#the fetishists who uh. own slaves.

[gorepill]

still love that Rizmur and Zebruh's ship name is fucking RizBruh. That sucks. I love it.

[millennialdemon]

Have you ever seen two teens any more over their heads than these two teens abandoning their families and friends to marry each other and elope to the fucking Norse-mythology flavored BRONZE AGE and adapt to life in constant warfare without electricity or health care.

Well. This is the finale of The Master of Ragnarok & Blesser of Einherjar... Sigyn thanos snaps Yuuto back to this own world and then he quickly decides he needs to go back to his helpless harem because it was bad timing, and he brings his girlfriend turned wife with him so it’s uhh... it’s the uh. The Good End. 

It’s folly to criticize a story for the elements it doesn’t have, but I like the idea of a fantasy story pivoting into a more mundane story (like Alice & Zoroku) where we see someone cope with living a normal life after having lived such a dangerous and fantastical one -- but I don’t think Ragnarok could have ever remotely succeeded in that way because it didn’t go from a dangerous and fantastical life to a mundane one, it went from a ridiculous and offensive magical harem, and I don’t think that could have been reconciled. It’s kind of like regardless of where the story went, it would be bad, because it’s a terrible concept with terrible execution throughout...

So never mind the inevitably boring ending possibilities, because nothing that could have happened would have made up for: 

First and foremost, rampant p-dophilia throughout. Yikes. 

Being yet another rancid entry into the tragically growing list of recent isekai titles that have, specifically!, underage slaves in the harem  

The obviously fetishistic and vile inc*st elements

The designs... character designs, clothing designs... bad. 

Just being an ecchi, period. The inherent misogyny of that really does render a series unsalvageable for anyone with brain cells!

All of the women/girls in the series, despite almost all of them being warriors, were either wildly under-used (Sigyn) or inexplicably useless (everyone else, save for Siegrune but even then she was pathetically obsessed with Yuuto)

That episode where the archaeologist lady proposed that Yuuto is Fenrir and he’s living in Norse Mythology World and made comparisons from Norse Myths to the characters for a good 5 minutes straight

ONE (1) CAMEL defeating an entire army because the smell of ONE CAMEL made the hundreds, maybe thousands, of horses turn tail and run

And probably many more things I’m not remembering off the top of my head. So the final verdict is that - despite Scarfior and Sigyn who deserve to be in better anime - this series is badly written, badly animated, badly designed, and just plainly disgusting. It’s barely deserving of the 2/10, just for being a smidge less awful than Death March to the Parallel World Rhapsody.

[kob131]

https://www.youtube.com/watch?v=yQhsvkEfg3w

*Busts through the wall*

Hello Muffin Man Dan. It's been some time since you’ve entered into my sights huh?

So you wanna try and fight now? Fine then, let’s see if you can even begin to challenge me then.

“This video is a huge video project I’ve been working on with multiple RWBYtubers helping out.”

So that means, by how you treat the CRWBY, you’re not allowed a single mistake or misstep.

Good to know Dan.

Chapter 1: Flaws of RWBY

So Dan, with a target this fucking huge and easy to hit, surely you can do have a percentage of at least 10% valid arguments nd not just throw a bunch of shit at the wall and pretend you did something great when one out of a hundred pieces sticks to the wall right?

… NOPE!

Dan doesn’t even make ONE valid argument. The man had a bullseye the size of Texas and somehow managed to miss it while also shooting himself in the head.

His first arguments consists of him saying ‘Well, you were supporting a small company and a fledgling show before so being positive about them then was okay!’ … You know, ignoring how RT was being supported by the creators of HALO, had made the internet sensation Red Vs. Blue for ten years to this point, Monty had made Haloid and Dead Fanatsy among other things ect. Everyone EXCEPT the writers (you know, the people you attack the most) had experience before this so by your own argument you’re wrong. Not to mention the fact that not only didn’t stop assholes from attacking the first  two Volumes but the first two Volumes are STILL what you need to get through in order to get to the latter more professional Volumes so it STILL affects the show long after Rt has grown.

This all ignoring the NUMEROUS fans who started the show after Monty died and had no nostalgia or bias for the man to sustain them unlike you and they all almost UNANIMOUSLY agree the later Volumes are better. And before you try to argue that I’m using the fallacy of ‘Argument Ad Populum”: A. ‘Good’ is inherently subjective so the audience defines what is good and what isn’t. And B. You USE the audience in your argument later so you can’t exactly claim that with my argument without also destroying a latter argument of your own.’

He also tries to peddle off FloofArtist as someone whose trust worthy. For those of you who don’t know, FloofArtist’s beef with the creataors started when he asked Miles for info on Dust and Aura over TWitter and never got an answer...even though he went to an RTX beforehand and asked the CRWBY a question to their faces. The question? ‘How did Qrow get Pyrrha’s armor?’

So he basically pulled that nerd scene from the Simpsons. And then decides to get pissy when he doesn’t get answer on a social media site when the guy is doing something else. I ask, does that sound like someone who is intellectually honest? Or does that sound like someone who tries to put people into dishonest situations and would logically lie his ass off? Yeah Dan is basically saying ‘Oh you don’t know why this politician is bad, go watch CNN/Fox News!’

He then tries to say that ‘ever since V3, the fandom has generally agreed the fight scenes were missing something’ so, you know, he’s using the fanbase here to prove his point even though the same fandom contradicts him everywhere else and he’s gonna smack talk said fandom later on. Also the fanbase generally agrees the fight scenes got back on track in Volume 6 so uh, your point fails.

I could go into his talk about chorography but all he does is talk about interpolating, the neo vs. yang fight, some cuts and just generally does nothing wrong arguing.

And that’s it. This whole segment was supposed to be all about the flaws of the show and he made TWO points. Two points that were deader on arrival than Michael Jackson. Congrats Dan, you completely glossed over so many other issues that naming them all and explaining myself would take me longer than this video in a chapter named ‘Flaws with RWBY’ in a video supposedly a third talking about RWBY the show. Couldn’t even do the bare minimum huh Dan? Fucking pathetic.

Chapter 2: Unprofessionalism

Oh boy, am I gonna have fun here...

So he begins this off by showing a tweet from Lindsay that you can barely read where he claims she’s smack talking people who don’t like the ‘forced diversity’ in RWBY, saying that they’re the people giving them money. You know, ignoring the fact that not all of these people contribute to the show by buying merch, the show is FREE so no, just watching it doesn’t mean you support the show financially, they’re actively trying to strangle money from the creators by lying about them and using them for their political bullshit, you’re USING the fanbase to make this point (the same one you are smack talking and dare gonna smack talk) and this is Lindsay’s PERSONAL Twitter.

Oh an, not like Dan will go on HIS twitter to bitch about every single person who criticizes him, acting far worse than anything he shows here or will show, actively attacks his own critics individually and as a group and shows FAR FAR worse cases of what he’s bitching about.

He then goes onto say that the creators all live in an echo chamber and they lash out before returning to safety. So you know, basically everyone single one of the RWBY critic’s Twitters. No seriously, go onto any video made by a RWBY critic and treat them with 1/1000th of thee contempt and harshness they treat the CRWBY. You’ll end up on Twitter with a snap. So once again, Dan can’t even BEGIN to live up to his standards.

He then plays the Miles clip where he lashes out against critics of the show which seems bad..until you remember that Dan alone has accused them of abusing Monty, using their dead friend as a weapon against them, repeatedly lied about them, riled up his fans into attacking Miles and so much more. And again, this is JUST Dan. And THEN remember that when Dan gets called a single name, he goes on twitter to whine about it, calls everyone else names and then makes videos mocking them so he STILL has no right to say this shit.

He then tries to claim that everyone tells them the same shit which means he’s once again using the fanbase he smack talks for his point even as it contradicts him as damn near everyone loved Volume 6 and many have even said it’s the best Volume of RWBY.

He then tries to deflect criticism against him because he KNOWS he’s setting himself up for a roasting by saying ‘well. I’m criticizing rich people with attitudes so it’s okay!’ … which doesn’t work when you realize that I have about $7 to my name and he gets YouTube money every month and yet I’m still not allowed to criticize him. Even ignoring how fallacious this argument as it somehow means he’s above criticism even as he’s FAR worse in the EXACT same ways: not only does this apply to his OWN critics (you know, the gusy he treats worse than RT has ever done) but Dan is being EVEN MORE divisive than how he sees RT being.

He also tries to make some talk about how them being popular means they deserve to be criticized because betterment of society and our culture and celelbrities and blah blah blah. So basically, “I can ignore your humanity because you’re popular and you don’t act as my slave.” Once again, I only have under 200 followers and at my peak on my old blog I barely had around 500 whereas Dan has 10k subscribers and the people on reddit who criticize him probably have even LESS than me and yet he acts EVEN WORSE so...why should anyone listen to you?

He also tries to leech off the Vic situation by criticizing them for firing Vic. Let’s ignore how this is pandering to the anti-SJW people mobbing around this and look at it like this: Vic is the voice of Broly and Edward Elrich. Meaning he’s far more famous than Rooster Teeth. Sso by Dan’s own logic, they’re ALLOWED to do this stuff since Vic is more famous and more of a celebrity than the entire company. Great job Dan. Also he tries using the fanbase again. We already went over why he lost that right. Oh and uh if you look at Dan’s Twitter feed: ‘https://twitter.com/Obiwanjezz/status/1106810239418945537‘ ‘https://twitter.com/maidmeta/status/1081040501745188864‘ Oh look at what Dan retweeted. Hm, seems pretty damn contradictory to what Dan seems to be projecting. Almost like he’s just pandering to people with an irrational hate of RT to get an echo chamber around him...

Then he goes on and on about a bunch of barely connect bullshit about lesbian fetishists supporting the show just because ‘lesbians’ (even though so many praise Volume 6 without mention Bumbleby) and how even the most venerated RWBYtubers are sick of the show (only citing the lair Floof from before), R/RWBY agreeing with him (with him citing a post that utterly denies him because ‘durr I upvoted it’ even though you can CHANGE YOUR VOTE.) You know, bunch of bullshit that isn’t worth talking about.)

The he tries smack talking the entire RWBY reddit for slander and such (when the worst he’s gotten is accusations of datamining which he’s shown to be talking about) while hes accused the CRWBY of basically grave robbing and disgracing their dead friends work. Again, look in the damn mirror Dan.

Then he makes this big compliation of people in the reddit being sensitive...

Which I can blow out of the water in ONE blow:

Dan has made and removed from his channel no less than THREE videos on me alone.

A comment takes about a  minute to type. A video takes HOURS. So uh...yeah, pretty sure Danny boy here takes the cake.

So then Dan proceeds to say that the fandom is responsible for the ending of Volume 6 (so the fandom is responsible for one of the most conclusive endings to a Volume we’ve ever gotten? Maybe this fandom is worth saving after all!) because they’re all horny and need to fuck. (gee, strawman much?) Even though he’s thrown massive shits for not getting the same treatment.

Chapter 4 (guess I missed the chapter 3 mark. Meh): Representation.

I’m just gonna summarize this entire last part for you guys:

Strawman about entire fanbase liking Volume 6 = gay pandering (ignoring people like Unicorn of War again...)

Talks about homophobes

Leech off Vic

RT is desperate.

Gives doctored screenshots of tweets cutting out any context.

Contradictions (criticizes people for using memes are arguments while using memes as arguments).

And that’s it.

To which I respond by:

You’re the same guy whose going back against everything he’s said on his twitter about politics PRECISELY when it benefits you while you contradict yourself numerous times, your video devolves into pointless rambling and you destroy your own arguments.

Sounds like you’re the desperate one here.

Gee I wonder why? is it because the fanbase liked the Volume even without Bumbleby and you figured out you couldn’t rely on them to support your egotism anymore? Certainly explains your contradictory political stances and how you suddenly start talking about Vic and Adam just as the topics can net you an echo chamber to hide in and protect your ego.

And really, that goes to show why you fail on a fundamental level Dan. You have no convictions, no standards, no morals, no integrity to give substance to your words. Everything you’ve said here either contradicts what you say before or after/applies to you on a much greater scale. And really, your community is no better. You are all willing to throw away what you supposedly fight for and what you stand for when it becomes inconvenient for you, preaching values of self reflection, humility and improvement through criticism...all while failing to embody those values or give any meaning to them beyond lip service. 

Nothing about you feels real or genuine Dan. NONE of you assholes feel real or genuine in what you say or do because you’ve been proven to contradict yourself and betray your values when you need something. And thus, everything you and your friends do and say just becomes ‘Do as I say because I think I’m always right.’ 

And guess what Dan? People, especially the artistically attuned, don’t resonate or accept that. The people who actually care about RWBY, who want to see an artistic vision flourish and grow, sense your insincerity and ego and instinctively reject you because you accept your words would be to accept your toxicity into themselves. And look now. The CRWBY have earned back the fandom’s love and trust while your toxicity consumes you and all but your ilk abandon you to pastuers greater than you.

And it makes sense why you seem to hate RWBY on a fundamental level now because the show challenges people to grow and evolve, to become better people, to live up to their ideals, to prove themselves right. And before, RWBY never put those messages to the test. But now that it has, you reject it because it indirectly calls you out and your ego can’t take it. You can give lip service to quality, to artistic integrity and to Monty all you want now but it’s become certain what you actually mean.

It’s pretty damn pathetic to see you break down little by little over these past few months as you desperately try to bend the world to your vision only to get smacked in the face. And to be truthful, I‘m kind of proud of the fact that I played a pretty big part in your degradation as you crumbled more and more from the pressure I and eventually reality pushed on you. All while I continued to grow and evolve. Wanna know why?

Because I stuck to my ideals and morals.

I think it’s time I finished this little battle or ours for the most part. You’re no longer worth fighting. Just like RWDE for the most part has lost all it’s strength now.

So with this I say adieu. Come join the adults when you’re ready to grow up Dan.

[vee-angel]

Upcoming Story Introductions

I just wanted to write a brief introduction to give a quick look at some of up-and-coming stories and story series I have in the works.

--The Pervert Pentet--

This is going to be a series of stories exploring the lives of five women who each embrace and exemplify a certain extreme fetish lifestyle. There is:

Potty-Mouth Piper- Skinny girl with Swedish ancestry and a punk-rock aesthetic. Piper is the epitome of a filth-fetishist. On top of living up to her name in the sense that she often insists that her mouth be used as a toilet, she speaks and acts in the most obscene ways possible. As an example, she has a tattoo on the side of her head (which is shaved into a green mohawk) which reads “Ass to Mouth 4Ever.” However, rather than the normal interpretation that anything that’s been up her ass must immediately go into her mouth, she insists that anything that goes into her mouth must have first been up her (or someone else’s) ass. Piper identifies as a lesbian, but is more-or-less free-use for any gender, due to her love of obscenity and bodily fluids. The early part of her story takes place in high school where she meets the love of her life; a timid filth-fetishist names Mackenzie; she becomes obsessed with Piper, who slowly helps Mackenzie open up to her fantasies. Mackenzie helps Piper feel as though she has someone who actually accepts her.

Sharking Sherry- Soft, feminine body with very pretty breasts, slightly large for her frame. Half-Japanese/Half Caucasian. Exposure/exhibitionism fetishist. Sherry grew up in a very Americanized family, but from a young age, she felt drawn to her Japanese ancestry. Her parents had no objections to her engaging in her Japanese culture (after all, things like Pokemon and anime were becoming increasingly commonplace). Due to their ignorance regarding how “adult” anime and manga could be, Sherry was exposed to themes of female humiliation/embarrassment as a form of comic relief at a young age and eventually started watching hentai in her early teens. As she became more adult, she became interested in a Japanese activity called sharking; the trend and fetish of exposing a woman in public against her will where it would be filmed and posted online. After high-school, she takes a year off to visit Japan where, much to her delight, she becomes the victim of a sharking video, but to her disappointment, only her panties are exposed. The experience re-ignites her interest and she later tries to make arrangements with someone online to participate in another sharking video in which she would get to shark another girl, but leaving her completely naked in public. However, due to a miscommunication resulting from her incomplete comprehension of the Japanese language, the people she meets with believe she wants to be the victim. With her having been so adamant about wanting to make the video, she ends up stripped completely naked and is forced to walk back to her hotel without her clothes. She finds the experience humiliating, but at the same time incredibly exhilarating. She decides that whatever else she does with her life, one thing she absolutely wants to do is to have her body and her sexuality exposed, and to expose the bodies and sexuality of other girls. In fact, this is how she ends up meeting Piper, who she ends up sharking, much to Piper’s amusement.

Non-consent Nancy- Nancy grew up as a shy, bisexual, African-American girl. She was bullied through much of her youth, but rather than resenting the bullies, she tried to befriend them in hopes that they would stop. She always tried to think of things they’d like, or ways she could be nice to them. Over time, she developed the coping mechanism of empathizing more with abusers and rapists and bullies than with their victims. In her mind, she often finds herself adamantly defending them and thinking that their victims should be punished. While in public, she maintains a persona of a typical college feminist/black lives matter/lgbt activist, she privately fetishizes victimization, often using her role as a rape-crisis counselor to arrange the re-victimization of women who confess their trauma to her, and to help and defend known rapists. She has an athletic build, due to exercising and women’s self-defense classes, but secretly, she uses her athleticism to abuse and rape other girls. She eventually develops a close friendship (in which she becomes something of a subordinate side-kick) with the artist Teira Volks.

Torture-lover Teira- German-born artist Teira Volks, average build, early 30’s, aryan features, straight blonde hair, perpetually serious expression. As a youth, Teira was close to her grandfather, who was a Nazi officer during WW2. She became fascinated with the idea of torture and suffering. Due to her connection to heinous war crimes, the idea of pain and despair felt very real to her. Not just like some abstract that people read in a history book. As she grew up, she became a controversial performance artist, often causing herself so much pain and harm that it became difficult for her to even find venues that would allow her to showcase such extreme self-abuse. In the past, she had sometimes employed assistants who would allow themselves to be abused, but she usually found them to be insufficiently masochistic, or unwilling to endure her forceful and pushy style of management. She eventually comes across Nancy, who she allows to participate in a performance with her. She finds that no matter how much Nancy hates what is being done to her, or how much she’s hurt or abused or humiliated; Nancy keeps coming back and never says a harsh word toward Teira. In time Teira takes on Nancy as a sort of full-time assistant, often treating Nancy as a slave; forcing her to participate in performances against her will. They meet Piper and Sherry at a performance near their college. The theme of the performance is “mirror,” in which anyone is allowed to do whatever they like to Teira, on the condition that they will allow it to be done to themselves. After Piper imposes her kinks on Teira, and subsequently submitting to having those same kinks imposed on herself, they become friends. With Piper, Teira, Nancy, and Sherry occasionally getting together and forming a tight-knit group.

Bimbo Bailee- Tall and pretty, in a trashy way. Bailee has huge fake tits and dresses in an incredibly exhibitionistic way. Her origins are a bit unclear as she seems too ditsy to remember ever not being a bimbo. Sherry, Piper, Nancy, and Teira meet her at a plastic surgeon's office. Piper makes an obscene comment upon noticing her (“Holy shit, look at the size of the fuck-bags on that little cock-socket!”), while Sherry discretely takes some upskirt pictures of her to post online later. After talking with her, they discover she seems to be profoundly stupid and impossibly gullible. As an example, after someone comments on her tramp stamp that reads “Butt Slut” she consistently says “Nuh uh, it’s a butterfly. That’s what the tattoo guy told me.” At times seeming to become flustered due to the fact that everyone keeps commenting that her tramp stamp (which she still insists is a butterfly) clearly reads “Butt Slut.” She seems to be so gullible that nearly any embarrassing trick or prank will work on her, regardless of how little thought is put into it. She’s consistently vain and often critical of the appearances of other women, generally contextualizing everything they do in the context of how attractive it makes them to men. She sometimes makes comments indicating that she doesn’t believe lesbians are sincere, and are only with each other as a way of getting attention from men. Despite her ditsyness and frequent critical comments about the other girls appearances, Piper, Sherry, Nancy, and Teira decide to invite her into their friend group due to how entertaining she is.

Each of these five characters will be getting their own story to start, and after they all meet up, there will sometimes be stories that involve all five of them, but more often stories will involve only a fraction of the full group.

--The Kinky Mass-Effect Fanfiction Trilogy--

This is the series that is the most fleshed out by far. This is going to be a trilogy of full length erotic novels set in the Mass Effect universe. The third book in this series was actually my first attempt at writing erotica (it sort of evolved from a sort of roleplay, and before I knew it, it was turning into a book). But a ways into the story, I realized that there was a lot of story leading up to the one I was writing, so I decided it needed to be a trilogy.

The story follows Dr. Biavalia Bi’tarah (usually called Beebee, by her friends), a dutiful asari slave and whore for her human master. Her playful sexuality and juvenile sense of humor belie her skill and competence as a fighter and engineer. The first book in the trilogy follows her as she deceives Commander Shepard (female) and Jack (aka Subject Zero) into helping her find someone who could aid her and her master into gaining an edge over the other slavers of the Terminus systems. Aria T’loak also makes an appearance. Throughout the first book, Beebee will happen across situations where sex and kink are preferable solutions to fighting (though there will still be a decent amount of action). And for those of you (like me) who were disappointed that Jack didn’t have any girl/girl romance options in the game, rest assured that the psychotic biotic will be having plenty of sapphic fun with the sapphire slut.

--Unnamed Female-Inferiority World--

At some point in the past, a genetic virus came about that only affected females. If untreated, it would degrade their DNA, and would eventually become fatal. It was discovered that the only way to repair the genetic damage was by administering incomplete pieces of human genetic material (i.e. human sperm). Early attempts to synthesize a more stable treatment were failures, and eventually society came to accept that all females would need to regularly absorb male semen, either anally, orally, or vaginally. This new sexual desperation among females reshaped how males and females interacted, with women having their very lives depending on how sexually appealing they were to men. Over the generations, women with unappealing bodies or personalities became scarce. Yet, every woman still knows that her long term survival depends on being more sexually appealing than the women around her, so even the most attractive and obedient females are still competitive.

Men in this world have become entitled and demanding as women have become more accomodating. Feminism is the greatest crime a female can commit and is punishable by a fate worse than death.

These stories will likely involve a strong emphasis on heavy and extreme kinks. Misogyny, rape, humiliation, torture, filth, and even snuff will be recurring themes. This is most likely going to be a series of stories exploring various aspects and characters of this alternative universe. While I’ve had multiple fantasies set in this universe, it’s probably the least developed so far.