#the ending cutscene broke me

[asparagusgremlin]

Just finished pkmn violet 😭😭😭😭😭 holy shit 😭😭😭😭😭😭😭😭😭

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[peridots-pixiwolf]

hey guess who is actually and without exaggeration crying over ultrakill

[mousiekosmos]

this is an incredibly compressed version of the rant i will eventually set free without warning onto the internet but am currently thinking about how smooth and considered scara's voice and tone and intonations are throughout the entire game and then how during THAT scene all his vocal control thoroughly dissolves and it takes on this almost raspy sort of quality to it that constantly sounds like he's doing everything in his rapidly diminishing power to keep himself halfway composed and trying to convince himself he isn't being defeated again and just FUCK MAN patrick pedraza is a god

[shanaz-khan-newaccount]

Look, i know it sucked, it's trash, it's a pathetic attempt of a final cutscene that should never belong to an rpg with multiple endings but at least it's not a pic of my malewife in a pit with a voice over that states that they died alone and miserable in a dark alley because they attempted to eat a can of soup and chocked themselves with the tin can and it was all my fault because i didn't choose their favourite political party to rule the city.

[mossy-rock-in-a-field]

Several weeks ago, my retirement-age mother requested that I play Baldur’s Gate 3 for her because she has trouble with controllers/keyboards and wanted “to see what all the fuss is about with that cute wizard boy.” For context, my mother and I have done this sort of thing in the past with certain RPGs (dragon age, mass effect, etc.), but it’s been a few years since she’s personally requested a game like this. Basically, I control her Tav but let her make all the choices so she can determine how the story plays out without worrying about mechanics. She treats it like a choose-your-own-adventure book.

Anyway, here is a list of some of the things my mother has said and/or chosen to do throughout the course of BG3 in no particular order:

She is (obviously) romancing Gale. She is quite smitten with him and his passion for books and learning; she also thinks he’s polite and qualifies as “relationship material.” She also REALLY likes the things he’s said about his cat so far (my mom is a cat lady), so I know she’s gonna flip shit when we meet Tara in Act III.

She’s playing a normal druid Tav with a generally good alignment. Her favorite spell is Spike Growth because she thinks it’s hilarious whenever enemies walk into the AOE and die. I usually end up having to cast it at least once per battle per her request. Sometimes twice.

Contrary to her alignment, my mother tasks me with robbing every single chest, crate, barrel, and burlap sack we come across; this also includes people and their pockets. The party is always at max carrying capacity. ALWAYS. She doesn’t like selling things because “what if I need them.” The camp stash is in literal shambles. There is no hope of organizing it. She’s got like fifty seven sets of rags and a billion pieces of random silverware.

She MUST talk to every animal and corpse in the game. I think five hours of her total playtime so far (47ish) has been spent speaking to animals as many times as humanly possible. Like, I was thorough in my own playthroughs, but this is on a whole other level.

She did NOT get Volo’s lobotomy, but she did let Auntie Ethel take her eye in hopes of a cure for the tadpole. I did not understand the logic then. I still do not understand it now.

She is far more interested in fashion than equipment stats. Do you have any idea how much gold I’ve had to spend on dyes just to make things match? SO much. Same vibe as that “please someone help me balance my finances my family is starving” tweet but instead of candles it’s thirty thousand fucking bottles of black and furnace red dye.

We broke the prisoners out of Moonrise, but they got on the boat too early and bugged the fight by leaving Astarion and Karlach behind. Wulbren Bongle somehow got stuck in combat mode even after engaging the cutscene on the docks below Last Light; he he kept trying to run ALL THE WAY BACK TO MOONRISE nine fucking meters at a time while I frantically tried to finish the fight with the Warden, otherwise Wulbren would have run straight into the shadow curse. (I would’ve let him go; fuck Wulbren Bongle, all my homies hate Wulbren Bongle. But my mom didn’t know that, and she wanted to keep him safe. So.)

She had me reload a save like eighteen times to save the giant eagles on top of Rosymorn Monastery. Wouldn’t even let me do non-lethal damage just to get past things. I think getting that warhammer for the dawnmaster puzzle took us like an hour and a half alone. (Yes, I know you can use any warhammer, but SHE didn’t.)

She’s started keeping an irl notebook to keep track of her quests between play sessions. She writes down ideas and strategies when she thinks of them during the week, then brings them to her next game session at my house. I think she wrote about three pages on possible approaches to the goblin fortress alone.

She insists that I pet Scratch and the owlbear cub before every single long rest, no exceptions. Sometimes I have to do it multiple times until she is absolutely sure that the animals know exactly how much she loves and cherishes them. She has also commissioned a crocheted owlbear plush from a friend of hers and is very excited.

I’m sure there’s a bunch of stuff I’m forgetting, but those are some fun things I thought of. She’s enjoying the game and is telling all of her retired friends to get it and play it for themselves. She asked me “what is Discord” yesterday and I think my life flashed before my eyes.

anyway shout out to my mom for being neat

Part 2 — Part 3 — Part 4 — Part 5

[indexvirus]

So, what do we think about this?

It's actually strange how, the more I read into SotE, the more I feel Miquella is not intentionally evil.

It's ironic. Before the DLC, my headcanon pretty much was him having Griffith-esque themes, wanting to make his own Falconia.

And now when the DLC has come out with all it implies, I feel I'm wrong. I feel increasingly there is a "tragic misunderstanding of one's own self and limits" leading to "end justifies the means" to "road to hell is paved with good intentions" here.

SotE doesn't undo Miquella's kindness.

He very much is still the character who grew frustrated with the uselessness of the Golden Order when it offered no deliverance for his suffering sister (Radagon's Ring of Light),

who fed his own blood to a sapling in hopes it would grow into a new Erdtree and provide a haven for the outcast (Haligtree Knight Armour, Old Albus Dialogue, Royal Knight Helm),

who developed unalloyed gold to ward off effects of outer gods such as the frenzied flame (Unalloyed Gold Needle, Note: Miquella's Needle),

and who wished to free Godwyn of his suffering (Golden Epitaph).

Miquella observes, learns and improves upon. What did he learn to make the decisions he did? To take the same path his mother took, inspired by the suffering inflicted on those dear to them, believing firmly the sacrifices would "fix the world".

Both made a promise/vow/prayer we never hear fully (Final Cutscene, Golden Braid).

The suffering of the Tarnished, of Godfrey, of the Misbegotten and the Omen for peace and order. The suffering of the Haligtree, of Malenia, of Radahn and Mohg, for equality and compassion.

Marika separated Radagon from herself, but love was what broke her, so Miquella separated St. Trina from himself and divested himself of his love.

But unlike Marika, who realized the mistakes she'd made and chose to defy the Greater Will, and Radagon who stayed delusionally loyal, it was Miquella who was delusional, and St. Trina who realized what a terrible mistake was in the making and what terrible mistakes had already been made...

St. Trina is Miquella. This is him asking "Make me stop, don't let me become a god, you must kill me, grant me forgiveness". At some point he realized what he'd done and only death would grant him forgiveness for it...

For what kind of a god would he become when he'd abandoned all he'd promised to save.

[pixelmensupremacy]

Can I request a Leon x reader for RE4 remake? :0

Reader is one of the missing hikers that was mentioned during the opening cutscene and managed to escape the villagers just as she runs into Leon on his way to the lake. Leon has her come with him, even reader helping him keep Ashley safe, and during the whole mission, they start to develop feelings and Leon gets more protective. Can even be suggestive- especially during the chained scene if you want. 😳

A/N: Since I got one more request about this scene specifically I'll do a part two with the smut

Word count: 1.2k

Warnings: mentions of violence, fem!reader, not proofread

part 2

Darkness was all (Y/N) could see as she took cover in the cool, shadowy tunnel, using its gloomy nooks to hide from the locals, whose inhumane rage almost caused her horrific doom. Her entire body shook, her heart thumped loudly in her ears as the adrenaline in her veins was still in abnormal amounts. Images of what she saw haunted her and even now she was safe she trembled in fear as the awful memories resurfaced, making it even harder for them to catch her breath. Sounds of footsteps caught her attention; tears formed in the corners of her reddened eyes; her breath hitched. The sound grew louder and soon after she was able to make out the silhouette of a man; frozen in fear, (Y/N) couldn’t move as the man was slowly nearing her. Her (E/C) irises were glued on him so much so she didn’t notice her foot was poking out of the safety of the shadows.

Carefully, her gaze followed his movements; her fisted rolled, taking a hold of any object that was underneath her. Her poor heart was on the verge of exploding; her chest rose and fell in an unnaturally quick pace as her breathing grew shallow. A yelp ripped past her lips at the sudden force hitting her foot; a thud echoed on her right. Cold sweat broke out on her skin; her eyes widened in utter horror as she was faced with the man and more importantly the barrel of his gun. In that split moment she surrendered to her fate; and at this exact moment the thought of a quick painless death was a blessing in comparison to the horrors she witnessed in the cruel village, the screams of the poor police man will forever be imprinted in her conscience. Yet the freeing moment she expected never arrived and instead of the gun she saw an inviting hand once she peeled her eyes open.

“Are you hurt?” She barely made out the words, for her anxiety driven mind was far too hazy for her to comprehend.

“Why didn’t you do it?” Her voice was quiet, her glassy eyes bore into his; his heart clenched, a smear of guilt weaved in his features.

Shouts anchored the attention of the two; dozens of villagers lurked about the end of the tunnel, the lights of their torches threw light on the barricade the two were hidden behind. Chills ran down her spine at the sound of sickles and hatches flying by her, she wasn’t ready to go through this, not again.

“You’ll have the time to thank me later.” The mysterious man took a hold of her hand and dragged her in the opposite direction.

“So, what brings you here?” (Y/N) spoke up breaking the unnerving silence.

“I could ask you the same thing.” He answered not even turning around to face her; she let out a deep sigh.

“Okay let me guess.” She tapped her chin, stimulating her logical thinking. “You definitely aren’t here on a vacation, judging by your… gear.” She paused as she observed the arsenal of weapons resting right on his back.

“Go on.” His foot stomped on a wooden box, demolishing it with just the force of his limb; impressed by his strength, (Y/N) fell silent as she looked at him with awe.

“Now’s my turn.” He turned around, finally facing her after the frenzy of running from villagers the two had gone through. “You’re a hiker, who got lost and now you’re here.” She was at loss of words, yet the puzzled, hurt look on her face didn’t fail to reflect the state of her heart.

“Are you a clairvoyant or what.” The mysterious man chuckled before e knelt down to pick up a box of what looked to be ammunition; the muscles of his back and shoulders flexed as he then stood up, the leather of his fingerless gloves tightened around his fist.

“Can I at least know the name of the guy that saved my ass.” She asked, in attempt to distract herself from the newfound subject of her interest. He turned to face her; the sunrays highlighted his features that she hasn’t had the time, nor opportunity to observe. His hair was a beautiful blond color, the strands of which appeared gold under the light of the setting sun; his jaw and cheekbones were defined and smooth as if he wasn’t a human being but rather a marble sculpture, carved by the most skillful of craftsmen. The irises of his eyes were a mixture of different cobalt blue hues each prettier than the previous, every shade made for a whirl of unreadable emotions that were contained deep within him, enhancing the intensity and mystery to him.

“Leon Kennedy.” Immediately, her attention was anchored to his full, silky-smooth lips and to the Adam’s apple that bobbed up and down as he spoke. “It’s rude to not introduce yourself, you know?” He looked her up and down, his gaze both judgmental and intrigued.

“It’s (Y/N).” Her gaze shied away from his prying one that ironically also drew her in with a strong invisible force.

“Okay, (Y/N) you’re gonna have to stick to me if you wanna make it through.” She nodded, not paying much attention to the words he spoke as she noted how her name sounded when he said it. She was screwed.

Together they explored their surroundings; before them there was a heavily damaged house, behind it’s gaping hole was another one that was intact. Driven by her intuition, she pointe the house to Leon and so they headed to it. The space was plain and fairly minimalistic with just a few pieces of furniture lying around, the color scheme of the room though was even more poor that the interior itself. Dust particles flew in the air as the slowly fell and clung to any surface that was already covered in thick layer of debris and filth. Continuing her venture inside, (Y/N) heard a strange sound; investigating it’s source she came along a darkened, narrow corridor above which was a ticking bomb. Immediately, she called out for Leon, who safely detonated it. Weirdly enough, the bomb wasn’t her found, for she noticed a ladder leading to what appeared to be basement.

“I’ll go check it out. You stay here.” Leon was quick to move past her, preventing her from entering the gaping dark opening.

“Are you out of your mind? I’m not staying alone.” She protested; her arms crossed in front of her chest as she struck him with a stern look.

“Sure.” He sighed in defeat, he had no time for arguing. “Ladies first.” He jokingly pointed to the entrance; hesitantly, she gazed at the hole and then at Leon. The corners of his lips curled ever so slightly.

“Just as I thought.” He said before he jumped. Shocked, (Y/N) screamed his name only to be hear his chuckle- the one she couldn’t get enough of despite having only heard it only twice. She cursed as she got down after him; the lighthearted mood soon evaporated as they noticed a suspicious looking sack. Leon pointed his flashlight at the object and knelt before it; a piercing scream resonated from behind him. Swinging his gun in the air, he saw her trapped in the grasp of an atrociously tall man, dressed in black from head to toe. With no hesitation, the agent fired at the man, yet he seemed unphased; a powerful force hit him, causing him to fly across the room. Slowly, blackness took over his hazy vision as a sudden warmth embraced his head; (Y/N)’s screams of horror echoed in his head.

[starriri]

Danganronpa Despair Time is a artistic masterpiece.

When I first stumbled upon DRDT, I didn’t see it as anything else but another danganronpa fangame, a simple derivative of the mainline series created by a admiring fan like all the other Fanganronpas invented (not to put shadow on other fangans, as they are all unique and also level to despair time. the skill and work put into them can’t be overlooked. take a look at Heartless Deceit and Brave Danganronpa for example!!! holy fuck!!!!!!!!!!!!). However, it did not take me long to realise that, in fact, Despair Time, is much more than that.

Danganronpa Despair Time is an amazing creation, a hidden gem with quite an alluring charm to it. What else is there to say? (there is a lot more to say.)

Ever since the prologue, the prelude, the start, the calm before the storm, released, Danganronpa Despair Time has never failed to deliver a beautiful and extremely compelling narrative. It doesn’t take a genius to tell that there has been an enormous amount of effort put into it.

The art, for one, is absolutely stunning. It’s level to the likes of famous games like, for example, Fortnite Battle Royale and Call of Duty: Modern Warfare IV. Both games have multiple artists, unlike Danganronpa Despair Time. The fact that it’s just one singular individual working on such is almost unbelievable.

The sprites mimic the Danganronpa style to a verisimilitude, looking extremely realistic. The cutscenes seem to also be similar, yet subtle hints of DTDev’s personal style are shown (eg. The lineweight), creating something that cannot be described as anything but perfection. It’s amazing how it works so nicely.

Let’s not forget the scriptwriting. The characters are extremely realistic, their struggles, goals and motivations hitting quite close to home for many individuals, including me.

For example, let’s take our protagonist, Teruko Tawaki. She is first introduced as someone who has no sense of belonging, not knowing who her parents are and being separated from her only (known) sibling at a young age. This, coupled with her amazing design, displays how Teruko is much more than the Ultimate Lucky Student, much more than simply the main character of Despair Time.

During chapter one, Teruko begins to feel more comfortable around the people around her, enjoying more of her time and even making friends. She builds trust with them, and forges bonds, just like we do.

However, when she meets up with Xander, things start going immediately downhill when he stabs Teruko, causing her to become unconscious and indirectly causing his own death in the process.

Once Teruko wakes up, she’s in the middle of a crime scene: Xander’s now a bloodied corpse, and she’s the main suspect for his murder. Because of this, everyone around her (who, mind you, got along with her extremely well before) began to move away from her.

This is exemplified even more during the first trial, where the spotlight ends up on Teruko, everyone seeming to believe that she was the one that killed Xander even though *he* was the one that attacked her first. Because of this, Teruko ends up flipping out in the middle of the trial, daring the others to vote for her, breaking down in anger and frustration for being betrayed by everyone in such a manner.

In the end, when Min is revealed to be the culprit and promptly executed, Teruko states that she hates everyone and says that she’s never going to trust anyone ever again, moving away.

A lot of people have said that they dislike Teruko for this, but I don’t share the same sentiment. In fact, I think it’s extremely realistic for her to have such a change in nature and breakdown. After all, consider:

- Someone she trusted immensely (Xander) tried to murder her and broke her trust through doing so. Infact, Xander was the first person Teruko met, so his bond with Teruko may have been stronger than the others.

- Min may have technically prevented Teruko’s death, but she also caused Xander’s and framed Teruko for it, making everyone think that Teruko was the one that killed him.

- Even though Teruko was clearly injured and frightened after being stabbed, the others kept seeing her as nothing but a potential murderer who’s proof of guilt would save their own lives, throwing heartless accusations at her without even letting her defend herself. Teruko had grown to like and trust most of them, so what do you think she’d feel if those people began to avoid her and think of her as a bad person who’d murdered someone out of cold blood?

How would *you* react if this happened to you?

Personally, I’d also react the same way as Teruko, throwing a fit and breaking down, perhaps even in tears. I don’t quite see why there’s any reason to hate her for such if you’re going to do the same thing in her position.

Then again, I’m not implying that Teruko is in the right, either. Especially since what she does in the Daily Life segment of Chapter 2, forcing Charles to take his clothes off and holding J at knifepoint among other things. However, there was a reason these occurred, that being the others’ betrayal of trust. Everyone’s technically in the wrong, and that’s the best part.

To elaborate on my last point in the previous paragraph- humans are not perfect. Pardon me for getting into a bit of philosophy and ethics, but there can never be a truly ‘good’ person as there is no true definition of morality, either. For example, someone stealing your copy of Persona 5 Clash Royale Silver isn’t nice, but so is yourself getting angry at them and burying them seven feet underground. Let’s all be honest here: We’ve all done something morally questionable in life at least once.

It’s also the same for the opposite end of the spectrum. In evil, there is still a hint of good. Your teacher in middle school may have been painfully strict, but he still had a soft spot for kittens. Criminals of all sorts have harmless hobbies, like gardening or cooking michelin star meals, that do not harm any humans in the process.

Danganronpa Despair Time understands that concept and utilises it with all the characters, not just Teruko. For example, Arei may seem quite rude, but in chapter two, when Arturo threatens Eden, she immediately jumps in to brutally roast Arturo to make him leave, but offers Eden to become her friend. She, like Teruko, is a extremely well-written character with many dimensions.

However, I digress. The point I’m trying to justify is that all of the individuals that make up the cast of Danganronpa Despair Time are beautiful characters that have clearly been well thought out.

Additionally, the story of Danganronpa Despair Time manages to sprinkle in the perfect mix of humour, drama and realism in its plotline and characters. Even if only two chapters have been released, you can tell that the future chapters will also be beautiful works of art. It’s just that sophisticated and fantastic. I’m surprised that Spike Chunsoft hasn’t contacted DTDev to make DRDT a real installment to the canon Danganronpa series.

Ultimately, to summarise, I’d like to reinstate that Danganronpa Despair Time is a gracious, absolutely splendid work of art this clearly has a lot of thought put into it. It’s characters, plot, story- everything, works together piece-by-piece to form an exquisite piece of media.

I’d like to thank everyone that has worked on DRDT- DTDev, Gen, Hydrator, Haru-Suwan, the voice actors, and the translators- for working to create such a sophisticated and sensational video series.

If anyone that I’ve mentioned above is reading this, from the bottom of my heart, I thank you for creating such a wonderful masterpiece. I cannot reiterate it enough. Thank you so much.

[wispythreads]

Some thoughts as I spent a significant portion of my day today playing Dead Plate by racheldrawsthis (which you can go find and play yourself https://racheldrawsthis.itch.io/dead-plate), and honestly it was pretty fun! Enjoyed it a lot!

I got the Table for One ending first, which is an ending most people would probably get first since the other ones require specific triggers. I'd missed some cutscenes, but talked a bunch whenever I could with the restaurant owner/head chef, Vince. Even though I knew that this was a horror game and that Vince was probably up to something incredibly shady in the background (i.e. the usual the food = human remains trope that kinda follows this setting), I was hoping that there might be an ending where he and Rody go beyond a boss/employee relationship.

There was just something really endearing about that first cutscene when Rody arrives late after biking through rain, and Vince took the time to not only help dry him off but gave Rody an umbrella so that it wouldn't happen again in the future. I found their conversations really fun and silly and began to formulate a scenario in my head where this very put-together, cold and quiet no nonsense guy grew to begrudgingly but genuinely like the blunt energetic but absolute mess of person he'd happened to hire, and maybe the two of them could balance each other out a bit more (and Rody could maybe put an end/prevent Vince from treading into cannibal territory)

Having gotten all four of the endings now, I'm torn between appreciating them all and being a bit sad that the one I was hoping for didn't come to fruition, and, judging by the timeline of events going on that I somehow just completely missed the first time, really couldn't. like. ever...?

I am very much stuck contemplating just what the hell was both of their deals now. (why lemons specifically what does it mean something outside of it being a food he appreciates its existence for why was the wine bottle broken with wine spilled everywhere why doesn't he follow you in and you have to come back out with it why was her silhouette standing in the street staring up at you ghost not dead just spooky event to be unsettling what was the real purpose of the dinner party what is that one inaccessible room of the apartment what did she mean by that when they broke up why was he bouncing between jobs so much why such a violent reaction to the garbage tearing how the hell do you burn pbj what is the deal with the fridge freezer why does it seem like he initially intends to leave and then decides on such a firey response instead why not an ending where he does just leave flunked out obsession what was the point of the whole plan he just lets you leave in the first ending what does he gain from that)

The fact that it was just released today and I have no idea if anyone else will be talking about this game has me very Normal.

[sticks-stones-sonic-insanity]

I JUST FINISHED SONK ADVENTURE 2 IM NOT OKAY OMG

The scene with Shadow falling to earth was funny at first and it all happened so fast i was still trying to wrap my head around it. Ppl talk about that scene a lot which theyre so right for, but i need to talk about the scenes after because oh my god they broke me!?!??!

Sonic, coming back onto the ark, completely silent. Everyone asking if Shadow made it back and he just slowly shakes his head without a word.

The scene where Sonic gives Rouge Shadow's inhibitior ring hold so much more weight to me after actually playing the game: In the short time they knew each other, Shadow saved Rouge's life. Twice. This is the only possession she has to remember him by. Knuckles asks her what shes going to do now and she actually stops to reflect and remarks how shes thinking of changing jobs, something else on her mind now(What exactly shes referring to in this moment isnt stated but theres a fair few connections to draw there). After almost getting killed during a heist and never getting a chance to thank the guy who saved her from it, that's a pretty good and strangely mature call to make from a writing standpoint. This whole scene has a similar feeling like that, like the jokes and the extravagance thats typical of the cutscenes have really been toned down with intention.

This one genuinely shocked me, and im really surprised i havent come across anything about it yet because the scene between Eggman and Tails was actually super deep?? There are a lot of different Sonic medias as far as I im aware that have touched on the paralells between Eggman and Tails: their small similarities and how well they work together when they have to, but the scene here really stuck out to me. Eggman is talking about how much he admired his grandfather as a child, how much his work inspired him to learn and create and strive to be great like him, drifting off to question whether or not he really wanted to see them all fall. Tail's response is very chipper and optimistic, but i really like the idea of Eggman having almost this turning point here, having to face something so saddening as watching someone you love curse the world and everyone on it(including you). After arguably some of the most dangerous and threatening feats have been accomplished by Eggman in this game as the story's primary antagonist, is this moment a nod to him maybe stopping to think about what he's done? Im amazed by how much meaning can be taken from these few seconds of dialogue!!

Finally, the last two moments. Amy, despite having had her own short heart to heart with Shadow before the final battle and ultimately being the one to spurr Shadow on to fight alongside Sonic and the others, doesn't seem as upset by Shadows death as Sonic is. This is genuinely, in my limited knowledge of Sonic media, one of the only instances i have seen Sonic be thoroughly shaken up by something and brushed it off when someone asks him whats wrong. In most cases, he's just relatively unfazed from an emotional standpoint like that, so theres nothing to brush off in the first place. But here, the ever-yapping blue blur remains silent for a while, just staring at Earth in a similar paralell to how Shadow used to. It isn't until Amy comes by that he looks away. Its the really subtle details here that get me: Sonic doesn't look or respond to her right away. There's a prominent pause of silence before he turns to her and says its nothing, switching the topic immediately to rush her along. Sonic, typically impatient and eager to move to the next adventure, slows down and is the last to leave the deck, delivers the farewell line to end the game. Again, the contrast in how slowly and soft he speaks here in comparison to literally anything else he says in the game is insane. The pause between "Shadow" and "the Hedgehog" is still very funny to me and im not lost on how the delivery does end up being chopped up quite goofy like that, but if that isnt an absolutely insane way to end off the game with such a somber, emotional moment...

Sonadow or no sonadow, take it as you will, its undeniable how impactful this adventure in particular is to Sonic. How much Shadow meant to him by the end of the game. How much his sacrifice meant. I really see his discussion with Rouge as both a way to comfort her, and to comfort himself. To say out loud how heroic and brave he'd seen Shadow to be, regardless of the intention that came from his creation. Sonic is big on freedom and giving people the opportunity to live how they want to, and Shadow's sacrifice in that regard means even more to him. He had just come to understand what he had truly promised Maria he'd do, joined Sonic whole-heartedly to help save the planet, and never got to experience anything beyond that. Given Eggmans continuous antangonistic streak at that point (I'm not fully aware of the other villain's Sonic had faced up until that point), it's rare that Sonic actually gets to see someone who opposed him change for the better!! And not only was Shadow one of the first to do so, but he was a speedy teen hedgehog!!! Just like Sonic himself!!! Its like Shadow said, there was so much more to them that they never got to find out about each other!! The fact that Shadow gave up all of that possibility, all of his own personal freedom to help Sonic save the planet and the freedom of all the people on it? That hits. HARD.

Im not familiar with the full canon of how Sonic actually managed to get one of Shadow's inhibitior rings to give to Rouge, as he's actually not shown in any scene taking them off during the final battle(i actually dont even think their mechanics are properly explained which is more confusing but yk), but getting into more headcanony, sonadow adjacent space for a second? I like to think Shadow actually took two of his rings off/had two break off before he fell. Sonic gave one to Rouge, and secretly kept the other for himself. He obviously didn't want his friends to ask him more questions about how he was feeling, so he hid it in his quills before he greeted them back on the ark. Shadow ended up meaning a lot to Sonic, and it's really interesting to think about what was running through Sonic's mind when all was said and done.

Uhhh anyways good game very very infuriating at times but very good game i have a true taste for the appeal of Sonic games now and i want to play them all. If you actually made it this far, thank you for reading my silly sonk rant! If you have any information you know of to patch the spaces where I'm lacking or just want to discuss your own thoughts on the ending feel free!! Have a good day or night wherever you are :]

[woodchipp]

OMORI and Detroit: Become Human's Plot Twists - How A Bad Plot Twist Ruins The Story Instead Of Enhancing It

In the 2020 game OMORI, the story's plot twist is that the main protagonist's sister, Mari, didn't kill herself as the player was led to believe - instead, the main protagonist himself accidentally killed her in a fit of rage after an argument they had and his best friend subsequently covered that up by staging it as a suicide.

In the 2018 game Detroit: Become Human, the plot twist of Kara’s story is that Alice, the seemingly human child Kara took care of after the two broke free of Alice’s abusive father, was actually an android all along. 

What do they have in common? The answer’s simple - not only are they emblematic of their respective games’ shoddy writing, they detract from the story they’re supposed to elevate.

First things first - both twists don’t make sense upon scrutiny. OMORI’s plot twist in particular hinges on a huge contrivance - the fact Basil just so happened to be present in Sunny’s house (for reasons the game leaves unexplained) at exactly the right time to witness Sunny committing manslaughter and come up with a plan to absolve him of any blame. Furthermore, the twist’s insinuation that Mari overworked Sunny and didn’t tolerate his mistakes comes out of left field, as Mari was consistently portrayed as kind and flawless (both in Sunny’s dreams and in the real world via the photo album)  throughout the game up until that point.

Alice’s twist only works because the story lies to the player: Kara finds a magazine with a picture of Alice’s model at the beginning of the game, but it’s conveniently blurred. While there are some hints that Alice is an android, such as the fact that she refuses to eat even when food is presented to her, this clashes with one of the main levels of Kara’s story, which has her looking for food and shelter for Alice’s sake. This implies that Kara deliberately ignored Alice’s true nature, for reasons that will be elaborated on later.

Alice’s twist, however, does have some solid hints at the very least. That brings me to a problem exclusive to OMORI’s twist - the game spends most of its runtime hinting at the red herring of Mari having hanged herself as opposed to the twist of her having been shoved down the stairs. The only tangible clues to the twist are the prevalence of staircases in the brief cutscenes before Sunny fights his fears and the hands motif, but they are not enough. If the point of the reveal is that Mari didn’t kill herself, what’s the point in hinting she did?

Secondly, the twists’ linchpin characters are flat in terms of personality. Alice is the quintessential “little girl” in videogames: cute, small, withdrawn, barely cries (she doesn’t even go into hysterics at a concentration camp), constantly needs to be cared for and protected, at most steers you in the right moral direction if you do something “problematic”, even if for her sake. This, allegedly, is supposed to stem from her background, as she was abused by her father, but even the android that Kara spots and that makes her confront the truth has the same quiet, demure, sad demeanor, implying that it’s simply how Alice’s model is programmed to be. Alice is not a character: she is a pet you are supposed to find adorable. The twist that she was never a “real” human, therefore, falls flat on its face: she doesn’t prove anything about the depth of emotions androids can experience. For all intents and purposes, she is the doll racist humans see androids as.

Aside from a brief interaction with Hero in the first several minutes of the game (which is promptly forgotten as soon as it ends), Mari spends most of its runtime only as fuel for Sunny and his friends’ grief. She is given no personality beyond being the Team Mom, isn’t fleshed out in any objective flashbacks (as in, flashbacks not colored by Sunny’s perception of her), and if the vision Sunny experiences on Two Days Left is her ghost, she isn’t plussed in the slightest by her dear little brother profaning her memory by deciding to keep up Basil’s lie. The one flaw the game tries to give her - perfectionism - has no bearing on her character until the moment the game uses it to give Sunny a reason to lash out at her, and the negative impact said flaw had on her life before the argument is glossed over. OMORI’s point that her desire to be perfect was the reason for her downfall, therefore, falls flat on its face: for all intents and purposes, Mari is perfect. 

Finally, both twists are detrimental to the stories they are in.  Supposedly, the twist of android Alice is meant to make you question whether or not you, the player, are going to love her all the same even after learning that she’s not human (although the question should be moot since all three protagonists are androids and the most popular one in the fandom is the most machine-like one). What the game fails to answer, however, is why Kara refused to accept reality and deluded herself into thinking Alice was human to the point of endangering both of them for the sake of playing pretend (this, on top of everything else, makes replaying the game much more frustrating, as you no longer care to give Alice proper shelter as she doesn’t really need it). The implication is that she, herself, believes an android child is inherently less deserving of love as a human one, an interesting concept of internalized bigotry that is never explored. Even worse than this, what before could be seen as a touching relationship between an android and a human, who despite the hatred surrounding them can form a family out of natural love, is now nothing more than two androids following their programming: Kara keeps being a caretaker as she’s supposed to do, and Alice keeps being the perfect little child as she’s supposed to be. While they both rebelled against their abusive master, it means that, at their core, they didn’t even deviate in the first place, and instead forced themselves back into their pre-programmed roles. This is the complete antithesis of the message of the game, which is that androids are more than their programming and they are, instead, people.

Similarly, OMORI’s plot twist turns what could’ve been an interesting story about such topics as teenage suicide and suicide bereavement into a farce. It’s one thing to play this game under the impression Sunny and co. are struggling to live a life their beloved sister and friend unexpectedly removed herself from, but it’s very different to replay it with the knowledge that all the pain Kel, Hero and Aubrey went through was pointless since Mari never killed herself in the first place and stemmed from one of their friends desecrating her corpse. Without warning, the story turns from being about overcoming the grief of losing a loved one to suicide into being about grappling with the guilt of a manslaughter and a huge lie that destroyed multiple friendships - a lie Sunny directly facilitated by lying to his friends by omission to save his own skin. The only character in the game to call Sunny out on this is his suicidal depression (!!!), and its arguments are framed as irrational self-loathing so they’d be easier to dismiss; the game’s best ending, meanwhile, has him conveniently avoid the consequences of his confession by moving town, not caring anymore about the feelings of his friends (or the well-being of Basil, whom he leaves to bear the brunt of the consequences). None of this would’ve been a problem if the game simply focused on Sunny moving on from blaming himself for his sister’s suicide instead.

So, this brings me back to the post's title - not only should a good plot twist be properly foreshadowed, but it should enhance the plot when experienced multiple times. The twists in OMORI and DBH fail to do so, and create the impression they were haphazardly inserted into the plot for the sake of subverting the audience's expectations, with little thought given to how they retroactively affect said plot.

Unfortunately, the only expectation they manage to subvert is the expectation of a completent story.

[tree-obsession]

2.2 SPOILERS!! PROCEED AT YOUR OWN RISK

this is a small lore discussion! mostly speculation and theories- i have not seen leaks about 2.3 plot yet, but i have seen a couple about boothill's character stories, so please keep that in mind!

trigger for mentions of suicide(aventurine) and mega corps(the ipc)

we have to talk about the ending cutscene with aventurine and boothill more! i'll start with my fav parts that no one really has brought up yet:

Aventurine intimidating Boothill after mentioning the guards are out- Boothill sounded so offput and hasty while reassuring him they were just knocked out, and we have to talk about aventurine himself just being intimidating more honestly his glare actually did kind of scare me.

Boothill pointing a gun at aventurine was. well. i'm sorry i did actually laugh at that. boothill i think you should research your targets a bit more honestly that guy is NOT afraid of guns. he fully walked into the nihility and pointed at least one gun at himself, and just got out of his own meticulously-planned suicide. threats of death won't work, sorry. also he has good reason to hate oswaldo schneider as well- threats didn't even have to be used, probably! he would kill him too, probably(revenge arc go go go!!)

the convo between aven and jade was. yeah. why he's betting his life again, i don't know (maybe sarcasm? or it was really just banter?) but it does seem like the two of them aren't super close at all, at least from what little i could gather. also if diamond hurts aventurine the entire fandom will kick his ass, emanator or no, so he better be prepared for that too lol. also, it was a pretty common theory aventurine would leave the ipc after exiting nihility, since acheron presumably broke his ties- i wonder why he went back? perhaps he had no plans as to where to go, or he has some ulterior motive?

how did he get out of nihility so unscathed? (for context, i haven't gotten aven's text messages yet, but i'm aware of some of their contents since they've been floating around w/out spoiler tags. the messages are mentioned a bit here if you wanna avoid spoilering!) i know argenti got him out, but 1) why was argenti there, or where did he even find him? and 2) that seems so random- both argenti and jade confirmed it, but plot-wise what's even the point of argenti pulling him out? also argenti said he was in a "woeful state" when he got out, and apparently the stonehearts are willing to give aven a break (which i'm assuming is major, since stonehearts are super important and have a lot of responsibility, plus he just destroyed a cornerstone) so him already being back on his feet when we see the phone call is a bit weird right away. he doesn't even sound sick, and ratio or any other doctor is nowhere in sight! (message spoilers start here) i'm aware the aventurine cornerstone was fully shattered/destroyed while protecting him from nihility- was he really in there for who-knows-how-long without any protection at all? he's apparently having nightmares and the ipc needed to call in a doctor of chaos to treat him, which is concerning considering his mental health and general will to live were extremely low even before walking into the nihility. like he genuinely has some of the worst will to live i've ever seen in a character or human being- walking through the nihility should have utterly destroyed him mentally and physically, but it didn't. 2.3 HAS to give us a whole lotta context, especially with nihility lore (my favorite aeon, i may be biased) and more about the ipc!

anyway, thank you for reading this poorly formatted, stream-of-consciousness word vomit about 2.2's aventurine lore. hope you liked it! drop ur thoughts in replies and reblogs plz they give me life(although i will be very busy next few weeks, so please don't be offended if you want a reply and don't get it, im so sorry!)

2.2 was peak- a bit slow, but the story was some of the best, if not the best stuff hoyo has given us in terms of writing quality. so great! i cried for sure, and that boss battle was just everything- especially the music. robin my lesbian queen if i didn't have to pull for firefly i would get your lightcone for sure...

see you all next time! thx for sticking around (:

[miquellaluciscaelum]

A bunch of brainworms about dlc. Speculations, theories, my personal opinion, which I think I will stick to until the release of dlc.

Miquella.

(1) The main plot is that we go after Miquella. It is not yet very clear for what purpose and who sent us there, but judging by the voice at the end, it could be Ranni or Melina, or even Miquella himself. Voice is quite feminine.

(2) Miquella is likely to be our companion, as Melina was, or we will follow some messages from him, maybe meet his followers who will guide us, since the announcement says that we will be "guided by Miquella" and "meet others who follow in miquella footsteps".

(3) I'm not sure if we will have the opportunity to fight with him or not, but the last scene where we see the first shot of him where he's literally SHINING, can be both the ending cutscene of the dlc and the beginning of the bossfight.

(4) It's likely he will look the same with his first concept art appearence, because the hairstyle with braids and his skin, they are very similar.

(5) If this tree in the Shadow realm is the Crucible of life that I explain below in my theory, it is quite possible that Miquella came to this world for obtaining its power or something like that, it is also quite possible that he goes there because he knows that Marika has hidden something in this world, something very important.

(6) Overall, Miquella's trip to these lands seems like a pretty desperate move to me. He literally commits a very terrible sin by "divesting himself of his flesh, his strength, his lineage. Of all thing Golden". It sounds like he finally broke all his connection with the golden order and his family, including his blood connection with MALENIA that sounds crazy, and he also renounces his power, as I understand, magical and which is hidden in his blood. In my head, it looks very similar to what Ranni did, killing her body and moving her soul into a doll. It's just that Miquella killed his body or left it and moved his mind into this hidden world with the help of the power of sleep and dreams. I repeat, it seems to me some kind of desperate last step, perhaps he felt that his transformation was interrupted by Mogh and was no longer possible to complete because of his poisoned body, maybe he felt that his tree had died or something like that.

(7) Most likely, based on the words that Miquella is "awaits the return of his promised Lord", he cannot leave this realm on his own, either because he is captured by someone, maybe Messmer, either because his initial plan failed and he simply does not have enough power to return. So he's waiting for the promised lord. Here we have at least two options:

- This opens for us consort ending, but with Miquella, he will essentially be an alternative for Ranni, because he is also an Empyrean just with other purposes. And can replace Marika as a vessel of the Elden ring like Ranni. This is also supported by rumor that From software wanted to make another extra ending - the Age of Abundance, but either they cut it out at the end, or maybe abandoned the idea.

- I also saw the option that it could be Godwin as promised Lord, to whom Miquella could bring the true death, it can be the reason why he came to this world initially.

World.

(1) We are going into the world of shadows and it seems that this is not Miquella's dream or the Erdtree afterlife or something else, as many assumed earlier, but some kind of hidden realm that is not accessible to ordinary people and may be either under the map, or as some people suggest, either be at the intersection of all towers where we activated great runes, behind a large cloud on the map.

(2) Very important, some kind there once was Marika in this shadow realm, as mentioned in the summary of the game's plot in the announcement: " a place obscured by the Erdtree where the goddess Marika first set foot". Perhaps this world was her home before she became a goddess, or she ruled these lands before they were hidden, apparently during some kind of war: "a land purge in an unsung battle". It was quite possible that it was the war with giants, given some of the symbols hinting at it in Messmer + flame magic.

(3) Looking at the baldachin over the tree and keeping in mind its similarity to Marika's chambers in the capital before Morgott, I think that perhaps Marika herself made these lands forbidden or closed from others with this baldachin barrier, so the theory that Messmer may be an unwanted or forgotten demigod-child of Marika, left in this shadow world, as Marika's dark secret, has some basis. This is also hinted at a special dungeon in Leamgrave, Impaled Catacombs, thanks super lore guys in twitter!

(4) Speaking of the secrets of Marika, the tree at the center of this realm. I have a lot of thoughts about this. It may be wild, but I assume that this could be the Crucible of life or what's left of it. That golden liquid that flows down is the power of the Crucible that goes out into the world. In the Lands between, due to the overwhelming influence of the Erdtree and the Golden order, its power is almost not felt, and can only manifests itself in the birth of Omen children, but in THIS world, the world of shadows, we see signs of the influence of the Crucible: horns, spells and etc in almost all creatures. Thus, Marika could lock the tree in a separate dimension, hoping that it would soon die on its own and its influence would finally dry up, but it is still alive. Or, of course, it can simply be a reflection of the Erdtree in the dark world, if we consider the theory that the world of shadows is a reflection of the real world. I definitely don't think it's Miquella's tree, because it has absolutely no reason to be one.

(5) I also want to note the time in this story, chronology is quite a mess in Elden ring in principle, but according the trailer, a significant place in this shadow world is occupied by some faction associated with Saint Trina, and therefore with Miquella. That suggests that either Miquella came to this world quite a long time ago to be able to organize and build his own order or something like that, either time goes faster there than in the main game, which is quite interesting.

(6) Speaking of factions in this world, there are at least a few: the faction of Saint Trina (we saw a knight who fought with some kind of sleepy magic, although it could be a gravity spell because of lightning🤔) but there were lilies on his armor🤷), we also saw someone very similar to a Carian woman in a room similar to Raya Lucaria, more than that there are architectural elements of the Carian architecture and the architecture of Sellia, which means Kariya faction. Almost forgot, we also can see Moon in one shot.

Perhaps Messmer has his own faction, most likely ruling in this dimension. And also there are some coincidences in how the branch that the elderly man pulls out of his body looks, with the shape of candlesticks that some enemies fight with and the symbol on the black knight in the form of a pointed branch or rune. These all symbols are black and golden. Probably this is some kind of pro-erdtree faction, followers of the Great order and Marika. The color scheme echoes Marika and Maliket at least. From the voice lines we can assume that in this shadow realm there are followers or Erdtree faithful and those who opposite them, perhaps it can be even active conflict in present time and wars in the past.

Messmer.

I see for myself two working variants of his origin:

(1) Marika and Radagon. Since he has a rather distinctive appearance, the theory of butterflies in the game, where the smoldering butterflies actually refer to him, and not to Melina; more than that when he addresses to his mother and talks about Lordship, I don't think anyone other than Marika has the authority to make a man the Elden Lord; and in the scene with him, there is a statue of a woman with a child behind his back, the woman is difficult to see, but by the location of the bracelets on her arm, you can compare her with the statues of Marika in the main game;

(2) Gloam-eyed queen. The portrait of a woman with an elderly man refers to this, the woman in the picture with dark hair, she holds her hand on her stomach as if she is pregnant; Messmer has some similarities with the "children" of Gloam-eyed queen - the apostles; he uses a very strange black and red flame.

(3) The theories that Messmer is some part of Miquella or he himself look strange to me, considering that we have known for a long time from the main game that there was some other child of Marika that we don't know about, we just used to think this was Melina. According to the announcements, although indirectly, we can assume that this shadow world and Messmer existed for a long time, perhaps even before the birth of Miquella and Malenia, probably Messmer was exiled there for blasphemy or something like that.

(4) l also don't think Messmer is Miquella's son or Mogh and Miquella somehow had a child together. I think all the influence of Mogh in this dlc will be directly related to his influence on Miquella. I don't think he's affected the world around him, everything that happens in this world, I think should be the influence of the Crucible of life and Messmer directly, perhaps some other forces, but not Mogh.

I'm sorry all of this is such a mess, like in my head after trailer. I'd be glad to see your comment and theories too, maybe you can challenge some of my theories, it gives them extra development and I could add something later. So thank you for attention.

[rimeiii]

I return to WHB Tumblr to see how the game us doing and I see the fandom in shambles, damn. And after scrolling through the tag for a bit, I have...questions.

Yo how big is WHB now even? I stopped playing shortly after they introduced the paywalled Gabriel and that's one of the things I've seen several people complain about...

Like I understand the rest of the complaints - it's mostly the same complaints I've been having about the game prior to me quitting. Multiple decisions that seem to reinforce the idea that this game is heading down the P2W path, very anti-F2P practices in general, outrageous prices for the paid Nightmare Pass, no pity system on launch, the disaster that was the implementation of the Solomon's Seals gacha, the many bugs on launch especially, the small amount of farmable premium currency, and the list goes on...the pancake shop rework not only seems to be in line with the trajectory PB seems to be taking in terms of game decisions, but is also the straw that broke the camel's back for a lot of players.

But, uh, storage? Wasn't it like 2 GB tops on launch? That was reasonable I think, because Arknights was around that size on launch and back then, there was so little additional content. Only JP dubbing, no L2D E2 art or skins (the only L2D we had back then was Closure, the SHOPKEEP), 5 story chapters (which translated to 92 stages, in which around half have a Challenge Mode variant and with a large majority being unique maps), and no additional game modes.

For additional context, currently Arknights is ~6-7 GB on a fresh account with all language dubbing, and it gets bloated if you don't delete unused event data (it's ~9.7 GB for me and I have Arknights on my current phone ever since Near Light first hit Global, so just over 2 years now). Keep in mind Arknights is close to 4.5 years old in Global, and CN just celebrated their 5th anniversary a few months back.

Talking about storage, I don't think comparing WHB to older games and non-tower defense is fair either, since:

Older games in general are much easier on your device in terms of storage to content ratio and performance, mostly due to device limitations of the past requiring less sophisticated game mechanics and the devs sticking to these simpler mechanics even as time passes and technology gets more advanced. Gentle reminder that FGO is ~7 years old in NA, ~9 years old in JP, and ALSO doesn't download everything initially - afaik there's an option for that in the settings menu which bumps the total size up significantly (the wiki lists it as around 9-10 GB total).

Different genres and graphics mean different storage requirements. Anything 3D or open world will almost always have higher storage requirements compared to anything else. Path to Nowhere is around the same size as Arknights despite being younger due to the former using 3D models for their battle sprites, compared to the 2D chibis Arknights uses. Love and Deepspace, a ~5 months game, is huge because of how they do the cutscenes AND the stage-based action gameplay, but Wuthering Waves is closing the gap on size quickly despite being only ~1.5 months because it's an open world action RPG.

What I will say, though, is that WHB is not optimized well. Now I may be very unfair by comparing WHB to Punishing: Gray Raven, a game by the optimization gods known as Kurogames (people ran the PC PGR client on 2GB RAM laptops and my 4GB RAM laptop can run WuWa despite it using UE4 - an engine notorious for chugging on low end devices - albeit with lag spikes in the open world map), but when a 2D tower defense game fails to run as smoothly as a 3D action game with stylish and fast-paced combat, then we have a problem. For context, my 4GB RAM phone only has minor lag when I use a skill that has a lot of visual effects like Lee Hyperreal's Hypermatrix, but back when I played WHB I still experienced lag spikes when deploying units.

Again this all boils down to PB just not being used to the game format. Which is all well and good, Arknights was a huge departure from Girls Frontline too - a good portion of Arknights' devs worked on Girls Frontline before splitting off to work on Arknights. But what made Arknights succeed is how accessible and F2P friendly the game was, with smooth and solid gameplay as well as an engaging plot that discusses themes such as racism, discrimination, and the fragility of hope.

Of course you can argue that Arknights is a tower defense first, visual novel second. Unlike WHB, which is an otome game first, tower defense second. And I would agree, but only to a certain extent. Once you step into the realm of having Actual Combat Gameplay Elements then I believe it's your duty to make progression as reasonable as possible. Including a power gate is fine, but nothing too excessive - and certainly do not hold any significantly strong unit behind a paywall.

Because fun fact - in Arknights' entire runtime, there were only a handful of completely paywalled content:

Player icons from promotional packs for large events, particularly the Ambience Synesthesia concerts

Character skins from promotional packs, like the Exusiai and Guard Ch'en skins during the anime release

Purestream, a B4 Therapist Medic who was released as a WWF collab, where all sales from her $1 pack were donated to the WWF. Even then, she eventually became available for everyone, as she was later added to the Recruitment pool (use a resource obtained from Dailies for a chance to get units, some unique to the pool like Purestream). She was a decent healer, and her Module made her a good budget medic. Even then you're more likely using the Medics you've already built by then - for B4 budget options, Perfumer is usually better for multi-target healing and a party HP regen passive, while Sussurro is your go-to for strong single-target healing.

And guess what? None of these had any direct impact on gameplay during their paywalled period. Purestream wasn't even a B5 or B6 unit, yo. There are many better options for healers. I STILL USE THE B3 ANSEL AND HIBISCUS IN INTEGRATED STRATEGIES.

I'm just...PB's choices baffle me, and I do wish they can improve not just on the game performance standpoint, but in how they treat their playerbase in terms of in-game purchases. I hope I made that abundantly clear...

[ashenlavellan]

Final Thoughts on my 1st Blue Lions Playthrough [4/4]

First off - my apologies for spamming, as well as the fact that I could've waited until I finished since I zoomed through it so quickly towards the end.

[MAJOR THANKS - to those of you who had interacted with my earlier posts and did not spoil the Blue Lions/Azure Moon route for me.]

So, shortly after Fort Merceus - I'm genuinely surprised that we didn't have the whole, pillars of light and all that bullshit. As soon as we claimed it, I was nervously waiting for everyone to scramble out of there as everything went down... but then, it didn't.

Anyways, everyone comes rushing back to Garreg Mach - especially once there is word that there is a man waiting for his sentencing from Dimitri, claiming to have been part of the tragedy that took place upon Duscur - including all of Dimitri's loved ones.

Honestly, as more time passed on and more information came to light, I can certainly say that Dimitri's stepmother is not as innocent as we initially believed. Not at all. But I can't fully dwell on it since there was nothing else left - Arundel was killed back in Derdriu and Cornelia was killed in Fhirdiad. Two of the people with connections to Dimitri, as well as what happened in Duscur - now dead.

Anyways, skip forward a bit and before the entire confrontation in Enbarr, we have a tense conversation - Dimitri and Byleth v. Edelgard and Hubert... It was quite intriguing hearing her reasons as to why this war had begun, as well as Dimitri calling her out and claiming that her method and approach is simply self-righteous - regardless of those who are weak and are unable to fight back. I knew for a fact that this wouldn't end peacefully, [otherwise it wouldn't be a Fire Emblem game] but the fact that both leaders somehow come to an understanding as to why they're doing what they're doing... interesting.

Skipping forward to the final confrontation - I was NOT expecting the lengths that Edelgard would go, but I kept being surprised and was somewhat terrified. Luckily, her attacks from a distance hardly damaged Byleth and Dimitri... the only nuisance was Myson [Those Who Slither in the Dark] and his spell that could lower any of my units down to 1HP. That was annoying AF.

Dimitri and Byleth managed to easily take down the transformed version of Edelgard and the cutscene was... Man, it was shocking to say the least. In one final attempt, he wanted to try and make peace - at least to some extent - but the fact that she wanted to take advantage of that, especially with the dagger that's tied them together, made my blood boil. Especially Byleth's, based on her reaction.

It was ironic, though, in the end. Dimitri had caught on that she was purposely letting her guard down and as the blade pierced his shoulder, he had swiftly thrusted his spear into a vital organ and she slumped forward - dead.

My heart broke a little as they began walking out and he hesitated, wanting to glance back, but Byleth had caught his hand and they had shared a look... They walked out together, hand-in-hand, and my god...

It's so fucking obvious that the chemistry is there, regardless if Byleth romances him or not.

Don't even get me started on his S-support - my fucking god, I loved it so much. He starts listing off all of the reasons why he cares for her and what she is to him, and then -

"That is true. To me, you will always be the one who guided me so kindly. My ally through all. My beloved... Yes... My beloved."

EXCUSE ME?

[Look, I know that by the end of the game I had... {checks his stats] around +50 Charm for him, but my god.]

I fucking squealed as he began blushing and getting flustered once he handed Byleth the engagement ring and she hadn't answered. I, however, chose the option as she hands him the ring Jeralt had given her -

"What is this?"

"I love you, Dimitri. Marry me."

The look on his fucking face had me cackling - he was so surprised and embarrassed by the turn of events and his response had me smiling.

"Yes. I see. Right. In that case, let us exchange them, shall we?"

But before I could revel in the fact that he was embarrassed, it changed the screen to the S-support image and I fucking died. He's holding Byleth's hand close, looking at her with such a tender gaze, and he continued -

"Your hands... Now that I hold them within my own, I see how small and fragile they are. These hands that have saved me countless time... Thank you, my beloved. Your kind, warm hands... May they cling to my own forevermore..."

Sir... SIR?!?

I'm so glad that I finally gave the Blue Lions/Azure Moon route a chance [especially since I've owned the game since it's release date and never played any other route] - I don't know if I'll ever be able to play Golden Deer and witnessing the scene/moment where Dimitri's still consumed by his inner demons and grief, getting him killed shortly after the fighting at Gronder Field. It breaks my fucking heart that he only survives within his own route, but dies in the other...

Man, all of you were right about the emotional rollercoaster, but I feel like no one mentioned the inner turmoil I'll now experience if I play Golden Deer again and have to witness his death... It will hit so differently now, after playing this route and pursuing his S-support.

P.S. -

Thank you to everyone for watching me experience this rollercoaster of a playthrough and how some of you may have been laughing at my confusion or even thinking "Oh, just wait..." - I hope you got a good laugh or smile at my confusion/shock/etc. with this playthrough... I can see now why so many of you enjoyed it and I thoroughly enjoyed it too!

Thanks again for being so kind to a hardcore Golden Deer/Claude girlie! I hope to publish some of the ideas I have running through my mind for both characters - Dimitri Alexandre Blaiddyd and Claude/Khalid von Riegan.