#the fight scenes and their coordination... no......

[reality-detective]

Kamala Harris’s Campaign Implodes in $20 Million Debt: Begging for Donations After Her Crushing Loss, Exposed Links to Hollywood, Dark Money, and Dirty Political Sabotage!

Kamala Harris’s campaign isn’t just in debt—it’s a smoking wreckage of corruption, deceit, and manipulative power plays that expose the Democrats’ true agenda. Her humiliating defeat to Donald Trump wasn’t just about a flawed candidate; it was about America rejecting the dark forces trying to hijack democracy.

A week after her crushing loss, Harris’s campaign is groveling for donations, but this isn’t about covering debt—it’s about funding underground operations that reek of political sabotage, media collusion, and elite control.

The Harris Fight Fund: A Smoke Screen for Political Subversion

Emails from Harris’s team show their frantic attempts to rally funds under the so-called “Harris Fight Fund”. It’s not about recounts; it’s about deploying legal warfare to destabilize Trump’s victory and undermine democracy itself. The language used is a psychological weapon designed to manipulate her base into funding a losing cause.

Dark Money, Celebrity Puppets, and the Globalist Agenda

Where did Harris’s billion-dollar campaign fund go? The truth is shocking. Behind concerts and celebrity endorsements, lies a web of financial chaos. Oprah Winfrey received $1 million for a single endorsement. Why? To legitimize Harris in the eyes of the global elite, solidifying her as their puppet.

The $20 million spent on swing-state concerts wasn’t just a spectacle—it was a propaganda machine funded by dark money from Silicon Valley and Hollywood elites. This wasn’t about rallying votes; it was a distraction to cover up Harris’s incompetence and the sinister plans brewing behind the scenes.

The Real Purpose Behind the Debt

The $20 million debt is no accident—it’s a strategic calculation. By ending the campaign in debt, Harris’s team creates a pretext to siphon more money from donors. This money is being funneled into black budget initiatives aimed at destabilizing not just Trump’s administration but the entire American electoral system.

The Pennsylvania Power Grab

Bob Casey’s refusal to concede his Senate seat is part of a broader strategy to keep swing states under Democratic control. Whispers suggest that Casey’s fight is being bankrolled by foreign interests seeking to dismantle national sovereignty.

Trump’s Calculated Counterpunch

In a masterstroke of political strategy, Trump has offered to pay off Harris’s debt using his surplus funds. This move not only exposes Democratic incompetence but underscores the contrast between his success and their failure.

The Bigger Agenda

Harris’s campaign wasn’t just about losing an election—it was a testing ground for a much darker agenda. The spending, the manipulation, the covert operations—it’s all part of a coordinated effort to erode trust in the electoral process and prepare for even more insidious moves in the future.

Harris may have lost, but the fight for America’s soul is far from over.

Stay vigilant. 🤔

[batfambrainrotbeloved]

More DSB headcanons (because I wanna)

- Cardinal is either surprisingly docile or incredibly violent with criminals/rogues/villains. No in between

- Tim will just mail random shit to people he doesn't like (rats to Ra's, roaches to Lex, a card that tells the Joker to "fuck off and die in an alley")

- He has run into Lady Shiva at some point and has surprised her with the fact that he knows some of her moves (idk if you know but he trained with Lady Shiva for a little bit in canon)

- His accent switches on occasion to something totally random

- He gets weirdly calm during rogue attacks, and it freaks the Batfam out because "how the fuck can this bratty rich kid do this so well???"

- Not specifically DSB but he plays Project Sekai because it helps with hand eye coordination

-🎭☕

(no this is definitely not because I saw the post that you had 11 asks and I wanna change that)

OHH Love these- and thank you for filling my ask box, always appreciated <333 ____________________

True! Though Cardinal doesn't actually deal with rouges as often (the bats are always quick to cover that front and they try not to cross work paths unless nessicary, aka why the riddler fight was so far "from the usual") They are the silent hand behind the scene, and the ocassional "ghost of christmas future" like with Arthur.

The most "docile" Cardinal is, is towards Catwoman where they will pop in on her mid robbery, just stare for a sec- and then dip. And the most agressive probably with Black Mask/Joker (which yall will see eventually :) ______________________

Not something I considered before, and id say Tim has definently fucked with old foes for the hell of it- BUT he does specifically avoid anything close to the leauge, The last thing he wants is to be on Ra's radar on top of all the other bs he deals with.

But mailing bananna cream pies with small explosives to a joker hideout?? Yes. ________________________

YES- I actually touched on this a little bit (the training not the meeting) but I do think they've run into eachother. But that Shiva, unlike most of the other villains/antagonistic characters- seeing behind the mask? She was interested- but left it alone

MUCH to Tims utter relief. __________________________

Yes. Elaboration not needed, though I will say he rarely slips up when hes "in the zone" but relaxed?? You best believe he's suddenly french ________________________________

Actually? Kind of normal for Gotham- I find it wild that growing up in a city with like a 40000% higher than natioal adv crime rate, that you ARENT in some way numb to it all.

Its less common in the elite because well, they have money to stay away from it all. But its not TOO out there- its just that "Huh guess Timothy is one of us more than we thought??- wild" _____________________________

Tim is like me in the sense of "cant-play-games-alone" or else painfully aware of every milisecond ticking by that you arent being "productive" (exception being minecraft)

But game night @ Obis?? You best believe that Alan is a GOD at beat saber, and show him Project Sekai??? Hes going to make it a personal challenge ____________________________

[theophagie-remade]

Yesterday I was dragged to the cinema to watch a movie that apparently has won a lot of Oscars this year, but really outside of things like the acting, the visuals or whatever they're called and all I can't say I felt one positive emotion towards it

[crustyfloor]

I noticed this a while back and It's even worse when I think of these scenes, and their pacing and read it as Ivan glancing at Till in that moment and being reminded of those days back in their childhood when Till would have a bad day Ivan could easily go over and try to 'cheer him up'

And then he comes to remember where they are, and that they aren’t those kids anymore

ugly sobs

[valtsv]

i guess i HAVE to finish that VALshrue fic now. both of them in fact.

[templeofvengeance]

Are you and Jake best friends?

"I would not describe it that way. We are, at its core, god and avatar. Our agreement is mutually beneficial-- It'd be more accurate to call us business partners." In the business of vigilantism-- he chuckles a little at the thought, mostly because Jake would probably hate it.

[syncogon]

all tacticians are black-hearted exhibit d

(more s3 ep7 commentary below cut)

another small gag that never gets old is the "zhang-dui!" "it's fudui."

🥺

why'd they black out his silhouette 😭 big "stop telling people i'm dead" vibes

anyway wahhhhhhh zjllllllll im so emo

the noise i emitted is inaudible to human ears

ha ha very funny

this is a zhang jiale post now sorry not sorry

god these cuts are so good aughhhh

okay yeah they really went all out for this ep (ep 31 / s3 ep 7 i think?). wahhhhh. sometimes i think i'm past my "excessive tka feels era" but nope

[jay-marti]

I COMPLETELY FORGOT ABOUT YOOMTAH GOSH DANG IT! The thing with Yoomtah is we haven't seen any canon feats and she's sorta like Monkey D Dragon: Supposedly super powerful but we haven't seen anything yet. Granted we haven't seen the full extent of Zora's powers either.

That’s definitely true and she borders on featless wonder but that electrical crackle always gets me hyped for later to see some mechagundam nonsense that levels multiple city blocks

Please Jello make the fights cool or so help me I will have to do it myself

[disappearinginq]

Magnum PI season finale: 10/10, would kiss writers if given the opportunity.  

[wanghedi]

Wang hedi HAS to do more action stuff because he cannooooot waste that athleticism in little romance dramas where they just sit around i need him on wires i need him with weapons and fight choreography i need him to be beat up and bloody he has such a natural talent for fight scenes i need them to utilize this

[northgazaupdates]

10 February 2024

After 12 days with no updates, the PRCS announced the deaths of 6 y/o Hind Rajab and the ambulance team who volunteered to go save her. Despite the PRCS working with the IOF to coordinate safe passage for the ambulance, the ambulance was found destroyed by IOF bombs, with both volunteer crew members Yusuf Zeino and Ahmed Al-Madhoun murdered inside. Hind was murdered inside the car, where she had been trapped for hours with the bodies of her family members.

Hind’s 15 y/o cousin Layan Hamadeh had called PRCS emergency services after the car in which she and her family, including her younger cousin Hind, came under heavy gunfire by the IOF. Layan was shot to death while on the phone with PRCS emergency dispatchers, a fact which is documented via recordings of the phone call. Hind then took the phone and begged the dispatchers to send help to take her away, as the IOF was still showering the car with bullets. Ambulance crew members Yusuf Zeino and Ahmed Al-Madhoun volunteered to go rescue Hind. Dispatchers soon last contact with the child. They then lost contact with Yusef and Ahmed when the ambulance arrived near the location of the vehicle by Fares petrol station in Tal Al-Hawa.

This point cannot be emphasized enough: the PRCS worked with the IOF, getting their agreement not to attack the ambulance as it arrived at the scene. The IOF agreed, and then knowingly bombed the ambulance anyway, while also knowingly killing 6 y/o Hind inside her family’s car. They knew there was a 6 y/o child inside that car, and kept firing until they murdered her. They knew the entire time what they were doing, and lied about cooperating with emergency services in order to maximize the number of lives they could take.

The depravity and impunity of the occupation is truly boundless. Hind’s final hours were spent in absolute terror, and Yusuf and Ahmed’s courage and selflessness were rewarded with their murders. The PRCS did everything right. They coordinated with the IOF and sought their permission for the ambulance to pass, something which was already required under international law. The IOF abused this attempt at cooperation by lying about their compliance, then deliberately murdering Hind, Yusuf, and Ahmed, in addition to Layan and her entire family.

We write this update in tears, having hoped and prayed for a different outcome like everyone else. This round of aggression by the IOF has already seen unimaginable cruelty, suffering, and impunity. The complete, deliberate, and flagrant violation of international law and human decency is a stain on the conscience of the Global North and every president, staffer, soldier, and bureaucrat who made this happen. May the recorded voices of Layan and Hind, begging for rescue before dying alone, haunt them for the rest of their days.

Remember Hind, Layan, Yusuf, and Ahmed. Do not let despair consume you. Fight for them, for a permanent ceasefire, for accountability, and for whatever justice can be achieved, even if it seems small and pointless. Tell the world what the occupation has done, share the recordings and the updates from people on the ground. No matter how bleak things are, it is always worthwhile to tell the truth and fight for what’s right.

Keep Hind’s mother, grandfather, and surviving relatives, and the families of Yusuf and Ahmed in your hearts.

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Recordings: Layan, Hind

Our prior post

[mattmurdeaux]

One of my favorite things: When Charlie just wows people on set with his stunt work prowess whenever he decides to be Daredevil in real life:

"Charlie is an unbelievable physical athlete. We were shooting the scene, and he was like, "Ah this is what I'm gonna do. I'm gonna do a handstand, and I'm going to do press ups on a handstand." He just got up and he just did it, it was like, "What? Wow!" - Marc Jobst, DD S3 director

"Charlie did about 80 percent of the sequence himself...to be able to stay in the moment and emote and be able to actually go through this action sequence with no breaks for 11 and a half, do the highly emotional scene in the middle of it, and then keep going into another action sequence...he's the MVP, without a doubt." - Alex Garcia Lopez, DD S3 director

"At the end of the scene, I was supposed to exit. So I asked them if they could throw a cushion out the window and then, without telling anyone, casually went out that way during one of the takes rather than the door."

"You wouldn't believe how much Charlie actually does. Half the time you see DD flipping, everyone thinks it's me, but it's actually Charlie! He learned how to do a palm spin in a matter of minutes. He also threw a front flip ax kick inside a bus! The guy is amazing." - Chris Brewster, Charlie's stunt double

"When he jumps off the roof in the episode, he did that by himself and shocked everyone. He was like, 'Can I have a little pad?' Then suddenly, he flipped off the roof, and we were all like, 'Did Charlie just do that by himself?' - Kat Coiro, director

"Same thing with Charlie. I mean, he comes in and he wants to do everything. He's a legend, and he's able to come in and learn the fight in a day." - Marc Scizak, stunt coordinator

[luna-azzurra]

Tips for Fight scenes #2

When characters are in a fight, their adrenaline levels skyrocket, which can affect their perception of pain and time.

If a character gets punched in the stomach, they might momentarily lose their breath, making it difficult for them to retaliate immediately.

Sweaty palms can make it harder to maintain a grip on weapons or objects during a fight, adding an element of unpredictability.

Injuries such as cuts or bruises can throb with pain long after the initial impact, distracting characters and potentially affecting their performance in the fight.

Characters might experience tunnel vision during intense combat, focusing solely on their immediate surroundings and losing awareness of peripheral threats.

Loud noises, such as gunshots or explosions, can temporarily deafen characters or leave their ears ringing, impairing their ability to communicate or hear approaching danger.

Characters might experience a surge of aggression or fear-induced paralysis when faced with a life-threatening situation, impacting their decision-making and fighting effectiveness.

Painful injuries can trigger involuntary reactions, such as flinching or crying out, which can inadvertently give away a character's position or intentions to their opponent.

Adrenaline-fueled fights can leave characters feeling exhausted and shaky afterward, making it difficult for them to think clearly or coordinate their movements.

In the heat of battle, characters might not notice injuries or pain until after the fight is over, when the adrenaline wears off and their body's natural defenses kick in.

[artbyblastweave]

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.

[gardenofnoah]

“wait, are you really scared?”

you groan into the pillow you have your face smushed into. you know you’ll have indents on your cheeks from how hard you’re holding it, but it’s either that or gorey jump scares.

“yes, touya, i’m fucking scared.”

you hear his chuckle from the other side of the couch and fight the urge to smack him with the pillow. if only it wasn’t the one thing protecting you right now.

“aw,” he coos, dripping in condescension, “poor baby. c’mere—i’ll save you.”

your snort is muffled by the fabric, but you scoot across the couch toward his voice anyway. in a rather impressive display of coordination, you manage to drag yourself up to settle on his chest—all without losing your blinder.

“there ya go,” touya murmurs, plucking the pillow from your hands. you squawk, reaching to grab it back before the next scene.

“why are you like this? give me it—“

you’re cut off by sudden darkness. you blink, and as your eyes adjust, you see much more of your boyfriend’s skin than you had just a second ago.

“touya.”

“yeah, babe.”

“i am in your shirt.”

you feel the laugh rumble under your palms. “yeah, you are.”

“why am i in your shirt?”

“would you rather watch the movie?”

“….good point.”

you don’t have to see his face to know the grin is there when he pats your head through the fabric. you rest your cheek against his sternum, settling in to his warmth. you can concede that it is much better than the pillow, especially when his fingers drag up and down your back, surprisingly soft for the dog that’s all bite. it nearly puts you to sleep until you feel him startle underneath you. against your ear, his heart kicks, fast and sudden.

“…..are you scared?”

he pokes you square in the forehead through the fabric. “of course not. shut up.”

you bite the inside of your cheek to stifle the grin, even if he can’t see it. even the roughest dogs are afraid of something.

[autumnmobile12]

Ambush Simulation: Final War

“I swear if we die before laying a scratch on him, I’m going to rise from the dead again.”

...

Finally the full view of Touya's hammer, elaborated in this post here. He doesn't use it in The Summer Camp Ambush Simulation fic nor have I actually written anything where it is in use, so I don't actually know when, or if, the hammer will even make an appearance.

All I know is they both look ready to smack a bitch.

Also, super thrilled with how the fire turned out in this one. Tried a new a technique and definitely looks better than my earlier attempt in the original comic Ambush Simulation.

In further evidence that I never fully left the Castlevania fandom, this one is inspired by one of my absolute favorite fighting dynamics/animations of all time:  The coordination and cooperation of Slogra and Gaibon. They’re one of the first boss villains you face in the Symphony of the Night video game and I was hella stoked with the Netflix depiction of their iconic fighting style.  There's a lot of animation studios that do badass fight scenes, but nobody does fight scenes like Powerhouse Animation.