#the fight scenes and their coordination... no......

[starry-crossing-zone]

Crash and Fall - Rex

Summary: Rex won't give up hope that his Jedi lover is alive after the Jedi Purge. Length: 3.7k Warnings: Mentions of Jedi Purge; Angst; Longing; Clone Rebellion; Special Guest Stars; Mentions of Pregnancy

Rex stood beside the Y Wing as Ahsoka took a moment with his fallen brothers. He typed away at the datapad, attempting to send a long-range message. Across the galaxy, his brothers were murdering the Jedi against their will. And he was frantically trying to get in contact with one specific Jedi so that she did not become the next victim.

It might have been too late already to warn her, but Rex needed to try. He refused to accept defeat.

When the comm failed to go through again, Rex couldn’t help the burst of emotion. Driving his fist onto the top of the Y Wing and tossing the datapad away angrily, he slumped into a crouch. Steadying himself with one hand and resting the other against his face, he didn’t fight the tears.

Ahsoka slowly walked over to him and gave him a moment to gather himself, giving him the space to grieve. Although they had never had a frank conversation about it, Ahsoka understood enough to know why Rex’s inability to get a message out caused him to collapse. Rex slowly lowered his hand from his face and started to stand up again.

“No luck,” Rex replied quietly.

“Where was she stationed last?” Ahsoka asked softly.

“More than halfway across the galaxy,” Rex stated, closing his eyes with despair.

They were too far away to help her. It would take them days to reach her. And he wasn’t even sure if that was her actual last location. Plans changed in a moment in the GAR. It was a start, but it was also more than likely swarmed with his brothers, who would try to murder them the moment that they arrived on the scene.

“There’s still hope, Rex,” Ahsoka replied quietly. “There’s still a chance.”

Rex nodded slowly, not trusting his words, before he turned to the Y Wing again. He climbed into the pilot’s seat and input coordinates to a safe location before starting the take off procedure. And trying to block the images of his beloved with blaster holes in her chest from his mind.

*~*~*~*

Washa was not a heavily populated planet. It was far from the major space lanes and had remained neutral during the war because there was nothing on the planet worth fighting over. It was mostly farmers and traders. No one of importance. Just like the Jedi were of no importance anymore. It was no wonder she fit in so well.

“Two please,” she told the vender, holding out the credits.

“Price just went up actually,” he remarked, turning his two noses up at her. “You need five more.”

She withdrew her hand and looked at the credits. Letting out a sigh, she stowed some of the credits back in her pocket and turned back to the greedy vender.

“Just one then.”

Taking her purchase, she stowed it in her bag and kept walking. She bought rations and some water before making the walk back to the small hut that she now called home. It would have to do, for her true home was gone. Destroyed. Forever. Sitting down, she crossed her legs and tried to meditate.

It had been a month since her own men turned against her. Men that she fought beside for years, thought she knew, men that she was prepared to die with. They raised their blasters at her and tried to kill her. And they had nearly succeeded too.

The scars on her back burned at the painful memory and she forced herself to take a breath. Pushing past the pain that lingered, she tried to connect with the Force again. Resting her hands with her palms upwards, she took a deep breath.

“I am one with the Force and the Force is with me.”

After she managed to escape the assault and effectively faked her own death, she had all but severed her connection to the Force. To reach out and feel the gaping, open wound quickly overwhelmed her and she had withdrawn into herself to survive.

“I am one with the Force and the Force is—”

She tensed as the nightmares that plagued her while she slept crept into the daylight. Ones that involved a clone in blue-painted armor raising his blasters at her. She shook her head, trying to banish the images, swearing to herself that Rex would never hurt her. She trusted him with her life. She cared for him well beyond the considerations of her culture.

But she trusted Sinker too. And Boost. And Comet. And they had all fired on her just the same.

And when it became too much, as it had countless times before, she broke down, holding her head in her hands as she struggled to hold onto her sanity.

*~*~*~*

“But we managed to save the padawan,” Hunter stated, causing Rex to pick his head up.

“Have you run into any Jedi since?” he asked, sounding more alert.

“No, none.”

Rex nodded slowly, trying to mask his disappointment. He spun his glass around on the bar top, letting his thoughts drift for a moment, before he focused back on the present. Echo, however, noticed the change in his brother.

“You’re looking for her?” Echo asked Rex knowingly. Rex turned to Echo and nodded slowly.  “Tech can look in the Imperial database for you.”

“Already checked. Read the report. She’s . . .”

Rex trailed off, being very careful with his words. He knew what the report said. He’d practically memorized it at this point. But he also knew that these reports weren’t always accurate. He was dead, according to the Empire, so there was still a chance. And a chance was all that he needed. Hope was all that he needed. And it was all he had too.

“There’s a chance . . . and I need to know for myself.”

“I came back from the dead. So could she.” Nodding slowly to show his support for Rex, Echo promised him, “We’ll keep an eye out for her.”

“Thank you, Echo.”

*~*~*~*

When she felt that she had overstayed her welcome back on Washa, she found her way off planet. The number of planets that she would consider both safe and habitable was extremely low, but she managed to find her way to a small moon in the Outer Rim. It was warm, almost jungle-like and full of life. And she hoped that it would help her reconnect with the Force.

Weeks passed and she fell into a routine. There were a few remote villages scattered around the jungle and she made a few tentative acquaintances, but she was always quick to return to her alcove. She had managed to build a small home up in the trees and was starting to settle in.

And that was when the Force decided to pull the rug out from under her all over again.

Dropping her hands from her abdomen, she stared down at them as tears filled her eyes. Memories of her last few nights with Rex came to mind. They assumed that it was impossible or at least highly unlikely. They were safe in the beginning but as the war drew on and their ever-fragile mortality weighed on both of them, they forwent it.

 And the spark in the Force that she sensed was the unmistakable result of that carelessness.

She fell forward and curled up on herself, that same fear that ate away at her for months now crawled up her spine yet again. Every labored breath she took pushed that numbing pain closer to her heart and mind, igniting flames where the now healed blaster bolt wounds had laid. She picked her head up, refusing to succumb again, but also terrified and alone, she reached out into the Force.

“Master,” she begged softly, “what am I going to do?”

*~*~*

Rex set his ship down on the dirt of a remote backwater planet that Senator Organa assured him would be a safe meeting location. Walking down the gangplank, Rex took off his helmet when he spotted Bail descending from his own ship. The two men greeted each other politely.

“What is this planet anyways?” Rex asked as he turned to follow the senator into his ship.

“It used to be inhabited two centuries ago. But then a civil war broke out and eventually destroyed all of the resources on the planet, forcing the survivors off world,” Bail explained, glancing out at the dustball. “And it’s not strategically located, so the galaxy has left it alone.”

Rex stared out at the landscape again, frowning as he thought about the galaxy’s current situation before heading inside the transport. They discussed intel and exchanged information. Rex delivered a copy of some Imperial intel that Nemec had managed to gather and Bail offered him what little he had heard about the remaining clones.

“You haven’t heard anything about any Jedi, have you, Senator?” Rex asked quietly.

“Not the one you seek information on, no,” Bail replied, causing Rex to look down. “I’m sorry, Captain.”

“All the more reason to keep fighting,” Rex reasoned, earning a nod of support from Bail. Grabbing his new intel, Rex added, “I won’t take up any more of your time. And I should be getting back to my men with this new intel.”

“Of course.” 

“May the Force be with you, Senator.”

“And May the Force be with you too, Rex.”

*~*~*

“I told you that the hyperdrive was acting funny!” Echo huffed with frustration.

The Bad Batch struggled to their feet after crash landing on a remote jungle moon in the Outer Rim. Hunter was first back to his feet and quick to check Omega over for any injuries or scratches from their crash landing. Tech straightened up from his seat and slowly moved to stand.  

“It appears that there was a slight misalignment,” Tech stated, adjusting his goggles.

“Slight?” Hunter emphasized sarcastically. He looked out at the dense jungle through the viewport and sighed. “Let’s get the door open.”

With a bit of an extra push from Wrecker, the door of the Marauder opened and the Bad Batch spilled out into the jungle. Hunter kept Omega close, aware of the high number of life forms crawling around. The Batch tried to pull the Marauder out from the dense foliage that it crashed into, but it was of no use. Not even Wrecker’s full strength was enough to pull it out. And not with light fading.

“What are we going to do?” Omega asked, glancing between her brothers. “It’s starting to get dark.”

“And I’m starving!” Wrecker sighed, sitting on the root of a large tree.

It was eventually decided, after some deliberation with Tech, to scout the nearby area for sources of food and water, as their rations were already low. Hunter led the way into the jungle with the team forming a single-file line behind him. Entering a clearing, Hunter scanned the area when Wrecker stepped around him.

“Hey, look!” Wrecker yelled, pointing over at some vines berries growing on them. “I bet that we can eat those berries!”

“I would disagree with eating whatever you find on the ground out here,” Tech stated, shaking his head as Wrecker ran over to investigate. “And there is a high probability that those berries could be poisonous to us.”

“Then let’s figure out what they—” 

Wrecker yelled out when he was suddenly strung up by his ankle by a thick rope. It was looped over a branch of the tree side Wrecker and connected to a pulley system.

“Wrecker!” Omega yelled out as Hunter ran forward to help his brother.

He scaled the tree and jumped, slicing through the rope with his vibro blade. Wrecked landed roughly, but he was unharmed. As the Bad Batch gathered around Wrecker to assess the situation, the sound of a rifle clicking caused Hunter to spin around, putting himself in front of Omega protectively.

“Someone’s out there,” Hunter warned, pulling out his blaster. “And they’re armed.”

“The person who set the trap, more than likely,” Tech stated, scanning the jungle around them. “Though this system is not listed as civilized.”

“Where are they?” Echo asked, looking around the jungle. “Up in the trees? On the ground?”

Hunter paused for a moment, waiting to hear the individual again. But then he suddenly turned and held his blaster up, pointing at the shadows. A hooded figure stood just out of the light, with a rifle in hand that was aimed straight at the Bad Batch.

“Easy,” Hunter stated, trying to reason with the individual. “We’re not here to hurt anyone.”

“Yeah, I’ve heard that before,” a feminine voice replied, a bit gruffly. Echo paused for a moment, frowning at the familiarity of the voice. “If you know what’s good for you, you’ll turn around, head back to your ship, get the kark off of this moon, and never come back.”

“We cannot complete that sequence of events. Our ship is damaged and stuck in the jungle growth. We are unable to get it out on our own,” Tech spoke up, causing the rifle to briefly train on him. “If you could point us to the nearest spaceport—”

“—There are none.”

“Then perhaps you have a device that we can use to remove our ship from the growth,” Tech continued, seemingly unfazed by the rifle. “Seeing as that is in line with your own objectives, it should be reasonable for you to provide us with assistance if you are able.”

“No.”

“Then perhaps—”

“—Are you always this talkative with someone holding you at blaster point?” the woman interjected, growing steadily more annoyed.

“Just him,” Wrecker stated, nudging Tech.

“General?” Echo called, causing the woman to hesitate. “Is that you?” The rifle lowered a bit more and Echo stepped forward, removing his helmet. “It’s me. Echo.”

“Who is it?” Omega questioned Echo curiously.

“A Jedi?” Hunter asked, causing the rifle to quickly lock on him.

“The Jedi are all dead,” the woman spat, though the edge of grief was easy to detect to Echo’s ear. “The Empire made sure of that.”

“We helped a Jedi escape,” Wrecker spoke up, causing the woman to train her rifle on him.

“A padawan. Caleb. He was General Billaba’s padawan,” Hunter recalled, causing the woman’s finger to shake as it rested against the trigger. “We received Order 66, but we never carried it out.”

“And they removed their chips,” Omega chirped, causing the woman to pause.

“What chips?” she demanded, causing Echo and Hunter to share a look.

“All clones were designed with inhibitor chips built into our brains. They were primarily designed to make us more obedient, especially to several predesigned codes to carry out specific orders that we would otherwise hesitate to complete,” Tech explained rapidly. “Every clone who heard the command, save for us really, immediately lost control of their minds and bodies to carry out the order.”

“Order 66,” she breathed out, remembering what Comet had been muttering to himself.

She looked down, starting to piece together the timeline of what happened that dark day. Echo shared a look with the other Bad Batchers before turning back to her.

“We all removed our chips. And we have the scars to prove it. And if you need, Tech can show you the report explaining what the chips are.” After a moment, he added, “It was written by Rex. Before the order came through.”

At the mention of Rex, she lowered the rifle completely. And after a moment’s hesitation, she stepped out into the light. Staring down at them with a measure of distrust still in her eyes, she sat the butt of her rifle down against the branch.

“Show me.”

After reading through the report for the third time, she tossed the datapad down to Tech again. Jumping down from the branch, she landed gracefully and straightened up. There was still an edge of distrust to her stance, but she looked more like the general that Echo remembered that a frightened hermit. And he considered that to be a success.

But when he glanced at the pack on her back, he paused. Because it was moving.

“Why are you here? What brought you here?” she asked, glancing between the Bad Batch.

“His faulty calculations,” Hunter explained, earning a sharp look from Tech in return.

“It was a minor misalignment.”

“You said that your ship is damaged?” she inquired, causing Echo to shake his head.

“We don’t think so. It’s just stuck in the vines.”

“Well, you won’t have any luck getting it out in the dark, even with my help,” she replied seriously. “There’s a lot more that lurks out here that you don’t want to run into in the dark.” After a moment of thought, she added, “Follow me.”

She turned around and for the first time, the Bad Batch could see what was in her pack. Or rather who was in her pack. A little swaddled baby was strapped to her back. Staring at the Batch, the baby cooed and giggled at their incredulous expressions.

“Is that . . .?” Hunter trailed off, sharing an incredulous look with Tech.

“A baby?” Omega completed softly.

The former Jedi turned around and slowly slipped her arm out of her pack until her son was strapped to her chest instead of her back. Resting her hands on the sides of his carrier, she slowly turned to look at the flabbergasted expressions of the clones in front of her.

And Echo couldn’t help but notice the blond hair atop the baby’s head.

“What’s his name?” Omega asked, taking a few steps forward.

“Atin.”

“Tenacious,” Tech translated quickly, adjusting his goggle. “In Mando’a, that is.”

“Yes,” she agreed, gently running her hand over her son’s head.

“Did he know?” Echo inquired quietly, causing her to shake her head.

“I didn’t even know. How would he?”

With a bitter smile, she turned and called for them to follow her again. Echo moved to walk beside her and Hunter held the others back a step, trying to give them some semblance of privacy. Echo glanced down at the baby content in the carrier before turning to the baby’s mother.

“He’s alive,” Echo stated softly, causing her to turn to him. “He’s alive. And he’s free.” After a moment, Echo added quietly, “And he’s looking for you.”

She nodded slowly, careful to step over a root, before carrying on her way. Echo walked beside her, giving her a moment to process the news. Reaching the base of a large tree, she turned to Echo with a tentative look in her eyes.

“Where is he?”

“It changes by the rotation,” Echo replied honestly. “He’s running around the galaxy. Freeing brothers. Stoking rebellions. Gathering intel.”

“I don’t think he knows how to relax,” she commented with an edge of humor before she glanced down at the child strapped to her chest. And then the smile slowly faded. “Do you think that you can convince him to come here? Alone?”

“I won’t take ‘no’ for an answer from him,” Echo promised her, causing her to smile softly again. “Rex didn’t give up on me. And it’s my turn to return the favor whether he likes it or not.”

“It’s like you two are brothers or something,” she joked, walking over to a hanging vine. Tugging on it until a ladder rolled down to the jungle floor. “Neither of you know how to give up.”

“It’s not in our blood,” Echo stated, glancing down at her baby. “Nor his.”

“Why do you think I named him ‘Atin’?” she asked rhetorically before moving to climb.

*~*~*~*

Rex wasn’t sure what Echo was thinking when he came out of hyperspace and spotted the jungle moon ahead. But he trusted Echo, so he flew towards the coordinates that Echo provided him. Slowly setting down the Y Wing on the jungle floor, Rex hopped out and started his short walk. Coming up on the meeting location, Rex looked around curiously when he heard a branch break behind him.

Grabbing his blaster, Rex whirled around, ready to defend himself. But when he saw her standing there, he dropped his blaster out of shock.

“Cyare?” he called softly, like he couldn’t believe that it was her.

“Rex,” she returned, smiling nervously.

Rex walked forward slowly. His blaster laid forgotten on the jungle floor. With his eyes never leaving her figure, he moved like a man possessed. She remained still, forcing her body to stay where it was, even as her mind screamed to move, to flee. Her nightmares started to creep up again but when Rex gently cupped her cheek, she returned to the present.

“What?” she asked quietly, staring up at him with tears in her eyes. “What is it?”

“You’re as beautiful as the day I lost you,” he replied, causing her lips to wobble.

They quickly held onto each other, in disbelief that they were able to have the honor again. Rex cupped the back of her head to keep her close and let his tears slip free. She buried her face in his neck, ignoring the uncomfortable way that the plastoid dug into her. She didn’t care. Rex was here. Her Rex was here. Despite everything, he was finally here. They were finally back together.

Rex only loosened his grip when he heard a gentle cry echo through the jungle. Looking up, trying to pinpoint the source of the noise, he turned back to her as she grabbed his hand. Gently leading him up the path and to the home that she built for them, she stepped inside. Rex, his heart thudding hard in his chest, waited a moment before walking in behind her.

And when she turned around with a baby in her arms, he fell to his knees.

She smiled, drying her own tears, before moving to join him on the floor. Sitting cross-legged in front of him, she held out their son to Rex for the first time. After hesitating for a moment, he gently moved to cradle his son—his son—against his chest.

“I believe you now,” she quipped, wiping his tears away.

“Believe me about what?” he croaked out, turning back to her with a loving expression.

“You are a natural blond.”

[k3nz1ekorn]

Jayvik actor au

A short fic about if Jayce and Viktor were actors Joel and Vladamir in another univers. Author's note: credits are at the bottom of the post. I'll be writing more for this au as it comes to me ig.

“Let us do this once again…as partners!”

The silence fills the room as ‘Viktor’ grins down at ‘Jayce', his heart beats once, then twice, and he bursts into a fit of laughter, forehead falling onto his counterpart’s. Joel lets out a deep sigh from below him, and Viktor pulls back to give him a wide grin before turning his head to face the rest of the room. He raises a hand in apology, looking a little sheepish in his fits of laughter “Pfft- Sorry! Sorry everyone! Are we sure this is meant to be a fight scene?” As his laughter subsides he untangles his legs from where they are around Joel and leans himself back onto the table, careful to avoid jostling the green morph suit he’s donned in. The back of his hand coming up to try to stifle his laughter. It’s through barely open eyes that he sees Joel push himself up as well, giving a light stretch to his back after the uncomfortable position he was just held in. He shuffles around to face Vlad from the floor, looking up at him with a face he unfortunately knows all too well at this point.

“CUT!” The director yells, letting out an exasperated sigh. They break their shared look to give the man their full attention as he walks onto the set, “Alright let’s take a break and meet back in ten!” Turning to them he gives a pointed look, “Vlad, please be ready to actually finish the scene this time, hmm?” A bell rings and the room buzzes to life, people putting down equipment, conversations starting up, and Vlad finally looking back towards Joel, who looks wholly unamused by the situation. The director turns to walk away, intentionally ignoring the words that follow.

“I’m literally wrapped around him, like we all see that right?” Vlad says, hand gesturing lazily over to his…coworker. Yeah. Let's go with that. He shifts to accept a bottle of water from a staff member, mumbling a quick thank you before bringing his good leg up onto the table he sat on and resting an arm over his knee. His eyes fall back to Joel as he takes a drink of water. The other man is still sitting on the floor, now lazily leaning back onto his arms.

“V, if you keep this up they’re gonna get us an intimacy coordinator. And I don’t think I need to tell you that we do not need an intimacy coordinator.” He let a hand come up to rub his eyes in frustration at the thought. They’d been dating since the end of the first season, in private might he add, and the idea of having to tell anyone about their status because of this just felt like a hassle. “I get you’re giddy at the idea of more…touchy feely scenes, but you need to get it together here yeah?” He lifted his hand to look back at his partner, exasperation clear on his face. Truth be told he didn’t hate having to reshoot this scene, but the growing frustration of the rest of the cast and crew was not lost on him. Especially with this being the third or fourth try today alone. It was getting ridiculous to say the least.

“I know Joel I’m sorry, it’s just different! We were touchy in the first season, sure, but this is a lot different! The producer keeps telling us it’s platonic, brotherly and shit,” Vlad actively let a look of disgust come over his face as a light shiver went down his spine. “but I can’t act platonically with these scenes they're giving us.” He accentuates with a wave of his hand, spilling from his still open bottle before recaps it and sets it down beside him. “Plus I’m not ‘Giddy’ as you say,” he quotes the word with some playfulness, “I just think the relationship isn’t going to come off how they think, is all. It feels like I should lean into the romance, y'know?”

 Joel nods in understanding at that, while in the first season it was more up in the air for how they were meant play their characters, it definitely felt like a line had been crossed with the new scripting, all the love and banter of the first season with a new aura of…something more. Something that he personally would describe as romantic. He says his next words with a hint of a smile. “Then lean into it. If they don’t like it they’ll make us reshoot it and we’ll know that’s not the vision they want, end of story. If they don’t?” he shrugs and raises an eyebrow. He knows his partner understands what he’s getting at, he’s being extremely obvious after all. “No harm in just eh…testing a theory?” The last line gets him a light chuckle and grin from Vlad, who looks back at him with fondness and amusement. Vlad says his next words with a light shake of his head.

“I suppose you’re right, and isn’t that what got us cast in the first place? Playing the characters how we interpreted them?” He takes another sip from his water and gives his legs a quick stretch. Their break is almost over after all, it’ll be time to get back to it. “Besides, they don’t have to know that’s how I’m playing it, right? Those that get it will get it and those that don’t…are hopefully the executive producer.” He starts to slide off the table, the thin fabric doing little to keep the cold of the floor from reaching his feet. Joel moves to stand and takes the bottle from Vlad, quickly getting it off the set before the director calls them back. 

``````````````````````````````````````````````````````````````````````````````````````````````````

Filming had wrapped up for the day, thankfully for both of them, and they were now on their way back home for the night. Or to Vlad’s home specifically. Joel’s driver had put up the privacy curtain not long after the trip had started, it was routine. About as routine as taking the turns he had grown accustomed to over the last…however long it had been, 10 months? A year? They’d only been together a year and a half but this had become regular quite a while before that, during the second half of their filming for season one actually. They hadn’t seen a reason for Joel to keep renting a place out here for filming when Vlad had an apartment so close to set. They could commute together to and from work, make sure the other ate proper meals off set, and even run lines. At least that’s what Vlad had said when he suggested it back then, in fact it’s still the excuse they use when people question them on why they take the same car to and from nearly all the same places every day. That it’s just more convenient. Most don’t believe that, but they don’t mind the speculation. The car ride is comfortable after the long day they’d had, especially once Vlad had gotten it together in the ‘fight’ scene they had. 

Joel was leant up against the door, head in his hand as he watched Vlad talk from his seat in the car. And oh boy was he talking. The corner of his mouth curled slightly as he listened intently, watching the others hands fly about as he went on.

“I can’t believe none of them picked up on the tone change. None! My mood, my facial expression, the way I was wrapped around you and still nothing!” Vlad had indeed decided to lean into the romantic tone they’d talked about previously for the scene, and as predicted it went off without a hitch. The rest of their scenes together that day had been only a few takes, including mess ups from other cast and crew. Joel easily caught one of his waving hands to gingerly bring it to his lips before placing it between them. Vlad instinctively closed his hand around the others, giving a gentle squeeze unknowingly. Joel gave his partner a blank stare.

“I hardly think nobody could tell. Did you see Viola? She was practically in the end frame on that last take, probably would have been if Cathrin wasn’t holding her back. She’s been waiting for us to start giving into the romantic angle more.” He paused to give a chuckle as the other man’s head turned to watch him speak, “And I do mean waiting, you remember during season one? The ‘crank it’ scene? Or when we were filming the opening scene for the season? We had to redo it three times because you could hear her outbursts in the background every time I so much as looked at you!” He let a smile creep up his face as he remembered. When they had initially gotten together they had of course told a few of their on screen friends, knowing it would be hard to keep something like this from them. Naturally a few of them had pushed for the men to let their off screen romance bleed into the way they portrayed their characters. 

“Yes yes yes, but the director? The producers? The ones who kept telling me to tone it down, dial it back? Them? No idea!” Vlad said in excitement. It was also true that in previous scenes they’d made it a bit too obvious that their intentions were to make the relationship romantic and a few of the wrong people had caught on. But how else were they meant to interpret it? ‘It was affection that held us together’? Really? Joel let out a small chuckle at the memory before turning his attention back to his counterpart. 

“I suppose so V, though I don’t think it’s too hard to fool them. Especially given how they literally wrote the damn thing with zero idea of how romantic it actually was.” he gazed at the other man from his seat opposite to him. Vlad, noticing the silence, also turned to look back. He gave a wide smile, eyes crinkling as he squeezed their hands tighter. The driver was close to his complex now. Joel blinked as another thought crossed his mind, “Although I must say, for a fight scene it was very…suggestive. I can’t say we haven’t been in positions quite similar to that.” a slightly darker tone overtaking him as he leaned in a bit. Vlad easily caught onto what the other was suggesting, and he moved his head closer to whisper back.

 “I must say I don’t know what you mean by that.” He smirked, eyes darting down to the others lips before moving back up to his eyes, his head tilting ever so slightly, “Though I wouldn’t be against a…reminder? Or two perhaps, hmm?” Joel moved his unoccupied hand to take his partner’s jaw in his fingers, bringing them together for a firm kiss. Their lips slotted together in a practiced ease, a light sigh leaving Vlad as Joel’s tongue flicked against his lower lip. The car stopped. The finger under Vlad’s jaw didn’t move as they broke apart, and a knowing, wanton look was shared between them as Joel leaned back and undid his seatbelt, Vlad breaking their contact to do the same.

“I’d be delighted to give a refresher.” They exited the car.

Inspo for this was from art by boopfq on tiktok and MessRedds on Twitter. I haven't written fanfiction (or anything) in like 5 years so if this seems meh don't worry about it. This is self indulgent bc these two are ruining my entire life and I need an outlet. I literally made a playlist it's getting so bad

[theophagie-remade]

Yesterday I was dragged to the cinema to watch a movie that apparently has won a lot of Oscars this year, but really outside of things like the acting, the visuals or whatever they're called and all I can't say I felt one positive emotion towards it

[crustyfloor]

I noticed this a while back and It's even worse when I think of these scenes, and their pacing and read it as Ivan glancing at Till in that moment and being reminded of those days back in their childhood when Till would have a bad day Ivan could easily go over and try to 'cheer him up'

And then he comes to remember where they are, and that they aren’t those kids anymore

ugly sobs

[valtsv]

i guess i HAVE to finish that VALshrue fic now. both of them in fact.

[templeofvengeance]

Are you and Jake best friends?

"I would not describe it that way. We are, at its core, god and avatar. Our agreement is mutually beneficial-- It'd be more accurate to call us business partners." In the business of vigilantism-- he chuckles a little at the thought, mostly because Jake would probably hate it.

[syncogon]

all tacticians are black-hearted exhibit d

(more s3 ep7 commentary below cut)

another small gag that never gets old is the "zhang-dui!" "it's fudui."

🥺

why'd they black out his silhouette 😭 big "stop telling people i'm dead" vibes

anyway wahhhhhhh zjllllllll im so emo

the noise i emitted is inaudible to human ears

ha ha very funny

this is a zhang jiale post now sorry not sorry

god these cuts are so good aughhhh

okay yeah they really went all out for this ep (ep 31 / s3 ep 7 i think?). wahhhhh. sometimes i think i'm past my "excessive tka feels era" but nope

[jay-marti]

I COMPLETELY FORGOT ABOUT YOOMTAH GOSH DANG IT! The thing with Yoomtah is we haven't seen any canon feats and she's sorta like Monkey D Dragon: Supposedly super powerful but we haven't seen anything yet. Granted we haven't seen the full extent of Zora's powers either.

That’s definitely true and she borders on featless wonder but that electrical crackle always gets me hyped for later to see some mechagundam nonsense that levels multiple city blocks

Please Jello make the fights cool or so help me I will have to do it myself

[disappearinginq]

Magnum PI season finale: 10/10, would kiss writers if given the opportunity.  

[warningsine]

Charlize Theron fighting in front of Tarkovsky's "Stalker."

The level of iconique David Leitch has achieved.

[wanghedi]

Wang hedi HAS to do more action stuff because he cannooooot waste that athleticism in little romance dramas where they just sit around i need him on wires i need him with weapons and fight choreography i need him to be beat up and bloody he has such a natural talent for fight scenes i need them to utilize this

[northgazaupdates]

10 February 2024

After 12 days with no updates, the PRCS announced the deaths of 6 y/o Hind Rajab and the ambulance team who volunteered to go save her. Despite the PRCS working with the IOF to coordinate safe passage for the ambulance, the ambulance was found destroyed by IOF bombs, with both volunteer crew members Yusuf Zeino and Ahmed Al-Madhoun murdered inside. Hind was murdered inside the car, where she had been trapped for hours with the bodies of her family members.

Hind’s 15 y/o cousin Layan Hamadeh had called PRCS emergency services after the car in which she and her family, including her younger cousin Hind, came under heavy gunfire by the IOF. Layan was shot to death while on the phone with PRCS emergency dispatchers, a fact which is documented via recordings of the phone call. Hind then took the phone and begged the dispatchers to send help to take her away, as the IOF was still showering the car with bullets. Ambulance crew members Yusuf Zeino and Ahmed Al-Madhoun volunteered to go rescue Hind. Dispatchers soon last contact with the child. They then lost contact with Yusef and Ahmed when the ambulance arrived near the location of the vehicle by Fares petrol station in Tal Al-Hawa.

This point cannot be emphasized enough: the PRCS worked with the IOF, getting their agreement not to attack the ambulance as it arrived at the scene. The IOF agreed, and then knowingly bombed the ambulance anyway, while also knowingly killing 6 y/o Hind inside her family’s car. They knew there was a 6 y/o child inside that car, and kept firing until they murdered her. They knew the entire time what they were doing, and lied about cooperating with emergency services in order to maximize the number of lives they could take.

The depravity and impunity of the occupation is truly boundless. Hind’s final hours were spent in absolute terror, and Yusuf and Ahmed’s courage and selflessness were rewarded with their murders. The PRCS did everything right. They coordinated with the IOF and sought their permission for the ambulance to pass, something which was already required under international law. The IOF abused this attempt at cooperation by lying about their compliance, then deliberately murdering Hind, Yusuf, and Ahmed, in addition to Layan and her entire family.

We write this update in tears, having hoped and prayed for a different outcome like everyone else. This round of aggression by the IOF has already seen unimaginable cruelty, suffering, and impunity. The complete, deliberate, and flagrant violation of international law and human decency is a stain on the conscience of the Global North and every president, staffer, soldier, and bureaucrat who made this happen. May the recorded voices of Layan and Hind, begging for rescue before dying alone, haunt them for the rest of their days.

Remember Hind, Layan, Yusuf, and Ahmed. Do not let despair consume you. Fight for them, for a permanent ceasefire, for accountability, and for whatever justice can be achieved, even if it seems small and pointless. Tell the world what the occupation has done, share the recordings and the updates from people on the ground. No matter how bleak things are, it is always worthwhile to tell the truth and fight for what’s right.

Keep Hind’s mother, grandfather, and surviving relatives, and the families of Yusuf and Ahmed in your hearts.

Source

Source

Source

Source

Source

Recordings: Layan, Hind

Our prior post

[lifeinked]

Why I Love Caitlyn, and Why You Hate Her

⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.

There’s no denying the gravity of Caitlyn’s actions as they are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background. 

Like many others, I initially overlooked the point of the gassing in Zaun, which I think is a crucial thing everyone must first understand before diving into the discourse over Caitlyn's character. 

The Grey, often misunderstood as being used indiscriminately, was strategically deployed against the Chem-Barons to limit collateral damage. Caitlyn chose precision over chaos, targeting those directly responsible for Zaun’s turmoil. Furthermore, Caitlyn didn’t kill the Chem-Barons; she captured them, with net-deploying bullets. While her methods are controversial, they reflect a calculated approach; mischaracterizing her raid as a reckless attack ignores these details.

This isn’t to deny or excuse the fact that Caitlyn did, indeed, gas Zaun. Who’s to say that gas didn’t seep into the streets where innocent Zaunites roamed, harming them in the process? It’s entirely possible that innocents were affected and devastated. However, my brief explanation is only added to gain better perspective over the objectives of the gassing itself.

Now moving on, despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.

In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”

When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.

Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals.

Here's another scene in S1E8 that emphasizes this:

Cassandra: You're a Councilor's daughter. Your actions reflect on the entire body. Caitlyn: My actions? You know what else reflects on the Council? Its citizens living on the streets. Being poisoned. Having to chose between a kingpin who wants to exploit them and a government who doesn't give a shit!

In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her own mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.

You say that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.

When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.

We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1—and God knows what was done to her during that period. In the tea party scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn���s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.

While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.

Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.

Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”

Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.

Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness. 

It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: “Why is peace always the justification for violence?”

Here's another scene that subtly depicts her realization and remorse:

Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.

When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.

Caitlyn is now forever haunted by the outcome of her mistakes, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her own wrongdoings. 

Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.

And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.

That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.

[mattmurdeaux]

One of my favorite things: When Charlie just wows people on set with his stunt work prowess whenever he decides to be Daredevil in real life:

"Charlie is an unbelievable physical athlete. We were shooting the scene, and he was like, "Ah this is what I'm gonna do. I'm gonna do a handstand, and I'm going to do press ups on a handstand." He just got up and he just did it, it was like, "What? Wow!" - Marc Jobst, DD S3 director

"Charlie did about 80 percent of the sequence himself...to be able to stay in the moment and emote and be able to actually go through this action sequence with no breaks for 11 and a half, do the highly emotional scene in the middle of it, and then keep going into another action sequence...he's the MVP, without a doubt." - Alex Garcia Lopez, DD S3 director

"At the end of the scene, I was supposed to exit. So I asked them if they could throw a cushion out the window and then, without telling anyone, casually went out that way during one of the takes rather than the door."

"You wouldn't believe how much Charlie actually does. Half the time you see DD flipping, everyone thinks it's me, but it's actually Charlie! He learned how to do a palm spin in a matter of minutes. He also threw a front flip ax kick inside a bus! The guy is amazing." - Chris Brewster, Charlie's stunt double

"When he jumps off the roof in the episode, he did that by himself and shocked everyone. He was like, 'Can I have a little pad?' Then suddenly, he flipped off the roof, and we were all like, 'Did Charlie just do that by himself?' - Kat Coiro, director

"Same thing with Charlie. I mean, he comes in and he wants to do everything. He's a legend, and he's able to come in and learn the fight in a day." - Marc Scizak, stunt coordinator

[luna-azzurra]

Tips for Fight scenes #2

When characters are in a fight, their adrenaline levels skyrocket, which can affect their perception of pain and time.

If a character gets punched in the stomach, they might momentarily lose their breath, making it difficult for them to retaliate immediately.

Sweaty palms can make it harder to maintain a grip on weapons or objects during a fight, adding an element of unpredictability.

Injuries such as cuts or bruises can throb with pain long after the initial impact, distracting characters and potentially affecting their performance in the fight.

Characters might experience tunnel vision during intense combat, focusing solely on their immediate surroundings and losing awareness of peripheral threats.

Loud noises, such as gunshots or explosions, can temporarily deafen characters or leave their ears ringing, impairing their ability to communicate or hear approaching danger.

Characters might experience a surge of aggression or fear-induced paralysis when faced with a life-threatening situation, impacting their decision-making and fighting effectiveness.

Painful injuries can trigger involuntary reactions, such as flinching or crying out, which can inadvertently give away a character's position or intentions to their opponent.

Adrenaline-fueled fights can leave characters feeling exhausted and shaky afterward, making it difficult for them to think clearly or coordinate their movements.

In the heat of battle, characters might not notice injuries or pain until after the fight is over, when the adrenaline wears off and their body's natural defenses kick in.

[artbyblastweave]

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.