#the ballad of tam lin

[grendel-menz]

If my love were an earthly knight, as he's an elfin grey, I wad na gie my ain true love, for nae lord that ye hae.

[jesvisfarovche]

Halloween costume idea: Tam Lin

You start the party dressed as vaguely medieval guy (with maybe elf ears if you wanna be fancy). Then you have costume changes, leaving and coming back dressed as different beasts. The big finish is coming back naked and having someone throw their green cloak over you.

Bonus points for having your partner or friend dressed as Janet and holding you through the "transformations" and being the one to cover you with the green cloak.

Extra bonus points for arriving on a white stick horse toy.

[helenmask]

One of my favorite fairy tales from my childhood is Tam lin

[1800naveen]

Tam Lin from the Ballad of Tam Lin is fine as fuck.

Janet, you lucky girl.

BLONDES ON TOP!

[greengrowsthelaurel]

it’s peak tamlin season and i haven’t posted shit so here

[weirdlookindog]

The Ballad of Tam Lin (1970) - Pressbook cover

AKA The Devil's Widow

[lady-janet]

Important question: are you a dark hair Tam Lin truther or a light hair Tam Lin truther?

[momoguido]

Presenting the results of my latest hyperfixation

Tam Lin is a Scottish folktale, usually presented in ballad form, dating back to at least the 16th Century. It has been summarized and re-told by different people over the years, including Overly Sarcastic Productions. It is the subject of a one-act opera, and was the inspiration for a 1970 movie that updated the story to the present day.

The fairy queen yells at Tam Lin in every version analyzed except for the Anais Mitchell version. Her version is an outlier in many respects, since the entire parade is left out, Janet simply grabs hold of Tam Lin mid-conversation.

Another oddity is Pentangle's version, which was written for the movie and consists of a jumble of images meant to complement scenes from the film, without a coherent narrative.

The biggest surprise to me is how few versions mention Janet seeking an abortion, something that I had always thought of as a central part of the story.

One thing I wish I could have looked at in more depth is the balance between versions that describe Tam Lin's transformations before he goes through them, and versions that describe them as they happen. As they happen is more common, but some songs will do the entire sequence twice.

Going into this, I had two versions prominent in my mind: Anais Mitchell's pop-folk version that leaves out much of the story, and Anne Briggs' very traditional (and very long) version. Because of this, I thought perhaps we would see a decrease in the complexity of the story over the years, but that's not the case, it's basically flat. I think a better comparison might be to separate into traditional and revised versions, although that is something of a judgment call.

There were so many minor discrepancies I couldn't even keep track of them all, but these four stood out because they are so oddly specific. Even the main character's name and the setting aren't consistent across versions, if they're even mentioned at all. Some versions don't even give the main character a name!

My data collection process leaves a lot to be desired, as well as the way in which I decided which events were major or minor, and which things to leave out altogether. This was mainly just a fun way to explore different versions of my favorite folktale, listen to a lot of different people sing different versions of the ballad, and rotate the whole thing in my brain.

[tamlinweek]

Tamlin vs. Tam Lin: A Brief Retelling

Happy Spring Equinox! It is the first day of Spring in the Northern Hemisphere. The days are getting longer, the air is growing warmer, and the earth is growing greener. What better time to learn more about the inspiration behind our favorite High Lord of Spring than today?

O, I forbid you, maidens all That wear gold in your hair To come or go by Carterhaugh For young Tam Lin is there... ~Adapted from the translation of Child Ballad 39A

The Ballad of Tam Lin is an old Scottish folk tale about an enchanted young man who will be sacrificed by the Queen of the Faeries if his mortal love Janet does not save him at the crossroads at midnight on All Hallow's Eve. He says he was once mortal, but fell from his horse and was then taken to faerieland (which is why he is now the Queen's 'elfin knight' and thus cannot leave the boundaries of Carterhaugh).

While A Court of Thorns and Roses is primarily a retelling of Beauty and the Beast, it shares some qualities with the original Ballad. For example, Tamlin can change his shape at will. His beastly form is described as part wolf, part bear, and part elk. In the Ballad, Janet must free Tam Lin by pulling him down from his horse and holding tightly onto him while the faeries forcibly change his shape. If she lets go, her claim on him is forfeit. Depending on the telling, these shapes include:

a wolf

a bear

a lion

a serpent (sometimes a newt, a toad, and/or an eel)

a swan

a hot coal

When Janet at last succeeds, the Faerie Queen laments that had she known that Tam Lin would be stolen back, she would have replaced his heart with one of stone. (Or, more gruesomely, depending on the version, that she wished she had taken his eyes and replaced them with wooden ones.) Sound familiar?

What did the Faerie Queen want him for, anyway? According to the Ballad, the faeries sacrifice someone every seven years as a Tithe to Hell. Tam Lin believes that he is that year's Tithe, and it turns out to be true (because he is just that good-looking - and yes, that is canon!). In ACOTAR, the equally handsome Tamlin has seven times seven years to find someone who can free him from Amarantha's lustful claim upon him, or he is hers forever.

So, how exactly did he find someone to free him from such a fate? As we all know, ACOTAR's Feyre took an innocent life, so she had to cross the Wall to spend the rest of her life in Prythian. In the original Ballad, it's a little more complicated.

The story begins with Janet's father giving her the land containing Carterhaugh, the woods within which the legendary Tam Lin resides. He is said to collect a payment of any maiden passing through (usually her maidenhood ie virginity). From the way the Ballad is written, it seems that Janet seeks him out intentionally. For she has "kilted her green kirtle [skirt] above her knee", and green is said to be the faeries' color. Her hair is also described as yellow (ie blonde ie gold), and she has braided it above her brow in a most flattering way. When Janet searches Carterhaugh and doesn't find Tam Lin, she plucks a double rose that she finds nearby. He appears to tell her that she has taken something that belongs to him, and she sternly replies that the woods are hers to do with as she likes.

The Ballad does not go into detail, but upon returning to her father's house, Janet learns that she is pregnant. Because she does not want to marry anyone else, she returns to Carterhaugh to either find an herb to induce an abortion, or otherwise confront Tam Lin (sometimes both, depending on the version). When she asks him if he was ever human, he says he was, and the only way he can be human again (so that he can "be the baby's father") is if she frees him before he is sacrificed on All Hallow's Eve (as mentioned above).

With all this in mind, it's easy to see where Sarah J. Maas got the inspiration for her version of the story. While ACOTAR's Tamlin was never human, and never became human, he did need rescuing by someone who loved him enough to hold onto him until the end. At least until Book 2, *cough, cough*.

So well she minded what he said, And young Tam Lin did win; She covered him with her green cloak, As glad as a bird in spring. ~Adapted from the translation of Child Ballad 39A

So, there you have it! What other similarities have you noticed between the original Ballad and A Court of Thorns and Roses? Are you excited for Tamlin Week? Remember, it's happening on April 14 - 20, and you can find the prompts here. Happy Spring!

[ladysparrow01]

Myself as Lady Janet from The Ballad of Tam Lin (some 10 years ago) for the Tam Lin Month prompt "Janet".

[somestorythoughts]

Janet, walking into her house after midnight with a naked man wrapped in a cloak next to her: Hey Dad I found my baby's dad and we're getting married!

Her dad: ...I have questions but okay.

Janet: Also Carterhaugh is now safe for maidens bye!

Her dad: wait WHAT

[theboarsbride]

🦌🌿✨

New OC, New story!!

Very rough idea as of rn and nothing is solid (this WIP idea was conjured just yesterday...tis still a newborn), but essentially it's a loose retelling of The Ballad of Tam Lin set in the Regency Era featuring a cursed fae named either Tamlaine or Tamlyne (i just call him "Tam") that disguises himself as a human man named "Mister Thomas Lynne" in order to participate in London's season and find a wife....and here he meets the FMC, Elspet/h, the daughter of a seamstress who is very demure and timid and mousy in both nature and appearance, after she picks a rose from his patch of forest.....and uh yeah super rough and vague for now but that's the idea haha!

(Faceclaims are Ian McShane and Sally Hawkins respectively 🤭)

(Also still trying to figure out a vibe....stuck between gothic folk horror and cozy fantasy romance... meh I'll find a way to combine the two😏)

[gatabella]

"Ava was one of the most perfect screen actresses I've ever encountered because she had a childlike concentration, which is wildly important. It's one of the major things that a film actor or actress should have, because immediacy is tremendously important to hold. I found that when you were working with her you should really never have more than three takes. Because she really did it. Watching her act was a fascinating thing to me I was often stunned. There was one time when she had to take a dagger, stick it into a desk, and say something like, ‘I will not die.’ And when she said it, her eyes in that moment just filled with blood. It was incredible. She didn't have acting craft, but she had this immediate instinct. So in a sense perhaps the toll was larger for her than somebody who had craft at their fingertips. Because she had to really completely do it in that moment.”

-Roddy McDowall on directing Ava Gardner in The Ballad of Tam Lin (1969)

thanks @graciemonaco

[lunamond]

In light of my recent post about Acotar, I wanted to gush some about my favourite Beauty and Beast and Ballad of Tam Lin (and a sprinkle of Bluebeard) YA retelling.

Cruel Beauty by Rosamund Hodge ❤️

This is mostly going to be a gush fest and recommendation for anyone who was also excited by the idea of meshing Beauty and the Beast with Tam Lin and ended up utterly disappointed with Acotar.

Some very mild spoilers (mostly Worldbuilding)

Cruel Beauty is a fun and easy read: YA Fantasy Romance with plenty of popular tropes and archetypes, like the arranged marriage, forced proximity, enemies to lovers, etc

This book still manages to engage in such interesting ways with the original tales it's based on.

Instead of stealing the aesthetic of the Og fairytales and other folklore and mythology like in Acotar.

Any defining fae feature of Sjm's characters is immediately removed in the very beginning of Acotar (the lieing, the iron, etc), turning the characters in what amounts to hot magic people. Even their supposed long lifespans barely impact their behaviour or culture.

Cruel Beauty continuously builts on its roots, making them an intrinsic part of its narrative.

In Acotar outside of the very shallow narrative skeleton of the Beauty and the Beast tale, you could strip away the faerie and folklore elements, and you're left with the same story. The only changes you might need to make are to find a new name for Tamlin (while not that serious, I considered it quite offensive when I first read this series as a teenager that Sjm would take that name and then turn that character into an abuser).

In Cruel Beauty, however, both the defining elements of the Beauty and the Beast story and the Tam Lin story are crucial to the development and resolution of its plot.

The Beast of the story is cursed, as are the inhabitants of his castle. Nyx, our Beauty character, is offered in exchange for a mistake her father made. As she is unknowingly about to break the curse, the Beast lets her go back, but when she returns, it's too late to break the curse.

This is when the story morphes into the Ballad of Tam Lin, and Nyx has to win her lover back from the Faerie Queen in much the same manner as Janet did in the ballad, even saving him from a very similar fate.

The Bluebeard elements, which to me always seemed more like references than an actual retelling, are still really apparent and well integrated.

The representation of the fae is also great in this book. This is especially remarkable due to the fact that the actual words fae or faerie are never used once.

Instead, they are referred to as the Kindly Ones.

However, they are clearly trickster folk who make bargains with unwitting humans that always end up going wrong in cruel ways. They are fair, never directly lie, and always keep their end of the agreement. They place a lot of importance on names, are otherworldly, eerie, etc.

Basically, they actually seem Other, instead of talking and acting like frat bros from the 21st century.

This book differs from a lot of other Fae Fantasy, however, in the way it mixes Greco-Roman Myths with more Celtic Germanic Folklore. It creates a really fun interplay between these cultures, both in-world as well as on a meta level.

First of all, there are some other (in my opinion, more mediocre books) that do throw a lot of mythologies together. CB sets itself apart with the fact that it does so with a lot more purpose than others do.

In many people's minds, different cultures and mythos tend to be viewed as very separate. However, just looking at the Greek and Roman myths, it's already pretty clear that every time cultures clashed, so would their myths and stories.

This is a well studied phenomenon. The romans especially were well known to basically mash up their deities and myths with those of every new culture they interacted with.

And CB uses this brilliantly. The story is set in an alternate timeline, in which, after the fall of Rome, a kingdom known as Arcadia was created by former Roman generals/nobility. This mirrors actual history, during which many early medieval kingdoms would seek their legitimacy in their connections to the Roman Empire (see the Holy Roman Empire aka Germany).

But in CB, the fantastical elements are meshed up in this as well. This allows Rosamund Hodge to create an interesting interplay between the Greco-Roman Mythology imported by the elite in Arcadia and the more Celtic/Germanic Folklore elements native to the land and its population.

So, yeah. Go read Cruel Beauty, please.

[1800naveen]

When I catch you, sjm-

Tam Lin fell off his horse, was captured by fairies, had to find his true love to save him, and then was FORCED by said fairies to be changed into multiple forms.

If you think about it or consider it, Tam Lin is a victim of abuse. The fairy queen said that she would take his eyes, was held captive by these guys, lived under constant threat and/or fear because it said the fairies would sacrifice him to hell on Halloween.

What type would it be? Psychological, emotional, and physical abuse (forcing someone to change form...)

Janet not only recused Tam Lin in an act of true love but freed him.

And then when you take a look at SJM's version of Tam Lin...

What I want to know is how do you take a man who was abused by a woman/fairies with more power over him into an abuser himself?

And her version of his is more popular... Y'ALL GO READ THE ORIGINAL STORY, IT'S BETTER THAN ANYTHING THIS WOMAN COULD PUT OUT!

SJM HAS PUT A STAIN ON TAM LIN'S STORY, DAMN YOU! (I sound like an 1800s villain, lol)

Anyways, Tam Lin and Janet solos all of SJM's couples✌🏾

[seasonofthebxtch]

This is such a sweet photo of Ava and Roddy