#the emerald city of oz

[poppies-from-oz]

LAND OF OZ MASTERPOST

Now seems as good a time as any to remind everyone that all of the original fifteen Oz books are public domain and up for free online.

The Wonderful Wizard of Oz 

The Marvelous Land of Oz

Ozma of Oz

Dorothy & The Wizard in Oz

The Road to Oz

The Emerald City of Oz

The Patchwork Girl of Oz

Little Wizard Stories of Oz

Tik-Tok of Oz

The Scarecrow of Oz

Rinkitink in Oz

The Lost Princess of Oz

The Tin Woodman of Oz

The Magic of Oz

Glinda of Oz

Happy reading! 

[yellowbrickramble]

This chapter includes a musical number called "The Yellow Brick Ramble" because after all, where would Oz be without musical numbers?

Many people believe that because comics is an entirely visual medium, musical numbers don't belong in comics. Then there's me, who wrote a comic which not only had musical numbers, but a recurring theme song.

ANYWAY! The title illustration is, of course, an homage to one of the versions of the cover of The Emerald City of Oz. I don't like doing homage covers too often as they're a little overdone, but it's still fun to indulge once in a while.

If you like my comics, don't forget to subscribe to my Patreon! (link in bio)

[instantpansies]

the fact that dorothy chooses to make oz her home at the end of emerald city of oz is so important to me and i never see it in analysis :/ like yeah she decided to return home to kansas at the end of wonderful wizard!! but she couldn't keep away from oz!! she returned to kansas because she loved her family and felt that was where she needed to be but when her family started to despair and no longer wanted to be in kansas she took them to oz with her!!! she took them to the place that had become her home!!!!! and i just. oz is not a story of giving up on chasing a perfect world. it's not a story of trading in idealism for practicality. it's not a story of dorothy rejecting the feminist values she learns in oz for kansas domesticity (an actual thing i just read!!!). she returns because home is where the people she loves are. where she feels her duty is. and when the people she loves no longer love home, she brings them into her world. because oz is her world

i'm just tired of the same old "umm dorothy rejects oz in favor of a bland, familiar, domestic, normal life!! it symbolizes a rejection of queerness or modernity or feminism or ____ (insert value of oz) and a return to traditionalism!!" NO!!!!!! did you read marvelous land of oz??? she keeps a mirror so she can say hi to ozma every day!!! she never stops thinking about oz!!! she's devoted to her family but her heart is in oz!! SHE GOES BACK PERMANENTLY!!!! i just. augh.

[mask131]

So you want to know about Oz! (2)

In 1986, an anime was released in Japan: Ozu no Mahoutsukai (which is just "The Wonderful Wizard of Oz" in Japanese).

This animated series was an adaptation not just of "The Wonderful Wizard of Oz", the first Oz novel by Baum, but of all those that would follow! You had book 2, "The Marvelous Land of Oz", and book 3, "Ozma of Oz"... But then we jump to book 6, "The Emerald City of Oz", which forms the grand conclusion of the series. Book 4 and 5 were not adapted... completely cut out.

Why? Because these two books are, unfortunately, skippable.

Last time I left you on the enormous, ever-growing success of the original Oz trilogy. Now I want to present you... the curse that befell the creator of Oz.

L. Frank Baum wasn't just "the guy who wrote The Wizard of Oz". He was an author for children first and foremost, and he wrote a LOT of other books outside of his Oz stuff. His other most famous children work to this day, the only one able to rival his Oz creation, was his 1902's The Life and Adventures of Santa Claus, which was a work of fictional fundamental in the development of the modern image of Santa Claus:

But this was truly the only one of his other works that escaped the shadow of the Oz-mammoth... Before and in parallel to his Oz trilogy, Baum had written many other things. "Mother Goose in Prose", "American Fairy Tales", "The Enchanted Island of Yew", "Queen Zixi of Ix", "Sam Steele's Adventures on Land and Sea", "John Dough and the Cherub"... But none of these books became as successful or famous as his Oz novels. Worse: they sold really bad.

Everybody wanted Oz books. More Oz books, more Oz books! And while Baum had quite some fun working on "The Wonderful Wizard of Oz" and "The Marvelous Land of Oz"... he had never intended to serialize them. For him they were stand-alone novel, and that was done. But since his audience only asked for more Oz books, and disdained his other works, well, he had to do what paid! And so he continued the Oz novels... but with a certain "bad will" that clearly transpires in his work.

This already pops up by the third Oz book, "Ozma of Oz".

The first two Oz novels followed a specific rule: the story must happen in the Land of Oz, which is a magical land enclosed and shielded from the rest of the world. The Land of Oz is surrounded by a gigantic desert that one cannot cross unless exceptional events. Beyond this, is the human world... Yes, that's something people tend to forget: in his original vision for the Land of Oz, Baum wanted this magical land to be... somewhere on the American continent. Right in the middle of the 1900s American nations. Hence how a simple tornado can carry a little girl from Kansas to Oz... This is also explicitely told in the second book, where the characters cross the desert by accident, and discover "the world Dorothy came from".

But by Ozma of Oz, the rule was broken. Dorothy gets carried away by a storm in... a new land, the Land of Ev, who as it turns out exists outside of Oz, beyond the desert... Ozian characters cross the desert and join Dorothy in this new land, and most of the story is spent discovering this entire new setting.

While it is very pleasant and delightful to read, and brings some interesting worldbuilding, this already betrays the annoyance Baum was starting to feel towards Oz itself... He had written two novels taking place in Oz, and he was starting to run out of ideas. He had conceived two self-contained novels, two "one-shots" if you wish, and had no idea how to continue within Oz itself. So his solution was to take the characters everybody loved and wanted (he did brought back Dorothy in "Ozma of Oz" BECAUSE his audience kept asking him "Why wasn't Dorothy in the sequel?), but place them in a new "magical land" where he could have a breath of fresh air and work a new plot. This is what makes "Ozma of Oz" so interesting... But it was what would cause the start of the Oz downfall...

In 1908, Baum published "Dorothy and the Wizard of Oz", the fourth book of the Oz series. And a good part of this novel is... Dorothy, alongside the Wizard of Oz himself (who returns after his last appearance in the original novel), ending up sent into an underground realm, and exploring various magical chthonian lands as they try to make their way back to the surface... The last portion of the story does take place in Oz, mind you, but the bulk of the story is in random lands and realms Baum invented just for this book and never reuses later. Because at this point, Baum, who was stuck into doing Oz books but didn't want to continue Oz-stories, had decided to use a trick: only have the Oz protagonists but not the Oz land. Have Oz appear in the last chapters, but only after two thirds of adventures everywhere but in Oz. This was his way to still give what the audience wanted (more Oz adventures) without actually writing Oz books, but rather other fantasies that happened to connect with Oz...

This formula would be repeated with the fifth book of the series, which I'll talk about later, and unfortunately it creates a sincere drop in quality in those two novels. While very inventive, and entertaining to a certain extent (if you ignore some heavy doses of racism and old-fashioned xenophobia here and there), these novels are not as good or memorable as the original trilogy, and for one precise reason... They have no over-arching plot. They are just... travel stories. You have a set of characters, swept away into magical lands, travelling the lands, then partying in Oz and returning home. Gone is the "Quest to have our wish granted" of the first book, gone is the "national revolution mixed with a quest for a lost heir to the throne" of the second book, gone is the "let's save an imprisoned royal family" of the third book... Now it's just "Oh, looks like we randomly dropped into a fairy-land! Let's promenade a bit and then return home". An "Alice in Wonderland" type of non-plot, basically... but without the Alice in Wonderland charm.

Things are even sadder when you look at the fifth book of the series, "The Road to Oz".

At least with "Dorothy and the Wizard of Oz", there was a semblance of a mini-plot at the end, when everybody arrived in Oz. You had criminal charges and a trial, and competition-debates as to whether mundane or magical beings are better... But with "The Road to Oz"? You have literaly zero plot. The characters just get dragged from vision to vision, from land to land, and when they arrive in Oz, it is just to have a party, and then they literaly return home once it is over.

But the true desperation of Baum comes from this specific party... Because what Baum did in this novel was maybe the first "crossover event" of the history of American literature. All of the guests at the party are characters that never appeared before in any of the Oz books so far... They are characters straight out of Baum's other, non-Oz, children books! Characters from "The Magical Monarch of Mo", "Queen Zixi of Ix", "John Dough and the Cherub", and many other books you probably never heard about (and that the Oz readers at this point also never heard about!). Yet these characters were described in detail and given quite a space in the final act of the book...

This was because Baum was tired of Oz hogging all of the attention and money. He was so sad at seeing his other children works be forgotten and ignored by mass audience that he literaly decided to bring them into his Oz series in hope that it would interest his Ozian readers and encourage them to check out the other books he did. Yes you heard it right, this novel... as just an big ad for Baum's other books. That's how tired he was of Oz.

And, unfortunately for him, it did not work...

Cut to 1910. L. Frank Baum releases his sixth Oz book "The Emerald City of Oz"... that he also intends to be his final.

With "The Emerald City of Oz" we have the grand finale! Dorothy decides to leave Kansas and to settle permanently in Oz! She brings with her Aunt Em and Uncle Henry who are given a complete tour of the Land of Oz! Meanwhile the greatest and most terrible ennemies Oz ever faced gather for an invasion! And, in the final chapter, Glinda the Good Witch decides that enough is enough, Oz had enough troubles from the outside world: she casts a spell that will make Oz unreachable by anyone from the human world...

And thus, Baum with teary eyes says goodbye to his character, and encourages his audience to say farewell to Oz, as the gates of the Marvelous Land close forever...

THE END

...

Who are you kidding? No, not the end! Cursed, Baum was, CURSED! Despite him writing EVERYTHING needed for the grand, conclusive finale, despite him literaly writing "IT'S OVER GET OUT"... His other books didn't sell. His other series didn't start. And he kept being pressured by all sides to write more and more Oz books.

As such, by 1914... a seventh Oz book was made. Opening with Baum writing basically "Sigh... So you know how I told you no other Oz story could be made, because there's this magical barrier and I will never know what happens behind it anymore? Well... sigh... turns out they have radio, somehow? And so... double-sigh. And so I have broadcast in Oz, which means... you'll get more Oz books."

Next post: How we got a HELL LOT of more Oz books

[fanartbyherd]

Fan art for the wizard of oz I did on top of an assignment.

It’s not finished, but I’m done with the sketchbook it is in, meaning that it’s unlikely to ever be finished.

[joemerl]

Ozma, when an army of evil magical creatures are invading Oz:

Nick Chopper, whenever his team is threatened:

[nevertoomanyspiders]

finally finished reading The Emerald City of Oz and asfahsjfdshgjf. it certainly happened. (I started reading the damn thing in April and only just now got around to wrapping things up hhhh, got distracted by a bazillion things, including starting to make a webcomic, lol)

if I could describe the major plot events in one sentence it would be "what the hell that's so stupid, lol" but it certainly caught me off guard which, good.

what a book, man. the ending is also very "I'm done writing Oz books! I'm done! I'm done!" but Baum kept writing more of them nonetheless, lol.

Scarecrow having a nice house shaped like a corn cob was a nice detail though.

[the-patchwork-girl-of-oz]

WE NEED AUNTIE EM LORE

REBLOG IF AUNTIE EM DESERVES LORE

[merp-blerp]

This is kind of a silly suggestion, but imagine an Oz adaption where the Emerald City looks like one of those old futuristic city predictions that were made in L. Frank Baum's time.

From rarehistoricalphotos.com:

A Giant Roof over the city to protect from weather (maybe it helps create the illusion that the Emerald City is actually green in the first book?) ↓

Passenger Submarines ↓

Moving sidewalks ↓

Air travel ↓

From publicdomainreview.org:

Funny-looking trains (or mobile houses?) ↓

Funny looking boats ↓

A fireplace that doesn't need wood, just a candle (I think that’s what's going on here) ↓

From themetropole.blog:

More air travel, with a funky upsidedown bus/train ↓

I don't know, just a fun thought

[woozini-of-oz]

"He rushed to his big gong"

"The Emerald City of Oz" (1910) - John R. Neill

[showamagicalgirls]

Another thing I watched on the plane ride for this work trip I'm on were two random episodes of The Wizard of Oz (オズの魔法使い) from 1986.

I have tended not to think of isekai (異世界) stories as a part of this project, but, let me tell you, watching episode 44 from the portion of the series based on L. Frank Baum's sixth Oz novel, The Emerald City of Oz, truly thrilled me, so now I may be rethinking that to some extent.

[poppies-from-oz]

Words cannot describe how much I love Skottie Young’s Princess Ozma. 💕

[slashingdisneypasta]

Okay one more chapter and then we go to sleep.

*finished chapter* Okay, putting the bookmark in like a good girl now, g'nigh-

*sees the next chapter is another General Guph chapter* ... how dare you.

[kaixo-agur]

John R. Neill (1877-1943)

"The emerald city of Oz" 1910

[deltaruneappreciator]

YOOOOOOOO THEY ARRIVED EARLIER THAN WHAT THEY SAID THEY WOULD SO HAPPY RN

[magicaldogtoto]

Glinda's Spies

In the most recent chapter of my fanfic Parallel Worlds Record, I wrote that Glinda the Good Witch had familiars that helped her keep track of things going on in Oz (and the rest of the world). Anything they saw automatically got recorded in Glinda's Book of Records.

I thought I'd go ahead and explain how I landed on that idea, since it does show how I sometimes have to compromise or add on to bits of Oz canon to make them work in my fic (mainly because Oz has no real continuity, and some details just change from book to book).

Glinda's Book of Records is first mentioned in The Marvelous Land of Oz. Specifically in Chapter 20, "The Scarecrow Appeals to Glinda the Good." Glinda explains the book's power in this manner:

“I have in my library a book in which is inscribed every action of the Wizard while he was in our land of Oz—or, at least, every action that could be observed by my spies."

Glinda's Book gets mentioned again in The Emerald City of Oz. At that point (the second to last chapter "How Glinda Worked a Magic Spell"), it's magic is explained differently (and it's specifically called a Magic Book):

"As soon as an event takes place, anywhere in the world, it is immediately found printed in my Magic Book. So when I read its pages I am well informed."

Notably, this second explanation doesn't mention anything about spies. It seems that the book just writes down whatever happens in the world. If taken at face value, it makes Glinda come off very overpowered. (I've had to downplay the magic in Oz for the sake of drama in my older writings, too.)

So, in order to reconcile the two explanations--and keep Glinda from having a story-breaking power--I ended up pulling some inspiration from L. Frank Baum's other book, Queen Zixi of Ix. In that book, the title character (a centuries old witch who physically remains young through magic) is mentioned in one chapter to have command over "a great many of those invisible imps that serve the most skillful witches." Remembering that passage, it wasn't too hard to imagine that Glinda's spies were in fact magical beings, too.

Coincidentally, it's not hard to see familiars from folklore as the same archetype as the magical beings who Magical Girls tend to partner up with.

Hope that clears things up for anyone reading my fanfic; I'll probably explain more later on as I feel the need to.