the point i love you!!!

OKAY NOW less shallow points but also less uhh idk man i just dont remember a lot of hannibal. but basically: after seeing how caring 2002 will is, i'm kind of... idk i'm just so over tv will and how abrasive and harsh he is in comparison. like i fell in LOVE with how vulnerable 2002 will is, how he feels like he cares deeply about the people around him (and honestly... idk i cant remember a moment in the hannibal tv series that made me feel the way i felt when 2002 will can't say "the kids were shot in their beds". it's like... yeah this is a guy who feels so deeply for everyone around him at all times. i believe that.) and i just dont remember getting that same feeling from tv will. i have been gently spoon fed the most excellent chocolate pudding and everything else in my memory is just a snack pack. i guess tv will has those moments (what comes to mind is when he brings gideon to hannibal's house and is crying and he says "please dont lie to me") but idk they just didnt really do for me what 2002 will does. and then their scenes with reba! wow! i rewatched the tv version after watching red dragon, bc the film version made me tear up, meanwhile the tv version i barely remembered and i wasnt sure if that was just bc of the different mindsets i was in while watching them or what. and ok i just rewatched the tv version again and like... yeah. it's the wills lol. i LOVEEE tv reba SO much she is giving everything in that scene!! she sounds so like... broken, both bc of dolarhyde's apparent suicide and bc of finding out who he was + what he was doing, she sounds so fragile and guilt ridden! she's amazing!! but will. idk. tv will's delivery just seems... idk this feels dumb to say but it sounds like writing. i admittedly LOVE the line "people who study this kind of thing say that he was trying to stop because you helped him." and his delivery there is good. but between tv "you didnt draw a freak, you drew a man w a freak on his back" and the 2002 version, the 2002 delivery seems more genuine while the tv delivery sounds rehearsed. idk overall the 2002 version of that conversation just makes me feel more? its like. idk i can feel the 2002 version gently holding my heart while the tv version is a scene that is nice in h/nnigram gifsets or w/e.

umm ok this is already suuuper long and my brain is getting a bit mushy so i'm gonna start wrapping it up lol. i'll probably compare book will and 2002 will again after i finish the book, and then i miiight rewatch hannibal, or at least parts of s3. but right now my thoughts are basically: book will is a fucking dick who has an easier time empathizing with serial killers than with his wife. tv will is a nothing girl after being so completely catered to + also idk he doesnt have the same fragility that i want from my wills now. and 2002 will is my little caramel apple. he has this delightful vulnerability and feels like he cares so much and empathizes with more people than serial killers and his boss and 4 people in a diner for one scene! 2002 will made me care about will graham! which is honestly kind of a feat!

[hecallsmehischild]

Recent Media Consumed

Books

Half-Bad by Sally Green. Man, this is grim. It’s good fantasy, and the writers breaks certain writing conventions to convey the story better, which is fascinating. But it’s so grim. There’s two more books in the series and I want to get ahold of those before I say more.

Zoo City by Lauren Beukes. Did I say Half-Bad was grim? This is grim. Grimdark to the max. But also a fascinating premise, that the crime of murder and its accompanying guilt manifests an animal companion that marks you for the rest of your (shortened) life? If you can stomach some of the imagery and if you do well with being plunged into unknown terminology and figuring it out on the go from context, this is a good read.

Dropped titles: Pursuing God’s Will Together by Ruth Haley Barton and How Should We Then Live by Francis Shaeffer. One was a recommendation, one was semi-assigned reading because I’m a non-voting member of a ministry board. In both cases I got about halfway through. I have the gist of both books and I’m enjoying neither. At all. I started to avoid Audible altogether. The moment I gave myself permission to stop listening to them and pick up the next Thomas Sowell book on my list, I was right back on reading, because I’m actually interested in what Sowell has to say. Note to self: it’s ok to drop books that you find uninteresting. (this preceded a Sowell binge reading session)

Dismantling America (and other controversial essays) by Thomas Sowell. I was surprised at how much more of an edge Sowell has in this book, but the appearance of the edge here makes a certain amount of sense. This is the first collection of newspaper columns I’ve read by him, and he has way less time to make his point in a column than he has in a book. With that in mind, his points have much less groundwork than I’m used to reading from him when he spends a whole book on a topic (though I’d guess that each point he makes probably has a crapton of citations in the printed book, like the rest of his work. He’s quite thorough about his research). This is probably not the best title of his to pick as a first read, but it’s good and interesting. My main take-away point from this book is that politicians look out for politicians, and expecting them to do anything else is naive. And, in fact, many things attributed to a politician’s “stupidity” is far from stupid, in fact they are brilliant within their set of incentives and constraints. It just rarely aligns with the general public’s best interest. Thinking about it again, it MIGHT be a good first book. It sums up a lot of his views into bite-sized digests. It just doesn’t substantiate each and every claim as thoroughly as some of his other books do. That’s my grain of salt.

Compassion Versus Guilt by Thomas Sowell. More of the same, a collection of essays by Sowell. Different ones, on a different theme. A couple that sound like they could have been written by the authors of Politically Correct Bedtime Stories, his satire is on point.

Ethnic America by Thomas Sowell. This was a fascinating read for me. This book traces 8 groups of ethnic migrations to America. I descend from Scottish, Irish, and Russian Jewish immigrants, and seeing what the different groups had to content with over the years was very enlightening. A few things that stood out to me were; each immigrant group seems to have very different cultural strengths and foibles, inter-group violence is not new (but not always in the directions modern people would think), almost every group has its own upper class that disdains and reviles its lower class, and each ethnic group is far more variable and differentiated than the general category (“the Irish” or “the blacks” or “the Jews”) makes them out to be. More and more I’m coming to mistrust the general racial category as referenced by either political party because it seems to be a linguistic expediency that sacrifices the truth of a situation for a fast rallying point.

Civil Rights: Rhetoric or Reality? by Thomas Sowell. I’m not even sure what to say about this book. It’s short and punchy and gives me a lot to think about. Sowell definitely has zero sacred cows. Toward the end of this book he addresses some of his critics who piled onto Ethnic America, which was interesting. Also, while reading this, I have begun to realize how much of a disadvantage I am at in analyzing arguments because I’m unable to understand how people slice numbers into statistics to make their point. I’m at the mercy of the conclusion they draw at the end of the statistics because, until they summarize their findings, I really don’t understand what the raw numbers are saying. I’ve had this feeling for a while, but in this book, Sowell dissects some of the foundational studies and statistics that buttressed later civil rights cases, and I realized that if I just read the statistics and data from those cases and the statistical rebuttals that Sowell has side by side, I would not understand what was being argued at all. I can only rely on the end conclusions put into words at this point, but the written conclusion is not the proof, the numbers are. This gap in my understanding is disheartening, but I hope to continue sponging up knowledge in the hopes that I will be able to think more critically in future years.

Maverick, a Biography of Thomas Sowell by Jason L. Riley. My parents pre-ordered this for my birthday a few months ago and it arrived a few days ago. I have torn through it. I think I got a more cohesive overview of Sowell’s progression through his body of work and added several titles to my wishlist. The biography is fairly minimalist on Sowell’s personal life and focuses more on his ideological clashes with… well, everyone, left and right, people he disdained and people he admired. Maverick, alright. Also Riley takes a look at how each of Sowell’s books (or grouping of books) came about, for what reasons, and what was going on at the time.

People of the Book edited by Rachel Swirsky and Sean Wallace. This is a compilation of Jewish sci-fi and fantasy short stories and can probably be summed up best by this paragraph in the introduction: “These stories allow us to identify with, although briefly, so many different characters and places, they entertain us and they give us comfort. And yet, the tales in this anthology often have a melancholic tinge, similar in tone to the minor keys of our musical liturgy. We don’t want to be too comfortable, too happy. Because that might bring some bad luck onto us, might tempt the evil eye.” I also sensed a whole lot of anger in the undercurrent of these stories, and that saddened me.

On deck/currently reading: The Brothers Karamazov, The Rational Bible: Genesis, re-read of Basic Economics, and War Nerd.

Shows

Dropped series: Hilda. The first season was lovely on so many counts. The second season’s antagonist… bothers me. So does Hilda’s behavior. And given how much time I spent on Star and its accompanying disappointment, I’m not really interested in continuing Hilda any further. I’m shelving it at this point. There are other things I’d like to watch.

Infinity Train Season 4: Now retitled “The Wormhole Judgment Line” I believe, lol. It’s hard to top season 3, but it was a solid story. Good. Interesting. The resolution with the villains int he last episode felt kind of out of nowhere and I’m really not okay with Morgan’s behavior even if the plot wants me to feel sorry for her, but those things aside, it was enjoyable. I hope Infinity Train is picked up again, I’d love to see more.

On Deck: The Mandalorian or Wandavision

Movies

Jiang Ziya. Okay whatever this studio produces in this line of movies, I will be watching it. I definitely don’t understand all the significance of what I’m seeing but it’s creative along COMPLETELY DIFFERENT lines than US animation and it’s an absolute joy to behold.

Raya and the Last Dragon. Suffice it to say, it would take an intensive blog post (or a movie review of the style I used to do as one half of The Storytrollers) to cover all the things that bothered me about this movie. I will take the thing that bothered me the most and be brief: I find the moral to be terrible. I take major issue with the idea that repeated blind trust in the face of repeated betrayal will reshape the world, given that I extended blind trust to people who never changed for many years. I take issue with the worldbuilding, I take issue with some of the designs, and I take issue with the moral. I was exceedingly disappointed in this movie.

Profile. Now THIS was a good movie. I would not be averse to seeing more movies shot like this, using the computer desktop as both film set and character. In addition this was an interesting topic, though I was tense for the whole movie, afraid the main character was going to slip up. Very good, very tense movie to sit through.

Mighty Ira. So, this is a documentary about one of the great leaders of the ACLU. It was interesting to see this, especially since it shed more light on the whole Skokie situation than I’d heard of before. Good watch. Informative.

[moon-in-daylight]

Night Watch / Davos x reader

Summary: Waking up in the middle of the night, you notice that Davos is gone.

Words: 2.7k

Warnings: Smut implied

A/N: So, I’ve been rewatching Davos’ scenes and I felt the need to write something for him even though it’s garbage lol  because he deserves to be loved and accepted and also because we need more Davos’ fics

Still half asleep, you rolled on your side just to find that the other half of the bed was empty.

It took more than a few seconds for you to be startled by it, though. It wasn’t a strange thing after all, you were far more than accustomed to sleeping alone in that enormous and lonely bed night after night… But as your numbed brain tried to remember the circumstances in which you had fallen asleep, you found that something - or rather someone - was missing.

Davos.

Thinking about him immediately made you open your eyes and sit up to inspect the room with worry. Even though it was still dark you had to blink a few times to adjust your eyes, squinting them involuntarily when you tried to look at the blinding screen of your phone. It was 3:24 am and there was no sign of another person being there with you, at least none that your barely conscious state could perceive.

Your first reaction was to think that you had dreamt it all. It was the most logical, plausible explanation. It wouldn’t have been the first time that your subconscious made you think of Davos like that.

You didn’t feel proud of it, but from time to time you couldn’t help but fantasize about him.

Sometimes, when you two were together and he was telling you some anecdote about K’un-Lun and his early life, your mind involuntarily focused on the movement of his mouth instead of on whatever story he was sharing with you. And while contemplating his lips, you usually found yourself daydreaming about kissing them, feeling them against your skin as you pictured the way his hands would roam through your body. Imagining how he would eagerly remove every piece of clothing and the way his skin would feel against yours, how sweet his moans would sound in your ears as he thrusted slowly but deeply into you…

You were usually quick to snap out of those fantasies, but even if you had only been distracted for a few seconds, you weren’t able to quiet the embarrassment that took over you after imagining him that way. You barely could look at him in the eye after having your attention drifted away by those thoughts.

The friendship you shared was vital for the both of you and you didn’t want to ruin it with unrequited feelings.

You had met after he had escaped prison and, since the first moment after he had rescued you from being mugged, you felt safe with him. The tranquility you felt while being with him was such that you even offered him to stay at your place when he casually mentioned he was running away from justice. It was a risky decision to let a stranger into your apartment that easily, especially when he was a convicted criminal that chattered all kinds of nonsense about dragons and rightfulness, but you could see his intentions were good. There was something in you that trusted him blindly, even when you were convinced that the things he talked about didn’t exist.

It wasn’t until you observed with your very own eyes the way he made his fist glow a bright red during one of his training sessions that you realized that everything he talked about was real.

Hearing his story and how his home had been destroyed, you were quick to position yourself by his side. You knew he had done some bad things, but he was good at heart and you tried to help him see where he had gotten wrong. Surprisingly, he seemed to listen to you and care about what you had to say. It was clear he cared about you too, worrying whenever he saw you weren’t feeling good or taking care of you when you were ill.

It was heartwarming the way you supported one another despite your radically different backgrounds, the way you helped each other improve and see the world from another point of view. It didn’t take long for Davos to become one of the most important people in your life.

Finding out about each other issues and going through them together had been extremely helpful for you both. To talk about them and listen to each other’s advice when you didn’t know what to do. Davos had been through a lot of abuse during his life, and you liked to think that he had finally found in you someone to rely on, just as you had in him.

As he taught you to meditate and control your anxiety, you tried to make him see that he was a person worthy of dignity and affection, not ‘the second best’ as he had been told after losing the Iron Fist to Danny Rand back in K’un-Lun…

It wasn’t easy to erase the toll that years of constant abuse had left, but you had made so much progress while being together… You feared that you would be throwing it all away if he ever found out about your little fantasies. You didn’t want him to know what you felt for him because the last thing you wanted was to make him uncomfortable, especially because you knew how he had been raised and what he thought of sex. And, of course, he had told you how violent his only ‘sexual experience’ had been like…

But the images of him being all over you still creeped into your dreams from time to time, and your half-awaken, dazed-self supposed that was exactly what was happening that night.

Yet, as you slowly roused, you found that the sensations that your mind recreated were too intense to be fictional this time. In fact, you almost could feel as if his touch still lingered on your skin, the phantom feeling of hot, gentle kisses remaining on your neck and collarbone. That was when your mind finally cleared up and you realized it had actually happened.

You had slept with Davos.

Your mind slowly went through the events of that late evening, remembering that you had had dinner together and that you had watched a film in your couch afterwards.

It was normal that he didn’t get most of the inside jokes and implications of American culture in movies considering he had been living in a monastery most of his life, so you always enjoyed sitting in front of the TV with him and explaining every cultural reference that confused him. But that night he hadn’t asked you a single question, nor showed any of his usual discomfort towards the disgraceful and reproachable way in which the characters acted.

Not giving his silence a second thought, you quietly watched the movie until a sex scene appeared.

Looking at your friend from the corner of your eye, you watched him squirm uncomfortably on his sit, the images probably taking him back to the humiliating moment of his ‘sacrifice’, as he usually referred to that unfortunate event.

“We can fast forward this part.” You were quick to grab the remote and skip the frames until a different scene appeared on the screen.

“Have you been practicing lately?” He asked, unprompted. It took you a moment to realize he was actually talking about the Kung Fu lessons he had been imparting you.

As soon as you shook your head, he encouraged you to leave the movie half way through and go over some of the movements he had already taught you in previous training sessions. Truth was you weren’t really into what you were watching anyway, and you supposed it was too awkward for him to keep watching it. Since you had been the one to ask him to teach you how to fight, you willingly got up from the couch and started to show him the little progress you had made.

He didn’t let you finish showing him, though, as he immediately started to point out the flaws in your inexperienced technique, correcting your posture and reminding you to breathe properly to channel your Chi into your every move.

Davos was a harsh professor and he wouldn’t forgive a single mistake from you, telling you that you couldn’t afford to commit any error in battle, as your enemy wouldn’t miss a chance of exploiting your weaknesses. As demanding as he was, you knew that he was being especially tender and easy going with you, at least by his standards. It broke your heart to think about the strict way he had been trained and raised, how severe they had been with him when he was only a child.

Following his instructions, you started to throw punches and kicks at him, attacks that he easily blocked without breaking a sweat. You were definitely glad that you didn’t have to actually fight against him, being well aware that he would be able to end you in the span of ten seconds, maybe even less.

“You have to hit stronger.” His voice commanded you. “Faster.”

You did as you were told and increased the effort put in the fight, but immediately stopped the second he didn’t avoid your punch and your fist impacted against his chest.

“Don’t stand still.” He grabbed your hand and pushed it away. “Now you got it, come on.”

Without saying a single word, you resumed your offensive with the same intensity of that last punch. Unluckily for you, Davos seemed to be more alert now, anticipating each and every one of your movements before you even knew you were going to make them. With a few swift motions, he easily overpowered you, immobilized both of your arms and pinned you against the wall.

You tried to steady your breathing as you did your best to ignore what his proximity was arousing inside of you. Waiting for him to release you for another round, you found yourself growing more and more tense when he simply stared at you in silence, uncomfortably swallowing the lump in your throat when his grip on you didn’t loosen up.

The images of every time you had dreamt about him clouded your mind without you being able to do anything to ignore them, the growing heat between your legs becoming more unbearable with every second his deep brown eyes kept fixed on you. You closed your eyes in hopes that you could distract yourself, think of anything other than the man standing in front of you. But every attempt at doing so immediately failed when you felt the warmth of his lips pressing against yours.

Getting out of your thoughts, you rubbed your eyes as you recalled everything that had happened from that moment. The last thing you remembered the feeling of utter peace and tranquility that invaded you as you fell asleep in his arms.

That calm was completely erased from you now that you realized that he had left in the middle of the night, without saying goodbye or at least leaving a note.

Your heart raced as you mentally slapped yourself for having allowed that to happen.

How could you be so stupid? It was true that it had been him the one to take the first step by kissing you, but you should have known better. You should have figured that he would only disobey his moral code like that in a moment of weakness, a weakness that you had unconsciously taken advantage of. Now he probably had regretted everything and had ran away not wanting to see you or hear from you again.

You feared that your friendship was ruined beyond repair.

Maybe if you called Davos in the morning and talked about what had happened you could still sort it all out. You didn’t want to lose him, to have him walk out of your life just because you had gotten carried away in a moment of lust…

Deep down you knew what you felt for him extended far beyond simple lust, but you were willing to ignore those feelings, to act as if they weren’t there for the sake of keeping him by your side.

You buried your head in the pillow in an attempt to hold back the tears that already started to form inside your eyes, an intense ache inside your chest forming at the thought of having messed up so badly with Davos. He was the person you cared for the most and thinking that you may have caused him any wrong made you feel a profound disappointment on yourself.

It wasn’t until you felt an arm surrounding your waist and a slight shifting on the other side of the bed that you lifted your head, finding Davos laying down next to you again.

“Where were you?” Your voice was a bit husky from having just waken up a few minutes ago. You wanted to lay your head on his chest, but didn’t in case it would make him uncomfortable.

“I was checking the perimeter.” He said, as if it was the most natural thing to do at 3:00 am. “Did I wake you?”

You carefully shook your head as you avoided looking into his eyes.

Judging by the calm tone in which he spoke, you could tell that he wasn’t angry and you felt slightly stupid for having panicked and jumped into the conclusion that he had abandoned you so fast. Still, things weren’t solved up yet. As you finally looked up at him, you wondered in which state was your relationship at.

Davos had been taught that a living weapon should not get involved sexually or emotionally with anyone. And, even if you always tried to convince him that he was a person before a warrior, you weren’t sure he actually believed your words. You weren’t even sure he had ever even considered having a romantic relationship before that evening, but looking at the way he lovingly stared at you, it almost seemed as if he wanted you too.

“What would you check the perimeter for?” You asked in confusion. Was he in danger? Had Danny found him and wanted to bring him to justice? You started to become preoccupied as you thought of all the worse scenarios.

“I do it every night. This neighborhood is full of thugs and criminals, like the one trying to mug you when we first met.” He clarified, gaining a frown from you that silently asked him to explain further. You only hoped he hadn’t gone back to being a ‘vigilante’, it had taken you a lot of effort to talk him out of it. “By making guard I can make sure you’re safe.”

Instantly after hearing his words you felt your heart warming up, moved by the fact that he cared about you to the point of watching over you every night. Hesitantly, you got closer to him and taking the fact that he didn’t pulled back as a silent sign of consent, you placed a tender kiss on his lips.

“Thank you for taking care of me, but you don’t need to make guard every night.” You gently brushed your fingers against his stubble, your eyes on his as you spoke softly. “You need to take care of yourself and get a full night of sleep. Would you do that for me?”

The second he slowly nodded his head a gentle smile formed on your face. You pressed your lips against his once more before cuddling beside him, letting your head rest on his shoulder.

The calming sound of his breathing was enough to quickly made you sleepy again.

“Davos,” You mumbled his name with your eyes closed, feeling consciousness slowly fading from you. “I love you.”

You were too numbed to notice, but Davos’ body clenched at your words. You didn’t know, but it was the first time someone ever dedicated those words to him. He had fought all his life to get approval, travelled to the other side of the world to make the ones he loved proud, hoping they would show him the affection he had always craved for. When K’un-Lun was destroyed, he lost all hope of having someone say those words to him, of gaining someone’s love. And yet, there you were, right between his arms.

You were already asleep when he pressed a kiss on your forehead.

“I love you too.”

[kathyprior4200]

Who is Dr. Facilier?

Why am I envisioning writing a book about Dr. Facilier?

 I’m a long time fanfiction writer (I officially started posting online in 2016) with a passion for doing writing as a fun hobby. I’ll never get famous from doing my work, but if some people enjoy it, then that’s all that matters. I might never finish said book, but you bet your bayou blues I’m willing to try. There are several reasons why I suddenly feel the spark after so many years.

After watching The Princess and the Frog (2009) for the nth time, it really got me thinking about the New Orleans culture and other potential sides to the characters. Dr. Facilier was a great villain people loved to hate...he was willing to harm those around him just to get the green. We all know how he lived and how he got dragged into the Guinee, the voodoo land of the dead. This earned him a high ranking on the Disney villain list, though he still remains criminally underrated in comparison to other villains.

 When I listened to the Bayou Boogie soundtrack, several songs stood out: “Shadow Man,” “Do What I Wanna Do,” and “Love is a Magical Mystery.” As you may have guessed, all three songs are sung by Keith David, the voice of Dr. Facilier, but only ”Friends On The Other Side” was the catchy song he sang in the film. “Shadow Man” described the character’s suave sneaky ways of leading people astray. Like the shadows, he follows you around and you don’t even know it. “Do What I Wanna Do” depicts how Dr. Facilier manipulates people with false promises and the fact that he enjoys being a deceiver. He only wants what’s best for himself, the concerns of others don’t matter to him. In “Love Is A Magical Mystery,” love is more complex than any spell or potion. Although the song describes Dr. Facilier tricking people into knowing all about love, it may also refer to a lost love in his past.

 But who is Dr. Facilier anyway? Never mind that we don’t know his first name.

 In Princess and the Frog, Dr. Facilier mentions being a descendent of royalty through his mother (which implies that she may have been a Voodoo Queen. He might even be related to Marie Laveau.) He is African American with French origins. We don’t know whether Dr. Facilier was born in New Orleans or if he immigrated from elsewhere with his family. But there are a few things we do know. He practices both Hoodoo and Voodoo. Dr. Facilier had a poor upbringing, being surrounded by poverty and racism. Over time, he grew envious of the rich who either mistreated him or ignored him. The resentment toward mostly whites and the upper class led to his desire to take over New Orleans. Despite Dr. Facilier’s skill at manipulating and scheming people, he still didn’t make enough money to sustain himself…more than likely, he wanted to live a luxurious life. Life simply was not fair. To achieve his goals further, he needed help…from the other side.

 Another thing we know is that Dr. Facilier encountered a group of dark Loa and formed an alliance with them, granting himself the ability to perform black magic. Loa are the spirits of Haitian Vodou and Louisiana Voodoo. They are intermediaries between humanity and the supreme creator Bondye. The Rada, Petro and Ghede Loa are three types of Loa nations. Dr. Facilier’s design is inspired by the Ghede Loa of the dead, Baron Samedi. The Loa aren’t necessarily “good” or “evil” but the Petro Loa are more aggressive and warlike. It is likely that Dr. Facilier made deals with Baron Samedi, Petro Loa Met Kalfu, and Papa Legba, Loa of the Crossroads. In the film, the Loa are inaccurately portrayed as evil Tiki heads served by living Voodoo dolls and shadow monsters. (Let’s assume that Met Kalfu allowed darker spirits to “cross over” into the living world, the beings “personifying” as Loa.) Dr. Facilier relies on them to use his magic, but if he doesn’t pay them with souls from New Orleans, they would take his instead.

 Dr. Facilier is portrayed very differently in other TV shows and novels as well. However, they don’t reveal anything about his past. In the case of the TV shows, he is not depicted as the same kind of villain.

 In the popular ABC’s Once Upon a Time series, Dr. Facilier is played by Daniel Francis in the Greenbacks episode. Tiana visits him and asks him to help her find a price. Facilier makes her think that a fraud named Robert is the prince. He ends up stealing a ruby from a medal and reviving Prince Naveen before teleporting him away. Regina, the Evil Queen, is his love interest. In Disney Descendants, he has two daughters: Freddie (Descendants Wicked World) and Celia. In Descendants: Isle of the Lost, Dr. Facilier appears as a headmaster of Dragon Hall, a school for the next generation of villains. Dr. Facilier appears as a less diabolical side villain to support the respective story arcs of the shows.

 Vera Strange’s middle school novel “Chilled: Fiends On the Other Side” does an exceptional job in depicting Dr. Facilier’s sinister nature when his plan results in him becoming a militia in an alternate universe. (Tiana appears in her new restaurant from the end of the Disney film after Dr. Facilier’s official death.) The book centers on an African American boy, Jamal, who is jealous of his popular twin brother Malik. Jamal receives a skull necklace that warns him of danger. Dr. Facilier meets Jamal and offers him a chance to be popular. When Jamal refuses, the Shadow Man hunts him down and pesters him with cards and his own shadow. Dr. Facilier demands the necklace back, but Jamal steals his brother’s treasured trumpet and offers it in exchange. Although Jamal becomes popular, his brother becomes a shadow. Dr. Facilier eventually threatens Malik’s life, tricking Jamal into giving him the necklace. The two brothers become shadows, who are forgotten by their parents before they fade away.

 Regarding Disney villain backstory films, Maleficent appeared in 2014, the sequel in 2019 and Cruella is set to appear later in 2021. If Disney enjoys exploring live-action remakes, then it should be no surprise that Dr. Facilier (and other villains) should get their own backstories as well. In addition, Disney is set to include cast member training at the Princess and the Frog Splash Mountain re-theme at Disneyland Resort and Disneyworld Resort. A backstory for this villain could promote this project and many others.

 There are several noteworthy authors that have inspired me to delve deeper into the dark man’s past. The Disney “Twisted Tale” anthology is a collection of “what-if” tales that serve as spin offs to classic Disney films. The authors are Liz Braswell, Jen Calonita, and Elizabeth Lim, who have made ten books thus far. The titles of the books follow a pattern of being the name of a song: for example, “Once Upon a Dream” from Cinderella or “Reflection” from Mulan. The future Princess and the Frog inspired book will no doubt bear the title, “Almost There.” It’ll likely center around Tiana trying to earn her dream job of owning a restaurant, but with an evil Dr. Facilier attempting to manipulate her. “What if Tiana made a deal with Dr. Facilier?” Now that would be an interesting storyline!

 Moreover, there are a series of books by author Serena Valentino that explore the backstories of Disney villains. She has written stories with extraordinary female protagonists. Thus, the author’s main focus is on the female Disney villains, with the Beast being the only male. Villains like Jafar, Hades, Gaston, and, of course the Shadow Man, don’t have their stories…yet. It is unknown if or when Dr. Facilier will get his own live-action film. Most of the fanfictions I have read are mostly focused on either Dr. Facilier in the TV shows or Dr. Facilier being in a relationship with Naveen or Tiana. (Dr. Facilier is in his 40’s while Tiana is in her late teens). No current backstory novel for a memorable Disney villain…something would have to be done!

 The other part of how I got my inspiration comes from a unique adult musical web series that started on YouTube. There is a memorable villain who at first glance, appears to be a rip-off of Dr. Facilier. Behind the dancing demeanor, however, lies a diabolical demon every bit as charming and sly as Dr. Facilier. (Though the man could easily give Dr. Facilier nightmares) The man is Alastor from VivziePop’s 2019 web series Hazbin Hotel.

  Alastor and Dr. Facilier share much in common. Both are from New Orleans in the 1900s and can do dark voodoo magic (complete with canes and top hats). They have French origins; Alastor is Creole. Both faced discrimination and racism, later doing evil acts to try and achieve their goals. They are both deal-makers and love to dance, sing and play instruments. Both have their own shadow minions as well. Yet, there are major differences too. While Dr. Facilier was evil in his life, he certainly was not a radio host and serial killer who later became a demon in Hell. I’ve made a dozen fan made stories for the demonic deer man, including a partially completed novel. Indeed, both my story ideas about their lives are sometimes intertwined. If Dr. Facilier’s sinister younger counterpart gets to be an instant icon, why not him?

 So what would be the title of my book? “Shadow Man” of course!

  References

https://insidethemagic.net/2020/11/dr-facilier-live-action-rwb1/

 https://disney.fandom.com/wiki/Dr._Facilier

 https://www.serenavalentino.com/

[saiyanhajime]

My First Artist Alley at a Comic Con… What I’ve Learnt

I’ve thought about selling my wears in artist alley for something like ten years now… And aside from feeling like my stuff isn’t good enough to compete until relatively recently, the main reason I hadn’t given it a whirl until now was the cost. I couldn’t understand how it would be financially viable, and if you’re here to find the quick answer to that same burning question, the answer is it’s not - at least for me. But if I’m being honest and perhaps a little harsh, I can’t really see how it could be what I would consider truly “worthwhile” for all but the most successful artists in the alley when you factor in all expenses.

But would I do it again? Hell yes. Did I have fun? Absolutely! Was there value in networking, making friends and social media gains? Yes, yes and yes!

I went to London Comic Con Spring run by Showmasters. I choose this con because of a few reasons, namely that it was the next local con with tables left when I started seriously obsessing over wanting to do this.

The stall was very reasonable at £80 (but I paid an extra £30 for an additional person to help out.)

This convention is a lot more Film and TV focused than was ideal for what I thought my audience would be - with their main highlight being their guest signings. I knew this going in and my assumptions were right, I think. That said, the “small press” section of the event was wildly varied, but it did feel like actual comic creators were doing the best of us all.

The Expenses

The costs add up, fast. A £ here and there and you’ve racked up £500 or so worth of expenses before you’ve even factored in potential travel, food and hotels… Let alone time. I know you’re probably thinking you wouldn’t spend that much, but believe me - if you record EVERY cost related to getting your stall together, you’ll be shocked how fast it accumulates. You’ll find yourself looking at all the £3-5 you spent on bits n bobs wondering how the final sum is so high.

I know what you’re thinking… You can do it cheaper. I just didn’t try hard enough to get these costs down. But believe me, I did.

I spent way more time than was worthwhile researching costs - these prices include VAT & they include shipping -  I wanted the most accurate picture of the hard cash I would actually have to spend up front… And the oddly expensive ones like the postcards cost so much because I effectively paid a premium to have multiple designs. My logic was to try lots of different things, learn as much as possible, but have few in quantity of each design. That way, the flops hurt less. You pay more per item for that privilege, but what’s the use in having 100 of something that won’t sell? I’d rather learn from x10 of something even if I’m making half the profit “per item”. 

That’s a mistake a think so many businesses make - don’t think of profit per item, think of it in profit on entire expenses. I made a huge loss, just like I expected. :) My 100 postcards for example costing £50 makes them 50p each, and selling at £1.50 means £1 profit per postcard. That’s £100 profit! Except I only sold 10 - that means a £35 loss for the time being. It’s not a profit until you recoup the whole cost. And I thought of the whole cost as that £550 sum from the get go. Only once I cover all accumulated costs am I making a profit.

But most of these costs are reusable… I could go to another con tomorrow and only pay an additional £150 or so for the table, travel, etc. and have enough stock and a decent display. And that’s my intention - don’t give up, do a few, then evaluate. THEN give up. :)

So realistically, you need to be willing to waste £800+ to find out if this game is for you. That’s a big chunk of money not to be sniffed at and you should be aware of that before you jump in.

The Products

What should I take? Who should I order it from?? How much stock do I need???

These are unanswerable questions because they are highly personal. I see soooo many “where should I get prints from??” with people expecting an easy answer. There isn’t one. But I can try and explain why there isn’t one. I think a lot of newbies assume creators don’t want to share their suppliers because they’re being protective or don’t want the competition - nonono, it’s that the answer is different for everyone. An established, popular and successful artist in the alley is likely ordering huge bulk orders from a supplier that has a minimum order of hundreds or thousands. What good is that information to us newbies? It’s useless.

Prints 

In the end, I took 7 print designs…. All fanart, with 4 of the designs being Dragon Ball, 2 of the designs Sonic the Hedgehog and one of GLaDOS from Portal 2. Two of the designs were on A3 and the rest on A4.

I ordered A4 and A3 prints from different suppliers, as they were cheaper this way, EVEN with the postage factored in - which is absolutely ridiculous I know, but you begin to see why “x company is best for prints!” is a useless piece of advice. But sit tight, cuz it gets way worse.

I ordered as few as possible, but a couple of websites had the same price for 5 as the other did for 10, etc. so I went with the one that offered more for the same, obviously. I had x6 (including the display print) of each A4 print and x10 of each A3 - not because I thought they would sell twice as much, just because that’s the least I could get for the cheapest price! And to make matters even more complex - I made those orders based on coupons I had found and you often can’t see the total inc postage until you’ve got everything in your basket and entered your address and email. I looked at maybe 20 suppliers. Imagine how long that took, just for prints. And if I did the same thing tomorrow, it wouldn’t be the same suppliers who were cheaper - coupons and offers change the game, quantity required changes the game. Getting 30 A4 prints might be cheaper on one site, but it might be better to get them from another if you’re after 40, and it definitely will be if you’re wanting them to be all the same - then you can probably get 100 for less than I paid. Nightmare. And you find yourself going “but I can get 100 of the same print for £17 - maybe it’s worth the investment…” Maybe? Who knows! Probably not though.

I don’t think I’d bother with ordering A3 again anytime soon - the main reason is that A3 cellophane bags and carrier bags big enough for such a large print are quite a considerable added expense… And a lot of potential buyers commented how they loved a print but just don’t have the wall space. I also couldn’t find a supplier that would offer to print less than 10 A3 prints in one design. One buyer commented that they would get one of my other prints if it was larger - but would they? I know from experience selling online that people often say “oh man I’d so get a ____ if you did one!” and you do and you even link it to them and then silence. Don’t take what potential customers say too seriously, unless you’ve got a decent number of them telling you the same thing. But for me, 3 people telling me that on top of my other reasons for disliking A3 is enough to go, ok… Forget A3.

Perhaps my best piece of advice is to sign up to every supplier's newsletter. I get emailed deals almost daily now and if you’ve got the time to play with, it’s worth getting your stuff ready for print and just sitting and waiting for that coupon to drop. 15-20% off can make a huge difference to your margins. I purposefully waited until January to place my orders, expecting a post Christmas assortment of deals, and I was right. Bare in mind that many suppliers can take a while to get stuff to you and it might not be right - so don’t cut it too late to order things. I ordered everything just under two months ahead of the con and had plenty of time to then play with and practise setting up how I was going to display things.

So, how did the prints do? I sold out of the Sonic and Shadow print - including the display, which I sold at a marked down rate. I sold 2 of each A3 print - Great Ape Vegeta vs Goku and GLaDOS… 1 of Majin Vegeta, 2 of Fleetway Super Sonic. None of Gogeta or Shenron.

So, Dragon Ball wasn’t so hot, Sonic absolutely was. Is that a long term trend, or just this con? Hell if I know.

I didn’t have a portfolio book with my prints in on the table - I thought that was a waste of space if I can fit them all up on my display - but with hindsight, you get two types of people... Those who aren’t interested in artist alley stalls and pass through at a distance and a print up high MIGHT catch their eye and bring them over. But the vast majority of people you’ll sell to have their eyes down at the tables as they pass. This was the most important thing I learnt - I’d read so much about how important it is to use “vertical” space and tried to get as much off the table as possible, but by day 2 I was spreading more out on the table until every inch of it was covered. I often had to tell people about my prints and they would look up having not noticed them! I had read that people recommend having a portfolio book for people to thumb through - but I hadn’t really understood the benefit of that. Having people touch and interact with stuff on the table is such a valuable interaction that sparks natural conversations. It’s really important to have physical stuff ON the table, perhaps more so than getting a fancy vertical setup. If you’re strapped for cash - ditch the idea of grid cubes or similar completely. Just lay stuff out.

Postcards

When my postcards arrived I immediately realised I’d made a stupid mistake. I was obsessed with getting the display vertical and having lots of different designs. Having so many different postcards to display was a nightmare that I think impacted the whole setup. The wall they created took light away from one side of the display, they were really quite oppressive! - and I knew this before I even went to the show, but I didn’t know how else to display them. I don’t think I would order postcards again, they barely sold… But the 90 I have leftover will be displayed in a photo album on the table next time for sure. Seems so obvious now! They were a HUGE waste of money - they’re expensive for what they are to get made and the retail price of them is abysmal. But, there were a couple of times when people who didn’t have the money for a big print maybe wouldn’t have bought anything, but I had something cheap and cheerful to offer, which was nice. The other cool thing about them is you can have your website on the back and it doesn’t seem out of place or weird.

The main problem with finding a postcard provider was I couldn’t find anywhere that would do small print runs to allow me to order several designs, so I ended up going with the one company I knew who’d do that - Moo. But man are they expensive - I could have got 500 postcards of one design for less than half what I paid for 100 of 25 diff designs - but again, having the variety mattered to me.

Postcards are a pain and not worth it, which explains why I so rarely see them for sale. Lesson learned!

If you have a decent inkjet printer, postcards are super easy to make and I used to do this before I lost patience with inkjet home printers and switched to laser. Just get thick photo paper, already the correct size!

Stickers

I had a mix of kiss-cut and die-cut stickers that by day two I was spreading out on the table and absolutely getting more sales as a direct result… They still didn’t do exceptionally well, but I don’t regret having them. They’re a solid low-retail-price staple of the artist alley table. Pieces of art with a purpose, especially in the age of reusable water bottles. A couple of fellow artists noted that my stickers were very cheap priced at £1.50 and I kind of agree. I think next time they will be £2 and this won’t negatively affect sales. There’s a common fallacy that making something cheaper will increase sales - the likelihood is that it won’t, and when you think how many more sales you have to make to gain the same profit, you realise this is the case. Just that small difference of 50p would mean you have to sell 25% less stickers to make the same amount of money. Isn’t that insane? When you think of it this way, pricing your items right really matters.

I also had sticker sheets - the Baa (from Dragon Ball) ones I only sold one of, to a child who I’m not sure even knew what they were from, but the Sonic sheet did pretty well! I didn’t see many other artists rocking Sonic stuff - or even much Sonic stuff on the wider show floor - which is surprising given the recent film release. I guess I just tapped into a niche, but it’s hard to tell.

Several suppliers of stickers offer multiple designs as standard, or a small surcharge for having multiple designs. Shop around. Stickers are overpriced from many suppliers. The popular choice of Stickermule often run deals where you can get 50 for £19, but even this deal price is quite expensive for x50 of the same sticker. They are by far the best quality stickers, to be fair to them… But you don’t need x50 of one sticker for the purpose of artist alley. I’ve jumped on Stickermule promos in the past where they charge £1 for 10 stickers. That’s a great opportunity to try out design you’re really not sure about. I can’t stress enough how important newsletter signup to suppliers is!

Honestly, Zap Creatives are the only company I’ve used that I would recommend without a second thought. Their customer service is exceptional, their postal packaging is not only environmentally friendly but also adequate (I had a lot of issues with other suppliers packaging and items arriving to me damaged! Another reason you need to order far in advance.) and their prices are transparent and extremely good value. They have free postage (globally, I believe!), which makes it so easy to see how much you’ll be spending at a glance. They have detailed “how to” pages for setting up your files. They’re a dream come true. Sign up to their newsletter, follow them on socials, give them your money - they deserve it. Not sponsored, just genuinely impressed.

Comic

Back at Uni a friend and I made a little comic, and I got some more copies made and took it along because, why not… It is COMIC con after all, and this convention actually calls the artist alley “small press”. It sold pretty well for an independent original to a wide variety of people, young and old. It made me really happy to see an original work sell! You’d be surprised how cheap getting a book printed can be - but be willing for the pages to be slightly misaligned and the paper quality eh. But if you just want a cheap comic printed or a zine, it is very doable in small runs even as low as 10. Remember that stuff doesn’t need to be perfect. Don’t stress over imperfections. I wouldn’t recommend the supplier I used because their delivery was an abysmal royal shit-show, but their customer service made up for it and then their re-delivery was only a slightly less abysmal royal shit-show on the second attempt. So, I won’t mention them.

On that note - if a supplier isn’t good enough, get in touch with their customer services and be nice but tell them it’s not good enough. Give them a chance to fix things.

Traditional Art Originals

I took a lot of traditional media original artworks with me, mostly because I had them already. I sold one low value original.

This was a little heartbreaking because the sale of just one high value original would have pushed the worthwhileness a long way - but it is a lot of money to expect people to spend and is a luck of the draw situation, for sure.

However, the larger ones definitely attracted attention to my stall and created conversation - so I’d say if you have larger originals or small low value quick drawings, they’re worth bringing, but I wouldn’t make any for the intent of selling in the future.

I don’t think a single person thumbed through my plate rack of originals. It was a poor display idea. Don’t recommend it at all. But I can’t think of a better idea other than individual easel displays which take up valuable table space better used for spreading out other items flat.

How could I have done better?

I think having more variety of franchises in my prints was the only HUGE mistake that I kinda knew before I arrived might be an issue. The reason I didn’t was I was worried about space and this could have been avoided had I just listened to the advice I read and had a portfolio out - I even have an A4 portfolio book! Stupid. I’m stupid.

Would I have done enough better to make a profit? No way haha.

How did other people seem to be doing?

It didn’t seem like anyone was doing particularly well… But without knowing peoples numbers, it’s hard to say. And I doubt many people keep the obsessive books I do.

I am pretty sure a lot of convention artists don’t realise the amount they are spending vs the amount they aren’t making… But I could be wrong. There’s a lot of talk of “making table” which I did make back, but I came nowhere close to making back all associated costs. I think for it to be legitimately financially “worthwhile”, you’d have to take about £2k over a weekend - to account for the time and all expenses and paying yourself a decent wage. And if your prints are £10 each, that’s more than 10 prints sold an hour. No one was anywhere near this busy. No way.

A few artists told me this isn’t the most amazing show in the first place and they’ve done worse than they did at this same show last year, even if it seemed physically busier at times this year. A lot of this game is luck of the draw - who’s turning up, how much do they have to spend, what's the weather doing, etc. etc…

Do I need a card reader?

My sales were about 50/50 cash and card… But I ran out of exact change at one point, so being able to take card payments saved the sale. I have a Sum Up reader as it was the cheapest to buy up front and I had no issues with it the whole weekend. At £20 it was a bargain. I think I would rather have that than the cube display grid, for example.

Do you have any cost shaving tips?

Oh hell yeah!

First up - like I said before - sign up to every single potential supplier newsletter. Some of them send out coupons almost weekly.

I bought very little in the way of display equipment and salvaged the rest...

I borrowed some plate stands from my nan, I took empty cardboard displays from ASDA and Sainsbury's (I’d try Walmart or Target in the USA). These were great because they fold down flat for transporting, are light and FREE! Keep your eyes peeled when you’re out shopping for ones which might be the right size for your products. Often times you can transfer the one or two items left in them to another box in the store, or they’re simply empty. I found ASDA best for having completely unbranded boxes. I also made some stands for my small originals from thick card rather than by expensive display racks that are heavy to transport and cost a bomb.

Pick local shows if you can and research thoroughly your transport options and the cost. Parking, trains, hotel costs and eating out can be extortionate additions to your overall expense that are easily forgotten.

Make sure you can carry your setup and don’t need to spend additional money on an Uber or something to help you move shit around!

Use what you have. Don’t buy storage boxes and suitcases and trolleys if you don’t have to. Sure, they might make your life slightly easier, but maybe wait and see how your first few cons go.

Any other tips or things you wish you’d known?

One thing that was kinda stressing me out was leaving stock overnight, but I realised there’s a whole show floor of high value figurines down there...

Leaving the stall unattended isn’t a big deal, either. Obviously take your money with you, but your neighbors can let potential customers know you’ve popped to the loo and I saw several “Back Soon!” signs throughout the day. I took a friend mostly as company, but I would confidently do a con alone having seen how much of a non-issue this is. Having a friend is great for chatting and having a chance to have a look around the show and chat to other artists, though!

I’m not sure carrier bags are necessary. They’re a pretty substantial extra expense you can skip.

Check all your stock as soon as it arrives in the mail. I had an order of cello bags for A4 prints where about 50% of the pack were unusable as the bottom seal with just... open.

Oh! And the “Sundays are always quieter” rhetoric? My Sunday was twice as good as Saturday, despite being quieter on the show floor.

Overall...

I really enjoyed myself. I loved everything. Chatting to customers, chatting to artists, seeing what people were selling, people watching, eating junk, setting up, tearing down and having a friend to chat with and chill the whole time. I gained a pretty significant Twitter follower boost over the weekend and gave away approximately 150-200 business cards as well as meeting some awesome new friends.

I’m not sure if I will be back for the same show next year - we’ll see. I’d like to try a bunch of different shows with different audiences. Many overlap in terms of being around the same time of year. And all the while I’m carrying limited stock to see what works and what doesn’t, I’m reluctant to book two close together.

I’m lucky enough to live in London - so I have access to several big conventions throughout the year on my doorstep.

I have a table at Hyper Japan in July. A very different con to this one with a table almost half as big. So I suspect most of what I’ve learnt won’t even apply! But that’s kind of exciting. My logical brain tells me not to make more stuff, but I think I’ve got the con bug now and just wanna make more profits!

I hope this has been slightly useful to anyone toying with the idea of doing a convention. I recommend checking out @howtobeaconartist​ here on Tumblr as well as Ben Krefta’s incredibly detailed experiences of being a UK convention artist.

Another thing I found helpful was to watch youtube video walk-arounds from previous years at the same show - see what people are selling, their set-ups, get a feel for space, see if you see the same people returning year after year. Here’s a video from the show I’ve just done! Artist alley starts at around 7:50.

[monochromemedic]

The amount it took me to write this while my mind was blanking is astonishing.  So take this shit story.

Ever since a strange accident involving the Black Dragon, an artifact called the Shatter Dagger and me; I’ve been shoved into the hell that was the world of kombat. I’ve been training with Earthrealm forces, trying to save my world from all sorts of bullshit I couldn’t imagine in my wildest dreams. Not to mention my own personal struggles dealing with the fact that if I wanted too I could create that Omen scene with the glass pane at anytime on anyone. Sure it was cool but it hasn’t been exactly easy to say the least. Hell, It’s been down right torturous at times. But even then I’ve manage to crawl out of bed every day, work my ass off with people 10 times more talented and experienced then me, and go back to sleep just to do the same thing in the morning. I mean that weird dagger chose me to be a warrior for some reason... so either that thing was wrong and the placebo effect is real  or there really is something more to me then a shy, chubby idiot that can barely talk to a cashier. Not like I could go back to normal life now, my life was different. I was sought after for what was in me, what I could do. If I didn’t learn to fight, everyone I knew and loved would be killed at the hands of anyone that wanted to get what was inside of me. And there happened was a lot of those as of late. But I had to admit, even through all the weird shit that i’d been through, I didn’t expect being at the filming of a new movie to be a ‘strategic move’. I mean that’s what Sonya called it, but I think she just wanted someone to look after Johnny while he was away. Not that anyone would go after him but, it never hurt to be cautious now adays. Outworld was getting bolder, looking for openings to take down the people they saw as threats and weirdly enough, Johnny was one of them. Just one at the bottom of the list. A low priority target. So why not send a low priority person just incase shit hit the fan. Hell if something did happen back at home, two people that weren’t much of a threat in the enemies eyes wouldn’t be a total lost. They still had hard hitters to protect what was important. I would’ve been more heartbroken knowing I was basically a crisp 5 bucks on Outworld’s most wanted list, but I was 20 feet away from like 4 major celebrities, and sitting in one of those fancy actor chairs with Johnny’s name stitched in it. I wasn’t too torn. “Excuse me, miss. Who are you?” One of the runner’s asked, a nervous look on his face. “People don’t seem to recognize you, and I just want to make sure you’re suppose to be here.” I paused, panic beginning to rise in me before remembering what Johnny told me to say. “I’m Mr. Cage’s plus one.” I dug in one of my pockets and pulled out a belt buckle with Johnny’s last name on it. “He said this should be proof enough.” “Ah... yeah.” He took a pause, observing the very gaudy engraved buckle, “ I’ll inform security then. They were getting a bit antsy.” The runner stumbled off without another word towards a large, menacing man blocking a door, whispering something to him before being called elsewhere on set. The large security man rolled his neck and nodded towards my direction, picking up his walkie-talkie to talk to presumably, the other security members. I turned back around, sinking into the rather uncomfortable chair. So glad to know that I was just mere inches away from being beaten to death by security and the only thing that made them stop was some belt buckle worth more then my life. “How’s my favorite Glass Slipper handling Hollywood?” A familiar voice rang out from the dark corner of the set. I turned my head and watched as a rather oiled up, shirtless Cage bounded over, a half drunken cup of iced coffee in hand. “Did you show them the belt?” “Yeah they were 2 minutes away from throwing me out so... “ I paused, staring at his chest for a few seconds. “You... look like someone dipped you in a fast food grease trap.” “Yeah, the audience goes crazy for oiled up guys. When the lights hit your body and the camera catches the glare just right? Cinema gold baby. You don’t wanna know how many fancams are just me drenched in baby oil and fake blood.” He gave a flex of his bicep before grinning wide. “Hell you seem like the type to make those things. You a secret fan?” I raised an eyebrow as I got up from the chair, cheeks staining pink. “No, I’ve probably only seen about 3 or 4 of your movies.” “Makes sense why your not freaking out more. You’re in the lap of luxury! Do you know how many people would kill to be where you are? Not the glass stuff... I mean here on a movie set, next to me, next to other actors! You’re gonna be watching the next big blockbuster in the flesh!” “I... I mean I am freaking out. This is alot I’m just not fangirling. I’m more just... alert.” I muttered, beginning to trail off as Johnny grabbed the script from under his chair, muttering to himself softly about ‘not respecting the art’ or something akin. Johnny was interesting to say the least. An actor turned fighter for Earthrealm all because of a misunderstanding. Even when he found out that it was a fight between realms and not just some fighting tournament that was way too into roleplaying, he stayed, finding out in the process that he had been from a long line of warriors with powers. And even though all of that happened he was still... him. Cocky, rude, arrogant. You’d think that something that life changing would... well change you but not Johnny. Ever since, everyone’s just sort of put up with him and his antics, even though I could see how close they were to decking him the face when he spoke. Most of the time, I was one of them but other times I could see something else in him, something more besides the douchebag he presented himself as. How suddenly nice he could get, how protective, serious. But those moments were few and far in between, especially when they were paired with moments like this. “Can you hand me a highlighter? Just over by the food table.”  I nodded, getting up and avoiding people with large bulky equipment that would easily put me into debt if I even thought of scratching it. I came back, handing the highlighter to the man. “Here you go Mr. Cage.” He raised an eyebrow as he grabbed the highlighter, a small laugh leaving his lips. “Mr. Cage? What are you my agent? You can call me Handsome, Sexy... really any adjective to describe a really good looking guy, Adonis maybe?” I could feel my cheeks get brighter, unsure if he was flirting with me or just trying to boost his own ego. What was I talking about, he wouldn’t flirt with someone like me. It was just him being an ass!  I turned my face away from him, beginning to feel more and more uncomfortable the longer I stood there. “Oh come on, that was funny! Don’t get your panties in a twist.” “A...are you serious? My panties in a twist? I’m not going to call you those things, especially here, someplace I’m not comfortable in!” I hissed under my breath as a passerby gave us a questionable look. ”Why? I’ve been called way dirtier things on and off the stage. These people are all use to it! I think that boom operator has even seen me get hot and heavy with a few actresses between takes. Honestly, I’m just trying to help you out, make you fit in with the crowd instead of looking like a little lost puppy like you always do, Hon.” He huffed, lowering the script on to his lap to highlight a few of his lines. His eyes didn’t meet mine once as he spoke, more focused on the movie then the insults and remarks he was slinging at me. “W-What the hell is wrong with you! Do you talk to everyone this way or just the people you see lower then yourself?”  “Trust me you aren’t as special as you think you are.” I felt a pin drop in my stomach as he spoke, a rage boiling deep inside of me that I had suppressed for far too long. I was never confrontational, always avoided verbal arguments if I could but having to deal with seeing him do this to everyone, to do it to me when I saw something in him. In a place surrounded by celebrities, by people who worked for him, in a place I felt like I didn’t belong. It felt like one straw too many for the camel’s back.  ”I can’t believe I ever saw something deeper to you then some shallow fuckboy with an ego the size of Mt. Everest!” I snapped, my voice echoing around the suddenly still sound stage. Even with the rest of the crews eyes now on us, Cage didn’t look up. Didn’t even flinch from what he was doing. His only response was a slow lowering of the marker in his hand as the eyes of hundreds of workers bore into my soul.  I couldn’t stand it. I dipped my head away, walking past the security guard that blocked the sound stage door to the outside. No one tried to stop me, to slow me down. Even before I reached the door I could hear them all return to what they were doing, like it was a normal occurrence there. I suppose it probably was when it came to people like him. Didn’t make it hurt any less though, to find out I was just another person on the long list of people he upset. I paced in circles outside the door, tears pricking the corners of my eyes. If I went back in there I knew I’d be stared down, both by Johnny and the movie crew, but if I stayed out here it could be just as bad. Besides wasn’t I suppose to be watching him? Suppose to have his back in case of any danger? Hell even if I hated his guts I wasn’t so petty to leave the guy in a dangerous situation where he could get killed. Or I could get killed. Not like I had a ride, I’d be walking the streets of Hollywood like an idiot. No map, no money. It was dog eat dog world out here even if there wasn’t dangerous mercenaries wanting to rip me to shreds. As I turned around for the umpteenth time, my eyes caught something at the other end of the building, something familiar slipping through the door frame before being blocked by the large metal door. I stopped in my tracks, face furrowing as I tried to piece together where I remembered that kinda clothing, that face. Big boots, something like knives strapped to his body, shaved head. I felt a chill run down my body as it finally clicked, the words of Sonya echoing in my head. ‘See this guy? I’ve been tracking this piece of human garbage for a while. He goes by the name Kano, and he’s the head of the Black Dragons, the same ones that brought that artifact to Earthrealm that changed you. If you ever see him, run. He plays dirty and even if you think you have a chance, you aren’t because he’s got a squadron of goons not far behind.’ “Johnny...” Without thinking I ripped the door open, sprinting into the sound stage only to be confronted with my worse fear. The crimson spray of blood from Cage’s mouth splattered across his body, droplets falling to the floor as Kano readied another punch.  “Johnny! No!” My voice was shrill, and harsh, as I ran towards the enemy, the one I was told to run away from. All to save some ass I told not 10 minutes ago that I saw no good in. As I closed in, I readied a punch, aiming for the cybernetic eye to hopefully bash in with a single decisive strike. I didn’t need to beat him, I didn’t need to win. All I needed was a small advantage for me to get Cage out of danger. My fist was stopped by Johnny’s hand, his face frantic as he stepped into my sight. “ACTING. ACTING, WE’RE ACTORS. LITERALLY ON A SOUND STAGE. DON’T DECK THE GUY TRYING TO GET A PAY CHECK!” “W-what? No that’s- your-” “Blood capsules. Fake blood.” He hissed, letting go of his tight grip on my hand to wipe the red dye from his face. “And that guy, isn’t Kano. He’s a guy I made the director add to movie BASED on Kano.” I felt my hand fall to my waist, turning to face the surprised actor I was mere seconds away from decking. My embarrassment flooded my body, stumbling back a few steps before the director began to scream from off set. “What the hell is going on?! This crazy broad walking on set, nearly hitting my stars, Johnny, baby, what the hell are you bringing to my set? Ya know I thought this bitch would be way more calm the the usual models you bring here but at least those don’t do this shit!”  The older man got up from his chair, megaphone in hand as he approached the actor. The rage emanating from him was palpable, making the air heavy and thick. I moved closer to Johnny, shamefully looking to the actor for guidance. I saw his eyes flicker down to me before giving a cocky look to the old man. “Excuse me? Are you... questioning the people I bring here? Me. Johnny FREAKING Cage? Award winning actor, multi box office record setting STAR... of who he brings on the set? Do you WANT a goddamn strike?” The director’s tone completely flipped at the boisterous words, slinking back into the shadows of the set. “Johnny, baby please-” he began. “Don’t you BABY me. You know my name!” “M..mr. Cage.” “That’s right. And you will address me as such as long as you wanna keep feeding that family of yours with this fat paycheck your getting from working with ME. So you keep your mouth shut about whoever the hell I bring here. I’ll bring a fucking live tiger if I damn well please and you just point your stupid little megaphone, give a big bright smile, and play along. GOT IT?” “Y...yes sir, Mr. Cage. Of course.” Johnny flashed a smile to the rest of the crew as he wrapped an arm around my shoulder, pushing me into his chest. “Now how about you all give my friend Jenna, a great big ‘Sorry’ and we can get back to working huh? Come on don’t be shy! ‘Sorry~ ‘come on, SAY IT!” He screamed, face turning red as the sound stage went hush. Slowly but surely a wave of monotone, ‘Sorry, Jenna’ erupted from the darkness of the sound set, culminating in the most unenthusiastic, forced apology from a group of grown ups I’d ever heard. It if wasn’t for the fact I could see them, I could of sworn that these were elementary school kids being yelled at by a principal for being too loud at lunch time. Johnny’s arm gave me a small reaffirming shake as he turned me toward him, a lip curled in smug pride. “There, ain’t that just the best medicine?” “What are you doing?” I whispered, hand going to touch his still oily chest. “It’s called acting. I figured if I’m the asshole, no one will shift the blame on you and the fact you just tried to bitch slap a B-list actor. After all if I’m a prick, might as well play the part.” He whispered back, giving a quick wink toward me as he patted my back. “Also, you called me Johnny. I gotta admit, that’s got a nice ring to it.” He placed another small pat to the small of my back and led me back toward his chair, giving the stink eye to a few people that glanced in our direction. “So. How bout we take it from square one huh? Come on, let’s get going people, hustle hustle, hustle! I ain’t getting any prettier! ” He began to clap his hands feverously causing the others to begin to run around for another take of the scene. As I reclined in the chair, watching the chaos beginning to start up, I couldn’t help but overhear people begin to bitch under their breath about how much of an ass Johnny was, completely forgetting about what just happened with me. At least Johnny was right about what would happen, making himself the target to absorb the hate. Who would care about some no name when everyone could tell their friends and family how shitty a guy Cage was for bringing the girl in the first place and acting like it was no big deal after all? He wasn’t an idiot, he used his arrogant nature to play people like a fiddle and people were none the wiser. All except for me, who saw the kindness break through the mask. Maybe I was too cruel, or maybe he was just doing it to prove he wasn’t a complete jackass to me. Either way, I was grateful. He didn’t need to do that, but he still did, much like most of things that happened with him.  I watched a makeup artist clean the blood off of Johnny’s chest, reapplying any patches of oil or foundation that had been ruined by the fake blood. Our eyes met from across the stage and with a cocky grin he flexed an arm, throwing a finger gun at me before barking an order at the makeup artist to further reassure his status of a dick. Jeopardizing his status in his inner circle all to make me feel better. What a guy.

[introvertguide]

Fight for My Entertainment

Over human history, people have found entertainment in a lot of different things. Tastes have changed over time but love of music has been present since the rise of man. Games of athletic prowess have provided drama and amazement for centuries. Even dancing has been a great source of entertainment to the population in some form throughout recorded history. One other thing that seems to keep an audience’s attention is the good old fight to the death. Although there are extreme fighting sports that are popular today, actual murder is severely frowned upon to say the least. Movie audiences still like to see portrayals of the fight to the death and there have been many movies, both good and bad, that satisfy this blood lust. I just wanted to go over some of my personal favorites (and some that really suck):

Ben-Hur (1959) is one of my least favorite movies, but I got to give respect to that chariot battle. I have been to Rome and seen the Circus Maximus field where the movie was filmed and where actual chariot races once took place. The horses and the outfits were great but the real interest to the audience in ancient Rome was the real chance of horrific trampling death with every turn of the race. Visually amazing with dramatic appeal. If this movie was only this, it would be a masterpiece, but there is almost 3 hours of boredom attached around it that really didn’t interest me. Great scene, though.

Spartacus (1960), on the other hand, is one of my favorite movies. It is another epic film and lasts a little bit long, but there are many huge battle scenes with thousands of extras and great one on one gladiator battles. Kirk Douglas is amazing as a gladiator turned general who took on the Roman army. There are a lot of one-on-one fights in this film and, despite the age of the film, still seem pretty realistic. This film is the reverse of Ben-Hur for me, having only 15 minutes of boring material surrounded by great scenes. Fantastic movie.

Edit Note: After rewatching, there are a lot less gladiator fights than I remember. In fact, I only now remember two, maybe three. There is also a lot more preparation for battle than actual battle. The best fighting part is likely when the gladiators first attempt to escape. This movie focuses much more on the repercussions on forcing people to fight instead of actually showing the fights. 

Enter the Dragon (1973) has to be mentioned because it has freaking Bruce Lee. A martial arts phenomenon that passed away far too early, Bruce Lee fights in a tournament to have a chance for revenge. Unlike many fights in which the action was sped up, he is rumored to have been told to slow down so that the camera operators could keep up. This doesn’t have massive crowds but there are still fights to the death for the entertainment of others. I do want to mention that this film is kind of racist and is exploitative along the lines of stereotypes, but the skill is so amazing that I think it rises above the B movie genre and is one of my absolute favorite movies. 

The Running Man (1987) is a movie that is absolutely amazing but not what I would call good. The script is weak, the dialogue is corny, and the acting is laughable. However, it does have Arnold Schwarzenegger and Jesse Ventura in the same movie. I mean, c’mon. A bunch of guys who are serving prison terms are put in a maze with professional killers that have weapons like chainsaws, fire suits, and electric projectiles. And this is all for the pleasure of a TV audience. Very much the modern day Colosseum scenario and a lot of fun to watch. 

Bloodsport (1988) is not a good movie but it is the reason that Jean Claude Van Damme is a household name. The “Muscles from Brussels” really shows off his high kicking skill in a tournament that features more than one fatality in the ring. Look at how much air that guy is getting...the athleticism can’t be denied. The film has a pretty strong cult following and it is another “fun” movie to watch because it does show a lot of very interesting matchups. By the way, the murderous villain in both Enter the Dragon and Bloodsport is played by the same Hong Kong martial artist turned bodybuilder, Mr. Bolo Yeung. A great fighting filming needs both a great hero and a powerful villain and this movie does have both of those things...but that is about it. 

Mortal Kombat (1995) is based on the video game of the same name and boasts supernatural fighters that end their bouts with gory fatalities. It totally delivers exactly that. There are no promises of nice sets, interesting back stories, or special effects and that is good because that doesn’t happen. The one-liners are cheesy, the martial arts are very good, and the soundtrack bumps throughout the entire film. Good enough for me. 

Gladiator (2000) “We who are about to die salute you!” I guess that you can’t have a list of gladiator movies with putting in this one. Russell Crowe plays a disgraced Roman soldier named Maximus who loses his family and is thrown into the ring to die. He works his way through to eventually take on a Roman leader and the whole thing is epic. There are a lot of battles in the Colosseum and they are all glorious. As far as realism and quantity of fights, I think this might be the best. Directed by Ridley Scott, it really takes the viewer and thrusts them into ancient Rome. “Are you not entertained?”

Battle Royale (2000) is the film that so many people cough under their breath when somebody brings up the Hunger Games. This film features a class of children that tormented their teacher so they were all shipped by bus to an island to kill each other until only one person is left. Warning, there is a whole lot of murder and suicide with sharp objects involving children. Each kid also has a choker that blows out their throat if they stop moving. Far and away more gory than its American counterpart, this film does not hold back nor are the contestants prepared for their predicament in any way. Very interesting but really makes the viewer feel that this kind of competition is wrong. Not a “fun” watch. 

Ong Bak: The Thai Warrior (2003) is a fantastic martial arts movie starring the great Tony Jaa as a fighter who partakes in underground street fights in an attempt to find the head of his village’s sacred statue. He takes on some crazy opponents who are much bigger than him, but he is one of the most high flying fighters I have ever seen. His flying knee attacks are just phenomenal. When this guy fights, I am entertained and I am not afraid to admit it. 

The Hunger Games (2012) is the story of youths in a dystopian future who fight to the death representing their district. This is all for the pleasure of the super rich who watch and give help to those players that they like. I think that the premise is so interesting but the heavy helping of teen angst amongst the child death seems weird. The desperation for companionship in the face of death was so much better in Battle Royale, but I still enjoyed this movie. The build up took too long for me, but the last half of the movie is gladiator arena glory. 

Thor: Ragnarok (2017) is a movie that I just thought of last minute but it does have a planet where warriors fight in an arena for the entertainment of Jeff Goldblum. There is a battle between Thor and the Hulk and that is all I really needed to know to be interested. Apparently this fight is amazing to everyone, even aliens on a trash planet. You know that audiences have a taste for carnage when they want to see two superheroes battle.

This list is by no means anywhere near complete so feel free to add on any other great gladiator films. These are just examples of how movie audiences seem to have a little bit of a blood lust and shows our tastes in entertainment have not changed as much as we might think since the days of the Roman Colosseum. I am not immune, but I am glad that my desire to see fighting can be quenched by acting without the need to see somebody actually die.

[lovetheangelshadow]

N’Pressions: Artemis Fowl Movie

Well it has certainly been a while since I have written a film review. So I watched Artemis Fowl last night. Admittedly it was not exactly a movie on my radar. It initially was until I saw the trailer and much like Mulan it felt off. I came across the books quite by accident years ago in Borders when the first four books were out in print. And I would eventually get the rest in hard copies as soon as it came out. Personally I enjoyed these books more than I liked Harry Potter and I dropped those after Goblet of Fire. Personally Artemis felt more like a character to me who had a much stronger arc than Harry did. I know people are going to argue with me on that point and its fine if you disagree with that-that is just how I feel about the situation.

Now the book has a very simple premise: Artemis Fowl is a 12 year old genius who is part of a criminal family known as the Fowls. His father Artemis Sr. disappeared during one of his business trips and Artemis has been using the Fowl funds and network to try and find him so they can keep the business going. But he is running out of money and needs a boost fast. His solution? Fairy gold. So after dealing information out of a drunken sprite-he kidnaps Holly Short and uses her for ransom. The rest of the book is the fairy squad trying to get Holly out of there and not pay the ransom and Artemis has several plans to halt their advances until they finally comply. In the end he gets the gold (or half of it) and the fairy’s leave. It’s basically Die Hard but for a younger audience and it gave everything you needed for a film. You didn’t have to go big scale and fate of the world stuff or conspiracy. That’s later books like Artic Incident and the Opal Deception. Artemis as a calculating genius who has traces of humanity, that gets built upon as the series goes by, but he is a master planner and manipulator and troller even when he’s pretty much a good guy by the seventh book. For crying out loud, he sacrifices himself but has a contingency plan to come back to life in the last book.

So I will be judging this on two fronts: as an adaptation and as a film on its own. Because sometimes the films can be poor adaptations such as How to Train Your Dragon or Howl’s Moving Castle but can be good films on their own. So how does this film start? Well certainly not in Saigon where Artemis is making a deal/blackmail with a drunken fairy to get a book that contains most of the information they need to set up this ransom and it is in the trailer! Like I expect this from trailers but that is one of the biggest character plots of the film because it shows his resourcefulness, how formidable Butler is, and a small hint of his capability of humanity. Like he could have tried to kill the fairy and taken the book but is like-no need to take risks, just bargain for a few minutes to copy the book and we’ll cleanse you of your alcohol poising. Also the mother isn’t dead (seriously Disney ya CAN move away from the trope, it’s okay) she’s just in a delusional state because of the grief of losing her husband. And while she isn’t a major character she does come into play later especially at two points towards the end.

Ignoring that the film decides to go in the common tripe of making a story on a grander scale than it needs to be. It’s not just “hey a human is ransoming one of our kind for gold and we need to get them back without paying the ransom”. Instead this thing that doesn’t have a lot of explanation called the Aculos that supposedly has a ton of power that could be used to dominate both human and fairy worlds and a radical named Opal wants it. Honestly, what is wrong with a simple battle of wits between two forces and ultimately one will win. Artemis is no saint but there was enough likeably about him that you wanted to see if he would succeed. There are times when things blows up in his face, but he can work them to his advantage. Honestly I could go on how the changes they decided undermine a lot of what made the books solid (except maybe Atlantis Complex-it’s not some good scenes in it but its pretty average compared to the other books)

To the film itself, a lot of problems I have with it honestly are similar to Last Jedi. The pacing is all over the place and a lot of it feels a bit slideshow. The film drags on where it didn’t need to and not enough time where it had to be. Like we spend so much time on the whole Aculos thing that barely plays much of a part anyways. The film just felt slow. Not exactly boring but not enough to really have tense interest. Also, Artemis is a villain. He’s a smug, arrogant, intelligent, little troll who doesn’t respect anyone. Heck he doesn’t even acknowledge Holly until book 2. Look I know it’s this thing you’re doing making villains more misunderstood and all that but come on Disney-we know you are capable of better stuff than this. We know you’re capable of interesting villains. We know you’re better than this even at reinterpeitating books such as Mary Poppins and Beauty and the Beast. Also the whole sequel bait thing. I know it worked with Marvel but a lot of the first films worked because they focused on complete stories. If there happened to be a sequel it was a bonus. I suppose I should not have been entirely surprised but more disappointed than anything. Even the supposedly emotional moments feel more like slideshow checkpoints than actual scenes. Honestly the films feels like a paint by numbers fantasy film. My dad compared the thing to a more kid version of Men in Black and along the lines of Spy Kids. Which I would be fine with except the film doesn’t have the wit or the goofy charm those had. Heck, imagine if it had been directed by Robert Rodriguez. Like it would have been silly but at least it would have had a charming style to it even if it bombed.

Not everything in the film is awful. The designs are pretty decent if a little generic at times and mostly the characters looked like counterparts. I’m not like 100% miffed they made Butler black and I just made a damn pun joke-but he doesn’t feel as threatening as he should be. In the books he donned on a suit of armor and single handedly took down the troll. Kids will more or less like it, but it really isn’t for adults. It’s not as bad as Wrinkle in Time either. Honestly if I had to put it somewhere on the recent live action Disney films it’s just below Aladdin and above Maleficent. Like the elements are there but it need a far different team to handle it especially for something that has been in development hell for years.

Overall it’s okay for kids but pretty skippable for adults and I don’t see any sequels coming anytime soon. Until then I’m Noctina Noir and I am one Nox of a Nobody.

[imagitory]

D-Views: The Hunchback of Notre Dame

Bonjour, mes amies! Welcome, bienvenue, to another installment of D-Views, my written review series for films produced or inspired by the Walt Disney company! For more reviews for films like Enchanted, Star Wars Episode III, and Snow White and the Seven Dwarfs, feel free to consult my “Disney reviews” tag, and please, if you enjoy this review or any of the others, please consider liking and reblogging! I look forward to writing more of these in the future for films like Wreck-It Ralph and Halloweentown, as well as Non-Disney films like Charlotte’s Web.

I recently put out a poll suggesting three Disney Renaissance films for possible review subjects, and although The Little Mermaid won that poll, this film ended up not far behind. (Thank you, @schifty-al and @mygeekcorner for your votes!) It’s one of my personal favorite Disney films of all time...The Hunchback of Notre Dame!

Victor Hugo’s classic novel Notre Dame du Paris, called The Hunchback of Notre Dame in English, seems like a very odd inspiration for a Disney animated family film, and that’s because...yeah, it is! When the Disney animators first brought Hunchback to the table, they were less inspired by the original Hugo novel glamorizing the architecture of Notre Dame cathedral, and more inspired by a graphic novel adaptation of the story, which was likewise much more influenced by the 1939 Hollywood film adaptation. Because of the historical context that 1939 adaptation was made in (premiering at Cannes during the rise of the Third Reich), themes of social justice were added to a story that originally was about how the “edifice” can outlast the flaws and sins of mankind. The “social justice” element is something that Hugo interestingly put more in his follow-up to Notre Dame du Paris, the epic brick book Les Miserables, but has since been similarly tied in the public consciousness to The Hunchback of Notre Dame, despite not existing in the original book.

The project was already an odd choice for Disney to take on thanks to the darkness of the book, but the political themes also were unique for a Disney picture as well. It clearly was a more “adult” endeavor, even though thanks to the success of previous projects like Aladdin and The Lion King, there were studio mandates demanding more comic relief, and even the marketing team was reluctant to advertise Hunchback as anything other than a family film. Rather than showing the artistry and darker scenes, the marketing almost entirely focused on the Feast of Fools and the gargoyles, highlighting the “Ugly Duckling” aspect added to the story and downplaying the more adult themes. In the end, it’s likely thanks to those poor marketing choices and the inconsistent tone of the picture that this movie failed to find its audience on first run. It only earned $21 million worldwide, compared to Pocahontas’s $29 million and The Little Mermaid’s $84 million, with mixed critical and audience reaction. Although it was nominated for an Academy Award for its music and won several others, it was noticeably less successful than other installments in the Disney Renaissance, and even now, Disney often doesn’t give Hunchback that much attention. Like Quasimodo, the film has been sort of locked up in its own tower...but now, today, I aim to bring The Hunchback of Notre Dame out of the shadows and give it the appreciation it deserves.

Our film begins in complete darkness, accompanied by resounding church bells and the amazing vocalizations of the English Opera Company, and from the very beginning, I’m just enveloped by the embrace of Alan Menken and Stephen Schwartz’s unbelievable score. Choral music in general has always been something special in my family. My mum and dad were in choirs a lot of their lives: they even first met when they joined the San Diego Master Chorale in the 80′s. Choral music remains one of my mother’s greatest loves and passions, and when I saw Hunchback, it made the choral music my parents loved so much, which focused around a faith I hadn’t been raised with and didn’t believe in, that bit more accessible to me as a child. Mum, who studied Latin in college, went on to teach me about all of the chants and phrases Menken and Schwartz added to each song so that I could more appropriately sing along. It remains one of those Disney soundtracks that cemented our close bond, and I���ll always treasure being able to see the La Jolla Playhouse production of The Hunchback of Notre Dame with my mum and getting to hear the amazing choir and instruments live.

The Bells of Notre Dame, as an opening number, cannot be matched in how it introduces us all to the story, characters, themes, and tone of the piece. In just a few minutes, the music and lyrics perfectly showcases our setting, the theme of what makes a man, the atmosphere of fear and injustice, our villain, and our hero. Menken and Schwartz previously worked together on Pocahontas, but Hunchback in my opinion easily outstrips their previous collaboration. The use of church bells of all sizes to convey the solemnity, mystery, and grandeur of the cathedral at the center of the proceedings, and the clever use of Latin phrases -- it’s just unbelievable! As one example, in the sequence where Frollo (a judge in this version, as opposed to the Archdeacon) chases Quasimodo’s mother up to the stairs of Notre Dame and she pounds on the door, crying for help, the choir sings “Quantus tremor est futurus quando Judex est venturus,” which means, “What trembling is to be when the Judge comes.” And sure enough, the line comes to a horrible, horrified halt when Judge Frollo snatches the woman’s child away and throws her to the ground.

After one of the most epic musical introductions in a Disney film, we meet our sweet, gentle hero, Quasimodo, voiced by Tom Hulce, who is just such a ray of sunshine. Although I loved hearing Michael Arden as Quasimodo on stage, Tom Hulce will always be my Quasimodo. When I was a teenager, I went through a horrible “hating the world” phase where I only ever saw pain and suffering and felt not only powerless to make anything better, but worthless as well. During that time, I turned my back on a lot of the things that had brought me joy, feeling almost unable to enjoy them anymore. One of the very few exceptions, however, was this movie and especially the character of Quasimodo. When I was at my darkest points, Quasimodo never failed to bring me some light, not because he was particularly funny, but because for all of the misery in his circumstances, he never faltered in being gentle, creative, and kind. Looking back on how I’d been, I wish I’d had just a shred of Quasimodo’s grace back then. I wish I hadn’t allowed myself to fall into despair and resentment. Since I can’t go back, however, I keep Quasimodo in my mind sometimes whenever I’m going through something difficult. He’s kind of become a guardian angel of sorts to me, reminding me that my life is a precious gift and I shouldn’t take anything for granted. And really, I couldn’t do that if not for Tom Hulce and Quasimodo’s supervising animator, James Baxter. I truly am grateful to both of them for giving me a character that even now can be a symbol of everything I wish I could be.

Unfortunately along with Quasimodo, we also meet the gargoyles, Hugo, Victor, and Laverne. As a kid, I actually liked the gargoyles all right, but as an adult...yeah, they really break the mood. Badly. The worst offender is easily Hugo, which is a shame because I like Jason Alexander as a performer, but he just goes way too over-the-top-obnoxious. It would admittedly not be as bad if it were clear that the gargoyles were all in Quasimodo’s head, but Djali sees Hugo come to life at one point and they later help Quasimodo fight off the guards. I greatly prefer the way the gargoyles are handled in the stage production, where all of the saintly statues have their own voices that nonetheless reflect what Quasimodo is thinking and when Quasimodo hits his lowest point before Esmeralda’s execution, he forcefully banishes them out of his head.

Even though the comic relief is handled poorly, I certainly cannot say the same for the villain. Judge Claude Frollo is easily one of the most evil villains in Disney history. Tony Jay’s vocal performance is just chillingly resonant, commanding your attention and making you subconsciously shrink in on yourself whenever he speaks. It makes for a despicable, cold, cruel man -- the antithesis of a father, the true embodiment of a monster. Frollo is often compared to Mother Gothel from Tangled in how they both lie to, control, and emotionally abuse their charges (Quasimodo and Rapunzel, respectively), but I personally find Frollo so much worse than Gothel, because he not only cuts Quasimodo off from everyone, but he indoctrinates a gentle, kind soul like Quasimodo in his racism and intolerance against those different from him -- including Quasimodo’s own people, the Romani. Mother Gothel hoards Rapunzel away like a dragon hoarding treasure -- Frollo treats Quasimodo like a burden, beating into him that no one else would want him and that Frollo was such a “good man” to take him in. It’s just vile.

And now we come to my single favorite Disney song of all time -- Quasimodo’s aria, Out There. From the time I was little, this song spoke to me like few others did. Growing up, I was an only child with a huge imagination surrounded almost entirely by adults and who had a lot of difficulty relating to kids my age. I often liked being on my own, but it didn’t change how I often felt different and detached from the people around me, and as I got older, that feeling only increased. I moved a lot in my childhood, making it difficult for me to plant roots, and I rarely followed trends or popular norms, so I constantly stayed in the fringes of the crowd, enviously looking on at those who could fit in more easily than I could. I always tried to hide my insecurities, but they were still there, and when those insecurities took hold, I would often imagine the world being a place where I could be myself, just like Quasi does. Quasimodo’s longing to be “part of them” and lamentation of people being “heedless of the gift it is to be them” has always resonated with me, and even though it’s hard for me to sing Out There without shifting octaves, my heart swells every time I hear it.

The Captain of the Guard, Phoebus, is easily the biggest liberty that Hunchback adaptations have made with the original novel. The book version of Phoebus was more like Gaston from Beauty and the Beast than how he’s portrayed here, but I frankly have no complaints. Kevin Kline is wonderfully dry and witty in the role -- he’s more than a match for Esmeralda, being brave, noble, and sarcastic with seemingly no prejudice for those different from him. And then yeah, as for Esmeralda herself...as Phoebus says later, “what a woman!” Esmeralda was one of my very favorite Disney heroines as a kid, and she still is. The character of Esmeralda is often rather saint-like in her incarnations, but here we see both the “angelic” and “demonic” sides of her -- she’s fiery, but kind; rebellious, yet noble; anti-authority, but patient; distrustful, yet loyal. In the musical adaptation, when Esmeralda is first revealed, we hear Frollo, Phoebus, and Quasimodo sing this about her --

Frollo: She dances like the Devil!

Phoebus: She dances like an angel --

Quasimodo: An angel!

Phoebus: -- but with such fire!

Frollo: Such fire!

All Three: Who is she?

This is Esmeralda’s characterization and her relationship to the three male main characters in a nutshell. Quasimodo only sees the best of Esmeralda; Frollo only sees the worst of her; and Phoebus sees her for everything she is...as a person. And this is why she ultimately chooses Phoebus, unlike in the book where she solely chooses Phoebus because of his looks.

When we reach the Palace of Justice, I’m reminded that I have yet to accent how absolutely stunning every single background is in this movie. Yes, the animation overall is wonderful, whether in the character animation or otherwise, but there are few Disney films that have more atmospheric and beautiful backgrounds than this. It serves to give the movie such a wonderful depth and makes the setting feel that much richer and deeper. Admittedly one weaker aspect of the animation is the now-slightly-outdated CG background characters. They were made by taking a handful of templates and then mixing up their clothes and colors, so as to multiply them ad infinitum and make the crowds of Paris look bigger and more colorful. Even with that, though, you do sort of have to look carefully at the background crowds to notice, as there are lots of hand-drawn characters sprinkled in in front of those CG models that help obscure their repetition and awkwardness. Those CG crowds also make the city of Paris look appropriately overcrowded and huge, so I’m glad that they used the technology even if it was still so in-progress at the time.

Even though Topsy Turvy starts off so fun and festive, however, it soon devolves into a terrible riot where Quasimodo is bound and tormented by the crowd. I admit, the transition is a little abrupt, but it still works for me, as people can be so easily swept away by mob mentality and those in power -- namely, Frollo’s guards -- sometimes flaunt their authority by putting down others. Fortunately Esmeralda is there to save Quasimodo and give Frollo a much-deserved verbal smackdown. The following scene, though, is another example of the mismatched tone, stretching out Esmeralda’s escape with a lot of comic “hijinks” that don’t really add anything to the film and kind of serve as a big time waster, especially after it abruptly cuts off and turns much more solemn and sad as Frollo silently confronts Quasimodo and Quasi returns to Notre Dame in shame.

Hunchback’s focus on religion is, in my opinion, one of the things that made producing an adaptation of Hugo’s novel such a bold decision. I’m not a religious person at all (Agnostic and proud), but it was still really meaningful to me to see both the good and bad associated with religion, represented by the Archdeacon and Frollo respectively. Frollo, along with Pharaoh Seti from The Prince of Egypt, taught me as a kid that evil is not always self-aware and, more importantly, how much more dangerous evil is when it garbs itself in godliness and righteousness. That’s a valuable lesson, regardless of your religious faith. God Help the Outcasts may invoke God’s name, but it could just as easily be a prayer to the world, or even just to you as an individual. The Christian faith preaches that we are made in God’s image...so when Esmeralda asks God to help her people, maybe she’s in truth asking you to try to be the loving God they need.

Something unique about Hunchback is the wonderful friendship that develops between Esmeralda and Quasimodo. From the time I was very little, I made friends with both boys and girls, so it was so wonderfully refreshing to see a story where a girl and a boy became such close friends and supported each other so much. Yes, admittedly, Quasimodo is romantically interested in Esmeralda, but when he sees how much she loves Phoebus, he both accepts their relationship and treasures Esmeralda’s friendship all the same. He doesn’t wallow in bitterness upon Esmeralda not choosing him; he loves her all the same as the first real friend he’s ever had. Esmeralda truly loves Quasimodo and treasures their friendship too -- her choosing Phoebus romantically is never framed as her teasing Quasimodo or leading him on; she simply loves Phoebus and Quasimodo in different ways. And that I find so unbelievably cool. I also like that in Esmeralda’s and Quasimodo’s conversation on the roof, there are some strains of the deleted song Someday in the instrumental accompanying the scene -- you can hear a R&B variation of Someday in the film’s credits, but originally it was meant to replace the more religious God Help the Outcasts, only for God Help the Outcasts to be chosen over it. I agree with the filmmakers’ decision, but I still like Someday too. Quasimodo’s helping Esmeralda and Djali escape Notre Dame by climbing down the towers also beautifully foreshadows Quasimodo’s dexterity in climbing down to save Esmeralda at the end of the film.

Quasimodo and Frollo are both enthralled with Esmeralda, but as mentioned previously, they each only see the angelic and demonic sides of her, which is best encapsulated by the dual numbers Heaven’s Light and Hellfire. Heaven’s Light is appropriately sweet and pure, but I can’t beat around the bush here: Hellfire steals the show, not just from Heaven’s Light but from all other villain songs in Disney history. The song starts with a choral chant praying for forgiveness, which then segways into Frollo’s demented, mad raving about his lust, fear, and hatred for Esmeralda. The words are almost terrifying in their level of conviction and paranoia, which then devolves into vindictive, destructive mania, framed by the mournful echoes for “mercy” from the choir.

Right after Hellfire, we get one of my favorite instrumentals on the soundtrack called Paris Burning. The choir’s bustling, dramatic cries trimmed by the tense strings and horns of the orchestra just evokes fear and horror as Frollo terrorizes Paris. Then Phoebus finally takes a stand, refusing to set fire to the miller’s house and then, after Frollo does it himself, leaping in to save the family from the flames. In the musical, this whole sequence is accompanied by the amazing musical number Esmeralda (which honestly, every fan of this movie should listen to, it’s really worth it), but the film handles it unbelievably well with only a short scene and an instrumental that sears the final “Kyrie Eleison” into the audience’s ears like a fire brand.

Sadly, after this amazing, epic sequence, we once again are subjected to tonal whiplash when we return to the bell tower and the gargoyles decide to sing Quasimodo a song to cheer him up. Although I maintain Hunchback has one of the best soundtracks ever recorded, what stops it from being flawless is this song. A Guy Like You is not an inherently bad song on its own, but when combined with the rest of the soundtrack, its melody, tone, and out-of-place pop cultural references are just ridiculously jarring. It’s like we’ve been transported into a completely different movie, one less inspired by a classic French novel and a critically acclaimed film about social justice and one more inspired by Disney hits of the day like Aladdin and later projects like Hercules. As sad as it is, it’s kind of a relief when it’s over and we’re brought back down to earth by Esmeralda carrying a close-to-death Phoebus into Quasimodo’s tower.

Frollo’s arrival after Quasimodo agrees to hide Phoebus is excellent in its suspense. We can sense Frollo’s suspicion, and all the while, we’re so worried for Phoebus hiding under the very table he and Quasimodo are sitting at. Then Frollo, who we’ve only ever seen as cold, conniving, and controlled, bursts into a rage the kind of which we’ve never seen before, and for a second, he’s a demon himself. After his rage is spent, he sets his cruelest, most terrible trap yet: using Quasimodo’s feelings for Esmeralda so that he can capture her and the rest of the Romani. And at first, Quasimodo almost doesn’t take the bait, thanks to a short-lived pang of self-pity. At first he’s bitter about his heart being broken and considers not helping Esmeralda, as there’d seemingly be no “reward” in him doing so...but the feeling is quelled in seconds by the memory of Esmeralda and how much her friendship means to him. Quasimodo’s selflessness and goodness wins out in its struggle with his more selfish instincts...and this, in the end, is what makes Quasimodo a hero in my eyes.

All right, I guess with our entrance into the Court of Miracles, I should address the elephant in the room. I’ve called Esmeralda’s people “the Romani” in this review, but throughout the entire film, the term is substituted for the admittedly-period-appropriate slur “Gypsy.” I knew nothing about the Romani culture when I first saw this film and I profess no intimate knowledge of it now, but even with that, I have to acknowledge that this movie doesn’t always showcase the Romani in the best light. Although Quasimodo’s parents, Esmeralda, and (to a degree) Clopin are given relative sympathy, the sequence in the Court of Miracles doesn’t do much to endear them to the audience. These victims of persecution are not really given the focus they deserve: we never learn much about their culture or about why they’re persecuted, and we don’t really get to see how they live their lives as ordinary people. To someone who doesn’t know anything about the Romani, I don’t think this film would be the best introduction to their culture and heritage.

Our climax is accompanied by the best instrumental track in the film, Sanctuary! Whenever I hear this piece, I have to stay completely silent, drinking in every single line and note, so as to properly absorb its brilliance. The track has accompanied a lot of my writing in the past: it’s always helped me when I was writing a powerful, emotional climax, whether through the emotion it wrought from me or just from wanting to write a new scene to the music. This entire sequence, from a musical, writing, animation, and character point of view, is I think what made Disney decide to make this film in the first place. The pacing -- the character animation of Quasimodo tearing down the pillars -- the drawn backgrounds of Notre Dame -- the camera whirling over the never-ending crowd’s heads and up onto the cathedral as Quasimodo hoists Esmeralda over his head -- this is the heart of why the movie was made and what the entire film was building up to. This resistance against injustice and the protection of our sacred, historical institutions from hatred and cruelty is what Hunchback is and should be all about. Occasionally this battle scene is inter-spliced with comic bits that once again aren’t really necessary and kind of stick out (Laverne’s Wizard of Oz reference and Hugo’s impression of a fighter plane in particular are out of place), but it doesn’t ruin anything for me. Fortunately as the climax grows darker with the arrival of Frollo and the transition from Sanctuary! into And He Shall Smite the Wicked, the gargoyles take a backseat, and we get focus where we should’ve always had it: on Quasimodo, Esmeralda, and Frollo. Thanks to his love for his friend Esmeralda and the realization of his own self-worth, Quasimodo finally stands up to Frollo and breaks free of his poisonous influence once and for all. This line of Quasi’s has always stuck with me --

“All my life you’ve taught me the world is a dark, cruel place...but now I see the only thing dark and cruel about it is people like you!”

Even now this line is just so powerful. There was a point where all I saw of the world was its cruelties and injustices...but like Quasimodo, I’ve come to see that those cruelties are not inherent to the world or even to mankind as a whole. Humans are capable of both great evil and great good, but as long as the evil people of the world are allowed to seize control and exert their toxic influence over everyone else, the world and mankind overall will never become better. Like Quasimodo, we must stand against those who’ve embraced cruelty and hatred over acceptance and love. We must protect the brighter parts of the world that evil so wishes to snuff out. It’s a moral I think has only become more relevant and important over time.

Unlike in the book and musical, Esmeralda survives, and as much as I’ve heard people try to argue Esmeralda living is not true to the spirit of the original novel, I think it really suits the story being told and really feels just for both characters. Quasimodo deserved happiness; Esmeralda deserved happiness; and most importantly, this all the more highlights how different Quasimodo is from Frollo. Frollo says to Esmeralda, “Choose me or the fire” -- basically, if he can’t have her, he doesn’t want anyone else to...but Quasimodo doesn’t think that way. He cherishes Esmeralda and her friendship without any caveats or conditions: therefore him losing Esmeralda, whether to Phoebus or to death, doesn’t prompt him to commit suicide like he did in the novel. It’s not only a more uplifting ending, but I think a lesson in the selflessness of love, even if it’s just platonic love. And because Esmeralda loves Quasimodo just as much as a friend, she leads him out into the sun, where he finds even more of the love he deserves from the city he wished so much to belong in. Quasimodo doesn’t get the girl, but that was never what he wanted in the first place: it was merely to be accepted as he was.

The Hunchback of Notre Dame was one of the most formative films of my childhood, right up there with Beauty and the Beast, The Prince of Egypt, and Anastasia, and it remains my second favorite Disney animated film of all time. With time, I’ve seen more and more of its flaws, but those flaws don’t ruin what in the end is one of the most daring, revolutionary projects Disney Animation has ever tackled. Its artistry, from the backgrounds to the character animation, is exceptional; all of its major human characters are multi-faceted, complex, and real; its themes are eternally relevant and powerful; and its score and nearly all of its songs are just through the stratosphere in their quality. Hunchback, along with Beauty and the Beast, made me fall in love with France from afar as a child, a love affair that has only become more and more intense through the years, and Quasimodo and Esmeralda even now are so close to my heart. I wish so much to be as kind and gentle as Quasimodo and as brave and noble as Esmeralda, and I can only hope that at some point, if I ever visit Disneyland Paris, I might finally meet them. The Hunchback of Notre Dame may not have gotten the appreciation it deserved when it first came to theaters, but I’ll always be happy to hear Disney fans remembering it as fondly as I do. Who knows? Maybe someday, the world will be wiser and will give this film its time in the sun at long last.

[hellzyeahthewebwieldingavenger]

Spider-Man: Into the Spider-Verse (semi-stream of consciousness) Thoughts Part 3: Spider-Miles and his Amazing Friends/Foes

Apologies for not getting this out sooner. I’ve been/still am unwell so I was physically too energy drained to crank it out.

For this outing we’re going to discuss the characters not named Miles Morales. Spoilers ahead.

 As I have said before, Miles might be the primary protagonist but he is not the sole one.

Alongside him we have the Peter Parker who died (who, in what is surely a Clone Saga reference, is blonde), the older washed up Peter Parker, Spider-Gwen, Spider-Ham, Spider-Man Noir and Peni Parker with her SP//dr mech...with a cameo by Spider-Man 2099 and 1960s Spider-Man.

Going up against them are Kingpin, Prowler/Aaron Davis, Doctor Octopus/Olivia Octavius, Tombstone, Scorpion and Green Goblin with cameos by the Lizard/Spider-Gwen’s Peter Parker and some versions of Doc Ock and a reference to Electro. Honestly there were probably more villains too I just missed them because this movie is such a feast for the eyes that you need to see it more than once to take everything in. For example my friend caught a Ditko reference I missed.

I already gushed about how impressive it is that the movie balanced so many characters so lets not go over that again beyond saying that it is honestly mind blowing that us Spidey fans got all THOSE villains (some of whom have never been on film before) in this movie and what is essentially a Carolin Trainer Doc Ock reference rendered as a really cool villainess.

For real Olivia ‘Liv’ Octavius was bad ass. If Kingpin was the Big Bad she was his ‘Dragon’ to use TV Tropes terminology. Her design was unique to Molina’s Doc Ock and her unveiling was one of the movies best twists that I really didn’t see coming. Also Aunt May seemed to know her which means in my headcanon they were like old friends and had tea together sometimes. It is also worth of note she is technically one of the relatively few Marvel movie villainesses.

Sticking with the villains for now Tombstone and Green Goblin were the least interesting. Goblin here existed essentially to serve as reference and honour to the Death of Spider-Man arc from the Ultimate comics as he is very much involved in Blonde Peter’s death and dies himself. Tombstone was just...Tombstone. He was just Fisk’s bodyguard and nothing else. Still the fact that there even exists a Spider-Man movie WITH Tombstone in it is something of a marvel. Scorpion is elevated somewhat beyond Tombstone and Goblin by virtue of his interesting redesign and the quirk that he speaks Spanish, thus connecting him to Miles. Whilst the movie doesn’t use it’s relatively even hero and villain count to just pair the characters off, it should be said that Tombstone and Scorpion do exist specifically to give Noir, Ham and Peni something to do in the second and third act climaxes.

This is not a detriment to the movie though. Although this is an ensemble movie, it is Miles movie primarily, Peter and Gwen’s secondarily and the other Spider-Heroes’ behind them. This point is accentuated when we are given their origins simultaneously in a three panel sequence. It is understood that these three characters are to be regarded somewhat collectively, sort of like the Warriors Three from Thor.

Getting back to the villains though, I have little to say on Prowler I didn’t cover last time. All I will add is that his visuals are very cool. Even though he is based upon Ultimate Prowler his look is more 616 Prowler influenced, but imagine if instead of a misguided antagonist he was a scary slightly Spawn inspired villain. So he was totally bad ass.

However hats must go off to Kingpin. He was the main and best villain of this story. It is funny this year has been oddly Kingpin focused in terms of Marvel content.

He was brought back superbly for Daredevil season 3. He was a notable figure in the PS4 Spidey game. He was the main villain of the PS4 prequel novel. He got a lot of play in Daredevil and Spider-Man comics where he was the mayor and he is now serving as a Marvel movie villain for the second time. For me personally I complimented all this by checking out Daredevil Born Again and Last Rites, two very Kingpin centric stories.

As far as his portrayal here is concerned, the central conceit of the movie again creates a potential get out of jail scenario for any direction the writers want to take with the characters. This is an AU version of Kingpin and so is at liberty to deviate wildly from the 616 version as Liv Octavius did.

How interestingly what we wind up with is an interesting rendition of Kingpin who’s deviations from his canon counterpart’s personality are relatively minor and his overall portrayal is different more in where it places the emphasis as opposed to what the specific traits of his personality are.

Comics Kingpin is defined by his cold controlled and sophisticated demeanour hiding a thuggish, cruel and raging temper beneath the surface. He is the boss of bosses, the biggest criminal ever in more way than one.  

Spider-Verse Kingpin is a little more ‘street’ in his dialogue and vocal performance than we might be used to with classic Kingpin and ever so slightly more prone to making jokes, but beyond that his personality is very similar. Essentially he is Kingpin with a bit more Tony Soprano injected into him. The idea of his calm exterior hiding a cruel raging monster beneath is very well realized though via his gimmick of clicking his pen as a kind of stress ball to maintain his temper and his beating Spider-Man to death with his bare hands. Not to mention his flying into raging bull mode at the climax of the movie when things go all wrong.

Where the key deviation lies for this rendition of Wilson Fisk though lies in his motivation for the movie. Whilst various stories in comics and other media depict Kingpin’s motivation to simply rid his criminal empire of one superhero or another, or else further expand and secure that empire, Spider-Verse Kingpin is all about his family. The entire reason he is investigating parallel universes is in order to find alternate living versions of his dead wife Vanessa and son Richard. They died fleeing him in horror upon witnessing him fighting Blonde Spidey, so Wilson feels guilty and heartbroken over their deaths.

What is ingenious about this take upon Kingpin is that you could entirely see his canon counterpart doing something like this and it serves to add a note of sympathy to him in spite of his directly murdering Spider-Man and Miles’ uncle. Whilst it is perhaps not as nuanced or multilayered as the Netflix Kingpin, it still serves to make him more than a two-dimensional, black and white gangster. So as a villain he is simple, yet effective.

  Kingpin, like all the Spider-Heroes sans Miles, also has a backstory flashback sequence that  explains his history with his family. These are strategically placed throughout the movie and are reminiscent of the origin sequences from the Suicide Squad movie. However what worked so poorly there works magnificently here.

These origin sequences do much more than simply drop exposition for each character. Putting aside how the movie does enough to build up and endear us to most of the characters who get such sequences, the sequences are actually in aid of conveying to the audience the primary conceit of the film, that of alternate realities.

And the best way to convey this idea is to prevent the familiar with deliberate changes.

What I mean by this is that the movie sets up these origin sequences in deliberate contrast to one another and signposts this fact with repeated dialogue and visual cues in each sequence. This even applies for Kingpin as the visuals of his origin sequence are evoked for the climax wherein he briefly does see flashes of his wife and son from other realities.

As far as the Spider-Heroes are concerned though, the first of these sequences is at the top of the movie with the background information for Blonde Spidey.

This helps immediately hint that the world we are watching is both similar to yet different to the ones we might be familiar with, noticeably the world of this Spider-Man is more similar to our own as Blonde Spidey (surely a Ben Reilly reference unto himself) is a beloved and highly merchandised celebrity. Even the iconic upside down kiss with Mary Jane occurs for him with MJ upside down. A fun little in joke for the audience, or sly easing in of the idea that this Spider-Man is not the one we know?

A little of both probably, but that one scene illustrates what I mean because the second origin sequence we get is about the older Spider-Man. Like I said it plays itself in deliberate contrast to the Blonde Spider-Man, retaining the same narrative/dialogue structure within the short vignette to convey for us how this Spidey is different and thus develop his character. E.g. he is older and yet less successful, he is underappreciated and in bad shape and his marriage to MJ (whom he shares a more traditional upside down kiss with, see what I mean, it slyly hints this Spidey is more like the ones we recognize) has ended in sad divorce and he is a wreck.

Further origin sequences repeat for Spider-Gwen (she is similar to her comic counterpart, but her hang up is distancing herself from her friends), Noir, Peni and Ham.

As I said before Noir, Peni and Ham have their origin sequences play out simultaneously on the screen. This cements their lesser status within the movie compared to the other protagonists.

Collectively the sequences not only use the individual Spider-Heroes to mutually develop and build up each character on the most basic level to the audience (Spider-Man but a Looney Tune pig, Spider-Man but if he was a drummer Gwen Stacy, Spider-Man but if he was Humphrey Bogart, Spider-Man but if he was an anime girl from a mech anime, etc) but also serves to hold the audiences hand as it gets them to accept the conceit of parallel universes.

Of course the concept is first broached at the start of the movie where Blonde Spider-Man’s origin sequence concludes with him declaring himself the one and only Spider-Man (a sentiment echoed in other origin sequences too) and is then immediately followed by Miles’ introduction. We also have the topic raised in Miles classroom.

When combined with the other origin sequences, this opening obviously challenges the audiences idea that there could only ever be one Spider-Man and that it would have to be Peter Parker (a fair presumption, most audience members would be unaware of any other Spider-Heroes). This I think is part of the ingeniousness (forgive my repetition of the term but it is true) of featuring the two Peters in this movie.

See both Peter Parkers are as much positioned as deliberate deviations from the norm general audiences would expect as Spider-Ham or Spider-Gwen. Whilst one Peter is blonde and a successful married celebrity with essentially his own Spider-Cave, another is the oldest on screen Peter Parker we’ve ever had, pot-bellied and a divorcee. Outside of some video games and two 20 year old cartoons general audiences have never even seen a married Spider-Man so presenting not just one but two, and one of whom is post-marriage to boot, is a brilliant way to sell ‘this isn’t the Spider-Man you know’.

But these Spider-Men ARE Peter Parker. So if there can be versions of the Parker Spidey audiences are familiar with that are so different to what they know, the idea of Peter Parker but an anime girl or a 1930s noir character or a cartoon pig becomes easier to accept as does Gwen Stacy (whom audiences ARE familiar with from the recent Marc Webb movies) as ‘Spider-Man’ becomes yet easier to accept.

All of which build to what is second half of the question the start of the movie raises.

The question is partially ‘Does Peter Parker have to be the one and only Spider-Man’ (obviously not there are alternate versions of him as well as Gwen Stacy in the role) and, perhaps more poignantly, partially ‘Can Miles be Spider-Man’.

And this is the the most important purpose that the origin sequences serve. They are all building towards the climax of the movie which bookeneds the start wherein it is at last Miles turn to relay his own origin, allowing the movie to put to rest the question it raised at the start and cement in the audience’s minds that YES, this kid can and now IS Spider-Man.

As Stan Lee said, part of the appeal of Spider-Man is that under that costume anyone can imagine themselves to be Spider-Man. This movie embodies that message, embeds it into itself and in that sense serves the fundamental ethos of Spider-Man or him being the relatable everyman, even whilst Peter himself is not the heart of this movie.

And it did all that via having comic book style flashback exposition dumps!!!!!!!

I might have said this before or elsewhere but this is the most ‘comic book’ comic book movie I’ve ever seen! As in it is a movie that looks like and plays out like a comic book!

And just like the best comic books and comic book movies it always remembers that these stories are someone’s first so whilst it presumes a certain amount of foreknowledge (like you know who Spider-Man is) it leaves nothing to chance and organically walks you through everything you need to know. Again, those origin sequences by being placed in contrast to one another walks audiences gently through the massive concept of multiverses which no other theatrical comic book film before this to my knowledge has ever touched (sorry DC..).

Sticking with the Spider-Heroes for a moment, what should be understood is that the characterization of them is all geared towards the needs of the specific story being told, which obviously has Miles at the heart of it.

What I mean by this is that whilst the movie doesn’t give you the most detailed or faithful rendition of Spider-Gwen or Spider-Man: Noir ever they are the right takes for the movie’s story, for selling the concept of parallel universes and Miles development.

Blonde Spidey is not just hyper successful in order to contrast with Old Spidey. His success and competency (his brief action scene is incredibly impressive) is designed to also contrast to Miles inexperience and to sell him as almost a Superman/Captain America figure within Miles’ world. His death is mourned as the passing of a great and revered hero, a national day of mourning and even made me tear up a bit. This is done to accentuate the guilt Miles feels and the burden Miles feels to live up to his dying wish and shadow, the latter of which could fuel a potential sequel. His specific death scene itself is played as very different from the Ultimate comics. There his death was the grand finale (we thought) to the saga of a hero we’d been following and gave him a fittingly grand death. In the movie since his death is primarily the launch pad for Miles’ journey it is less grand, even cruel in how quick, blunt and undignified it is.

Old Spidey’s failure is not undertaken because the filmmakers believe Spider-Man is or should be some abject loser or failure, as I and others have feared. It is a direction taken because it gives him an arc for the movie. His hang up is wrapped up with his divorce from Mary Jane. But refreshingly for comic fans their separation occurred because MJ wanted children and he couldn’t bring himself to go there. It is through his tutelage of Miles (and hilarious confession to Blonde Spidey’s widow, a reflection of his student’s poor attempt to woo Gwen earlier) that he works through his issues and gets his happy ending of reuniting with his MJ. He thus has an arc intertwined with Miles even as he serves as his reluctant and somewhat haphazard mentor. If you think about it, having a version of Spider-Man more akin to the ‘default’ version would have made for a boring and underwhelming movie as far as Miles and Peter’s relationship is concerned. In this dynamic though master and student mutually grow.

Moreover his arc is interesting on a meta level as his pot belly somewhat resembled Tobey Maguire in some infamous and unflattering post-Spider-Man 3 images and Peter and MJ having a child and divorcing were in fact concepts toyed with for the aborted Spider-Man 4. All of which lends credence to the idea that Old Spider-man could very well be the actual Maguire Spider-Man. Indeed Maguire was apparently considered to be cast for this Spider-Man.

Between them Blonde and Old Peter represent something of the best and worst case scenarios for the ‘standard’ Spider-Man that broadly exists in the popular consciousness of general audiences.

Also one of these two Peter Parkers is explicitly Jewish. They have a Jewish wedding with Mary Jane which is a lovely touch as both his creators were Jewish and it has often been said the character embodies certain characteristics that recognizable within Jewish culture.

Spider-Gwen is changed into being more snarky than her earliest comics depicted her mostly because she has to be a more in control and experienced counterpoint to the in experienced Miles, serving as the subtextual second-in-command of the team. Her character’s conceit of being distant from her friends was something sort of present in her comics but is played as her central emotional problem in this movie that is also worked out through the course of teaming up with others. Additionally the film, seeking to connect her and Miles romantically (perhaps unnecessarily, but it is a sweet enough young romance nevertheless, helped by their similar age for a change) draws a parallel between how both her and Miles lost a Peter Parker. Parker in her universe was the Lizard as in the comics which further helps sell the idea of ‘Spider-Man’ being flexible.

The other Spider-Heroes are again, bodies to pad out the team and all of them are geared towards comic relief which helps balance out the team and movie over all, even if it goes against how Peni and Noir were originally characterized in their solo outings. But again this isn’t a solo outing, it is a team outing centred around Miles.

And the key thing to note here, as I noted in previous instalments is that all these other Spider-Heroes NEEDED to be in here and (to a lesser or greater extent) needed their own arcs because Miles was not going to hold the movie all on his own.

As for the other characters not much to say really. Miles parents are done well though his Dad gets more focus, a biproduct think of the movie focussing upon his brother Aaron. Aunt May has a small but lovely role as the keeper of Blonde Peter’s legacy. There is a touching scene which adapted Spider-Men better than the actual story. In the comic book 616 Peter meets Ultimate May in the relatively recent aftermath of Ultimate Peter’s death. In the movie, apart from Blonde Peter being older (meaning more years with Peter), Old Peter has also lost his Aunt May meaning the moment is much more emotionally packed as bereaved aunt and nephew reunite.

Then there is Mary Jane. Again a small role and she is somewhat relegated to a motivator than her own character but in a movie this packed where the heart isn’t Peter Parker you can understand why. You do feel bad that every (good) character in this movie got a happy ending or at least a happy final scene except her...well sort of. She is just left as the widow of Blonde Spidey but she gets a nice scene where she reunites with Old Peter. So ONE version of MJ has a happy last scene.

I will say this, the movie treated the character with respect. It is MJ who delivers her husband’s eulogy that prompts Miles into action and sums up the message of anyone being Spider-Man. It is made clear MJ was not the root of her split with Peter because ‘she couldn’t handle it’ or some shit like that. So whilst the movie didn’t give her much to do it also didn’t punch down on her or disrespect her legacy the way Homecoming did. And if nothing else how cool was it that we got not one but TWO Peter/MJ marriages on screen in a major motion picture. Take that Marvel!

But I cannot talk about the characters in this movie without talking about the three best cameos in any comic book movie.

The first was the surprise post-credits sequence where Spider-Man 2099 showed up! Of all Spider-Heroes he was the one I wanted most to show up. I love Mayday of course but I never deluded myself she could show up and in fact Old Peter’s story opens up that possibility for her more down the line.

2099 shocked me (how appropriate) and I thought we were going to get some nice sequel bait. That was until that was subverted for the second cameo that made me and my friend split our sides with laugher.

1960s cartoon Spider-Man, specifically with him and 2099 recalling the ‘Spider-Man pointing at himself meme’!!!!!!!!!!!!!!

That is how you integrate a meme right!!!!!!

They even paid the 1960s show homage by referring to it as going back to the beginning since the 1960s show was in fact the first time Spider-Man was ever adapted into animation.

The third and best cameo goes to the Stan Lee appearance.

I am not ashamed to tell you dear readers that when I saw Stan Lee, even a cartoon version of him, saying in his own voice that he was friends with Spider-Man and will miss him I genuinely cried a little.

Even seeing the grave of Blonde Spider-Man shortly afterwards, a scene I’d already seen as the after credits scene for Venom, hit me hard and felt very different in a post-Stan Lee world.

And of course there was that ending title card crediting Lee and Ditko. Beautiful, no other word for it.

And given the movie’s fundamental message I can think of no more fitting way to honour the fathers of Spider-Man.

[zerochanges]

Mobile Suit Gundam Narrative - One Night Movie Premiere

If you told me ten years ago that I would be able to regularly watch anime movies on the big screen in theatres I would have surely not believed you. Besides maybe a few Pokemon movies or an occasional film in some mega franchise I don’t particularly care for such as Naruto, the prospect would probably seem alien to me even. So it’s funny how times have changed and how anime screenings in theatres is becoming increasingly more common in North America. Just last month I was able to watch the phenomenal Dragon Ball Super Broly film in a packed theatre with a ton of other nerds and it was a delightful experience. Before that I got to see the fun anime version of Die Hard known as My Hero Academia: Two Heroes, and before that a love letter to Go Nagai known as Mazinger Z Infinity! Now only a month after Broly I get to watch an honest-to-God Mobile Suit Gundam motion picture in a theatre too? I feel like the luckiest guy alive. 

If I am being honest, I actually hate going to the cinema most of the time, and spent many years avoiding doing just that. I was always the type of person that was happy enough to rent a movie once it released on DVD/BD and that was the extent I would need out of cinema at large. The only exception I started to make was when Disney purchased Star Wars, and that was more out of fear that ravenous fans online couldn't keep their mouths shut than it was about anything else. Over the years however I started to develop a greater appreciation towards movie theatres at large and a lot of that has to probably do with anime. As I began to become a serious collector of anime and made the transition from my old DVDs to crisper BDs I realized I was at the point where as a fan I wanted the most out of my all time favorite movies--because these were not just my favorite anime movies but my actual favorite movies, and that’s when I realized I truly wish I could have seen them the way they were meant to be; on the big screen, with an insanely powerful surround sound system, with fans all gathered around cheering at the best moments. I will probably never get this experience for Akira, or Galaxy Express 999, or the many other films that mean the world to me now, but I can get the experience for future movies, so I don’t want to miss out ever again.

Gundam is one of my favorite franchises from my childhood. As a young kid I fell in love with the amazing robot designs and was blown away at the prospect of an anime that just felt so different from DBZ, which besides Pokemon was probably my only real understanding of anime at that age. As a teen and young adult especially the franchise became increasingly important to me and left a lasting impression on my psyche. I can’t tell you my favorite Gundam series nowadays because the answer will probably be different every time. Maybe I’ll say the original Mobile Suit Gundam, warts and all, it’s everything I love about anime from the 1970’s and to this day I still love the original Ocean Group dub from Canada. This dub while wooden and showing its age terribly will forever be etched in my mind as the definitive voices for most of the Universal Century characters despite Shuichi Ikeda buttery smooth, ecstasy inducing voice in most of the Japanese series. Maybe I’ll say Zeta Gundam as Kamile was a character my younger self identified a lot with and the series as a whole left a very strong impression on me. Maybe I’ll say Turn A Gundam, a beautiful psychedelic series that displays some of the best writing from series creator Tomino. 

So yes, having a chance to see any Gundam film in theatres was something I couldn't miss. Even if said film ended up just okay it wouldn't matter, as not in my wildest dreams did I actually think I would get this opportunity. I figured the closest I would ever be to seeing Gundam on the big screen would be if I happened to be in Japan for some reason around the time a new Gundam OVA or film was being screened. When Gundam Narrative tickets went on sale for North America I bought them the day online orders were opened and was even the first person to buy a seat at the theatre (thanks to reserved seating I could see nobody else had bought a seat yet). It didn't matter to me that I had to drive 45 minutes to the cinema, nor did it matter to me that I honestly knew nothing about Gundam Narrative, I just wanted to experience Gundam this way at least once in my life. And so last night I made the trek across the city and finally got to see Gundam like I never have. Now I have decided I want to share some of my thoughts and impressions about it. This won’t be a formal review, nor is it meant to be, as more or less I’m just expositing some of my thoughts, off the cuff.

First a little background information. Sunrise’s current "UC NexT 0100" project that tackles the next century of Gundam’s UC (Universal Century) time-line as well as their ambitious promise to deliver a new theatrical Gundam film every 1-2 years from 2018 onward is something to behold, so it’s no big surprise to me that the first film to kick off both of these initiatives would be a sequel to the highly acclaimed Gundam Unicorn OVA series. Saying Sunrise is kind of on a Unicorn kick right now would be an understatement after all. I actually don’t mind this so much however like a lot of people seem to, as Unicorn deserves all the praise it got and there is no two-ways about it being a pivotal factor behind Sunrise’s returning commitment to the UC time-line again after releasing nothing major in it for nearly a decade. Gundam Narrative serving as a sequel to Gundam Unicorn is something I am totally neutral about. 

My greater concern going into the Gundam Narrative film was more that Gundam and films have a pretty rocky history. Honestly most Gundam movies tend to be more on the awful side. If I had to rate all the ones I've seen I would probably only say Gundam Thunderbolt: December Sky and Gundam Thunderbolt: Bandit Flower are fantastic, the original Mobile Suit Gundam film trilogy is an excellent compilation movie series and a good enough replacement for its own television version, the Zeta New Translation films are incredibly disappointing and omit too much, Char’s Counterattack is a hot mess that barely makes a lick of sense, Gundam F91 would have been a fantastic TV show but as a movie it makes me sad, A Wakening of the Trailblazer is okay but also undone by its own weirdness, Endless Waltz is what you would expect out of Wing, the Turn A compilation movies are pointless, and G-Savior sure was … a thing that exist.

Well I am happy to say Gundam Narrative is among the rare films for the franchise that I thoroughly enjoyed from start to finish! A lot of this has to do with the scale being relatively small versus the usual scale in Gundam films that are way too big for their own good. Narrative’s laser focus on chasing after the missing Unit 03, the Golden Phoenix sibling to the two Unicorn and Banshee units we've seen in the previous Gundam Unicorn series allows it to tell a story largely separated from politics and the world at large--and let’s the characters become the main focal point of the film like any good movie should. 

This aspect alone is missing from so many other Gundam films and is partly why so many fail at being a good viewing experience. I’d say the few that do find that focus, mainly the Thunderbolt series of films and the original trilogy of movies made from the 1979 TV series are the best in the franchise’s filmography. A ton of other Gundam films tend to be bloated as well with rather boring middle sections, so the brisk fast pace of this 90 or so minute runtime for Narrative was a welcome relief. There are some awkward cuts to the film sure, but honestly I felt this beat sitting in the theatre for two and a half hours bored at the long winded middle section that goes nowhere like some previous Gundam films are especially guilty of. This was just enough time to tell a story of this scope properly. Of course the characters and scope of the story isn't enough to carry an entire film so the fantastic soundtrack from returning Unicorn composer Hiroyuki Sawano helped to sell a lot of scenes in the film as well.

The biggest factor that made Narrative for me however had to be the film’s focus on the more metaphysical aspects of Newtypes. Despite my disliking of a lot of Char’s Counterattack I still find the more psychedelic (so to say) aspects of it to be fascinating, just as I always have when such spiritual topics have shown up in prior Gundam works by Tomino and the many teams at Sunrise. While far from perfect I always enjoyed this kind of kooky spiritualism to the Gundam universe, a sort of new age 80’s science fiction interpretation of the soul would be the best way I can describe it but there’s no real way for me to do it justice nor to make it not sound ridiculous. Since Tomino has left a lot of Universal Century Gundam series have focused more on everyday soldiers instead and not so much on Newtypes, the future evolution of mankind, and the soul. In fact I always felt Sunrise somewhat shied away from a lot of these aspect to Gundam since then, so when we got to see this aspect return near the very end of Gundam Unicorn it was a nice treat to me personally. Having it permeate almost the entire runtime of Narrative’s story had me over the moon. A lot of people disagree, and more power to them, but I just can’t get enough out of the spiritual aspects seen in Narrative. 

Gundam Narrative being a modern UC time-line production means it of course has references and lore connections to a ton of other classic Gundam series and moments. I really enjoyed most them even if they were just silly fan service moments. I love that we got to see the famous Colony Drop drawn with modern day high budget animation and it wasn't just reused old footage. Getting to see clips of the Psycho Gundam ravage Hong Kong City was a joy on the big screen even if it lasted only about 10 seconds. I loved that we got to hear some of Char’s Dakar speech again in Narrative--this gave us an opportunity to hear Keith Silverstein, the modern English voice of Char since 2010 handle this legendary speech of his from Zeta Gundam. 

Speaking of the English dub my favorite performances were definitely Griffin Puatu’s portrayal of the protagonist Jona Basta that had to carry a lot of the emotional weight of the film and Stefan Martello’s portrayal of the off-the-walls insane Zoltan Akkanen who was just a pure fun villain that ate up every scene he was in. The Narrative Gundam itself being a reworked prototype of Amuro’s Nu Gundam from Char’s Counterattack four years ago was also a fun way to fit another Gundam into this time frame and I love it gave us such a classic looking Gundam in the Unicorn era of the franchise.

I had almost zero expectations for Gundam Narrative, and all I really wanted was the big screen experience for Gundam. As someone that loves the psychedelic spiritual aspect of Tomino’s old works, and someone with zero expectations that a Gundam movie can really be all that good anyways I walked away from that theatre last night loving what I saw. Gundam Narrative has me personally excited for the future of Gundam films, especially if it means we may see more theatrical screenings in North America for said films. This is probably not a film for everyone, and is definitely heavy on both your love of Gundam Unicorn and your love of some of the craziest stuff Tomino would whip out in his heyday of working on the franchise, but if you’re like me I think this one will be a lot of fun, even off the big screen. 

[unnursvanablog]

End-of-the-Year Review: Books (part 2)

(part 1)

(all the reviews can also be found at my Goodreads account)

The Librarian of Auschwitz - Antonio Iturbe: ☆☆☆ Listened to this one. Audiobook don’t always do it for me. I get distracted. Also subject was sometimes heavy and difficult and listening to it became a bit hard at times. A very moving story.

The Cheap Seats: Selected Nonfiction - Neil Gaiman: ☆☆☆ I didn't read it page by page, but Gaiman himself said I didn't need to, so it’s fine. I read about the issues and topic I was interested in. Many good quotes and thoughts from Gaiman here. The man has such a way with words.

Pachinko - Min Jin Lee: ☆☆☆☆ A book I keep thinking about long after I have read it.  I listened to it as I was traveling around Italy and sometimes that I had to hide the tears that flowed down my face in public. Incredibly rich family story. Very interesting history that I don’t read a lot about. It took you on a journey. You get to know a lot of characters throughout their lives. Some of those characters were great, some were very interest from a man and some were annoying, but that never stopped the book from being an awesome read. It just added to the story. One of my favorites this year.

Harry Potter and the Goblet of Fire - J.K. Rowling: ☆☆☆☆ It’s always good to visit the Potter world again. Listening to it via audio book is also a fun new experience.

The Vegetarian - Han Kang: ☆☆☆ really interesting, but somewhat of a strange story. I felt I like both enjoyed it, but at the same time it wasn’t my cup of tea. This was certainly not the story I was expecting, even if I wasn’t totally sure what I was expecting.

The Gentleman's Guide to Vice and Virtue - Mackenzi Lee: ☆☆☆☆ A really fun story. The characters and the journey they go through really made the story for me, much less the mystery that they were trying to solve halfway through the book. That could have been developed better in my opinion.

To All the Boys I've Loved Before, P.S. I Still Love You - Jenny Han: ☆☆☆☆, ☆☆☆ what a fluff. Sometimes it becomes such a teen drama, but it never really stopped being cute and fun despite all that was going on. Loved the relationships between the sisters, and Lara Jean and Peter are a pretty couple. It was such an easy summer read.

Paper Girls, Vol. 3, 4 - Brian K. Vaughan: ☆☆☆☆, ☆☆☆ This story is growing on me with each new volume I read.  Sometimes I feel like all these time jumps and all the different plot lines are just all over the place and it makes the story very confusing and chaotic, and not in a good way.

Uprooted - Naomi Novik: ☆☆☆☆ Folk and fairytale vibes all over this book, which I was really enjoying. The story always managed to surprise me. I really enjoyed the characters and the storyline, but I wasn’t so into how it ended.

Sense and Sensibility - Jane Austen: ☆☆☆ although I love the films that are made by Jane Austen's books, I have not read most of them. I listened to this one and I had a little trouble with it, but that has more to do with me and my relationship with audiobooks, and less with the story. I liked the story. Beneath the Sugar Sky - Seanan McGuire: ☆☆☆ Pretty cute and fun fantasy book. I didn't think she left much behind after it was over, I am not very attached to this world that McGuire has created, but I do have fun reading it for the most part.

A Natural History of Dragons - Marie Brennan: ☆☆☆☆ There were chapters in this book that I absolutely loved and didn't get enough of. This is like a period drama with dragons, that reads like a memoir, and I love it. I find it a very fresh take. I love this world. I loved traveling around and learning more about it. I loved the characters The mystery that took over the last part of the book didn't do much for me though. I didn't find it interesting. It kinda slowed me down while reading it.

Leah on the Offbeat - Becky Albertalli: ☆☆☆ sometimes it was a bit too much teen drama-like for me to thoroughly enjoy it. Not as good as the first, but very fun reading nonetheless. The romance was low-key, but very sweet. And it was such an easy read. The pages just flew by.

And Then There Were None - Agatha Christie: ☆☆☆ Again, I had a hard time focusing on this one, because it was an audiobook and sometimes they work for me and sometimes they really don’t. I also knew a little bit about the mystery, which stifled the excitement about the who-did-it aspect a little.

China Rich Girlfriend - Kevin Kwan: ​​☆☆☆ This feels like you are reading some tv drama and it is a lot of fun. The plot and the characters are sometimes so far from reality (or my reality) but I think it just makes it more fun. It is shallow and fluffy at times. The story is just as basic as some of these characters, but it's fun and easy to read.

The Ocean at the End of the Lane - Neil Gaiman: ☆☆☆☆ Reading a book by Neil Gaiman is often a very special experience, because there is no one like Gaiman. They always manage to surprise me in some way. I found this book a very fun and totally different experience than I was expected when I started reading it and overall just a fun, quick read.

Kingdom of Ash - Sarah J. Maas: ☆☆☆☆ Quite a satisfying end to this series, which started so well, but then had a kinda rocky middle. Maas managed to combine romance and action better than in the previous two books. I didn't feel like the romance was just there to kill time while Maas figured out what was going to happen next. It was a little bit of a slow start, but as it went on each scene, every chapter seemed to matter and add something to the story, and then everything came together in the end. And I cried, which is what I want to happen after you have sat through a long series. It has been a long and a hard journey with these characters, but I have enjoyed most of it.

Nornasveimur - Emil Hjörvar Petersen: ☆☆☆ Icelandic crime noir is an interesting mix. Again, I find this world very cool and interesting and we are constantly learning more about it and the characters, which is what draws me back to these books. Icelandic legends and folklore is put to good use. The crime-part of the story was not that exciting to me and I was somehow expecting a stronger ending to this last book in a trilogy.

Good Omens - by Terry Pratchett & Neil Gaiman: ☆☆☆ Two fantasy master at work here. Gaiman's work usually comes as a surprise to me in one way or another, but I always get a little bit more than I expected from him, which I always like. Have not read much about Pratchett, which is a shame - and therefore cannot speak much of his voice in this book – and I should really get on that. I expected to love this book a little more than I did, but I still liked it very much.