#the evolution of claire tess sharpe

[swan2swan]

Her boyfriend died in her arms.

[lindensea]

Started reading the Jurassic World Claire Dearing-centric prequel novel The Evolution of Claire by Tess Sharpe. And wowee the writing is so bad idk if I can do this :)

[jurassicparkpodcast]

'The Evolution of Claire' Review | By: Tom Fishenden

BE ADVISED: The following article contains spoilers for The Evolution of Claire.

Several years after Michael Crichton’s iconic Jurassic Park and The Lost World laid the foundations for the sprawling Jurassic movie verse that Universal Pictures have built, we finally get to build even more Jurassic lore in a novel format. This time, through Tess Sharpe’s The Evolution of Claire.

The Evolution of Claire falls nicely within the gap between Jurassic Park III and Jurassic World – exploring the story of a young Claire Dearing, and how she is an intern on Isla Nublar during the construction of the Jurassic World resort. The book is a fantastic deep dive into Claire’s character – explaining beautifully how the traumas and effects of a dangerous Nublar shape Claire into the cold, calculating and clinical character we meet in Jurassic World before Owen can break through her layers and reveal more of the slightly vulnerable, more sensitive character who we first meet in the beginning chapters of this novel. The Evolution of Claire does a fantastic job of really exploring Claire’s character – delving into how she behaves, and why she behaves the way we she does. Tess has done a fantastic job in working in conjunction with both Universal and Bryce Dallas Howard herself to really align the Claire in the novel with the Claire we see on screen. The novel helps add context and explanation to Claire’s actions, and helps to provide a fulfilling backstory which really compliments the Claire we see fighting sharply for animal’s rights in Jurassic World: Fallen Kingdom.

However, The Evolution of Claire doesn’t just focus solely on Claire Dearing – as much as the name may suggest otherwise. We have a whole cast of rich and diverse characters – some new, some returning – who really help to carry the story and build real, strong emotional connections with the story as it unfolds. We have Claire’s fellow interns – from the snobby, brat-like Wyatt (Whom I’m sure we can all compare to someone during our time at school), to the more desperate characters like Tanya and her twin brother Eric, who are on Isla Nublar for far more nefarious reasons. Like the Biosyn plot of the original Jurassic Park – where Lewis Dodgson paid Nedry to obtain embryos from the original site, in The Evolution of Claire, Tanya and Eric are being forced to steal specifications and technology from the new Masrani Global facility on Nublar – all for a rival medical science company who have technology which will save their sister’s life, for a price. This kind of ethical question comes into play towards the end of the novel, but really makes the reader think about technology and all its relevant applications – both good and bad. It also leads to the most traumatizing area of the book – an area focused around the character of Justin.

Justin is introduced as a cute, slightly-geeky character around Claire’s age with similar interests and a passion for business. He instantly hits off with Claire, and the two form quite the small romance which we gradually see grow as we explore the book further. It’s your typical teenage romance – all nerves and bumbling along, but it is well written and really serves to build and elevate both characters and their investments in the park further. It is this sparking romance that impacts us most when reading the novel – as it all goes horrifically wrong. Whilst trying to re-route the power to collect paddock information for the rival technology firm, Eric and Tanya accidentally unlock a Velociraptor which has just been transported to Isla Nublar from Isla Sorna – which is explained to be a hatching ground much like in the days of John Hammond. However, whilst attempting to escape the paddock to relative safety, Justin ultimately sacrifices himself – dying at the claws of the Velociraptor so that Claire may escape. It is this act of sacrifice that shocks readers – and helps to form the traumatized and clinical Claire we met in Jurassic World so well. Seeing an intern die was a shock – and it is a shock which was pleasantly surprising as I did not expect such chaos from a Jurassic World prequel novel.

It is here that it feels appropriate to move onto Simon Masrani’s character – as we learn a lot about his character within this novel. One of the driving components of Claire is finding a previous intern’s journal – despite being told they were the first group. This leads to the discovery of an algae which is harming the Brachiosaurs – but also to the discovery of a cover up, which we ultimately learn, lead to the death of a previous intern and the covering up of their first intern group. It is through these actions, and the dialogue with Masrani towards the end of the novel, that we learn a lot more about this kind and caring man – and the burden of sacrifice and loss upon him. He feels deeply whenever something goes wrong and whenever somebody dies – but he also feels that it is important to not let death ruin somebody’s legacy. In the case of the missing intern, Isobel – Masrani decided that it was better to cover up her death because she truly cared for the dinosaurs – and wanted them to bring happiness to people across the world. Masrani makes the hard decision to cover her death up because, in doing so, he allows her legacy to live on and grow throughout the park. The Evolution of Claire does a fantastic job of building upon Masrani – developing his ethics whilst also showing how the world of business is sometimes murky and blurred. His character in the Novel really adds to the Masrani we meet in Jurassic World, and to Tess’s credit, I feel as though Masrani is arguably one of the most beautifully written characters within the whole book.

We also get to revisit Henry Wu within the novel – and the novel adds a little bit more humanity to Wu’s character, exploring how the events of the first park perhaps effected Wu a little bit more than he lets on. His persistence to create more of these creatures to honour his colleague’s deaths adds a lot more to his persistent cause – and helps to make more sense of his character’s lapses of judgement within Jurassic World and Jurassic World: Fallen Kingdom. Wu is, fundamentally, continuing mad science to honour his fallen comrades. The story also introduces a couple of fun park workers – the most memorable being Bertie, an animal trainer who works with the T-Rex, Brachiosaurs and Triceratops, and Oscar – who is a dark, security-focussed individual not too dis-similar from Lambert within Jurassic World Evolution. Adding these additional characters does a fantastic job in adding personality to the Jurassic World we see within the films – reminding us that everyone from the security staff on main street to the paddock workers at the Raptor Pen had a story – and had something which they would have done within the run up to Jurassic World’s opening. It’s interesting as in some areas, I feel as if Tess has opened the flood gates – showing exactly how much scope for additional and meaningful story telling there is within this universe.

The story also feels fulfilling – exploring how different areas of the park have been worked on and why certain features and functions exist. We gain insight into different components – from the construction of the Monorail and how the Mosasaur was a late addition to Jurassic World, to the development of certain paddocks and enclosures, and how the processes to transfer animals were created. Nothing here ever feels forced for the sake of fan appreciation. Everything Tess includes within the story feels logical and conclusive – and really speaks volumes of the kind of faults, errors and corrections that a real theme park may encounter before launch day. You can tell that Tess worked hard to research existing source material in addition to real-life attractions, and the result is a story which feels logical and crucially – makes sense when grounded within the Jurassic Lore. We gain a lot of insight in a short amount of time – and you walk away from this book really longing for more. I want to see more of how Jurassic World was constructed. The roundup of dinosaurs. The capture and sedation of them. This book answers so many questions and adds so much context, whilst at the same time – opening so many more questions. These are questions which I can only hope Universal are willing to invest in – allowing us to get more novels and canonical materials in the future

The book isn’t perfect. Towards the end, the developments perhaps feel a little bit rushed – with a lot happening in a short span of time. And, some characters – such as Vic Hoskins, for example, do not make appearances. But – this could be because there is ample room to tell more stories including these characters soon. What Tess Sharpe has done is produce a fantastic and insightful prequel to Jurassic World. The novel builds upon many characters we already know whilst adding new ones – and everything feels organic and appropriate to the universe. The Evolution of Claire is a fantastic novel – and I hope that it is the start of many more to come under the Jurassic banner.

Don't miss our podcast review below!

Article written by: Tom Fishenden

[mydarlingdearing]

sooo I just finished reading The Evolution of Claire, and for now I just can say that I feel emotionally drained. It was amazing.

[thirteensdoctor]

"Driven is what people call girls like me to our faces. Bossy is what people call girls like me behind our backs. Like it's a bad thing. Someday, they won't be able to say it like a bad thing. Because someday, I will be the boss."

- The Evolution of Claire, Tess Sharpe

[ekjohnston]

I NEED TO TELL YOU ABOUT A BOOK

This is THE EVOLUTION OF CLAIRE, by @sharpegirl. It is a media tie-in for the most recent Jurassic World movie, but it covers the story of Claire’s first experience with the park, after her freshman year of university.

I will be honest: I bought this because Tess is a good friend and because literally every word she has ever published is SOLID GOLD. I was expecting an excellent dinosaur book for a movie-verse I am only vaguely familiar with. What I got? Was so much better.

TEOC is a monument to ambitious girls. To girls who want and work and wait, even while the world tells them they should want other things, relax a bit, and live in the moment. It’s a book about a girl who knows what she is after, how far her privilege extends, and what she’s going to do about it. It’s an exploration of teamwork and how creative thinking bolsters scientific discovery at every stage.

AND.

THERE.

ARE.

DINOSAURS.

I kind of wish it was still grad season so I could tell you to get this book for every girl you know who is graduation high school, but I guess you can just get it for every girl you know instead. You will not regret it.

[jewishpubliclibrary]

[nicholasbritel]

Did anyone read The Evolution of Claire (Jurassic World)? I have this discount from book depository and I'm considering wheter to buy it but I'm not sure, if anyone can share their opinions that would be nice

[bookwormreads]

Well I know what I'm doing the next time we go hiking: tramping through the forest pretending to be a T. rex.

[brokehorrorfan]

Claire Dearing - Bryce Dallas Howard’s character from the Jurassic World films - is getting her own origin story in Jurassic World: The Evolution of Claire, a young adult novel written by Tess Sharpe (Far From You).

Set in 2004, the 400-page book explores Claire’s backstory as she comes face-to-face with dinosaurs for the first time as an intern at Jurassic World before it opens to the public. The full synopsis can be found below.

The Evolution of Claire will be published in hardcover and eBook on June 26 from Random House Books, just days after J.A. Bayona's Jurassic World: Fallen Kingdom hits theaters on June 22 via Universal.

Freshman year in college is full of obstacles--there are messy roommates, cranky professors, and disgusting dining halls. But for Claire Dearing, add "How to properly avoid being eaten by a dinosaur" to that list.

The year is 2004, and Claire has been given the chance of a lifetime: the opportunity to intern at the Jurassic World theme park less than a year before it opens to the public. She is laser-focused, with her sights set on bettering the lives of all animals worldwide. But life at the park isn't all test-driving gyrospheres and falling head over heels for a fellow student named Justin . . . though she does that too. Rumors and suspicions flood the island, and Claire is determined to unravel the truth.

As Claire searches for answers, she and Justin find themselves thrust into a sinister plot that will leave Claire forever changed, forcing her to question everything she thought she knew and bringing her one step closer to the Claire viewers met in Jurassic World and who they'll return to in Jurassic World: Fallen Kingdom.

[sarahreesbrennan]

How come between Season of The Witch and Daughter of Chaos, we skipped Sabrina's dark baptism and Tommy being resurrected/killed and went straight into the Greendale 13 threat? Loving the books so far, just curious. 🖤🖤

That’s a great question and I’m so happy you’re enjoying! I’m so sorry this reply is late, I am on unexpected deadline but I know I have a few Sabrina, Fence and In Other Lands answers owing and I am delighted the questions were asked!

There is a confusion that often arises because the category of media tie-in novels (books set in the world of a media property) has two main subcategories. They are similar and have much in common, but aren’t the same.

A) One is novelizations, which is basically a book that tells the same story as the movie/TV show/graphic novels, but through a different medium. The story covers the same space of time, and includes much of the same dialogue. It’s the same story told in a different way.

B) Two is tie-in books, which tell different stories that fit in before or after, or in the spaces between the story. Often tie-in books start with prequels, telling the tale of how the characters get to the place before the story began. It’s a different story but it’s crafted specifically to tie in with the larger story.

Both subcategories are set in the specific story world. Both offer insight into the characters, their thoughts and feelings, and secret motivations, but they are different kinds of story.

I had no idea of these distinctions before I started to write tie-in books myself, so I explain here because hey, knowledge is always useful. I’ve now read a lot of them, because I wanted to teach myself how to write them and because they’re fun, so I thought discussing examples might illustrate the difference.

The Iron Man novelization by Peter David is widely considered especially good. I’ve read it and I like it a lot: great echoes, perfect story beats. (I discuss it pretty technically because I was reading it in order to teach myself to write a novelization, as opposed to a tie-in novel. I have written a novelization, but not in the Sabrina universe and not under my name for contractual reasons!) It tells the story of the first Iron Man movie, how Tony Stark became Iron Man. A novelization means a lot of the (in this case funny and great) dialogue from the movie must be used, but then with a novelization you have to get pretty specific about why the characters said what they said, and how they felt when they said it. One thing I liked a lot in the novel was the insight offered that Tony Stark’s actions at the beginning of the story were frequently driven by sheer boredom--that he was a genius who wasn’t given enough scope for his genius, and was acting out. 

An example of a fabulous tie-in book is Tess Sharpe’s The Evolution of Claire, a book that ties in with the Jurassic World movies, a prequel of how the heroine Claire gets involved in the dubiously moral world of dinosaur park creation. So it happens before the events of the movies, but by reading it you understand Claire better, her ambitions and frustrations. Another such is Leigh Bardugo’s Wonder Woman novel, Warbringer, showing Diana’s much earlier years, and making you understand more deeply how Diana evolved her moral philosophy and her secret insecurities. 

There’s a great article in the Guardian about tie-in novels: https://www.theguardian.com/books/booksblog/2018/jul/17/tie-in-novelisations-star-wars-jurassic-world

To add to the confusion, stories can have both novelizations and tie-in novels. 

Star Wars famously had absolute masses of tie-in novels. The Star Wars universe is so popular it even has junior and adult novelizations--two different novelizations of the same movie. Patricia C. Wrede, a rather fabulous YA/MG SFF writer, wrote the junior novelizations of the Star Wars prequels. (I’ve read them but if you want to get started on Patricia C. Wrede I would recommend her Enchanted Forest Chronicles. Nothing to do with Star Wars, I just love them.) 

Star Wars also has category B, the tie-in novels. For instance, Resistance Reborn by Rebecca Roanhorse, which is a story that takes place in between the events of the movies The Last Jedi and The Rise of Skywalker. I have also read this book. Very cool interstellar war and spies action, but also... for them that like that kind of thing, among which I would include myself... Poe ties Finn’s tie. Thank u Rebecca Roanhorse.

Similarly, there’s a novelization of Maleficent 2 (Maleficent 2: Mistress of Evil by Elizabeth Rudnick), but there’s also a tie-in novel set between Maleficents 1 and 2 (Heart of the Moors by Holly Black) telling you what happened in between the events of those movies. Significant things can happen in those spaces--deaths, courtships, mysteries solved and secrets told. A dungeon scene between Prince Philip and Maleficent is in Heart of the Moors. It’s very important.

So in a novelization, a retelling of a story through a different medium, you get the same events as in the story. But you might get extra scenes that cast a different light on the story, and you will get access to the inner thoughts and motivations of the characters.

And a tie-in book is usually set in between the seasons of a TV show/movies/issues of a graphic novel. It’s a story made to fit into a liminal space, and meant to shed light both on what happens in between the stories, but to cast light before itself and behind itself--so you might learn more about the characters’ pasts, or learn things about their feelings that will illuminate why they behave in a certain way in the future.  

For the Chilling Adventures of Sabrina, I was hired to write tie-ins, so I wrote a prequel (Season of the Witch) which shows the summer before Part 1, the autumn when Sabrina turns sixteen and has to sign her soul away. It’s an adventure with a rusalka, but also shows us how Sabrina came to be 100% certain her wild witch cousin Ambrose would have her back, why she was insecure enough to do memory spells on her boyfriend (Harvey), and it’s an opportunity to know how the witch world works before our heroine does.

Then I wrote Daughter of Chaos, which happens over mortal New Year’s, right after the Christmas episode that ends Part 1, and before Part 2--because the show didn’t have mortal New Year’s. That was a new adventure that could also tell us how people felt after the events of Part 1, and why people might act the way they would in Part 2. It’s about bad luck spells and enchanted towns, but it’s also about coping with a break-up and how that can put you on a different path, about bereavement and trauma caused by magic, and about longing for affection. Plus it provides us the first hints about hell, before our heroine sees the sparks fly. 

Same deal with book 3, Path of Night, which happens between Parts 2 and 3, in the early spring while Sabrina’s boyfriend (Nick) is in hell. It’s a quest for an item of power to release your beloved from suffering, but it’s also about what happens when you ask a lot (too much?) from your friends, how you can climb out of trauma toward loving relationships (between mean-girl witches and wicked-witch cousins), and how trauma can take someone apart (nobody in hell is having a good time). Plus it provides knowledge about hell before our heroine gets it in Part 3, and glimpses pertaining to heaven.

This month my tie-in novel with C.S. Pacat’s Fence graphic novels comes out (September 29!) and it’s set after the events of volume 4, though the book Striking Distance also works (like Season of the Witch) as an entryway into a new world and an introduction to the characters (in this case a fencing team at an elite boarding school). You try to make every book a possible gateway, but a book 1 definitely should be. (Still, I read Vampire Diaries Book 4 first and caught on just fine, and I recall one reader who read Daughter of Chaos/Chilling Adventures of Sabrina Book 2 and was like, ‘I do not watch this show and did not read Book 1, but I get everything and also Nick Scratch can get it.’)

Another person reading the Sabrina books was like, ‘Sabrina talks a lot about her Dark Baptism in Season of the Witch but then it never happens, Sarah Rees Brennan!’ And this is true, because it happens on the show, and I wasn’t writing novelizations. I think writing Sabrina’s Dark Baptism and Tommy’s death would have been cool and heartbreaking, but I wasn’t meant to retell a lot of scenes from the show. I did snabble a few scenes, but only ones I could use specifically for the purposes of telling the new, in-between stories.

For both novelizations and tie-ins, you get the scripts of the media property you’re working with. Sometimes you get several versions of the scripts. Sometimes you don’t know until you watch the filmed version that scenes got cut. (There were several scenes I read about in the Sabrina scripts, which were cut later, that I used to inform the books. Plus sometimes it’s just fun to watch something and be like, I KNOW WHY e.g. SHE HAS THIS ACCENT/HIS SHIRT DISAPPEARED.) For both you get insights into the story, and especially insights into points of view, that I think you can really only get with books.

For both novelizations and tie-ins, you consult with the writers for the media property, are told things to do and things not to do, and have opportunities to do other optional research. (Things I have done in pursuit of better tie-in novels: written to Sabrina actors and asked them their character thoughts and how they played certain scenes. Forced C.S. Pacat to play with my kitten on a skype call while I took her notes about fencing and feelings.)  

For both novelizations and tie-ins, you have to write them fast, and you have highly specific contracts. Christopher Golden, who’s written many Buffy the Vampire Slayer and Daredevil novels, discusses some details here: https://iamtw.org/from-daredevil-to-buffy-christopher-golden/

So, that’s Options A and B. There’s also Mystery Option C, stories that blur the lines between the two, such as the events of a story told from the point of view of supporting characters, so you see both behind the scenes, the scenes and often before-and-after for the story proper. Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead, focusing on Hamlet’s pals from uni. I don’t know what you’d call them. I just wanted to say that they exist too.

Thank you for reading! (Both this and the books.) I hope this was informative and not too dull. :)

[thegeekyzoologist]

My relation with the film Jurassic World and how I came to write a reimagining of it.

As long as I can remember, dinosaurs have always fascinated me.

Of course, when one say dinosaurs, many think of Steven Spielberg's Jurassic Park since as a major cinematographic work in the history of cinema given the revolution it was in the world of special effects, it contributed to popularise them even more than they already were and influenced the way they were going to be depicted in popular culture in the two decades that followed the release of the film.

My relation with the franchise goes back so far in my early childhood that I do not even remember the first time I saw Jurassic Park and The Lost World: Jurassic Park. But even at this time, I had a huge interest in the franchise and along with Peter Jackson’s Lord of the Rings trilogy, they were already my favourite films. Since the day I went to see Jurassic Park 3, I waited fourteen long years for a fourth film. In the meantime, I discovered Michael Crichton's original novels for the first time when I was in the sixth grade, and right away, I was captivated by their realistic, ruthless and dark aspects, very different in terms of tone compared to the films that, despite being sometimes quite dark, are still relatively suitable for all audiences.

Let's discuss now about the fourth film in the franchise, Jurassic World, which is the inspiration behind the story told in this fan novel. I remember having defending this film during the few months that followed its release but after some more viewings and over time, I experiences what can be compared to a post-honeymoon effect and now, I consider the film as okay or sympathetic at best since the nostalgia induced by returning in the world of the Jurassic Park saga has faded and I think today that Jurassic World could have been so much more and that the potential its basic postulate had was not used in the best way from my point of view. Then, I told myself that instead of criticizing in my corner and doing nothing: And what if I wrote my own version?

Of course, as a novice writer living deep in the French countryside and who put the result of his work online for free, I wasn’t under the same constraints as directors and writers working on Hollywood blockbusters are, since in my case, I was alone in this project and there was zero financial stake, with the only limits being my imagination.

Originally, this work should have been a simple post on a board but it became quickly a fan-novel project. As I advanced in the writing of the story, I realised that the vision of how my story should play out clarified better and better while I gained confidence and audacity in my writing, offering scenes or lines that few people would expect to see in a story set in the Jurassic Park universe. Like you will notice soon enough when I will share the links to my story on this blog, this version of Jurassic World differs a lot from Colin Trevorrow’s film.

Although you have to see my story as a novel-form remake of the latter, I must precise that the first three films of the saga, i.e. Jurassic Park, The Lost World: Jurassic Park, and Jurassic Park 3 are canon to my story. Some elements are taken from or inspired by the content of the promotional website MasraniGlobal.com, created and managed by fans Jack Anthony Ewins and Timothy Glover with the approval of Universal; from the sequel of Jurassic World, Juan Antonio Bayona's Jurassic World: Fallen Kingdom; some video games of the franchise; while others are from the original novels by Michael Crichton. However, since I started writing this story back in 2016, the content of the Dinosaur Protection Group website and Tess Sharpe’s novel The Evolution of Claire weren’t taken into consideration.

The characters and key elements of the plot are preserved but to them, are added an entire panoply of new characters and elements that enrich the saga’s mythology and a whole array of never-seen before dinosaurs and other prehistoric animals, generally depicted according to the latest scientific discoveries even if some of the described behaviours or physical features are for the most part pure speculation and artistic licence, allowed in an adventure and sci-fi story. Before reading this fan-novel, it’s not necessary to have seen Colin Trevorrow’s Jurassic World or even the other films of the saga since the information necessary to the comprehension of the universe, the plot and the characters are disseminated in the narrative wherever they are necessary. The story is also longer, much longer, and even if you know by heart the film from which it is inspired, you will be far from being without surprises since by trying to make my story more credible, more emotional, but also darker and cruder, I put you in front of a whole new work that I hope will not leave you indifferent. It’s more of an R-rated Epic drama than PG-13 action-adventure and isn’t suited for younger readers.

The main purpose of this fan-novel is not to please the greatest number by proposing a consensual work suitable for all audiences. It is more experimental since it allows me to observe if readers are positively receptive to the type of story I propose. I warn you in advance that some scenes and a major revelation in the second book are likely to be controversial.           I ask you however, dear readers, to be frank and please let me know of all your criticisms, whether they are positive or negative as long they are respectful. Maybe some of you will prefer Colin Trevorrow's film to my story and I will not judge them for that. I can’t and I shouldn’t control your opinions after all and be assured, I will not appear under you bed in the middle of a stormy night like a bogeyman to make you change your mind.     And as the moral given by the fable The miller, his son and the donkey says:

In thy chosen life’s adventures, stedfastly pursue the cause,           Neither moved by critic’s censure, nor the multitude’s applause.

The characters and situations of this story being purely fictitious, any resemblance to persons or situations that exists or had existed could only be fortuitous.

Without further delay, I give you the links:

https://drive.google.com/file/d/1gMe0dA ... sp=sharing (PDF version; contains both novels) https://www.fanfiction.net/s/12945239/1/Jurassic-World (fanfiction.net version) https://archiveofourown.org/works/20436878 (Ao3 version;)

For a more comfortable reading experience, I advise you to read the PDF version of the story, especially since it contains the corrected version of the text (the Ao3 and ff.net version will be also corrected in good time). 

Now, I let you sail beyond the seas and oceans to the misty basalt walls of Isla Nublar, one hundred and ninety-three kilometres off the coasts of Costa Rica...

Wishing you a good and enjoyable reading.

[jurassicparkpodcast]

Site B: 'The Evolution of Claire' Review w/ Jennifer Terek! - Episode 160

Welcome to The Jurassic Park Podcast! In Episode 160, Jennifer Terek joins Brad on Site B for a lengthy look at The Evolution of Claire! We dive into Tess Sharpe's novel, give you our thoughts and concerns and also hear from YOU, the listeners. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!

This Week's Contributor: Jennifer Terek

Don't forget to give our voicemail line a call at 732-825-7763!

Share this post and comment below! Enjoy.

[ao3feed-supercorp]

For Survival

by evermohre

evolution of claire (by tess sharpe) + jurassic world (2015) + jurassic world fallen kingdom (2018) supercorp au because i’m a whore for these lesbians and for dinosaurs. that’s all.

Words: 2808, Chapters: 1/?, Language: English

Fandoms: Supergirl (TV 2015)

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Categories: F/F

Characters: Kara Danvers, Lena Luthor, Samantha "Sam" Arias, Alex Danvers, Andrea Rojas, Nia Nal, Winn Schott Jr., Maggie Sawyer, Kelly Olsen (Supergirl TV 2015)

Relationships: Kara Danvers/Lena Luthor

Additional Tags: Everyone Is Gay, Dinosaurs, jurassic au anyone?, angsty, there’s just one death i’m sorry, not major tho, Lesbians, can melissa benoist read this one, i don’t know what i’m doing, Useless Lesbians

from AO3 works tagged 'Kara Danvers/Lena Luthor' https://ift.tt/2WfH3hz via IFTTT http://archiveofourown.org/works/23168449

[womenfindaway]

Name:  Bayley

Star sign: Scorpio

Height: 5′8

middle name: A. (that’s all y’all getting)

put your itunes spotify mobile on shuffle. what are the first 6 songs that popped up?

Should I - Phoebe Ryan Wut - Le1f Certainty - Soundboard Fiction MSMSMSM - SOPHIE Juicy - Doja Cat Bodys - Car Seat Headrest

Grab one book nearest to you and turn to page 23. what’s line 17?:

“I was the designated driver and walker-home of my girlfriends more than I was drinking this year.” ( The Evolution of Claire - Tess Sharpe )

Ever had a poem or a song written about you? Not that I know of.

When was the last time you played air guitar? The other day in the back office at work.

Who is your celebrity crush? Katie McGrath and Katrina Law

What’s a sound you hate; sound you love?

Hate: knives scratching against glass plates

Love: rain. heavy rain, light rain. any kind of rain. i almost slept through the tornado yesterday

Do you believe in ghosts? Yes

How about aliens? Yes. 

Do you drive?  Yes

If so, have you ever crashed? I’ve been crashed into twice, but never did the crashing.

What was the last book you read? I can’t remember I haven’t opened a book in so long

Do you like the smell of gasoline? yes

What was the last movie you saw? Snow Bride

What’s the worst injury you’ve ever had? Broke a chunk of my bone off in my foot running with my dog.

Do you have any obsessions right now? I’m actually really enjoying making icons even though I suck at it

Do you tend to hold grudges against people who have done you wrong? sometimes, depends on what they did

In a relationship? lmao i WISH

Tagged by: @ofkaznia

Tagging: @strcngwomxn, @officerxwilliams, @damagedbyfate

[fanfictionfaberrycentral]

For Survival 

by evermohre

summary:

evolution of claire (by tess sharpe) + jurassic world (2015) + jurassic world fallen kingdom (2018) supercorp au because i’m a whore for these lesbians and for dinosaurs. that’s all.