#the band Adria

[neil-gaiman]

Hi, Neil! You've mentioned that Brian May was initially reluctant to give you permission to use Queen's music in the miniseries (because of competition with the Bohemian Rhapsody film, I think?) but I don't remember you ever telling us why he finally relented. Unless it involves a secret phrase not unlike why the sheep finally obeyed Babe the pig, how did you get him to change his mind?

He wouldn't let us use Queen when we did the BBC Radio 4 adaptation. He was concerned that people might think that Queen was being made fun of, or that Queen was being seen as something old-fashioned or something. For Good Omens the TV show I wrote him a letter, which said...

Dear Brian

Terry Pratchett and I had a private joke, back in the 80s, that any cassette in your car would eventually turn into Queen's Greatest Hits. We put the joke into our cowritten novel GOOD OMENS, and wove a certain amount of Queen magic through the book. Done because, pretty obviously, we love Queen. The book went on to sell enormous numbers over the years, and whenever two Good Omens fans got together, they would talk about Queen.

I know that when Dirk Maggs approached you when he did the Radio 4 adaptation of GOOD OMENS, you were wary about getting involved, due to concerns about, well cassettes, and the possibility of it positioning Queen in people's minds as something old fashioned or silly.

Which, I thought, when Dirk told me about it, was fair enough.

I've now spent the better part of the last four years writing scripts for, and shooting, a TV adaptation of GOOD OMENS. It stars Michael Sheen, David Tennant, Miranda Richardson, Adria Arjana, Michael McKean, Derek Jacobi, Jon Hamm, Nick Offerman, and lots of other amazing people, and it will be narrated by Frances McDormand. It is directed by Emmy-award-winning Douglas Mackinnon. 

Douglas loves Queen. I love Queen. David Arnold loves Queen.

And the millions upon millions of Good Omens fans around the world love Queen too. So we have put various moments in there just for them (including a brass band playing "Lazing on a Sunday Afternoon"). We want Queen music to comment on the action.

The show will come out from Amazon, and then from the BBC, next year. This year we are in post-production.

We'd love to show you some of what we've got. We'd love to pick your brains and to get your take on what we're doing. To find out if there's a way we can include you, or just brief you on what we've planned so far.

And Brian cheerfully apologised for having said no before, and said yes.

(Queen didn't want us to use the song Bohemian Rhapsody initially, because of concerns about the movie, but after a while they were happy even with that.)

[jokeroutsubs]

[📝ENG TRANSLATION] We spent a day with the band Joker Out with whom we talked about everything (including the new album)

Original article written by Tijana Čvorak for Vogue Adria, published 15.11.2024. English translation by IG marija_rocen, review by IG irenalemajic, @moonlvster, proofread by IG Gboleyn123.

Full article under the cut 👇

(Ph: Primož Lukežić)

It's Friday, late in the morning, my colleague Tesa and I met up at the agreed place, in the middle of the industrial zone. On one side there was a parking lot, and on the other an industrial hall and office buildings, a self-service laundromat, a small bar... And a blue metal door. Behind the door is the charming, cozy music studio of the band Joker Out, full of instruments, books and character. When we entered, a friendly voice greeted us from above, and when we looked up, we saw a smiling Jure Maček, the band's drummer, in the gallery.

We climbed the stairs to a platform with a fence, which was obviously the production chill corner of this studio. There were two sofas, a Biedermeier-style wooden table, which surely once graced a bourgeois living room from the 80s, and on the other side there was a table with a computer, an impressive screen and a small mixer. Delighted by the atmosphere and appearance of the studio, we learned from Jure that we're standing in a former garage and that, in addition to musical talent, he also has carpentry skills - because the wooden interior of the studio is actually the work of his hands.

(Ph: Mark Pirc)

Whether you're from this region or not, the media attention that Joker Out has been getting since performing at the Eurovision Song Contest has been hard to ignore. Since 2016, when they formed the band as teenagers, they have won several 'Zlata piščal' ('Golden Whistle') awards in the Artist and Newcomers categories and were nominated for a MAC Award for Best Regional Ex-Yu Rock Band. Their hit 'Carpe Diem' has a more than impressive 23 million streams on Spotify and is the third most popular Eurovision song. I remember when they performed in my town last summer, just a few hundred metres from my house, so I could listen to them with a glass of wine on the terrace. Even though I wasn't standing in front of the stage, I could feel the contagious energy they were spreading, and the singing and cheers of the audience seemed even louder and filled with euphoria.

While I was preparing for the interview, I found out that Joker Out are also popular beyond the borders of our region - at concerts abroad, the audience sings songs with them in the Slovenian language. Furthermore, I discovered that the release of their new music video for the song 'Bluza' was scheduled on the day of our interview. "Yes, exactly," Jure confirmed to me, "let's wait for the others, then we'll watch it together." Soon the other members of the band arrived, some visibly disheveled and sleepless, because the editing of the video lasted until late at night. By the time we all impatiently looked at the monitor, waiting for the new video to be displayed, it had already collected 6,000 views in just a few hours, while the song 'Bluza', since it was released on streaming services, had already reached more than half a million streams. 'Bluza' is one of the singles from the new album 'Souvenir Pop', which is being released today and it represents a sort of a musical diary of the past year and a half of their lives, from the performance at the Eurovision Song Contest onwards.

"The inspiration for the album were the events from the tour, love stories, even global geopolitical topics," laughs Bojan. "All the reflections and deliberations that happened to us in the past year and a half." They say that the new album differs from the previous ones primarily due to the fact that it's sonically much more diverse and richer with instruments.

"Apart from those usual clichés - the whole album is more mature, we've developed the sound and so on - with this album we didn't strictly stick to our own instruments, but rather experimented and explored with different instruments", Kris Guštin, the band's guitarist describes for us. On this album, for the first time, they recorded about half of the songs with Jan on keyboards. "And the lyrics are darker this time, more gloomy than on 'Demoni', so we went one step further there as well." Bojan adds that on this album, for the first time, they recorded songs written in three languages ​​- Slovenian, English and Serbian.

(Ph: Vita Orehek)

We asked him if he could single out any advantages or differences in writing songs in different languages, and he tells us that the language of a song is often dictated by the inspiration itself. "The story already comes with its own language and I don't like changing the songs just because they should be in another language. I don't want to adapt or distort the story as it is." He also discovered that he has different attitudes towards himself in different languages. For example, in Serbian, he says, he can be the most honest when he writes about love, while for the song 'Everybody's Waiting' in English, it's easier for him to be open and honest with himself about unpleasant feelings. On the other hand, it's most natural for him to talk about world and political topics in Slovenian.

The process of creating the album was described to us by bassist Nace Jordan: "The album actually started with the Eurovision song 'Carpe Diem', and after Eurovision and the tour, we moved to London for two months in January this year, looking for new inspiration for the future album. After the tour finished, we spent six weeks in two studios and finished the album with our producer Žarko Pak." Kris, for example, is most looking forward to performing the eighth song from the album 'Mesto duhov' ('City of Ghosts'), because the song contains many unpredictable moments. "I can't wait to hear it and perform it live on stage and see the reactions of the audience who will see it for the first time," he says. "Wow. I haven't even thought about that", Bojan comments. "I have," Nace and Kris answer in unison. We asked them what exactly they thought. "The song is actually a kind of psychosis, where the lyrical subject jumps from a very aggressive and melancholic state to a pompous, almost post-mortem atmosphere," explains Kris. "It seems almost like a funeral song that constantly jumps between the stanza and the chorus, changing the sound image, the tempo, the atmosphere, and, in fact, the whole attitude of the song."

"Not only is it fun to play, but it will also be challenging to practise." When asked which song gave them the most problems, they all unanimously agreed: 'Šta bih ja'. "It's a song that requires a precise fit of all elements, otherwise the song simply doesn't work," Bojan explains. "We couldn't find the formula to arrange all the elements correctly and we were searching for a solution for a long time." "We recorded it more than 130 times", Nace adds. "We're still not sure if it's a slow or dance song," adds Kris, and the guys laugh in agreement. "One or two attempts are usually enough for us - just right", Bojan concludes.

(Ph: Vita Orehek)

When asked about how they developed and changed as artists over time, Bojan smiled and immediately handed the microphone to Jan Peteh: "You can start, keyboard player." Jan, the band's guitarist, continued and explained how, during the recording of one of the songs from the album, 'Everybody's Waiting', they found themselves at a standstill with the arrangement, unsure in which direction they should proceed. But thanks to Žarko's solution, everything fell into place. Jure improvised on the drums on the verse "What a wonderful life", and Jan complemented him by playing electric keyboards. "We connected a Rhodes keyboard to the amplifier and since then, in fact, I've been playing both keyboards and synthesizers in our songs," Jan concludes. "Don't be so modest", Bojan adds and continues: "Actually, it was discovered completely by chance that Jan is also extremely talented on keyboards, which delighted us all. Even our producer Žare was impressed by Jan's approach to playing an electric keyboard, which doesn't happen often. Jan proved to be a great instrumentalist.”

If they could choose with whom to have their dream-collab musical collaboration, with any musician, living or dead, from our region or beyond, Jure would choose Dire Straits. The boys exchanged glances and agreed to choose a band together. At Nace's "Ready, set, go", they say "Buč Kesidi" in unison. "It would be great if we could collaborate with them," adds Kris. And I have to admit that I agree - that would certainly be their dream musical collaboration.

Since we learned all about their plans for the future, we were interested in what they remembered from the past. For example, memories of the craziest concerts that will remain in their memory forever. Jure recalls their performance at Belgrade Beer Festival. Before that, they had already visited Serbia, "but this was the first time after the performance at the Eurovision Song Contest. Even before we went on stage, we heard the crowd chanting "Joker Out" behind us. I couldn't believe what was happening. I think it was one of the best concerts.” Jan continues and highlights the Ruisrock festival in Finland and the Summer Well festival in Romania. "At both of them, we were also greeted with loud chants by an audience of approximately 8,000 people," he tells us, while the other band members nod their heads in confirmation. Kris also adds the performance at Exit festival in Novi Sad and recalls the feeling while watching the footage of that concert: "It's a particularly strange feeling when you see that endless sea of ​​people, which you're not even aware of while you're on stage." "Yes." Jure agrees, "Some concerts really knock you off your feet. That was one of those." Bojan recalls another one: "For me, it was crazy at Wkrwglca in Sežana." The others join in laughing. They start listing who they were performing with that night. "MRFY, VAZZ live, Jet Black Diamonds... there were several Slovenian performers who we met again and the audience was really warm", Bojan recalls. "I felt like I was at one of those nostalgic college parties from the 80s that our parents used to tell us about."

(Photo: Vita Orehek)

We finally got to the topic of fans, and as soon as we asked if they could share any interesting or crazy fan-related stories with us, the guys went quiet and thoughtful. "People ask this all the time, and we still don't have the right answer," Kris notes, which prompts laughter from the others. We learn that they're always met by fans at the airport in Finland, where they have quite a large fanbase, and how much that means to them. Then, completely casually, they mentioned the voodoo dolls they had received as gifts. Tesa and I just looked at each other, we had to find out more. "They made dolls of all the band members in our Eurovision outfits. We actually got them twice, but they were only presented as voodoo dolls the first time," Kris explains with a laugh. Some band members still keep their dolls safe at home, while Kris, for example, doesn't even know where his is.

While they tell us about events from the concerts, like the one where Bojan's jacket was stolen or where they had a backstage in the middle of the forest marked only by tape around the trees, Tesa and I wonder if there is anything that fans still don't know about the band. There's silence again, and I can almost see them jogging their memories with serious expressions. Then they remember - they don't like making music videos.

Namely, it always happens by chance that they shoot music videos in winter, and in rooms without heating. Or, let's say, the fact that Kris has a talent for finding trashy music, or as Bojan calls him - "the best music editor for trashy music". Surely even the most loyal fans don't know that if they were to choose a name now, it definitely wouldn't be Joker Out. Some members of the band don't like the name at all, and Kris adds that it calms him down that his father doesn't like his band's name either, so they almost comfort each other by listing bands they know have a similar story with the name. Speaking of the name of the band itself, we were interested in how the name Joker Out came about. Kris starts the story and explains that it all started in a group chat where everyone actually met, and of course, at some point, like every band, they needed a name. Someone suggested the word "Joker". Since that word was not enough, they also added "Out". The proposal received three likes and the name stuck. Bojan continues: "I remember we were thinking then - if Ota Roš says our name in Pop In and if it sounds good, then it's the right name."

(Photo: Vita Orehek)

Through talking and evoking memories, we've gone way back, to the time before Joker Out was created. At the age of eleven, Bojan was in his first band called No Name, which lasted only a few weeks and played only one song, 'Tears in Heaven'. After that, he was in the band Apokalipsa, which disbanded when, as he says, he "stole" Jan and Nace¹ from other bands, and that's how Joker Out was born.

¹There has been a mistake in the original article. This should say: “Bojan "stole" Jan and Kris from other bands”, not Nace as originally mentioned.

If they had to single out their favourite or most important moment in their entire career, Jan would choose their first concert at Cvetličarna, because it seemed to him that it was then that he felt the turning point in the band's recognition for the first time. It was their first big solo concert, two in a row, both sold out. "Even if we played at Madison Square Garden now, I don't know if it would be as big a step forward as it was then. I don't think I'll ever experience that kind of adrenaline again." Nace points out that the breakthrough moment for him was the concert in Dublin, when they performed abroad for the first time and the audience sang the lyrics along with them. Jure, on the other hand, says that he will never forget the moment of entering the Eurovision final, when everyone sat together on the couch and nervously waited for the result. There was only one spot left when they were announced as finalists and the name Joker Out appeared on the screen.

Kris concludes that he could hardly single out just one moment, because the whole of the year 2023, along with the experience of Eurovision and the European tour, was the best year of his life. Bojan follows up on Jan's words and says that the concert in Cvetličarna was also a turning point for him: "I have never felt such sincere and pure happiness as after that concert, when I cried continuously for at least 45 minutes. I simply broke down under the weight of all the emotions; all the people I love the most were there with me and then, maybe for the first and last time, I felt like the best thing in my life had just happened. Then I also announced a concert at Stožice, which really came true."

(Photo: Vita Orehek)

I can't help but try to imagine what they were like almost ten years ago when they formed the band, thinking about what they wanted to play and what messages their lyrics would convey. Whenever I have the chance to look at young people full of enthusiasm, who really love what they do, I root for them inside. And that is even more powerful when I see how much they have succeeded. There's no doubt that Joker Out have come a long way, and who knows, maybe a very difficult way to get to where they are today. They're currently the most popular Slovenian band, whose songs are sung by fans all over Europe, posting covers of their hits or interpretations of their songs in their own languages on TikTok. If there's anything left of those teenagers, it's the positive energy between them, mutual jokes, contagious laughter and sincere friendship.

Also, they've kept that modesty which you can feel when they talk about their successes and milestones in their careers and the respect they have for each other and for their work. At the same time, I can't help but imagine where else their musical path will take them. With their music and visual presence, they are undoubtedly the messengers of their generation, and the feeling that great milestones, successes and endeavors are ahead of them is almost palpable. Therefore, I can only congratulate the guys on all their achievements and the new album and wish them a big – Carpe Diem!

(Photo: Vita Orehek)

[pupsmailbox]

MUSIC ID PACK

NAMES ⌇　abby. ace. adagio. adam. adria. adrian. adriane. aero. alex. alice. angus. ann. anthony. apollo. ari. aria. ariane. ariette. avril. axl. axton. bill. billie. billy. blaze. bohemia. bon. brad. brian. bruce. cade. cadence. cadentia. cantrelle. charlie. cher. chester. chordelle. chordette. chordiene. chrissie. christine. cleo. cliff. coda. cosmo. crescenette. crescenne. cresciene. cruz. dahlia. danny. dave. david. dax. daze. dolce. dolcette. dolciene. dolciette. don. doremi. duff. dusty. echo. eddie. electra. ember. ensemblette. enslette. enzo. eric. estelle. faye. flash. fleetwood. florance. floyd. flux. forte. frank. freddie. geddy. geezer. gene. george. ginger. glenn. glimmer. grace. gregg. halen. halo. harmonette. harmonie. harmony. harp. hayley. helena. iggy. isis. izzy. jack. jasper. jett. jimi. jimmy. joe. john. juno. kade. kai. kairo. keira. keith. kian. knox. krist. kurt. larkin. larry. layla. liam. lindsey. lio. luna. lux. lyric. lyrical. mac. malcolm. maynard. medley. meliene. melodie. melodiette. melody. micheal. mick. mitch. moxie. muse. musette. musine. nancy. neal. neil. neon. nick. nicko. nicky. noel. note. notesie. notesy. nova. octavia. onyx. orchestrae. orchestraette. orchestraine. ozzy. paul. pax. pear. pete. peter. phil. piper. pulse. quest. randy. rave. rhea. rhythm. rick. ringo. riven. robert. roger. ronnie. rosa. rose. sabbath. sable. serj. sierra. sky. skye. sona. sonata. sonette. songbird. songesse. songette. songstress. sonia. sonic. sonnet. spark. steve. steven. stevie. strobe. symphonia. symponiette. talia. taryn. tempo. thom. tim. tom. tony. treble. trix. vibe. viola. violette. violiene. vyn. xara. zack. zeppelin.

PRONOUNS ⌇　aero/aero. ba/bass. band/band. base/base. beat/beat. black/black. blink/blink. bpm/bpm. chili/chili. crash/crash. cream/cream. cue/cue. cure/cure. door/door. dor/doremi. drop/drop. dru/drum. drum/drum. eagle/eagle. echo/echo. electric/electric. electro/electronic. fla/flash. flu/flute. flute/flute. for/forte. forte/forte. glo/glow. guitar/guitar. gun/gun. har/harp. heart/heart. hot/hot. hx/hxm. hy/hym. iron/iron. jam/jam. journey/journey. jump/jump. ke/key. kiss/kiss. la/lala. las/laser. loud/loud. ly/lyric. machine/machine. maiden/maiden. mel/melody. metal/metal. mix/mixed. mu/muse. mu/music. muse/muse. music/music. ne/neon. nirvana/nirvana. no/note. noe/note. note/note. oasis/oasis. oct/octave. pearl/pearl. pepper/pepper. perform/perform. pi/piano. pia/piano. piano/piano. pink/pink. queen/queen. ra/rave. radio/radio. rage/rage. re/reverb. red/red. reverb/reverb. rhy/rhythm. riff/riff. rock/rock. rose/rose. rush/rush. scorpion/scorpion. scream/scream. shred/shred. shx/hxr. shy/hyr. sing/sing. soe/song. soe/sonnet. sol/sola. song/song. spike/spike. stone/stone. string/string. stud/stud. sync/sync. tem/tempo. tempo/tempo. thxy/thxm. thy/thym. tra/track. tre/treble. treble/treble. trumpet/trumpet. tu/tune. tuba/tuba. tune/tune. vi/vibe. vio/violin. vocal/vocal. wa/wave. yell/yell. 🎤. 🎧. 🎵. 🎶. 🎷. 🎸. 🎹. 🎻. 🎼. 💥. 📹. 🔊. 🔋. 🔌. 🗯️. 🤘. 🥁. 🧑🏻‍🎤.

[kckatie]

Southern Gothic Music Festival

I spent last weekend in Athens, Georgia at the 2nd annual Southern Gothic Festival, where I saw ten bands in two nights. They sure were late nights for me. I'm still recovering from not getting enough sleep. But the bands were great!

Friday night's lineup was

Vincas

Panic Priest

House of Harm

The March Violets

Korine

Tears for the Dying

Saturday's was

Miss Cherry Delight

Deceits

The Chameleons

Vision Video

The rest of Saturday night was DJ'd by Dusty Gannon and Dan Geller.

My short descriptions are:

Vincas is a local Athens band with a swamp-rock psychedelic sound. They were alright, but not inspiring. I confess I like hearing the lyrics, and they seemed to be all drone.

Panic Priest is a post-punk darkwave synth-pop project of Jack Armondo, and was really excellent. He has a great sound, and a good stage presence.

I hadn't heard much House of Harm before the festival, but they are a Boston-based post-punk/synth-pop group. They seemed to want to play in darkness, yeah, it's goth, but still, really? I liked their sound, and I bought a CD.

The March Violets are one of the two reasons I went to the festival. They are a post-punk gothic rock band from the northern UK (Leeds). They started in 1981, and have taken some breaks. They used to be a four person band, and now they are three, but at least my favorite two original members are still with the band. Tom Ashton is an amazing guitarist. I spent a certain amount of their set just watching him play. Rosie Garland is a great singer, songwriter, and performer. She really commands the crowd when she's performing. And the new bass player, Mat Thorpe, was fun to watch, too, as he cranked out the bass along with delivering backing vocals.

I had a little chat after with Rosie, and we found we both like some of the same British electric folk. I mentioned Steeleye Span, and she mentioned June Tabor. We are of similar ages, and so have some similar musical influences. But the March Violets are my favorite Gothic Rock band.

Korine is an interesting electronic pop band. They were playing their guitars onstage, which was probably more visually interesting than playing their synths. I'd heard some of their music before, but hadn't really listened. They were good, and I bought a CD.

Tears for the Dying was the other reason I went to the festival. They are an Athens-based deathrock band, and I have really liked their sound for awhile. They don't tour that far from Athens, so when else was I going to see them? Adria, the singer and songwriter, is writing some of the best political deathrock today, especially focused on LGBTQ experience, and the current political climate.

Miss Cherry Delight is a shock rocker from New York. I'd seen some video and heard some music, so I wasn't shocked. I'll just say she's good at what she does, and she's not to my taste.

I'd heard of Deceits before, but hadn't listened to them. I really, really liked their instrumental sound, which is a very '80s style gothic sound, but was less fond of the lead's singing style. The lyrics were good, but he tends to deliver a line, play a bit, deliver the next line, play a bit, etc. Nothing wrong with that, and I suppose it might grow on me. Other things have, such as drum machines, which I used to hate.

The Chameleons are a post-punk band from the northern UK (Manchester). They delivered a great performance, and had the crowd in their hands. I wasn't going to buy vinyl and try to get it back home, but they had "Strange Times" on CD, and we bought one.

Vision Video played last, and they are the local big goth band. I've seen them several times when they've come through my area, and they're great people as well as being great musicians. Dusty is one of the few goth musicians writing current protest music, and he does it very well. Emily knocks out solid synth, and great backing vocals, and I always like it when she sings lead, whether on her song "Comfort in the Grave", or a cover.

We were pretty tired after two late nights, so we didn't stay long after Vision Video's set.

It was fun. I met a lot of people. I would consider going again!

[justinspoliticalcorner]

Adria R. Walker at The Guardian:

On Friday, Joe Biden formally apologized for the United States government’s role in running at least 523 Indian boarding schools. His remarks were given at the Gila Crossing community school outside of Phoenix, Arizona, and marked his first visit to Indian country as president.

“After 150 years, the United States government eventually stopped the program,” Biden said. “But the federal government has never, never formally apologized for what happened – until today. I formally apologize, as president of the United States of America, for what we did. I formally apologize. That’s long overdue.” “Federal Indian boarding school policy, the pain it has caused, will always be a significant mark of shame, a blot on American history,” he said. “For too long, this all happened with virtually no public attention.” Indian boarding schools were run with the express goal to “kill the Indian in him, and save the man”, a phrase coined by the army officer Richard Henry Pratt, who founded Carlisle Indian boarding school, the first federally run Indian boarding school. From 1819 to 1969, in what Biden called “one of the most horrific chapters in American history”, the US government directly managed or funded Indian boarding schools in nearly 40 states. The schools, at which formal education was limited, forcibly and systematically stripped Indigenous children of their culture by removing them from their families and communities, forbidding them from speaking their languages and, typically violently, punishing them if they resisted.

A US Department of the Interior report released earlier this year found that at least nearly 1,000 Indigenous children died in the schools. Sexual violence was commonplace. Dr Denise K Lajimodiere, an enrolled citizen of the Turtle Mountain Band of Chippewa and one of the founders of the National Native American Boarding School Healing Coalition, wrote that the “boarding school era represented a deliberate policy of ethnocide and cultural genocide and human rights abuses”. “Some of our elders who are boarding school survivors have been waiting all of their lives for this moment,” said Stephen Roe Lewis, the Gila River Indian community governor. “If only for a moment on Friday, this will rise to the top, and the most powerful person in the world, our president, is shining a light on this dark history that’s been hidden.” No president has ever apologized for the abuses that tens of thousands of Indigenous children faced in the schools.

On Friday, President Joe Biden gave a formal apology for the US Government’s role in creating boarding schools for Native Americans by calling it “a blot on American history.” The boarding schools served to forcibly assimilate Native Americans and abuse if they resisted assimilation.

[providencepeakrp]

CHARACTER INFORMATION:

Character Name: Matty Foster.

Type of Connection: Ex-Girlfriend (wife?) from Philly.

Connection Name: UTP.

Connection Age: 30-35.

Suggested FCs: UTP! If you need suggestions, maybe: Adria Arjona, Emma Watson, Diane Guerrero, Teyonah Parris, Pallavi Sharda.

CONNECTION DESCRIPTION:

Foster ended up in Philadelphia around the time he was 18 after hitching a ride across the country with a band. Shortly after arriving in the city, he met WC — and she convinced him to stick around for a few years. They were a total roller-coaster — very up and down, in no small part because Foster was incredibly passionate, but also definitely had a lot of trauma he didn't want to deal with... He never said 'I love you,' even though he obviously did, and they were both probably quick with an 'I hate you' whenever there was a fight. I also really love the idea that they got married on a drunken whim, and have never dealt with it since. Very much just totally young and chaotic; she was his first — and last — attempt at a 'serious,' 'adult' relationship. The reason why they eventually broke up for good is up for plotting, but Foster left the city immediately afterwards and has been pretty nomadic ever since. This connection can range anywhere from moderately humorous to soul-destroyingly angsty. Hit me with any ideas you've got! Some dumb lil vibes: x x x x

Do you need to be contacted before someone applies? Yes Please!

[selfsabotaqe]

throwing out a bit of a  plotting call out here, because i’ve been having a lot of muse  &  i would love to meet new writing partners to write with on  tumblr. i am willing to both use my ocs  &  create new muses for you privately. something i am really looking for is something  long term but slow paced.  sometimes it takes me a long time to get to replies, not because i am not interested but because i don’t have as much mental space to write. i’ll be around plenty in tumblr dms  &  on discord, where we can always chat, headcanon and plot our ships further. as for plots and ships, i am particularly looking for  slice of life  and  mlm and wlw  but i am open to a wide variety of plot types  &  also am open to playing or playing against any gender, with any mix of pairings. beneath the cut i’ll list some basic info from my main ocs and some faceclaims i would like to use  &  my rules can be found in my pinned post. if you’re interested, simply like this post  &  i’ll come message you!  🤭💗

♡     ◞        main ocs.

nadiye güzelcan   —   aslihan malbora, 24 to 28, phd student in astrophysics. max lockhart   —   lorenzo zurzolo, 19 to 23, college student or professional soccer player. adela “addie” ortega   —   lizeth selene, 22 to 25, bassist in a feminist punk band. luca calderón   —   froy gutierrez, 22 to 25, college student. aera sun   —   im jinah, 28 to 33, pediatric nurse. ** lale sayar   —   ozge yagiz, 23 to 27, college student  &  aspiring romance author. ** devrim yildiz   —   emre bey, 23 to 27, twitch streamer. leonora “leo” langford   —   maia cotton, 20 to 25, college student or classical musician. ** kiran desai   —   dev patel, 30 to 35, high school history teacher. emre kilic   —   serkan cayoglu, 35 to 38, pr manager. teresa hazen   —   dakota johnson, 30 to 35, mechanical engineer. **

** indicates there’s alternative faceclaims for this muse, you can ask for them. in general i’ll often be very down for adding new faceclaims for my muses, but these already have options. sometimes that includes older verses as well !

♡     ◞        fcs i want to play.

greta onieogou, katie douglas, davika hoorne, chase sui wonders, madelyn cline, julia dalavia, melisa pamuk, im nayeon, camila morrone, adam dimarco, michael evans behling, felix mallard, sila turkoglu, hazal filiz küçükköse, simay barlas, samantha logan, berk cankat, renee rapp, gong yoo, priscilla quintana, anya chalotra, mookda narinrak, ni ni, oktay cubuk, danny ramirez, freddy carter, janhvi kapoor, parveen kaur, ayca aysin turan, simone ashley, melissa barrera, apo nattawin, bruna marquezine, calahan skogman, hande ercel, rudy pankow, maia reficco, win metawin, cody christian, drew starkey, wolfgang novogratz, logan lerman, chay suede, lucas bravo, grace van patten, yang hyeji, kim doyeon, zoey deutch, jessica alba, khadijha red thunder, bensu soral, elias kacavas, ryan destiny, savannah lee smith, giuseppe maggio, zethphan smith gneist, giancarlo commare, melis sezen, maya hawke, casey deidrick, alex landi, raymond ablack, daisy edgar jones, adria arjona, maris racal, maude apatow, hafsanur sancaktutan, manny jacinto, banita sandhu, park sooyoung, gemma chan, neslihan atagul, bright vachirawit, zendaya, brittany o’grady, antonia gentry, nathalie emmanuel, zorzo natharuetai, carmela zumbado, cierra ramirez, megan suri, auli’i cravalho, brianne tju, nailea devora, song kang, geraldine viswanathan, wawwa nicha, bahar sahin, rafael silva, bensu soral, park chaeyoung, charithra chandran, lily james, michael cimino, thomas weatherall, josh heuston, alex fitzalan, jessica lucas, nam joohyuk, wi ha joon, janella salvador, emilio sakraya, dylan minnette, oliver jackson cohen, kennedy walsh, ashley moore, alicia vikander, nathasha liu bordizzo, camila queiroz, daniel sharman, alisha boe, yasemin yazici, jennie kim, nychaa nuttanicha, aslihan malbora, halle bailey, baifern pimchanok, lee hojung, kiana madeira, courtney eaton, cemre baysel, sean teale, evan mock, sarah gustafsson, stephanie hsu, adeline rudolph, jacob elordi, adam brody, lorenzo zurzolo, diane guerrero, aly michalka, evan roderick, madison bailey  &  jessica alexander.

[metaladdicts]

JASON MOMOA Gets In the Mosh Pit At PANTERA's SoFi Stadium Concert (Video)

John Travolta, Jason Momoa, Adria Arjona, and Tom Sandoval from Vanderpump Rules were spotted at METALLICA‘s performance at SoFi Stadium on Friday, August 25. The first of two concerts featured PANTERA and MAMMOTH WVH as opening acts. The follow-up concert on Sunday, August 27, is set to have FIVE FINGER DEATH PUNCH and ICE NINE KILLS as the supporting bands. Just today, Charlie Benante, the…

[rivetgoth]

I went to my first show last night, went specifically to see my favorite band who was playing, Tears For The Dying, and MAN was it fun, I was too nervous to really dance with the first two acts bc it was darkwave so I just swayed with my arms awkwardly but the stage presence of the first act was incredible when TFTD started I felt so ALIVE like skanking and slam dancing with like the very few of us brave enough to really feel it and dance RULED

And after the show I looked at the merch booth for TFTD and got a print, and the person manning the booth was like "do you want a picture with Adria (the singer)?" and I was like internally screaming with joy and she was so nice I got her autograph and a few pictures and I got to tell her how much her music means to me and I even hugged her like GOD this ruled

and as my partner and I were leaving, the person who was manning the merch booth ran up and was like "Adria wanted to know if you'd like this" and gave me the setlist and I damn near cried

I want to go to more shows but I am afraid of going alone, I went to this one with my partner

sorry this is random i needed to share my joy

Ah that’s so cool! I’m glad you had such a good time at your show :) That’s cool you got a picture and hug with the singer too, I always love asking musicians for a hug 🥺🖤 They’re never obligated of course but it’s really cool when they do!!

Going to shows alone can def be stressful, I feel a little bit of those nerves whenever I go to concerts alone even now and I’ve been going to ‘em for years and years and have seen over 100 bands lol, some alone and some not. I just recently went to a show alone for the first time since December or so and I was definitely kinda nervous beforehand! It’s just kinda stressful to be out on your own and I come from the background of having a LOT of social anxiety that I’ve had to work through as an adult. It’s a muscle you sorta build over time in my experience, you gotta start somewhere and just kinda throw yourself into these sorta stressful/uncomfortable (but ultimately safe!) social situations and in time you get more and more comfortable with it, and also kinda get to know yourself better and build more confidence in the process tbh. It’s a practice thing like anything else really, and the cool thing with concerts is that there is an obvious incentive to work through the anxiety since it’s to see a show, plus there is something to focus on so you don’t have to be a master Socializer, you can just chill and watch the show and not worry too too hard on anything else. And next level is if you’re going to the same/similar genres in the same city long enough you’ll start meeting people so even if you go to a show alone you’ll probably be able to start finding people at the show you recognize. 😈

BUT yeah lol, I’m glad you had fun dude!! 🤘

[krispyweiss]

Tom Leadon Dead at 70

- Guitarist was co-founder of Mudcrutch and Silver; played with Linda Ronstadt; and co-wrote for the Eagles

Tom Leadon, the guitarist and bassist best known as co-founder of Tom Petty’s first band, Mudcrutch, died last week, his family said.

He was 70.

“It is with great sadness, but profound love and gratitude for his life, that the family of Tom Leadon … announce his passing on March 22, 2023, peacefully of natural causes,” they said in a statement.

Leadon co-founded Mudcrutch with Petty and other future Heartbreakers in 1970. He left just before the band signed its first record contract but was onboard when Mudcrutch released its 2008 self-titled debut and its 2016 followup, Mudcrutch 2.

Leadon “was the reason Tom reformed Mudcrutch, so that the band could enjoy more time and more music together,” Petty’s daughter Adria Petty said in a statement.

“Tom loved him deeply.”

As did Mike Campbell, who eulogized Leadon as “my deepest guitar soul brother” and recalled the “countless hours” they spent playing guitars and learning from each other.

“A kinder soul never walked the earth,” Campbell said. “I will always miss his spirit and generosity. Sleep peacefully, my old friend.”

The brother of former Eagle Bernie Leadon, Tom Leadon co-wrote “Hollywood Waltz” from One of these Nights. He played bass for Linda Ronstadt and recorded one self-titled album with Silver, a group that included future Grateful Dead keyboardist Brent Mydland, in 1976.

Silver had a minor hit with “Wham Bam” and Leadon’s former bandmate John Batdorf said he was “saddened” by the news.

“Sending heartfelt condolences to (Leadon’s) family and all that loved him,” Batforf said.

3/27/23

[jokeroutsubs]

📝 ENG Translation: Joker Out: "We perform only for a loud audience".

Article from City Magazine, Serbia.

ENG Translation:

We perform only for a loud audience

Loud, fun, with dancing and a pinch of sequins

We don’t remember when a band jumped several levels of the music scene so quickly, and flew into the most popular in the region ,like the Slovenian band Joker Out.

The popular Slovenians sold out a concert at Dom Omladine in just a few hours, so another date had to be added. Belgrade will welcome them on the 2nd and 3rd of November.

The guys are still on the fence about their fans, when the female fans throw teddy bears on stage, as well as bras. Their audience consists of girls of various ages, but even the parents have heard about them after this year’s Eurovision, when the guys won the hearts of Serbia, which in return gave them 12 points.

Even though it seems to us that everything happened quickly, the band’s frontman Bojan Cvjetićanin didn’t agree with us and told us they’ve been performing at this level for a few years already.

From here we started our short interview, before he and the band ran onto the stage in Belgrade and had an absolute blast.

“In Slovenia we’ve been working at a very high level as a band for at least two or three years already. But we’re still proud of how we’re leading the whole band. We’ve gathered a team that’s like a family to us, so we’re all trying to do things to keep that childish enthusiasm to the max. We’re still very happy and smiling children.” Bojan tells us and continues on that he knows he’s still a “happy child”.

“Even now, when we get to the soundcheck, I behave the same as when everything started. We run out of the van, set up our equipment, joke around, consult with the sound engineers… ”

I asked him what they do when they’re not rock’n’roll stars, but the rock’n’roll star got a little embarrassed at that. However, I asked him to be serious, because it wasn’t me who filled the space in front of the main stage at Arsenal fest this summer, but him.

“We really hang out a lot, and when we’re free, outside of gigs, we spend time together. We love to go fishing.” answers Cvjetićanin and adds what everyone always asks of him; what ‘Carpe diem’, from the name of their biggest hit, means to them.

“All of that time spent together, when we always have new ideas, and where we’re never bored, which also represents a part of that childish enthusiasm. Carpe diem, that’s our day when we’re together.”

A serious career in the west is opening for the guys. In addition to their notable Eurovision performance, this year they collaborated with the famous Elvis Costello. Because of this, and the quality and popularity of their songs, they had a nearly sold out tour in Great Britain, as well as Poland and Scandinavia.

“We haven’t really considered collaborations, with Elvis it came organically. He’s a big inspiration as a musician, and at the very top there’s not many above him. Of course, there’s people we’d love to collaborate with, but as I said, if something happens on its own, then that’s it.”

Regardless of the jump to the west, they haven’t forgotten about the first steps and the people they looked up to at the start, so they always take the chance to mention bands like Siddharta or Da Phenomena, which will be familiar to those who watched and enjoyed MTV Adria.

Lastly, we asked them which bands from the former Yugoslav republics they would bring on tour with them, if they could.

“Of course, from Serbia it has to be Buč Kesidi, Vojko V from Croatia, Who See from Montenegro. We’d bring the young Slovenian band MRFY with us as well. Now, I’m not familiar with a lot of the Macedonian music scene unfortunately, and from Bosnia… (after a long thought and with loud laughter) Hari Mata Hari.”

I had to ask the classic reporter question before a gig, a little twisted though, what do you expect when performing? “I don’t expect a quiet crowd. And I really wouldn’t like for someone not to have fun while we’re performing.”

I’m sure it’ll be exactly like that. Loud, fun, danceable, with a pinch of sequins.

Scan by: IG Safursey (cover picture) & IG Komplijovana (pic 2 & 3)

Translation cr: @moonlvster

[ofcourtfables]

𝒇𝒆𝒂𝒓 𝒏𝒐 𝒆𝒗𝒊𝒍. 𝒇𝒆𝒆𝒍 𝒏𝒐 𝒑𝒂𝒊𝒏. welcome MISSA, you have been accepted into ofcourtfables. please have your account in within the next 24 hours or you risk your roles and face claims. also take a moment to look over our checklist.

‘ adria arjona, cis woman, she/her, 31 / 310 , fae ’ ― cauldron save you. it seems VIOLETA SOMBRA has been teleported to the dusk court, the MERCENARY from NIGHT COURT is said to be PRAGMATIC and is said to describe themselves with FINGERS THROUGH HAIR, DRIED BLOOD AND SPILLED LIQUOR, THE INTIMACY OF A SECRET, THE ROMANTICIZATION OF DESTRUCTION, and with all of this in mind their JADED nature always seems to get them into trouble. may the mother hold them as they navigate this unthinkable time. ; written by missa. * filling one of aydin draven's band of heathens wc.

[ladiesinrock]

In Flames + Lacuna Coil: una data in Italia a giugno 2025

Grande ritorno in Italia per gli IN FLAMES, una delle formazioni di swedish metal più amate dai fan.La band guidata da Anders Fridén suonerà a Lignano Sabbiadoro (UD) presso l’Arena Alpe Adria domenica 15 giugno 2025. In apertura di serata saliranno sul palco i LACUNA COIL e un’altra band che sarà prossimamente annunciata. Dettagli IN FLAMES+ LACUNA COILdomenica 15 giugno 2025 – Lignano…

[micro961]

Gloria Rogato - Il nuovo singolo “Tornerà”

Il brano è un dipinto sonoro del dialogo fra due anime

La cantautrice Gloria Rogato pubblica il suo nuovo singolo “Tornerà”, disponibile dal 12 luglio 2024 sugli stores digitali e, dal 25 ottobre 2024, nelle radio in promozione nazionale. Si tratta di un vero e proprio dipinto sonoro del dialogo fra due anime: una di queste non ha più un corpo terreno a causa della guerra, che le ha portato via tutto. L’anima ripercorre i momenti della sua vita e, nel frattempo, si domanda come potrà tornare nei luoghi dove ha vissuto ed amato, guardandosi attorno e provando a perdonare. L’inizio del brano è scandito dalle armonie del pianoforte e della chitarra, che sorreggono un mare di voci riverberate, creando un effetto di distacco dalla realtà. Con l'entrata della voce principale, si instaura un dialogo con una persona non definita, che dipinge gli avvenimenti della sua vita, ciò che ha visto e che ha vissuto. La musica, di contorno, si definisce negli arrangiamenti in maniera sempre più nitida e incalzante, per entrare nel vivo di questi ricordi rivissuti insieme. La narrazione procede con una fase descrittiva dei ricordi e delle visioni di quest'anima, empatizzando e riflettendo, diventando consapevole del dolore vissuto dall'altra parte: "Ma abbiamo perduto questa pura innocenza, e cuciamo la pelle con la resilienza di chi viene al mondo per perdere tutto, e dimentica i sogni dove non c'è ritorno". Il tema strumentale, proposto all'inizio all'unisono da chitarra e pianoforte, viene ripreso da questo mare di voci che, in maniera corale, si fanno eco di un destino che le accomuna. La climax del pezzo viene raggiunta nel finale del brano, con il fatidico quesito: se potrà mai quest'anima tornare a casa sua e trovare la forza di perdonare.

Ascolta il brano

Storia dell’artista

Gloria Rogato è una cantautrice e musicista, classe '95, proveniente dal rodigino. Inizia a studiare musica all'età di undici anni, compiendo dapprima un percorso di chitarra classica presso il Conservatorio "A. Buzzolla" di Adria, passando per i corsi di canto e pianoforte moderno della scuola di musica AMF di Ferrara ed infine diplomandosi al triennio di Musica applicata alle immagini e di Popular Music (Canto Pop) del Conservatorio di Rovigo "F. Venezze". L'attività in campo musicale di Gloria riguarda prevalentemente lavori di arrangiamento, composizione, registrazioni vocali come solista e corista, performance live di musica inedita e cover, produzione musicale: nel 2022, registra col progetto The Seed due EP di Madrigal Songs per il compositore Gian Luca Baldi, in arte Bludicaos. Dal 2023, lavora come corista e arrangiatrice della sezione cori per la band Black Foot, un gruppo emergente di 12 elementi che rende omaggio alla grande musica Soul e Funk, dagli albori ai giorni d'oggi. Attualmente è impegnata nella produzione del suo progetto di musica inedita, ovvero dei suoi brani in lingua italiana ed inglese, che seguono il filone del nuovo cantautorato e dell'alternative rock, dalle sfumature indie e talvolta R&B. Il sound dei suoi brani trova definizione nell'intreccio delle linee chitarristiche con l'armonia e i suoni delle tastiere e del sintetizzatore, legati da una solida sezione ritmica formata da basso e batteria. La vocalità, delicata e chiara, ha caratteristiche affini a cantautrici come Aurora o Tori Amos. Il progetto di inediti di Gloria viene definitivamente avviato dal 2019 dopo l'incontro al Conservatorio di Rovigo con i musicisti che l'accompagneranno fino ad oggi. Il gruppo prende una forma definitiva nel 2022 e si esibisce nei locali e nei palchi della zona per far conoscere la sua musica: nel 2023 partecipa alle esibizioni live di Milano indette dalla Fondazione Estro e registra tre brani inediti presso lo studio "Il Cortile". Successivamente, partecipa al tour del Progetto Gadenz, presentando all’Unisono Jazz Club di Feltre il suo repertorio inedito. Nel 2024, pubblica due singoli, "Continuerai" e "Tornerà". Da marzo 2024, entra in gara per il Premio Giovani di Amnesty del concorso "Voci per la libertà – Una canzone per Amnesty" con il brano inedito "Tornerà"; verrà poi chiamata come ospite, il 21 luglio 2024,  sul palco di Voci per la libertà a Rovigo, in apertura alla performance di Diodato, per presentare alcuni dei suoi brani inediti.

YouTube: https://www.youtube.com/@gloriarogatomusic

Instagram: https://www.instagram.com/gloria_rogato/

Facebook: https://www.facebook.com/gloria.rogato?locale=it_IT

[greensparty]

Movie Reviews: Heartbreakers Beach Party / Woman of the Hour

This week I got to review 2 very different movies: a long lost documentary getting a special 2-night screening this week and a new based-on-a-true-story thriller premiering on Netflix this week.

Heartbreakers Beach Party

During the 1982-83 era of Tom Petty and The Heartbreakers they went on their tour cycle for their fifth album Long After Dark (watch for my album review of the re-release later this week) and during the tour, they documented it on 16mm. Some of the footage was featuring in an MTV special, which became a cult classic even though it aired only once. I remember seeing some of the footage pop up years later in the MTV Rockumentary on Tom Petty. This lost 16mm film is finally being released for the first time and it's being presented as "Cameron Crowe's First Film". It's a gray area if that is in fact true or not since Fast Times at Ridgemont High, which he wrote, was released in 1982 and Say Anything, which he directed, was released in 1989, but indeed, the former Rolling Stone writer did direct this documentary and is featured interviewing Petty! The doc, along with 20 minutes of outtakes and modern day recollections of Crowe, is finally being released as Heartbreakers Beach Party in a special 2-night screening at select theaters on October 17 and 20 (which would've been Petty's 74th birthday).

movie poster

For context, in the 1970s when Crowe was a teen he began working as a music journalist for Rolling Stone covering the big acts of the era. This was, of course, the basis for his masterpiece Almost Famous. Music has always played an integral role in Crowe’s prior films, i.e. Peter Gabriel being blasted from a boombox in Say Anything, the Seattle music scene as the backdrop to Singles, Bruce Springsteen’s “Secret Garden” as the romantic heart of Jerry Maguire or in the case of Almost Famous music isn’t just the backdrop, it’s the star of the film, front and center. After getting into screenwriting and later directing in the 80s, Crowe was still in the music world. He directed the 1983 music video for Petty's "Change of Heart" off of Long After Dark. In the years that followed, Crowe even added Petty songs to his movie soundtracks including "Free Fallin'" in Jerry Maguire and multiple songs in Elizabethtown. In the last few years, it's been cool to see Crowe balance narrative films with documentaries, notably his excellent Pearl Jam Twenty, so it's bittersweet to see him look back at his time with Petty. I'm a big fan of Crowe and it's always exciting to feel his passion for music running through his work. One of the highlights of my blog was when Crowe actually liked one of my tweets in 2020.

Crowe and Petty in 1983

The doc, co-directed by Crowe, Doug Dowdle and Phil Savenick (1952-2024), shows the band on the road, promoting the new album and some live performances. MTV apparently pulled it after it's one airing at 2AM because they felt it was too experimental, which is ironic as it seems like a straight-forward promotional special by today's standards. The footage of young Crowe talking with Petty is a joy to discover: a legend talking with a legend as they cruise around L.A. I wish there had been more of that. The live performances are great, but many of them are only snippets and not full performances. I never got to see The Heartbreakers live, but I did get to review the 2022 live release Live at the Fillmore, 1997 (which the Top Petty website actually shared on their website!!!), and it made me wished I had seen them live when I had the chance. The interviews with The Heartbreakers were mostly on the set of the "You Got Lucky" video. As I mentioned I had seen some of this featured in the MTV Rockumentary, notably the on-the-bus performance of "I'm Stupid". The special itself is about 1 hour and then they have about 20 minutes of outtakes interspersed with 2024 footage of Crowe with Petty's daughter Adria (a noted filmmaker I might add) talking about the documentary.

The film itself feels like a DVD featurette as opposed to a fully formed documentary, but the goal doesn't appear to be to make this into more than what it is, but to celebrate the long lost footage and what this moment was for The Heartbreakers at this point and time. This serves as a tribute not only to Petty who died in 2017 but also to bassist Howie Epstein who died in 2003.

For info on Heartbreakers Beach Party

3.5 out of 5 stars

Woman of the Hour

Anna Kendrick has been a secret weapon for quite some time. Mainstream audiences might know her for the Twilight, Pitch Perfect and Trolls movies, but she definitely earned her Oscar nomination for Up in the Air and has also continued delivering solid supporting roles in movies like 50/50 and Drinking Buddies. Now she's made her directorial debut with Woman of the Hour, a based on a real life crime thriller that lands on Netflix and limited theatrical release this week after playing festivals since the 2023 Toronto International Film Festival.

movie poster

Not only does Kendrick direct but she stars as Cheryl, a struggling actress in 1978 Hollywood. After going to auditions and barely able to pay her rent, her agent books her a spot as as the bachelorette on The Dating Game. I know - hard to believe some of the contestants on that cheesy dating game were actors, right?! One of the bachelors on this particular episode is Rodney Alcala (Daniel Zovatto), a serial killer who had already murdered five women by the time of this taping. The film cuts around to various encounters Alcala had before and after that TV appearance. It shows the TV taping as host Ed Burke (a scene-stealing Tony Hale) tries to keep things moving and an audience member Laura (Nicolette Robinson) actually recognizes Alcala as the murderer of her friend.

the movie's set of The Dating Game

The film I found myself thinking of a lot when I was watching this was Jonathan Demme's brilliant thriller The Silence of the Lambs. I'm not saying this is anywhere nearly as good as that, but the genius in Demme's directing is that he had a female protagonist in a male dominated world and it's showing this subtle societal sexism and misogyny in the smallest moments. The story here is very different, but the way that Kendrick is shining a light on sexism even in the smallest ways in the 1970s says so much. Cheryl is giving the Hollywood dream her best shot, but the city is eating her alive and the audience is rooting for her, but within the dating show, where contestants are literally heard and not seen so at to hide who they really are, the sexism is on full display but in the guise of flirty entertainment. But the "you can't write this!" story of this serial killer appearing on a dating show, the undercurrent of terror becomes actual fear not the just suspicious of someone being a little icky. There are still a lot of questions left unresolved, mainly why would a killer go on a TV show, the least inconspicuous place imaginable at the time? But before you have a chance to question it, the film is on to the next victim encounter for you to watch through your fingers. Looking forward to seeing what Kendrick directs next!

For info on Woman of the Hour

3.5 out of 5 stars

[providencepeakrp]

CHARACTER INFORMATION:

Character Name: Matty Foster.

Type of Connection: Ex-Girlfriend (wife?) from Philly.

Connection Name: UTP.

Connection Age: 30-35.

Suggested FCs: UTP! If you need suggestions, maybe: Adria Arjona, Emma Watson, Diane Guerrero, Teyonah Parris, Pallavi Sharda.

CONNECTION DESCRIPTION:

Foster ended up in Philadelphia around the time he was 18 after hitching a ride across the country with a band. Shortly after arriving in the city, he met WC — and she convinced him to stick around for a few years. They were a total roller-coaster — very up and down, in no small part because Foster was incredibly passionate, but also definitely had a lot of trauma he didn't want to deal with... He never said 'I love you,' even though he obviously did, and they were both probably quick with an 'I hate you' whenever there was a fight. I also really love the idea that they got married on a drunken whim, and have never dealt with it since. Very much just totally young and chaotic; she was his first — and last — attempt at a 'serious,' 'adult' relationship. The reason why they eventually broke up for good is up for plotting, but Foster left the city immediately afterwards and has been pretty nomadic ever since. This connection can range anywhere from moderately humorous to soul-destroyingly angsty. Hit me with any ideas you've got! Some dumb lil vibes: x x x x

Do you need to be contacted before someone applies? Yes Please!